{{Row|{{Tabber|1|[[File:Be love 2018 issue 2.jpg|140px]]|2|[[File:ChihayafuruAraki.png|140px]]}}|{{W|Be Love}} 2018 Issue #2<br>{{W|Chihayafuru}}'s 10th Anniversary|December 28, 2017|{{Tabber|Translation|TBA<br><br>Congratulations on the 10th anniversary of ''{{W|Chihayafuru}}''.|Transcript|バァーン!<br>こんなので良い?<br><br> 『ちはやふる』10周年おめでとうございます。}}|w1=15%|w2=25%|w3=15%|w4=45%}}
{{Row|{{Tabber|1|[[File:Be love 2018 issue 2.jpg|140px]]|2|[[File:ChihayafuruAraki.png|140px]]}}|{{W|Be Love}} 2018 Issue #2<br>{{W|Chihayafuru}}'s 10th Anniversary|December 28, 2017|{{Tabber|Translation|TBA<br><br>Congratulations on the 10th anniversary of ''{{W|Chihayafuru}}''.|Transcript|バァーン!<br>こんなので良い?<br><br> 『ちはやふる』10周年おめでとうございます。}}|w1=15%|w2=25%|w3=15%|w4=45%}}
{{Row|{{Tabber|1|[[File:Saikyo Jump August 2022.png|140px]]|2|[[File:Dragon Ball Super Gallery Araki.png|140px]]}}|{{W|Dragon Ball}} Super Gallery - Volume 33<br>[[Saikyo Jump]] August 2022|July 4, 2022|{{Tabber|Translation|While trying to make a perfect copy, I realized once again: while {{W|Akira Toriyama|''Toriyama''}}-sensei‘s art might look like it was drawn onto a flat surface in a very simple manner, the truth is that it has an extremely precise sense of three-dimensionality to it. An amazing technique that can convey both flatness and three-dimensionality at the same time! It really is great artwork, isn’t it? I am extremely honored that I got to draw the cover to volume 33.|Transcript|完全模写をめざして描いてみて、改めて思いました。鳥山先生の絵は、シンプルに平面に描いてる様に見えて、実は立体感が、異常に正確。「平面と立体感を同時にやっちゃってる。」という凄いテクニック！やっぱりいい絵だなぁ。33巻を描けて、とても光栄です。 }}|w1=15%|w2=25%|w3=15%|w4=45%}}
{{Row|{{Tabber|1|[[File:Saikyo Jump August 2022.png|140px]]|2|[[File:Dragon Ball Super Gallery Araki.png|140px]]}}|{{W|Dragon Ball}} Super Gallery - Volume 33<br>[[Saikyo Jump]] August 2022|July 4, 2022|{{Tabber|Translation|While trying to make a perfect copy, I realized once again: while {{W|Akira Toriyama|''Toriyama''}}-sensei‘s art might look like it was drawn onto a flat surface in a very simple manner, the truth is that it has an extremely precise sense of three-dimensionality to it. An amazing technique that can convey both flatness and three-dimensionality at the same time! It really is great artwork, isn’t it? I am extremely honored that I got to draw the cover to volume 33.|Transcript|完全模写をめざして描いてみて、改めて思いました。鳥山先生の絵は、シンプルに平面に描いてる様に見えて、実は立体感が、異常に正確。「平面と立体感を同時にやっちゃってる。」という凄いテクニック！やっぱりいい絵だなぁ。33巻を描けて、とても光栄です。 }}|w1=15%|w2=25%|w3=15%|w4=45%}}
{{Row|{{Tabber|1|[[File:Yoshihiro Togashi Exhibition -PUZZLE-.jpg|140px]]|2|[[File:Araki Yusuke YYH.jpg|140px]]}}|{{W|Yoshihiro Togashi}} Exhibition -PUZZLE-<br>{{W|Yoshihiro Togashi}}'s 35th Anniversary|October 28, 2022|{{Tabber|Translation|In my way of thinking, a hero is usually drawn as a far-off, idealistic figure. On the other hand, the heroes that Togashi-sensei draws are truly like friends right by your side. Or like a big brother who’s close to you, it’s realistic. I thought, “These are the best characters that I’ve read.” I’m filled with great pride that we were able to write within Shonen Jump during the same period.<br>“EXHIBITION TOGASHI YOSHIHIRO -PUZZLE-”, I celebrate you from the bottom of my heart. Congratulations.|Transcript|TBA}}|w1=15%|w2=25%|w3=15%|w4=45%}}
{{Row|{{Tabber|1|[[File:Fist of the North Star 40th Anniversary Exhibition.jpg|140px]]|2|[[File:Fist of the North Star 40th Hirohiko Araki.jpg|140px]]}}|[[Fist of the North Star]] 40th Anniversary Exhibition|October 5, 2023|{{Tabber|Translation|Congratulations on the 40th anniversary of ''[[Fist of the North Star]]''.|Transcript|『北斗の拳』40周年誠におめでとうございます}}|w1=15%|w2=25%|w3=15%|w4=45%}}
{{Row|{{Tabber|1|[[File:Fist of the North Star 40th Anniversary Exhibition.jpg|140px]]|2|[[File:Fist of the North Star 40th Hirohiko Araki.jpg|140px]]}}|[[Fist of the North Star]] 40th Anniversary Exhibition|October 5, 2023|{{Tabber|Translation|Congratulations on the 40th anniversary of ''[[Fist of the North Star]]''.|Transcript|『北斗の拳』40周年誠におめでとうございます}}|w1=15%|w2=25%|w3=15%|w4=45%}}
{{Row|{{Tabber|1|[[File:Weekly Jump 1989 WinterSpecial.png|140px]]|2|[[File:WSJ Winter 1989 Contents.jpg|140px]]}}|[[Weekly Shonen Jump]] 1989 Winter Special|January 4, 1989|{{Tabber|Translation|I enjoy working with {{W|CMYK color model|four colors}}, so drawing this [[:File:WSJ Winter Special 1989 Pin up.png|poster]] was really fun! To all my readers, please enjoy putting this up in your rooms.|Transcript|4色をかくのは好きなので、楽しんでかきました！ 読者の皆様も部屋にはって楽しんでください。}}|w1=15%|w2=25%|w3=15%|w4=45%}}
{{Row|{{Tabber|1|[[File:JumpWorldEventPamphlet.jpg|140px]]|2|[[File:Jump Museum JoJo Page.jpg|140px]]}}|[[Jump Multi World]] Pamphlet<br>[[Weekly Shonen Jump]]'s 25th Anniversary|July 28, 1993|{{Tabber|Translation|Happy birthday to Mr. ''[[Weekly Shonen Jump]]''. I’ve known you since you were born. I’ve received a reply to my fan letter from {{W|池沢早人師|Satoshi Ikezawa|lang=ja}}, and won a bicycle and baseball bat as prizes as well. One time, a teacher found me reading you during class, and I cried as he cruelly incinerated you. You are my life. Please continue to support me from here on out.|Transcript|『週刊少年ジャンプ様』ご誕生25歳、おめでとうございます。私はあなたがご誕生なされた時から知っています。池沢さとし先生からファンレターの返事を頂いたこともありますし、懸賞で『自転車』とか『野球のバット』を当てたこともございます。授業中読んでいて教師に見つかり、あなたが焼却炉で無残にも焼かれた時など思わず泣いてしまいました。あなたは私の「人生」そのものです。これからもよろしくお願いいたします。}}|w1=15%|w2=25%|w3=15%|w4=45%}}
{{Row|[[File:Da Vinci March 2009.jpg|140px]]|{{W|Da Vinci (magazine)|Da Vinci}} March 2009<br>[[CLAMP]]'s 20th Anniversary|February 6, 2009|{{Tabber|Translation|TBA|Transcript|20周年おめでとうございます。CLAMPは血液型がＡ型とＯ型のチームで、「Ｂ型は私達の仲間には入れない」と言っていましたよね。僕はＢ型です。これからも仲良く４倍の力を出して、いい作品を描き続けてくださいね。楽しみにしています。}}|w1=15%|w2=25%|w3=15%|w4=45%}}
{{Row|{{Tabber|1|[[File:OSJ June 2010.jpg|140px]]|2|[[File:Gaius Julius Caesar.png|140px]]}}|{{W|Super Jump#Oh Super Jump|Oh Super Jump}} 2010 Issue #6 - Historical Great Man|May 18, 2010|{{Tabber|Translation|TBA|Transcript|歴史とはよく「勝者のための歴史」だとか、後世代の作家が理想を入れて、都合よく、変えられているとか、思われがちのイメージがありますけれども、「ユリウス・カエサル」は自分の恥も弱点も敗北も、ありのまま事実を記録したとか。それが国家のため、後世のためになると考えて、その日時や出来事を正確に証明できるよう「ユリウス暦」を考案したそうで。そういう考え方を尊敬します。英雄中の英雄に認定したいです。女性にモテた所も大好きです。(ようするに女性に恨まれた事実がないのね。(笑))}}|w1=15%|w2=25%|w3=15%|w4=45%}}
{{Row|{{Tabber|1|[[File:OSJ June 2010.jpg|140px]]|2|[[File:Gaius Julius Caesar.png|140px]]}}|{{W|Super Jump#Oh Super Jump|Oh Super Jump}} 2010 Issue #6 - Historical Great Man|May 18, 2010|{{Tabber|Translation|TBA|Transcript|歴史とはよく「勝者のための歴史」だとか、後世代の作家が理想を入れて、都合よく、変えられているとか、思われがちのイメージがありますけれども、「ユリウス・カエサル」は自分の恥も弱点も敗北も、ありのまま事実を記録したとか。それが国家のため、後世のためになると考えて、その日時や出来事を正確に証明できるよう「ユリウス暦」を考案したそうで。そういう考え方を尊敬します。英雄中の英雄に認定したいです。女性にモテた所も大好きです。(ようするに女性に恨まれた事実がないのね。(笑))}}|w1=15%|w2=25%|w3=15%|w4=45%}}
{{Row|[[File:SuzuBook.jpg|140px]]|Suzu Hirose PHOTO BOOK - 17 year old Suzu<br>([https://web.archive.org/web/20160204154240/http://www.araki-jojo.com/1017/ Araki-jojo.com])|January 31, 2016|{{Tabber|Translation|TBA|Transcript|"広瀬すずさんと制服"というお題でご依頼いただき、名誉なことだし、新鮮なので描いてみたいと思いました。『ジョジョリオン』の主人公と関連させているので、見つけて楽しんでいただければ。}}|w1=15%|w2=25%|w3=15%|w4=45%}}
{{Row|[[File:SuzuBook.jpg|140px]]|Suzu Hirose PHOTO BOOK - 17 year old Suzu<br>([https://web.archive.org/web/20160204154240/http://www.araki-jojo.com/1017/ Araki-jojo.com])|January 31, 2016|{{Tabber|Translation|TBA|Transcript|"広瀬すずさんと制服"というお題でご依頼いただき、名誉なことだし、新鮮なので描いてみたいと思いました。『ジョジョリオン』の主人公と関連させているので、見つけて楽しんでいただければ。}}|w1=15%|w2=25%|w3=15%|w4=45%}}
{{Row|{{Tabber|1|[[File:Weekly Jump 1987 WinterSpecial.jpg|140px]]|2|[[File:WSJ Winter 1987 Araki.jpg|140px]]}}|[[Weekly Shonen Jump]] 1987 Winter Special|January 20, 1987|{{Tabber|Translation|My editor recently scared me with a toy he called a "viper's egg." It really is scary, you know!! Also in recent news, both my sisters got married at the same time. It's so lonely for an older brother, being left behind like that...|Transcript|担当者に“ハブの卵”ってビックリオモチャでおどかされた。実際、ありゃコワイぜ、まったく…くそっ!! 妹が最近、一気にふたりとも結婚してしまったこと――兄をおいてくな、さびしい…。}}|w1=15%|w2=25%|w3=15%|w4=45%}}
{{Row|[[File:Da Vinci September 2008.jpg|140px]]|{{W|Da Vinci (magazine)|Da Vinci}} September 2008<br>{{W|Chimera (novel series)|Chimera}} New Edition Publication|August 6, 2008|{{Tabber|Translation|TBA|Transcript|『キマイラ』シリーズの悪魔的な色気というか、セクシーな魅力を出せるのは天野喜孝さんと寺田克也さんのお二人しかいないでしょう。「キマイラ芸術」の全てを、新装版でそろえるのが楽しみです}}|w1=15%|w2=25%|w3=15%|w4=45%}}
{{Row|{{Tabber|1|[[File:Brutus 2009.jpg|140px]]|2|[[File:Brutus 2009 Bios.jpg|140px]]}}|{{W|Brutus (magazine)|Brutus}} 2009 No.658|March 2, 2009|{{Tabber|Translation|I was a little nervous when I first met Dr. Saito since I was expecting to be his next psychoanalysis patient. It's been 12 years since that encounter, and I've learned from him that there are many different ways to interpret any given situation. His neutrality has truly inspired me. —[[Hirohiko Araki]]<br>Writers who face challenges with their personal health tend to have short-lived careers. Mr. Araki's works often portray individuals grappling with inner turmoil and strife, manifested through unhealthy conduct. Yet, they continue to persist and flourish thanks to Mr. Araki's own well-being. —[[Tamaki Saito]]|Transcript|初めて斎藤先生に会った時は、自分も精神分析されるのかなあなんて思って、少し緊張していました。あれからかれこれ12年の付き合い。斎藤先生には、どんな物事にもいろんな角度からの解釈があることを教えてもらいました。先生の平等さに、僕は感動したんです。＜荒木 飛呂彦＞<br>病理に冒された作家は長続きしないもの。荒木さんの作品には屈折も葛藤もあるし、表現は健康的とは言えない。でも、荒木さん自身が健康なので続いているんです。＜斎藤 環＞}}|w1=15%|w2=25%|w3=15%|w4=45%}}
{{Row|{{Tabber|1|[[File:HAraki 2011 Postcard.png|140px]]|2|[[File:HAraki 2012 Postcard.jpg|140px]]|3|[[File:ArakiNY.jpg|140px]]|4|[[File:ArakiNewYearsCard2014.jpg|140px]]|5|[[File:2015ArakiJosuke.jpg|140px]]|6|[[File:JosukeNewYears2016.jpg|140px]]|7|[[File:2017ArakiJosuke.jpg|140px]]|8|[[File:ArakiNewYear2019.png|140px]]|9|[[File:JoJolionNewYear2020.jpg|140px]]|10|[[File:JoJolionNewYear2021.jpg|140px]]|11|[[File:Hirohiko Araki New Years Card 2023.jpg|140px]]|12|[[File:Araki2024NewYearCard.jpg|140px]]|13|[[File:Araki New Year 2025.jpg|140px]]}}|New Year's Card Message|2011 - Present|{{Tabber|Translation|Thank you for all your support during the past year.<br>I sincerely wish you all good health and happiness.<br>I humbly ask for your continued support this year as well.|Transcript|旧年中はお世話になりました<br>皆様のご健康とご多幸を心からお祈りいたします<br>本年も何卒よろしくお願い申し上げます}}|w1=15%|w2=25%|w3=15%|w4=45%}}
{{Row|{{Tabber|1|[[File:HAraki 2011 Postcard.png|140px]]|2|[[File:HAraki 2012 Postcard.jpg|140px]]|3|[[File:ArakiNY.jpg|140px]]|4|[[File:ArakiNewYearsCard2014.jpg|140px]]|5|[[File:2015ArakiJosuke.jpg|140px]]|6|[[File:JosukeNewYears2016.jpg|140px]]|7|[[File:2017ArakiJosuke.jpg|140px]]|8|[[File:ArakiNewYear2019.png|140px]]|9|[[File:JoJolionNewYear2020.jpg|140px]]|10|[[File:JoJolionNewYear2021.jpg|140px]]|11|[[File:Hirohiko Araki New Years Card 2023.jpg|140px]]|12|[[File:Araki2024NewYearCard.jpg|140px]]|13|[[File:Araki New Year 2025.jpg|140px]]}}|New Year's Card Message|2011 - Present|{{Tabber|Translation|Thank you for all your support during the past year.<br>I sincerely wish you all good health and happiness.<br>I humbly ask for your continued support this year as well.|Transcript|旧年中はお世話になりました<br>皆様のご健康とご多幸を心からお祈りいたします<br>本年も何卒よろしくお願い申し上げます}}|w1=15%|w2=25%|w3=15%|w4=45%}}
{{Row|{{Tabber|1|[[File:ArtMaterials-BeautyofMiyagi.jpg|140px]]|2|[[File:Art Materials Araki.jpg|140px]]}}|Art Materials: Beauty of Miyagi|~2012|{{Tabber|Translation|TBA|Transcript|絵画というものは、何をどのように描いても自由なものであるとは思いますが。わたしの場合、画面の「構図」を、見てくれる人の心に残るように工夫・努力します。真中よりも画面の端に人物を寄せてみたり、視点を下方向からおあってみたり、人物に普段では行わないポーズをとらせてみたり、そうすると絵に日常ではない、ファンタジー性が生まれてきます。配色も同じ考えで、日常にはないような色と色の組み合わせを考えて塗ったりします。}}|w1=15%|w2=25%|w3=15%|w4=45%}}
{{Row|Message for ''[[JoJo's Bizarre Adventure]]'' reaching 100,000,000 copies in circulation.|December 16, 2016|{{Tabber|Translation|TBA|Transcript|『ジョジョ』の連載が始まったのが1987年。それから30年をまさに迎えようかというタイミングで1億冊を突破したということは誠に嬉しい事です。そして、30年の間にこの作品とキャラクターたちを、手にとってきてくれた読者の方々には感謝しかありません。けど、これがゴールではなく、30周年となる2017年も様々な企画が盛り沢山なので、これから先も『ジョジョ』を楽しんでもらえればと願っています。}}|w1=20%|w2=20%|w3=60%|w4=45%}}
{{Row|[[File:JoJoExhibitionArakiMessage.jpg|140px]]|[[Hirohiko Araki JoJo Exhibition: Ripples of Adventure]] Message<ref>https://web.archive.org/web/20180803163403/http://www.araki-jojo.com/1274/</ref><ref>https://web.archive.org/web/20171228225431/http://jojoex-2018.com/#arakawa</ref>|December 15, 2017|{{Tabber|Translation|The Hirohiko Araki JoJo Exhibition: Ripples of Adventure will be held this summer of 2018 at {{W|the National Art Center, Tokyo}} in {{W|Roppongi}}, {{W|Tokyo}}. It is a great honor for me to be able to unveil the culmination of ''JoJo''{{'}}s [[30th Anniversary|30th anniversary]] in such a prestigious location. At the same time, I also feel nervous. The essence of what ''JoJo'' aims to depict is "spiritual growth" through every phenomenon in the world, and through the battles between good and evil. In this original art exhibition, the idea is for the characters and their [[Stand|guardian spirits]] to gather together at the same time and place. I am also planning to draw several new pieces for the exhibition. Please look forward to next summer.|Transcript|このたび2018年夏―<br />“荒木飛呂彦原画展 JOJO 冒険の波紋”を東京・六本木『国立新美術館』にて開催する運びとなりました。<br />大変に名誉ある場所でJOJO30周年の集大成を皆さまの前にご披露させて頂ける事は、本当に光栄であります。また同時に緊張も感じております。<br />JOJOが目指して描くものはこの世のあらゆる現象、そして善と悪の闘いを通しての「精神の成長」であります。今回の原画展では、そのキャラクターたちと守り神たちが、同じ時刻、同じ場所に会するイメージ。<br />―そして新作画の執筆も複数枚、計画しております。<br />皆さま、よろしければ来夏を楽しみにお過ごし下さい。}}|w1=15%|w2=25%|w3=15%|w4=45%}}
{{Row|[[Hirohiko Araki JoJo Exhibition: Ripples of Adventure]] Message|November 19, 2019|{{Tabber|Translation|TBA|Transcript|この度、「東京」と「大阪」に続き、この原画展が「長崎」と「金沢」で開催される運びとなりました。共に深い歴史文化と特別な地域環境を持つ2つの都市、そしてどちらも傑作建築物である美術館の素晴らしいスペースの中に、JOJOの原画が参上できるという事は本当に光栄で最上の喜びです。
Congratulations on your 30 years in the manga industry. Ever since your debut, I sensed a certain something in you that felt incredibly new and innovative, and that has not changed to this day. I pray that you continue to evolve and develop even further.
Congratulations on the 10th anniversary of Usogui.
On the 10th anniversary of Usogui, Sako's body fat percentage also reached 10%. It's a number worth celebrating, indeed. I pray for Usogui's future prosperity.
While trying to make a perfect copy, I realized once again: while Toriyama-sensei‘s art might look like it was drawn onto a flat surface in a very simple manner, the truth is that it has an extremely precise sense of three-dimensionality to it. An amazing technique that can convey both flatness and three-dimensionality at the same time! It really is great artwork, isn’t it? I am extremely honored that I got to draw the cover to volume 33.
I imagined the gods of sports descending on Japan from a sky filled with clouds resembling turbulent waves. The compositional motif was taken from Katsushika Hokusai's print, The Great Wave off the Coast of Kanagawa. Deciding on the color of Mount Fuji was difficult, but I finally settled on a honey color.
I took on the challenge of making a perfect recreation of Napoleon. I kept the tricolor in mind when choosing the colors. Learning about historical figures through manga makes it easy to understand, doesn't it?
Thank you for all your support during the past year. I sincerely wish you all good health and happiness. I humbly ask for your continued support this year as well.
The memory of a fighter jet pilot that was summoned by Under World. At some point in the past, the back of his jet was shot by a MiG fighter jet and a chunk of his body was also shot off. He lost control of the jet and didn't eject before the jet crashed in Florida. The remains of the pilot were never fully recovered due to being obliterated upon impact.
The memory of him and his jet was conjured by Donatello Versus to trap Jolyne. She questioned the pilot on how she can get out and he tells her about the ejection seat button and that it wouldn't work anyways.
