Interview Archive
Osamu Akimoto's author's note and Hirohiko Araki's afterword, written in the 160th volume of "KochiKame", published on June 4, 2008.[1]
Interview
Author's Note
Afterword
The Secrets of the Master of the Heart
Greetings. Let me say that right off the bat.
Volume 160 of KochiKame (if I may abbreviate the title)! Congratulations! It's such an honor to be asked to write the afterword for this remarkable volume, and as a manga artist, I am thrilled and see this as an accomplishment. That said, I believe the wonder and greatness of KochiKame has been elaborated upon at least 159 times already. So being Hirohiko Araki, I would like to say something about myself in this afterword.
I made my debut as a manga artist in Weekly Shonen Jump in the winter of 1980. At the award ceremony, Mr. Akimoto congratulated me and said, "Good luck!" Even now, 27 years later, he still remembers me as a newcomer. Though, is that really the sort of thing to brag about?
In the 80's, it was rumored that manga artists would stay up all night and not sleep for days on end, or that they would draw 20 to 30 pages in a single day, as though they were heroes of legend. Having experienced life as a professional manga artist myself, though, I've come to believe that those practices are no good. Because Mr. Akimoto doesn't do that kind of thing, does he? He lives a normal life, takes pride in his work, and no matter how busy he is, he always makes time to attend parties and encourage newcomers and editors. I thought to myself then, "He's the one I should be taking after." And recently, I've only become more and more convinced of that. There's not a doubt in my mind that that attitude is the secret behind the fact that KochiKame only seems to be growing in power and maturity, even though it's reached its 31st year in serialization.
Mr. Akimoto often gives speeches at parties, and they're always so very interesting and wonderful. I really wish you readers could listen to one of them sometime. If I'd recorded one, it would've been nice to cut out everything except the speech and release it on DVD or something. Such speeches are very difficult to deliver, and ordinary people just aren't up to it. There seems to be some kind of secret to it. Mr. Akimoto might scold me for investigating him like this, but since he gave me his blessing back when I was a newcomer, I consider him to be a master of the heart. I pray for both the further development of KochiKame and the future glory of Weekly Shonen Jump.
〝心の師匠〟の秘密
まず、ご挨拶。
『こち亀』（タイトル略すの許してください）第160巻！おめでとうございます。そして、その記念すべきコミックスのあとがきを依頼されるなんて本当に名誉な事ですし、一漫画家として、ひとつの認められた達成と受け取りたいと感激しております。
……という事で、『こち亀』の作品として凄さとスバらしさは、すでに159回にわたって語られて来たと思うので、荒木飛呂彦としては、このあとがきで自分の事
ぼくは1980年の冬に漫画家として週刊少年ジャンプにデビューさせていただいたのですが、その授賞式の時「がんばってね。」と祝福をしてくださったのが秋本先生で、しかも先生は、その当時の一新人の事を27年経った今でも覚えてくださっていたのだ。こういう事って自慢しちゃダメですか？
80年代の漫画家の伝説として、「何日徹夜して寝てない」だとか「一日で原稿20
秋本先生は、よくパーティーでスピーチをなさるのですけれども、これが超おもしろくていいスピーチなんです。読者のみなさんに本当聴かせてあげたい。もし録画してたらスピーチのとこだけまとめて
Gallery
Akimoto's author note
Araki's afterword
