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Template:One-shot Infobox\nPoker Under Arms (武装ポーカー, Busō Pōkā) is a Japanese shōnen manga one-shot written and illustrated by Hirohiko Araki. Having been a "Selected Work" runner-up at the Tezuka Awards, this Wild West one-shot was Araki's first published work and his official debut as a manga artist.
The one-shot is included alongside Araki's other early works in the volumization of Gorgeous Irene.
A wealthy old man sits down at a picnic, preparing to tell his audience a story about a dangerous poker game between gunmen.
Don Peckinpah is an infamous gunman with a bounty of $10,000 on his head, making him a constant target for bounty hunters looking for fame and riches. He is often described as being the devil, due to his malicious yet calm nature. At the start of the story, Peckinpah has just killed his latest victim, a bounty hunter who tried to ambush him at the barber shop. Peckinpah is impressed by the cleverness of the ploy, but takes pride in having a quicker wit and a faster draw.
After leaving the barber, Peckinpah enters a bar and orders a drink. At the bar, he overhears a group of poker players and asks if he can join them. One of the players, Mike Harper, is an equally-skilled gunman who has just arrived in town bearing the same bounty as Peckinpah's. Peckinpah demonstrates his talent by taking four cards and flicking them into the deck to push out the four aces. Not one to be outdone, Harper then mixes the deck so that the four aces end up at the top, scaring the other players away. The two gunmen agree to play one-on-one.
Mike Harper quickly reveals himself to be the better player. Frustrated by his losing streak, Peckinpah interrupts the game to take out his anger on a old drunkard before regaining his composure. Peckinpah devilishly suggests that they make the game more interesting by betting their guns, which would render the loser an easy target for bounty hunters and fellow outlaws. Mike Harper reluctantly agrees to the stakes. Peckinpah discreetly switches his cards before revealing his hand: four of a kind in queens. Suddenly, the drunkard points out that Harper also has four queens in his hand. Peckinpah and Harper throw the table and draw, but the drunkard takes the opportunity to throw a Molotov cocktail at the two gunmen, killing both.
And so, the wealthy old man's story concludes. The old man's girlfriend appears and reminds him of his promise to go shopping for clothes with her. As they walk to their car, the man's girlfriend also mentions reading that he had killed two criminals in the newspaper, remarking that his life as a sheriff must be very hard work.
In his book Hirohiko Araki's Manga Technique, Araki explains how he designed Poker Under Arms to be as appealing as possible.
For starters, Araki chose the Western setting to stand out from the competition. Having the idea of a story about gambling and violence, Araki titled his work "Poker Under Arms" to evoke both of these concepts. Figuring that most competitors would feature their protagonists in the cover page, Araki decided to do the opposite and draw an unknown man being gunned down during a game of poker.
To start the story, Araki eschewed directly introducing his protagonists and instead used the character of the old man as a mysterious narrator. Araki then purposefully introduced Don Peckinpah in the second page in the barber shop to show the reader that he was a formidable gunman and a guy tough enough to be able to care about his appearance in the midst of a dangerous gunfight. Araki also decided to have Don Peckinpah gun down someone in an unusual place (the barber shop) to show the readers that the setting wasn't a normal town.
Araki also designed Don Peckinpah and Mike Harper's appearances so that they contrasted each other. Details include Don Peckinpah's white shirt against Harper's dark jacket, Peckinpah's dark hair against Harper's light hair, and Peckinpah's thick eyebrows against Harper's narrow ones.
Poker Under Arms was created as an entry for the 1981 Tezuka Award competition. Although no winner was selected, Araki's work alone won the "Selected Work" runner-up distinction, having drawn the attention of the judges.
-ちばてつや先生
「『武装ポーカー』は会話のやりとりがイキで味がある。ポーカーをするふたりの主人公の性格も、きちっと描きわけてるし、力量を感じる。」
-筒井康隆先生
「いつもと同じ水準ではあるが、今回は『武装ポーカー』が、文句なしにおもしろかった」
-馬場のぼる先生
「『武装ポーカー』は、ストーリー構成がうまい。イントロから本題への導入も、うまい。最終ページ、保安官の登場が、コマが小さくなってしまったのが残念。」
-中野祐介先生
「全体に共通して言えることは、技巧が目だち、心にうったえる力が弱い。しかし、『武装ポーカー』『コスモフロンティア』『闘士』『略奪!密輸劇』などは、将来性のある新人群だ。 これらの新人群が、順調に成長すれば、少年誌の・・・いやコミック界の作品内容に、なんらかの変化をもたらすと確信する。」
-阿部高久先生
「ずばぬけた作品はなかったが、中級の作品として粒がそろっていた。中でも『武装ポーカー』は、かなりの力量があり、最後まで読む者をひきつける。ただ、程度が高いのが難点か!?」
-手塚治虫先生
「作品の中では、『武装ポーカー』がぬきんでておもしろい。ややおとなむけだがスリルがあり、映画を相当みていると思わせるすぐれた構図がある。文句なしの準入選だ。」
Weekly Shonen Jump #1, 1981
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Volume One-Shots | |
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One-Shots and Miscellaneous Works | |
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Early Works by Araki | |
Gorgeous Irene | |
Under Execution, Under Jailbreak | |
Collaborations | |
Parodies and Homages |