Rohan is often roped into paranormal events while conducting research for his latest manga. He is the Stand user of Heaven's Door, which he uses to transform others into books and read them for inspiration.
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DIO vs Diavolo? GER vs Tusk ACT4? Mista vs Hol Horse? Formaggio vs Gwess? Pet Shop vs Ghiaccio? Mariah vs Risotto Nero? Vanilla Ice vs Okuyasu (Vampirized Ice, inside DIO's Mansion)? N'Doul vs Anjuro Katagiri?
Best JoJo Trip?
Strongest Joestar Group
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彼の作品は、僕のにおいと、とても近い—— ———————————————— 漫画家 寺沢 武一
荒木さんの作品とのファースト・コンタクト(はじめてのふれあい)は、彼が出した手塚賞の応募原稿を読んだ時だったと思う。驚きそして喜んだ。なぜなら、彼は僕と同じにおいがしたからだ。
彼は何よりもまず、ストーリー展開を何度も緻密に練りあげてから構成していく。人間関係はもちろん、それを取り巻く状況、センス・オブ・ワンダーをどこに置くかなど、すべてを完壁に把握した上でなければ語り出さないタイプだ。とはいっても、これは小説や脚本を書くのと同じ手法であって、連載マンガ家としては非常に不利な一面を持っている。
みを求めるあまり、画面の中にちりばめられたSF的感性や主人公の中にある計算されたワンダーに、すべては大気のように気づかれず読み落とされる場合が多い。
しかし、SF作家はそこにこそ自らの資質をつぎ込み、自分の白中夢を映像化しようとこころみる。
先に、彼と僕は同じにおいがしたといったが、それは彼の求める作品の方向が、僕のそれと非常に近しいと感じたからだ。
SF漫画において、作品の質を低下させずになおかつ、エンターテイメントであろうとする作家は数少ない。彼はもちろんその中のひとりであり、今後、今のにおいを持ったまま成熟してゆくと思う。
SF漫画にSF小説でもSF映画でもない。あたりまえのことのように思えるが、SF漫画を描く上ではこの認識が最も重要であり、難しいものだと思う。
お互いそれを意識し、SF漫画というものが何者であるかを知るまで描き続けていきたいものだ。
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バオーの説得カある描写にはうなった! ———————————————— 作家 夢枕 獏
この異様な迫力を持った物語を、ぼくは少年ジャンプ連載時から注目して読んでいた。絵柄もストーリーも遠慮がないのがよかった。おそらくは、この作者が何年もあたためていたものが、この作品でいちどに噴き出したからであるう。
小説の説得力が"文体"によって生まれるのなら、漫画の説得力は"絵"であると思う。どのような"絵"を読者の目の前に差し出せるかである。その"絵"の説得力が、そのまま、その漫画の持つ説得力になる。小さな理屈はどこかに漫えてしまう。
そういう意味で、寄生虫であるバオーの"絵"を見た時、その不気味さ、つまり説得力にばくはうなってしまった。このような"絵"を見せられれば、読者はその作家信用してしまうのである。「SFは描写だ」と、山田正紀氏(SF作家)が何かに書いていたが、漫画も描写であるとぼくは思う。
この物語の続編は、やがて必ず描かれねばならないものであろう。
Best beatdown in JJBA ?
Rohan is often roped into paranormal events while conducting research for his latest manga. He is the Stand user of Heaven's Door, which he uses to transform others into books and read them for inspiration.
It is a supernatural creature that devours its prey. When several insects are attracted to light, Hot Summer Martha emerges from their combined shadows.
It is a small human-like Stand that turns people into books for Rohan to read.
The manga is mentioned in Diamond is Unbreakable and is included in related media such as the light novels, the Diamond is Unbreakable live-action film, and the Thus Spoke Kishibe Rohan TV drama.
http://tkr2000.cocolog-nifty.com/blog/2012/07/post-713a.html Araki Misery couverture
https://privatter.net/p/86425 tohoku speech 2013 from araki
https://www.zhihu.com/question/28288640 An idol jojo fan ?
http://kajipon.sakura.ne.jp/art/jojo-oni.html ONI PAGE
Born in Hokkaido. Read JoJo in high-school.
Co-founder and chief instructor of the JoJo's Posing School (ジョジョ立ち教室, Jojotachi kyōshitsu).
2012 Reconversion into a farmer in Vietnam, cultivating and harvesting fruits.
2014 Marriage.
eats insects.
Kajipon (カジポン).
Born in Osaka in 1967. Graduated from Kinki University. Wrote "The Encyclopedia of Contemporary Words (現代用語の基礎知識)" published in 2010. カジポン・マルコ・残月.
Co-founder of the JoJo's Posing School (ジョジョ立ち教室, Jojotachi kyōshitsu).
Kajipon is a seasoned traveller. He has notably completed several trips mirroring the journeys of the protagonists of each part, from a trip to England to crossing the United States.
Kajipon's most notable activity is his habit of visiting the graves of past personalities. Self-described as a Tomb Miler (墓マイラー, Haka mairā) as he's visited the tombs of over 2500 people across 33 countries.
In August 1987, Mr. Kajipon was in front of Dostoevsky's tomb in Leningrad (now St. Petersburg) in the former Soviet Union. "I was a 19-year-old student at the time. As the last ritual for my teens, I decided to thank my" parents "." When I put my hand on the grave and said "Spa Shiva (Thank you)", a thunder-struck shock ran all over my body.
From the second year of high school, he left his parents' house and lived alone. This is because "the father was in a fight all the time." As a sensitive and troubled teenager, I read Dostoevsky's works such as "Crime and Punishment" and saved my heart many times. From the time I was in my third year of high school, I became a "junkie" who was absorbed in literature, music, and painting. The opportunity is unrequited love. Every time I fell in love with a junior student who aspired to be an art school, a music college student, or a librarian at a library, I began to read literary books, listen to music, and thoroughly investigate the lives of artists.
I always ended up with a broken heart, but the world expanded. "Beethoven, who died at the age of 56, had a broken heart, but he produced a masterpiece in the midst of unrequited love. Van Gogh also had a broken heart, but he drew a masterpiece like" Himawari. " Touched is not the end of the world. Many artists have turned broken hearts into immortal masterpieces. "
In the same graveyard as Dostoevsky, there is also the grave of composers Tchaikovsky and Mussorgsky, and when leaving the graveyard, he said, "I have to thank other artists! Bach! Shakespeare! Goethe! I have to hurry!" It is said that he was driven by a feeling.
I would like to trace the lives of the "beneficiaries" who supported me when I was mentally distressed and express my gratitude. Driven by that thought, while working as a truck driver, when he saves money, he goes on a "pilgrimage trip" at home and abroad. The target has spread to all kinds of great people who have contributed to the history and culture of humankind. "Thanks to the widespread use of the Internet and the creation of a homepage, it has become possible to eat at lecture requests and writing requests. But if you get stuck, even a truck driver will do anything."
The first European pilgrimage at the age of 21 in 1989.
"Even if you say visiting a grave, you can't just come to see the gravestone," he says. "The important thing is to express gratitude. If there is a birthplace nearby, I will stop by. I want to follow in the footsteps of that person. The final point is the grave. However, I have to choose because the funds are not abundant. And I aim to visit the grave more than once as much as possible. I think that it is only when I visit the grave multiple times. "
The destination is not always a graveyard. From the ship in the Antarctic, he made an idea of the direction of Robert Scott's distress and put his hands together, and in the Arctic, Roald Amundsen prayed in the direction of his disappearance.
In 2019, I traveled to South Korea and Taiwan. In Seoul, I visited the grave of Takumi Asakawa, a Japanese who loved Korean ceramics and studied locally, and in the south, I also visited the graves of students scattered in the Gwangju Uprising. In Taiwan, we visited the tombs of Teresa Teng , the hero of the independence movement Mona Rudao, and Yoichi Hatta, who built the Wushantou Dam .
"Around 101 countries, we were able to confirm that humans have much more in common than differences, even if they have different nationalities and cultures. Smiles return with a smile and help troubled travelers." .. No matter where you go, the facial expressions of the people who come to visit the grave give you a feeling of longing and prayer for the deceased. "That's why, even when there are conflicts between countries, we want to look at what they have in common and respect each other."
http://blog.livedoor.jp/jojolab/archives/45899256.html http://blog.livedoor.jp/jojolab/archives/31912422.html http://blog.livedoor.jp/jojolab/archives/45568197.html http://blog.livedoor.jp/jojolab/archives/44970302.html http://blog.livedoor.jp/jojolab/archives/35539747.html http://blog.livedoor.jp/jojolab/archives/35490123.html http://blog.livedoor.jp/jojolab/tag/%E3%82%B8%E3%83%A7%E3%82%B8%E3%83%A7
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