User:Nabu/Sandbox

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The Visitor 1

Prisoner of Love

Ermes Sticker

Operation Savage garden 1

Pucci is seen reflecting alone in his office. He's erased all traces of his presence in Miraschon's memory DISC. Reflecting that humans are defined by their will to go to Heaven, Pucci thinks that they should consecrate their time to seek Heaven as he crushes an ant with a finger.

After retrieving Jotaro's Stand Disc from Whitesnake's Disc stash and secured it, Jolyne now heads to the prison telephones. Just as one of the inmates prepares the pick up the phone, Jolyne taps on her shoulder to tell her to move. The inmate briefly gets angry but sees the money Jolyne's offering her and changes her attitude, making a fuss of Jolyne to please her. Jolyne thus contacts the Speedwagon Foundation. The people at the Dallas Headquarters initially decline to contact her but she presents herself and thus a representative of the foundation who is in the know about the whole affair picks up the phone.

The contact informs Jolyne that they have retrieved Jotaro Kujo's unconscious body and moved him somewhere safe but that he's presented no signs of life, which quietly shocks Jolyne. However, she offers a way to revive him as she's retrieved one of the DISCs stolen from him and asks the Foundation to figure out a way to quickly extract the DISC. The representative asks if the conversation could be being wiretapped, something Jolyne confirms, stressing that her enemies will move as soon as they learn about this call. The contact asks if Jolyne can access the courtyard between the men and the women's wards and tells her to be there in twenty minutes due to the urgency of the situation. The representative makes it clear that they cannot assist her or help her escape but Jolyne accepts the operation. Unwilling to divulgue the plan in detail, the representative only tells her to look for Savage Garden and hangs up, leaving Jolyne puzzled about the nature of this "Savage Garden". As she hangs up the phone, Jolyne tries to visualize the path she needs to take to reach the courtyard.

Jolyne bribes her way through part of the prison when suddenly, Emporio calls for her. Jolyne meets Emporio in one of the staircases of the prison and Emporio tosses his baseball towards Jolyne, the ball flying through her. Astonished, Jolyne turns her head only to see Emporio inside of a crack in the wall, his whole body seemingly flattened. Emporio then drags Jolyne inside of the crack. There, Jolyne finds herself in a room with various pieces of furnitures, from a piano to various painting or bookshelves. More importantly, two men are sitting inside and leaning against the piano, though Emporio tells Jolyne to not mind them. The pink-haired man looks at her before leaving. Emporio begins to present his secret room and describe all its details, showing that the room is actually the ghost of an old room that has burned down in 1984 and which is sustained by Emporio's own ability: Burning Down the House. However, Emporio precises that he isn't a Ghost.

Emporio chastises Jolyne for having imprudently called the Speedwagon Foundation and warns her that Whitesnake will definitely find out about it in less than twenty minutes. Jolyne asks Emporio to give her a shortcut to the courtyard but the boy tells her that there is no shortcut and that he merely hides inside of Ghost objects to traverse the prison undetected. Nonetheless, he offers his assistance. Emporio transports the group into the real music room and uses the occasion to present Weather Report, another inmate who agrees to help Jolyne reach the courtyard. Weather is amnesic with a number of eccentric habits whose memories were probably stolen by Whitesnake, hence his will to retrieve his memories and discover what is happening. Moreover, says Emporio, Weather Report has his own Stand of of the same name which controls the weather. Weather thus summons a rain cloud and a gust of wind which creates a puddle of water and makes several pencil fall on the piano. The sudden sound prompts an unknown stalker to look in and the heroes see his reflection on the puddle, confirming that Whitesnake's allies are already trailing Jolyne.

Jolyne, Emporio and Weather run to the factory with their enemy, Lang Rangler, close behind. Lang strangely walks on all fours, having suction cups on his fingertips. He manages to spit on Jolyne's trousers before the heroes turn a corner, and when Lang reaches the corner too, he loses sight of them. Seemingly at a loss, Lang Rangler leaves the scene. In truth, the heroes are hiding under a prison coat. Emporio urges Jolyne to go to the courtyard immediately before Whitesnake can hear about the plan. Weather Report then whispers something in Emporio's ears, the latter explaining that Weather has told him about the guards standing in the way and the risk she incurs when she will have to force her way through. Still, Jolyne remains determined to save her father. The group thus splits up.

While Emporio stays behind, Weather quietly heads back to the men's ward, followed by Jolyne who has partially the same route. The factory guard who watches the corridor decides to treat himself to a soda but the drink bubbles and spills over his glass. He complains and accuses Jolyne of having touched the drink but she refutes the accusation. She slips a $50 bill under the guard's saucer and pretends she needs to have her shoe repaired. The guard quietly accepts the bribe, nonchalantly telling Jolyne to buy him another drink as he turns away. Satisfied, Jolyne prepares to leave but she notices the bill stuck on her neck. She initially mistakes it as the guard genuinely telling her to buy him a drink but then she notices that the glass and the saucer are also stuck to her. When the guard turns to look at the hallway, Jolyne has already disappeared. In reality, she's begun to float in the air alongside the saucer, glass and soda. Confused and freely drifting midair, Jolyne realises that Lang Rangler's spit has caused her to become suspended in air. The Star Platinum DISC slips out of her pocket but when she tries to send a thread to retrieve it, she misses the DISC and becomes disorientated. She thus realises that she's not merely floating, but as lost any sense of up or down, as she's lost her "gravitational force" and is now is a zero-gravity environment.

It is a this moment that Lang reappears and launches himself towards the DISC. Jolyne tries to send a thread more carefully, in a straight line to alleviate the loss of balance, but Lang simply blows the thread away and seizes the DISC. He tries to bend the DISC but the item refuses to bend or break, forcing Lang to keep it in his back pocket as he crawls out of sight. Jolyne grabs the glass and throws it towards the men's ward with a thread attacked. Having created a makeshift string telephone, Jolyne is able to call Weather Report for help, who comes running to assist her.

Weather sees Lang Rangler crawling on the ceiling and runs towards him to attack. Unimpressed, Lang summons his Stand, Jumpin' Jack Flash, who possesses strange rotating spherical gauntlets at the wrist. Jolyne warns Weather about the gravity loss caused by the enemy Stand just as it shoots projectiles from its wrist towards Weather. Weather summons clouds which deflect the projectiles away, showing that they are nuts, bolts and screws. Observing from afar, Jolyne tries to make sense of Weather's ability and guesses that he's created atmospheric layers to use the air resistance to deflect the attack, and guesses from the gauntlets spinning that Lang shoots his projectile via centrifugal force. Weather and Lang confront each other and prepare to exchange blows. However, Lang's arm is set aflame due to the friction with Weather's layers of air. Lang releases the zero-gravity, making a ventilator fall on Weather. The fall of the objects on the floor activates an emergency alarm in the hallway and the doors begin to close automatically. The alarm makes the plan even more difficult to fulfill for Jolyne but she expects to be able to take the DISC from Lang's hands if they're trapped together. To her surprise, Langs shoots several screws and bolts into a wall, using the recoil to propel himself away and slip into the next room. However, Weather Report grabs Jolyne, becoming weightless as well, Weather thus summons a gust of wind that also guides them to the laundry hall and they are able to reach the place before the large iron doors close on them.


Appearance

Characters
Dio Brando
(Flashback)
Savage Garden
(1st appearance)
Jotaro Kujo
(Mentioned only)
Lang Rangler
(1st appearance) (Retired)

Palma SPWF Representatitve Mens's Ward Guard Surveillance Technician Brainwashed Courtyard Guard Blinded Courtyard Guard

Cast

彼の作品は、僕のにおいと、とても近い—— ———————————————— 漫画家 寺沢 武一

荒木さんの作品とのファースト・コンタクト(はじめてのふれあい)は、彼が出した手塚賞の応募原稿を読んだ時だったと思う。驚きそして喜んだ。なぜなら、彼は僕と同じにおいがしたからだ。

彼は何よりもまず、ストーリー展開を何度も緻密に練りあげてから構成していく。人間関係はもちろん、それを取り巻く状況、センス・オブ・ワンダーをどこに置くかなど、すべてを完壁に把握した上でなければ語り出さないタイプだ。とはいっても、これは小説や脚本を書くのと同じ手法であって、連載マンガ家としては非常に不利な一面を持っている。

みを求めるあまり、画面の中にちりばめられたSF的感性や主人公の中にある計算されたワンダーに、すべては大気のように気づかれず読み落とされる場合が多い。

しかし、SF作家はそこにこそ自らの資質をつぎ込み、自分の白中夢を映像化しようとこころみる。

先に、彼と僕は同じにおいがしたといったが、それは彼の求める作品の方向が、僕のそれと非常に近しいと感じたからだ。

SF漫画において、作品の質を低下させずになおかつ、エンターテイメントであろうとする作家は数少ない。彼はもちろんその中のひとりであり、今後、今のにおいを持ったまま成熟してゆくと思う。

SF漫画にSF小説でもSF映画でもない。あたりまえのことのように思えるが、SF漫画を描く上ではこの認識が最も重要であり、難しいものだと思う。

お互いそれを意識し、SF漫画というものが何者であるかを知るまで描き続けていきたいものだ。

○ ○ ○ ○ ○ ○

バオーの説得カある描写にはうなった! ———————————————— 作家 夢枕 獏

この異様な迫力を持った物語を、ぼくは少年ジャンプ連載時から注目して読んでいた。絵柄もストーリーも遠慮がないのがよかった。おそらくは、この作者が何年もあたためていたものが、この作品でいちどに噴き出したからであるう。

小説の説得力が"文体"によって生まれるのなら、漫画の説得力は"絵"であると思う。どのような"絵"を読者の目の前に差し出せるかである。その"絵"の説得力が、そのまま、その漫画の持つ説得力になる。小さな理屈はどこかに漫えてしまう。

そういう意味で、寄生虫であるバオーの"絵"を見た時、その不気味さ、つまり説得力にばくはうなってしまった。このような"絵"を見せられれば、読者はその作家信用してしまうのである。「SFは描写だ」と、山田正紀氏(SF作家)が何かに書いていたが、漫画も描写であるとぼくは思う。

この物語の続編は、やがて必ず描かれねばならないものであろう。

kajipon questions

  • When did you discover Jojo ?
  • What made you such a fan of JoJo ?
  • Tell us more about the JoJo Posing School. How did you become involved with it?
  • Tell us more about Oni-sensei. When did you meet? Are you still in touch with him?
  • How did you meet with Hirohiko Araki ?
  • What are your favorite part/jojo/villain ?
  • What do you think about the evolution of jojo now ?
  • Jojo is very popular overseas these days. What are your thoughts on it ?

fma

Best beatdown in JJBA ?

  • Jonathan vs. Bruford
  • Jotaro vs. Kakyoin
  • Jotaro vs. Rubber Soul
  • Jotaro vs. Steely Dan
  • Jotaro vs. Anubis
  • Polnareff & Jotaro vs. Alessi
  • Polnareff vs Vanilla Ice
  • Jotaro vs. Dio
  • Josuke vs. Yuya Fungami
  • Jotaro vs Kira (1)
  • Jotaro vs. Kira (2)
  • Giorno vs. Black Sabbath
  • Bucciarati vs. Pesci
  • Narancia vs. Squalo
  • Giorno vs. Cioccolata
  • Giorno vs. Diavolo
  • Jolyne vs. Johngalli A.
  • Ermes vs. Sports Maxx
  • Jolyne vs. Rikiel
  • Jolyne vs. Lang Rangler
  • Jolyne vs. Miraschon
  • Jolyne vs. Miu Miu
  • Johnny vs. Funny Valentine
  • Other

FEATURES

truyc

http://tkr2000.cocolog-nifty.com/blog/2012/07/post-713a.html Araki Misery couverture

https://privatter.net/p/86425 tohoku speech 2013 from araki

https://www.zhihu.com/question/28288640 An idol jojo fan ?

http://kajipon.sakura.ne.jp/art/jojo-oni.html ONI PAGE

ONI bio

Born in Hokkaido. Read JoJo in high-school.

Co-founder and chief instructor of the JoJo's Posing School (ジョジョ立ち教室, Jojotachi kyōshitsu).

2012 Reconversion into a farmer in Vietnam, cultivating and harvesting fruits.

2014 Marriage.

KAJIPON bio


There are no borders when it comes to JoJo fans!!
—Kajipon, founder of the JoJo's Posing School, 2014

Kajipon (カジポン).

Born in Osaka in 1967. Graduated from Kinki University. Wrote "The Encyclopedia of Contemporary Words (現代用語の基礎知識)" published in 2010. カジポン・マルコ・残月.

Co-founder of the JoJo's Posing School (ジョジョ立ち教室, Jojotachi kyōshitsu).

Kajipon is a seasoned traveller. He has notably completed several trips mirroring the journeys of the protagonists of each part, from a trip to England to crossing the United States.

Kajipon's most notable activity is his habit of visiting the graves of past personalities. Self-described as a Tomb Miler (墓マイラー, Haka mairā) as he's visited the tombs of over 2500 people across 33 countries.

In August 1987, Mr. Kajipon was in front of Dostoevsky's tomb in Leningrad (now St. Petersburg) in the former Soviet Union. "I was a 19-year-old student at the time. As the last ritual for my teens, I decided to thank my" parents "." When I put my hand on the grave and said "Spa Shiva (Thank you)", a thunder-struck shock ran all over my body.

From the second year of high school, he left his parents' house and lived alone. This is because "the father was in a fight all the time." As a sensitive and troubled teenager, I read Dostoevsky's works such as "Crime and Punishment" and saved my heart many times. From the time I was in my third year of high school, I became a "junkie" who was absorbed in literature, music, and painting. The opportunity is unrequited love. Every time I fell in love with a junior student who aspired to be an art school, a music college student, or a librarian at a library, I began to read literary books, listen to music, and thoroughly investigate the lives of artists.

I always ended up with a broken heart, but the world expanded. "Beethoven, who died at the age of 56, had a broken heart, but he produced a masterpiece in the midst of unrequited love. Van Gogh also had a broken heart, but he drew a masterpiece like" Himawari. " Touched is not the end of the world. Many artists have turned broken hearts into immortal masterpieces. "

In the same graveyard as Dostoevsky, there is also the grave of composers Tchaikovsky and Mussorgsky, and when leaving the graveyard, he said, "I have to thank other artists! Bach! Shakespeare! Goethe! I have to hurry!" It is said that he was driven by a feeling.

I would like to trace the lives of the "beneficiaries" who supported me when I was mentally distressed and express my gratitude. Driven by that thought, while working as a truck driver, when he saves money, he goes on a "pilgrimage trip" at home and abroad. The target has spread to all kinds of great people who have contributed to the history and culture of humankind. "Thanks to the widespread use of the Internet and the creation of a homepage, it has become possible to eat at lecture requests and writing requests. But if you get stuck, even a truck driver will do anything."

The first European pilgrimage at the age of 21 in 1989.

"Even if you say visiting a grave, you can't just come to see the gravestone," he says. "The important thing is to express gratitude. If there is a birthplace nearby, I will stop by. I want to follow in the footsteps of that person. The final point is the grave. However, I have to choose because the funds are not abundant. And I aim to visit the grave more than once as much as possible. I think that it is only when I visit the grave multiple times. "

The destination is not always a graveyard. From the ship in the Antarctic, he made an idea of ​​the direction of Robert Scott's distress and put his hands together, and in the Arctic, Roald Amundsen prayed in the direction of his disappearance.

In 2019, I traveled to South Korea and Taiwan. In Seoul, I visited the grave of Takumi Asakawa, a Japanese who loved Korean ceramics and studied locally, and in the south, I also visited the graves of students scattered in the Gwangju Uprising. In Taiwan, we visited the tombs of Teresa Teng , the hero of the independence movement Mona Rudao, and Yoichi Hatta, who built the Wushantou Dam .

"Around 101 countries, we were able to confirm that humans have much more in common than differences, even if they have different nationalities and cultures. Smiles return with a smile and help troubled travelers." .. No matter where you go, the facial expressions of the people who come to visit the grave give you a feeling of longing and prayer for the deceased. "That's why, even when there are conflicts between countries, we want to look at what they have in common and respect each other."

Sources

http://blog.livedoor.jp/jojolab/archives/45899256.html http://blog.livedoor.jp/jojolab/archives/31912422.html http://blog.livedoor.jp/jojolab/archives/45568197.html http://blog.livedoor.jp/jojolab/archives/44970302.html http://blog.livedoor.jp/jojolab/archives/35539747.html http://blog.livedoor.jp/jojolab/archives/35490123.html


http://blog.livedoor.jp/jojolab/tag/%E3%82%B8%E3%83%A7%E3%82%B8%E3%83%A7

References