Tomb of the Boom 1 2 3/fr

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Template:Stand Info/fr

Tomb of the Boom 1 2 3 (トゥーム・オブ・ザ・ブーム ワン・ツー・スリー, Tūmu Obu Za Būmu Wan Tsū Surī) sont les Stands que se partagent Benjamin, Andre et L.A. Boomboom, figurant dans la septième partie de JoJo's Bizarre Adventure, Steel Ball Run.

Ce pouvoir se manifeste en trois Stands liés entre eux et à la Famille Boomboom, et ayant des pouvoirs liés au magnétisme.

Apparence

Les "Tomb of the Boom" sont chacun des petits Stands semi-humanoîdes. Chaque version du stand présente de légères différences. Les trois versions possèdent un visage allongé avec une longue langue sortant d'une petite bouche, ressemblant à celle d'un fourmilier.[1]

Tomb of the Boom 2 et 3 ont une tête ouverte, révélant un objet sphérique dont les stries rappellent la forme d'un oeil à l'intérieur de leur crâne. Tomb of the Boom 1 a plutôt des barres métalliques formant un dôme au-dessus de sa tête.

La forme des lèvres de chaque Tombeau de la Boum diffère également: la Tombe de la Boum 1 a des lèvres épaisses et plissées; Tomb of the Boom 2 est le plus semblable à un fourmilier, avec un sourire perpétuel sur son visage; Tomb of the Boom 3 a des lèvres circulaires multicouches.

Toutes les versions de Tomb of the Boom possèdent de longs doigts pointus, Toom of the Bomb 3 en ayant quatre sur chaque main au lieu de cinq. Les mains du Tomb of the Boom 2 sont rayées.

Tomb of the Boom 2's lower body is a mass of human legs, with some disproportionately small, arranged in such a way that they resemble the legs of a crab. The amalgamation of many body parts may allude to the fact that it has several users, though the full bodies of the other two are never shown.

Tomb of the Boom is dark purple in the colored manga.

Abilities

Magnetism

The Boomboom Family's Tomb of the Boom seems to have the power of magnetism. They have control over metal, and can notably destroy one of Gyro's Steel Balls before it can reach them.

Each member of the family, Andre[2] like Benjamin[3] and L.A.,[4] turn people into magnets by touching them, including a few drops of blood.[5]

Once turned, every metal object near the victims will be attracted to them and will sink into their body, causing crippling wounds.[5] André can magnetize several people at once and the victims will also attract each other.[6] If the affected people get far enough from the Boomboom Family, the magnetism weakens,[3] but if they sufficiently approach a victim, the magnetism is so powerful that the victims' bodies will rip themselves apart.[7] The magnetism also becomes more lethal depending on the number of affected people in close proximity of each other.[6]

Tomb of the Boom 1

Tomb of the Boom 1 (トゥーム・オブ・ザ・ブーム ワン, Tūmu Obu Za Būmu Wan): Benjamin Boomboom can let metal objects sink into his skin to replicate the appearance of another person or spawn metal blades from his body to attack by surprise.[3]

His Stand is strong enough to deflect bullets from a revolver.[6]

Tomb of the Boom 2

Tomb of the Boom 2 (トゥーム・オブ・ザ・ブーム ツー, Tūmu Obu Za Būmu Tsū): Andre Boomboom is the most powerful of the three, according to Benjamin.[6] However, it isn't seen doing anything in particular.

Tomb of the Boom 3

Tomb of the Boom 3 (トゥーム・オブ・ザ・ブーム スリー, Tūmu Obu Za Būmu Surī): L.A. Boomboom manipulates iron sand.[4] With the sand, L.A. immobilizes his victims by binding their limbs.[4] Additionally, he is able to kill a person by manipulating the iron particles in their blood to suck out their blood. Tomb of the Boom itself takes form from the iron sand.

L.A. is shown drawing the head of Tomb of the Boom on the sand before it activates.[4] It is unknown whether that is a necessary part of its ability or not.

Chapters

Book Icon.png Manga Appearances
Chapters in order of appearance

Trivia

  • The name of the Stand was never given in the manga. Its name was eventually revealed in JOJOVELLER's Stand Encyclopedia.
  • Tomb of the Boom being a stand shared between 3 users may be in reference to the song "Tomb of the Boom" featuring three artists seperate from OutKast (Konkrete, Big Gipp, and Ludacris)

References

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