Interview Archive

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Revision as of 05:19, 27 March 2017 by Vish (talk | contribs) (Wasn't sure about some dates so I just moved them under an "Other" header for now)
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For more thoughts from Araki, see the Author's Note or JoJonium Interview pages.

1986-1993

โ€”โ€”ใใ‚Œใงใฏใ€ไฝ•ใงใ‚‚่žใ„ใฆไธ‹ใ•ใ„ใ€‚

ใ‚จใ€Œๅ†™็œŸใจๅŒใ˜้ก”ใฎไบบใชใ‚“ใงใ™ใญโ™กใ€€ใŠๅบ—ใซๅ…ฅใฃใฆใใŸๆ™‚ใ€ใ™ใใ‚ใ‹ใ‚Šใพใ—ใŸใ€

่’ใ€Œใ‚ใ‚ใ€ใใ†ใงใ™ใ‹(็ฌ‘)ใ€

โ€”โ€”ใงใ‚‚ใ‚ณใƒŸใƒƒใ‚ฏใ‚นใฎๅ†™็œŸใฏ็™ฝ้ป’ใงใ—ใ‚‡ใ†๏ผŸ

่’ใ€Œใ‚ใ‚Œใฏ็™ฝ้ป’ใฃใฆๆฑบใพใฃใฆใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚ใ‚นใƒผใƒ‘ใƒผใƒปใ‚ณใƒŸใƒƒใ‚ฏใ‚นใฎๆ–นใฏใ‚ซใƒฉใƒผใชใ‚“ใงใ™ใ‘ใฉใ€

ใ‚จใ€Œ็”Ÿๅนดๆœˆๆ—ฅใชใฉใ‚’โ€ฆ๏ผŸใ€

่’ใ€Œ35ๅนด6ๆœˆ7ๆ—ฅใงใ™ใ€‚ๅŒๅญๅบงใงใ™ใ€‚Bๅž‹ใงใ™ใ€

ใ‚จใ€Œใƒžใƒณใ‚ฌๅฎถใซใชใฃใŸใใฃใ‹ใ‘ใฏ๏ผŸใ€

่’ใ€Œ80ๅนดใฎๅ†ฌใใ‚‰ใ„ใซใ€ใ‚ธใƒฃใƒณใƒ—ใซๆŒใกใ“ใ‚“ใ ใ‚“ใงใ™ใ€‚ๅŽŸ็จฟใ‚’โ€”โ€”ใ€Žๆญฆ่ฃ…ใƒใƒผใ‚ซใƒผใ€ใจใ„ใ†ใ€ๆ‰‹ๅกš่ณžๆบ–ๅ…ฅ้ธใซๅ…ฅใฃใŸใ‚„ใคใงใ™ใ€

โ€”โ€”ใ‚ใ‚ใ€ไปŠๅ›žใฎ็‰น้›†ใซ้›†ใพใฃใŸใƒใ‚ฌใ‚ญใงใ€ๅๅ‰ใ ใ‘็Ÿฅใฃใฆใ„ใ‚‹ใ‘ใฉ่ชญใ‚“ใ ใ“ใจใŒใชใใฆๆฎ‹ๅฟตใฃใฆใฎใŒๅคšใ‹ใฃใŸใงใ™ใ‚ˆใ€‚

่’ใ€Œ่ฅฟ้ƒจๅЇใงใ™ใ€‚็•ฐ่‰ฒใฎโ€ฆโ€ฆใ€

ใตใ€ŒไปŠใจใšใ„ใถใ‚“ๆ„Ÿใ˜ใŒ้•ใ„ใพใ™ใญใ€

่’ใ€Œใใ†ใงใ™ใญใ€‚ใƒใƒผใ‚ซใƒผใ‚ฒใƒผใƒ ใฟใŸใ„ใชใฎใ—ใฆใ‚ฌใƒณใƒžใƒณใŒๆˆฆใ†ใฃใฆ่ฉฑใงโ€ฆโ€ฆ31ๆžšใงใ—ใŸใ€‚ใใ‚Œใงใƒ‡ใƒ“ใƒฅใƒผใ—ใพใ—ใŸใ€‚ใใฎๅพŒ

ใฏใ€็Ÿญ็ทจใ‚’3ๆœฌใใ‚‰ใ„ใฎใฃใ‘ใฆใ€ใ€Ž้ญ”ๅฐ‘ๅนดใƒ“ใƒผใƒ†ใ‚ฃใƒผใ€ใซๅ…ฅใ‚Šใพใ—ใŸใ€

โ€”โ€”ใใฎใ“ใ‚ใฎใ‚‚ใฎใฏใ€ใ˜ใ‚ƒใ‚ไปŠใฏ่ชญใ‚ใชใ„ใ‚ใ‘ใงใ™ใญใ€‚

่’ใ€Œใ‚ใ‚ใ€็Ÿญ็ทจ้›†ใฏๅ‡บใฆใ„ใพใ›ใ‚“ใ€‚ใ‚‚ใ†ใ‚ใฎใธใ‚“ใฎใ‚„ใคใฏใ€้—‡ใซใปใ†ใ‚€ใ‚ŠใŸใ„ใ‚“ใงใ™(็ฌ‘)ใ€

ไธ€ๅŒใ€Œใˆใ€œใฃ!?ใ€

ใ‚จใ€Œใใฎๅ‰ใซใ€ๆŠ•็จฟใจใ‹ๅŒไบบ่ชŒใฏ๏ผŸใ€

่’ใ€Œ้ซ˜ๆ กใฎใ“ใ‚ใ€ใ‘ใฃใ“ใ†ๆŠ•็จฟใ—ใฆใŸใ€

ใตใ€Œใฉใ†ใ„ใฃใŸ้›‘่ชŒใซ๏ผŸใ€

่’ใ€Œใ‚„ใฃใฑใ‚Šใ‚ธใƒฃใƒณใƒ—ใ€‚ๅฅฝใใ ใฃใŸใ‹ใ‚‰โ€ฆโ€ฆใ€

โ€”โ€”ใใฎใ“ใ‚ใฎๅฐ‘ๅนดใ‚ธใƒฃใƒณใƒ—ใจใ„ใ†ใจใ€ใฉใ‚“ใชไฝœๅ“ใŒใ‚ใ‚Šใพใ—ใŸ๏ผŸ

่’ใ€Œโ€ฆใ€Žใƒ‰ใƒผใƒ™ใƒซใƒžใƒณๅˆ‘ไบ‹ใ€ใจใ‹โ€ฆใ‚ใจๅฟ˜ใ‚ŒใŸ(็ฌ‘)ใ€‚ใƒžใ‚ฌใ‚ธใƒณใ ใจใ€Žๆ„›ใจ่ช ใ€ใชใ‚“ใ‹ใญใ€

ใ‚จใ€Œๅฝฑ้Ÿฟใ‚’ๅ—ใ‘ใŸไบบใจใ‹ใฏใ„ใพใ—ใŸ๏ผŸใ€

่’ใ€ŒๆขถๅŽŸไธ€้จŽใ•ใ‚“ใฎๅŽŸไฝœใฎใ€

ไธ€ๅŒใ€Œใˆใ€œใฃ(็ฌ‘)ใˆใ€œใฃ(็ฌ‘)(็ฌ‘)ใ€

่’ใ€Œใˆใ€œใฃใฆโ€ฆไฝ•ใง!?(็ฌ‘)ใ€

ใตใ€ŒๆขถๅŽŸไธ€้จŽใ•ใ‚“ใฃใฆใƒžใƒณใ‚ฌๆใ„ใฆใ‚‹ใ‚“ใงใ™ใ‹๏ผŸใ€

โ€”โ€”ใ€Žๆ„›ใจ่ช ใ€ใฎๅŽŸไฝœใจใ‹ใ‚„ใฃใฆใ‚‹ใงใ—ใ‚‡ใ€‚

ใตใ€Œใ‚ใ€ใใ†ใ‹ใ€

ๅฐใ€Œใˆใ€œใฃ!?ใ€

่’ใ€Œใˆใฃ!?ใ€€ใใ‚“ใชไธ–ไปฃใชใฎใ€œใฃ!?ใ€€ไปŠใ€่ชญใ‚“ใงใ‚‚ใ‚ใ‚ŒใฏใŠใ‚‚ใ—ใ‚ใ„๏ผใ€

โ€”โ€”ๅฐ่ฆ‹ๅฑฑใ•ใ‚“ใ‚‚ใ€ไฝ•ใ‹ใ‚ใ‚Šใพใ›ใ‚“๏ผŸ

ๅฐใ€Œใ€Žใƒ“ใƒผใƒ†ใ‚ฃใƒผใ€ใฎใƒˆใƒชใƒƒใ‚ฏใชใ‚“ใ‹ใ€ใ„ใคใ‚‚่‡ชๅˆ†ใงใŠ่€ƒใˆใซใชใ‚‹ใ‚“ใงใ™ใ‹๏ผŸใ€

่’ใ€Œใ‚ขใƒฌใƒณใ‚ธใ™ใ‚‹ใฎใ‚‚ใ‚ใ‚‹ใ—ใ€่‡ชๅˆ†ใง่€ƒใˆใ‚‹ใฎใ‚‚ใ‚ใ‚Šใพใ™ใ€

โ€”โ€”ใใ‚Œใงใฏใใ‚ใใ‚ใ€ใ€Žใƒใ‚ชใƒผใ€ใฎใŠ่ฉฑใ‚’โ€ฆโ€ฆใ€‚ใƒ•ใ‚กใƒณใƒญใƒผใƒ‰ใฎ่ชญ่€…ใซไบบๆฐ—ใŒใ‚ใ‚‹ๅŽŸๅ› ใฎใฒใจใคใฏใ€็Ÿญใ„้€ฃ่ผ‰ใ ใฃใŸใซใ‚‚ใ‹ใ‹ใ‚ใ‚‰ใšใ€ไธญ้€”ใฏใ‚“ใฑใชๆ‰“ใกๅˆ‡ใ‚Šใƒฉใ‚นใƒˆใงใฏใชใใ€ใ‚ธใƒฃใƒณใƒ—ใฎไฝœๅ“ใฎไธญใงใ‚‚็†ๆƒณ็š„ใชๅฎŒ็ตใ‚’ใ‚€ใ‹ใˆใŸไฝœๅ“ใงใ‚ใ‚‹ใ‹ใ‚‰ใ‚‰ใ—ใ„ใ‚“ใงใ™ใŒโ€ฆโ€ฆใ€‚

่’ใ€Œใ‚ใ‚ใ€ใ‚ใ‚Œใฏใƒฉใ‚นใƒˆใ ใ‘ใฏ่€ƒใˆใฆใŸใฎใ€‚ใ“ใ†ใ„ใ†็ต‚ใ‚ใ‚Šๆ–นใซใ™ใ‚‹ใ‚“ใ˜ใ‚ƒใชใ„ใ‹ใชใฃใฆโ€ฆโ€ฆใ€

โ€”โ€”็ต‚ใ‚ใ‚Šใฎๆ–นใงใ€ใ‚„ใฃใจโ€œๆฅ่จช่€…โ€ใฃใฆๆ„ๅ‘ณใŒใ‚ใ‹ใ‚‹ใฎใ‚‚ใ€ใ„ใ„ใงใ™ใญใ€‚ๆœ€ๅˆใฏใ€้€ƒใ’ใฆใฐใ‹ใ‚Šใชใฎใซใชใœโ€œๆฅ่จช่€…โ€ใชใ‚“ใ ใ‚ใ†ใ‹ใจโ€ฆโ€ฆใ€‚

่’ใ€Œใƒœใ‚ฏใ‚‚ใใ†ๆ€ใฃใŸ(็ฌ‘)ใ€

ใ‚จใ€Œใ‚ใ‚Œใ€็ถš็ทจใจใ‹ใฏโ€ฆโ€ฆ๏ผŸใ€

่’ใ€Œไฝœใ‚ŠใŸใ„ใงใ™ใ‘ใฉใƒผโ€ฆโ€ฆใ€

ใตใ€Œ17ๆญณใฎใ‚นใƒŸใƒฌใกใ‚ƒใ‚“ใŒ่ฆ‹ใŸใ„ใงใ€œใ™โ™กใ€€ใฉใ†ใ„ใ†ใ‚คใƒกใƒผใ‚ธใงใ™ใ‹๏ผŸใ€

่’ใ€Œใใ†ใงใ™ใญใ€ใ‚ใ‚“ใพใ‚Šๆดป็™บใ˜ใ‚ƒใชใใฆๅฅณใ‚‰ใ—ใ„ไบบใ€

ใ‚จใ€Œใ‚นใƒŸใƒฌใกใ‚ƒใ‚“ใฎใƒขใƒ‡ใƒซใฏ๏ผŸใ€

่’ใ€Œ็พๅฎŸใซใฏใ€ใ„ใพใ›ใ‚“ใญใ€

ใตใ€Œ็†ๆƒณใฎใ‚ฟใ‚คใƒ—ใจใ‹โ€ฆโ€ฆใ€

โ€”โ€”ใใ†ใ„ใˆใฐใ€ใ‚ณใƒŸใƒƒใ‚ฏใ‚นใฎ2ๅทป็›ฎใฎๆใใŸใ—ใƒšใƒผใ‚ธใฎใ‚นใƒŸใƒฌใฏใ€ใšใ„ใถใ‚“ๆ„Ÿใ˜ใŒๅค‰ใ‚ใฃใฆใ„ใพใ—ใŸใญใ€‚

่’ใ€Œ็ตตใฏใญใ€ใชใ‚‹ในใๅค‰ๅŒ–ใ•ใ›ใ‚‹ใ‚ˆใ†ใซใ“ใ“ใ‚ใŒใ‘ใฆใพใ™ใ€‚ไฟฎ่กŒไธญใจๆ€ใฃใฆใพใ™ใ‹ใ‚‰ใ€

ใตใ€Œ็ตตใฎๆ–นใงๅฝฑ้Ÿฟๅ—ใ‘ใŸๆ–นใฏ๏ผŸใ€

่’ใ€Œ็™ฝๅœŸไธ‰ๅนณโ€ฆโ€ฆๆœ€ๅˆใฏใญใ€

โ€”โ€”ใ€Žใƒใ‚ชใƒผใ€ใงใ‚‚ใ„ใพใ—ใŸใญใ€‚็ˆ†ๅผพๆŠ•ใ’ใŸ2ไบบ็ต„ใชใ‚“ใฆใ€็ˆ†ๅผพใฎไปฃใ‚ใ‚Šใซๆ‰‹่ฃๅ‰ฃใซใ—ใŸใ‚‰ๅฟ่€…ใƒขใƒŽใฎใƒŽใƒชใงใ™ใ‚‚ใ‚“ใญใ€‚

่’ใ€Œใใฎ้€šใ‚Šใงใ™ใ€‚(็ฌ‘)ใ€Žใ‚ตใ‚นใ‚ฑใ€ใจใ‹ๅฅฝใใงใ—ใŸใ‹ใ‚‰ใ€

ใ‚จใ€Œใชใœใ€ใ‚นใƒŸใƒฌใกใ‚ƒใ‚“ใจใ‹ใƒžใƒฆๆฏ›ใŒๅคชใ„ใ‚“ใงใ™ใ‹๏ผŸใ€

่’ใ€Œๅคชใ™ใŽใพใ™ใ‹๏ผŸ(็ฌ‘)ใ€

ใตใ€Œๆ…ฃใ‚Œใ‚‹ใจใ‹ใ‚ใ„ใ„ใ‚“ใ ใ‘ใฉใ€ใƒ‘ใƒƒใจๅˆใ‚ใฆ่ฆ‹ใŸๆ™‚ใฏโ€ฆโ€ฆใ€

ใ‚จใ€Œๆœ€ๅˆใ€้ฃพใ‚Šใ‹ใจๆ€ใฃใŸใ€

่’ใ€Œ60ๅนดไปฃใฎใƒกใƒผใ‚ญใƒฃใƒƒใƒ—ใฟใŸใ„ใฎใŒๅฅฝใใชใฎใงใ€ใ‚ใฎใธใ‚“ใ‚’ใกใ‚‡ใ“ใฃใจใ‚„ใฃใฆใฟใŸใ€‚(็ฌ‘)ใƒ•ใ‚กใƒƒใ‚ทใƒงใƒณใƒปใƒ‡ใ‚ถใ‚คใƒณใฎๅญฆๆ กใซ ่กŒใฃใฆใ„ใŸใ“ใจใŒใ‚ใ‚‹ใฎใงใ€

ใตใ€Œใƒ„ใƒช็›ฎใฎไบบใŒๅฅฝใใ ใจใ‹โ€ฆโ€ฆใ€

่’ใ€Œใใ†ใ€ใƒ„ใƒช็›ฎใงใญใ€ใใกใณใ‚‹ใฏใกใ‚‡ใฃใจๅŽšใ‚ใŒใ„ใ„ใชใ€‚ๆใ„ใฆใฏใ„ใพใ›ใ‚“ใ‘ใฉใญใ€

โ€”โ€”ใƒ„ใƒช็›ฎใ˜ใ‚ƒใชใ„ใฎใ€ใ‚ใฎใŠใฐใ‚ใกใ‚ƒใ‚“ใใ‚‰ใ„ใงใ™ใญใ€‚(็ฌ‘)

ๅฐใ€Œใƒใ‚ชใƒผใ‚’ใฉใ†ใ—ใฆใ€ๅฏ„็”Ÿ่™ซใซใ—ใŸใ‚“ใงใ™ใ‹๏ผŸใ€

ใตใ€Œใ‚ใŸใ—ใ‚‚่žใใŸใ‹ใฃใŸ๏ผใ€€ๆฐ—ๆŒใกๆ‚ชใ€œใ„ใฎ๏ผ(็ฌ‘)ใ€

่’ใ€Œใ‚ใฎใธใ‚“ใ€ใกใ‚‡ใฃใจไธ่ฉ•ใ ใฃใŸใ‹ใ‚‚โ€ฆโ€ฆ(็ฌ‘)ใ€

โ€”โ€”ใงใ‚‚ใ€ใƒ›ใƒฉใƒผๆ˜ ็”ปใงใฏใ€่ปใฎๆฉŸๅฏ†ใจใ‹ใชใ‚“ใจใ‹ใงใใ†ใ„ใ†ใฎใฃใฆใ€ใ‚ˆใใ‚ใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚

่’ใ€Œใƒชใ‚ขใƒชใƒ†ใ‚ฃใƒผใŒใ‚ใ‚‹ใจๆ€ใฃใŸใ—โ€ฆโ€ฆๅค‰่บซใ™ใ‚‹็†็”ฑใŒใกใ‚ƒใกใ„ใจใ€่ฟซๅŠ›ใฎ้ขใง้•ใฃใฆใใ‚‹ใจๆ€ใ†ใ‚“ใงใ™ใ‚ˆใ€‚ใ“ใ„ใคใชใ‚‰ๅค‰่บซใ—ใ‹ใญใชใ„ใžใจใ€ๆ€ใ‚ใ›ใ‚‹ใŸใ‚ใซใฏโ€ฆโ€ฆใ€

ใ‚จใ€Œ่ชญใ‚“ใ ๆ™‚ใ€ใ€Žใ‚ตใ‚คใƒœใƒผใ‚ฐ009ใ€ใฟใŸใ„ใชๆ„Ÿใ˜ใŒใ—ใŸโ™กใ€

โ€”โ€”ๅฅณใฎๅญใฎๆ„Ÿๆƒณใงใ™ใญใˆใ€‚ใŸใ—ใ‹ใซใ€่‡ชๅˆ†ใฎใ‹ใ‚‰ใ ใซ็ง˜ๅฏ†ใฎๅŠ›ใŒใ‚ใฃใฆ็ต„็น”ใซ่ฟฝใ‚ใ‚Œใ‚‹ๅญค็‹ฌใชใƒ’ใƒผใƒญใƒผใฃใฆใ„ใ†ใฎใฏใ€ใ€Ž009ใ€ใ€ใ€Žใ‚ฆใƒซใƒ•ใ‚ฌใ‚คใ€ใ€ใ€Žใ‚ญใƒžใ‚คใƒฉใ€ใชใ‚“ใ‹ใ‚‚ใ€ใฟใ‚“ใชๅ…ฑ้€šใฎๆ‚ฒๅЇ็š„ใช้ญ…ๅŠ›ใ‚’ๆŒใฃใฆใพใ™ใ‹ใ‚‰ใญใ€‚ใใ†ใใ†ใ€ใ“ใ“ใง่ชญ่€…ใฎ่ณชๅ•ใ‚’ใกใ‚‡ใฃใจโ€ฆโ€ฆใ€‚โ€œใƒใ‚ชใƒผโ€ใ‚’ใจใ˜ใ“ใ‚ใŸๆ™‚ใซใ€ใƒใƒšใƒณใƒ†ใ‚นๆถฒใชใ‚“ใฆๅ…ฅใ‚Œใšใซๆฐดใ‚’ๅ…ฅใ‚Œใฆใ—ใพใˆใฐใ€ใƒใ‚ชใƒผใฏ็œ ใฃใฆใ—ใพใฃใŸใ‚“ใ˜ใ‚ƒใชใ„ใ‚“ใงใ™ใ‹๏ผŸใ€€ใจใ„ใ†ใ‚“ใงใ™ใŒโ€ฆโ€ฆใ€‚

่’ใ€Œใใ‚Œใฏใ€ใ‚ขใ‚ทใ‚นใ‚ฟใƒณใƒˆใ‹ใ‚‰ใ‚‚ๆŒ‡ๆ‘˜ใŒใ‚ใ‚Šใพใ—ใŸใ€‚(็ฌ‘)ใใ‚Œใฏใญใ€ๆฐดใ‚’ๅ…ฅใ‚Œใฆใ„ใ‚‹้–“ใซใ€ใƒใ‚ชใƒผใ ใจๆ‰‰ใ‚’ใจใ‹ใ—ใฆ่„ฑๅ‡บใ—ใกใ‚ƒใ†ใ‚ใ‘๏ผใ€

ไธ€ๅŒใ€Œใ‚ใฃใ€ใชใ‚‹ใปใฉใƒผ๏ผใ€

่’ใ€Œ้œžใฎ็›ฎใฏใ€ใกใ‚ƒใ‚“ใจใใ“ใพใง่€ƒใˆใฆใ„ใŸใ‚ใ‘๏ผใ€

โ€”โ€”ใƒœใ‚ฑใฆใŸใ‚“ใ˜ใ‚ƒใชใ‹ใฃใŸใ‚“ใงใ™ใญใ€‚

ใตใ€Œ็”Ÿ็‰ฉใจใ‹ใฏใŠๅฅฝใใ ใฃใŸใ‚“ใงใ™ใ‹๏ผŸๅพ—ๆ„็ง‘็›ฎใ ใฃใŸใจใ‹โ€ฆโ€ฆใ€

่’ใ€Œใใ†ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“(็ฌ‘)ใ€

ใ‚จใ€Œใ˜ใ‚ƒใ‚่‹ฑ่ชžใ‚‚๏ผŸใ€€ใ‚ใ‚Œใ ใ‘ใ„ใ‚ใ‚“ใชใ“ใจใฐใŒๅ‡บใฆใใ‚‹ใ‹ใ‚‰โ€ฆโ€ฆใ€

่’ใ€Œ่‹ฑ่ชžใฏโ€”โ€”(็ฌ‘)ใ€ใ‚ใ‚Œใฏไธๅพ—ๆ„ใ ใ‹ใ‚‰ใ€ใ‚ใ–ใจใ‚€ใšใ‹ใ—ใใ—ใฆใ‚‹ใ€

ใตใ€Œโ—‹โ—‹ใƒ•ใ‚งใƒŽใƒกใƒŽใƒณใจใ‹ใ„ใ‚ใ„ใ‚ๅ‡บใฆใใ‚‹ใ‹ใ‚‰ใ€ใ€Ž่ฉฆ้จ“ใซๅฝน็ซ‹ใคใƒžใƒณใ‚ฌใ€ใจใ‹(็ฌ‘)ใ€

่’ใ€Œใ‚ใ‚Œๆ›ธใ„ใŸใ‚‰็ตถๅฏพใซ่ฝใกใพใ™๏ผใ€

ใ‚จใ€Œๅญไพ›ใฎใ“ใ‚ใฏใ€ใฉใ‚“ใชๅญใงใ—ใŸ๏ผŸใ‚„ใฃใฑใ‚Šใƒžใƒณใ‚ฌๅฎถใซใ‚ใ“ใŒใ‚Œใฆใ„ใพใ—ใŸใ‹๏ผŸใ€

่’ใ€Œใ‚ใ‚“ใพใ‚Šใ‚ใ“ใŒใ‚Œใฆใชใ‹ใฃใŸใญใ€‚ใ‘ใฃใ“ใ†ๅค–ใง้Šใ‚“ใงใฆใ€ๅนดไธŠใฎใ‚ฌใ‚ญๅคงๅฐ†ใฎๅพŒใ‚ใจใ‹ใƒใƒงใ‚ณใƒใƒงใ‚ณใคใ„ใฆๆญฉใ„ใฆใŸใ€

โ€”โ€”ใใ†ใ„ใˆใฐใ€ๅŒใ˜ๅฎฎๅŸŽใฎๅญฆๆ กใฎๅพŒ่ผฉใฎไบบใ‹ใ‚‰ใ‚‚ใƒใ‚ฌใ‚ญๆฅใฆใพใ—ใŸใ‚ˆใ€‚

่’ใ€Œใ‚ใฃใ€ใƒœใ‚ฏใ€ๅฎฎๅŸŽๅ‡บ่บซใงใ™ใ€‚ไป™ๅฐใงใ™ใ€

โ€”โ€”ๅฏ’ใ•ใซๅผทใ„ใใ†ใงใ™ใ‚ˆใ€‚

่’ใ€Œๅฏ’ใ•ๅผทใ„ใงใ™ใ€‚ๅคใฏโ€”โ€”ไป™ๅฐใซ้€ƒใ’ใฆๅธฐใ‚Šใพใ™ใ€

ใ‚จใ€Œใƒžใƒณใ‚ฌๅฎถใซใชใ‚ใ†ใจๆ€ใฃใŸใฎใฏใ€ใ„ใคใ”ใ‚ใงใ™ใ‹๏ผŸใ€

่’ใ€Œใƒ‡ใ‚ถใ‚คใƒณๅญฆๆ กๅ…ฅใฃใฆใ‹ใ‚‰ใ‹ใชใ‚ใ€‚้ซ˜ๆ กๅ’ๆฅญใ—ใฆใ‹ใ‚‰ใƒ‡ใ‚ถใ‚คใƒณๅญฆๆ กๅ…ฅใฃใฆใ€่ทใŒใชใ„ใ‚“ใงใ€ใˆใ‚‰ใ„ใจใ“ใซๅ…ฅใฃใŸใ€œใฃใจๆ€ใฃใฆใ€ใƒžใƒณใ‚ฌๅฎถใซใชใ‚ใ†ใจๆ€ใฃใฆๆŒใกใ“ใฟใ‚’ใ‚„ใฃใŸโ€ฆโ€ฆใ€

ใ‚จใ€Œใ˜ใ‚ƒใ‚ใ€ๅŠชๅŠ›ใฎไบบใชใ‚“ใงใ™ใญใ€

่’ใ€ŒๅŠชๅŠ›ใจใ„ใ†ใ‚ˆใ‚Šใฏโ€ฆโ€ฆๆณฃใใคใใงใ™ใ€‚(็ฌ‘)ใŠ้ก˜ใ„ใ—ใพใƒผใ™ใฃใฆโ€ฆโ€ฆใ€

ไธ€ๅŒ(็ฌ‘)

ใตใ€Œใ‚„ใ•ใ—ใ‹ใฃใŸใงใ™ใ‹ใ€็ทจ้›†ใ•ใ‚“ใฏ๏ผŸใ€

่’ใ€Œๆใ„ใงใ™๏ผ(็ฌ‘)ใ€

ๅฐใ€Œใงใ‚‚ใƒ›ใƒณใƒˆใซๆ€ใฃใŸใ‚ใ€็งใ€‚ใฉใ†ใ—ใฆใ“ใ‚“ใชใŠๅŠใฃใกใ‚ƒใพใฟใŸใ„ใชไบบใŒใƒžใƒณใ‚ฌๅฎถใซใชใฃใŸใ‚“ใ ใ‚ใ†ใฃใฆ(็ฌ‘)ใ€

โ€”โ€”ใใ†ใงใ™ใ‹๏ผŸ

ๅฐใ€Œใ‚ธใƒฃใƒณใƒ—ใงใ‚ˆใใ€ๆ–ฐๅนดๅทใชใ‚“ใ‹ใง่กจ็ด™ใงๅ…ˆ็”Ÿๆ–นใฎ้ก”ใŒๅ‡บใ‚‹ใงใ—ใ‚‡ใ€‚ใ‚ใ‚Œ่ฆ‹ใฆใ€ใ‚ใƒผใฃใฆๆ€ใฃใฆโ€ฆโ€ฆใ€

โ€”โ€”ใใ†ใใ†ใ€่’ๆœจๅ…ˆ็”Ÿใฏใ€ใƒใƒฌใƒณใ‚ฟใ‚คใƒณใฎใƒใƒงใ‚ณใ‚’ใ€ๅคงใใช็ฎฑใซ2ใคใ ใ‹3ใคใ ใ‹ใ€ใƒ•ใ‚กใƒณใ‹ใ‚‰ใ‚‚ใ‚‰ใ†ใใ†ใงใ™ใ‚ˆใ€‚

ไธ€ๅŒใ€Œใ‚ใ€œใฃใ€ใ™ใ”ใ„ใ€œ๏ผใ€

่’ใ€Œใฉใ†ใ‚‚ใ€ใ‚ใ‚ŠใŒใจใ†ใ”ใ–ใ„ใพใ™ใ€

ๅฐใ€Œใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใ˜ใ‚ƒใชใใฆๅ…ˆ็”Ÿใ‚ใฆใซ๏ผŸใ€€ใใ‚Œใฏใ™ใ”ใ„๏ผใ€

ใตใ€Œใใ†ใ„ใ†ใƒใƒงใ‚ณใƒฌใƒผใƒˆใฏใ€ใฟใ‚“ใชใฉใ†ใ—ใฆใ„ใพใ™ใ‹๏ผŸใ€

่’ใ€Œๅ…จ้ƒจใ€้ฃŸในใฆใพใ™ใ€‚่ฟ”ไบ‹ใ‚‚ใ„ใใคใ‹ๆ›ธใ„ใฆใพใ™๏ผใ€

โ€”โ€”ใ‚ใ‚ใ€ใ“ใ‚Œใ‚‚ใƒใ‚ฌใ‚ญใงใ‚ใ‚Šใพใ—ใŸใ‘ใฉใ€ใŠๆญฃๆœˆใซใƒžใƒณใ‚ฌๅฎถใ‚„ใƒŸใƒฅใƒผใ‚ธใ‚ทใƒฃใƒณใซๅนด่ณ€็Šถใ‚’ๅ‡บใ—ใŸใ‚‰ใ€่’ๆœจๅ…ˆ็”Ÿใ‹ใ‚‰ใฏใŠ่ฟ”ไบ‹ใ‚’ใ€ใ—ใ‹ใ‚‚ๆ—ฉใใ‚‚ใ‚‰ใˆใŸใฃใฆใ€‚

่’ใ€Œ(็ฌ‘)ใƒœใ‚ฏใฏใƒžใƒกใงใ™๏ผใ€

โ€”โ€”ใƒ•ใ‚กใƒณใฏ็ดฐใ‹ใ„ใจใ“่ฆ‹ใฆใพใ™ใญใ€‚

่’ใ€Œ้€ฑใ€1้€šใ‹2้€šใฏ่ฟ”ไบ‹ใ‚’ๆ›ธใ„ใฆใ‚“ใ˜ใ‚ƒใชใ„ใ‹ใช๏ผŸใ€

โ€”โ€”ๅ…ฌ่ชใฎใƒ•ใ‚กใƒณใ‚ฏใƒฉใƒ–ใฟใŸใ„ใชใ‚‚ใฎใฏใ‚ใ‚‹ใ‚“ใงใ™ใ‹๏ผŸ

่’ใ€Œใ‚ใ‚Šใพใ™โ€ฆโ€ฆใ‚ใฃใŸใ‹ใช๏ผŸใ€

ไธ€ๅŒใ€Œใˆใˆใ€œ!?ใ€

่’ใ€Œใ„ใ„ใ‚ˆใฃใฆใ€่จ€ใฃใŸใ‹ใ‚‚ใ—ใ‚Œใชใ„ใ‘ใฉโ€ฆโ€ฆใ€

ใตใ€Œใ€Žใƒใ‚ชใƒผใ€ใฏใ€ใ‚ขใƒ‹ใƒกๅŒ–ใฎ่ฉฑใจใ‹ใชใ„ใ‚“ใงใ™ใ‹๏ผŸใ€

โ€”โ€”ใ†ใ€œใ‚“ใ€ใƒ“ใƒ‡ใ‚ชใ‚ขใƒ‹ใƒกใฎ่ฉฑใจใ‹ใฏ่€ณใซใ—ใพใ™ใ‘ใฉใ€ใฏใฃใใ‚Šๆฑบๅฎšใ—ใŸใ‚‚ใฎใฏใชใ„ใงใ™ใญใ€‚

่’ใ€Œใƒฌใ‚ณใƒผใƒ‰ใฎ่ฉฑใฏโ€ฆโ€ฆใ€

โ€”โ€”ใ‚คใƒกใƒผใ‚ธใƒปใƒฌใ‚ณใƒผใƒ‰ใฎ่ฉฑใฏใ‚ใฃใŸใ‚“ใ ใ‘ใฉใ€ใ“ใ‚Œใฏๆตใ‚Œใกใ‚ƒใ„ใพใ—ใŸใ€‚

่’ใ€Œใ‚ใ‚Šใ‚ƒๆฎ‹ๅฟตใงใ—ใŸใ€

ใ‚จใ€Œ่‡ชๅˆ†ใฎไฝœๅ“ใฎใ‚ขใƒ‹ใƒกๅŒ–ใชใ‚“ใฆใฎใฏใ€่ฆ‹ใฆใฟใŸใ„ใจใ‹ๆ€ใ„ใพใ™ใ‹๏ผŸใ€

่’ใ€Œโ€ฆโ€ฆ่ฆ‹ใฆใฟใŸใ„ใงใ™ใญใ€‚ใ†ใ‚Œใ—ใ„ใจใ‹ใ„ใ†ใฎใจใฏใกใ‚‡ใฃใจ้•ใ†ใ‘ใฉใ€

โ€”โ€”ๅฃฐๅ„ชใ•ใ‚“ใ€ใŸใ„ใธใ‚“ใงใ—ใ‚‡ใ†ใญ(็ฌ‘)ใ€‚

ใตใ€ŒๅฎŸๅ†™็‰ˆใจใ‹ใ„ใ†ใฎใฏโ€”โ€”ใฏใ‚„ใ‚Šใฎใ‚นใƒ—ใƒฉใƒƒใ‚ฟใงโ€ฆโ€ฆใ€

่’ใ€Œใƒ”ใ‚ญใƒ”ใ‚ญใƒ”ใ‚ญใฃใฆ(็ฌ‘)ใ€

ใตใ€Œใงใ‚‚ๆฐ—ๆŒใกใ‚ใ‚‹ใใ†(็ฌ‘)ใ€

ๅฐใ€Œใใ†ใ—ใŸใ‚‰ๅ…ˆ็”ŸใŒไธปๅฝนใ ๏ผใ€

ไธ€ๅŒใ€Œใ‚ใฃใ€ไผผๅˆใ„ใใ€œใƒƒ๏ผใ€

่’ใ€Œใ‚„ใ ใ‚ˆ(็ฌ‘)ใ€

โ€”โ€”ใ‚ใฃใ€่’ๆœจๅ…ˆ็”Ÿใฏ่‹ฆๆ‰‹ใชใ‚“ใงใ™ใฃใฆใ€‚ใ“ใ†ใ€ใƒใƒซใƒใƒซใฃใฆใƒใƒผใ‚บใจใ‹ใจใฃใŸใ‚Šใ™ใ‚‹ใฎใ€‚

ใตใ€Œใƒใƒผใ‚บใฏใ€ใปใ‚‰JACใจใ‹ใ‚นใ‚ฟใƒณใƒˆใฎไบบใซใ‚„ใ‚‰ใ›ใฆใ€่‚ฒๆœ—ใฎๆ™‚ใ ใ‘ใ€

ใ‚จใ€Œใ‚ใ‚ใ„ใ†ใฎใ€ๆตทๅค–ใงๅ—ใ‘ใใ†ใ€

โ€”โ€”ๅฐๆนพใงใฏใ€Ž้ญ”็•Œ่จชๅฎขใ€ใฃใฆใ‚ณใƒŸใƒƒใ‚ฏใ‚นใซใชใฃใฆใพใ™ใ‚ˆใ€‚

ใ‚จใ€Œใใ†ใ˜ใ‚ƒใชใใฆใ€ใ‚ขใƒกใƒชใ‚ซใจใ‹ใ€ใ‚‚ใฃใจใƒกใ‚ธใƒฃใƒผใซโ€ฆโ€ฆใ€

่’ใ€Œใ“ใจใฐใฎใ‚ฎใƒฃใƒƒใƒ—ใŒใชใใ‚ƒใ„ใ„ใ‚“ใงใ™ใ‘ใฉใญใ€

ใตใ€Œใ“ใ†ใ„ใ†่‹ฑ่ชžใฏไฝฟใ‚ใชใ„ใจใ‹่จ€ใ‚ใ‚ŒใŸใ‚Šใ—ใฆ(็ฌ‘)ใ€

โ€”โ€”ใใ‚Œใฏๆใ„ใ€‚ใ‚ˆใใ‚ขใƒกใƒชใ‚ซใจใ‹ใฎๆ˜ ็”ปใงๅค‰ใชๆ—ฅๆœฌ่ชžใŒไฝฟใ‚ใ‚Œใ‚‹ใฎใจใ„ใฃใ—ใ‚‡ใงใ™ใญใ€‚

่’ใ€Œใƒใ‚ชใƒผใจใ‹ใƒ“ใƒผใƒ†ใ‚ฃใƒผใฃใฆใฎใ‚‚้€ ใฃใŸใ“ใจใฐใงใ™ใญใ€‚ใฉใƒผใ‚†ใƒผๅๅ‰ใซใ—ใ‚ˆใ†ใ‹ใจๆ€ใฃใฆโ€ฆโ€ฆ็™บ้Ÿณใงๆฑบใ‚ใ‚‹ใ‚“ใงใ™ใญใ€

โ€”โ€”ใ˜ใ‚ƒใ‚ไฝ•ใ‹ใฎ็•ฅใงใฏใชใ„๏ผŸ

่’ใ€Œใœใ‚“ใœใ‚“ใชใ„ใ€‚ใƒ†ใ‚ฃใƒผใฃใฆใฎใŒใ„ใ„้Ÿฟใใ™ใ‚‹ใชใ‚ใจๆ€ใฃใฆใ€้ ญๆ–‡ๅญ—ใงใ„ใ“ใ†ใจๆ€ใฃใฆโ€”โ€”ATใ€BTใ€ใ‚ใฃใ€ใƒ“ใƒผใƒ†ใ‚ฃใƒผใงใ„ใ“ใ†ใจใ€

โ€”โ€”ใใ‚Œใงใฏใใ‚ใใ‚ใŠใ—ใพใ„ใงใ™ใ‚ˆใ€‚ๆ—ฉใใ‚ธใƒฃใƒณใƒ—ใงๆ–ฐ้€ฃ่ผ‰ใŒ่ฆ‹ใ‚Œใ‚‹ใ‚ˆใ†ใซใ€ใฟใ‚“ใชใƒจใ‚คใ‚ทใƒงใ—ใพใ—ใ‚‡ใƒผใญ๏ผ

ไธ€ๅŒใ€ŒใŒใ‚“ใฐใฃใฆไธ‹ใ•ใƒผใ„โ™กใ€ [1]

Famicom Jump: Hero Retsuden's strategy guide (04/1989)

ใ‚ณใ€€ใฏใ„ใ€‚ใพใŸใพใŸใ‚ณใƒžใƒซๅคง็Ž‹ใงใ™ใ€‚ใคใŽใซ็™ปๅ ดใฎ่’ๆœจ้ฃ›ๅ‘‚ๅฝฆๅ…ˆ็”Ÿใฏใ€็Ÿฅใ‚‹ไบบใž็Ÿฅใ‚‹ใ‚ฒใƒผใƒ ้€šใ€‚

่’ใ€€ใจ่จ€ใฃใฆใ‚‚ใ€ใƒ•ใ‚กใƒŸใ‚ณใƒณใ˜ใ‚ƒใชใ„ใ‘ใฉใญใ€‚

ใ‚ณใ€€ใƒˆใƒฉใƒณใƒ—ใจใ‹ใƒœใƒผใƒ‰ใ‚ฒใƒผใƒ ใงใ™ใ‹!?

่’ใ€€ใใ†!!ใ€€ใ‚ซใƒผใƒ‰ใ‚’ไฝฟใฃใŸใ‚ฒใƒผใƒ ใ€ใŸใจใˆใฐใƒใƒผใ‚ซใƒผใชใ‚“ใ‹ๅฅฝใใ ใญใ€‚ใใ‚Œใซใƒใƒƒใ‚ฏใ‚ฎใƒฃใƒขใƒณใ‚„ใƒขใƒŽใƒใƒชใƒผใ‚‚ๅคงๅฅฝใใ ใ‚ˆ!!

ใ‚ณใ€€ใชใ‹ใชใ‹ใ—ใถใ„่ถฃๅ‘ณใ ใจๆ€ใ„ใพใ™ใ€‚ใ‚ซใƒผใƒ‰ใ‚ฒใƒผใƒ ใฏใฉใ‚“ใชใจใ“ใ‚ใŒ้ญ…ๅŠ›ใชใ‚“ใงใ™ใ‹!?

่’ใ€€ใใ‚Œใฏใ‚‚ใ†ใ€็›ธๆ‰‹ใŒไบบ้–“ใงใ‚ใ‚‹ใจใ„ใ†ใจใ“ใ‚ใ ใญใ€‚ใ‚ฒใƒผใƒ ใใฎใ‚‚ใฎใฎ้ข็™ฝใ•ใ‚ˆใ‚Šใ‚‚ใ€ๅฏพๆˆฆใ™ใ‚‹็›ธๆ‰‹ใจใฎ้ง†ใ‘ๅผ•ใใŒ้ข็™ฝใ„ใ‚“ใ ใ€‚ๅŒใ˜ใ‚ฒใƒผใƒ ใงใ‚‚็›ธๆ‰‹ใซใ‚ˆใฃใฆๅ…จ็„ถใกใŒใ†ใ‚ฒใƒผใƒ ๅฑ•้–‹ใซใชใ‚‹ใ—ใญใ€‚

ใ‚ณใ€€โ€ฆใตใ‚€ใตใ‚€ใ€‚ใŸใ—ใ‹ใซใƒ•ใ‚กใƒŸใ‚ณใƒณใงใฏ่ชฐใŒใ‚„ใฃใฆใ‚‚็›ธๆ‰‹ใฏใ‚ณใƒณใƒ”ใƒฅใƒผใ‚ฟใงใ™ใ‹ใ‚‰ใญใ€‚

่’ใ€€ใ‚ใ„ใซใใƒœใ‚ฏใฏใƒ•ใ‚กใƒŸใ‚ณใƒณใฃใฆใ€ใปใจใ‚“ใฉใ‚„ใฃใŸใ“ใจใŒใชใ„ใ‚“ใ ใ€‚ใงใ‚‚ๅ‹ใ ใกใฉใ†ใ—ใงๆˆฆใ†ใ‚ฒใƒผใƒ ใชใ‚“ใ‹ใ‚‚ใ‚ใ‚‹ใ‚‰ใ—ใ„ใญใ€‚ๅฏพไบบ้–“ใงใ€ใงใใ‚‹ใ‚ฒใƒผใƒ ใชใ‚‰ใฐใ€ใƒœใ‚ฏใ‚‚่ˆˆๅ‘ณใฏใ‚ใ‚‹ใ‚ˆ!!

ใ‚ณใ€€่’ๆœจๅ…ˆ็”Ÿใฏใ€ใ‚ใ‚Šใจใƒ•ใ‚กใƒŸใ‚ณใƒณๅๅฏพ!!ใฎไบบใ‹ใจๆ€ใฃใฆใพใ—ใŸใ‘ใฉโ€ฆใ€‚

่’ใ€€ใƒใƒใƒใƒใƒƒ!!ใใ‚“ใชใ“ใจใฏใชใ„ใ‚ˆใ€‚ใƒœใ‚ฏใฎใƒขใƒƒใƒˆใƒผใฏใ€Œใ‚ฏใƒจใ‚ฏใƒจ่€ƒใˆใชใ„ใ€‚่‡ช็”ฑใซ็”Ÿใใ‚ˆใ†!!ใ€ใ ใ‹ใ‚‰ใญใ€‚ใƒ•ใ‚กใƒŸใ‚ณใƒณใ ใฃใฆ่‡ชๅˆ†ใŒๅฅฝใใชใ‚‰ใ€ใ‚„ใ‚Œใฐใ„ใ„!!ๆ™‚้–“ใฎ็„ก้ง„ใ ใจๆ€ใˆใฐใ€ใ‚„ใ‚ใ‚Œใฐใ„ใ„ใฎใ•!!

ใ‚ณใ€€ใใ†ใงใ™ใญใ€‚ใใ‚Œใ˜ใ‚ƒๆœ€ๅพŒใซใ‚ธใƒฃใƒณใƒ—่ชญ่€…ใฎ็š†ใ•ใ‚“ใซไฝ•ใ‹ใ€ใฒใจ่จ€!!

่’ใ€€ใ€Žใ‚ธใƒงใ‚ธใƒงใ€ใฎ้€ฃ่ผ‰ใŒๅง‹ใพใฃใฆใ€ใฏใ‚„2ๅนดใ€‚ใ ใ‘ใฉๆ–ฐไบบใฎใจใใฎๆฐ—ๆŒใกใ‚’ๅฟ˜ใ‚ŒใšใซใŒใ‚“ใฐใ‚Šใพใ™ใฃ!!

[2]

ใƒ•ใƒฌใƒƒใ‚ทใƒฅๅฏพ่ซ‡

่’ๆœจ้ฃ›ๅ‘‚ๅฝฆvs.้…’่ฆ‹่ณขไธ€ ๆผซ็”ปใ‚‚ๅฐ่ชฌใ‚‚ใƒ—ใƒญใƒฌใ‚นๆตใซๆใ“ใ†ใ˜ใ‚ƒใชใ„ใ‹

ใ€ŒๅพŒๅฎฎๅฐ่ชฌใ€ใ€Œๅขจๆ”ปใ€็ญ‰ใ€ๆ–ฐ้ฎฎใชๆฏๅนใ‚ใตใ‚Œใ‚‹ไฝœๅ“ใ‚’ๆฌกใ€…ใซ็™บ่กจใ™ใ‚‹้…’่ฆ‹ๆฐใจใ€ ใ€Ž้€ฑๅˆŠๅฐ‘ๅนดใ‚ธใƒฃใƒณใƒ—ใ€่ชŒใซใ€Œใ‚ธใƒงใ‚ธใƒงใฎๅฅ‡ๅฆ™ใชๅ†’้™บใ€ใ‚’้€ฃ่ผ‰ไธญใฎ่’ๆœจๆฐใ€ ๅฐ่ชฌ็•Œใจๆผซ็”ป็•Œใฎๆฐ—้‹ญใŒ<็‰ฉ่ชž>ใฎ้ญ…ๅŠ›ใ‚’็†ฑ่ซ–ใ€‚ ใตใŸใ‚Šใซ็›ธ้€šใšใ‚‹ใ‚ณใ‚ณใƒญใฏใƒปใƒปใƒปใƒปใƒปใƒปๅธธใซๅ…จๅŠ›ๆŠ•็ƒ๏ผ

โ—ไธญๅ›ฝใฎใ“ใจใฏๅ…จ็„ถ็Ÿฅใ‚‰ใชใ„

่’ๆœจใ€€ๆฅใšใ‹ใ—ใชใŒใ‚‰้…’่ฆ‹ใ•ใ‚“ใฎไฝœๅ“ใฏใ€Žๅขจๆ”ปใ€ใ—ใ‹่ชญใ‚“ใงใ„ใชใ„ใ‚“ใงใ™ใ‘ใฉใ€ใชใซใ‹็งใจๅ…ฑ้€š็‚นใŒใ‚ใ‚‹ใ‚ˆใ†ใชๆฐ—ใŒใ™ใ‚‹ใ‚“ใงใ™ใ€‚ๆ„Ÿๆƒ…ใฎใŠใ‚‚ใ‚€ใใพใพใซๆ›ธใใคใฅใฃใฆใ„ใไบบใจใ„ใ†ใฎใฏใ€ๆœ€ๅˆใจๆœ€ๅพŒใงใ‚ใพใ‚Š้–ขไฟ‚ใชใ‹ใฃใŸใ‚Šใ—ใพใ™ใ‘ใฉใ€้…’่ฆ‹ใ•ใ‚“ใฎใฏ็†่ซ–็š„ใซ็‰ฉไบ‹ใŒ้€ฒใ‚“ใงใ„ใใพใ™ใ‚ˆใญใ€‚ใใ†ใ„ใ†ใจใ“ใ‚ใŒไผผใฆใ„ใ‚‹ใ‹ใชใจใ€‚

้…’่ฆ‹ใ€€่ซ–็†็š„ใซๆ›ธใ„ใฆใ‚‹ใคใ‚‚ใ‚Šใฏใชใ„ใงใ™ใ‘ใฉใ€ใ„ใ‚ใ‚†ใ‚‹ๆญดๅฒใซใคใ„ใฆๆ›ธใใ‚ใ‘ใ ใ‹ใ‚‰ใ€่ณ‡ๆ–™ใฏใกใ‚ƒใ‚“ใจ้›†ใ‚ใชใใ‚ƒใ„ใ‘ใชใ„ใจใ„ใ†ใ“ใจใงใ€‚ใงใ‚‚ใ€็ทปๅฏ†ใช่จˆ็ฎ—ใชใ‚“ใฆใชใ„ใ‚“ใงใ™ใ‚ˆใ€ๅฎŸใฏใ€‚

่’ๆœจใ€€ใ‚„ใฏใ‚Šใ€ๆ˜”ใ‹ใ‚‰ไธญๅ›ฝใฎใ“ใจใ‚’่ชฟในใฆใ„ใŸใ‚“ใงใ™ใ‹ใ€‚

้…’่ฆ‹ใ€€ใ„ใ‚„ใ€ไธญๅ›ฝใฎใ“ใจใฏๅ…จ็„ถ็Ÿฅใ‚‰ใชใ„ใ‚“ใงใ™ใ€‚ใคใใฃใฆๆ›ธใ„ใฆใ„ใ‚‹ใ‹ใ‚‰ใ€ใกใ‚‡ใฃใจๆฅใšใ‹ใ—ใ„ใ€‚

่’ๆœจใ€€ใใ†ใชใ‚“ใงใ™ใ‹ใ€‚ใงใ‚‚ใ€ๆผซ็”ปใซใ‚‚ใใ†ใ„ใ†ไบบใŒใ„ใฃใฑใ„ใ„ใพใ™ใ‚ˆใ€‚ๆ‹ณๆณ•ใซใ—ใŸใฃใฆใ€ใ†ใใฐใ‹ใ‚Šๆ›ธใ„ใฆใพใ™ใ‹ใ‚‰ใ€‚

้…’่ฆ‹ใ€€ใงใ‚‚ใ€็Ÿฅใ‚‰ใชใ„ใฎใซๆ›ธใใจใ„ใ†ใฎใฏใกใ‚‡ใฃใจๆ€–ใ„ใงใ™ใญใ€‚่ญ˜่€…ใฎๆŒ‡ๆ‘˜ใจใ‹ใ€ไธญๅ›ฝใซไธ€ๅนดใชใ‚Šไฝใ‚“ใ ไผš็คพๅ“กใจใ‹ใซใ€ใ“ใ‚“ใชใ“ใจใชใ„ใ‚ˆใจใ‹่จ€ใ‚ใ‚ŒใŸใ‚‰ใ€ใ‚‚ใ†ใใ‚Œใงใ‚ขใ‚ฆใƒˆใ˜ใ‚ƒใชใ„ใงใ™ใ‹ใ€‚ไปŠใฎใจใ“ใ‚ใฏใชใ„ใงใ™ใ‘ใฉใ€ไปŠๅพŒใ€ใ‚ใ‚Šใใ†ใงใ™ใญใ€‚

่’ๆœจใ€€ใจใ„ใฃใฆใ‚‚ใ€ใ‚ใ‚‹็จ‹ๅบฆใฏๅ‰ตไฝœใ™ใ‚‹ๆญดๅฒใฟใŸใ„ใชใ‚‚ใฎใ‚‚ใ‚ใ‚‹ใ‚ใ‘ใ ใ‹ใ‚‰ใ€‚

้…’่ฆ‹ใ€€ๅƒ•ใฏใฟใ‚“ใชใคใใ‚Š็‰ฉใงใ™ใ‚ˆใ€‚ใ ใ‘ใฉใ€ๅ…จ็„ถๅญ˜ๅœจใ—ใชใ„ใ‚ˆใ†ใชๆญฆๅ™จใ‚’ๆ›ธใ„ใŸใ‚Šใ—ใฆใฏใ„ใ‘ใชใ„ใ—ใ€ๅฎŸๅœจใฎๅ›ฝใ‚’ๅ‹ๆ‰‹ใซๆป…ใผใ—ใฆใ‚‚ใ‚ˆใใชใ„ใ—ใ€‚ใใฎ็จ‹ๅบฆใฎๅˆถ็ด„ใŒใ‚ใ‚‹ใ ใ‘ใงใ™ใ‚ˆใ€‚

่’ๆœจใ€€ใงใ‚‚ใ€ๆญดๅฒไธŠใฎไบบ็‰ฉใ‚’ๅ‡บใ™ใจใใฏใ€ใ‚‚ใ†ใ„ใคๆญปใ‚“ใ ใฎใ‹ใ‚ใ‹ใฃใฆใ„ใพใ™ใ‚ˆใญใ€‚ใใ†ใ„ใ†ๅ ดๅˆใฏใ€ใกใ‚ƒใ‚“ใจใใ“ใงๆญปใชใชใใ‚ƒใ„ใ‘ใชใ„ใ€‚

้…’่ฆ‹ใ€€ๅคงไธˆๅคซใ€ใ€Žๅขจๆ”ปใ€ใซใฏๆญดๅฒไธŠใฎไบบ็‰ฉใฏใปใจใ‚“ใฉๅ‡บใฆใ“ใชใ„ใ‹ใ‚‰ใ€‚

่’ๆœจใ€€ใใ†ใชใ‚“ใงใ™ใ‹ใ€‚ใ„ใ‚„ใ€ๅƒ•ใฏใฆใฃใใ‚Šๆผขๅญ—ใŒๅ‡บใฆใใ‚‹ใจใ‚‚ใ†ใ€ๅฎŸ้š›ใซใ„ใŸไบบใ‹ใจใ€‚

้…’่ฆ‹ใ€€่ฆใ™ใ‚‹ใซใ€ๆ˜ ็”ปใ‚’ใคใใ‚‹ใจใใซ่’ใ‚Œๅœฐใ‚’่ฆ‹ใคใ‘ใฆใ€ใใ“ใซใ‚ปใƒƒใƒˆใ‚’ใคใใฃใฆใจใ„ใ†ๆ„Ÿใ˜ใชใ‚“ใงใ™ใ€‚ๅŸŽใ‚‚่‡ชๅˆ†ใง่€ƒใˆใฆใคใใฃใŸใ‚‚ใฎใงใ™ใ—ใ€‚ ่’ๆœจใ€€ใƒ“ใƒƒใ‚ฐใ‚ณใƒŸใƒƒใ‚ฏใงๆผซ็”ปใซใชใฃใฆใ„ใพใ™ใ‘ใฉใ€ใ‚ใ‚Œใฏ้…’่ฆ‹ใ•ใ‚“ใฎๆƒณๅƒ้€šใ‚Šใฎ็ตตใซใชใฃใฆใ„ใ‚‹ใ‚“ใงใ™ใ‹ใ€‚

้…’่ฆ‹ใ€€ใจใ„ใ†ใ‚ˆใ‚Šใ€ๅƒ•ใฏใ‚ใฎ้ ƒใฎๆœ่ฃ…ใ‚‚ๅ…จ็„ถ็Ÿฅใ‚‰ใชใ„ใ‹ใ‚‰ใ€ใ‚ใ‚ใ€ใ“ใ‚“ใชๆœ็€ใฆใ„ใ‚‹ใฎใ‹ใจใ‹ใญใ€‚

่’ๆœจใ€€ใใ†ใชใ‚“ใงใ™ใ‹ใ€‚(็ฌ‘)

้…’่ฆ‹ใ€€่ฒดๆ—ใฎๆœใชใ‚“ใ‹ใฏใ‚ใ‹ใ‚‹ใ‚“ใงใ™ใญใ€ใกใ‚ƒใ‚“ใจ็ตตใŒๆฎ‹ใฃใฆใ„ใ‚‹ใ‹ใ‚‰ใ€‚ใงใ‚‚ใ€ๅบถๆฐ‘ใŒใฉใ‚“ใชๆœใ‚’็€ใฆใ„ใŸใจใ‹ใ€ไฝ•ใ‚’้ฃŸในใฆใ„ใŸใ‹ใชใ‚“ใฆใ„ใ†ใฎใฏใ€ๅ…จ็„ถใ‚ใ‹ใ‚‰ใชใ„ใ‚ใ‘ใงใ™ใ‚ˆใ€‚ๅŸŽใซใ—ใฆใ‚‚ใ€ใ‚ใฎ้ ƒใฎๅŸŽๅฃใฏๆฎ‹ใฃใฆใ„ใชใ„ใงใ™ใ‹ใ‚‰ใ€้›ฃใ—ใ„ๅ•้กŒใ‚’ใ„ใฃใฑใ„ใฏใ‚‰ใ‚“ใงใ„ใ‚‹ใ‚“ใงใ—ใ‚‡ใ†ใญใ€‚

่’ๆœจใ€€้บ่ทกใฟใŸใ„ใฎใฏใ‚ใพใ‚Šใชใ„ใ‚“ใงใ™ใ‹ใ€‚

้…’่ฆ‹ใ€€ใ„ใฃใฑใ„ใ‚ใ‚‹ใ‚“ใงใ™ใ‘ใฉใ€ใ•ใ™ใŒใซใƒ‹ไบ”ใ€‡ใ€‡ๅนดๅ‰ใจใชใ‚‹ใจใกใ‚‡ใฃใจ้›ฃใ—ใ„ใ€‚ใ‚จใ‚ธใƒ—ใƒˆใจใ‹ใ‚ฎใƒชใ‚ทใƒฃใฏ็Ÿณใงใคใใฃใฆใ‚ใ‚‹ใ‹ใ‚‰ใกใ‚ƒใ‚“ใจๆฎ‹ใฃใฆใ„ใ‚‹ใ‘ใฉใ€ไธญๅ›ฝใฎใฏๅฉใ‘ใฐๅฃŠใ‚Œใ‚‹ใ‚“ใงใ™ใญใ€‚ใ‚ใ‚Œใ€ๅœŸใ‚’ๅ›บใ‚ใฆใคใใฃใฆใ„ใ‚‹ใ‚‰ใ—ใ„ใ‹ใ‚‰ใ€‚ใ ใ‹ใ‚‰ใ€ใใ†ใ„ใ†ๆ„ๅ‘ณใงใ€ๆœฌๅฝ“ใฏใ‚ใฎๅฐ่ชฌใฏใ†ใใŒๆ›ธใ„ใฆใ‚ใ‚‹ใ‚“ใงใ™ใ‘ใฉใ€‚

่’ๆœจใ€€ใงใ‚‚ใ€ๅ…จ็„ถใ†ใใ ใจๆ€ใ‚ใชใ‹ใฃใŸใชใ€‚

้…’่ฆ‹ใ€€ใ ใ‹ใ‚‰ใ€ใฉใ†ใ‚‚ไธญๅ›ฝ็‰ฉใฎใ‚จใ‚ญใ‚นใƒ‘ใƒผๅœใ ใจ่ฆ‹ใ‚‰ใ‚Œใฆใ—ใพใ„ใŒใกใงใ€‚ๅƒ•ใฏๅซŒใ ๅซŒใ ใจ่จ€ใฃใฆใ„ใ‚‹ใ‚“ใงใ™ใ‘ใฉใ€‚๏ผณ๏ผฆใ‚‚ๆ›ธใ„ใฆใ„ใพใ™ใ—ใ€ๅˆฅใซไธญๅ›ฝ็‰ฉใซใ“ใ ใ‚ใฃใฆๆ›ธใ„ใฆใ„ใ‚‹ใ‚ใ‘ใ˜ใ‚ƒใชใ„ใ‚“ใงใ™ใ‚ˆใ€‚


โ—่ชญ่€…ใฎๆƒณๅƒใ‚’ใŠใ‚‚ใ—ใ‚ใ่ฃๅˆ‡ใ‚‹

้…’่ฆ‹ใ€€ใ‚ธใƒฃใƒณใƒ—ใง้€ฃ่ผ‰ใ—ใฆใ„ใ‚‹ใ€Žใ‚ธใƒงใ‚ธใƒงใฎๅฅ‡ๅฆ™ใชๅ†’้™บใ€ใงใ‚‚ๆ ผ้—˜ๆŠ€ใŒๅ‡บใฆใใพใ™ใญใ€‚่’ๆœจใ•ใ‚“่‡ช่บซใ€ๆ ผ้—˜ๆŠ€ใฏใ‘ใฃใ“ใ†ใ‚„ใฃใฆใ„ใ‚‹ใ‚“ใงใ™ใ‹ใ€‚

่’ๆœจใ€€ๅ…จ็„ถใ‚„ใฃใฆใ„ใพใ›ใ‚“ใ€‚ๅ‰ฃ้“ใ‚’ใ‚„ใฃใฆใ„ใŸใ“ใจใฏใ‚ใ‚‹ใ‚“ใงใ™ใ‘ใฉใ€‚

้…’่ฆ‹ใ€€่ฆ‹ใ‚‹ๆ–นใ‚‚๏ผŸ

่’ๆœจใ€€ใชใ„ใงใ™ใญใ€‚ใƒ†ใƒฌใƒ“ใงใ‚„ใฃใฆใ„ใ‚‹็จ‹ๅบฆใชใ‚‰่ฆ‹ใ‚‹ใ‚“ใงใ™ใ‘ใฉใ€‚ใใ‚Œใซใ€ๆ ผ้—˜ๆŠ€ใ‚’ๆ›ธใ„ใฆใ„ใ‚‹ใจใ„ใ†ๆ„Ÿใ˜ใฏใ‚ใพใ‚Šใชใ„ใ‚“ใงใ™ใ€‚้…’่ฆ‹ใ•ใ‚“ใ‚‚ใใ†ใ ใจๆ€ใ„ใพใ™ใŒใ€ไบบ้–“ใฎ้ง†ใ‘ๅผ•ใใจใ„ใ†ใ‚“ใงใ™ใ‹ใ€ใใฎ่พบใŒใŠใ‚‚ใ—ใ‚ใ„ใ‚ใ‘ใงใ€‚ใ ใ‹ใ‚‰ใ€ใƒ—ใƒญใƒฌใ‚นใจใ‹ใ€ใฏใฃใใ‚Š่จ€ใฃใฆๅซŒใ„ใงใ™ใญใ€‚

้…’่ฆ‹ใ€€่’ๆœจใ•ใ‚“ใฏใใ†ใŠใฃใ—ใ‚ƒใ‚‹ใ‘ใฉใ€ๅฎŸใฏใ€ใƒ—ใƒญใƒฌใ‚นใ‚‚ๅŒใ˜ใชใ‚“ใงใ™ใญใ€‚ใƒ—ใƒญใƒฌใ‚นใ ใจ็›ธๆ‰‹ใฎๅค–ไบบใชใ‚Šใชใ‚“ใชใ‚ŠใฎๅŠ›ใ‚’ใ€ๅๅˆ†ๅผ•ใๅ‡บใ—ใฆใ‹ใ‚‰ใ‚„ใฃใคใ‘ใชใใ‚ƒใ„ใ‘ใชใ„ใจใ„ใ†ใฎใŒใ‚ใ‚‹ใ‚ใ‘ใงใ™ใ‚ˆใ€‚ใ‚ˆใ†ใ™ใ‚‹ใซใ€ๆœช็Ÿฅใฎๆ ผ้—˜ๅฎถใŒ่ฅฒๆฅใ—ใŸๅ ดๅˆใ€็›ธๆ‰‹ใฎๆŒใกๆŠ€ใ‚’ๅ‡บใ•ใชใ„ใ†ใกใซๅ€’ใ—ใฆใฏใ„ใ‘ใชใ„ใ‚ใ‘ใงใ™ใ€‚ๅ‘ใ“ใ†ใฎๅผทใ•ใ‚’ไฝ•ๅ›žใ‹่ฆณๅฎขใŠใ‚ˆใณใƒฌใ‚นใƒฉใƒผใซ่ฆ‹ใ›ใคใ‘ใŸๅพŒใงๅ€’ใ™ในใใชใ‚“ใงใ™ใญใ€‚ๆผซ็”ปใงใ‚‚ๅŒใ˜ใ ใจๆ€ใ†ใ‚“ใงใ™ใ€‚ใฏใฃใใ‚Š่จ€ใฃใฆใ€ๅฑ้™บใชใ‚„ใคใ ใฃใŸใ‚‰ใ™ใๆฎบใ—ใกใ‚ƒใˆใฐใ„ใ„ใ‚“ใ ใ‘ใฉใ€ใ‚„ใฃใฑใ‚Šใ€็›ธๆ‰‹ใฎๅ‡„ๅ‘ณใ‚’่ฆ‹ใ›ใคใ‘ใŸๅพŒใงไธ€็™บ้€†่ปขใ™ใ‚‹ใ€‚ใ“ใ‚Œใฏ็ตถๅฏพใซๅฟ…่ฆใชใ“ใจใงใ™ใ€‚

่’ๆœจใ€€ไธ€ๆ’ƒๅฟ…ๆฎบใ ใฃใŸใ‚‰ใ€ใ‚ธใƒฃใƒณใƒ—ใฟใŸใ„ใช้•ทใ„ๆˆฆใ„ใฏใงใใชใ„ใ€‚(็ฌ‘)

้…’่ฆ‹ใ€€ใใฎ่พบใงใ€ๅ‰็”ฐๆ—ฅๆ˜ŽใŒใ„ใŸ้ ƒใฎ๏ผต๏ผท๏ผฆใชใ‚“ใ‹ใฏๆ‚ฉใ‚€ใ‚ใ‘ใงใ™ใญใ€‚ๅผฑใ„ใ‚„ใฃใ ใฃใŸใ‚‰ไธ€ๅˆ†ใงๅ€’ใ›ใ‚‹ใ‚“ใงใ™ใ‚ˆใ€ๆœฌๅฝ“ใฏใญใ€‚ใงใ‚‚ใ€็›ธๆ‰‹ใฎใ™ใ”ใ„ๆŠ€ใ‚’่ฆ‹ใ›ใŸๅพŒใงใ€ใ•ใ‚‰ใซๅ€’ใ•ใชใ‘ใ‚Œใฐใ„ใ‘ใชใ„ใ€‚ใใ‚ŒใŒๅ…ซ็™พ้•ทใ ใจ่จ€ใ‚ใ‚Œใฆใ„ใ‚‹็พ็ŠถใŒใ‚ใ‚‹ใ‹ใ‚‰ๆ‚ฉใ‚€ใ‚ใ‘ใงใ™ใ€‚

่’ๆœจใ€€ใใ‚Œใงๅˆ†่ฃ‚ใ—ใŸใ‚Šใ™ใ‚‹ใ‚“ใงใ™ใญใ€‚

้…’่ฆ‹ใ€€ใใ†ใ„ใ†ใ“ใจใงใ™ใ‚ˆใ€‚ใ“ใฎๅ‰ใงใ‚‚ใ€ใƒœใ‚ฏใ‚ทใƒณใ‚ฏใฎใƒˆใƒผใƒฌใƒใƒผใƒปใƒใƒผใƒ“ใƒ„ใ‚ฏใจ๏ผต๏ผท๏ผฆใ‚คใƒณใ‚ฟใƒผใฎ้ซ˜็”ฐๅปถๅฝฆใŒใ‚„ใฃใŸใจใใ€ๆœฌๅฝ“ใฏใƒใƒผใƒ“ใƒƒใ‚ฏใฎใƒ‘ใƒณใƒใฎๅ‡„ใ•ใ‚’ๅญ˜ๅˆ†ใซ่ฆ‹ใ›ใคใ‘ใŸไธŠใงๅ€’ใ™ในใใ ใฃใŸใฎใซใ€้ซ˜็”ฐใฏใ„ใใชใ‚Šใ‚„ใฃใกใ‚ƒใฃใŸใ‚‚ใฎใ ใ‹ใ‚‰ใ€ใƒใƒผใƒ“ใƒƒใ‚ฏใฏ้€ƒใ’ใกใ‚ƒใฃใŸใ€‚

่’ๆœจใ€€ใใ‚Œใ‚‚ๆˆฆใ„ใฎๆ–นๆณ•ใ ใจใ€‚

้…’่ฆ‹ใ€€ใƒใƒผใƒ“ใƒƒใ‚ฏใฎใƒ‘ใƒณใƒใฏไธ‰ใ€‡ใ€‡ใ‚ญใƒญไปฅไธŠใฎใƒ‘ใƒณใƒใจใ„ใ†ใ‚“ใ ใ‹ใ‚‰ใ€ใใ‚“ใชใ‚‚ใฎๅ—ใ‘ใŸใ‚‰็ต‚ใ‚ใ‚Šใงใ™ใ‹ใ‚‰ใ€‚ใใฎๅ‰ใซใ‚ฌใƒณใ‚ฌใƒณใซ่นดใ‚ŠใพใใฃใŸใ€‚ๆ ผ้—˜่€…ใจใ—ใฆใฏๆญฃใ—ใ„ใ‚“ใงใ™ใญใ€‚ใงใ‚‚ใ€ใƒ—ใƒญใƒฌใ‚นใงใฏ้–“้•ใ„ใชใ‚“ใงใ™ใ€‚ใƒใƒผใƒ“ใƒƒใ‚ฏใฎ่„…ๅจใ‚’ๅญ˜ๅˆ†ใซ่ฆ‹ใ›ใคใ‘ใฆใƒ•ใƒฉใƒ•ใƒฉใซใชใฃใฆใ‹ใ‚‰้€†่ปขใ—ใชใใ‚ƒใ„ใ‘ใชใ„ใ‚“ใงใ™ใ€‚ใ ใ‹ใ‚‰ใ€ใ‚ปใƒกใƒณใƒˆใฏใคใพใ‚‰ใชใ„ๅ ดๅˆใŒๅคšใ„ใ€‚

่’ๆœจใ€€ใ‚ปใƒกใƒณใƒˆใจใ„ใ†ใจ๏ผŸ

้…’่ฆ‹ใ€€ใ‚ฌใƒใƒณใ‚ณใจใ‹่จ€ใ„ใพใ™ใ‘ใฉใ€็œŸๅ‰ฃๅ‹่ฒ ใฎใ“ใจใงใ™ใ€‚ใƒ—ใƒญใƒฌใ‚นใจใ—ใฆใฏใกใ‚ˆใฃใจใพใšใ„ใจๆ€ใ†ใ€‚ใใฎๆ„ๅ‘ณใงใฏใ€ๆผซ็”ปใ‚‚ใใ†ใ ใจๆ€ใ†ใ‚“ใงใ™ใ‚ˆใ€‚ใ€Žใ‚ธใƒงใ‚ธใƒงใฎๅฅ‡ๅฆ™ใชๅ†’้™บใ€ใงใ‚‚ใ€่‚‰ใ‚’ๅˆ‡ใ‚‰ใ›ใฆ้ชจใ‚’ๆ–ญใคใจใ„ใ†ๅ‹ใกๆ–นใŒๅคšใ„ใงใ™ใ‚ˆใญใ€‚้กใฎไธญใงใ—ใ‹ๅ‹•ใ‘ใชใ„ใ‚„ใคใจใ‹ใ€ๅคขใฎไธญใง่ฅฒใฃใฆใใ‚‹ใ‚นใ‚ฟใƒณใƒ‰ใจใ‹ใ€ใ„ใ‚ใ„ใ‚ใช็›ธๆ‰‹ใŒๅ‡บใฆใใ‚‹ใ‚ใ‘ใงใ™ใ‘ใฉใ€ใฉใ†ใ‚„ใฃใฆๅ€’ใ™ใฎใ‹ใจๆฏŽ้€ฑๆฅฝใ—ใฟใงใ™ใ€‚

่’ๆœจใ€€ๆ›ธใๅ‰ใซใ€ไธ€ๅฟœใ€ใ“ใ‚“ใชๆ„Ÿใ˜ใ‹ใชใจใ„ใ†ใฎใฏใ‚ใ‚‹ใ‚“ใงใ™ใ‘ใฉใ€ๆ›ธใ„ใฆใ„ใฆใ€ใ“ใ†ใ‚„ใฃใฆๅ€’ใ—ใŸใ‚‰ใ ใ‚ใชใ‚“ใ˜ใ‚ƒใชใ„ใ‹ใจใ‹ๆ€ใ†ใ‚“ใงใ™ใญใ€‚

้…’่ฆ‹ใ€€ใตใคใ†ใ€ๆผซ็”ปใ ใจใ ใ„ใŸใ„ๅ…ˆใŒ่ฆ‹ใˆใ‚‹ใ‚“ใงใ™ใ‘ใฉใ€่’ๆœจใ•ใ‚“ใฎใฏๅ…ˆใŒ่ฆ‹ใˆใชใ„ใ€‚ใฉใ†ใ‚„ใฃใฆๅ€’ใ™ใ‚“ใ ใ‚ใ†ใจใ€‚

่’ๆœจใ€€ใใ“ใŒๅซŒใ„ใชไบบใ‚‚ใ„ใ‚‹ใ‚“ใงใ™ใ‘ใฉใญใ€‚

้…’่ฆ‹ใ€€ใ„ใ‚„ใ€ใ“ใ‚Œใฏใ™ใ”ใ„ใ“ใจใงใ™ใ‚ˆใ€‚่ชญ่€…ใฎๆƒณๅƒใจใ‹ๆœŸๅพ…ใ‚’่ฃๅˆ‡ใ‚Šใคใฅใ‘ใฆใ€ใชใŠใ‹ใคใŠใ‚‚ใ—ใ‚ใ่ฃๅˆ‡ใ‚‹ใจใ„ใ†ใฎใŒๆญฃใ—ใ„ๅงฟใจๆ€ใ„ใพใ™ใญใ€‚

่’ๆœจใ€€ใใฎๆ„ๅ‘ณใงใ€Žๅขจๆ”ปใ€ใฏๆ„Ÿๅฟƒใ—ใพใ—ใŸใ€‚

้…’่ฆ‹ใ€€ๅƒ•ใ‚‚ใ€ใใ„ใคใŒๅ‡„ใ„ใ‚„ใคใ ใจใ„ใ†ใฎใ‚’่ฆ‹ใ›ใฆใ‹ใ‚‰ๅ€’ใ•ใชใใ‚ƒใ„ใ‘ใชใ„ใงใ™ใ‹ใ‚‰ใ€‚


โ—ๆฏŽ้€ฑๆฏŽ้€ฑใ€ๅฟ…ๆญป

่’ๆœจใ€€ใ•ใฃใใ€้…’่ฆ‹ใ•ใ‚“ใจไผผใฆใ„ใ‚‹ใจ่จ€ใ„ใพใ—ใŸใ‘ใฉใ€ใ‚„ใฃใฑใ‚Šๅฟƒ็†ๆˆฆใชใ‚“ใงใ™ใญใ€‚ใ“ใ‚ŒใŒใŠใ‚‚ใ—ใ‚ใ„ใ€‚้…’่ฆ‹ใ•ใ‚“ใฎๅฐ่ชฌใ‚‚ใฟใ‚“ใชใใ†ใงใ™ใญใ€‚ใใ†ใ„ใ†ใจใ“ใ‚ใŒใ€ใกใ‚‡ใฃใจไผผใฆใ„ใ‚‹ใชใจๆ€ใฃใŸใ‚“ใงใ™ใ€‚

้…’่ฆ‹ใ€€ๅƒ•ใฏใ€่’ๆœจใ•ใ‚“ใฎใ“ใจใฏๆ‰‹ๅกš่ณžใ‚’ใŠๅ–ใ‚ŠใซใชใฃใŸใ€Žๆญฆ่ฃ…ใƒใƒผใ‚ซใƒผใ€ใ‹ใ‚‰็Ÿฅใฃใฆใ„ใ‚‹ใ‚“ใงใ™ใ€‚ใ‚ใ‚Œใซ่’ๆœจใ•ใ‚“ใฎ่ณ‡่ณชใจใ„ใ†ใฎใฏๅ‡บใฆใ„ใพใ™ใญใ€‚ใƒใƒผใ‚ซใƒผใฎใƒˆใƒชใƒƒใ‚ฏใจใ‹ใ€ใ‚„ใฃใฑใ‚Šใ‚ฎใƒฃใƒณใƒ–ใƒซๅฅฝใใงใ—ใ‚‡ใ†ใ€‚

่’ๆœจใ€€ใพใ‚ใ€ๅคงๆŠตใ‚„ใ‚Šใพใ™ใ€‚็งใฏใ€ใ‚ใพใ‚Š่ฒ ใ‘ใชใ„ใงใ™ใ‚ˆใ€‚ๅ‹ใฃใฆใ„ใ‚‹ใจใ“ใ‚ใงใ‚„ใ‚ใ‚‹ใ“ใจใŒใงใใ‚‹็”ทใชใ‚“ใงใ™ใ€‚

้…’่ฆ‹ใ€€ๅค–ๅ›ฝใงใ‚‚ใ‚„ใ‚‹ใ‚“ใงใ™ใ‹ใ€‚

่’ๆœจใ€€ใ‚„ใ‚Šใพใ™ใญใ€‚ใ‚จใ‚ทใƒ—ๅœใงใ‚‚ใ‚ฐใƒฉใƒณใ‚ซใ‚ธใƒŽใจใ„ใ†ใฎใŒใ‚ใ‚‹ใ‚“ใงใ™ใŒใ€ไธ€ไบบใงไน—ใ‚Š่พผใฟใพใ—ใŸใ‹ใ‚‰ใ€‚

้…’่ฆ‹ใ€€ใงใ€ๅ‹่ฒ ใฏ๏ผŸ

่’ๆœจใ€€ๅ‹ใกใพใ—ใŸใ‚ˆใ€‚ใŠๅœŸ็”ฃไปฃใฏๅ…จ้ƒจใ‚ฎใƒฃใƒณใƒ–ใƒซใงๅ–ใ‚Šใพใ—ใŸใ‹ใ‚‰ใ€‚

้…’่ฆ‹ใ€€ๅŠ›ใƒผใƒ‰ใ‚ฒใƒผใƒ ใงใ™ใ‹๏ผŸ

่’ๆœจใ€€ใใ†ใงใ™ใญใ€‚ใ‚ใ‚“ใพใ‚Šๆ™‚้–“ใŒใ‹ใ‹ใ‚‹ใฎใฏใ ใ‚ใงใ™ใญใ€‚

้…’่ฆ‹ใ€€ใ‚„ใฃใฑใ‚Šใ€ใ‚ฎใƒฃใƒณใƒ–ใƒซใงใ‚‚ๆฉŸๆขฐ็›ธๆ‰‹ใ˜ใ‚ƒใชใใฆใ€ไบบ้–“็›ธๆ‰‹ใŒๅฅฝใใงใ—ใ‚ˆใ†ใ€‚

่’ๆœจใ€€ใใ†ใงใ™ใญใ€‚ใŸใจใˆใฐใƒซใƒผใƒฌใƒƒใƒˆใซใ—ใฆใ‚‚ใ€ๅ‘ใ“ใ†ใฎใƒ‡ใ‚ฃใƒผใƒฉใƒผใฏใƒ—ใƒญใƒ•ใ‚งใƒƒใ‚ทใƒงใƒŠใƒซใ ใ‹ใ‚‰ใ€ใกใ‚ƒใ‚“ใจ่‡ชๅˆ†ใฎๅฅฝใใช็•ชๅทใซๅ…ฅใ‚Œใ‚‰ใ‚Œใ‚‹่…•ใŒใ‚ใ‚‹ใ‚“ใงใ™ใ€‚ใใ†ใ„ใ†ใƒ—ใƒญใ‚’็›ธๆ‰‹ใซใ€่ฃใฎ่ฃใฎ่ฃใใ‚‰ใ„ใ‹ใ‚‰่ฆ‹ใฆใ„ใใ‚“ใงใ™ใญใ€‚ใ™ใ”ใ„ๅฟƒ็†ๆˆฆใชใ‚“ใงใ™ใ‚ˆใ€‚

้…’่ฆ‹ใ€€ใใ‚Œใงใ‚‚ใ€ใชใ‹ใชใ‹ๅ‹ใฆใชใ„ใ€‚

่’ๆœจใ€€ๅ„ฒใ‹ใ‚‹ใจใ‚„ใ‚ใชใ„ใ‹ใ‚‰ใ€‚ใ‚‚ใ†ใกใ‚‡ใฃใจใจๆ€ใ†ใ‚“ใงใ™ใญใ€‚ใงใ‚‚ใ€ๅƒ•ใฏๅ‹ใฃใฆใ„ใ‚‹ใจใ“ใ‚ใงใ‚„ใ‚ใ‚‰ใ‚Œใพใ™ใ€‚ใ‚ฎใƒฃใƒณใƒ–ใƒซใฎๆฅฝใ—ใ•ใฏ้ง†ใ‘ๅผ•ใใงใ™ใ‹ใ‚‰ใ€‚ใผใใฎๆผซ็”ปใฎ้ข็™ฝใ•ใฎใฒใจใคใ‚‚ๅฟƒ็†ๆˆฆใซใ‚ใ‚‹ใจๆ€ใฃใฆใ„ใพใ™ใ€‚

้…’่ฆ‹ใ€€ใใฎๆ„ๅ‘ณใงใ€ๅƒ•ใจใ—ใฆใฏใ€ๅฎŸๅŠ›่€…ๅŒๅฃซใฎๆˆฆใ„ใจใ„ใ†ใฎใซใ™ใ”ใ่ˆˆๅ‘ณใŒใ‚ใ‚‹ใ‚“ใงใ™ใ€‚ใงใ‚‚ใ€ๅฐ†ๆฃ‹ใจใ‹็ขใฎๅฎŸๅŠ›่€…ใจใ„ใ†ใฎใฏ็™พๆ‰‹ใ‹ไบŒ็™พๆ‰‹่ชญใฟใชใŒใ‚‰ๆ‰‡ๅญใ‚’ใ‚ใŠใ„ใงใ„ใ‚‹ใ‚ใ‘ใงใ€็ด ไบบใŒใใฎๅฟƒ็†ๆˆฆใ‚’ๆใใจใ„ใ†ใฎใฏใปใจใ‚“ใฉไธๅฏ่ƒฝใงใ™ใ‚ˆใญใ€‚ใใฎ็‚นใ€็›ธๆ’ฒใฏไธ€ๅ ดๆ‰€ใ‹ใ‘ใฆๅฎŸๅŠ›่€…ๅŒๅฃซใฎๆˆฆใ„ใŒ่ฆ‹ใ‚‰ใ‚Œใ‚‹ใ€‚ใ ใ‹ใ‚‰ไบบๆฐ—ใŒใ‚ใ‚‹ใ‚ใ‘ใงใ™ใญใ€‚

่’ๆœจใ€€ใƒ—ใƒญใƒฌใ‚นใฏใฉใ†ใชใ‚“ใงใ™ใ‹ใ€‚

้…’่ฆ‹ใ€€ใพใ‚ใ€ๅ›ฃไฝ“ใฎๆ€ๆƒ‘ใชใฉใŒใ‚ใฃใฆใ€ๅœใƒƒใƒ—ๅŒๅฃซใฎๆˆฆใ„ใฏใพใšใชใ„ใงใ™ใ‘ใฉใ€ๅฟƒ็†ๆˆฆใจใ„ใ†้ขใงใฏใ™ใ”ใ„ใ€‚

่’ๆœจใ€€ๅฅฅๆทฑใ„ใ‚“ใ ใชใ‚กใ€ใƒ—ใƒญใƒฌใ‚นใฏใ€‚

้…’่ฆ‹ใ€€ๅฅฅๆทฑใ™ใŽใฆใ€ใปใ‚“ใจใ€ๅ…ซ็™พ้•ทใจใ‹็œŸๅ‰ฃใจใ‹่จ€ใฃใฆใ„ใ‚‹ๆฎต้šŽใฎไบบใŸใกใŒๅฏๅ“€็›ธใ ใจๅƒ•ใฏๆ€ใ„ใพใ™ใ‚ˆใ€‚ๅฐ่ชฌใ‚‚ๆผซ็”ปใ‚‚ไธ€็ท’ใงใ€็œŸๅ‰ฃๆผซ็”ปใจๅ…ซ็™พ้•ทๆผซ็”ปใŒใ‚ใ‚‹ใจๆ€ใ†ใ‚“ใงใ™ใ€‚

่’ๆœจใ€€ใใ†ใงใ™ใญใ€‚

้…’่ฆ‹ใ€€็›ธๆ‰‹ใฎๅŠ›ใ‚’ๆฅต้™ใซๅผ•ใๅ‡บใ—ใฆใŠใ„ใฆใ‹ใ‚‰ใ‹ใ‹ใฃใฆใ„ใใ€‚็›ธๆ‰‹ใฎๅŠ›ใ‚’่ฆ‹ใ›ใฆใŠใ‹ใชใใ‚ƒใ„ใ‘ใชใ„ใ‚ใ‘ใงใ™ใ‚ˆใ€‚่’ๆœจใ•ใ‚“ใฎๆผซ็”ปใงใ‚‚ใƒ—ใƒญใƒฌใ‚น็š„ใซ็›ธๆ‰‹ใฎๆŠ€ใ‚’่ชญ่€…ใซ่ฆ‹ใ›ๅˆ‡ใฃใŸไธŠใงใ€ใฉใ†ใ™ใ‚‹ใ‚“ใ ใ‚ใ†ใ€ใฉใ†ใ™ใ‚‹ใ‚“ใ ใ‚ใ†ใจๆ€ใ‚ใ›ใฆใŠใ„ใฆใ€ใกใ‚ƒใ‚“ใจใใฃใกใ‚Šๅ€’ใ—ใฆใ—ใพใ†ใจใ„ใ†ใฎใŒใ„ใ„ใ‚“ใงใ™ใ€‚ใ‚ขใ‚คใƒ‡ใ‚ขใ‚’ๅ‡บใ—ๆƒœใ—ใฟใ—ใฆใ„ใชใ„ใ€‚

่’ๆœจใ€€ใชใซใ‹ใ€่‡ชๅˆ†ใ‚’่ฉฆ็ทดใซ้™ฅใ‚Œใ‚‹ใจใใŒใ‚ใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚ๆœ€ๅˆใฏใฉใ†ใ‚„ใฃใฆๅ€’ใ™ใ‹ใ‚ใ‹ใ‚‰ใชใ„ใพใพใ€ใจใซใ‹ใๅผทใใ—ใกใ‚ƒใฃใฆ่ฟฝใ„่พผใ‚€ใ‚“ใงใ™ใญใ€‚

้…’่ฆ‹ใ€€ๅƒ•ใŒใใ‚Œใ‚’ใ‚„ใ‚‹ใจใ€ๅŠฉใ‘ๆ–นใŒใ‚ใ‹ใ‚‰ใชใใชใฃใกใ‚ƒใ†ใฎใงใ€ใ‚ใพใ‚Šใ‚„ใ‚‰ใชใ„ใ‚“ใงใ™ใ€‚ใ‚ใพใ‚Šใซไธๅˆฉใช็Šถๆณใงๆˆฆใ†ใจใ„ใ†ใฎใฏใ€ใ‚„ใฃใฑใ‚Šใ€‚ใใฎ็‚นใ€่’ๆœจใ•ใ‚“ใฏใกใ‚ƒใ‚“ใจใใฃใกใ‚Šๅ€’ใ—ใฆใ—ใพใ†ใ€‚ใใ“ใŒใ„ใ„ใ‚“ใงใ™ใ‚ˆใ€‚ใคใŽใ‹ใ‚‰ใคใŽใธใจใ‚ขใ‚คใƒ‡ใ‚ขใ‚’ๅ‡บใ—ๆƒœใ—ใฟใ—ใชใ„ใ€‚ใ€Žใ‚ธใƒงใ‚ธใƒงใฎๅฅ‡ๅฆ™ใชๅ†’้™บใ€ใงใ‚‚ใ€ใ‚‚ใ†ๅไฝ•ไบบใ‚‚ๅ€’ใ—ใฆใพใ™ใ‘ใฉใฟใ‚“ใชใ™ใ”ใ‹ใฃใŸใ€‚

่’ๆœจใ€€ใ‚นใ‚ฟใƒณใƒ‰ใ ใ‘ใงไธ‰ๅ้€šใ‚Š่ฟ‘ใ่€ƒใˆใฆใ„ใ‚‹ใ‚“ใงใ™ใญใ€‚ใ‚„ใฃใฑใ‚Šใ€ๆผซ็”ปใงใฏใใฎ้€ฑใฎใŠๆฅฝใ—ใฟใŒใใกใ‚“ใจใชใ„ใจใ ใ‚ใงใ™ใ‹ใ‚‰ใ€‚ใฉใ†ใ—ใฆใ‚‚่ฉฑใจใ„ใ†ใฎใฏๅฑฑใ‚ใ‚Š่ฐทใ‚ใ‚Šใงๆตใ‚Œใฆใ„ใใ‘ใฉใ€่ฐทใฎใจใ“ใ‚ใŒใšใฃใจ็ถšใ„ใฆใ—ใพใ†ใ‚ˆใ†ใช่ฉฑใ ใจใ€ใ‚นใƒˆใƒผใƒชใƒผใจใ—ใฆใฏๅฟ…็„ถๆ€งใŒใ‚ใฃใฆใ‚‚ใ€ใใฎ้€ฑใจใ—ใฆใฏใŠใ‚‚ใ—ใ‚ใใชใ„ใงใ™ใ‹ใ‚‰ใ€‚

้…’่ฆ‹ใ€€ใใฎๆ„ๅ‘ณใงใ€่’ๆœจใ•ใ‚“ใฎใ‚ขใ‚คใƒ‡ใ‚ขๆง‹ๆˆใจใ„ใ†ใฎใฏใ™ใ”ใ„ใงใ™ใญใ€‚ใ‚ขใ‚คใƒ‡ใ‚ขใฎใฒใจใคใซใ€Œๆณข็ด‹ใ€ใŒใ‚ใ‚Šใพใ™ใญใ€‚

่’ๆœจใ€€่‚‰ไฝ“ใฎ้™็•ŒใฟใŸใ„ใชใ‚‚ใฎใ‚’่ฟฝๆฑ‚ใ—ใฆ่€ƒใˆใŸใ“ใจใŒใ‚ใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚ใฉใ“ใพใงๅค‰่บซใงใใ‚‹ใ‹ใจใ‹ใ€‚ใใ—ใŸใ‚‰ใ€่ตคๅค–็ทšใงๅ†™ใ—ใŸใ‚‰ใ‚ชใƒผใƒฉใŒๅ†™ใฃใฆใ„ใŸใจใ‹ใญใ€็ง‘ๅญฆ็š„ใซใ€Œๆฐ—ใ€ใฎ็ ”็ฉถใŒใ•ใ‚Œใฆใ„ใ‚‹ใ‚ใ‘ใงใ™ใ€‚ใ‚ใจใ€ๅฎ‡ๅฎ™ใ‹ใ‚‰ใ‚จใƒใƒซใ‚ฎใƒผใŒๆฅใฆใ„ใ‚‹ใจใ‹ใ€ใ„ใ‚ใ„ใ‚ไธๆ€่ญฐใชใ“ใจใŒใ‚ใ‚‹ใ€‚ใ“ใ†ใ„ใ†ใฎใฏๅ…จ้ƒจใ€ใฒใจใคๅ…ฑ้€šใ—ใฆใ„ใ‚‹ไฝ•ใ‹ใŒใ‚ใ‚‹ใ‚“ใ˜ใ‚ƒใชใ„ใ‹ใจใ‹ใ€‚ใใ‚“ใชใตใ†ใซ็™บๆƒณใ—ใฆใ„ใใ‚“ใงใ™ใ€‚ใใ‚Œใงใ€่ชญ่€…ใซใ‚ใ‹ใ‚Šใ‚„ใ™ใ„ใ‚ˆใ†ใซใ€ๅ…ƒๆฐ—ใฎใ€Œๆฐ—ใ€ใจใ‹ใ€Œๆณข็ด‹ใ€ใ ใจใ‹ๅๅ‰ใ‚’ใคใ‘ใ‚‹ใ‚“ใงใ™ใญใ€‚

้…’่ฆ‹ใ€€ใ€Œใ‚นใ‚ฟใƒณใƒ‰ใ€ใ‚‚ใใ†ใงใ™ใ‹ใ€‚

่’ๆœจใ€€ๅฎˆ่ญท้œŠใ˜ใ‚ƒใกใ‚‡ใฃใจใ‚ใ‚Œใ ใชใ‚ใจใ‹ใ€‚ใใ‚Œใงใ€ใจใซใ‹ใใ€ๆž•ๅ…ƒใซ็ซ‹ใคใ‹ใ‚‰ใ‚นๅค•ใƒณใƒ‰ใจๅไป˜ใ‘ใŸใ‚“ใงใ™ใญใ€‚ใงใ‚‚ใ€ใใ‚ใใ‚ใ‚ขใ‚ฃใƒ‡ใ‚ขใ‚‚ไฝฟใ„ๅˆ‡ใฃใŸใจใ„ใ†ใ€‚

้…’่ฆ‹ใ€€ใ„ใ‚„ใ€ใ‚ขใ‚คใƒ‡ใ‚ขใ‚’ๅ…ˆๅปถใฐใ—ใจใ‹ใ‚„ใฃใกใ‚ƒใ ใ‚ใ ใจๆ€ใ„ใพใ™ใญใ€‚

่’ๆœจใ€€ใ‚ธใƒฃใƒณใƒ—ใงใใ‚Œใ‚’ใ‚„ใฃใŸใ‚‰็”Ÿใๆฎ‹ใ‚Œใชใ„ใ€‚ๆฏŽ้€ฑใ€ใใฎ้€ฑใฎ่ฆ‹ใ›ๅ ดใ‚’ใคใใ‚‰ใชใใ‚ƒใ„ใ‘ใชใ„ใ‚ใ‘ใงใ™ใ‹ใ‚‰ใ€‚ใฟใ‚“ใชใ€ๆฅ้€ฑใฎใ“ใจใ—ใ‹ใ‚ใ‹ใ‚‰ใชใ„ใ€‚

้…’่ฆ‹ใ€€ๅฐ่ชฌใ‚ˆใ‚Šใ‚‚ๆผซ็”ปใฎๆ–นใฎๅฎŒๆˆๅบฆใŒ้ซ˜ใ„ใจใ„ใ†ใฎใ‚‚ใใ“ใซ็†็”ฑใŒใ‚ใ‚‹ใ‚“ใงใ—ใ‚‡ใ†ใญใ€‚

่’ๆœจใ€€ใพใ‚ใ€ๆฏŽ้€ฑๆฏŽ้€ฑใ€ๅฟ…ๆญปใงใ‚ใ‚‹ใ“ใจใฏ้–“้•ใ„ใ‚ใ‚Šใพใ›ใ‚“ใ‘ใฉใ€‚


โ—ใ‚นใƒˆใƒผใƒชใƒผใ‚’่ฟฝใ†ใ ใ‘ใชใ‚‰็ฐกๅ˜

้…’่ฆ‹ใ€€ๆผซ็”ปใงใ„ใ„ใฎใฏใ€ใ‚ญใƒฃใƒฉใ‚ฏๅค•ใƒผใ‚’็ซ‹ใฆใ‚‹ใจใ„ใ†ใฎใŒไธ€็•ชใ ใจใ„ใ†ใ“ใจใงใ™ใ‚ˆใ€‚ๆŒใกๆŠ€ใจใ‹ๅ€‹ๆ€งใ‚’ใŒใ‚“ใŒใ‚“ๆใ„ใฆใ€ใ‚ญใƒฃใƒฉใ‚ฏๅค•ใƒผใ‚’็ซ‹ใฆใ‚‰ใ‚Œใ‚‹ใ€‚

่’ๆœจใ€€็ขบใ‹ใซใ€ใ‚ญใƒฃใƒฉใ‚ฏๅค•ใƒผใŒ็ซ‹ใŸใชใ‘ใ‚Œใฐใ€ๆผซ็”ปใฏๆˆ็ซ‹ใ—ใพใ›ใ‚“ใ€‚่ชญ่€…ใซใฉใ†ใ‚ขใƒ”ใƒผใƒซใ™ใ‚‹ใฎใ‹ใ€ๆฏŽ้€ฑใ‚ใŸใพใ‚’ๆ‚ฉใพใ™ใจใ“ใ‚ใงใ™ใ€‚ใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใฎ้ญ…ๅŠ›ใ‚’ใฒใใ ใ™ใŸใ‚ใซใ€ใฉใ‚“ใชใ‚จใƒ”ใ‚ฝใƒผใƒ‰ใ‚’ๆใใฎใ‹ใ€ใใ‚ŒใŒไธ€็•ชๅ•้กŒใชใ‚“ใงใ™ใ€‚

้…’่ฆ‹ใ€€ๅฐ่ชฌใฏ้•ใ†ใ‚“ใงใ™ใ‚ˆใ€‚ใ‚ญใƒฃใƒฉใ‚ฏๅค•ใƒผใ‚’็ซ‹ใฆใ‚‹ใ‚ˆใ‚Šไบบ้–“ใ‚’ๆ›ธใ‘ใจใ„ใ†ใ‚“ใงใ™ใ€‚

่’ๆœจใ€€ๅŒใ˜ใ“ใจใ˜ใ‚ƒใชใ„ใ‚“ใงใ™ใ‹ใ€‚

้…’่ฆ‹ใ€€้•ใ†ใ‚ˆใ†ใงใ™ใ€‚่ฆใ™ใ‚‹ใซใ€็ชๆ‹ๅญใ‚‚ใชใ„ไบบ้–“ใ‚’ๆ›ธใ„ใฆใฏใ„ใ‘ใชใ„ใ‚“ใงใ™ใ‚ˆใ€ไบบ้–“ใ‚’ๆ›ธใ‘ใจใ„ใ‚ใ‚ŒใŸๅ ดๅˆใ€‚ๅƒ•ใ‹ใ‚‰่ฆ‹ใ‚Œใฐใ€ใตใ–ใ‘ใ‚‹ใชใจใ„ใ†ใ“ใจใงใ™ใ‘ใฉใ€ไฝ•ใ‹ๅฐ่ชฌ็•Œใจใ„ใ†ใฎใฏใใ†ใ„ใ†ไป•็ต„ใฟใซใชใฃใฆใ„ใ‚‹ใฟใŸใ„ใงใญใ€‚ๅƒ•ใฎไธ–ไปฃใซใชใ‚‹ใจใ€ใ‚‚ใ†ใใ‚“ใชใฎใฏ้–ขไฟ‚ใชใใฆใ€ใฏใฃใใ‚Š่จ€ใฃใฆใ€่’ๆœจใ•ใ‚“ใฎใปใ†ใŒไธŠใ ใจๆ€ใฃใฆใ„ใ‚‹ใ‚“ใงใ™ใ€‚

่’ๆœจใ€€ใใ†ใงใ—ใ‚‡ใ†ใ‹ใญใ€‚ใŸใ ใ€่จ€ใˆใ‚‹ใ“ใจใฏใ€ๆผซ็”ปใฎไธ–็•Œใงใฏใคใ˜ใคใพใ‚’ใ‚ใ‚ใ›ใŸใ ใ‘ใฎใ‚นใƒˆใƒผใƒชใƒผใฏ้€š็”จใ—ใชใ„ใ€‚ใ‚นใƒˆใƒผใƒชโ€”ใ‚’่ฟฝใ†ใ ใ‘ใชใ‚‰็ฐกๅ˜ใชใ‚“ใงใ™ใ€‚ใงใ‚‚ใ€ใ‚ญใƒฃใƒฉใ‚ฏๅค•ใƒผใซใจใฃใฆๅฟ…่ฆใชใ‚จใƒ”ใ‚ฝใƒผใƒ‰ใ‚’ๅ…ฅใ‚Œใฆใ€ใใ‚ŒใงใชใŠใ‹ใคใ€ใคใ˜ใคใพใ‚’ๅˆใ‚ใ›ใ‚‹ใจใชใ‚‹ใจใ€ใ“ใ‚Œใฏ้›ฃใ—ใ„ใ€‚ๆฏŽ้€ฑใ€ไฝœๅ“ใŒใ‚ใŒใ‚‹ใจใ€้ ญใฎไธญใฏใ‚ซใƒฉใƒƒใƒใงใ™ใญใ€‚

้…’่ฆ‹ใ€€ๅฐ่ชฌๅฎถใฎใชใ‹ใซใฏใ€ใ‚ขใ‚คใƒ‡ใ‚ขใ‚’ๅ‡บใ—ๆƒœใ—ใฟใ—ใฆใ€ใ“ใฎใ‚ขใ‚คใƒ‡ใ‚ขใฏใ“ใฎ็Ÿญ็ทจใซใจใฃใฆใŠใ“ใ†ใจใ‹ใ€ใใ†ใ„ใ†ใ‚ฑใƒใใ•ใ„ไบบใŒใ„ใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚ๅƒ•ใฏใ€ไปŠ่€ƒใˆใฆใ„ใ‚‹ใ“ใจใฏใ™ในใฆๆ›ธใใจใ„ใ†ๆ–น้‡ใ ใ‹ใ‚‰ใ€ๆ›ธใ็ต‚ใ‚ใ‚‹ใจใ‚ผใƒญใซใชใฃใกใ‚ƒใ†ใ‚“ใงใ™ใ€‚ใงใ€ใ†ใพใๆตฎใ‹ใ‚“ใงใใ‚‹ใฎใ‚’ใพใŸๅพ…ใฃใฆใ„ใชใใ‚ƒใชใ‚‰ใชใ„ใ€‚ใงใ‚‚ใ€ใใ†ใ„ใ†ใ‚‚ใฎใชใ‚“ใ˜ใ‚ƒใชใ„ใงใ™ใ‹ใญใ€‚่ฆใ™ใ‚‹ใซใ€ๆŽจ็†ๅฐ่ชฌใ ใจไธ€ใคใฎ็Ÿญ็ทจใซไธ€ใคใฎใ‚ขใ‚คใƒ‡ใ‚ขใจใ‹ใ€ใƒ—ใƒญใชใ‚‰ๅฝ“ใ‚Šๅ‰ใ‹ใ‚‚ใ—ใ‚Œใชใ„ใ‘ใฉใ€ใ‚ใ–ใจใ„ใ“ใจใ‚’่€ƒใˆใŸใ‚Šใ™ใ‚‹ไบบใŒๅคšใ„ใ‚“ใงใ™ใญใ€‚ใใ‚“ใชใ“ใจใ‚’ใ›ใšใซใ€ไธ‰ใคๆ€ใ„ใคใ„ใŸใ‚‰ไธ‰ใคๅ…ฅใ‚Œใ‚Œใฐใ„ใ„ใ˜ใ‚ƒใชใ„ใ‹ใจใ€ๅƒ•ใฏๆ€ใ†ใ‚“ใงใ™ใ€‚ใ ใ‹ใ‚‰ใ€ใพใ ๅ›บใพใฃใฆใ„ใชใ„ใ‚“ใงใ™ใ€‚

่’ๆœจใ€€ๅƒ•ใ‚‚ๅŒใ˜ใงใ™ใ‚ˆใ€‚ๅ›บใพใฃใฆใ„ใชใ„ใ€‚

้…’่ฆ‹ใ€€ๅƒ•ใฏใพใ ไบŒๅนดใกใ‚‡ใ„ใงใ™ใ‹ใ‚‰ใ€‚ใƒใƒƒใจๅ‡บใงใ™ใญใ€ใพใ ใ€‚

่’ๆœจใ€€ใ™ใ”ใ„ใงใ™ใ‚ˆใ€‚ใ€Žๅขจๆ”ปใ€ใ‚’่ชญใ‚“ใงใ€ไน…ใ—ใถใ‚Šใซๅฐ่ชฌใ‚’ใŠใ‚‚ใ—ใ‚ใ„ใจๆ€ใ„ใพใ—ใŸใ‚‚ใ‚“ใ€‚ๅƒ•ใ€ๆ€ใ†ใ‚“ใงใ™ใ‘ใฉใ€้…’่ฆ‹ใ•ใ‚“ใฎไฝœๅ“ใฏใ‚คใƒกใƒผใ‚ธใŒใฏใฃใใ‚Šใ—ใฆใ„ใ‚‹ใ‹ใ‚‰ใ€ๆผซ็”ปใจใ‹ๆ˜ ็”ปใซๅ‘ใ„ใฆใ„ใ‚‹ใ‚“ใ˜ใ‚ƒใชใ„ใงใ™ใ‹ใ€‚

้…’่ฆ‹ใ€€็ตตใซใ—ใ‚„ใ™ใ„ใจใฏ่จ€ใ‚ใ‚Œใพใ™ใญใ€‚ใงใ‚‚ใ€Žๆ•ฆ็…Œใ€ใใ‚‰ใ„ใฎใŠ้‡‘ใ‚’ใ‹ใ‘ใชใ„ใจๆ˜ ็”ปใซใชใ‚‰ใชใ„ใงใ—ใ‚‡ใ†ใ€‚

่’ๆœจใ€€ใ€Žๅขจๆ”ปใ€ใ‚’ๆ˜ ็”ปๅŒ–ใ—ใŸใ‚‰ใ€Žไธƒไบบใฎไพใ€ใซๅŒนๆ•ตใ™ใ‚‹ใ‚“ใ˜ใ‚ƒใชใ„ใ‹ใจใ„ใ†ๆ„Ÿใ˜ใŒใ—ใพใ—ใŸใ‘ใฉใ€‚

้…’่ฆ‹ใ€€ๅƒ•ใฏๅ…จ็„ถๅฟต้ ญใซใชใ‹ใฃใŸใ‘ใฉใ€ใ‚ˆใใใ†่จ€ใ‚ใ‚Œใพใ™ใญใ€‚

่’ๆœจใ€€ใ‹ใชใ‚Šๅคชใ„ๆ„Ÿใ˜ใŒใ‚ใ‚‹ใ—ใ€ใƒ‰ใƒผใƒณใจใ„ใ†ๆ„Ÿใ˜ใŒใ‚ใ‚‹ใ—ใ€‚ๅ…ƒๆฐ—ใช้ ƒใฎ้ป’ๆพคๆ˜Ž็›ฃ็ฃใซๆ’ฎใฃใฆใ‚‚ใ‚‰ใ„ใŸใ„ใงใ™ใญใ€‚

้…’่ฆ‹ใ€€้ป’ๆพคๆ˜Ž็›ฃ็ฃใซใ—ใฆใ‚‚ใ€ๅŒใ˜ๆ‰‹ๆณ•ใซ็ตถๅฏพๅฎ‰ไฝใ—ใพใ›ใ‚“ใ‚ˆใญใ€‚ๅŒใ˜ๆ˜ ็”ปใฏๅ…จ็„ถใคใใ‚‰ใชใ„ใ€‚ใใ†ใ„ใ†็‚นใŒๅคงๅฅฝใใงใ™ใญใ€‚ใ‚ใฎใŠๅนดใงใ€ใพใ ๆ–ฐใ—ใ„ใ“ใจใ‚’ใ—ใŸใ„ใฎใ‹ใจใ„ใ†ใ‚ˆใ†ใชใ€ๅ‡„ใพใ˜ใ„ไบบ้–“ใ ใจๆ€ใ„ใพใ™ใญใ€‚

่’ๆœจใ€€ๆ—ฅๆœฌใฎๆ˜ ็”ปใงใ‚ใ‚Œใ ใ‘ใฎๆ˜ ็”ปไฝœๅฎถใจใ„ใ†ใฎใฏใ€ใใฎๅพŒใ€ใ„ใพใ›ใ‚“ใ‚ˆใ€‚

้…’่ฆ‹ใ€€ใ‚‚ใฃใจใ‚‚ใ€ๆœ€่ฟ‘ใฎใฏใคใพใ‚‰ใชใ„ใ€‚ใงใ‚‚ใ€้ป’ๆพค็›ฃ็ฃใฏใ€ใ‚จใƒณๅค•ใƒผใƒ†ใ‚คใƒกใƒณใƒˆใŒใ‚ใ‹ใฃใŸไธŠใงใ€ใ‚ใ‚ใ„ใ†ใ‚ใ‘ใฎใ‚ใ‹ใ‚‰ใ‚“ๅฎŸ้จ“็š„ใชใ“ใจใ‚‚ใ‚„ใฃใฆใ„ใ‚‹ใจใ„ใ†ใ“ใจใง่จฑใ›ใ‚‹ใ‚ใ‘ใงใ™ใ€‚่‹ฅๆ‰‹ใฎใจใใ‹ใ‚‰ๅฎŸ้จ“็š„ใชใ“ใจใฐใ‹ใ‚Šใ‚„ใฃใฆใ€ๅฆ™ใซๅค‰ใช่ฉ•ไพกใŒใ‚ใ‚‹ใจใ„ใ†ใฎใฏใกใ‚‡ใฃใจๆฐ—ใซๅ…ฅใ‚‰ใชใ„ใงใ™ใ€‚(็ฌ‘) ่’ๆœจใ€€ใ‚จใƒณใ‚ฟใƒผใƒ†ใ‚คใƒกใƒณใƒˆใ‚’ใ—ใฃใ‹ใ‚ŠๆŠผใ•ใˆใŸไธŠใงใ€ๅค‰ใชใ“ใจใ‚’ใ‚„ใฃใฆใใ‚Œใจ่จ€ใ„ใŸใ„ใงใ™ใญใ€‚

[3]

ๆ–ฐๆ„Ÿ่ฆšใฎใƒญใƒผใƒ‰ใ‚ฒใƒผใƒ ใฃใฆๆ„Ÿใ˜ใ ใญ๏ผ

ๆœฌใ‚’่ชญใฟ่ฟ”ใ—ใฆใ„ใ‚‹ใ‚ˆใ†ใช้›ฐๅ›ฒๆฐ—ใงใ—ใŸ

ใ€€ๆœ€ๅˆใ€ๅ–่ชฌ่ชญใพใชใ„ใงๅง‹ใ‚ใกใ‚ƒใฃใŸใ‚“ใงใ€ๆ“ไฝœใŒใ‚ใ‹ใ‚“ใชใใฆใ€ๆˆธๆƒ‘ใ„ใŒใ‚ใ‚Šใพใ—ใŸใญใ€‚(็ฌ‘)็ฒพ็ฅžใƒฌใƒ™ใƒซใŒใ‚ใ‚‹ใจใ‹ใ€ใ‚ปใƒชใƒ•ใงๆˆฆใ†ใฎใŒใ‚ใ‚‹ใ‚“ใ ใ€ใจใ„ใ†ใฎใฏใ‚ใจใงใ‚ใ‹ใ‚Šใพใ—ใŸใ€‚

ใ€€ใ„ใ‚ใ„ใ‚ใ‚ใ‹ใฃใฆใใŸใ‚‰ใ€ไปŠๅบฆใฏ่‡ชๅˆ†ใงไฝœๆˆฆใ‚’ใŸใฆใ‚‰ใ‚Œใ‚‹ใ‚ˆใ†ใซใชใฃใฆใใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚่ฆšใˆใฆใใ‚‹ใจใŠใ‚‚ใ—ใ‚ใ„ใงใ™ใ‚ˆใ€‚็Ÿฅ็š„ใชๆ„Ÿใ˜ใŒใ™ใ‚‹ใ‚“ใงใ™ใ‚ˆใญใ€‚

ใ€€ไฝœใฃใŸไบบใŒๅŽŸไฝœใ‚’ใ‹ใชใ‚Š่ชญใฟ่พผใ‚“ใงใ„ใ‚‹ใฟใŸใ„ใงใ™ใญใ€‚ๅƒ•ใŒใ€ใ‚ใ€ๅฟ˜ใ‚ŒใฆใŸใฃใฆใ‚ปใƒชใƒ•ใŒใ‘ใฃใ“ใ†ๅ‡บใฆใใŸใ‚Šใ—ใฆใ€‚(็ฌ‘)ใ‚ฒใƒผใƒ ใ‚’ใ‚„ใ‚ŠใชใŒใ‚‰ใ€ๆœฌใ‚’่ชญใฟ่ฟ”ใ—ใฆใ„ใ‚‹ใ‚ˆใ†ใชๆ„Ÿใ˜ใŒใ‚ใ‚Šใพใ—ใŸใญใƒผใ€‚

ใ€€ๆ‰ฟๅคช้ƒŽใ‚„่Šฑไบฌ้™ขใŒใ€Œใ‚ชใƒฉใ‚ชใƒฉใ‚ชใƒฉ๏ผใ€ใฃใฆๆ”ปๆ’ƒใ™ใ‚‹ใจใใซใ€ๆœ€ๅพŒใฎไธ€็™บใŒใ‚ขใƒƒใƒ—ใงๆฅใ‚‹ใฎใŒใ„ใ„ใ‚“ใงใ™ใ‚ˆใ€‚(็ฌ‘)ๆ‹ณใ ใ‘ใ€‚ใ‚ใ‚Œใฏใ€ใ‚„ใฃใคใ‘ใŸๆ„Ÿใ˜ใŒใ—ใพใ™ใญใ€‚

ใ€€่Šฑไบฌ้™ขใฎใ‚จใƒกใƒฉใƒซใƒ‰ใ‚นใƒ—ใƒฉใƒƒใ‚ทใƒฅใฎใ‚ฐใƒฉใƒ•ใ‚ฃใƒƒใ‚ฏใฏใใ‚Œใ„ใงใ™ใ‚ˆใ€‚ใƒ•ใƒฏใƒผใƒƒใจๅ‡บใฆใใ‚‹ใ‚„ใคใ€‚ใ“ใ‚ŒใŒๅ‡บใ‚‹ใจๅฌ‰ใ—ใ„ใ‚“ใงใ™ใ‚ˆใญใ€‚ใใฎๅ ด้ขใ ใ‘ใ€ใ‚‚ใ†ใกใ‚‡ใฃใจ็”ป้ขใ‚’ๅคงใใใ—ใฆใปใ—ใ„ใชใจๆ€ใฃใŸใ‚Šใ—ใฆใ€‚ใƒ‰ใƒผใƒณใจ็”ป้ขใฎไธŠๅŠๅˆ†ไฝฟใˆใพใ›ใ‚“ใ‹ใญใƒผใ€‚(็ฌ‘)

ใ“ใฎๅคใซ็™บๅฃฒไบˆๅฎšใฎใ€Žใ‚ธใƒงใ‚ธใƒงใ€ใฎใƒ“ใƒ‡ใ‚ชใ‚ขใƒ‹ใƒกใ‚’ใŸใ ใ„ใพ็›ฃไฟฎไธญ๏ผใจใฆใ‚‚ๅ‡บๆฅใŒใ„ใ„ใฎใงใ€ใœใฒ่ฆ‹ใฆไธ‹ใ•ใ„ใญ๏ผ

่’ๆœจๅ…ˆ็”Ÿใฎไป•ไบ‹ๅ ดใฏใ€ไธ–็”ฐ่ฐทๅŒบใฎไฝๅฎ…่ก—ใซใ‚ใ‚‹้ซ˜็ดšใƒžใƒณใ‚ทใƒงใƒณ๏ผ

ใ€Œๆ•ตใซใ‚ปใƒชใƒ•ใงๆ”ปๆ’ƒใ™ใ‚‹ใจใโ€่จ€่‘‰ใ‚’็„ก่ฆ–ใ—ใŸโ€ใฃใฆๅ‡บใ‚‹ใฎใŒใŠใ‹ใ—ใ‹ใฃใŸใงใ™ใญใ€‚(็ฌ‘)

ใ€Œใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใŒใใฃใใ‚Šใงใ™ใ‚ˆใญใ€‚ไธปไบบๅ…ฌใ ใ‘ใ˜ใ‚ƒใชใใ€ใ›ใ“ใ„ใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใพใงใŒไผผใฆใ„ใฆใณใฃใใ‚Šใ—ใŸใชใ€

โ—ใŠๆฐ—ใซๅ…ฅใ‚Šใ‚นใ‚ฟใƒณใƒ‰ไฝฟใ„

ใ€€(ๅ‘ณๆ–น)็ฉบๆกๆ‰ฟๅคช้ƒŽใ€€ๆ˜Ÿใฎ็™ฝ้‡‘ใ€€(ๆ•ต)ใ„ใกใŠใ†ๅ…จ้ƒจ

โ—ๅฅฝใใชๅฐ่ฉž

ใ€€่‡ชๅˆ†ใงๆ›ธใ„ใŸใ‚‚ใฎใงใ™ใ‹ใ‚‰ใ€ใ‚‚ใกใ‚‰ใ‚“ๅ…จ้ƒจใงใ™ใญ(็ฌ‘)

โ—ไธ€่จ€ใ‚ณใƒกใƒณใƒˆ

ใ€€ใƒใƒซใƒŠใƒฌใƒ•ใฎ็™ปๅ ดใ‚ทใƒผใƒณใฏ็ฌ‘ใˆใพใ—ใŸใ€‚ใ“ใ‚Œใ‹ใ‚‰ใ‚ฒใƒผใƒ ใ‚’ๅง‹ใ‚ใ‚‹ไบบใฏๆณจ็›ฎ๏ผ


ไฝ“้จ“ใƒฌใƒใƒผใƒˆใฏ่’ๆœจๅ…ˆ็”Ÿใฎไป–ใซใ€OVAใฎ็›ฃ็ฃใงใ‚ใ‚‹ๅŒ—ไน…ไฟๅผ˜ไน‹ใ€ใ‚ฒใƒผใƒ ใƒ—ใƒญใƒ‡ใƒฅใƒผใ‚ตใƒผใฎๆž—ๅบƒๅนธใ€ใ‚ใจไฝ•ๆ•…ใ‹ใƒœใƒณใƒ“ใƒผใ“ใจๆฆŽๆœฌ39ๆญณใฎใ‚ใ‚Šใพใ—ใŸใ€‚

[4]

็ฌฌ3้ƒจใฎๅฐ่ชฌใŒๆŽฒ่ผ‰ใ•ใ‚ŒใŸใ€Œใ‚ธใƒฃใƒณใƒ—ใƒŽใƒ™ใƒซใ€(1993ๅนด4ๆœˆ1ๆ—ฅๅท)ใงใฎๅฏพ่ซ‡ใ€‚

noveloken_00 ใ“ใฎๅทใฏใ‚ธใƒงใ‚ธใƒง็‰น้›†ๅทใงใ€ๅฐ่ชฌไปฅๅค–ใซใ‚‚ๆŠ˜่พผใƒใ‚นใ‚ฟใƒผใ‚„ใ€ใ‚ธใƒงใƒผใ‚นใ‚ฟใƒผๅฎถๅ››ไปฃใฎๆญดๅฒ(ๅนด่กจ)ใ€็ฉบๆกๆ‰ฟๅคช้ƒŽๅคงๆฟ€้—˜MAP(็ฌฌไธ‰้ƒจๅ†’้™บๅœฐๅ›ณ)็ญ‰ใŒ่ผ‰ใฃใฆใ„ใพใ—ใŸใ€‚ใใฎ่พบใฎ็ดนไป‹ใซใคใ„ใฆใฏใพใŸๅˆฅใฎๆฉŸไผšใซใ€‚

ใŠ็›ธๆ‰‹ใฏ้Ÿณ็Ÿณใƒปใƒปใƒปใงใฏใชใๅคงๆงปใ‚ฑใƒณใƒ‚ๆฐใงใ™ใ€‚ (โ€ปๆ™‚ๆœŸ็š„ใซใฏ้Ÿณ็Ÿณๆ˜ŽใŒ็™ปๅ ดใ™ใ‚‹็›ดๅ‰)


ใ‚ชใƒผใ‚ฑใƒณ๏ผ†้ฃ›ๅ‘‚ๅฝฆใฎๅฅ‡ๅฆ™ใชไธ–็•Œ THE SHOCKING BIZARRE TALKใ€ๅคงๆงปใ‚ฑใƒณใƒ‚VS่’ๆœจ้ฃ›ๅ‘‚ๅฝฆใ€‘ ไป„ใ‹ใซๅบƒใŒใ‚‹็‡ญๅฐใฎ็ฏใฎไธญใ€ไบŒไบบใฎ็‰น็•ฐใชๆ‰่ƒฝใ‚’ๆŒใค่€…ใŒๅ‡บไผšใฃใŸโ€•โ€•ใ€‚ ไธ€ไบบใฏ่’ๆœจ้ฃ›ๅ‘‚ๅฝฆใ€ใใ—ใฆใ‚‚ใ†ไธ€ไบบใฏๅคงๆงปใ‚ฑใƒณใƒ‚ใ€‚ใ‚ทใƒงใƒƒใ‚ญใƒณใ‚ฐใƒปใƒ“ใ‚ถใƒผใƒซใƒปใƒˆใƒผใ‚ฏใŒไปŠๅง‹ใพใ‚‹ใƒปใƒปใƒปใ€‚

ใƒ›ใƒฉใƒผใฃใฆใ„ใ†ใฎใฏ็Ÿฅๆ€งใซ่จดใˆใ‚‹้ƒจๅˆ†ใจใƒใƒผใƒˆใซ่จดใˆใ‚‹้ƒจๅˆ†ใจไธกๆ–นใ‚ใ‚‹ใ‹ใ‚‰ๅƒ•ใ€ๅฅฝใใชใ‚“ใงใ™ใ€‚

ใ‚ชใ‚ซใƒซใƒˆใ‚„ใƒ›ใƒฉใƒผใ€ไพ‹ใˆใฐๅนฝ้œŠใชใ‚“ใ‹ใงใ‚‚ๅƒ•ใ€ไฟกใ˜ใฆใชใ„ใ‚“ใงใ™ใ‚ˆใ€‚ใงใ‚‚ใ€ๅฅฝใใงใ—ใ‚‡ใ†ใŒใชใ„ใ€‚

ๅคงๆงปใ€€ๅฎŸใฏๅƒ•ใฏใ€Œใ‚ธใƒงใ‚ธใƒงใ€ใ‚’่ชญใ‚“ใงไธ€็•ชๆ€ใฃใŸไบ‹ใฏใ‚ใ‚Œใชใ‚“ใงใ™ใ‚ˆใ€‚ไฝ•ใ‹ใ‚ฆใ‚ช๏ฝžใƒƒใจใ‚„ใ‚‹ๆฐ—ใซใชใ‚‹ใชใจใ„ใ†ใ€‚ไฟบใ‚‚ใ‚„ใ‚‰ใญใฐ๏ฝžใ€‚ไฝ•ใ‹ใ‚„ใ‚‰ใญใฐ๏ฝžใฟใŸใ„ใชใ€‚ๅƒ•ใฏใƒŸใƒฅใƒผใ‚ธใ‚ทใƒฃใƒณใจใ„ใ†ใ‹ใ€ใƒใƒณใƒ‰ใ‚’ใ‚„ใฃใฆใ„ใ‚‹ใ‚“ใงใ™ใ‘ใฉใ‚‚ใ€ๅฎŸใฏๆœฌใ‚‚ๆ›ธใ„ใฆใ„ใ‚‹ใ‚“ใงใ™ใ€‚ใงใ€ใ‚ใ‚‹้›‘่ชŒใซๆ›ธใใ‚“ใงใ€้›†ไธญใ—ใชใใกใ‚ƒใชใ‚‰ใ‚“ใจๆ€ใฃใฆใ€4ๆ—ฅ้–“ไฝใƒžใƒณใ‚ทใƒงใƒณใซใ“ใ‚‚ใฃใฆๅŸท็ญ†ใ—ใฆใŸใ‚“ใงใ™ใ‘ใฉใ€ใ‚‚ใ†๏ฝžใƒปใƒปใƒป๏ผๅƒ•ใญใ€ใƒใƒณใƒ‰ใ‚’ใ‚„ใฃใŸใ‚Šใ€ๆ˜ ็”ปใซๅ‡บใŸใ‚Šใ€ใƒ†ใƒฌใƒ“ใซๅ‡บใŸใ‚Šใจใ‹่‰ฒใ€…ใ‚„ใฃใฆใ„ใ‚‹ใ‚“ใงใ™ใ‘ใฉใ€ใƒใƒณใƒ‰ใŒไธ€็•ชๆฅฝใ€‚ใ‚‚ใ†ใ€Œ็‰ฉ่ชžใ€ใ‚’ไฝœใ‚‹ใจใ„ใ†ใฎใฏ่พ›ใ„ใงใ™ใญใ€‚

่’ๆœจใ€€ใงใ‚‚ใญใ€ใใฎๅฃใชใ‚“ใงใ™ใ‚ˆใ€‚่พ›ใ„ใ€ใฃใฆใ„ใ†ๅฃใ‚’่ถŠใˆใ‚‹ใจๆฅฝใ—ใ„ใ‚“ใงใ™ใ‚ˆใญใ€‚

ๅคงๆงปใ€€ใใ‚Œใงใใฎๆ™‚ใซใกใ‚‡ใ†ใฉใ€Œใ‚ธใƒงใ‚ธใƒงใ€ใ‚’่ชญใฟใพใ—ใฆใ€ใ†๏ฝžใ‚€ใจใ€‚

่’ๆœจใ€€ใงใ‚‚ใญใ€็งใ‚‚ใปใ‚“ใจใ€ๆ›ฒใ‹ใ‚‰ใจใ‹ใ„ใฃใฑใ„ใƒ’ใƒณใƒˆใ‚’ๅพ—ใŸใ‚Šใ—ใพใ™ใ‚ˆใ€‚

ๅคงๆงปใ€€ๅƒ•ๆ€ใฃใŸใ‚“ใงใ™ใ‘ใฉใ€ใƒ‡ใ‚ฃใ‚ชใฃใฆ่จ€ใ†ใฎใฏใƒญใƒ‹ใƒผใƒปใ‚ธใ‚งใ‚คใƒ ใ‚นใƒปใƒ‡ใ‚ฃใ‚ชใงใ€ใ‚ธใƒงใ‚ธใƒงใฏใ€Žใ‚ฒใƒƒใƒˆใƒใƒƒใ‚ฏใ€ใซๅ‡บใฆใใ‚‹ใ‚ธใƒงใ‚ธใƒงใงใ™ใ‚ˆใญใ€‚

่’ๆœจใ€€ใใ†ใงใ™ใ€‚ใ„ใฃใฑใ„ใ„ใพใ™ใ‚ˆใ€ใ‚‚ใ†ใ€‚ไฝ•ใ‹ใญใ€ใƒญใƒƒใ‚ฏใจใ“ใ†ใ„ใ†ใƒ›ใƒฉใƒผ็š„ใชใ‚‚ใฎใฃใฆใ„ใ†ใฎใฏใ€ๅญไพ›ใฎๆ™‚ใ‹ใ‚‰ใƒ“ใƒ“ใƒƒใจๆฅใพใ—ใฆใ€‚ๅƒ•ใฏ70ๅนดไปฃไฝใ‹ใ‚‰่žใๅง‹ใ‚ใŸใ‚“ใงใ™ใ‘ใฉใ€‚ๆ˜”ใฏใ‚ธใƒฃใ‚ฑใƒƒใƒˆใฃใฆใใฎๆ›ฒใฎใ‚ขใƒผใƒ†ใ‚ฃใ‚นใƒˆใ‚’ๆ’ฎใฃใฆใŸใ‚“ใงใ™ใ‚ˆใญใ€‚ใจใ“ใ‚ใŒใ€70ๅนดไปฃใซๅ…ฅใฃใฆใ‹ใ‚‰ๆ€ฅใซๆ‚ช้ญ”็š„ใชใ‚‚ใฎใ‚’ใ‚ธใƒฃใ‚ฑใƒƒใƒˆใซๆŠผใ—ๅ‡บใ™ใ‚“ใงใ™ใ‚ˆใ€‚ใƒžใƒผใ‚ฏใƒปใƒœใƒฉใƒณใจใ‹ใ€ใ‚ญใƒณใ‚ฐใƒปใ‚ฏใƒชใƒ ใ‚พใƒณใจใ‹ใญใ€‚ใ‚ฟใ‚คใƒˆใƒซใ‚‚ใ€Œๅœฐ็„ใฎใƒใ‚คใ‚ฆใ‚งใ‚คใ€ใจใ‹ใ€Œๆ‚ช้ญ”ใฎ้ ญ่„ณ้ธๆŠžใ€ใจใ‹ใ€ใใ†ใ„ใ†ใฎใŒใ‚ใฃใฆใ€ไฝ•ใงใ‹็Ÿฅใ‚‰ใชใ„ใ‘ใฉใ€ๆœฌ่ƒฝ็š„ใซใƒใ‚ทใƒใ‚ทใƒƒใฃใฆใใกใ‚ƒใฃใฆใ€‚้Ÿณๆฅฝใ‚ˆใ‚Šใ‚‚ใ‚ธใƒฃใ‚ฑใƒƒใƒˆใง่ฒทใฃใŸใจ่จ€ใ†ๆ–นใŒใ„ใ„ใ‚“ใ˜ใ‚ƒใชใ„ใ‹ใจใ„ใ†ใ€‚

ๅคงๆงปใ€€ๅƒ•ใ‚‚ใใ†ใงใ™ใญใ€‚ใ‚ธใƒฃใ‚ฑใƒƒใƒˆใง่ฒทใฃใฆใพใ—ใŸใ€‚

่’ๆœจใ€€ใƒฏใƒซใฎ้ญ…ๅŠ›ใจใ„ใ†ใ‹ใ€ๆ‚ช้ญ”ใฎ้ญ…ๅŠ›ใฟใŸใ„ใชใญใ€‚ใใ†ใ„ใ†ใฎใŒใ€ๅƒ•ใ€ใใพใ—ใŸใญใ€‚

ๅคงๆงปใ€€ใ€Œใ‚ธใƒงใ‚ธใƒงใ€ใงใฏใ€ใฉใฃใกใซ่‚ฉๅ…ฅใ‚Œใ—ใฆใ‹ใ„ใฆใ„ใ‚‹ใฃใฆใ„ใ†ใฎใฏใ‚ใ‚Šใพใ™ใ‹๏ผŸใ€€ใ‚„ใฃใฑๆ‚ชใฎๅด๏ผŸ

่’ๆœจใ€€ใ„ใ‚„ใ€ไธ€ๅฟœๅ…จๅ“กใซๆ€ใ„ๅ…ฅใ‚Œใ—ใฆๆ›ธใใ‚“ใงใ™ใ‘ใฉใ€ๆ‚ชใฎๆ–นใŒๆฅฝใ—ใ„ๆ™‚ใ‚‚ใ‚ใ‚Šใพใ™ใญใ€‚ไฝ•ใ‹่‡ชๅˆ†ใŒๅค‰ๆ…‹ใฟใŸใ„ใซๆ€ใ‚ใ‚Œใ‚‹ใจๅ›ฐใ‚‹ใ‚“ใงใ™ใ‘ใฉใ‚‚ใ€็•ฐๅธธๆ€งใจใ‹ใ‚’่ฟฝๆฑ‚ใ—ใŸใ‚Šใ™ใ‚‹ใ‚“ใงใ™ใ‚ˆใ€ๆฎบไบบ้ฌผใจใ‹ใ€‚

ๅคงๆงปใ€€ใ‚ใ‚ใ€‚ๅ‰ใฎๆ–นใซๅˆ‡ใ‚Š่ฃ‚ใใ‚ธใƒฃใƒƒใ‚ฏใ‚‚ๅ‡บใฆใ„ใพใ™ใ‚ˆใญใ€‚

่’ๆœจใ€€ใˆใˆใ€ๅ‡บใฆใใพใ—ใŸใ‘ใฉใƒปใƒปใƒปใ€‚ใ‚‚ใ†ใกใ‚‡ใฃใจ็พไปฃใ‚ตใ‚คใ‚ณใƒ›ใƒฉใƒผ็š„ใชใ€ใ‚ใ‚ใ„ใ†็•ฐๅธธๅฟƒ็†ใ‚’ๆ›ธใใŸใ„ใ‚“ใงใ™ใ‚ˆใ€‚

ๅคงๆงปใ€€ใใ†ใ„ใˆใฐใ€ๅŽปๅนดใ€ใ“ใ‚Œใฏๅƒ•ใฏใใŸใช๏ฝžใฃใฆ่จ€ใ†ๅ‡„ใ„ไบ‹ไปถใŒใ€ใ‚ใ‚Šใพใ—ใฆใƒปใƒปใƒปใ€‚ไปŠๆ™‚ใ€็ฅˆ็ฅทๅธซใŒใ€ๆ‚ช้œŠใŒใคใ„ใŸใจใ‹ใ„ใ†ไบบใ‚’ใŠๆ‰•ใ„ใ ใจใ‹่จ€ใฃใฆใ€ใƒใ‚ซใƒใ‚ซๅฉใ„ใฆใ€ๆฎบใ—ใกใ‚ƒใฃใŸไบ‹ไปถใชใ‚“ใงใ™ใ‚ˆใ€‚

่’ๆœจใ€€็Ÿฅใฃใฆใพใ™ใ€‚ใใฆใพใ™ใ‚ˆใญใ€‚

ๅคงๆงปใ€€ใ“ใ†ใ„ใ†ใฎใŒๅƒ•ใ€ๅฅฝใใชใ‚“ใงใ™ใ‚ˆใญใ€‚ๅนฝ้œŠใจใ‹ใ‚ชใ‚ซใƒซใƒˆใจใ‹ใ€ใใ†ใ„ใ†ใ‚‚ใฎใ‚’ๅƒ•ใ€ไฟกใ˜ใฆใ„ใชใ„ใ‚“ใงใ™ใ‚ˆใ€‚ใ‚‚ใ†ใปใจใ‚“ใฉไฟกใ˜ใฆใ„ใชใ„ใ‚“ใ ใ‘ใฉๅฅฝใใงใ—ใ‚‡ใ†ใŒใชใ„ใ€‚

่’ๆœจใ€€ไธ€ๅฟœใ€ใ€Œใ‚ธใƒงใ‚ธใƒงใ€ใชใ‚“ใ‹ใงใฏใ‚ชใ‚ซใƒซใƒˆใฉใฃใทใ‚Šใงใฏใชใใ€ๅขƒ็›ฎใฟใŸใ„ใชๆ‰€ใซใ„ใ‚‹ใ‚ˆใ†ใซๅฟƒใŒใ‘ใฆใฆใ€ๅฎŒ็’งใซใ‚ใฃใกใฎไธ–็•Œใซใฏใ„ใ‹ใชใ„ใ‚ˆใ†ใซใ—ใฆใ‚‹ใ‚“ใงใ™ใ‘ใฉใญใ€‚ใŸใจใˆใฐใ€ใ‚ใฎใƒ‰ใ‚ขใฎๅ‘ใ“ใ†ใซ่ชฐใŒใ„ใ‚‹ใฎใ‹ใชใจใ‹ใ€ใใ†ใ„ใ†ๆ€–ใ•ใ‚’่ฟฝๆฑ‚ใ™ใ‚‹ใ‚ˆใ†ใชๆ‰€ใงใ™ใ‚ˆใ€‚

ๅคงๆงปใ€€ใ‚ใฎใƒ‰ใ‚ขใฎๅพŒใ‚ใงใ™ใ‹๏ผŸ

่’ๆœจใ€€ใใ†ใ€‚็ช“ใ‹ใ‚‰ใ‚ซใƒผใƒ†ใƒณใŒใƒใƒฉใƒƒใจๅ‹•ใ„ใŸใ‚Šใ™ใ‚‹ใจๆ€–ใ„ใ˜ใ‚ƒใชใ„ใงใ™ใ‹ใ€ใ‚ใ‚ใ„ใ†ๆ„Ÿใ˜ใงใ™ใญใ€‚

ๅคงๆงปใ€€ใ„ใ‹ใ‚Šใ‚„้•ทไป‹ใŒใ„ใ‚‹ใ€‚(็ฌ‘) ใŸใจใˆใฐใ€ๅƒ•ใŒใใ“ใซไฝ•ใŒใ‚ใ‚‹ใ‚“ใ ใจๆ€ใฃใฆใƒใƒผใƒณใจ้–‹ใ‘ใŸใ‚‰ใ€้•ทใ•ใ‚“ใŒใ„ใฆใ€Œใ‚ฆใ‚ช๏ฝžใ€ใจใ‹ใ€‚(ไธ€ๅŒๅคง็ฌ‘) ่’ๆœจใ€€ใงใ‚‚ใ€ใใ†ใ„ใ†ๆ„ๅค–ๆ€งใฃใฆใ€ใ€Œ็‰ฉ่ชžใ€ใ‚’ไฝœใ‚‹ไธŠใงๅฟ…่ฆใงใ™ใ‚ˆใญใ€‚

ใ€Œ็‰ฉ่ชžใ€ใฏ่กŒใใ‚ใŸใ‚ŠใฐใฃใŸใ‚Šใซ่€ƒใˆใฆใพใ™ใ€‚ๆใๆ„Ÿใ˜ใฏใƒฉใ‚คใƒ–็š„ใจใ‹ๆ—ฅ่จ˜็š„ใชใ‚“ใงใ™ใ‚ˆใ€‚

ไน—ใฃใฆใใŸใ‚‰ใ‚ใฎใ€Œ็„ก้ง„็„ก้ง„็„ก้ง„ใ€ใจใ‹ๅ–‹ใ‚ŠใชใŒใ‚‰ๆ›ธใ„ใฆใพใ›ใ‚“๏ผŸ

ๅคงๆงปใ€€ๅƒ•ใฏๅฎ‡ๅฎ™ไบบใจใ‹ไฟกใ˜ใฆใ„ใชใ‹ใฃใŸใ‚“ใงใ™ใŒใ€ใ‚ใ‚‹ๆ™‚ใ€ๅ—ๅฑฑๅฎๅ…ˆ็”Ÿใฎๆœฌใ‚’่ชญใ‚“ใงใ‚ฌ๏ฝžใƒณใ€ใจใใพใ—ใฆใญใ€‚ใใ‚Œไปฅๆฅใ€ๅƒ•ใ€UFOใ‚ชใ‚ฟใ‚ฏใชใ‚“ใงใ™ใ‚ˆใ€‚

่’ๆœจใ€€ใ‚ใฎๅ†™็œŸใƒ“ใƒƒใ‚ฏใƒชใ—ใŸใชใ‚ใ€‚็ซๆ˜Ÿ่กจ้ขใฎใƒ”ใƒฉใƒŸใƒƒใƒ‰ใฎๅ†™็œŸใ€‚

ๅคงๆงปใ€€ใ‚ใ‚ใ€ใ‚ใ‚Œใญใ€‚ใงใ‚‚ใ€ใ‚ใ‚Œใ€็ฌ‘ใฃใกใ‚ƒใ„ใพใ™ใ‚ˆใ€‚

่’ๆœจใ€€ใƒˆใƒชใƒƒใ‚ฏใชใ‚“ใงใ™ใ‹๏ผŸ

ๅคงๆงปใ€€ใƒˆใƒชใƒƒใ‚ฏใจใ„ใ†ใ‹ใ€ๅฟƒ้œŠๅ†™็œŸใจใ„ใฃใ—ใ‚‡ใงใ€ไฝ•ใ‹ใ“ใ†ใ‚ฏใƒ‹ใƒฃใ‚ฏใƒ‹ใƒฃใ—ใŸๅฒฉใŒใŸใ ้ก”ใซ่ฆ‹ใˆใ‚‹ใฃใฆใ„ใ†ใฎใŒใ‚ใ‚‹ใ˜ใ‚ƒใชใ„ใงใ™ใ‹ใ€‚Kใ•ใ‚“ใฆใ„ใ†่‡ช็งฐ็ง‘ๅญฆใ‚ธใƒฃใƒผใƒŠใƒชใ‚นใƒˆใŒใ„ใ‚‹ใ‚“ใงใ™ใ‘ใฉใ€ใใฎไบบใŒใ€ๅฎŸใฏๆœˆใฏUFOใฎ็ง˜ๅฏ†ๅŸบๅœฐใ ใฃใŸใจ่จ€ใฃใฆใ€ๆœˆใฎๅ†™็œŸใ‚’ใ„ใฃใฑใ„ๅ‡บใ—ใฆใ€ใ‚ฏใƒฌใƒผใ‚ฟใƒผใจใ‹ใฎไธŠใ‹ใ‚‰ๅญ—ใ‚’ใชใžใฃใฆใ€ใ“ใ“ใซUFOใŒไฝ•ๆฉŸ็ฝฎใ„ใฆใ‚ใ‚‹ใจใ‹ใ€ใ“ใ“ใซ็ง˜ๅฏ†ๅŸบๅœฐใŒใ‚ใ‚‹ใจใ‹ใ€็ตตใซใ‹ใใ‚“ใงใ™ใ€‚ใใ†ใ„ใ‚ใ‚Œใ‚Šใ‚ƒใใ†่ฆ‹ใˆใชใใ‚‚ใชใ„ใ‘ใฉใ€ๅฒฉใฎๅ†™็œŸใจใ‹ใ€้ ใใ‹ใ‚‰ใฎใ—ใ‹ใ‚‚ใ‚ˆใใ‚ใ‹ใ‚“ใชใ„ๅ†™็œŸใงใ€ใ“ใ“ใซไบบใฎ้ก”ใŒใ‚ใ‚‹ใ‹ใชใ‚ใจๆ€ใˆใฐใใ†ๆ€ใˆใกใ‚ƒใ†ใ˜ใ‚ƒใชใ„ใงใ™ใ‹ใ€‚ใใ†ใ„ใ†ๆ„Ÿใ˜ใงใ™ใ‚ˆใ€ใ‚ใ‚Œใฃใฆใ€‚

่’ๆœจใ€€ใ‚„ใฐใ„ใงใ™ใ‚ˆใญใ€‚

ๅคงๆงปใ€€ใใ†ใ„ใ†ใƒ‘ใƒฉใƒŽใ‚คใ‚ข็š„ใชใจใ„ใ†ใ‹ใ€้›†ไธญใ—ใพใใฃใกใ‚ƒใฃใฆใ€ใใฎไธ–็•ŒใซๅฎŒๅ…จใซๅ…ฅใฃใกใ‚ƒใฃใฆใ€ไฝ•ใ‹ใ‚‚ใ†้€ธ่„ฑใ—ใกใ‚ƒใฃใฆใ‚‹ใจ่จ€ใ†ใฎใ‹ใชใ€ใใ†ใ„ใ†ไบบใฃใฆใ„ใ‚‹ใ˜ใ‚ƒใชใ„ใงใ™ใ‹ใ€‚็‰นใซไฝœๅฎถใฎๆ–นใฃใฆใ€‚ใ ใ‹ใ‚‰ใ€ๅฎŸใฏๅƒ•ใฏใŠไผšใ„ใ™ใ‚‹ใพใงใฏ่’ๆœจใ•ใ‚“ใ‚‚ใใ†ใ„ใ†ๆ–นใ ใฃใŸใ‚‰ใฉใ†ใ—ใ‚ˆใ†ใ‹ใจใ€ใกใ‚‡ใฃใจๆ€–ใ‹ใฃใŸใ‚“ใงใ™ใ‘ใฉใ‚‚ใ€‚

่’ๆœจใ€€ใ”ๆœŸๅพ…ใซๆทปใˆใพใ›ใ‚“ใงใ€‚(็ฌ‘)

ๅคงๆงปใ€€ใ„ใˆใ„ใˆใ€‚ใ„ใ‚„ใ‚ใ€ๅฎ‰ๅฟƒใ—ใพใ—ใŸใ€‚ไฝ•ใ‹ใ€ใ„ใใชใ‚Šใ€Œใ‘ใ•ใ‚‚ใƒ‡ใ‚ฃใ‚ชใŒๆฅใฆใญใ€ใจใ‹่จ€ใ„ๅ‡บใ•ใ‚ŒใŸใ‚Šใ—ใŸใ‚‰ใฉใ†ใ—ใ‚ˆใ†ใ‹ใจใ€‚ใงใ‚‚ใ€ใ‚ใ‚‹ใ˜ใ‚ƒใชใ„ใงใ™ใ‹ใ€‚ไพ‹ใˆใฐใ€ๅ‰ใซใ‚ขใƒ‹ใƒกๅŒ–ใ‚‚ใ•ใ‚ŒใŸใ€Žๅนปโ—‹โ—‹โ—‹ใ€ใ‚’ๆ›ธใ‹ใ‚ŒใŸHใ•ใ‚“ใ€‚ใ‚ใฎๆ–นใ‚‚ใฉใ‚“ใฉใ‚“ใ€ใ†ใŠ๏ฝžใฃใฆใ„ใฃใกใ‚ƒใ†ไบบใงใ€ใ™ใ”ใ„ใ‚“ใงใ™ใ‚ˆใ€‚

่’ๆœจใ€€ๅฎŸ้š›ใฎไบบใŒใงใ™ใ‹ใ€‚

ๅคงๆงปใ€€Hใ•ใ‚“ใฏใ€Œใ‚ฆโ—‹โ—‹ใ‚ฌใ‚คใ€ใฃใฆไฝœๅ“ใ‚’ๆ›ธใ„ใฆใ‚‰ใฃใ—ใ‚ƒใฃใฆใ€ๅƒ•ใ‚‚ๅคงๅฅฝใใชใ‚“ใงใ™ใ‘ใฉใ€ใใฎไฝœๅ“ใฎไธปไบบๅ…ฌใŒใฉใ“ใ‹ใงๅฎŸๅœจใ™ใ‚‹ใ‚ˆใ†ใชๆฐ—ใŒใšใฃใจใ—ใฆใŸใ‚“ใ ใใ†ใงใ™ใ‚ˆใ€‚ใงใ€ไฝ•ใจใ‚ใ‚‹ๆ—ฅใ€ๅฎถใซใใฎไธปไบบๅ…ฌใ ใจๅไน—ใ‚‹ไบบ้–“ใŒๆฅใกใ‚ƒใฃใŸใ‚“ใงใ™ใฃใฆใ€‚ใจใฆใ‚‚็Šฌโ—‹โ—‹ใจใฏๆ€ใˆใชใ„ๆ™ฎ้€šใฎใŠใ˜ใ•ใ‚“ใ ใฃใŸใ‚‰ใ—ใ„ใ‚“ใงใ™ใ‘ใฉใ€‚ใใ‚ŒใงHใ•ใ‚“ใฏใ€ๆœ€ๅˆใฏใ“ใ„ใคใฏใŸใ ใฎใƒ‘ใƒฉใƒŽใ‚คใ‚ขใ ใ‚ใ†ใจๆ€ใฃใฆใ€ใงใ‚‚ๆ€–ใ„ใ‹ใ‚‰่ฉฑใ—ใฆใŸใ‚“ใงใ™ใฃใฆใƒปใƒปใƒปใ€‚ใงใ‚‚ใ€Hใ•ใ‚“ใฏ่ฉฑใ—ใฆใ‚‹ใ†ใกใซใ“ใ„ใคใฏๆœฌ็‰ฉใ ใจๆ€ใฃใกใ‚ƒใฃใŸใ‚“ใงใ™ใญใ€‚ใใ‚Œใงๆใ‚‹ในใไบ‹ใซใ€ใ‚ใ‚‹้›‘่ชŒใง็ทจ้›†่€…็ซ‹ไผšใ„ใฎไธ‹ใ€ๅฏพ่ซ‡ใ—ใฆใ‚‹ใ‚“ใงใ™ใ€‚(็ฌ‘)

่’ๆœจใ€€ใ˜ใ‚ƒใ€ไปŠใพใงใฏใใฎใƒปใƒปใƒปใƒ†ใƒฌใƒ‘ใ‚ทใƒผใฟใŸใ„ใชใ‚‚ใฎใ‚’ใใฎไบบใ‹ใ‚‰ๅ—ใ‘ใฆๆ›ธใ„ใฆใ„ใŸใจใ€‚

ๅคงๆงปใ€€ใใ†ใ€‚ใใ‚Œใงๅƒ•ใ€ใใฎ่ฉฑใ‚’UFO็ ”็ฉถๅฎถใฎ็Ÿฅไบบใซ่ฉฑใ—ใŸใ‚“ใงใ™ใ‚ˆใ€‚ใใ—ใŸใ‚‰ใ€ใใฎSใ•ใ‚“ใฆใ„ใ†ๆ–นใŒใ€ใ€Œใ„ใ‚„ใ€ๅƒ•ใ‚‚ๅฎŸใฏHใ•ใ‚“ใฎใƒ–ใƒฌใƒผใƒณใจใ—ใฆ่ถ…่ƒฝๅŠ›ใจใ‹ใฎ่ณ‡ๆ–™้›†ใ‚ใ‚’ใ—ใฆใ„ใŸใ‚“ใ ใ‚ˆใ€ใจใ‹่จ€ใ„ๅ‡บใ—ใพใ—ใฆใ€ใ€Œใ ใ‹ใ‚‰ใ€ๅƒ•ใ‚‚ใใฎ็Šฌโ—‹โ—‹ใ•ใ‚“ใซไผšใ„ใพใ—ใŸใ‚ˆใ€‚่ฆ‹ใฆไธ‹ใ•ใ„ใ€‚ใ‚ตใ‚คใƒณใ‚’ใ‚‚ใ‚‰ใฃใŸใ‚“ใงใ™ใ‚ˆใ€ใจใ€‚(็ฌ‘)่ฆ‹ใ›ใฆใ‚‚ใ‚‰ใฃใŸใ‚‰็ขบใ‹ใซใ€Ž็Šฌโ—‹โ—‹ใ€ใจใ‚ตใ‚คใƒณใซๆ›ธใ„ใฆใ‚ใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚ใฉใ†ใ—ใพใ™๏ผŸใ€€ใ‚ใ‚‹ๆ—ฅ่’ๆœจใ•ใ‚“ใฎใŠๅฎ…ใซใ‚ธใƒงใ‚ธใƒงใŒ่จชใญใฆใใŸใ‚‰๏ผ

่’ๆœจใ€€ไปŠใฎ่ฉฑใ€ใ™ใ”ใ„ใƒชใ‚ขใƒชใƒ†ใ‚ฃใŒใ‚ใ‚Šใพใ™ใญใ€‚

ๅคงๆงปใ€€่’ๆœจใ•ใ‚“ใ€ใใ‚Œใฏใ‚ใจใ‚‚ใ†ใกใ‚‡ใฃใจใงใ™ใ‚ˆใ€‚ใ‚ธใƒงใ‚ธใƒงใŒ่จชใญใฆใใ‚‹ใพใงใ€‚

่’ๆœจใ€€ใงใ‚‚ใ€็Šฌโ—‹โ—‹ใฏๅƒ•ใ‚‚ๅฅฝใใ ใ‹ใ‚‰ใ€ๅฎŸ้š›ใซใ„ใ‚‹ใ‚ˆใ†ใชๆ„Ÿใ˜ใฏใ—ใพใ™ใ‚ˆใญใ€‚

ๅคงๆงปใ€€ใใ†ใ„ใ†ใตใ†ใซใชใฃใฆใใกใ‚ƒใ†ใ‚“ใงใ—ใ‚‡ใ†ใญใ€‚ใ‚ใจใ€ๅ‡„ใ„ใฎใŒใƒปใƒปใƒปใ€‚

[ใ“ใ“ใ‹ใ‚‰ใฏไฝ™ใ‚Šใซใ‚‚้Žๆฟ€ใชใŸใ‚ใ€ๆŽฒ่ผ‰ใงใใพใ›ใ‚“ใ€‚ใ‚ใ—ใ‹ใ‚‰ใšใ€‚]

ๅคงๆงปใ€€ใงใ‚‚ใ€ๅƒ•ใ‚‚ไฝ•ๅนดใ‹ใ€Œ็‰ฉ่ชžใ€ใ‚’ไฝœใฃใฆๆ•ฐๅนดๅพŒใซ็ต‚ใ‚ใ‚‰ใ›ใŸๆ™‚ใซไธปไบบๅ…ฌใŒ่จชใญใฆใใŸใจใ‹่จ€ใ†ไบบใซใชใฃใฆใ‚‹ใ‹ใ‚‚็Ÿฅใ‚Œใชใ„ใงใ™ใญใ€‚

่’ๆœจใ€€ใงใ‚‚ใ€็งใฎๆ‰€ใซใ‚‚ใ€ใฉใ†ใ—ใฆๆณข็ด‹ใฃใฆ็Ÿฅใฃใฆใ‚‹ใ‚“ใงใ™ใ‹ใจ่จ€ใ†ไบบใŒๆฅใพใ™ใ‚ˆใ€‚็งใŒใ‚„ใฃใฆใ„ใ‚‹ใ‚“ใ ใฃใฆใ€‚

ๅคงๆงปใ€€ใป๏ฝžใ‚‰ใ€‚ใ‚ใจๆ•ฐๅนดๅพŒใ€ใ‚ธใƒงใ‚ธใƒงใŒ่จชใญใฆใใพใ™ใ‚ˆใ€‚

่’ๆœจใ€€ใใฎๆ™‚ใฏ็ดนไป‹ใ—ใพใ™ใ‚ˆใ€‚

ๅคงๆงปใ€€ใ€Œใ‚ธใƒงใ‚ธใƒงใ€ใฏใ‚ขใƒ‹ใƒกๅŒ–ใจใ„ใ†ใฎใฏ๏ผŸ

่’ๆœจใ€€ไปŠใ‚„ใฃใฆใพใ™ใ€‚

ๅคงๆงปใ€€ใ‚‚ใ†ๅง‹ใพใฃใฆใ‚‹ใ‚“ใงใ™ใ‹๏ผŸ

่’ๆœจใ€€ใƒ“ใƒ‡ใ‚ชใงใ™ใ€‚ใ‘ใฉใ€ใ“ใฎใ‚ทใƒŠใƒชใ‚ชใฎๅ‡บๆฅใŒใ„ใ„ใ‚“ใงใ™ใ‚ˆใ€‚ไฝ•ใ‹ๅƒ•่‡ช่บซใŒๆ›ธใ„ใŸ่จณใ˜ใ‚ƒใชใ„ใ‚“ใ ใ‘ใฉใ€่‡ชๅˆ†ใŒๆ›ธใ„ใŸใ‚ˆใ†ใชใƒปใƒปใƒปใ€‚

ๅคงๆงปใ€€ใ‚ใ€ใใ‚Œใฏ่ฆ‹ใฆใฟใ‚ˆใ†ใ€‚

่’ๆœจใ€€้ข็™ฝใ„ใงใ™ใ‚ˆใ€‚ใ‚ฌใƒณใ‚ฌใƒณๆฅใ‚‹่ฉฑใซใชใฃใฆใฆใ€‚

ๅคงๆงปใ€€ๅฃฐใฎๅฐ่ฑกใจใ‹ใฏใฉใ†ใงใ™ใ‹๏ผŸ

่’ๆœจใ€€ใใ†ใ„ใ†ใฎใฏๅ…จ็„ถๆฐ—ใซใ—ใชใ„ใงใ™ใ€‚็”ทใŒๅฅณใฎๅฃฐใ—ใฆใŸใ‚‰ใกใ‚‡ใฃใจใ‚ใ‚Œใงใ™ใ‘ใฉใ€‚

ๅคงๆงปใ€€ใใ‚Œใฏใพใšใ„ใงใ™ใ‚ˆใญใ€‚

่’ๆœจใ€€ใ‚ใจใ€ใ‚ธใƒงใ‚ธใƒงใŒใ€Œใƒซใƒ‘ใƒณไธ‰ไธ–ใ€ใฎๅฃฐใ—ใฆใ‚‹ใจใ‹ใ€ใ€Œใ‚ตใ‚ถใ‚จใ•ใ‚“ใ€ใฎๅฃฐใ—ใฆใ‚‹ใจใ‹ใ€‚

ๅคงๆงปใ€€ใงใ‚‚ใ€ใใ‚Œใ€ใ„ใ„ใชใ‚ใ€‚ใ™ใ”ใใ„ใ„ใชใ‚ใ€‚ใƒ‡ใ‚ฃใ‚ชใŒใƒžใ‚นใ‚ชใ•ใ‚“ใฎใ‚ใฎๅฃฐใงใ€Œ็„ก้ง„็„ก้ง„็„ก้ง„ใƒผใƒƒใ€ใจใ‹ใ€‚

่’ๆœจใ€€ใ€Œใƒ‰ใƒฉใˆใ‚‚ใ‚“ใ€ใฎๅฃฐใจใ‹ใƒปใƒปใƒปใ€‚

ๅคงๆงปใ€€ใงใ‚‚ใ€ใใ†ใ„ใ†ๆ„ๅค–ใชใ‚ญใƒฃใ‚นใƒ†ใ‚ฃใƒณใ‚ฐใจใ„ใ†ใฎใ‚‚ใƒปใƒปใƒปใ€‚

่’ๆœจใ€€ใ„ใ„ใ‘ใฉใ€ใใ‚Œใฏใ‚ซใƒซใƒˆไฝœๅ“ใซใชใฃใกใ‚ƒใ†ใ‚ˆใ€‚

ๅคงๆงปใ€€ไพ‹ใˆใฐใ€Œใ‚ตใ‚ถใ‚จใ•ใ‚“ใ€ใงๆณขๅนณใฎๅฃฐใŒใ€Œใƒซใƒ‘ใƒณไธ‰ไธ–ใ€ใฎๅฃฐใ ใฃใŸใ‚Šใ™ใ‚‹่จณใงใ™ใ‚ˆใ€‚ใใ‚Œใฏ่ฆ‹ใฆใฟใŸใ„ใชใ‚ใ€‚

่’ๆœจใ€€ใ‚ใจใ‚‚ใฎใพใญใฎไบบใซใ‚„ใฃใฆใ‚‚ใ‚‰ใ†ใจใ‹ใ‚‚ใ„ใ„ใงใ™ใญใ€‚

ๅคงๆงปใ€€ใ‚ใฃใ€ใ™ใ”ใ„ไผผใฆใ‚‹ไบบใŒใ„ใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚ๅบƒๅทๅคชไธ€้ƒŽใฎใพใญใ‚’ใ™ใ‚‹ไบบใงใ€‚ใปใ‚“ใจใ€ไพ‹ใˆใฐใ€ใƒซใƒ‘ใƒณใฎๅฃฐใŒๅบƒๅทๅคชไธ€้ƒŽใ ใฃใŸใ‚Šใ—ใŸใ‚‰ใ€‚ใใ‚Œใ“ใใŒใพใ•ใซๆ—ฅๅธธใฎไธญใฎ็•ฐๅธธใงใ™ใ‚ˆใ€‚ไฝ•ใ‚ˆใ‚Šใ‚‚ใ€‚ไพ‹ใˆใฐใ€ใ‚ใ‚‹ๆ—ฅใƒ†ใƒฌใƒ“ใ‚’ใคใ‘ใŸใ‚‰ใ€ใƒซใƒ‘ใƒณไธ‰ไธ–ใฎๅฃฐใŒๅ…จ็„ถ้•ใ†๏ผ

่’ๆœจใ€€ใ„ใ„ใงใ™ใญใ‡ใ€‚

ๅคงๆงปใ€€ๆ˜Ÿไธ€ๅพนใฎๅฃฐใ ใฃใŸใ‚Šใ—ใŸใ‚‰ๆฐ—็ตถใ—ใพใ™ใ‚ˆใ€ไธ€ๅ„„ไบบใŒใƒ†ใƒฌใƒ“ใฎๅ‰ใงใ€‚

่’ๆœจใ€€้›ป่ฉฑใŒๆฎบๅˆฐใ™ใ‚‹ใงใ—ใ‚‡ใ†ใญใ‡ใ€‚

ๅคงๆงปใ€€ใ‚ตใ‚ถใ‚จใ•ใ‚“ใฎๅคงๅฑฑใฎใถไปฃใ‚‚่ฆ‹ใŸใ„ใชใ€‚ๅƒ•ใ‚‚ใ„ใคใ‹ใใ†ใ„ใ†ใ€Œ็‰ฉ่ชžใ€ใ‚’ๆ›ธใใŸใ„ใชใ‚ใจๆ€ใฃใฆใ„ใ‚‹ใ‚“ใงใ™ใ‘ใฉใญใ€‚

่’ๆœจใ€€ๆ›ธใ‘ใ‚‹ใจๆ€ใ„ใพใ™ใ‚ˆใ€‚

โ€•ใงใฏใ€ๆœ€ๅพŒใซใŠไบŒไบบใ‹ใ‚‰่ชญ่€…ใธใฎใ‚ณใƒกใƒณใƒˆใ‚’ใƒปใƒปใƒปใ€‚

ๅคงๆงปใ€€4ๆœˆใซใ€ŒUFOใจๆ‹ไบบใ€ใจใ„ใ†ใ‚ขใƒซใƒใƒ ใŒๅ‡บใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚ใพใ‚ใฒใจใคใ‚ˆใ‘ใ‚Œใฐ่ฒทใฃใฆใ„ใŸใ ใ‘ใŸใ‚‰ใƒปใƒปใƒปใ€‚ใใ—ใฆๅƒ•ใฏ็œŸๅ‰ฃใซใ€ใ‚ใจๅๅนดไบŒๅๅนดใ‹ใ‹ใฃใฆใ‚‚ใ„ใ„ใ‹ใ‚‰ใ€Œ็‰ฉ่ชžใ€ใ‚’ไฝœใ‚ŠใŸใ„ใจใ€‚ใงใ‚‚ใ‚„ใฃใฑใ‚Šๅฐ่ชฌใ‹ๆ˜ ็”ปใจใ‹ใ„ใ†ๆ‰‹ๆฎตใซใชใ‚‹ใ‚“ใ ใ‚ใ†ใชใ‚ใ€‚

่’ๆœจใ€€ใใ†ใงใ™ใญใ€‚ๆœˆไธฆใฟใงใ™ใ‘ใฉใ€้ ‘ๅผตใ‚Šใพใ™ใ‹ใชใ€‚ใ€Œใ‚ธใƒงใ‚ธใƒงใ€ใ‚‚ใ‚ขใƒ‹ใƒกใฎไป–ใซใ‚‚ใƒ•ใ‚กใƒŸใ‚ณใƒณใ‚„ๅฐ่ชฌใซใชใฃใฆใพใ™ใ‘ใฉใ€ใใฎใฉใ‚Œใซใ‚‚ๆœฌๅฎถใฎใƒžใƒณใ‚ฌใŒ่ฒ ใ‘ใชใ„ใ‚ˆใ†ใซๆ›ธใ„ใฆใ„ใใคใ‚‚ใ‚Šใงใ™ใ€‚ โ€•ๆœฌๆ—ฅใฏใฉใ†ใ‚‚ใ‚ใ‚ŠใŒใจใ†ใ”ใ–ใ„ใพใ—ใŸใ€‚ (ๆธ‹่ฐทใ€Žใ‚ฟใƒณใƒˆใƒฉใ€ใซใฆ)

่’ๆœจๅ…ˆ็”Ÿใ‹ใ‚‰ใฎใƒ“ใ‚ถใƒผใƒซใƒˆใƒผใ‚ฏๅพŒ่จ˜!! ใ€Œใƒžใƒณใ‚ฌๅฎถใซใ—ใฆใฏๆ™ฎ้€šใฎไบบใ™ใƒใ€ใจใใƒผใ„ใƒผใ‚ใ‚“ใŸใ ใฃใฆใƒญใƒƒใ‚ซใƒผใฎใใ›ใซใพใ˜ใ‚ใชไบบใฎใใ›ใซ ๅฏพ่ซ‡ใฏไธ€็จฎใฎ้—˜ใ„ใ ใชใจๆ€ใฃใŸ

่ชญ่€…ใƒ—ใƒฌใ‚ผใƒณใƒˆใฏใ‚คใƒฉใ‚นใƒˆๅ…ฅใ‚Šใ‚ตใ‚คใƒณ่‰ฒ็ด™๏ผ

[5]

โ€œ

Part 4's Theme:
Why did I decide to set Part 4's story in 1999, the near future? (Note: JoJo 6251 was released in 1993.) Well, it's suppose to continue after Part 3, and I figured "1999" could add some type of "turn of the century" feel to it. I was also originally thinking of depicting a world after death, but didn't think anybody could relate to it.
One of the themes of Part 4 is "describing the city, creates the city." In part 3, I came up with the idea of using a neighborhood middle aged woman selling cigarettes who attacks Jotaro and his friends. The problem was that Part 3 was a worldwide trip, so while Jotaro had to move on from the suburban setting, I couldn't. I thought, if the adventure were to happen in just one city, I could take advantage of the concept of several people you'd meet around town suddenly threatening you and lurking about. I thought, maybe I could set a hospital as a battle stage, or involve someone like a mayor in the story. I figured this would enable me to take anything people are familiar with in everyday life and do something creative with it.

Names:
As you already know, most of my character's names are named after foreign musicians. Why do I do this? Well, it makes it easy for me to name characters and easy for readers to remember them. Yep, that's it (laugh), I don't bother coming up with original names. What's worse is that the names I give can sometimes cause confusion; "Kakyoin" for example, is the name of a place that exists in Sendai, my hometown. Part 4's another story though, as I had to come up with so many Japanese names. That was tough! From the very beginning, I had already decided on the name Josuke (Also read as JoJo), but deciding the family name gave me a hard time. (ๆฑๆ–น Jojo of the east side) By the way, for Kujo, I looked into the dictionary and found ku meant sky and figured that sounded nice. For Okuyasu Nijimura, I used Niji which meant rainbow and chose "Nijimura" specifically cause it had a nicer ring to it than Nijioka or Nijiki. (Note: mura ๆ‘ means village, oku ๅ„„ means one hundred million. His big bro, Keicho's cho ๅ…† means trillion) I combine my favorite kanjis with sound taken into consideration, whether it it's easier to say or not. Though I'm having trouble thinking of any other JoJo puns, so I were to start Part 5, I'd probably have a hard time. (The result ended up having every character named after Italian food.)

Jotaro's School Outfit:
I decided Jotaro must be in a school uniform due to influence from "Babiru the second," a famous manga of a boy in a gakuran having an adventure in a desert. I've always thought how cool it was to have an adventure in a school uniform. This idea boggled me. It permeated a sense of "a man's spirit of romantic adventure," and "beauty" that could only be found from a boy having an adventure in a school uniform in a desert.

Wanting a sequel to previous works.:
People sometimes ask, "Why don't you draw sequels to Baoh or BT? Well, they're already done in my mind. Similarly, I always get letters asking me to revive Kakyoin, or bring back Polnareff for Part 5. I don't think I will though, since characters with similar natures are already present in Part 4. (Note: He did end up bringing back Polnareff, though in another interview he mentions adding him in was a last minute choice.) Even though I say this, you'll likely ask, "then why did Jotaro and Joseph show up in Part 4, weren't they done too?" Well, they have the advantage of being related to Josuke. Bloodline is important. Really, I don't have anything lingering whatsoever for Part 1-3, my previous works. Although, I'm more of a "forgetting" than "moving-on" type of person (laugh). My works resemble a diary in that I don't put too much thought into what I had previously written, but more so into drawing what I'm feeling NOW. Now is what matters most.

ใ‚ดใ‚ดใ‚ด:
You encounter ใ‚ดใ‚ดใ‚ด alot in my works. This sound effect is kinda the "groove, "tempo", or "rhythm" I feel when drawing. The atmosphere of the scene is what decides when I put this sfx. Like when I'm drawing a scene where a "DOOON" (ใƒ‰ใƒผใƒณ๏ผ) appears, here comes ใ‚ดใ‚ดใ‚ด to add a more ominous, something-is-happening touch! For Dio's MUDAMUDAMUDA, I add it to give feeling to his shouting. My way of adding SFX's and choosing lines is similar to making music in a way.

How Araki works on Weekly JoJo:
First, I draw the "name" on report paper, which takes about 12 hours. (Name is Japanese, it refers to the draft storyboard.) Then I have a meeting with my editor, and after I begin drawing more elaborate sketches and eventually inking. I never start on the next page until I completely finish the one I'm working on; I work strictly on a one-page-basis. This system allows for my assistants to work on each page more efficiently. I finish the names and begin dividing them into frames on Sunday. Work begins on Monday, where we work from 11 in the morning to 12, though we do take a siesta for lunch from 3 to 4. On Tuesday and Wednesday we work as we do on Monday, and I make sure it's all finished by 6pm on Wednesday. For the rest of the time on Wednesday, I deal with determining the plot for the next chapter. On Friday and Saturday, I sit back and relax, draw illustrations, go somewhere to interview people, look for ideas or info for my works. I'm not really good at research though (laugh), or talking to people I first meet. I remember my stomach being filled with butterflies when I tried talking to the people who take care of the animals at the zoo. Either way, I'm quite strict when it comes to my schedule, and I deal with my work quite squarely. Otherwise, if we get too lazy, we never actually get any work done. During daytime, I have to give instructions to my assistants, which often stops our work, so ironically the time when I get the most work done is when my assistants go home.

At times I'm on a roll when it comes to coming up with ideas, and other times, it's hard for me to come up with anything. So whenever I am on a roll, when the ideas start cascading, I take advantage of that moment to try to write down everything for later use. I've never experienced a "slump" (the time a mangaka cannot draw anything, and gets nowhere), but there are times where I don't FEEL like doing anything. Everyone feels like that at some point, right? I always have so much work that if you ask me it it's tough, I'd say it very much is.

Characters:
If you ask me who my favorite is, It'd definitely be Josuke. Definitely Josuke...and Jotaro, and Dio, N'Doul, D'Arby. I love characters that have their own aesthetics. Characters I hate are ones I really tried to make look disgusting, unpleasent e.g Vanilla Ice. I gradually felt sick while drawing them.

Which type of character is easier for me to draw, good guys or bad guys? I can't say which is easier, because good/bad are like heads and tails, they're two sides of a coin and there is a really fine line between the two. Good characters tend to be bound by rules, but it's fun to work with them because at a certain times they begin to have a weird eccentricity. Depicting good characters is fun, but I guess depicting bad ones can be more fun since I can make them do anything (illegal) or destroy everything.

My Childhood:
I began drawing by imitating Shirato Sanpei's "Watari" or Chiba Tetsuya's "Harisu no Kaze" when I was 5 or 6. It seems so long ago, back when you could watch "Ultraman" on TV. I also made original stories, like muscle men fighting villains. I loved period plays (Stories that take place in Feudal Japan). There were so many manga titles I loved back then...sports comics, ghost related, I even bought the very first issue of Jump! Among all those mangakas, the one who moved me most is Yokoyama Mitsuteru (Babiru the second). I read his comics until they were worn out.

I was quite a normal child, but I was much more cool-headed than others. I was like that kid calmly looking at others raising hell. My hobbies were manga or movies. I didn't show any interest toward plastic models or radio-controlled model cars. I was such a pushover for "Spaghetti Western movies" and "Clint Eastwood." My dad loved them too.

I commented "My parents don't understand my manga" on the cover of a comic before. They still don't understand, which is puzzling to me because I draw manga with respect to Eastwood, whom my Dad loves. Why the heck can't they get to like my work? What is at the very core of my works is same as Eastwood's. Maybe the JoJo anime will help them get interested.

Other than Eastwood's, I loved the Godzilla series, or panic-filled movies. I couldn't see movies so often with the small amount of allowance I had, though.

Sports? I practiced Kendo. Group sports such as basketball or soccer were not my thing. I joined the baseball team once, but when I failed to catch, pitch or hit, everyone stared at me. I didn't like that part of group sports. Like it's ok for me run alone, but I could not do relay races; I didn't want the responsibility. I couldn't work as a team. (laugh) What I did I love was magic tricks and playing cards, I even bought a How-to book and practiced them.

I've always loved Rock 'N Roll. From the late 1960's I began to listen to "Chicago," and "Led Zeppelin." In the 80's, "Prince," which is actually what I was listening to when I was drawing the cover for JoJo 6251. Foreign music with an ancient time's atmosphere and a baroque feel stir up my imagination. I couldn't afford expensive records back then so I listened to music from the radio. I recorded songs with a gigantic cassette deck my parents bought for my studies in English. I remember trying to stay perfectly still so I'd be quiet while recording (laugh). I didn't listen to Japanese songs at all at the time, and I still don't.

I had really wanted to become a mangaka since I was very little, but I tried to keep it a secret. Once I was asked, "What do you want to be in the future?" and I replied, "mangaka." The one who asked said "Good luck," though I could from their eyes that they were really saying, "You can't become a mangaka!" So I ended up not telling anybody, not even my parents. I didn't even work on any kind of "doujinshi" either.

At some point, I began to think that I should immerse myself into the world of my stories and illustrations, so I started studying at a designer school. At the time, I had drawn two western manga, which I entered for a manga competition sponsored by Shonen Jump. I used to like Shonen Magazine too, but from the 1980's they started to focus on love-comedy. I hated that type of thing, so I didn't enter any contests Shonen Magazine sponsored. Despite entering the competitions with my "masterpieces" I never did receive any calls. I wondered why, so I went to the Shueisha HQ in Tokyo to ask their opinions on it directly. The one editor I showed it to, before even reading it, pointed out that I forgot to erase the black lines. He boggled my mind (laugh), but I learned a lesson that day. Back home, I began improving on my story, after 4 months I finished 30 pages worth. This work was called Poker Under Arms and it is what I made my debut with.

Fashion-conscious:
I am interested in fashion. I take Italian fashion into account when deciding what my characters wear. Versace and Moschino's clothes are so loud and gorgeous, they make my illustrations beautiful. However, they do have their weaknesses. I get bored with them if I draw them for too long (laugh). Similar to how certain clothes go out of fashion througout the years. I used to check out Japanese fashion books, but they are something different; they seem out of date.

Stands:
My doubt over supernatural powers helped me come up with Stands. I doubt such powers like, "Just think hard enough and things will begin to move." I don't see anything? How can you say your "willpower" moved things? I wanted something visible that could explain these powers. For example, if a person is in the dark and something moves, you can't really see what's happening. But, if something visible pops out from the person and actually touches things and moves them, then you'd say, "Oh, I see!" Stands are proof of those superpowers, basically my way of explaining how these invisible powers work. Well, they're kind of like "pseudo" proof, but they still work as an explanation (laugh).

I called it a "stand" after "light stands," the type that sit beside your bed in a "looming" manner when you read. With stands, I thought I could describe loads of things. "What a good idea", I thought. In part 3, I connected stands with tarot cards cause I wanted each stand to be unique. I thought 22 would be enough, but I ended up running short (lol). The stand's designs were insprised by Yokai's and eerie folkcrafts. I first decided the abiity, and then the appearance with which readers can associate with the ability. What I love about stands is that I can express psychological warfare. The Stand's physical powers are not what matters most. e.g. A stand with no physical power but with the the ability to make enemies tell lies can still be very formidable (Which ended up being the basis for Talking Head.)

Miscellaneous:
"Cool Shock BT." My First serialization. I worked on it in Sendai, my hometown. It was around the time the delivery service was first established, so I would send copies of rough sketches through that and talk with my editors by phone, jsut like Kishibe Rohan (laugh). My editor back then was so severe. After I had sent all of my work, he'd end up calling me to Sheuisha in Tokyo anyways. I had to use an ashtray as a palette to practice and had to sleep on the train the next morning. That trained me as a mangaka; my editor is a man I respect as a severe teacher and also a god. He was the one that decided that Dio should be in Egypt since he loved Egypt and was very knowledgeable of it. (He was the one who tried hard to get BT serialized in Jump, when other eidtors were against it.)

"Baoh." I was thinking about Baoh when I drew BT during it's Jump serialization. By "the visitor," I meant "Strike Back." Back then, everyone was talking about Biotech, so I named Baoh after Biotech. I also wanted to pursue physical power.

"Gorgeous Irene." I came up with Irene's plot while pursuing physical power. I named her "Irene", which sounded cute. I started to draw Irene to see If I could actually draw girls. The result: I realized I couldn't draw girls. That's why you generally don't see that many girls in JoJo. Recently though, I've been incorporating more and more girls, and now I think I can draw them.

Starting JoJo:

I earned alot of money from drawing Baoh, which allowed me to go abroad for the first time in my life. I ended up going to England for 10 days, where I was at a loss, since I couldn't order food at restaurants due to my inability to speak English. I had a rather hard time there, but the experience inspired me to draw JoJo. By the way, two years after the trip I tried to write off the expense. The tax office refused me, so I had to pay surcharge; I've had a grudge against them ever since.
โ€
โ€”Hirohiko Araki

1994-2001

ใ‚คใƒณใ‚ฟใƒ“ใƒฅใƒผ่จ˜ไบ‹โ‘ฅ-ใƒฆใƒชใ‚คใ‚ซ 97ๅนด4ๆœˆๅท- ใƒชใ‚ขใƒซ่„ฑๅ‡บใ‚ฒใƒผใƒ ใซใƒใƒžใƒƒใฆไปฅๆฅๆ”พ็ฝฎใ—ใฆใ„ใŸใƒ–ใƒญใ‚ฐใ‚’ใใพใใ‚Œใงๆ›ดๆ–ฐใ€‚ ๆฐ—ใฅใ„ใŸใ‚‰๏ผ’๏ผไธ‡ใ‚ขใ‚ฏใ‚ปใ‚น่ถ…ใˆใฆใพใ—ใŸใ€‚

ใƒฆใƒชใ‚คใ‚ซ1997ๅนด4ๆœˆๅทใฎใ€Œ็‰น้›† J-ใ‚ณใƒŸใƒƒใ‚ฏ'97 ใƒžใƒณใ‚ฌๅฎถใŒ่ชžใ‚‹ใƒžใƒณใ‚ฌใฎ็พๅœจใ€ใ‚ˆใ‚Šใ€‚ ใ“ใฎไผ็”ปใงใฏใ€่’ๆœจๅ…ˆ็”Ÿใฎไป–ใซๆฅณๅ›ณใ‹ใšใŠใ€ๅ‰็”ฐๆˆฆ่ปŠใ€ไผŠ่—คๆฝคไบŒใ€ๅฎ‰้‡Žใƒขใƒจใ‚ณใ‚‰15ไบบใฎๆผซ็”ปๅฎถใฎใ‚คใƒณใ‚ฟใƒ“ใƒฅใƒผใƒปๅฏพ่ซ‡ใŒๆŽฒ่ผ‰ใ•ใ‚Œใฆใ„ใพใ™ใ€‚ ่’ๆœจๅ…ˆ็”Ÿใฎใ‚คใƒณใ‚ฟใƒ“ใƒฅใ‚ขใƒผใฏ็ฒพ็ฅž็ง‘ๅŒปใฎๆ–Ž่—ค็’ฐๆฐใ€‚

้€ฒๅŒ–ใ™ใ‚‹ใ€Žใ‚ธใƒงใ‚ธใƒงใ€

โ€•โ€•ใ€€็งใฏๆœฌๆฅญใฏ็ฒพ็ฅž็ง‘ๅŒปใชใ‚“ใงใ™ใŒใ€็ฒพ็ฅž็—…็†็š„ใช่ฆ–็‚นใ‹ใ‚‰่ชžใ‚Šใ†ใ‚‹ๆผซ็”ปใฏใ€ใ€Žใ‚จใƒดใ‚กใƒณใ‚ฒใƒชใ‚ชใƒณใ€ใ‚„ๅ‰็”ฐๆˆฆ่ปŠใชใฉใ‚’็ญ†้ ญใซ่ฟ‘ๅนดใŸใ„ใธใ‚“ๅคšใ„ใฎใงใ™ใ€‚ใ“ใ‚Œใซๅฏพใ—ใฆ่’ๆœจใ•ใ‚“ใฎไฝœๅ“ใฏไธ€็จฎใ€Œ้Žๅ‰ฐใชๅฅๅบทใ•ใ€ใŒ็‰นๅพดใจ่จ€ใˆใ‚‹ใฎใงใฏใชใ„ใ‹ใ€‚ใตใคใ†ๅฅๅ…จใชใ‚ณใƒŸใƒƒใ‚ฏใจใ„ใ†ใฎใฏใ€ไบบ็•œ็„กๅฎณใฎใคใพใ‚‰ใชใ„ใ‚‚ใฎใจ็›ธๅ ดใŒๆฑบใพใฃใฆใ„ใ‚‹ใฎใซใ€่’ๆœจใ•ใ‚“ใฎใ‚‚ใฎใฏๅฅๅ…จๆ€งใจๅ€‹ไบบ็š„ใช่กจ็พ่กๅ‹•ใŒไป–ใซไพ‹ใ‚’่ฆ‹ใชใ„ใƒใƒฉใƒณใ‚นใ‚’็ถญๆŒใ—ใฆใ„ใ‚‹ใ‚ˆใ†ใซๆ€ใ„ใพใ™ใ€‚ไปŠๅ›žใฏ่’ๆœจใƒ•ใ‚กใƒณใฎไธ€ไบบใจใ—ใฆใ€ใใฎใ‚ใŸใ‚Šใฎ่ฌŽใซ่ฟซใ‚ŠใŸใ„ใจ่€ƒใˆใฆใ„ใพใ™ใ€‚ใพใ‚ใใ‚ŒใฏๅพŒใฎใŠๆฅฝใ—ใฟใจใ„ใ†ใ“ใจใงใ€ใพใšใฏใƒ‡ใƒ“ใƒฅใƒผๅฝ“ๆ™‚ใฎใŠ่ฉฑใ‚’ใŠ่žใ‹ใ›ใใ ใ•ใ„ใ€‚

่’ๆœจใ€€ๅ‡บ่บซใฏไป™ๅฐใงใ™ใ€‚ไบŒใ€‡ๆญณใฎ้ ƒใซใƒ‡ใƒ“ใƒฅใƒผใ—ใพใ—ใŸใ€‚ใ€Ž้ญ”ๅฐ‘ๅนดใƒ“ใƒผใƒ†ใ‚ฃใƒผใ€ใจใ„ใ†้€ฃ่ผ‰ใ‚’ไป™ๅฐใงๆใ„ใฆใ„ใฆใ€ๆฌกใฎใ€Žใƒใ‚ชใƒผๆฅ่จช่€…ใ€ใฎๆ™‚ใ€ไธ€ไนๅ…ซๅ››ๅนดใฎใƒญใ‚นใ‚ขใƒณใ‚ผใƒซใ‚นใ‚ชใƒชใƒณใƒ”ใƒƒใ‚ฏใฎๆ™‚ใซไธŠไบฌใ—ใพใ—ใŸใ€‚ใ‚ธใƒฃใƒณใƒ—ใฎใ€Žใ‚ธใƒงใ‚ธใƒงใฎๅฅ‡ๅฆ™ใชๅ†’้™บใ€(ไปฅไธ‹ใ€Žใ‚ธใƒงใ‚ธใƒงใ€)ใฏไธ€ไนๅ…ซไธƒๅนดใ‹ใ‚‰้€ฃ่ผ‰ใŒใฏใ˜ใพใฃใŸใ‚“ใงใ™ใ€‚

โ€•โ€•ใ€€ใƒ‡ใƒ“ใƒฅใƒผใ•ใ‚Œใฆไธ€ๅ…ญๅนดใ€ใ“ใจใ—ใฏใ€Žใ‚ธใƒงใ‚ธใƒงใ€ไธ€ใ€‡ๅ‘จๅนดใจใ„ใ†ใ“ใจใซใชใ‚Šใพใ™ใ€‚ไปฃ่กจไฝœใงใ‚ใ‚‹ใ€Žใ‚ธใƒงใ‚ธใƒงใ€ใ‚ตใƒผใ‚ฌใฏๅ˜ไธ€ใฎไฝœๅ“ใจใ„ใ†ใ‚ˆใ‚Šใฏใ€ใ„ใ‚ใ‚“ใชใ‚‚ใฎใ‚’่ฉฐใ‚่พผใ‚€ใŸใ‚ใฎ็‰ฉ่ชž่ฃ…็ฝฎใจใ„ใ†ใ‹ใ€ไธ–ไปฃใ”ใจใซๅ—ใ‘็ถ™ใŒใ‚Œใฆๅˆฅใฎไฝœๅ“ใซใชใฃใฆใ‚†ใใพใ™ใญใ€‚็พๅœจใฎ็ฌฌไบ”้ƒจใซ่‡ณใฃใฆใฏใ€ใ‚ทใƒชใƒผใ‚บใงๅ…ฑ้€šใ™ใ‚‹็™ปๅ ดไบบ็‰ฉใฏๅบƒ็€ฌๅบทไธ€ใใ‚‰ใ„ใงใ™ใ—ใ€‚

่’ๆœจใ€€ใใ†ใงใ™ใญใ€‚่ชญ่€…ใŒๆฐ—ใซๅ…ฅใ‚‰ใชใ‘ใ‚Œใฐใ€ใ„ใคใงใ‚‚ใ‚„ใ‚ใชใ‘ใ‚Œใฐใ„ใ‘ใชใ„ใจใ„ใ†ๅฎฟๅ‘ฝใŒใ‚ใ‚Šใพใ—ใฆใ€‚ใใ‚Œใงใ‚‚ใ€ไธ‰้ƒจใใ‚‰ใ„ใพใงใฏใ‚ใ‚‹็จ‹ๅบฆใƒ†ใƒผใƒžใฟใŸใ„ใชใ‚‚ใฎใŒใ‚ใฃใฆใ€็พไปฃใพใงๆฅใ‚ˆใ†ใจใ€‚ไธปไบบๅ…ฌใ‚‚ใ€ใใ‚Œใฏใ‚ใพใ‚Šใชใ‹ใฃใŸใ“ใจใชใ‚“ใงใ™ใŒใ€ๅค‰ใˆใฆใ‚†ใ“ใ†ใจใ€‚ใใ†ใ„ใ†ใ“ใจใ‚’ใŠใผใ‚ใ’ใซใฏ่€ƒใˆใฆใ„ใŸใ‚“ใงใ™ใ‚ˆใญใ€‚

โ€•โ€•ใ€€็‰ฉ่ชžใŒใ€Œใ‚ธใƒงใ‚ธใƒงใ€ใจใ„ใ†่ก€็ญ‹๏ผๅ›บๆœ‰ๅใฎ้€ฃ้Ž–ใง็น‹ใŒใฃใฆใ„ใๅฝขๅผใฏใ€้žๅธธใซๆ–ฐ้ฎฎใงใ—ใŸใ€‚็ฌฌไบ”้ƒจใฎไธปไบบๅ…ฌใ€Œใ‚ธใƒงใƒซใƒŽใƒปใ‚ธใƒงใƒใ‚กใƒผใƒŠใ€ใŒใ€ใ€Œใ‚ธใƒงใ‚ธใƒงใ€ไธ€ๆ—ใฎๅฎฟๆ•ตใ€Œใƒ‡ใ‚ฃใ‚ชใ€ใฎๆฏๅญใงใ‚ใ‚‹ใจใ„ใ†่จญๅฎšใฎใ‚ˆใ†ใซใ€่ก€็ญ‹ใฎๆตใ‚Œใฎไธญใงใ€ๆ•ตๅ‘ณๆ–นใŒๆธพ็„ถใจใ—ใฆใพใ™ใญใ€‚

่’ๆœจใ€€ไบบ้–“ใจใ„ใ†ใฎใฏ่‰ฏใ„ไบบใงใ‚‚ๆ‚ชใ„ไบบใงใ‚‚่ชใ‚ใ€่ณ›็พŽใ—ใ‚ˆใ†ใ€่ชญ่€…ใซๅ…ƒๆฐ—ใ‚’ไธŽใˆใ‚ˆใ†ใ€ใใ†ใ„ใ†ใƒ†ใƒผใƒžใ‹ใ‚‰ๅง‹ใพใฃใฆใ„ใ‚‹ใ‚“ใงใ™ใ€‚ใใ†ใ™ใ‚‹ใจ่ก€ใจใ‹ใ€็”Ÿใๆ–นใจใ‹ใŒ้‡่ฆใซใชใฃใฆใใ‚‹ใ€‚ไธปไบบๅ…ฌใ‚’ๆใๆ™‚ใซๅฟ…ใšใ€่ฆชใฎไปฃใจใ‹ใ€ใฉใ†ใ„ใ†ๅขƒ้‡ใง่‚ฒใฃใฆใใฆใ“ใฎไธปไบบๅ…ฌใŒไปŠใ‚ใ‚‹ใ‹ใŸใกใงๅญ˜ๅœจใ—ใฆใ„ใ‚‹ใฎใ‹ใจใ„ใ†ใ“ใจใ‚’็ขบ็ซ‹ใ—ใ€ๅ›บใ‚ใฆใ„ใใ‚“ใงใ™ใ‚ˆใ€‚ใใ†ใ„ใ†ใจใ“ใ‚ใ‹ใ‚‰ใ‚„ใฃใฆใ„ใ“ใ†ใจๆ€ใฃใŸใ‚“ใงใ™ใ€‚

โ€•โ€•ใ€€ๆœ€ๅˆใฎ่จญๅฎšใจใ—ใฆใฏใ ใ„ใŸใ„ไธ‰ไปฃ็›ฎใพใงใ€ใคใพใ‚Šใ€Œ็ฉบๆกๆ‰ฟๅคช้ƒŽใ€ใพใงใงใ™ใ‹ใ€‚

่’ๆœจใ€€ใ‚ใฎ่พบใฏ็ตๆง‹ใ‚นใƒˆใƒผใƒชใƒผใฎ้€ฒ่กŒใ‚’ๆ€ฅใ„ใงใ„ใ‚‹ใ‚“ใงใ™ใ‚ˆใญใ€‚ไธ‰้ƒจใพใงใ„ใใ“ใจใฏใ‚‚ใ†ใ‚ใ‹ใฃใฆใ„ใ‚‹ใ‹ใ‚‰ใ€‚ใ ใ‘ใฉใ€ไธ‰้ƒจใฏๆœ€ๅพŒใ ใฃใŸใ—ใ€ใ“ใ‚Œใง็ต‚ใ‚ใ‚Šใชใฎใ‹ใชใฟใŸใ„ใชๆ„Ÿใ˜ใงใ‚„ใฃใฆใ„ใŸใ‚“ใงใ™ใ‘ใ‚Œใฉใƒปใƒปใƒปใƒปใƒปใƒปใ€‚ๆใใ“ใจใŒใ‚ฌใƒณใ‚ฌใƒณๅ‡บใฆใใ‚‹ใจใ„ใ†ใ‹ใƒปใƒปใƒปใƒปใƒปใƒปใ€‚

โ€•โ€•ใ€€่’ๆœจใ•ใ‚“ใซใฏใ‚ใ‚“ใพใ‚Šใ‚นใƒฉใƒณใƒ—ใฃใฆใชใ„ใ‚“ใ˜ใ‚ƒใชใ„ใงใ™ใ‹ใ€‚

่’ๆœจใ€€ไบบใซใ‚ˆใฃใฆ้•ใ†ใจๆ€ใ„ใพใ™ใŒใ€ๅƒ•ใฏๅ‰ฒๅˆใซๆณขใŒ็Ÿญใ„ใ‚“ใงใ™ใญใ€‚

โ€•โ€•ใ€€ๆผซ็”ปๅฎถใจใ„ใ†ใจ็ท ใ‚ๅˆ‡ใ‚Šๅ‰ใซใƒ‰ใƒชใƒณใ‚ฏๅ‰คใ‚’ใ‚ฌใƒณใ‚ฌใƒณ้ฃฒใ‚“ใงๅพนๅคœใ—ใฆใ€ใฟใŸใ„ใชใ‚คใƒกใƒผใ‚ธใŒใ‚ใ‚‹ใ‚“ใงใ™ใ‘ใ‚Œใฉใ€่’ๆœจใ•ใ‚“ใฏๅ‰ฒใจใ‚ฏใƒผใƒซใซๆ˜ผ้–“ใซไป•ไบ‹ๆ™‚้–“ใ‚’ๆฑบใ‚ใฆใ€ๆทกใ€…ใจ่ทไบบ็š„ใซใ“ใชใ—ใฆใ‚‹ๆ„Ÿใ˜ใŒใ—ใพใ™ใ€‚

่’ๆœจใ€€ใ™ใ‚‹ใฉใ„ใงใ™ใญใ€‚ใใฎ้€šใ‚Šใงใ™ใ€‚

โ€•โ€•ใ€€ไปฅๅ‰ใ‚คใƒณใ‚ฟใƒดใƒฅใƒผใง่ฉฑใ•ใ‚Œใฆใพใ™ใ‚ˆใญ(JoJo6251ใ€Œ่’ๆœจ้ฃ›ๅ‘‚ๅฝฆใฎไธ–็•Œใ€ๆ‰€ๅŽ)ใ€‚ๆ—ฅๆ›œๆ—ฅใซๆง‹ๆƒณใ‚’็ทดใฃใฆใ€ๆœˆ็ซๆฐดใจใ‹ใ‘ใฆๆใ„ใฆ้‡‘ๅœŸใŒๅ–ๆใ€‚ใใ‚ŒใŒไธ€ใ€‡ๅนด็ถšใ„ใฆใ„ใ‚‹ใ‚ใ‘ใงใ€ใชใŠใ‹ใคใƒžใƒณใƒใƒชใซใชใ‚‰ใชใ„ใจใ„ใ†ใฎใŒใ™ใ”ใไธๆ€่ญฐใชใ‚“ใงใ™ใ€‚ใ„ใพใ ใซ็ตตๆŸ„ใพใง้€ฒๅŒ–ใ—็ถšใ‘ใ‚‹ใจใ„ใ†ใ“ใจใŒใ€ใฉใ†ใ—ใฆๅฏ่ƒฝใชใ‚“ใงใ—ใ‚‡ใ†ใ‹๏ผŸ

่’ๆœจใ€€ๅคšๅˆ†ใ€ๅ็œใ˜ใ‚ƒใชใ„ใงใ—ใ‚‡ใ†ใ‹ใ€‚่ชญใฟ่ฟ”ใ—ใŸๆ™‚ใซใกใ‚‡ใฃใจ้•ใ†ใชใจใ‹ใ€ไป–ใฎไฝœๅฎถใ•ใ‚“ใฎๆ–นใŒใ„ใ„ใชใใจใ‹ใ€‚ใใ†ใ™ใ‚‹ใจใ€ใ‚„ใฏใ‚Šใใฎ็‚นใ‚’ใกใ‚‡ใฃใจๅค‰ใˆใฆใ„ใ“ใ†ใ‹ใจๆ€ใฃใฆใ„ใ‚‹ใ€‚็‰นใซๆ„ๅ›ณใฏใ—ใฆใชใ„ใ‚“ใงใ™ใŒใ€‚

โ€•โ€•ใ€€่’ๆœจใ•ใ‚“ใงใ‚‚ไป–ใฎไฝœๅฎถใฎ็ตตๆŸ„ใŒใ„ใ„ใจใ‹ใ€็พจใพใ—ใ„ใจใ‹ใ‚ใ‚‹ใ‚“ใงใ™ใ‹๏ผŸ

่’ๆœจใ€€ใ‚ใ‚Šใพใ™ใญใ€‚ใงใ™ใŒใ€ใ‚ฏใ‚ปใŒใ‚ใฃใŸใ‚Šใ—ใฆใ€ใชใ‹ใชใ‹่‡ชๅˆ†ใฎๆ€ใ†้€šใ‚Šใซใฏใ„ใ‹ใชใ„ใ‚“ใงใ™ใ‘ใ‚Œใฉใ€‚

โ€•โ€•ใ€€ใ‚ฏใ‚ปใจใ„ใ†ใ‹ๅ€‹ๆ€งใŒๅผท็ƒˆใงใ™ใ‚ˆใญใ€‚้ข็™ฝใ„ใฎใฏ่’ๆœจใ•ใ‚“ใฎไบœๆตใฃใฆใ‚ใ‚“ใพใ‚Š่ฆ‹ใ‹ใ‘ใพใ›ใ‚“ใ‚ˆใญใ€‚ใŸใจใˆใฐใฒใจใ“ใ‚ๅคงๅ‹ๅ…‹ๆด‹ใฎไบœๆตใฃใฆใ„ใฃใฑใ„ๅ‡บใพใ—ใŸใ‘ใ‚Œใฉใ‚‚ใ€่’ๆœจๆตใฃใฆ่ฆ‹ใŸใ“ใจใชใ„ใ€‚

่’ๆœจใ€€ๅค‰ๅŒ–ใ™ใ‚‹ใ‹ใ‚‰็œŸไผผใฎใ—ใ‚ˆใ†ใŒใชใ„ใ‹ใ‚‚ใ—ใ‚Œใชใ„ใงใ™ใญใ€‚

โ€•โ€•ใ€€็ตตๆŸ„ใ ใ‘็œŸไผผใฆใ‚‚ใ—ใ‚‡ใ†ใŒใชใ„ใ—ใ€ใ‚ปใƒชใƒ•ๅ›žใ—ใ‚„ใ€ใ‚ใพใใ‚‹ใ—ใ„่ฆ–็‚นใฎๅˆ‡ใ‚Šๆ›ฟใˆใ€ๆฅต็ซฏใชๆง‹ๅ›ณใ‚„ใƒ‘ใƒผใ‚นใชใฉใฎ็ทๅˆใ•ใ‚ŒใŸใ‚‚ใฎใŒ่’ๆœจๆตใงใ™ใ‹ใ‚‰ใ€‚ไบœๆตใŒๅ‡บใฆใ“ใชใ„ใจใ„ใ†ใฎใฏใ€ใใ†ใ„ใ†ๆŠ€่ก“็š„ใชๅ•้กŒใงใ‚‚ใ‚ใ‚‹ใงใ—ใ‚‡ใ†ใญใ€‚

่’ๆœจใ€€็ตตใ‚‚ใใ†ใงใ™ใŒใ€ใ‚นใƒˆใƒผใƒชใƒผๅฑ•้–‹ใงใ‚‚็™ปๅ ดไบบ็‰ฉใฎ่ฆ–็‚นใŒใ€็งใฏ่‡ชๅˆ†ใงใฏใšใ„ใถใ‚“ๅˆ‡ใ‚Šๆ›ฟใ‚ใ‚‹ใชใใจๆ€ใฃใฆใ„ใ‚‹ใ‚“ใงใ™ใ€‚ใใ†ใ„ใ†ๆใๆ–นใ˜ใ‚ƒใชใ„ใจใ‚นใƒˆใƒผใƒชใƒผใŒ้€ฒ่กŒใ—ใชใ„ใจใ„ใ†ใฎใ‚‚ใ‚ใ‚‹ใ—ใ€‚ๅคšๅˆ†ไธ€ๅ›žไธ€ไนใƒšใƒผใ‚ธใจใ„ใ†ๅˆถ็ด„ใฎใ›ใ„ใงใ€็›ฎใพใใ‚‹ใ—ใใชใ‚‰ใ–ใ‚‹ใ‚’ๅพ—ใชใ„ๆ™‚ใฏใ‚ใ‚‹ใ‹ใ‚‚ใ—ใ‚Œใชใ„ใงใ™ใญใ€‚

โ€•โ€•ใ€€ใใ‚Œใจๆ™‚้–“ใฎๆตใ‚ŒใŒ็‹ฌ็‰นใงใ™ใ‚ˆใญใ€‚ๅ˜็ทš็š„ใซใฏๆตใ‚Œใฆ่กŒใ‹ใชใ„ใ€‚ๆ‰‹ๅ“็š„ใชใƒˆใƒชใƒƒใ‚ฏใ‚’ๅคš็”จใ•ใ‚Œใฆใ„ใฆใ€ๆ™‚้–“ใŒๅพŒๆˆปใ‚Šใ—ใฆๅฎŸใฏใ“ใ‚“ใชใ“ใจใ‚’ใ—ใฆใ„ใŸใ€ใจใ‹ใ€‚ใพใ‚ใ€Œใ‚นใ‚ฟใƒณใƒ‰ใ€ใ‚‚ๅฎŸ้š›ใซๆ™‚ใ‚’ๆญขใ‚ใŸใ‚Šใ€ๆˆปใ—ใŸใ‚Šใงใใ‚‹ใ‚ใ‘ใ ใ—ใ€‚

่’ๆœจใ€€ไธ€็ง’ใฎใ“ใจใ‚’็ถฟๅฏ†ใซๆใ„ใŸใ‚Šใ™ใ‚‹ใ‚“ใงใ™ใ€‚็™ปๅ ดไบบ็‰ฉใŒ่ฝใกใฆใ„ใ้–“ใฎใ“ใจใ‚’ใ€ๅปถใ€…ใจๆใ„ใฆใ€่ฝใกใฆใ„ใ‚‹้–“ใซใ“ใ“ใพใง่€ƒใˆใ‚‹ใ‹(็ฌ‘)ใฟใŸใ„ใชใ€‚

โ€•โ€•ใ€€็ฌฌๅ››้ƒจใƒฉใ‚นใƒˆใฎใ€Œๅ‰่‰ฏๅ‰ๅฝฑใ€ใŒๆญปใฌใจใ“ใ‚ใฏใ€ๆ™‚้–“ใซใ—ใฆๅไบ”ๅˆ†ใใ‚‰ใ„ใฎๅ‡บๆฅไบ‹ใ‚’ใ€ใปใผๅ˜่กŒๆœฌไธ€ๅ†Šใ‚’ไฝฟใฃใฆๆใ„ใฆใ„ใพใ™ใ‚‚ใ‚“ใญใ€‚ใ“ใฎใ‚ใŸใ‚Šใฏๆผซ็”ปใชใ‚‰ใงใฏใฎๆ™‚้–“ๆ€งใงใ™ใญใ€‚ ใ€€่’ๆœจใ•ใ‚“ใฎไฝœๅ“ใฏใ€็†่ฉฐใ‚ใงๆ˜Žๅฟซใชๅจฏๆฅฝๆ€งใจใ„ใ„ใพใ™ใ‹ใ€ใใ‚Œใ“ใ๏ผณ๏ผฆ็š„ใชๆ„ๅ‘ณใงๅธธใซ่ชฌๆ˜ŽใŒใใกใ‚“ใจๅ‡บๆฅใฆใ„ใ‚‹ใ˜ใ‚ƒใชใ„ใงใ™ใ‹ใ€‚ใ€Œใ‚นใ‚ฟใƒณใƒ‰ใ€ใซใ—ใฆใ‚‚ใƒˆใƒชใƒƒใ‚ฏใซใ—ใฆใ‚‚ๅŽŸ็†ใŒใใกใฃใจใ—ใฆใ„ใชใ„ใจๆฐ—ใŒใ™ใพใชใ„ใฟใŸใ„ใชใƒปใƒปใƒปใƒปใƒปใƒปใ€‚

่’ๆœจใ€€ใใ‚Œใฏใ‚ใ‚Šใพใ™ใ€‚ๅนฝ้œŠใ‚„่ถ…ๅธธ็พ่ฑกใซใ—ใฆใ‚‚ใ€็›ฎใซ่ฆ‹ใˆใชใ„ใ‚‚ใฎใ‚’ๆใ„ใฆใ„ใๅ ดๅˆใ€ใใ‚ŒใŒ็ง‘ๅญฆ็š„ใงใ‚ใ‚ใ†ใŒๆผซ็”ป็š„ใงใ‚ใ‚ใ†ใŒใ€ใกใ‚ƒใ‚“ใจใ—ใŸๅŽŸ็†ใŒใชใ„ใจๆบ€่ถณๅ‡บๆฅใชใ„ใ€‚ใใ‚Œใงใ€Œใ‚นใ‚ฟใƒณใƒ‰ใ€ใฟใŸใ„ใชใ‚‚ใฎใŒ็”Ÿใพใ‚ŒใŸใ‚“ใงใ™ใ‚ˆใญใ€‚

โ€•โ€•ใ€€ใ‚ใ‚Œใฏใ™ใ”ใๆ–ฌๆ–ฐใชๆ„Ÿใ˜ใŒใ—ใพใ—ใŸใญใ€‚ใ‚ใ‚ŒใซไผผใŸใ‚ขใ‚คใƒ‡ใ‚ขใฃใฆ่ฆ‹ใŸใ“ใจใชใ„ใ‚“ใงใ™ใ‘ใ‚Œใฉใ€ใชใซใ‹ใƒ’ใƒณใƒˆใฏใ‚ใฃใŸใ‚“ใงใ™ใ‹๏ผŸ

่’ๆœจใ€€ใ„ใˆใ€ใใ‚Œใ‚‚ใ€Œ้ก˜ใ„ใ€ใ‹ใ‚‰ๅ‡บใฆๆฅใŸใ“ใจใงใ™ใ‹ใ‚‰ใ€‚ใคใพใ‚Š่ถ…่ƒฝๅŠ›ใจใ„ใ†ใฎใฏใŸใ ๅฟตใ˜ใŸใ‚‰ใƒใƒผใƒณใฃใฆๅ‰ฒใ‚Œใ‚‹ๆ„Ÿใ˜ใ‚’ใ€ใพใใ€ไฝ•ใ‹ๅ‡บใฆใใฆๅฉใ‘ใฐ่ชญ่€…ใฏใ‚ใ‹ใ‚Šใ‚„ใ™ใ„ใชใจใ€‚ใŸใ ใใ‚Œใ ใ‘ใชใ‚“ใงใ™ใ‘ใ‚Œใฉใ€‚ใ€Žใ†ใ—ใ‚ใฎ็™พๅคช้ƒŽใ€ใ‚’่ชญใ‚“ใงใ€ๅฎˆ่ญท้œŠใชใ‚“ใ‹ใŒๅ‡บใฆใใฆใ‚‚ใ€ใŸใ ๅ‡บใฆใใ‚‹ใ ใ‘ใงไฝ•ใ‚‚ใ—ใชใ„(็ฌ‘)ใ€‚ใƒ‘ใƒณใƒใงใ‚‚็นฐใ‚Šๅ‡บใ—ใฆใ€ๆ‚ช้œŠใ‚’ใ‚„ใฃใคใ‘ใฆใใ‚Œใ‚Œใฐใ„ใ„ใฎใซใจๆ€ใฃใฆใ„ใฆใ€ใใ†ใ„ใ†็™บๆƒณใงๅ‡บใฆๆฅใŸใ“ใจใ ใจๆ€ใ†ใ‚“ใงใ™ใญใ€‚

โ€•โ€•ใ€€ๅ…ซใ€‡ๅนดไปฃๅˆ้ ญใซใฏใ€ไธ€ๆ–นใงๅคงๅ‹ๅ…‹ๆด‹ใƒ–ใƒผใƒ ใŒใ‚ใฃใฆใ€Ž็ซฅๅคขใ€ใฎใ‚ˆใ†ใชใ€ใใ‚Œใ“ใ็›ฎใซ่ฆ‹ใˆใชใ„่ถ…ๅธธ็พ่ฑกใ‚’ใฟใ‚“ใชๆใใŸใŒใ‚‹ๅ‚พๅ‘ใŒใ‚ใฃใŸใ˜ใ‚ƒใชใ„ใงใ™ใ‹ใ€‚ใ‚ใ‚Œใซๅฏพใ™ใ‚‹ใ‚ขใƒณใƒใจใ„ใ†ใ‚‚ใฎใ‚’ๅคšๅฐ‘ๆ„่ญ˜ใ•ใ‚ŒใŸใจใ“ใ‚ใฏใ‚ใ‚‹ใ‚“ใงใ™ใ‹๏ผŸ

่’ๆœจใ€€ใใ†ใงใ™ใญใ€‚่ถ…่ƒฝๅŠ›ใฎใ‚ใ‹ใ‚Šใซใใ•ใจใ„ใ†ใฎใ‚’ใชใ‚“ใจใ‹ใ—ใฆใ‚„ใ‚ใ†ใจใ„ใ†ใฎใฏใ‚ใ‚Šใพใ—ใŸใญใ€‚ใงใ‚‚ๅคงๅ‹ๅ…ˆ็”Ÿใฎ็ฉบ้–“ใฎๆใๆ–นใซใฏใ™ใ”ใ„ๅ‹‰ๅผทใ•ใ›ใฆใ„ใŸใ ใใพใ—ใŸใ‚ˆใ€‚ใ‚ณใƒƒใƒ—ใฎๅ‰ฒใ‚Œๆ–นใจใ‹ใญใ€‚ใ‚ˆใ่ฆ‹ใฆๆใ„ใฆใ„ใใจใกใ‚ƒใ‚“ใจใ‚ใ‹ใ‚‹ใ‚“ใงใ™ใ‚ˆใ€็†่ซ–็š„ใซๆใ„ใฆใ„ใฆใ€‚ใกใ‚ƒใ‚“ใจใ“ใ†ใ€ใƒ‘ใ‚บใƒซใฟใŸใ„ใซ็ ด็‰‡ใ‚’ใใฃใกใ‚Šๆใใ‚“ใงใ™ใ‚ˆใญใ€‚ๆฐดใฎๆ•ฃใ‚Šๆ–นใ‚‚ใ€ๅ†™็œŸใซๆ’ฎใฃใŸใ‚Šใ—ใฆใ‚นใƒญใƒผใƒขใƒผใ‚ทใƒงใƒณใ‚’่ฆ‹ใฆๆใ„ใฆใ„ใ‚‹ใ‚“ใ˜ใ‚ƒใชใ„ใ‹ใจๆ€ใ†ใ‚ˆใ†ใชใ€ใใ†ใ„ใ†ใฎใŒใ™ใ”ใ„็ทปๅฏ†ใงใ€‚ๅฅฝใใง่ชญใ‚“ใงใ„ใพใ—ใŸใŒใ€ใŸใ ่ถ…่ƒฝๅŠ›ใฎ้ƒจๅˆ†ใŒใกใ‚‡ใฃใจใ‚ใ‹ใ‚‰ใชใ„ใ€็ดๅพ—ใ„ใ‹ใชใ„ใ‚“ใงใ™ใญใ€‚ใ˜ใ‚ƒใ‚ใ€ใ‚ใ—ใ‚‰ใฏๅฉใใซ่กŒใใ‚“ใ ๏ผใฟใŸใ„ใชใญใ€‚ใใฎใธใ‚“ใŒ้ก˜ใ„ใจใ—ใฆๅ‡บใฆใใŸใจใ„ใ†ใ“ใจใชใ‚“ใ ใจๆ€ใ†ใ‚“ใงใ™ใญใ€‚

โ€•โ€•ใ€€็‹ฌ็‰นใฎใ‚ปใƒชใƒ•ๅ›žใ—ใจใ„ใ†ใฎใฏใ„ใ‚ใ„ใ‚ใชใจใ“ใ‚ใงๆŒ‡ๆ‘˜ใ•ใ‚Œใฆใ„ใ‚‹ใจๆ€ใ†ใ‚“ใงใ™ใ‘ใฉใ€็ฟป่จณ่ชฟใจใ„ใ†ใ‹ใ€็ฟป่จณใ‚‚ใฎใ‚’่ชญใ‚“ใงใ‚‹ใ‚ˆใ†ใชๆ„Ÿใ˜ใ‚’ๆŒใคใ“ใจใŒใ‚ใ‚‹ใ‚“ใงใ™ใŒใ€ใใ‚Œใฏๆ„ๅ›ณใ—ใฆใ‚„ใฃใฆใŠใ‚‰ใ‚Œใ‚‹ใ‚“ใงใ™ใ‹ใ€‚

่’ๆœจใ€€ใ„ใ‚„ใ€ๆœฌใ‚’่ชญใ‚“ใ ๅฝฑ้ŸฟใŒๆฎ‹ใฃใฆใ„ใ‚‹ใ‚“ใ˜ใ‚ƒใชใ„ใ‹ใจๆ€ใ†ใ‚“ใงใ™ใ€‚ใใ†ใ„ใ†ใตใ†ใซๅ–‹ใฃใฆใ„ใ‚‹ๆ™‚ใ‚‚ใ‚ใ‚Šใพใ™ใญใ€‚ใชใ‚Šใใฃใกใ‚ƒใฃใฆใญ(็ฌ‘)ใ€‚

โ€•โ€•ใ€€ๆตทๅค–ใฎๅฐ่ชฌใฏใ‚„ใฃใฑใ‚Šใ‚ญใƒณใ‚ฐใŒใ„ใกใฐใ‚“ใŠๅฅฝใใชใ‚“ใงใ™ใ‹๏ผŸ

่’ๆœจใ€€ใใ†ใงใ™ใญใ€‚ไป–ใฎใ‚ตใ‚นใƒšใƒณใ‚น็ณปใฎไฝœๅฎถใ‚’ใ‚ใพใ‚Š่ชญใ‚“ใงใ„ใชใ„ใ ใ‘ใ‹ใ‚‚ใ—ใ‚Œใชใ„ใงใ™ใ‘ใ‚Œใฉใ€‚

โ€•โ€•ใ€€ๆ“ฌ้Ÿณใซใคใ„ใฆใฏใฉใ†ใงใ—ใ‚‡ใ†ใ€‚ใ‚ใฎไธ€้ƒจใงๆœ‰ๅใซใชใฃใŸใ‚ญใ‚นใ‚ทใƒผใƒณใฎ่ƒŒๆ™ฏ้ŸณใŒใ‚ใ‚Šใพใ™ใญใ€ใ€Œใ‚บใ‚ญใƒฅใ‚ฆใ‚ฅใƒผใƒณใ€ใจใ„ใ†(็ฌ‘)ใ€‚ใ‚ญใƒกใฎๅ ด้ขใงใฏๅฟ…ใšใ€Œใƒใƒผใƒณใ€ใจใ‹ใ€Œใƒ‰ใƒ‰ใƒ‰ใƒ‰ใ€ใจใ‹ใ€็‹ฌ็‰นใฎๅŠนๆžœ้ŸณใŒๅ‡บใฆใใพใ™ใŒใ€ใ‚ใ‚Œใ‚‚ๅ†…้ขใ‹ใ‚‰ใปใจใฐใ—ใฃใฆใใ‚‹ใ‚ใ‘ใงใ™ใ‹ใ€‚

่’ๆœจใ€€ไฝ•ใ‹ใƒชใ‚บใƒ ใฟใŸใ„ใชใ‚‚ใฎใงใ€Œใ“ใฎใ‚ทใƒผใƒณใซใกใ‚‡ใฃใจๆฌฒใ—ใ„ใ€ใจใ‹ใ€‚ๆ˜ ็”ปใฎๅฝฑ้Ÿฟใ ใจๆ€ใ„ใพใ™ใ‚ˆใ€ใ‚„ใฃใฑใ‚Šใ€‚ใŸใจใˆใฐๆฎบไบบ้ฌผใŒๅพŒใ‚ใซ็ซ‹ใคใจๆ€ฅใซ้ŸณๆฅฝใŒ้ณดใ‚‹ใ˜ใ‚ƒใชใ„ใงใ™ใ‹ใ€‚ใ€Œใ‚ญใƒฅใƒณใ‚ญใƒฅใƒณใ‚ญใƒฅใƒณใ‚ญใƒฅใƒณใ€ใจใ‹ใ€ใ€Œใ‚บใƒณใ‚บใƒณใ‚บใƒณใ‚บใƒณใ€ใจใ‹ใ•(็ฌ‘)ใ€‚ใชใ‚“ใชใ‚“ใ ใ‚ใ†ใญใ€ใ‚ใ‚Œใฏใ€‚ใ‚ใ‚ŒใŒๆฌฒใ—ใ„ใ‚“ใงใ™ใ‚ˆใ€‚

โ€•โ€•ใ€€ใ‚„ใฏใ‚Šๆ˜ ็”ป็š„ใซๅฑ•้–‹ใ—ใ‚ˆใ†ใจใ„ใ†ใฎใฏใ‚ใ‚Šใพใ™ใ‹๏ผŸ

่’ๆœจใ€€ใ‚ใ‚Šใพใ™ใญใ€‚่ฆ–็‚นใจใ‹ใ€ใ‚ซใƒกใƒฉใฎ็›ฎใงๆƒณๅƒใ—ใชใŒใ‚‰ๆใ„ใŸใ‚Šใ—ใพใ™ใ‚‚ใ‚“ใ€‚ใ‚ซใƒกใƒฉใŒใƒขใƒŽใซๅฏ„ใฃใฆใ„ใฃใŸใ‚Šใ™ใ‚‹ใฎใŒใกใ‚‡ใฃใจๆใ„ใชใจใ‹ใ€‚ไฝ•ใฎๅค‰ๅ“ฒใ‚‚ใชใ„ๆฐดใฎๅ…ฅใฃใŸใ‚ฐใƒฉใ‚นใงใ‚‚ใ€ใ‚†ใฃใใ‚Šใจใ‚ซใƒกใƒฉใŒๅฏ„ใฃใฆใ„ใใจใ€ๆฏ’ใŒๅ…ฅใฃใฆใ„ใ‚‹ใ‚“ใ˜ใ‚ƒใชใ„ใ‹ใชใจๆ€ใ†ใ˜ใ‚ƒใชใ„ใงใ™ใ‹ใ€‚ใ‚‚ใกใ‚ใ‚“ๆผซ็”ปใฎ็”ป้ขใจใ„ใ†ๅˆถ็ด„ใฏใ‚ใ‚Šใพใ™ใ‘ใฉใ€‚

โ€•โ€•ใ€€ๆ˜ ็”ปใฏใ‹ใชใ‚ŠใŠๅฅฝใใฎใ‚ˆใ†ใงใ™ใญใ€‚

่’ๆœจใ€€ใ ใ„ใŸใ„่ฉฑ้กŒไฝœใฏ่ฆณใฆใ„ใพใ™ใญใ€‚็›ฃ็ฃใงใฏใ‚ฏใƒชใƒณใƒˆใƒปใ‚คใƒผใ‚นใƒˆใ‚ฆใƒƒใƒ‰ใ€ใ‚ณใƒƒใƒใƒฉใ€ใƒ‡ใƒปใƒ‘ใƒซใƒžใ€ใ‚นใƒ”ใƒซใƒใƒผใ‚ฐใ‚ใŸใ‚ŠใŒๅฅฝใใงใ™ใญใ€‚ใƒชใƒณใƒใ‚„ใ‚ญใƒฅใƒผใƒ–ใƒชใƒƒใ‚ฏใฏใ€ๅƒ•ใฏใกใ‚‡ใฃใจ้ง„็›ฎใชใ‚“ใงใ™ใ€‚ใ‚‚ใกใ‚ใ‚“ใ„ใ„ใจใ“ใ‚ใฏใ‚ใ‚‹ใ‚“ใงใ™ใŒใ€่‡ชๅˆ†ใฎใ‚‚ใฎใจใ—ใฆๆŽกใ‚Šๅ…ฅใ‚Œใ‚ˆใ†ใจใ„ใ†ๆฐ—ใซใฏใชใ‚‰ใชใ„ใ€‚

โ€•โ€•ใ€€ใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใ‚‚ใงใ™ใŒใ€ใจใ‚‚ใ‹ใใ‚นใ‚ฟใƒณใƒ‰ใฎ้€ ๅฝขใŒ่ฆ‹ไบ‹ใ ใจๆ€ใ†ใ‚“ใงใ™ใ‚ˆใ€‚ใ‚ฆใƒซใƒˆใƒฉใƒžใƒณใ‚’ใƒ‡ใ‚ถใ‚คใƒณใ—ใŸๆˆ็”ฐไบซใ•ใ‚“ใŒๆ›ธใ„ใฆใพใ™ใŒใ€ๅŒ–ใ‘็‰ฉใ‚’ใใกใ‚“ใจๆใใฎใฏ้›ฃใ—ใใฆใ€ใ‹ใชใ‚ŠๆŠ€่ก“ใฎใ‚ใ‚‹ไฝœๅฎถใงใ‚‚ใ€ๅŒ–ใ‘็‰ฉใ ใ‘ใฏๅฅ‡ๅฝขใ‚„ใ›ใ„ใœใ„ใ‚ญใƒกใƒฉ็š„ใช้€ ๅฝขใซใชใ‚ŠใŒใกใชใ‚“ใงใ™ใ€‚ ่’ๆœจใ•ใ‚“ใฎๆใๅŒ–ใ‘็‰ฉใฏใ€ใƒ‡ใ‚ถใ‚คใƒณ็š„ใชๆ•ดๅˆๆ€งใ‚‚ใ•ใ‚‹ใ“ใจใชใŒใ‚‰ใ€ใกใ‚ƒใ‚“ใจๅฅๅบทใง่‡ชๅพ‹ใ—ใŸ็”Ÿๅ‘ฝใ‚’ๆŒใฃใฆใ„ใพใ™ใญใ€‚ใ ใ‹ใ‚‰ใœใ‚“ใœใ‚“ใ‚ฐใƒญใƒ†ใ‚นใ‚ฏใซใฏๆ„Ÿใ˜ใ‚‰ใ‚Œใชใ„ใ€‚

่’ๆœจใ€€ใ‚ฐใƒญใƒ†ใ‚นใ‚ฏใชใ‚‚ใฎใฏใ€ใ‚‚ใ—ใ‹ใ—ใŸใ‚‰ๆใ‘ใชใ„ใ‹ใ‚‚ใ—ใ‚Œใชใ„ใ€‚ใพใ‚ไฝœๅ“ไธญใงใ‚‚ใ‚ใพใ‚Šๆฎ‹้…ทใชใ‚ทใƒผใƒณใฏๆใ„ใฆใ„ใชใ„ใจๆ€ใ„ใพใ™ใ€‚ไพ‹ใˆ่ก€ใพใฟใ‚Œใซใชใ‚‹ใ‚ˆใ†ใชๅ ดๅˆใงใ‚‚ใ€ๅ‡บ่ก€ใฏใ‚ใพใ‚Šใƒชใ‚ขใƒซใ˜ใ‚ƒใชใใƒ‡ใ‚ถใ‚คใƒณใ™ใ‚‹ใ—ใ€‚ใŸใ ใ‚นใ‚ฟใƒณใƒ‰ใฎ้€ ๅฝขใซใฏใใ‚“ใชใซ่‹ฆๅŠดใ—ใชใ„ใงใ™ใญใ€‚ๆฐ‘่Šธๅ“ใ‚„ไบบๅฝขใฎไฝฟใˆใใ†ใช้ƒจๅˆ†ใ‚’ใกใ‚‡ใฃใจใšใคๆŒใฃใฆใใŸใ‚Šใ—ใฆใ€‚ใใ‚Œใซใ‚นใ‚ฟใƒณใƒ‰ใฎ่ƒฝๅŠ›ใ‚’ๅŠ ๅ‘ณใ—ใฆ่€ƒใˆใพใ™ใ€‚

โ€•โ€•ใ€€ใ€Œใ‚จใ‚ณใƒผใ‚บ(ๅบƒ็€ฌๅบทไธ€ใฎใ‚นใ‚ฟใƒณใƒ‰)ใ€ใชใ‚“ใ‹ใ‚‚็„ก้€ ไฝœใซๅ‡บใฆใใŸๆ„Ÿใ˜ใงใ™ใ‹๏ผŸใกใ‚‡ใฃใจๅทฅๅคซใ—ใŸๆ„Ÿใ˜ใ‚‚ใ—ใพใ™ใŒใ€‚

่’ๆœจใ€€ใ€Œใ‚จใ‚ณใƒผใ‚บใ€ใฏใกใ‚‡ใฃใจ่€ƒใˆใŸใ‹ใ‚‚ใ—ใ‚Œใชใ„ใ€‚ใฏใ˜ใ‚ใฆๆˆ้•ทใ™ใ‚‹ใ‚ฟใ‚คใƒ—ใฎใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใ‚’่ฉฆใ—ใŸใฎใงใ€‚ใ‚นใ‚ฟใƒณใƒ‰ใ‚‚ๅตใ‹ใ‚‰ๅญตใฃใฆๅค‰ๅŒ–ใ™ใ‚‹ใจใ„ใ†ใ€‚

โ€•โ€•ใ€€ๅบƒ็€ฌๅบทไธ€ใฏๅฅฝใใชใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใชใ‚“ใงใ™ใ‚ˆใ€‚

่’ๆœจใ€€ใพใ‚ๅฝผใฎ้‹ๅ‘ฝใ„ใ‹ใ‚“ใงๅ†็™ปๅ ดใจใชใ‚‹ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใญใ€‚ใงใ‚‚ๆœฌๅฝ“ใซใ‚ใพใ‚Š่จˆ็ฎ—ใฏใ—ใฆใ„ใชใ„ใงใ™ใญใ€‚ไธ€่ฆ‹่จˆ็ฎ—ใ—ใฆใ„ใ‚‹ใ‚ˆใ†ใซๆ€ใ‚ใ‚Œใ‚‹ใฟใŸใ„ใงใ™ใŒใ€‚ใ‚นใƒˆใƒผใƒชใƒผใฎ่จˆ็ฎ—ใ‚‚ๆœ€ๅˆใฎ้ ƒใฏใ‚„ใฃใฆใ„ใŸใ‚“ใงใ™ใŒใ€ใ‚ใ‚‹ๆ™‚ใญใ€ใชใ‚“ใ‹ๆ—ฅ่จ˜ใฟใŸใ„ใซใ—ใฆๆใ„ใฆใ„ใฆใ‚‚ใ„ใ„ใ‚“ใ˜ใ‚ƒใชใ„ใ‹ใชใฃใฆใ€ไปŠๆ—ฅๆ€ใฃใŸใ“ใจใ‚’็ถดใฃใฆใ„ใ“ใ†ใ‹ใชใจใ„ใ†ๆฐ—ใซใชใฃใŸใ“ใจใŒใ‚ใ‚‹ใ‚“ใงใ™ใ‚ˆใญใ€‚ใŸใ ใ€ๆ–นๅ‘ๆ€งใ‚’ใฏใฃใใ‚Šใ•ใ›ใฆใ„ใ‚‹ใ‚“ใงใ€‚

โ€•โ€•ใ€€้ŽๅŽปใฎใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใซใฏใ‚ใพใ‚Šๆ€ใ„ๅ…ฅใ‚Œใฏใชใ„๏ผŸ

่’ๆœจใ€€่€ƒใˆใ‚‚ใ—ใพใ›ใ‚“ใญใ€‚ๅˆฅใ‚ŒใŸๅ‹้”ใฟใŸใ„ใชๆ„Ÿใ˜ใงใ€ๆ‡ใ‹ใ—ใ„ใชใจใ„ใ†ใ ใ‘ใงใ€‚ๆฌกใฎ้€ฑใฎใ“ใจใง้ ญใŒใ„ใฃใฑใ„ใงๅฟ˜ใ‚Œใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚ใ“ใฎไธ–็•ŒใฏๆŒฏใ‚Š่ฟ”ใฃใฆใ„ใ‚‹ๆš‡ใŒใชใ„ใ‚“ใ˜ใ‚ƒใชใ„ใ‹ใชใ€‚

โ€•โ€•ใ€€ไปฅๅ‰ใ€ๅฏบๆฒขๆญฆไธ€ใ•ใ‚“ใŒ่’ๆœจใ•ใ‚“ใฎใ“ใจใ‚’ใ€ๆœ€ๅพŒใพใงใ‚นใƒˆใƒผใƒชใƒผใ‚’็ทดใฃใฆใ‹ใ‚‰ๆใใ‚ฟใ‚คใƒ—ใ ใจ่งฃ่ชฌใ•ใ‚Œใฆใ„ใพใ—ใŸใŒใ€‚

่’ๆœจใ€€ใ„ใ‚„ใ€ใใ‚Œใฏใ‚‚ใ†ใชใ„ใงใ™ใ€‚ใ‚‚ใ†ๆฅ้€ฑใฎใ‚นใƒˆใƒผใƒชใƒผใŒใ‚ใ‹ใ‚‰ใชใ„ใงใ™ใ‹ใ‚‰ใ€‚ใ€Žใƒใ‚ชใƒผใ€ใ‚„ใ€Žใ‚ธใƒงใ‚ธใƒงใ€ใฎ็ฌฌไธ€้ƒจใฎ้ ƒใฏใใ†ใงใ—ใŸใŒใ€ใใ‚Œใ‚’ใ‚„ใฃใฆใ„ใ‚‹ใจๆŒใŸใชใ„ใ€‚ ใ€€ใŸใ ใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใซๅฏพใ—ใฆๆ˜Ž็ขบใชใ‚คใƒกใƒผใ‚ธใŒใ‚ใ‚Œใฐใ€ใใฎไบบใฎใ€Œ้‹ๅ‘ฝใ€ใง่กŒใใ‚“ใงใ™ใ€‚ไบบใจๅŒใ˜ใงใ€ๅ‹•ใ‹ใ–ใ‚‹ใ‚’ๅพ—ใชใ„ใจใ„ใ†ใ‹ใ€‚ไธปไบบๅ…ฌใฎๅ‹•ๆฉŸไป˜ใ‘ใŒใฏใฃใใ‚Šใ—ใฆใ„ใ‚Œใฐใ€ใ“ใ†ใ„ใ†ๆฐ—ๆŒใกใ ใ‹ใ‚‰ใ“ใ†่กŒใใ€ใจใ„ใ†ใฎใฏๅฟ…็„ถ็š„ใซๆฑบใพใฃใฆใใพใ™ใ€‚

โ€•โ€•ใ€€ใใฎ่พบใŒใ‚นใƒฉใƒณใƒ—ใฎใชใ•ใจใ„ใ†ใ‚‚ใฎใซใคใชใŒใ‚‹ใ‚“ใงใ—ใ‚‡ใ†ใ‹ใญใ‡ใ€‚

่’ๆœจใ€€ใ„ใ‚„ใ€ใ‚นใƒฉใƒณใƒ—ใฏใ‚ใ‚Šใพใ™ใ‚ˆ(็ฌ‘)ใ€‚

โ€•โ€•ใ€€ใชใ„ใจ่จ€ใ„ๅˆ‡ใฃใฆใ—ใพใ†ใฎใ‚‚ๅ•้กŒใงใ—ใ‚‡ใ†ใ‘ใ‚Œใฉใ€ใปใ‹ใฎๆ–นใจใฎๆฏ”่ผƒใงใ€‚ๆผซ็”ปๅฎถใ‚‚็ตตใŒไธŠ้”ใ™ใ‚‹ใซใคใ‚Œใฆใ€ใฉใ‚“ใฉใ‚“ใ‚คใƒฉใ‚นใƒˆ็š„ใชๆฏ”้‡ใŒ้ซ˜ใใชใฃใฆใ€็‰ฉ่ชžใ‚’ๅ‹•ใ‹ใ›ใชใใชใฃใฆใ—ใพใ†ใจใ„ใ†ใƒ‘ใ‚ฟใƒผใƒณใ‚‚ใ‚ใ‚‹ใจๆ€ใ†ใ‚“ใงใ™ใŒใ€่’ๆœจใ•ใ‚“ใฎๅ ดๅˆใ€ๅ…จ็„ถใใ‚ŒใŒใชใ„ใงใ™ใญใ€‚็ตตๆŸ„ใฎๅค‰ๅŒ–ใจ็‰ฉ่ชžใฎ้€ฒ่กŒใŒ็›ธไบ’ใซๅŠ ้€Ÿใ—ๅˆใฃใฆใ„ใ‚‹ใ€‚ใ“ใฎใƒ†ใƒณใ‚ทใƒงใƒณใงไธ€ใ€‡ๅนด็ถšใ„ใฆใ„ใ‚‹ๆผซ็”ปใฃใฆไป–ใซใ‚ใ‚Šใพใ—ใŸใฃใ‘๏ผŸใ€€ใ€Žใ‚ธใƒฃใƒณใƒ—ใ€ใงใ‚‚ใ€Žใ“ใกไบ€ใ€ใŒไบŒใ€‡ๅนดใงใ€ใ€Žใƒ‰ใƒฉใ‚ดใƒณใƒœใƒผใƒซใ€ใŒไธ€ใ€‡ๅนดใใ‚‰ใ„ใงใ—ใŸใ‹ใ€‚ใŸใ ใ€Žใƒ‰ใƒฉใ‚ดใƒณใƒœใƒผใƒซใ€ใงใ™ใ‚‰ใƒ‘ใ‚ฟใƒผใƒณใฎๅๅพฉใฏ้ฟใ‘ใ‚‰ใ‚Œใชใ‹ใฃใŸใ€‚ใƒˆใƒผใƒŠใƒกใƒณใƒˆๆ–นๅผใงใ€ใฉใ‚“ใฉใ‚“ๅผทใ„ๆ•ตใŒ็พใ‚ใ‚Œใฆใ„ใใ€‚่’ๆœจใ•ใ‚“ใฏใ€ใ“ใ†ใ„ใ†ใƒˆใƒผใƒŠใƒกใƒณใƒˆๆ–นๅผใซๅฏพใ—ใฆใ€็–‘ๅ•ใ‚’ๆŒใฃใฆใ„ใ‚‹ใ‚ˆใ†ใซๆ€ใ†ใ‚“ใงใ™ใŒใ€‚

่’ๆœจใ€€ใƒใƒ–ใƒซ็š„ใ ใชใจๆ€ใ†ใ‚“ใงใ™ใ‚ˆใ€‚ใ‚ใฎๅพŒใฉใ†ใ™ใ‚‹ใฎใ‹ใชใจไธๅฎ‰ใซใชใ‚‹ใจใ„ใ†ใ‹ใ€่‡ชๅˆ†ใŒใใ‚Œใ‚’ใ‚„ใ‚Œใจ่จ€ใ‚ใ‚Œใ‚‹ๆ™‚ใฏใ€ใˆใƒผใฃใจๆ€ใ†ใ‚“ใงใ™ใ‚ˆใ€‚ใƒˆใƒผใƒŠใƒกใƒณใƒˆใฏๅฎŒๅ…จใซๅฆๅฎšใ—ใฆใ„ใ‚‹ใจใ“ใ‚ใฏใ‚ใ‚Šใพใ™ใ‹ใ‚‰ใญใ€‚

โ€•โ€•ใ€€ใ€Žใ‚ธใƒงใ‚ธใƒงใ€ใซ้–ขใ—ใฆใฏใ€ใฉใ†ใ‚‚ใƒˆใƒผใƒŠใƒกใƒณใƒˆๅผใซ่ชค่งฃใ•ใ‚Œใฆใ„ใ‚‹ๆ–นใŒใšใ„ใถใ‚“ใ„ใ‚‹ใฟใŸใ„ใชใ‚“ใงใ™ใ€‚ๆ‰น่ฉ•ๅฎถใพใงใŒใกใ‚ƒใ‚“ใจ่ชญใพใชใ„ใงใ€ใ‚ใ‚ŒใฏใƒˆใƒผใƒŠใƒกใƒณใƒˆใ ใจๆ–ญ่จ€ใ—ใŸใ‚Šใ™ใ‚‹ใฎใฏๆœฌๅฝ“ใซๆฎ‹ๅฟตใงใ™ใ€‚็‰ฉ่ชžใŒไฝ•้ƒจใ‹ใซๅˆ†ใ‹ใ‚Œใฆใ„ใ‚‹ใจใ“ใ‚ใ‚„ใ€ใ‚ใจใ‚นใ‚ฟใƒณใƒ‰ใฎ่ƒฝๅŠ›ใŒไธ€ใคใ—ใ‹ใชใ„ใจใ„ใ†ใ“ใจใงใ€ๅผทใ•ใ‚ˆใ‚Šใ‚‚่ณชใงๅทฎๅˆฅใ—ใฆใ„ใพใ™ใ‚ˆใญใ€‚ใ“ใ†ใ„ใ†่จญๅฎšใซใ‚ˆใฃใฆๅผทๆ•ตใฎใ‚คใƒณใƒ•ใƒฌใƒผใ‚ทใƒงใƒณใ‚’้˜ฒใใจใ„ใ†ๆ„ๅ›ณใฏใ‚ใฃใŸใ‚ใ‘ใงใ™ใ‹ใ€‚

่’ๆœจใ€€ใƒˆใƒผใƒŠใƒกใƒณใƒˆๆ–นๅผใฏ่ชญ่€…ใซใฏๅ—ใ‘ใ‚‹ใฎใงใ€็ทจ้›†่€…ใŒใ‚„ใฃใฑใ‚Šใ‚„ใ‚ใ†ใ‹ใ€ใจ่จ€ใ†ๆ™‚ใ‚‚ใ‚ใ‚‹ใ‚“ใงใ™ใ€‚ใงใ‚‚ใใฎๆ™‚ใฏใ€Œใ†ใƒผใ‚“ใ€‚ใงใ‚‚ใ“ใฎๆ•ตใŒ็ต‚ใ‚ใฃใŸใ‚‰ใ€ใใฎๆ™‚ๅƒ•ใฏใฉใ†ใ™ใ‚Œใฐใ„ใ„ใ‚“ใงใ™ใ‹๏ผŸใ€ใฟใŸใ„ใชใญใ€‚ๅฎŸใฏใ€็ฌฌๅ››้ƒจใฎๆœ็Ž‹็”บใฎๆ™‚ใซใ€ใ“ใ‚Œใง็ต‚ใ‚ใ‚Šใ‹ใชใ€ใจๆ€ใฃใŸใ“ใจใŒใ‚ใฃใŸใ‚“ใงใ™ใ€‚ใพใŸ้•ใ†ๆผซ็”ปใ‚’ๆใ‹ใชใใ‚ƒใ„ใ‘ใชใ„ใฎใ‹ใชใใจใ€‚ใจใ“ใ‚ใŒใ€็ทจ้›†้ƒจใŒใ€Œไผ‘ใฟใฏ้ง„็›ฎใ ใ‚ˆใ€ใจ่จ€ใ†ใ‹ใ‚‰(็ฌ‘)ใ€‚ใใ‚Œใงไป•ๆ–นใชใใ€็„ก็†ใ‚„ใ‚Šใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใ‚’ไฝœใฃใฆๅง‹ใ‚ใพใ—ใŸใŒใ€ใงใ‚‚ๆใ„ใฆใ„ใ‚‹ใจใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใซๆƒ…ใŒ็งปใฃใฆใใฆใ€‚

โ€•โ€•ใ€€ๅบƒ็€ฌๅบทไธ€ใŒใ†ใพใใƒใƒˆใƒณใ‚ฟใƒƒใƒใ‚’ใ—ใŸใจใ„ใ†ๆ„Ÿใ˜ใงใ€่ชญใ‚“ใงใ„ใ‚‹ใปใ†ใฏไฝ•ใ‚‚้•ๅ’Œๆ„Ÿใจใ„ใ†ใ‹ใ€ๆœฌๅฝ“ใซไฝœ็‚บใŒๆ„Ÿใ˜ใ‚‰ใ‚Œใชใ‹ใฃใŸใงใ™ใ‚ˆใ€‚

่’ๆœจใ€€ใ‚ใใ“ใฏ็ตๆง‹ไฝœใฃใŸใชใจ่‡ชๅˆ†ใงใฏๆ€ใฃใฆใ„ใพใ™ใ€‚ใงใ‚‚ใ ใ‚“ใ ใ‚“ใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใซๅ…ฅใฃใฆใ„ใใจใ“ใ‚ใ‹ใ‚‰ใ€ใใ†ใ„ใ†ๆ„Ÿใ˜ใŒใชใใชใ‚‹ใฎใ‹ใชใ€‚

ๅฐ‘ๅนดๆผซ็”ปใฎ็Ž‹้“

โ€•โ€•ใ€€่’ๆœจใ•ใ‚“ใฏใ„ใ‚ใ‚“ใชๆ„ๅ‘ณใงใ€ๆผซ็”ปใฎ็Ž‹้“ใ‚’่กŒใฃใฆใ„ใ‚‹ๆ„Ÿใ˜ใŒใ—ใพใ™ใญใ€‚

่’ๆœจใ€€ใงใ‚‚ๅ‹˜้•ใ„ใ•ใ‚Œใฆใ€ใƒžใ‚คใƒŠใƒผ็ณปใฎไบบใ ใชใจๆ€ใ‚ใ‚Œใฆใ„ใ‚‹ใจใ“ใ‚ใ‚‚ใ‚ใ‚‹ใ‚“ใงใ™ใ€‚่‡ชๅˆ†ใงใฏๆ˜”ใ‹ใ‚‰ใ‚ใ‚‹ๅฐ‘ๅนดๆผซ็”ปใฎ็ฒพ็ฅžใ‚’ๅ—ใ‘็ถ™ใ„ใงใ„ใ‚‹ใคใ‚‚ใ‚Šใชใ‚“ใงใ™ใŒใ€‚

โ€•โ€•ใ€€ใใ‚Œใฏๆœฌๅฝ“ใซใใ†ใงใ™ใญใ€‚่ฆใ™ใ‚‹ใซๆผซ็”ปใฎๆ‰น่ฉ•ใŒ่’ๆœจใ•ใ‚“ใฎไฝœๅ“ใซใคใ„ใฆ่ชžใ‚‹่จ€่‘‰ใ‚’ๆŒใฃใฆใ„ใชใ„ใ€‚็งใฏไปŠๆ—ฅใ€ใใ‚Œใ‚’ๅŠ›่ชฌใ—ใŸใใฆๆฅใŸใ‚ˆใ†ใชใ‚‚ใฎใชใ‚“ใงใ™ใ‘ใ‚Œใฉใ€‚ใ“ใ‚Œใฏใ‚ใใ‚‰ใ‹ใซไธๅฝ“ใช้Žๅฐ่ฉ•ไพกใ ใจๆ€ใ„ใพใ™ใ€‚ๅˆๆœŸใฎใ“ใ‚ใฏใ€Œใ‚ปใƒชใƒ•ใ‚„ๆ“ฌ้ŸณใŒ้ข็™ฝใ„ใ€ใจใ‹ใ€ใใ†ใ„ใ†ไบ›็ดฐใชใจใ“ใ‚ใงๆŒใกไธŠใ’ใฆใŠใ„ใฆใ€ใ„ใพใ‚„ใƒžใƒณใƒใƒชใจใ‹่จ€ใฃใฆใพใ™ใ‘ใฉใ€็งใฏใƒ†ใƒณใ‚ทใƒงใƒณใฏใ‹ใˆใฃใฆ้ซ˜ใพใฃใฆใ„ใ‚‹ใจๆ€ใ„ใพใ™ใ€‚ๅฎŸ้จ“ๆ€งใŒ็›ฎใซใคใ‹ใชใ„ใ›ใ„ใงใ—ใ‚‡ใ†ใ‹ใญใ€‚ใ‚ใ‹ใ‚Šๆ˜“ใ„ๅฎŸ้จ“ใ‚’ใ—ใชใ„ใจใ„ใ†ใ‹ใ€‚ใ„ใพใฎใจใ“ใ‚ใ€ๆญฃๅฝ“ใช่ฉ•ไพกใจๆ€ใ‚ใ‚Œใ‚‹ใฎใฏๅฎ…ๅ…ซ้ƒŽใฎๆ‰น่ฉ•(ใ€Žใ‚คใ‚ซใ™๏ผใŠใŸใๅคฉๅ›ฝใ€ๆ‰€ๅŽ)ใ ใ‘ใงใ™ใญ(็ฌ‘)ใ€‚

่’ๆœจใ€€่ชญ่€…ใŒใ€Žใ‚ธใƒฃใƒณใƒ—ใ€ใฎ่ชญ่€…ใงใ™ใ‹ใ‚‰ใ€‚ใใ†ใ„ใ†ใฎใซ้›ใˆใ‚‰ใ‚Œใฆใ„ใ‚‹ใ›ใ„ใชใฎใ‹ใ‚‚ใ—ใ‚Œใชใ„ใงใ™ใญใ€‚ใงใ‚‚ไฝ•ใ‹ใใ‚Œใ‚‚้Žๅคง่ฉ•ไพกใ˜ใ‚ƒใชใ„ใ‹ใจใ„ใ†(็ฌ‘)ใ€‚

โ€•โ€•ใ€€ใ„ใ‚„ใ€ใ“ใฎ็Ž‹้“ใ‚’่กŒใใชใŒใ‚‰ๅฎŸ้จ“็š„ใงใ‚ใ‚‹ใจใ„ใ†ใฎใฏใ™ใ”ใ็จ€ๆœ‰ใชใ“ใจใงใ€็พๅœจใฎใ‚ใพใ‚Šใซใ‚‚ไธๅฝ“ใช่ฉ•ไพกใ‚’ๅคšๅฐ‘ใชใ‚Šใจใ‚‚้€†่ปขใ•ใ›ใ‚ˆใ†ใจใ„ใ†ไฝฟๅ‘ฝๆ„Ÿใ‚’ๆŒใฃใฆใ€ไปŠๆ—ฅใฏๆฅใŸใ‚ˆใ†ใชใ‚‚ใฎใงใ™ใ€‚ ใ€€่’ๆœจใ•ใ‚“ใฎไฝœๅ“ใฏ็”Ÿๅ‘ฝ่ณ›ๆญŒใจใ„ใ„ใพใ™ใ‹ใ€ๅฅๅ…จใจใ„ใ†ใฎใจใ‚‚ใกใ‚‡ใฃใจ้•ใ„ใพใ™ใŒใ€ใ™ใ”ใๅฅๅบท็š„ใชใ‚“ใงใ™ใ‚ˆใญใ€‚็งใฏไธ€ๆ–นใงใฏๅ‰็”ฐๆˆฆ่ปŠใฎๆผซ็”ปใซใคใ„ใฆ่ชžใฃใŸใ‚Šใ‚‚ใ—ใฆใ„ใ‚‹ใ‚“ใงใ™ใŒใ€ใ‚ใ‚Œใฏใ„ใ‚ใ‚“ใชๆ„ๅ‘ณใง็—…็†็š„ใซ่ชžใ‚Œใ‚‹ใจใ“ใ‚ใŒใ‚ใฃใฆใ€้€†ใซ่ชžใ‚Šๆ˜“ใ„ใ‚“ใงใ™ใ‚ˆใ€‚ใ‚ใ‚ใ„ใ†ๆผซ็”ปใฏใฉใ†ๆ€ใ‚ใ‚Œใพใ™๏ผŸ

่’ๆœจใ€€ๅฅฝใใงใ™ใญใ€‚ใ‚ใ‚ใ„ใ†ไบบ้–“ใฎ็—…็š„ใช้ƒจๅˆ†ใ‚’ใˆใใ‚Šๅ‡บใ™ๆ„Ÿใ˜ใ‚‚้ข็™ฝใ„ใงใ™ใ‚ˆใญใ€‚ใ‚ใ‚ใ„ใ†ๆผซ็”ปใ‚’่ชญใ‚“ใงใ‚ขใ‚คใƒ‡ใ‚ขใŒๆตฎใ‹ใ‚“ใ ใ‚Šใ™ใ‚‹ใ‘ใ‚Œใฉใ‚‚ใ€ๅƒ•ใฎๆผซ็”ปใฎใƒ†ใƒผใƒžใฎๆ นๆœฌใฏใ€ไบบ้–“ใ‚’่ณ›็พŽใ—ใ‚ˆใ†ใจใ„ใ†ใจใ“ใ‚ใซใ‚ใ‚‹ใ‚“ใงใ€ใกใ‚‡ใฃใจใใ“ใซ่ฆ–็‚นใ‚’็งปใ—ใกใ‚ƒใ†ใ ใ‘ใชใ‚“ใงใ™ใ‚ˆใญใ€‚ใŸใ ใ€ๅƒ•ใฎๆผซ็”ปใ‚‚่ฃ่ฟ”ใ›ใฐใ‚ใ‚ใ„ใ†ๆผซ็”ปใซใชใ‚‹ใจใฏๆ€ใ„ใพใ™ใŒใ€‚ ใ€€ๅ‰ใฎ็ทจ้›†่€…ใซใฏใ€ใ€Œใ‚‚ใฃใจไบบ้–“ใฎๆ‚ฒใ—ใ•ใ‚’ๆใ“ใ†ใ‚ˆใ€ใจใ‹ใ„ใ†ใ“ใจใ‚‚่จ€ใ‚ใ‚ŒใŸใ‚“ใงใ™ใ‚ˆใ€‚ใใ†ใ™ใ‚‹ใจใ€ใ†ใƒผใ‚“ใ€ๆใ‘ใชใ„ใชใจใ„ใ†ๆ™‚ใŒใ‚ใ‚‹ใ‚“ใงใ™ใ‚ˆใญใ€‚ใ€Œใ‚ใ—ใฎ่ณ‡่ณชใŒ้•ใ†ใ‹ใ‚‚ใ—ใ‚Œใ‚“ใ€ใจใ‹ใญใ€‚ใใ†ใ„ใ†ๆ™‚ใฏใ‚„ใฃใฐใ‚Šๆ‚ฉใฟใพใ™ใ€‚ๆใ„ใฆใฟใŸใ„ใจๆ€ใ†ใ‚“ใงใ™ใ‚ˆใญใ€‚ ใ€€ๅฐ่ชฌใงใ„ใ†ใจ๏ผณใƒปใ‚ญใƒณใ‚ฐใฎใƒ›ใƒฉใƒผใจใ‹ใ€ใ‚ใ‚ใ„ใ†โ€็”Ÿใพใ‚ŒใฆใใŸๆ‚ฒใ—ใ•โ€ใฟใŸใ„ใชใฎใ‚‚ใ‚„ใฃใฐใ‚Šใ€Œไบบ้–“่ณ›ๆญŒใ€ใ ใจๆ€ใ†ใ‚“ใงใ™ใ‚ˆใ€‚ใ ใ‘ใฉใ€ใใ‚Œใฏใกใ‚‡ใฃใจใชใ‹ใชใ‹่กŒใ‘ใชใ„ใ€‚ใ ใ‹ใ‚‰ใ€ใใ“ใ‚’ไธญๅฟƒใซ่ชžใฃใฆใ—ใพใ†ใจใธใƒœใชไฝœๅฎถใ ใชใฟใŸใ„ใชๆ„Ÿใ˜ใ ใจๆ€ใ†ใ‚“ใงใ™ใ‚ˆใญใ€‚ใ‚ใพใ‚Šใใ“ใซ็„ฆ็‚นใŒใ„ใใจใญใ€‚ๆ˜ ็”ปใงใ„ใ†ใจใ€Žใ‚ปใƒ–ใƒณใ€ใฎใ‚ˆใ†ใซๅœฐ็„ใซ็ชใ่ฝใจใ—ใฆ็ต‚ใ‚ใ‚‹ใ‚ˆใ†ใชใฟใŸใ„ใชใ€ใ‚ใฎใธใ‚“ใฏ่กŒใ‘ใชใ„ใจๆ€ใ„ใพใ™ใญใ€‚ใฉใ“ใ‹ใงๆ•‘ใฃใฆใ—ใพใ†ใ‚“ใงใ™ใ‚ˆใญใ€ใ‚ใ—ใฏใ€‚ใงใ‚‚ใ‚ใ‚ใ„ใ†ใฎใ‚‚ใ„ใ„ใ‚“ใงใ™ใ‚ˆใญใ€‚ใ„ใ„ใจๆ€ใ†ใ‚“ใงใ™ใ‚ˆใ€‚ใ„ใšใ‚ŒใฏๆŒ‘ๆˆฆใ—ใ‚ˆใ†ใ‹ใชใจใ€ใƒ†ใƒผใƒžใŒใƒ“ใ‚ทใƒƒใจๅˆใฃใŸๆ™‚ใซใƒˆใƒฉใ‚คใ—ใฆใฟใŸใ„ใจใฏๆ€ใ†ใ‚“ใงใ™ใŒใ€‚

โ€•โ€•ใ€€็ฌฌๅ››้ƒจใจใ„ใ†ใฎใฏๅฐ‘ใ—ๆตใ‚ŒใŒๅค‰ใ‚ใฃใฆใ‚ตใ‚คใ‚ณใƒ‘ใ‚นใ‚‚ใฎใจใ„ใ†ใ‹ใ€ใ€Ž็พŠใŸใกใฎๆฒˆ้ป™ใ€ใจใ‹ใ€Žใ‚ปใƒ–ใƒณใ€ใจใ‹ใ€ใ‚ใฎ่พบใฎใƒ†ใ‚คใ‚น ใƒˆใŒใกใ‚‡ใฃใจใ‚ใ‚‹ใ‚“ใงใ™ใญใ€‚

่’ๆœจใ€€ใใ†ใงใ™ใญใ€‚ๆ™‚ไปฃใงใ™ใ‹ใญใ€‚ใ€Žใ‚ธใƒงใ‚ธใƒงใ€ใฎ็ฌฌไธ‰้ƒจใ‚ใŸใ‚Šใฏ็ฅž่ฉฑ็š„ใชใ‚นใƒˆใƒผใƒชใƒผใฎๆง˜็›ธใŒใ‚ใฃใŸใ‚“ใงใ™ใ‘ใ‚Œใฉใ€ๅ››้ƒจใ‚ใŸใ‚Šใงๅฐ‘ใ—ๆ—ฅๅธธใฎใ‚‚ใฎใซ็งปใฃใฆใใŸใจใ„ใ†ใฎใงใ€ไธปไบบๅ…ฌใŒใใ†ใ„ใ†ใตใ†ใซใชใฃใŸใ‚“ใงใ™ใ‚ˆใญใ€‚

โ€•โ€•ใ€€ใใ‚Œใฏ็ฉๆฅต็š„ใซๆŽกใ‚Šๅ…ฅใ‚ŒใŸๆ„Ÿใ˜ใงใ™ใ‹ใ€‚ใใ‚Œใจใ‚‚ๆ—ฅๅธธใ‚’ๆใ“ใ†ใจใ—ใŸใ‚‰ใ€ๅฟ…็„ถ็š„ใซใใ†ใชใฃใŸใจใ„ใ†ๆ„Ÿใ˜ใงใ™ใ‹๏ผŸ

่’ๆœจใ€€ใใ†ใงใ™ใญใ€‚ๅฎฎๅดŽใฎไบ‹ไปถใจใ‹ใ€ใ‚ใ‚ใ„ใ†ๆ„Ÿใ˜ใงใ€‚ๆ•ตใฎ่ฑกๅพดใŒไฝ•ใ‹ใชใจ่€ƒใˆใŸๆ™‚ใซใ€ใƒ‡ใ‚ฃใ‚ชใ‚‚ใ„ใ‚ใ‚“ใชใ‚‚ใฎใฎ่ฑกๅพดใจใ—ใฆๆใ„ใฆใ„ใ‚‹ใ‚“ใงใ™ใ‘ใ‚Œใฉใ€ใ‚„ใฏใ‚Šๆ—ฅๅธธใฎใ€้šฃใซไฝใ‚“ใงใ„ใ‚‹ไบบใŒไฝ•ใ‚’ใ—ใฆใ„ใ‚‹ใ‹ใ‚ใ‹ใ‚‰ใชใ„ใจใ„ใ†ใฎใŒใ„ใกใฐใ‚“ๆใ„ใชใจๆ€ใฃใŸใฎใงใ€‚ใงใ€ใ„ใพใฎ็ฌฌไบ”้ƒจใฎๆ•ตใฏๅ†…้ƒจใซใ„ใ‚‹ใ€่‡ชๅˆ†ใฎไธŠๅธใŒๆ•ตใจใ„ใ†ใ“ใจใซใชใ‚Šใพใ™ใ€‚ใ“ใ‚Œใฏ่‡ชๅˆ†ใ‚’ๅฎˆใฃใฆใใ‚Œใ‚‹ใฏใšใฎๆ”ฟๆฒปๅฎถใ‚„่ญฆๅฎ˜ใŒๆ•ตใ‹ใ‚‚ใ—ใ‚Œใชใ„ใจใ„ใ†ๆ„่ญ˜ใซ้‡ใชใ‚Šใพใ™ใญใ€‚

โ€•โ€•ใ€€็ฌฌๅ››้ƒจใฎใ€Œๆœ็Ž‹็”บใ€ใฏไพ‹ๅค–ใจใ—ใฆใ€ใ‚ใพใ‚Šไธ–็•ŒใŒ็ฎฑๅบญ็š„ใซใชใ‚‰ใชใ„ใ‚ˆใ†ใซใจใ„ใ†ใ“ใจใฏ่€ƒใˆใพใ™ใ‹๏ผŸใ‚ชใ‚ฟใ‚ฏ็š„ใช้–‰ใ˜ใŸ็ฉบ้–“ใฎใชใ‹ใงๆ•ตใŒๅ‡บใฆใใ‚‹ใจใ€ใใ‚Œใ“ใใƒˆใƒผใƒŠใƒกใƒณใƒˆใฟใŸใ„ใซใชใฃใฆใ—ใพใ†ใจใ„ใ†ใ“ใจใงใ€‚

่’ๆœจใ€€ๅฟ…่ฆใจใ‚ใ‚Œใฐใใ‚Œใ‚‚ใ‚„ใ‚‰ใชใ„ใ“ใจใฏใชใ„ใจๆ€ใ„ใพใ™ใ€‚ใงใ‚‚ไธ€้€ฑ้–“ใงๆใ„ใฆใ„ใ‚‹ๆ™‚ใฏใ€ๆœฌๅฝ“ใซใ“ใ“ใ ใ‘ใชใ‚“ใงใ™ใ‚ˆใ€‚ไธ€็ง’ใฎใ‚ใ„ใ ใ ใ‘ใ€ใ“ใฎ็ฉบ้–“ใ ใ‘ใงใฉใ†ใ„ใ†ๆ”ป้˜ฒใŒใ‚ใ‚‹ใ‚“ใ ใ‚ใ†ใชใจใ„ใ†ใ“ใจใ‚’่€ƒใˆใฆใ„ใพใ™ใ€‚ใใ†ใ„ใ†ๆ„Ÿใ˜ใงใ™ใฎใงๆใ„ใฆใ‚‹ๆ™‚ใฏ็‹ญใ„ใงใ™ใ‚ˆใญใ€‚ใ‚ใจใ‹ใ‚‰่ฆ‹ใ‚‹ใจใใฎไธ–็•Œใฏใงใ‹ใใชใฃใฆใ„ใพใ™ใ‘ใ‚Œใฉใ€‚ ใ€€ใใ‚ŒใจๆฏŽ้€ฑใ‚ขใ‚คใƒ‡ใ‚ขใฏไธ€ๅ€‹ใ—ใ‹ๅ‡บใ•ใชใ„ใจใ„ใ†ใฎใŒใ‚ใฃใฆใ€ใƒ‹ๅ€‹ๅ‡บใ™ใจ่ชญ่€…ใฏใ‚ใ‹ใ‚‰ใชใใชใ‚‹ใจใ„ใ†ใฎใŒใ‚ใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚ๆใใ“ใจใฏไธ€ๅ€‹ใ ใจใ„ใ†ๆผซ็”ปใฎๆใๆ–นใŒใ‚ใ‚‹ใ‚“ใงใ™ใ€‚็ทจ้›†่€…ใŒใใ†ใ„ใ†ใ“ใจใ‚’่จ€ใ†ใ‚“ใงใ™ใ‚ˆใญใ€‚ใ‚ขใ‚คใƒ‡ใ‚ขใŒไบŒๅ€‹ใ‚ใ‚‹ใจใ€็ทจ้›†่€…ใฏใ€Œใใ‚“ใชใซ่€ƒใˆใ‚‹ๅฟ…่ฆใฏใชใ„ใ€ใ€Œใƒ‹ๅ€‹ใ‚ใ‚‹ใจ้ง„็›ฎใ ใ‚ˆใ€่ชญ่€…ใฏใฉใฃใกใ‚’่ชญใ‚“ใงใ„ใ„ใฎใ‹ใ‚ใ‹ใ‚‰ใชใ„ใ ใ‚ใ€ใจใ€‚ไธ€ๅ€‹ใงใ„ใ„ใ€‚

ไธ€ๅ€‹ใ‚’็…งใ‚Œใšใซๆใๅˆ‡ใ‚‹ใจใ€‚ใ€Œใ“ใ†ใ„ใ†็…งใ‚ŒใŸใ‚ˆใ†ใชใ‚ณใƒžใฏ้ง„็›ฎใ ใ‚ˆใ€ใจใ‹ใ€ใ‚ใ‚‹ใ‚“ใงใ™ใ‚ˆ(็ฌ‘)ใ€‚ใ‚ใˆใฆใ‚„ใ‚‹ใ‚“ใ ใจๅ‹‡ๆฐ—ใฅใ‘ใ‚‰ใ‚Œใพใ™ใญใ€‚ใ“ใฃใกใŒใกใ‚‡ใฃใจไธๅฎ‰ใซใชใฃใฆใใ‚‹ใจใ“ใ‚ใ‚’ใ€Œๅคงไธˆๅคซใ ใ‹ใ‚‰ใ€ใจใ‹ใญใ€‚ใใ†ใ„ใ†็ทจ้›†่€…ใฎ่จ€่‘‰ใฏๅคงใใ„ใงใ™ใญใ€‚

โ€•โ€•ใ€€่ก€็ญ‹ใฎ่ฉฑใงใ™ใ‹ใ‚‰ๅฎถๆ—ใŒๅ‡บใฆใใ‚‹ใ‚ใ‘ใงใ™ใŒใ€ใ ใ„ใŸใ„็ˆถ่ฆชใŒๆญปใ‚“ใงใ—ใพใฃใŸใ‚Šใจใ‹ใ€ใƒจใƒœใƒจใƒœใซใชใฃใกใ‚ƒใฃใŸใ‚Šใ—ใพใ™ใ‚ˆใญใ€‚ๅฅณๆ€งใ‚’ๅฎˆใ‚‹ใŸใ‚ใจใ„ใฃใฆใ‚‚ใ€ใใ‚Œใฏๆฏ่ฆชใ‚’ๅฎˆใ‚‹ใŸใ‚ใ€ๅŠฉใ‘ใ‚‹ใŸใ‚ใซ้—˜ใ†ๅ ดๅˆใŒๅคšใ„ใ‚ˆใ†ใงใ™ใŒใ€ใ“ใฎ่พบใ‚‚ไธ€็จฎใฎๅฅๅ…จใ•ใจใ—ใฆๅ—ใ‘ๅ–ใฃใฆใ—ใพใ†ใ‚“ใงใ™ใ‘ใ‚Œใฉใ€‚

่’ๆœจใ€€ใ†ใƒผใ‚“ใ€‚่ชญ่€…ใŒใ“ใ‚Œใฏใกใ‚‡ใฃใจๅค‰ใ ใชใจๆ€ใ†ใ‚ˆใ†ใชใ“ใจใฏ้ฟใ‘ใ‚ˆใ†ใจใ™ใ‚‹ใจใ€ใฉใ†ใ—ใฆใ‚‚ใใ†ใชใฃใฆใ—ใพใ†ใจใ„ใ†ใ‹ใ€‚ๆ‹ไบบใ‚’ๅฎˆใ‚‹ใŸใ‚ใ ใฃใŸใ‚‰ใ€ใกใ‚‡ใฃใจๆฐ—้ซ˜ใใชใ„ใ‹ใชใจใ„ใ†ใƒปใƒปใƒปใƒปใƒปใƒปใ€‚ใ‚‚ใ†ใกใ‚‡ใฃใจๆฌฒๆœ›ใฎ้ƒจๅˆ†ใ€่‡ชๅˆ†ใฎๆๅพ—ใฎๆ„Ÿใ˜ใŒๅ…ฅใฃใฆใ„ใŸใ‚Šใ™ใ‚‹ใ‘ใ‚Œใฉใ€ใใ‚ŒใŒใกใ‚ƒใ‚“ใจๆ„›ใซใชใ‚‹ใพใงใ„ใ‚ใ„ใ‚ๆใ‹ใชใ‘ใ‚Šใ‚ƒใ„ใ‘ใชใ„ใงใ™ใ‚ˆใญใ€‚ใ ใ‘ใฉใŠๆฏใ•ใ‚“ใจใ‹่‚‰่ฆชใ ใฃใŸใ‚‰ไฝ•ใฎๅ‹•ๆฉŸใ‚‚ใ„ใ‚‰ใชใ„ใจๆ€ใ†ใ‚“ใงใ™ใ€‚ๅฅณๆ€งใ‚’ๅฎˆใฃใŸใ‚Šใ™ใ‚‹ใจ้•ใ†่ฉฑใซใชใฃใฆใ—ใพใ†ใ‚“ใงใ™ใ‚ˆใ€‚ใชใœใใฎๅฅณๆ€งใ‚’ๅฎˆใ‚‰ใชใ‘ใ‚Œใฐใ„ใ‘ใชใ„ใฎใ‹ใฎ่ฉฑใ‚’ๆใ‹ใชใ‘ใ‚Œใฐใ„ใ‘ใชใใชใฃใฆใ—ใพใ†ใ€‚่ฉฑใŒใšใ‚Œใฆใ„ใฃใฆใ—ใพใ†ใ‚“ใงใ™ใญใ€‚ใพใ‚ๅฅณใฎๅญใŒใ‚ใพใ‚Šๆใ‘ใชใ„ใจใ„ใ†ใฎใ‚‚ใ‚ใ‚Šใพใ™ใŒใ€‚ไฝ•ๅบฆใ‹่ฉฆใ—ใฆใฏใฟใŸใ‚“ใงใ™ใ‘ใฉใญใ€‚ ใ€€้—˜ใ„ใฎๆผซ็”ปใ‚’ๆใใŸใ„ใฎใซใ€่ชญ่€…ใฏใใ‚Œใพใงใซๆˆ‘ๆ…ขใ—ใชใ‘ใ‚Œใฐใ„ใ‘ใชใ„ใ‚ใ‘ใงใ™ใ‚ˆใ€‚็†ฑๅฟƒใช่ชญ่€…ใฏ่ชญใ‚“ใงใใ‚Œใ‚‹ใ‹ใ‚‚ใ—ใ‚Œใชใ„ใงใ™ใ‘ใ‚Œใฉใ€ใ€Žใ‚ธใƒฃใƒณใƒ—ใ€ใฎ่ชญ่€…ใฏ้—˜ใ„ใŒ่ฆ‹ใŸใ„ใฎใซใ€ใใ‚“ใชใจใ“ใ‚ใ‚’ๅปถใ€…ใจๆใ‹ใ‚Œใฆใ„ใŸใ‚“ใ˜ใ‚ƒโ€ฆโ€ฆใ€‚ใ ใฃใŸใ‚‰ใŠๆฏใ•ใ‚“ใซใ—ใฆใ€ใใ“ใฎใจใ“ใ‚ใฏใƒ‘ใƒผใƒณใจๆตใ™ใจใ„ใ†ใ‚„ใ‚Šๆ–นใจใ„ใ†ใฎใฏใ‚ใ‚‹ใจๆ€ใ†ใ‚“ใงใ™ใ‚ˆใญใ€ๆ‰“ใกๅˆใ‚ใ›ใฎๆ™‚ใซใพใฉใ‚ใฃใ“ใ—ใ„ใ‚„ใ‚Šๆ–นใฏๅดไธ‹ใ—ใŸใ‚Šใจใ‹ใญใ€‚ใ ใ‹ใ‚‰ใƒ‘ใ‚บใƒซ็š„ใชไฝœใ‚Šๆ–นใฎๆ™‚ใ‚‚ใ‚ใ‚Šใพใ™ใญใ€‚ใ“ใ“ใซใ“ใ†ใฏใพใ‚‹ใจใ‹ใ€ใใ‚Œใฏ้ง„็›ฎใ ใชใใจใ‹ใ€‚ใ“ใ“ใงใกใ‚‡ใฃใจใ‚ใ„ใคใ‚’ๅŠฉใ‘ใ‚ˆใ†ใ‹ใจใ‹ใ€ใใ‚“ใชใฎใฏใ‹ใฃใŸใ‚‹ใใชใ„ใงใ™ใ‹ใจใ‹ใ€‚ใ‚ธใ‚งใƒผใƒ ใ‚บใƒปใ‚ญใƒฃใƒกใƒญใƒณใฎใ‚ˆใ†ใซใ‚ดใƒผใƒณใจ่กŒใ‹ใชใใ‚ƒ้ง„็›ฎใ ใจใ„ใ†ๆ™‚ใŒใ‚ใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚ใ‚ญใƒฃใƒกใƒญใƒณใฏ้ชจๅคชใซ่กŒใใจใ“ใ‚ใŒๅฅฝใใงใ™ใญใ€‚ไฝ™่จˆใชใจใ“ใ‚ใฏใ‚ใพใ‚Šๆใใพใ›ใ‚“ใ‚ˆใญใ€‚ใงใ‚‚่ƒŒๅพŒใซ็‰ฉ่ชžใŒใ‚ใ‚‹ใ€‚

โ€•โ€•ใ€€ๅฎŸๅ†™ๆ˜ ็”ปใŒๆ’ฎใ‚ŒใŸใ‚‰ใชใจๆ€ใ†ใ“ใจใฏใ‚ใ‚Šใพใ™ใ‹๏ผŸ

่’ๆœจใ€€่‡ชๅˆ†ใงๆ’ฎใ‚ŒใŸใ‚‰ใชใจใ„ใ†ๅธŒๆœ›ใฏใ‚ใ‚Šใพใ›ใ‚“ใŒใ€ๆ˜ ็”ปใจใ„ใ†ใฎใฏ่Šธ่ก“ใจใ—ใฆใ™ใใ‚ŒใŸไผ้”ๆ–นๆณ•ใชใ‚“ใ ใชใจๆ€ใ†ๆ™‚ใฏใ‚ใ‚Šใพใ™ใญใ€‚ๆ˜ ็”ปใฏ่ชใ‚ใฆๅฐŠๆ•ฌใ—ใฆใพใ™ใ€‚ใงใ‚‚ๆผซ็”ปใŒๆ˜ ็”ปใฟใŸใ„ใช่Šธ่ก“ใซใชใ‚‹ใฎใ‹ใชใจใ„ใ†ใจใ“ใ‚ใฏ็–‘ๅ•ใŒใ‚ใฃใŸใ‚Šใ‚‚ใ—ใพใ™ใ‘ใ‚Œใฉใ‚‚ใ€‚ใ‚ขใƒ‹ใƒกใฏใ‚ใ‚“ใพใ‚Š็œผไธญใซใชใ„ใ—ใ€‚

โ€•โ€•ใ€€ๅŠ ่—คๅนน้ƒŽใจใ„ใ†่ฉ•่ซ–ๅฎถใŒใ€ๅฏบๆฒขใ•ใ‚“ใจใ‹่’ๆœจใ•ใ‚“ใชใฉใฎๆผซ็”ปใ‚’็ท็งฐใ—ใฆใ€ใƒžใƒ‹ใ‚จใƒชใ‚นใƒ ใ€ใคใพใ‚Šใใ‚ใ‚ใฆ้ซ˜ๅบฆใชๆŠ€่ก“ใง็ตข็ˆ›ใŸใ‚‹ๅผ•็”จใ‚’ใกใ‚Šใฐใ‚ใŸๆผซ็”ปใ ใจๆŒ‡ๆ‘˜ใ—ใฆใ„ใพใ™ใŒใ€ใใ‚Œใฏๆ„ๅ›ณ็š„ใซใชใ•ใฃใฆใ„ใ‚‹ใ“ใจใชใ‚“ใงใ™ใ‹๏ผŸ

่’ๆœจใ€€ใใ†ใชใ‚‰ใ–ใ‚‹ใ‚’ๅพ—ใชใ„ใจใ„ใ†ใจใ“ใ‚ใงใ™ใญใ€‚

โ€•โ€•ใ€€ๅผ•็”จใฏใ•ใ‚Œใ‚‹ใ‘ใ‚Œใฉใƒ‘ใƒญใƒ‡ใ‚ฃใฏใ‚ใพใ‚Šใ•ใ‚Œใพใ›ใ‚“ใ‚ˆใญใ€‚ใ‚ทใƒชใ‚ขใ‚นใชใ‚ฟใƒƒใƒใงใ‚‚ใ‚ขใƒ‹ใƒก็š„ใชใŠใกใ‚ƒใ‚‰ใ‘ใŒใชใ„ใจใ„ใ„ใพใ™ใ‹ใ€‚

่’ๆœจใ€€ใ‚ใฎใ€ๅคšๅฐ‘้ฆฌ้นฟ้ฆฌ้นฟใ—ใ„ใจๆ€ใฃใฆใ‚‚ใ€็…งใ‚Œใšใซใ‚„ใ‚‹ใจใ„ใ†ใฎใฏๅŸบๆœฌใชใ‚“ใงใ™ใ‚ˆใ€‚ใกใ‚‡ใฃใจ็…งใ‚Œใฏใ‚ใ‚‹ใ‚“ใ ใ‘ใ‚Œใฉใ€ใใ“ใ‚’็ชใ็ ดใฃใฆใ„ใใ‚“ใงใ™ใ‚ˆใ€‚ใใ†ใ„ใ†ใƒ†ใ‚ฏใƒ‹ใƒƒใ‚ฏใฃใฆใ‚ใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚ใ‚ใˆใฆใ‚„ใ‚‹๏ผใฟใŸใ„ใช(็ฌ‘)ใ€‚ๆฑบๅฟƒใŒใ„ใ‚‹ใ‚“ใงใ™ใ‚ˆใญใ€ใ‚ใ‚Œใฏใญใ€‚

โ€•โ€•ใ€€ใ‚„ใฃใฐใ‚ŠใŠใกใ‚ƒใ‚‰ใ‘ใฆใ—ใพใ„ใŸใ„ใจใ„ใ†่ช˜ๆƒ‘ใฏใ‚ใ‚‹ใ‚“ใงใ™ใ‹ใ€‚

่’ๆœจใ€€ใฏใฏใฏใ€‚ใ‚ใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚ๆใ„ใฆใ„ใฆใกใ‚‡ใฃใจใ€ใชใ‚“ใ‹ใ‚„ใฐใ„ใ‚“ใ˜ใ‚ƒใชใ„ใ‹ใชใจๆ€ใ†ใ“ใจใ‚‚ใ‚ใ‚‹ใ‘ใ‚Œใฉใ€ใใ‚Œใ‚’่ฆ‹ๆŠœใ‹ใ‚Œใ‚‹ใจ่ชญ่€…ใŒใ—ใ‚‰ใ‘ใ‚‹ใ‹ใ‚‰ใ€‚ใงใ‚‚ใ‚ใ‚Œใ‚‚ใ‚ธใƒฃใƒณใƒ—ใฎไผ็ตฑใชใ‚“ใงใ™ใ‚ˆใญใ€‚่ปŠ็”ฐๆญฃ็พŽๅ…ˆ็”Ÿใจใ‹ใ€ใชใ‚“ใงใ“ใ“ใพใงใƒŽใƒฌใ‚‹ใ‹ใชใจใ„ใ†ใ€ใ™ใ”ใ„ไบบใŒใ„ใพใ™ใ‹ใ‚‰ใญใ€‚

โ€•โ€•ใ€€ใ‚ใ‚Œใฏใ€Žใ‚ธใƒฃใƒณใƒ—ใ€ใชใ‚‰ใงใฏใจใ„ใ†ๆ„Ÿใ˜ใงใ™ใ‚ˆใญใ‡ใ€‚

่’ๆœจใ€€ใ‚ˆใ่€ƒใˆใ‚‹ใจใ€ใชใ‚“ใงๅฎ‡ๅฎ™ใซ้ฃ›ใ‚“ใงใ„ใใฟใŸใ„ใชใญ(็ฌ‘)ใ€‚ใ ใ‘ใฉใ€ๅฎŒๅ…จใซ่ชญ่€…ใฎไธŠใ‚’ใ„ใฃใฆใ—ใพใ†ใ‹ใ‚‰ใ€ใ‚ใ‚ใƒผใฃใฆใชใ‚‹ใจๆ€ใ†ใ‚“ใงใ™ใ‚ˆใญใ€‚

โ€•โ€•ใ€€ใกใชใฟใซๆŠ€ใฎๅๅ‰ใ‚’ๅซใถใฎใฏ่ปŠ็”ฐๆญฃ็พŽๅ…ˆ็”Ÿใงใ™ใญใ€‚

่’ๆœจใ€€ใงใ™ใญ(็ฌ‘)ใ€‚

โ€•โ€•ใ€€่ปŠ็”ฐๅ…ˆ็”Ÿใฏใƒ‘ใƒณใƒใ‚ทใƒผใƒณใฎๆง‹ๅ›ณใฏใ ใ„ใŸใ„ใ„ใคใ‚‚ไธ€็ท’ใงใ—ใŸใ‘ใ‚Œใฉใ€่’ๆœจใ•ใ‚“ใฏใใฎ่พบใฏๆใๅˆ†ใ‘ใฆใŠใ‚‰ใ‚Œใพใ™ใ‚ˆใญใ€‚

่’ๆœจใ€€ใ ใ‚“ใ ใ‚“ๆ™‚ไปฃใ‚‚้€ฒๅŒ–ใ—ใฆใใ‚‹ใ‚ใ‘ใงใ™ใ‹ใ‚‰ใญใ€‚ใ†ใ‚“ใ€‚ใ ใ‹ใ‚‰ๅƒ•ใฎๆผซ็”ปใฏใ‚„ใฏใ‚Šไผ็ตฑใซๅ‰‡ใฃใฆใ„ใ‚‹ใจๆ€ใ„ใพใ™ใ€‚

โ€•โ€•ใ€€ๆœ€่ฟ‘ใ“ใ„ใคใฏใ„ใ„ใจๆณจ็›ฎใ—ใฆใŠใ‚‰ใ‚Œใ‚‹ๆผซ็”ปๅฎถใฎๆ–นใฏใ„ใพใ™ใ‹๏ผŸ

่’ๆœจใ€€ใ†ใƒผใ‚“ใ€‚ใ„ใฃใฐใ„ใ„ใ‚‹ใ‘ใ‚Œใฉใ‚‚่ชใ‚ใ‚‰ใ‚Œใชใ„ใชใจใ„ใ†้ƒจๅˆ†ใ‚‚ใ‚ใฃใŸใ‚Šใจใ‹ใ€‚ใ‚ชใ‚ฟใ‚ฏ็ณปใฎๆผซ็”ปๅฎถใจใ„ใ†ใฎใฏใ€ใกใ‚‡ใฃใจ็†่งฃใงใใชใ„ใ‘ใ‚Œใฉใ‚‚ใ€ใ†ใพใ„ใจใฏ่จ€ใ‚ใชใ„ใ‘ใ‚Œใฉใ‚‚ใ€ใ‚„ใฃใฐใ‚Š็‹ฌ็‰นใฎ้ญ…ๅŠ›ใŒใ‚ใ‚‹ใฎใ‹ใชใจๆ€ใ†ใ‚“ใงใ™ใ‚ˆใ€‚ใฟใ‚“ใช็†ฑ็‹‚็š„ใซใใฎ็ตตใŒใ„ใ„ใจใ„ใฃใฆๆ”ฏๆŒใ—ใฆใ„ใ‚‹ใ‚ใ‘ใงใ—ใ‚‡ใ†ใ€‚ใ ใ‘ใฉ่‡ชๅˆ†ใซใฏใ‚ใ‹ใ‚‰ใชใ„้ƒจๅˆ†ใ‚‚ใ‚ใฃใŸใ‚Šใ—ใฆใ€‚ใชใ‚“ใงใ“ใ†ใƒšใƒฉใƒšใƒฉใซๆใ„ใฆใ„ใ„ใฎใ‹ใชใจใ‹ใญใ€‚ๅŒใ˜้ก”ใฐใฃใ‹ใ‚Šใงใ„ใ„ใฎใ‹ใชใจใ‹ใ€‚ ใ€€ๆœ›ๆœˆๅณฏๅคช้ƒŽใ•ใ‚“ใฏๅฅฝใใงใ™ใญใ€‚ใ€Žใƒ‰ใƒฉใ‚ดใƒณใธใƒƒใƒ‰ใ€ใฏ่ชญใ‚“ใงใพใ™ใ€‚ใ€Žใƒใ‚ฟใ‚ขใ‚ท้‡‘้ญšใ€ใฏใ‚ˆใๅˆคใ‚‰ใชใ‹ใฃใŸใ‘ใฉใ€ใ€Žๅบงๆ•ทๅฅณใ€ใฎใ“ใ‚ใ‹ใ‚‰ใ„ใ„ใชใจๆ€ใ„ๅง‹ใ‚ใฆใ€‚ใ€Žใ‚ธใƒฃใƒณใƒ—ใ€ใงใฏใ€ใ†ใ™ใŸไบฌไป‹ใ€Žใ™ใ”ใ„ใ‚ˆ๏ผใƒžใ‚ตใƒซใ•ใ‚“ใ€ใ€‚ใ‚ใจใ‚ใฎใ€Žใ‚ซใ‚คใ‚ธใ€ใฎ็ฆๆœฌไผธ่กŒใ•ใ‚“(ใ€Žใƒคใƒณใ‚ฐใƒžใ‚ฌใ‚ธใƒณใ€้€ฃ่ผ‰)ใ€‚ใ€Žใ‚ซใ‚คใ‚ธใ€ใฏใ‚ใ—ๅฅฝใฟใ˜ใ‚ƒใชใ„ใงใ™ใ‹ใ€ใใ‚“ใชๆ„Ÿใ˜ใ—ใพใ›ใ‚“ใ‹ใ€‚็ตตใฏใกใฐใฆใคใ‚„ใ‚’่จ˜ๅทใซใ—ใŸใฟใŸใ„ใชๆ„Ÿใ˜ใงใ€ใใ‚“ใชใซใ†ใพใใชใ„ใ‘ใฉใ€‚ใ‚ใ‚Œใฏใ„ใ„ใ‚“ใงใ™ใ‚ˆใ€‚ๅŽปๅนด็‡ƒใˆใŸใฎใฏใ‚ใ‚Œใงใ™ใญใ€‚ๆœฌๅฑ‹ใซ่ตฐใฃใฆใ„ใฃใŸใฎใฏไน…ใ€…ใงใ™ใญใ€‚

โ€•โ€•ใ€€ไปŠๆ—ฅใฎใŠ่ฉฑใ‚’่žใ„ใฆใพใ™ใพใ™็ขบไฟกใ—ใพใ—ใŸใ€‚ใ‚„ใฃใฐใ‚Šๆˆ‘ใ€…ใŒใ™ใ”ใ„ใจๆ€ใฃใฆใ„ใ‚‹้ƒจๅˆ†ใ‚’ๅ…จ้ƒจ่ปฝใ„ๆฐ—ๆŒใกใงๅ‡บใ—ใฆใŠใ‚‰ใ‚Œใ‚‹ใจใ„ใ†ใฎใŒใ‚ใ‹ใ‚Šใพใ—ใŸใฎใง(็ฌ‘)ใ€‚ใ“ใ‚Œใฏใ‚‚ใ†ๅคฉๆ‰ๆ€งใฎ่จผใจใ„ใ†ใ“ใจใงใ€‚

่’ๆœจใ€€ๅคฉๆ‰ใ˜ใ‚ƒใชใ„ใงใ™ใ‘ใฉใญ(็ฌ‘)ใ€‚ใงใ‚‚ใ‚ใพใ‚Š้‡่ฆใ˜ใ‚ƒใชใ„ใจๆ€ใ†ใ‚“ใงใ™ใ‘ใฉใญใ€‚

โ€•โ€•ใ€€ๆˆ‘ใ€…ใฎ่ฆ‹ๆ–นใ‚‚้–“้•ใฃใฆใ„ใ‚‹ใฎใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใ‘ใ‚Œใฉใ€ใงใ‚‚ไป–ใฎๆผซ็”ปใจ้•ใ†ใจใ“ใ‚ใซ็›ฎใŒใ„ใฃใฆใ—ใพใ†ใ‚“ใงใ™ใ€‚ๆ„ๅ›ณใ—ใฆ้•ใ‚ใ›ใฆใ‚‹ใฎใ‹ใชใจๆ€ใ†ใจใ€ใใ†ใงใ‚‚ใชใ„ใ‚ใ‘ใงใ™ใ‚ˆใญใ€‚่‡ช็„ถใซๅ‡บใฆใใ‚‹ใ‚‚ใฎใงใ€‚

่’ๆœจใ€€ใใ‚Œใ—ใ‹่กŒใ‘ใชใ„ใงใ™ใญใ€‚

โ€•โ€•ใ€€ใใฎใƒŽใƒชใงไปŠๅพŒใ‚‚ไธ€ใ€‡ๅนดใ€ไบŒใ€‡ๅนดใจใ€‚

่’ๆœจใ€€ใ‚ใ‹ใ‚Šใพใ—ใŸใ€‚้ ‘ๅผตใ‚‰ใ›ใฆใ„ใŸใ ใใพใ™ใ€‚ใคใ‚‰ใ„ใงใ™ใ‘ใฉ(็ฌ‘)ใ€‚ [6]

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ๅญไพ›ใฎ้ ƒใ‹ใ‚‰ใƒžใƒณใ‚ฌใฏๅฅฝใใงใ—ใŸใ€‚ใƒžใƒ‹ใ‚ขใ˜ใ‚ƒใชใ„ใ‘ใ‚Œใฉใญใ€‚ ๆ™‚ไปฃใฏๆ‰‹ๅกšๆฒป่™ซๅ…ˆ็”Ÿใฎๅ…จ็››ใงใ€ใ‚‚ใกใ‚ใ‚“ๆ‰‹ๅกšๅ…ˆ็”Ÿใฎไฝœๅ“ใ‚‚่ชญใ‚“ใ ใ‘ใฉใ€ใฉใกใ‚‰ใ‹ใจใ„ใˆใฐใ€ๅЇ็”ปใŒๅฅฝใใงใ—ใŸใญใ€‚ๅЇ็”ปๆ™‚ไปฃใฎๅง‹ใพใ‚Šใฎ้ ƒใงใ—ใŸใ—ใญใ€‚็‰นใซๆขถๅŽŸไธ€้จŽๅ…ˆ็”Ÿใฎไฝœๅ“ใ€‚็™ฝๅœŸไธ‰ๅนณๅ…ˆ็”Ÿใฎไฝœๅ“ใ‚‚ใ‚ˆใ่ชญใฟใพใ—ใŸใ€‚ ใ€€ๅญฆๆ กใซ่กŒใฃใฆใ„ใŸ้ ƒใจใ„ใˆใฐใ€ใƒญใƒƒใ‚ฏใ‚‚ใ‚ˆใ่ดใใพใ—ใŸใ€‚ๅƒ•ใฎไธ€็•ชใฎใŠๆฐ—ใซๅ…ฅใ‚Šใฏใƒฌใƒƒใƒ‰ใƒปใƒ„ใ‚งใƒƒใƒšใƒชใƒณใงใ™ใŒใ€ใ•ใพใ–ใพใชใƒใƒณใƒ‰ใ‚’่ดใ„ใฆใพใ—ใŸใ‚ˆใ€‚ๅญไพ›ใฎ้ ƒใฏใŠ้‡‘ใŒใชใ„ใ‹ใ‚‰ใ€ๅ‹้”ๅŒๅฃซใงใ‚ขใƒซใƒใƒ ใฎ่ฒธใ—ๅ€Ÿใ‚Šใ‚’ใ‚„ใฃใฆใ€ใƒ†ใƒผใƒ—ใซใจใฃใฆใŠใใ‚“ใงใ™ใ€‚ๅƒ•ใฎใƒžใƒณใ‚ฌใซๅ‡บใฆใใ‚‹ใ‚นใ‚ฟใƒณใƒ‰ใฎๅๅ‰ใฏใ€ๆ˜”ๅฅฝใใ ใฃใŸใ‚ฐใƒซใƒผใƒ—ใฎๅๅ‰ใ‚„ใ‚ขใƒซใƒใƒ ๅใ‹ใ‚‰ๅ–ใฃใŸใ‚Šใ—ใฆใ„ใพใ™ใ€‚ไพ‹ใˆใฐใƒญใƒผใƒชใƒณใ‚ฐใ‚นใƒˆใƒผใƒณใ‚บใฎใ‚ขใƒซใƒใƒ ใงใ‚นใƒ†ใ‚ฃใƒƒใ‚ญใƒผใƒ•ใ‚ฃใƒณใ‚ฌใƒผใ‚บใจใ„ใ†ใฎใŒใ‚ใ‚‹ใ€‚ใ‚ธใƒฃใ‚ฑใƒƒใƒˆใŒใ‚ธใƒผใƒณใ‚บใซใชใฃใฆใ„ใฆใ€ไธญๅคฎใซใ‚ธใƒƒใƒ‘ใƒผใŒไป˜ใ„ใฆใ„ใ‚‹ใ‚ใ‘ใ€‚ๅฝ“ๆ™‚่ฉฑ้กŒใซใชใฃใŸใ‚ธใƒฃใ‚ฑใƒƒใƒˆใชใ‚“ใงใ™ใŒใ€ใใฎใ‚ธใƒฃใ‚ฑใƒƒใƒˆใ‚’่ฆ‹ใฆใ„ใฆใ€ใ„ใ‚ใ‚“ใชใจใ“ใ‚ใซใ‚ธใƒƒใƒ‘ใƒผใ‚’ไป˜ใ‘ใฆ้–‹ใ‘้–‰ใ‚ใ™ใ‚‹ใ“ใจใŒใงใใŸใ‚‰ใŠใ‚‚ใ—ใ‚ใ„ใฎใซใชใ€ใชใ‚“ใฆๆ€ใฃใŸใ‚“ใงใ™ใ€‚ใใ‚“ใช็™บๆƒณใ‹ใ‚‰็”Ÿใพใ‚ŒใŸใฎใŒใ€Žใ‚นใƒ†ใ‚ฃใƒƒใ‚ญใ‚ฃใƒปใƒ•ใ‚ฃใƒณใ‚ฌใƒผใ‚บใ€ใจใ„ใ†ใ‚นใ‚ฟใƒณใƒ‰ใงใ™ใ€‚ ใ€€'70ๅนดไปฃใ€ใจใ„ใ†ใฎใฏไปŠ่€ƒใˆใ‚‹ใจๅ‡„ใ„ๆ™‚ไปฃใ ใฃใŸใ€‚ๆ™‚ไปฃใใฎใ‚‚ใฎใซใ‚‚ใ‚คใƒณใƒ‘ใ‚ฏใƒˆใŒใ‚ใฃใŸใ—ใ€ๆดป่บใ—ใŸใ‚ขใƒผใƒ†ใ‚ฃใ‚นใƒˆใฎๅ€‹ๆ€งใ‚‚ๅ…‰ใฃใฆใ„ใŸใจๆ€ใ„ใพใ™ใ€‚ใƒžใƒณใ‚ฌใงใ„ใ†ใจใ“ใ‚ใฎใ€Œใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใŒ็ซ‹ใฃใฆใ„ใ‚‹ใ€ใจใ„ใ†ๆ„Ÿใ˜ใ€‚ใ“ใ‚ŒใฏใƒŸใƒฅใƒผใ‚ธใƒƒใ‚ฏใƒปใ‚ทใƒผใƒณใซ้™ใ‚‰ใšใ€ๆ˜ ๅƒใชใฉใซใ‚‚ๆ„Ÿใ˜ใพใ™ใญใ€‚ ใ€€ใƒžใƒณใ‚ฌๅฎถใซใชใ‚ใ†ใจๆœฌๆฐ—ใงไฝœๅ“ใซๅ–ใ‚Š็ต„ใฟๅง‹ใ‚ใŸใฎใฏ้ซ˜ๆ กใซใชใฃใฆใ‹ใ‚‰ใ€‚ๅˆใ‚ใฆๅ‡บ็‰ˆ็คพใซๆŒใก่พผใ‚“ใ ๅŽŸ็จฟใฏใ€Œใ‚ซใ‚ฆใƒœใƒผใ‚คใ‚‚ใฎใ€ใ ใฃใŸใ‚“ใงใ™ใ‚ˆใ€‚ใ ใฃใฆใ€ใ‚ซใ‚ฆใƒœใƒผใ‚คใƒžใƒณใ‚ฌใชใ‚“ใฆใƒžใƒณใ‚ฌๆœฌใซ่ผ‰ใฃใฆใชใ‹ใฃใŸใ‹ใ‚‰ใ€็›ฎ็ซ‹ใคใ‹ใชใฃใฆ๏ผˆ็ฌ‘๏ผ‰ใ€‚ใ ใ‘ใฉใญใ€็ทจ้›†ใฎๆ–นใ‹ใ‚‰ใ‚„ใฃใฑใ‚Šใ„ใ‚ใ„ใ‚ๆณจๆ„ใ•ใ‚Œใพใ—ใŸใ‚ˆใ€‚ใ€Œๆž ็ทšใ‹ใ‚‰ใฏใฟๅ‡บใ—ใŸ็ทšใฏใ—ใฃใ‹ใ‚Šๆถˆใ•ใชใใ‚ƒใƒ€ใƒกใ ใ‚ˆใ€ใจใ„ใฃใŸๅŸบๆœฌ็š„ใชใ“ใจใ‹ใ‚‰ๅง‹ใพใฃใฆใ€ๅ†…ๅฎน็š„ใชใ“ใจใ‚‚ใ•ใ‚“ใ–ใ‚“็ชใฃ่พผใพใ‚Œใ‚‹ใ€‚ใใ“ใง้™ใ‚Šใกใ‚ƒใ†ไบบใ‚‚ใ„ใ‚‹ใ‚ˆใ†ใงใ™ใŒใ€ๅƒ•ใฏใ€ŒๆฌกใฏใŒใ‚“ใฐใ‚ใ†ใ€ใฃใฆๆ„Ÿใ˜ใงใ€‚ใ ใ‹ใ‚‰ใใฎๆฌกใฎๆŒใก่พผใฟใฎๆ™‚ใฏใ‚‚ใ†ใ€่‡ชๅˆ†ใง่€ƒใˆใ‚‰ใ‚Œใ‚‹้™ใ‚Šใ‚ซใƒณใƒšใ‚ญใซใ—ใฆๆŒใฃใฆใ„ใใพใ—ใŸใญใ€‚่ณชๅ•ใ‚„็ชใฃ่พผใฟใซๅฏพใ™ใ‚‹็ญ”ใˆใ‚‚ๅซใ‚ใฆใ€‚ใใ‚Œใงใ‚‚ใ‚‚ใกใ‚ใ‚“่จ€ใ‚ใ‚Œใ‚‹ใ“ใจใฏใŸใใ•ใ‚“ใ‚ใ‚‹ใ‚ใ‘ใงใ™ใŒใ€ใ“ใฃใกใŒๆณจๆ„ใ•ใ‚ŒใŸใ“ใจใ‚’็›ดใใ†ใจใ—ใฆใ„ใ‚‹ใ“ใจใฏไผใ‚ใฃใฆใ€Œใ‚ใ‚ใ€ใ“ใฎๅญใฏๆœฌๆฐ—ใชใ‚“ใ ใชใ€ใจ่ชใ‚ใ‚‰ใ‚ŒใŸใ‚“ใ˜ใ‚ƒใชใ„ใ‹ใชใ€‚ ใ€€ใƒ‡ใƒ“ใƒฅใƒผใพใงใŒ็Ÿญใ‹ใฃใŸใ›ใ„ใ‚‚ใ‚ใฃใฆใ€ๅƒ•ใซใฏใ‚ขใ‚ทใ‚นใ‚ฟใƒณใƒˆใฎ็ตŒ้จ“ใŒใชใ„ใ‚“ใงใ™ใ€‚ใ ใ‹ใ‚‰ใ€ใ‚ขใ‚ทใ‚นใ‚ฟใƒณใƒˆใ‚’ใ‚„ใฃใฆใ‚Œใฐ่ชฐใงใ‚‚ใ™ใใ‚ใ‹ใ‚‹ใ‚ˆใ†ใชใ“ใจใ‚’็Ÿฅใ‚‰ใชใ‹ใฃใŸใฎใ€‚ไพ‹ใˆใฐ้ป’ใ„ใƒใƒƒใ‚ฏใซๆ˜Ÿใ‚’ๆใใชใ‚“ใฆใ„ใ†ๆ™‚ใซใ€ๆ˜Ÿใฎๅฝขใซๆฎ‹ใ—ใฆใƒ™ใ‚ฟๅก—ใฃใฆใŸใ‚Šใจใ‹ใญ๏ผˆ็ฌ‘๏ผ‰ใ€‚ไป–ใฎใƒžใƒณใ‚ฌๅฎถใ•ใ‚“ใ‹ใ‚‰ๆ•™ใˆใฆใ‚‚ใ‚‰ใฃใฆใ€Œใชใ‚“ใ ใ€ใใ†ใ‹ใ€ใจใ€‚ ใ€€ใ€Žใ‚ธใƒงใ‚ธใƒงใƒปใƒปใƒปใ€ใฎๆœ€ๅˆใฎๅ˜่กŒๆœฌใŒๅ‡บใ‚‹ๆ™‚ใ€้€ฑๅˆŠๅฐ‘ๅนดใ‚ธใƒฃใƒณใƒ—ใฎๅ…ˆ่ผฉใ€็ง‹ๆœฌๆฒปๅ…ˆ็”Ÿใฏใ€Žใ“ใกใ‚‰่‘›้ฃพๅŒบไบ€ๆœ‰ๅ…ฌๅœ’ๅ‰ๆดพๅ‡บๆ‰€ใ€ใ‚’ใ™ใงใซ51ๅทปใ‚‚ๅ‡บใ—ใฆใŠใ‚‰ใ‚ŒใŸใ‚“ใงใ™ใ€‚ๅ‡„ใ„ใงใ™ใ‚ˆใญใ€‚ใใ†ๆ€ใฃใฆใ„ใŸใ‚‰ใ€ใ€Žใ‚ธใƒงใ‚ธใƒงใฎๅฅ‡ๅฆ™ใชๅ†’้™บใ€ใ‚‚ใ‚‚ใ†55ๅทปใ‚’ๆ•ฐใˆใ‚‹ใพใงใซใชใ‚Šใพใ—ใŸใ€‚ใจใฆใ‚‚็ง‹ๆœฌๅ…ˆ็”Ÿใฎใ‚ˆใ†ใซใ‚ฎใƒใ‚นใซๆŒ‘ๆˆฆใ€ใจใฏใ„ใ‹ใชใ„ใจๆ€ใ†ใ‘ใฉใ€ๆ„Ÿๆ…จๆทฑใ„ใ‚‚ใฎใŒใ‚ใ‚Šใพใ™ใ€‚ ใ€€ใ€Žใ‚ธใƒงใ‚ธใƒงใƒปใƒปใƒปใ€ใซๅ‡บใฆใใ‚‹ใ‚นใ‚ฟใƒณใƒ‰ใฏใ€ๅฎˆ่ญท้œŠใ‹ใ‚‰ใƒ’ใƒณใƒˆใ‚’ๅพ—ใŸใ‚‚ใฎใชใ‚“ใงใ™ใ€‚ๅฎˆ่ญท้œŠใจใ„ใ†ใฎใฏไบบ้–“ใ‚’ๅฎˆใฃใฆใใ‚Œใ‚‹ใ‚‚ใฎใงใ—ใ‚‡ใ†ใ€‚ใใ‚ŒใŒใ‚‚ใ†ๅฐ‘ใ—ใ‚ขใ‚ฏใƒ†ใ‚ฃใƒ–ใซใชใฃใฆใ€ๅฎˆใฃใฆใ„ใ‚‹ไบบ้–“ใ‚’่ฅฒใฃใฆใใ‚‹่€…ใŒใ‚ใฃใŸใ‚‰ใ€ใˆใ„ใฃใจๆ‹ณใ‚’ๅ‡บใ—ใฆๆ”ปๆ’ƒใ—ใฆใใ‚ŒใŸใ‚‰ใ„ใ„ใฎใซใชโ€ฆใฃใฆใ„ใ†ใจใ“ใ‚ใ‹ใ‚‰็”Ÿใพใ‚Œใพใ—ใŸใ€‚ใ•ใพใ–ใพใชใ‚นใ‚ฟใƒณใƒ‰ใ‚’ๆใ„ใฆใ„ใ‚‹ใ†ใกใซใ€ใ‚‚ใ†ๅผทใใชใ‚Š้ŽใŽใกใ‚ƒใฃใฆใ‚ซใƒณใƒšใ‚ญใชใ‚นใ‚ฟใƒณใƒ‰ใ€ใฟใŸใ„ใชใฎใŒใงใใกใ‚ƒใ†ใ“ใจใŒใ‚ใ‚‹ใ€‚ใ€Œใ‚ใ‚ใ€ใ“ใ‚Œใ˜ใ‚ƒใ‚ๅ€’ใ›ใชใ„ใ‚ˆใ€ๅ›ฐใฃใŸใชใ€ใชใ‚“ใฆ๏ผˆ็ฌ‘๏ผ‰ใ€‚ใงใ‚‚็ตๅฑ€ไฝ•ใ‹ใŒใฉใ†ใ‹ใชใฃใฆๅ€’ใ›ใ‚‹ใ‚“ใงใ™ใ‘ใฉใ€ใใ‚Œใ‚’็†่ซ–็š„ใซ่ชฌๆ˜Žใ™ใ‚‹ใƒŠใƒฌใƒผใ‚ทใƒงใƒณใ‚’ใ‚ณใƒžใฎไธญใซๅ…ฅใ‚Œใ‚‹ใ‚“ใงใ™ใ€‚ๅฐ‘ใ€…ๅผทๅผ•ใงใ‚‚็ดๅพ—ใงใใกใ‚ƒใ†ใ‚ˆใ†ใชใ€ใญใ€‚ใจใฆใ‚‚ไธๅฏ่ƒฝใชใ“ใจใ‚’็ง‘ๅญฆ็š„ใซๆคœ่จผใ™ใ‚‹ใ€ใจใ„ใ†ๆœฌใŒใ‚ใ‚Šใพใ™ใ‘ใฉใ€ใ‚ใ‚ใ„ใ†ใฎใŒๅฅฝใใชใ‚“ใงใ™ใ€‚ ใ€€ๅƒ•่‡ช่บซใŒๆฐ—ใซๅ…ฅใฃใฆใ„ใ‚‹ใ‚นใ‚ฟใƒณใƒ‰ใฏใ€็ฌฌ4้ƒจใซๅ‡บใฆใใŸใ‚ฏใƒฌใƒผใ‚ธใƒผใƒปใƒ€ใ‚คใƒคใƒขใƒณใƒ‰ใงใ™ใญใ€‚็ ดๅฃŠใ•ใ‚ŒใŸใ‚‚ใฎใ‚’ไฝ•ใงใ‚‚็›ดใ—ใกใ‚ƒใ†ใฎใ€‚ใใ†ใ„ใ†ใฎใŒใคใ„ใฆใฆใใ‚ŒใŸใ‚‰ไพฟๅˆฉ๏ผˆ็ฌ‘๏ผ‰ใ€‚ ็พๅœจใ€้€ฃ่ผ‰ใฏ1ๆœฌใ€‚ใƒžใƒณใ‚ฌใฏ้€ฑ4ๆ—ฅๆใ„ใฆใ€ใƒใƒผใƒ ใซ1ๆ—ฅใ‹ใ‘ใฆใ„ใพใ™ใ€‚ๅพนๅคœใฏใงใใพใ›ใ‚“ใญใ€‚ไป•ไบ‹ใฏ5ๆ—ฅใซๅŽใ‚ใ‚‹ใ‚ˆใ†ใซใ—ใฆใ„ใพใ™ใ€‚ ใ€€ใƒžใƒณใ‚ฌๅฎถใจใ„ใ†ใฎใฏๅฎถใงใ™ใ‚ใฃใฆไป•ไบ‹ใ‚’ใ—ใฆใ„ใ‚‹ใ‹ใ‚‰ใ€ๆฅฝใซ่ฆ‹ใˆใ‚‹ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใŒใ€ๅฎŸใฏ้žๅธธใซ้‡ๅŠดๅƒใ€‚ใƒใƒˆใƒซใ‚ทใƒผใƒณใชใ‚“ใ‹ๆใ„ใฆใ„ใ‚‹ๆ™‚ใฃใฆ่‚ฉใซใ‚‚ใฎๅ‡„ใ„ๅŠ›ใŒๅ…ฅใฃใฆใพใ™ใ€‚่‹ฅใ„ๆ™‚ใ˜ใ‚ƒใชใใ‚ƒใงใใชใ„ไป•ไบ‹ใชใฎใ‹ใชใ€‚ไป–ใฎใ‚ธใƒฃใƒณใƒซใ€ไพ‹ใˆใฐ้’ๅนด่ชŒใชใ‚“ใ‹ใซๆใ„ใฆใฟใชใ„ใฎ๏ผŸใ€€ใชใ‚“ใฆใ„ใ†ๅฃฐใ‚‚ใ‚ใ‚‹ใ‚“ใงใ™ใŒใ€ๅƒ•ใซใจใฃใฆใ€Žใ‚ธใƒงใ‚ธใƒงใƒปใƒปใƒปใ€ใฏๅ…จ่บซๅ…จ้œŠใงๆใ„ใฆใ„ใ‚‹ไฝœๅ“ใ€‚ไปŠใ€ไป–ใฎใƒžใƒณใ‚ฌใ‚’ๆใ„ใฆใ‚‚ใ€ใฟใ‚“ใชใ€Žใ‚ธใƒงใ‚ธใƒงใƒปใƒปใƒปใ€ใซใชใฃใกใ‚ƒใ„ใพใ™ใ‚ˆใ€ใใฃใจใ€‚ ใ€€ใ‚ชใƒ•ใฎๆ—ฅใฏๆ˜ ็”ปใ‚’่ฆณใŸใ‚Š้Ÿณๆฅฝใ‚’่ดใ„ใŸใ‚Šใ€ใงใใ‚‹ใ ใ‘่‡ชๅˆ†ใฎๅ‹‰ๅผทใซๅฝ“ใฆใฆใ„ใพใ™ใ€‚ๆฏŽๆ—ฅ้€ฒๆญฉใ—ใฆใ„ใ‹ใชใ‘ใ‚Œใฐใ€ใ„ใใ‚‰ไบบๆฐ—ใฎใ‚ใ‚‹ไฝœๅ“ใงใ‚‚2๏ฝž3ๅนดใง้ฃฝใใ‚‰ใ‚Œใฆใ—ใพใ†ๆ™‚ไปฃใ€‚ๅธธใซๅ‰ใซ้€ฒใ‚“ใงใ„ใใ“ใจใ‚’่‡ชๅˆ†ใซ่ชฒใ—ใฆใ„ใ‚‹ใ‚“ใงใ™ใ€‚ ใ€€ๆ˜ ็”ปใฏ่ถฃๅ‘ณใงใ‚ใ‚‹ใจๅŒๆ™‚ใซใ€่ฒด้‡ใช็ ”็ฉถๆๆ–™ใงใ‚‚ใ‚ใ‚‹ใ‚“ใงใ™ใ€‚ๅƒ•ใฏใƒŸใ‚นใƒ†ใƒชใƒผใŒๅฅฝใใชใ‚“ใงใ™ใŒใ€ใƒŸใ‚นใƒ†ใƒชใƒผๆ˜ ็”ปใจใ„ใ†ใฎใซใฏ้€ ใ‚Šๆ–นใฎใ‚ปใ‚ชใƒชใƒผใŒใ‚ใฃใฆใ€ใ‚ˆใใงใใŸไฝœๅ“ใฏใ€ใ™ในใฆ็ทปๅฏ†ใช่จˆ็ฎ—ใฎไธŠใซ้€ ใ‚‰ใ‚Œใฆใ„ใ‚‹ใ‚‚ใฎใงใ™ใ€‚ใ‚ซใƒกใƒฉใฎ่ฆ–็‚นใฎไฝ็ฝฎใ€ใ‚ซใƒกใƒฉใƒฏใƒผใ‚ฏใ€ๅ ด้ขๆง‹ๆˆใชใฉใ€ไฝœๅ“ใ‚’ๆใ„ใฆใ„ใไธŠใงใ€ไฝ•ใ‚ˆใ‚Šใ‚‚ๅ‚่€ƒใซใชใ‚‹ใ‚“ใงใ™ใ€‚ใ€Žใ‚ธใƒงใ‚ธใƒงใƒปใƒปใƒปใ€ใฎไธญใซใ€ใƒ„ใƒกใฎใ‚ขใƒƒใƒ—ใฎใ‚ทใƒผใƒณใ‚’ๆใ„ใฆใ„ใพใ™ใ€‚ๆŒ‡ใฎๅ…ˆใ‹ใ‚‰ไฝ•ใ‹ใŒๅ‡บใฆใใ‚‹ใจใ„ใฃใŸๅ ด้ขใฎ่ชฌๆ˜Žใงใ€ๆŒ‡ๅ…ˆใฎใ‚ขใƒƒใƒ—ใ‚’ๆใใจใ„ใ†ใฎใฏใ€ใƒŸใ‚นใƒ†ใƒชใƒผๆ˜ ็”ปใซใ‚ใฃใŸๆ‰‹ๆณ•ใ€‚ๆ˜ ็”ปใฎใ‚ซใƒกใƒฉใƒฏใƒผใ‚ฏใ‚’ๅ‚่€ƒใซใ—ใฆๆง‹ๅ›ณใ‚’ๆฑบใ‚ใ‚‹ใ“ใจใŒใ‚ˆใใ‚ใ‚Šใพใ™ใ€‚ ใ€€ใงใ‚‚ๆœ€่ฟ‘ใฏๆ˜ ็”ปใ‚‚ไฝœๅ“ใŒๅฐ็ฒ’ใซใชใฃใฆใใŸๅฐ่ฑกใ‚’ๅ—ใ‘ใพใ™ใญใ€‚ใณใฃใใ‚Šใ™ใ‚‹ใ‚ˆใ†ใชไฝœๅ“ใŒ่ฆณใŸใ„ใชใ‚ใ€‚

ใ€€ใ“ใฎใจใ“ใ‚ใ€ใ‚คใ‚ฟใƒชใ‚ขใซใฏใพใฃใฆใ„ใพใ™ใ€‚ใƒซใƒใƒƒใ‚ตใƒณใ‚น็พŽ่ก“ใซใฏๆ„Ÿๆ€งใ‚’ๅˆบๆฟ€ใ•ใ‚Œใพใ™ใญใ€‚้ฃŸในใ‚‚ใฎใ‚‚ใŠใ„ใ—ใ„ใ—ใ€‚ใ€Žใ‚ธใƒงใ‚ธใƒงใƒปใƒปใƒปใ€ใ‚‚็พๅœจใ‚คใ‚ฟใƒชใ‚ขใ‚’่ˆžๅฐใซใƒ‰ใƒฉใƒžใŒ้€ฒ่กŒไธญใงใ™ใ€‚ๆฟ€ใ—ใ„ใƒใƒˆใƒซใ‚’้€šใ˜ใฆ็”Ÿๅ‘ฝใฎๅฐŠใ•ใ‚’ใƒ†ใƒผใƒžใซไฝœๅ“ใ‚’ๆใ„ใฆใ„ใใŸใ„ใ€‚ใใ‚Œใฏใšใฃใจๅค‰ใ‚ใ‚Šใพใ›ใ‚“ใ€‚
โ€
โ€”Hirohiko Araki

One question and one answer from Araki-sensei, "Feelin JOJO" final episode special!!

JOJO Q&A!!

"Jojo's Bizarre Adventures is headed in to it's 12th year! And as it's the last episode of "Feelin JOJO", we've had Araki-sensei himself appear!! He'll point blank answer some of the questions in JoJos!!

Q: Who's the strongest in the Passione?
A: Abbachio. (If we're talking about fist fighting...)

Character part Q1: Who is the first character you came up with in the allies of part 5?
A: It's Giorno! By the way, the characters I'm most fond of is Giorno if we're talking about allies, and Pesci if we're talking about villains.

Q2: What is that thing on Abbachio's head?
A: It's a hat that acts like a hairband. The thing on Buccelatti's head is a hairpin brooch, and Mista keeps a lot of things in his hat. Mista is the kind of guy that wants to keep both hands open at all times, so he adds things to it pretty often. It also seems that he feels like it's a pain for him to carry things around too. Side comment: The thing on Abbachio's head wasn't an eggshell after all...

Q3: Who spends the most money on their clothes?
A: Mista. His sweater is cashmere, and his pants are zebra striped leather pants! (it's suspected that it breaks the Washington Convention)

Q4: Before they met Giorno, how did Buccellati's gang earn their livelihood?
A: They received money for protecting restaurants, controlled ports, and what you would call gang work. They didn't affiliate with gambling and drug business. Of course they didn't go to school.

Q5: Do all of them have girlfriends? Also, who is the most popular and the least popular in the gang?
A: They don't have girlfriends. They are so popular it seems like they're always running away from girls. However, it seems like all of them think that "I'm the most popular"...

Q6: When looking at Fugo's pants, it looks like there's no way he could be wearing underwear but.... Does he not have underwear on?
A: It can be assumed that he's wearing the t-back like sexy things that are popular now a days. Side comment: When you look around his waist it really does look like he's not wearing any underwear.

Q7: When they're interrogating Zucchero, what was up with Narancia and Fugo starting to dance to the music that Narancia put on?
A: They are dancing to gangster rap. As they are a gang... Side comment: Even though we know what they are dancing to, why they started dancing is still a mystery...

JoJo's Bizarre Adventures celebrating 11 years of being published.

Q: Who is riding in Aerosmith?
A: It's Smith-san. Side comment: Check the cockpit! The person riding in here is Smith-san!!

Q8: What does Jotaro intend to do with Giorno?
A:I haven't thought of it yet. It might be that he's just simply curious about him...?

Q9: Is Trish based off of the super model Trish Goff?
A: Good job! I'm surprised that you know this. As you thought, I'm a big fan of hers.

Stand part

Q10: Will Fugo die from the abilities of Purple Haze?
A: He would die.

Q11: What is the name of the stand that you put the key in the turtle to activate? Also, what is the name of the turtle?
A: The turtle has no name. The name of the stand is "T-Rex"... or at least I think that's what it'll be.

Q12: Can the Sex Pistols only be used with the gun that Mista has?
A: Any gun that has been fired by Mista is OK! Also, Mista is able to always hit his target with one shot, and so he doesn't need machine guns and such.

Q13: Wasn't it a rule that there's only one stand per person? There's a few that have appeared since part 4 that are a number of stands such as Harvest and Sex Pistols...
A: No, these are still just one ability, and so they're counted as one stand.

Misc. part

Q14: "JOJO" has a lot of animals(a turtle, frogs, snakes, mice, spiders and such) that appear, but how do you pick what living creatures will appear?
A: For the most part I choose animals that "Look like they're not very intelligent and seem like they're not thinking of anything."

Q15: Do they really air "Captain Tsubasa" in Italy?
A: They do! At the very least I was it being aired 2~3 years back in Italy!! Side comment: Tsubasa playing in the turtle! Of course this isn't in Japan, it's in Italy.

Q16: If you could pick one stand to have Araki-sensei, what would you pick?
A: Hmmm, maybe Harvest because I want money... No, I want Heaven's Door instead! I'm not very good with research interviews...

Q17: What's the meaning of the "Romance horror! The crimson secret legend!"?
A: It was something the first editor added, and there's no deep meaning to it. I actually feel like we can remove it after all this time...

The road leads on to a new adventure!!

[7]

2002-2009

ใ‚จใ‚ธใƒ—ใƒˆใ‚’็›ฎๆŒ‡ใ™ๆ—…ใซใ—ใŸใฎใฏใฉใ†ใ—ใฆ๏ผŸ ใ€€ๅฝ“ๆ™‚ใฎๆ‹…ๅฝ“ใŒใ€ใ‚จใ‚ธใƒ—ใƒˆใซใ‚‚ใฎใ™ใ”ใ่ฉณใ—ใ‹ใฃใŸใ‚“ใงใ™ใ‚ˆใ€‚ใ‚จใ‚ธใƒ—ใƒˆใฎๅคๆ–‡ๆ›ธใจใ‹้บ่ทกใจใ‹ใฎๆ–‡ๅญ—ใ‚‚่ชญใ‚ใ‚‹ใใ‚‰ใ„ใ€‚ใ€Œใ“ใ‚Œใฏใ„ใ„๏ผใ€ใจใ€‚ใใ‚Œใจใ€ใ‚„ใฃใฑใ‚Šใ‚จใ‚ธใƒ—ใƒˆใฃใฆ็ฅž็ง˜็š„ใชๆ„Ÿใ˜ใŒใ—ใŸใ‹ใ‚‰ใงใ™ใญใ€‚ๆœ€็ต‚็›ฎ็š„ๅœฐใฏใ‚จใ‚ธใƒ—ใƒˆใจใ„ใ†ใฎใ‚’ๅ…ˆใซๆฑบใ‚ใฆใ€ใใ‚Œใ‹ใ‚‰ใƒซใƒผใƒˆใ‚’ๆฑบใ‚ใฆใ„ใใพใ—ใŸใ€‚ใ€Žใ‚นใ‚ฟใƒผใƒ€ใ‚นใƒˆใƒปใ‚ฏใƒซใ‚ปใ‚คใƒ€ใƒผใ‚นใ€ใฎๅพŒใซ๏ฝคใ€Ž้›ปๆณขๅฐ‘ๅนดใ€ใง็Œฟๅฒฉ็ŸณใŒๆ—…ใ—ใŸใƒซใƒผใƒˆใ‚‚ๅคงไฝ“ๅŒใ˜ใงใ—ใŸใญใ€‚ใ ใ‹ใ‚‰ใ€้–“้•ใฃใฆใฏใ„ใชใ‹ใฃใŸใฎใ‹ใช๏ผŸๅ–ๆใงใ‚จใ‚ธใƒ—ใƒˆใ‚„ใ‚ขใ‚ธใ‚ขใฎๅ›ฝใชใ‚“ใ‹ใซใ‚‚่กŒใฃใŸใ‘ใฉใ€ใ‚ใพใ‚Šๅฅฝใใ˜ใ‚ƒใ‚ใชใ„ใ‚“ใงใ™(็ฌ‘)ใ€‚ใƒžใƒณใ‚ฌใซใ‚‚ๆใใพใ—ใŸใ‘ใฉ๏ฝคใ‚จใ‚ธใƒ—ใƒˆไบบใฏ่ฆ‹ใ‚‹ใ‹ใ‚‰ใซๆ€ชใ—ใ„ใ—ใ€‚ใƒ›ใƒณใƒˆใซใ‚นใ‚ฟใƒณใƒ‰ไฝฟใ„ใฟใŸใ„ใงใ—ใŸ(็ฌ‘)ใ€‚ ใ€€ใ†๏ฝžใ‚“ใ€ๅฅฝใใชๅ›ฝใฏใ‚„ใฃใฑใ‚Šใ‚คใ‚ฟใƒชใ‚ขใชใ‚“ใงใ™ใ‚ˆใ€‚ใ‚คใ‚ฟใƒชใ‚ขใซใ•ใˆ่กŒใ‘ใ‚Œใฐใ€ไป–ใฎๅ›ฝใซใฏใ‚‚ใ†้‡‘่ผช้š›ใ€่กŒใ‘ใชใใฆใ‚‚ใ„ใ„ใใ‚‰ใ„ใงใ™ใ€‚ใ‚คใ‚ฟใƒชใ‚ขใฏใ€ใ‚„ใฃใฑใ‚Š็พŽ่ก“้คจใซใ„ใ‘ใ‚‹ใฎใŒใ„ใ„ใ‚“ใงใ™ใ€‚ๅฐๅˆท็‰ฉใจใฏ้•ใฃใฆใ€ๆœ‰ๅใช็ตต็”ปใฎๅฎŸ็‰ฉใŒใ‚ใ‚‹๏ผใ“ใ‚Œใฏไฝ•ๅบฆใงใ‚‚่ถณใ‚’้‹ใถไพกๅ€คใŒใ‚ใ‚Šใพใ™ใญใ€‚ไป–ใฎไบบใŒ๏ฝคๆผ”ๅЇใจใ‹ใซ่กŒใใฎใจๅŒใ˜ๆ„Ÿ่ฆšใ ใจๆ€ใ„ใพใ™ใ€‚ใงใ‚‚ๆผ”ๅЇใฏใ€ใใฎใจใใฉใใซ้•ใฃใŸใ‚Šใ™ใ‚‹ใ‘ใฉใ€็พŽ่ก“้คจใฏใ‚‚ใ†๏ฝค็ตต็”ปใฎ็ฉถๆฅตใฎๅงฟใŒใ‚ใ‚‹ใ‚ใ‘ใ ใ‹ใ‚‰ใ€ไฝ•ๅบฆใงใ‚‚่กŒใใŸใใชใ‚Šใพใ™ใ€‚ใƒ€ใƒปใƒดใ‚ฃใƒณใƒใจใ‹ใ€ใƒญใƒ€ใƒณใจใ‹ใŒๅฅฝใใงใ™ใญใ€‚ ใ€€ใ‚ˆใ่‡ชๅˆ†ใฎ็ตตๆŸ„ใฏ็‹ฌ็‰นใ ใจใ„ใ‚ใ‚Œใ‚‹ใ‚“ใงใ™ใ‘ใฉใ€่‡ชๅˆ†ใ‹ใ‚‰ใ™ใ‚‹ใจๅŸบๆœฌใซๅฟ ๅฎŸใช็ตตใ ใจๆ€ใฃใฆใ„ใพใ™ใ€‚ใƒซใƒใƒƒใ‚ตใƒณใ‚นใŒ็ตต็”ปใฎใ‚ชใƒชใ‚ธใƒŠใƒซใงใ™ใ‹ใ‚‰ใ€ๅƒ•ใฏใใ‚Œใซๅฟ ๅฎŸใซๆใ„ใฆใ„ใ‚‹ใ ใ‘ใงใ™ใ€‚่‡ชๅˆ†ใ‹ใ‚‰ใ™ใ‚‹ใจใ€ไป–ใฎใƒžใƒณใ‚ฌๅฎถใ•ใ‚“ใฎใปใ†ใŒ็•ฐ็ซฏใ ใชใใจๆ€ใ„ใพใ™ใญใ€‚

ใฉใ†ใ—ใฆๆ‰ฟๅคช้ƒŽใ‚’ๅญฆใƒฉใƒณใซใ—ใ‚ˆใ†ใจๆ€ใฃใŸใฎใ‹๏ผŸ ใ€€ไฝ•ๅบฆใ‚‚่กŒใฃใฆใพใ™ใ‘ใฉใ€ใ‚„ใฏใ‚Šใ€Žใƒใƒ“ใƒซ๏ผ’ไธ–ใ€ใฎใ‚คใƒกใƒผใ‚ธใŒๅผทใ„ใ€‚ๅญฆ็”Ÿๆœใง็ ‚ๆผ ใซ็ซ‹ใฃใฆใ„ใ‚‹ใจใ„ใ†ใ‚คใƒณใƒ‘ใ‚ฏใƒˆใ€‚ไปŠ่€ƒใˆใฆใ‚‚ใ€ใ€Žใƒใƒ“ใƒซ๏ผ’ไธ–ใ€ใฎใ‚ใฎใ‚ณใƒžใฏใ™ใ”ใ„ใ€‚ใ‚‚ใ—ใ‚ใฎ็ตตใ‚’ใƒชใƒˆใ‚ฐใƒฉใƒ•ใจใ‹ใงๅฃฒใฃใฆใ‚‹ใ‚“ใ ใฃใŸใ‚‰ใ€ใœใฒใจใ‚‚้ƒจๅฑ‹ใซ้ฃพใ‚ŠใŸใ„ใงใ™ใญใ€‚ๆ—ฅๅธธใจ้žๆ—ฅๅธธใŒๅŒๆ™‚ใซๅญ˜ๅœจใ—ใฆใ„ใ‚‹๏ฝคใจใ„ใ†ใจใ“ใ‚ใŒใ„ใ„ใ‚“ใงใ™ใ‚ˆใ€‚ ใ€€ๆ‰ฟๅคช้ƒŽใฎใฏใ€ๆ™ฎ้€šใฎๅญฆ็”Ÿๆœใ ใจใคใพใ‚‰ใชใ„ใ‚“ใงใ€ใ„ใ‚ใ„ใ‚ใ‚ขใ‚ฏใ‚ปใ‚ตใƒชใƒผใ‚’ไป˜ใ‘ใŸใ‚Šใ—ใฆใฟใพใ—ใŸใ€‚ใƒ›ใƒณใƒˆใฏใ‚ใ‚“ใชๅญฆ็”Ÿๆœใ‚ใ‚Šใพใ›ใ‚“ใ‘ใฉใญใ€‚ๅƒ•ใ‚‚ไธญๅญฆ้ซ˜ๆ กใฏๅญฆใƒฉใƒณใงใ—ใŸใ€‚ใงใ‚‚ใ€ๆ‰ฟๅคช้ƒŽใฟใŸใ„ใชใ‚ใ‚“ใช้•ทใƒฉใƒณใฏ็€ใฆใพใ›ใ‚“(็ฌ‘)ใ€‚

ใ‚ธใƒงใ‚ปใƒ•ใฏใฉใ†ใ—ใฆ้€ฃ็ถš็™ปๅ ดใ—ใŸ๏ผŸ ใ€€ใ‚ธใƒงใ‚ปใƒ•ใฏ็ฌฌ๏ผ’้ƒจใ€Žๆˆฆ้—˜ๆฝฎๆตใ€ใจใฎๆฉ‹ๆธกใ—ๅฝนใชใ‚“ใงใ™ใ‚ˆใ€‚ๆฏŽๅ›žใ€้ƒจใŒๅค‰ใ‚ใ‚‹ใ”ใจใซใ€ๆฉ‹ๆธกใ—ๅฝนใจๅ‡บใ™ใ‚ˆใ†ใซใ—ใฆใ„ใพใ™ใ€‚ใ€Žๆˆฆ้—˜ๆฝฎๆตใ€ใฎ้ ญใซใฏใ‚นใƒ”ใƒผใƒ‰ใƒฏใ‚ดใƒณใ€ใใ—ใฆใ‚ธใƒงใ‚ปใƒ•ใ€ๆ‰ฟๅคช้ƒŽใ€ๅบทไธ€ใƒปใƒปใƒปใจใ„ใ†ใ‚ˆใ†ใซใญใ€‚ใใ‚Œใซใ€ใ‚ธใƒงใƒผใ‚นใ‚ฟใƒผๅฎถใฏ็Ÿญๅ‘ฝใงใ€ไธ€็”Ÿๆถฏไธ€ไบบใฎๅฅณๆ€งใ—ใ‹ๆ„›ใ•ใชใ„ใจ่จ€ใ‚ใ‚Œใฆใ‚‹ใ‘ใฉใ€ใ‚ธใƒงใ‚ปใƒ•ใ ใ‘ใฏไพ‹ๅค–ใ ใจใ„ใ†่จญๅฎšใซใ‚‚ใ—ใŸใ‹ใฃใŸใ‚“ใงใ™ใ‚ˆใ€‚ๆ€งๆ ผ็š„ใซใ‚‚ใ‚ธใƒงใƒผใ‚นใ‚ฟใƒผๅฎถใฎไธญใงใฏ็•ฐ็ซฏใงใ™ใ—ใญใ€‚

ใ‚ขใƒ–ใƒ‰ใ‚ฅใƒซใฏใ„ใฃใŸใ„ใฉใ‚“ใชๅฝนๅ‰ฒ๏ผŸ ใ€€ใ‚ขใƒ–ใƒ‰ใ‚ฅใƒซใฏๅ‚่ฌ€ๅฝนใงใ™ใญใ€‚ๆœฌๅฝ“ใฏ๏ฝคไธ€็•ชๅนดใฎใ„ใฃใŸใ‚ธใƒงใ‚ปใƒ•ใŒใใ‚“ใชๅฝนๅ›žใ‚Šใ‚’ใ‚„ใ‚‹ใ‚“ใ ใ‚ใ†ใ‘ใฉใ€ใ‚ธใƒงใ‚ปใƒ•ใฎๆ€งๆ ผใ˜ใ‚ƒใ‚ใงใใชใ„ใ ใ‚ใ†ใจๆ€ใฃใŸใ‹ใ‚‰็™ปๅ ดใ•ใ›ใพใ—ใŸใ€‚ใ‚นใ‚ฟใƒณใƒ‰ใจใ„ใ†ๆ–ฐใ—ใ„ๆฆ‚ๅฟตใ‚‚็™ปๅ ดใ•ใ›ใŸใฎใงใ€ใ‚นใ‚ฟใƒณใƒ‰ใฎไบ‹ใซใคใ„ใฆ่ฉณใ—ใ„่งฃ่ชฌๅฝนใงใ‚‚ใ‚ใ‚Šใพใ™ใ€‚

่Šฑไบฌ้™ขใฎๆญปใฎ็›ดๅ‰ใซ็”Ÿใ„็ซ‹ใกใŒๆ˜Žใ‚‰ใ‹ใซใชใฃใŸใฎใฏ๏ผŸ ใ€€่Šฑไบฌ้™ขใซใฏๆˆฆใ†ๅ‹•ๆฉŸใจใ„ใ†ใฎใ‚’ใ€ใกใ‚ƒใ‚“ใจ่€ƒใˆใฆใ‚ใ’ใŸใ‹ใฃใŸใ€‚่Šฑไบฌ้™ขใŒไปฒ้–“ใซใชใฃใฆใ‹ใ‚‰ใšใฃใจใ€ใใ‚Œใฏ่€ƒใˆใฆใ„ใŸใ‚“ใงใ™ใ‚ˆใ€‚ๆ‰ฟๅคช้ƒŽใ€ใ‚ธใƒงใ‚ปใƒ•ใฏใƒ›ใƒชใ‚ฃใ‚’ๅŠฉใ‘ใ‚‹ใŸใ‚ใ ใ—ใ€ใƒใƒซใƒŠใƒฌใƒ•ใฏๅฆนใฎไปถใŒใ‚ใฃใŸใ‚Šใ™ใ‚‹ใ€‚ใงใ‚‚่Šฑไบฌ้™ขใซใฏไฝ•ใ‚‚ใชใ‹ใฃใŸใ‹ใ‚‰๏ฝคใใฎ็†็”ฑใ‚’ใคใ‘ใฆใ‚„ใ‚ŠใŸใ‹ใฃใŸใ€‚ๅ‘ฝใ‚’่ณญใ‘ใฆใพใงๆˆฆใ†็†็”ฑใ‚’ใƒปใƒปใƒปๆญปใฌ้–“้š›ใซใใ‚Œใ‚’ๆใไบ‹ใŒๅ‡บๆฅใฆใ‚ˆใ‹ใฃใŸใงใ™ใ€‚ใ“ใฎใ“ใจใฏใ€็ฌฌ๏ผ•้ƒจใ€Ž้ป„้‡‘ใฎ้ขจใ€ใฎไปฒ้–“ใŸใกใ‚‚ๅŒใ˜ใชใ‚“ใงใ™ใ‚ˆใ€‚ใƒ–ใƒใƒฃใƒฉใƒ†ใ‚ฃใ‚„ใƒŠใƒฉใƒณใƒใƒฃใŸใกใฎๆˆฆใ†็†็”ฑใ‚’ใกใ‚ƒใ‚“ใจใคใ‘ใฆใ‚ใ’ใŸใ‹ใฃใŸใ€‚ใ ใ‹ใ‚‰ใ€ใใ‚Œใžใ‚Œ้ŽๅŽปใฎ่ฉฑใ€ใฉใ†ใ—ใฆใ‚ฎใƒฃใƒณใ‚ฐใซใชใฃใŸใฎใ‹ใ‚’ใกใ‚ƒใ‚“ใจ่€ƒใˆใŸใ‚“ใงใ™ใ€‚

ใƒใƒซใƒŠใƒฌใƒ•ใฏใ€Ž้ป„้‡‘ใฎ้ขจใ€ใซ็™ปๅ ดใ™ใ‚‹ใจๆ€ใฃใฆใ„ใŸ๏ผŸ ใ€€ใพใšใƒใƒซใƒŠใƒฌใƒ•ใฏใ€ๆ‰ฟๅคช้ƒŽใจๅฏพ็งฐ็š„ใชใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใซใ—ใŸใ‹ใฃใŸใ‚“ใงใ™ใ‚ˆใ€‚ๆ‰ฟๅคช้ƒŽใฏใ‚ฏใƒผใƒซใงใฉใฃใ—ใ‚Šๆง‹ใˆใฆใ„ใฆใ€ใ‚ใพใ‚Š่ตฐใ‚‰ใ›ใŸใ‚Šใ‚‚ใ—ใชใ„ใจๆฑบใ‚ใฆใ„ใŸใฎใงใ€่ตฐใ‚Šใพใใ‚‹๏ฝค็›ดๆƒ…็š„ใชใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใŒๆฌฒใ—ใ‹ใฃใŸใ€‚้™ใจๅ‹•ใงใ™ใญใ€‚ใƒใƒซใƒŠใƒฌใƒ•ใฏใ€ใ‹ใชใ‚Šๆใ„ใฆใฆๆฅฝใ—ใ‹ใฃใŸใ—ใ€ๅ‹•ใ‹ใ—ใ‚„ใ™ใ‹ใฃใŸใงใ™ใญใ€‚ใ ใ‹ใ‚‰็ตๆžœ็š„ใซใ€ใ‹ใชใ‚Šๆดป่บใ—ใฆใพใ™ใ€‚ใ‚ใจใ€้ซชๅฝขใ‚‚ใ‚ˆใ‹ใฃใŸใ€‚ไป–ใฎไปฒ้–“ใŸใกใŒใบใ—ใ‚ƒใ‚“ใ“ใช้ ญใฐใ‹ใ‚Šใ ใฃใŸใฎใงใ€ใ‚ณใƒžใฎไธญใซใƒใƒซใƒŠใƒฌใƒ•ใŒใ„ใ‚‹ใจใƒกใƒชใƒใƒชใ‚‚ๅŠนใ„ใฆ็ตตใซใชใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚ใ€Žใ‚นใ‚ฟใƒผใƒ€ใ‚นใƒˆใƒปใ‚ฏใƒซใ‚ปใ‚คใƒ€ใƒผใ‚นใ€ใŒ็ต‚ใฃใฆ๏ฝค็ฌฌ๏ผ”้ƒจใ€Žใƒ€ใ‚คใƒคใƒขใƒณใƒ‰ใฏ็ •ใ‘ใชใ„ใ€ใซใชใฃใฆใ‹ใ‚‰๏ฝคใƒใƒซใƒŠใƒฌใƒ•ใฏใฉใ†ใ—ใฆใ„ใ‚‹ใฎใจใ„ใ†่ชญ่€…ใ‹ใ‚‰ใฎใฏใŒใใŒใจใฆใ‚‚ๅคšใ‹ใฃใŸใ‚“ใงใ™ใ€‚ใ ใ‹ใ‚‰ใ€Ž้ป„้‡‘ใฎ้ขจใ€ใงใฏใƒใƒซใƒŠใƒฌใƒ•ใŒใ€Žใ‚นใ‚ฟใƒผใƒ€ใ‚นใƒˆ๏ฝฅใ‚ฏใƒซใ‚ปใ‚คใƒ€ใƒผใ‚นใ€ใฎๅพŒใ€ใฉใ†ใ—ใฆใ„ใ‚‹ใ‹ใ‚‚ๆใๆ„ๅ‘ณใง็™ปๅ ดใ•ใ›ใพใ—ใŸใ€‚ๆ‰ฟๅคช้ƒŽใจๅŒใ˜ใ‚ˆใ†ใซใ€ๅฝผใ‚‚ๆˆฆใฃใฆใ„ใŸใ‚“ใ ใ‚ˆใ€ใจใ„ใ†ใฎใ‚’ๆใ„ใฆใ‚ใ’ใŸใ‹ใฃใŸใ€‚

็Šฌใ‚’ใฉใ†ใ—ใฆใ‚นใ‚ฟใƒณใƒ‰ไฝฟใ„ใซ๏ผŸ ใ€€ๅƒ•ใฏ๏ฝคๅผฑใใ†ใชใƒคใƒ„ใŒๅฎŸใฏๅผทใ„ใจใ„ใ†ใฎใŒๅฅฝใใชใ‚“ใงใ™ใญใ€ๅŸบๆœฌ็š„ใซใ€‚ใกใฃใกใ‚ƒใใฆใƒ–ใ‚ตใ‚คใ‚ฏใช็ŠฌใŒๅผทใ„ใจใ„ใ†ใฎใฏ้ข็™ฝใ„ใ‚“ใ˜ใ‚ƒใชใ„ใ‹๏ผŸใจๆ€ใฃใฆใ€ใ‚คใ‚ฎใƒผใ‚’็™ปๅ ดใ•ใ›ใพใ—ใŸใ€‚ๅŠฉใฃไบบใจใ—ใฆ็พใ‚Œใฆ๏ฝคไบบ้–“ใ ใฃใŸใ‚‰ๆ™ฎ้€šใ˜ใ‚ƒใชใ„ใงใ™ใ‹ใ€‚ใใ‚ŒใŒ็Šฌใ ใฃใŸใ‚‰้ข็™ฝใ„ใช๏ฝคใจใ‚‚ๆ€ใ„ใพใ—ใŸใญใ€‚ใ€Žใƒ€ใ‚คใƒคใƒขใƒณใƒ‰ใฏ็ •ใ‘ใชใ„ใ€ใงใฏใ€ใ•ใ‚‰ใซใใ“ใซใ“ใ ใ‚ใ‚Šใพใ—ใŸใ€‚ๆœฌไฝ“ใฏๅผฑใใ†ใงใ‚‚ใ€ใ‚นใ‚ฟใƒณใƒ‰ใฏๅผทใ„ใ€‚ใƒ‰ใƒ–ใƒใ‚บใƒŸใฎใ‚นใ‚ฟใƒณใƒ‰ใจใ‹ใ€้‡ใกใƒผใจใ‹ใ‚‚ใใ†ใงใ™ใญใ€‚

ใƒ›ใƒซ๏ฝฅใƒ›ใƒผใ‚นใ‚’ไปฒ้–“ใซใ™ใ‚‹ๆฐ—ใฏใ‚ใฃใŸ๏ผŸ ใ€€ใƒ›ใƒซ๏ฝฅใƒ›ใƒผใ‚นใฏใ€ไปฒ้–“ใซใ—ใ‚ˆใ†ใ‹ใจๆ€ใฃใŸใ‚Šใ‚‚ใ—ใพใ—ใŸใ€‚ใงใ‚‚ใ€ไปฒ้–“ใซใชใ‚‹ใƒคใƒ„ใฐใฃใ‹ใ‚Šใ ใจ้ข็™ฝใใชใ„ใชใจๆ€ใ„็›ดใ—ใฆใƒปใƒปใƒปไปฒ้–“ใซใชใ‚Šใใ†ใงใชใ‚‰ใชใ„ใƒคใƒ„ใŒใ„ใฆใ‚‚ใ„ใ„ใ‚“ใ˜ใ‚ƒใชใ„ใ‹ใจใ€‚ใƒ›ใƒซ๏ฝฅใƒ›ใƒผใ‚นใฎๆ€งๆ ผใ‚’่€ƒใˆใ‚‹ใจใ€ไปฒ้–“ใซใฏใชใ‚‰ใชใ„ใงใ™ใ‚ˆใ€‚ใ‘ใฃใ“ใ†ใ„ใ„ใ‹ใ’ใ‚“ใชๆ€งๆ ผใงใ€ใ‚ใฃใกใธใตใ‚‰ใตใ‚‰ใ“ใฃใกใธใตใ‚‰ใตใ‚‰ใ€‚ใ‚ณใ‚ฆใƒขใƒชใฟใŸใ„ใชใƒคใƒ„ใ€‚ใงใ‚‚ใ€ใƒ›ใƒซ๏ฝฅใƒ›ใƒผใ‚นใฏใ‚‚ใฃใจ็™ปๅ ดใ•ใ›ใŸใ‹ใฃใŸใงใ™ใญใ€‚ใƒใƒซใƒŠใƒฌใƒ•ใจๅŒใ˜ใใ‚‰ใ„๏ฝคๅ‹•ใ‹ใ—ใ‚„ใ™ใ„ใ‚ญใƒฃใƒฉใ ใฃใŸใ—ใ€ๆใ„ใฆใฆ้ข็™ฝใ‹ใฃใŸใ€‚ใ‚ใจไฝ•ๅ›žใ‹ใ€็™ปๅ ดใ•ใ›ใฆใ‚ใ’ใŸใ‹ใฃใŸใงใ™ใญใ€‚

DIOใฏใ„ใฃใŸใ„ใฉใ‚“ใชๅญ˜ๅœจ๏ผŸ ใ€€ใ€Žใƒ•ใ‚กใƒณใƒˆใƒ ใƒ–ใƒฉใƒƒใƒ‰ใ€ใฎ้ ƒใ‹ใ‚‰๏ฝค๏ผ“้ƒจๆง‹ๆˆใงใƒปใƒปใƒปใจใ„ใ†ใ“ใจใฏ่€ƒใˆใฆใ„ใฆใ€Œ๏ผ“้ƒจใฎๆœ€ๅพŒใฏDIOใ‚’ๅ€’ใ™ใ‚“ใ ใ‚ใ†ใ€ใจใฏๆผ ็„ถใจๆ€ใฃใฆใ„ใŸใ‚“ใงใ™ใ‚ˆใ€‚ใ€Ž่ญฆๅฏŸ็ฝฒ้•ทใ€ใจใ„ใ†TVใƒ‰ใƒฉใƒžใซใ‚‚ใชใฃใŸๅฐ่ชฌใŒใ‚ใฃใฆใ€ไปฃใ€…่ญฆๅฏŸ็ฝฒ้•ทใฎๅฎถ็ณปใฎ่ฉฑใชใ‚“ใงใ™ใ‚ˆใ€‚ใใ‚Œใงใ‚‚ใ€ๆœ€ๅˆใซใŠใใŸไบ‹ไปถใ‚’ๅญๅญซใŒ่งฃๆฑบใ—ใŸใ‚Šใ—ใฆใ„ใ‚‹ใ€‚ใใ‚Œใ‚’ใ‚„ใ‚ŠใŸใ‹ใฃใŸใ‚“ใงใ™ใ€‚ๅ–„ใฎใ‚ธใƒงใƒผใ‚นใ‚ฟใƒผๅฎถใซๅฏพใ—ใฆใ€ใ‚ทใƒชใƒผใ‚บๅ…จใฆ้€šใ—ใฆๆ‚ชใฎๅญ˜ๅœจใŒDIOใ€‚ๅœงๅ€’็š„ใชๆ‚ชใ€‚ใ€Žใ‚นใ‚ฟใƒผใƒ€ใ‚นใƒˆ๏ฝฅใ‚ฏใƒซใ‚ปใ‚คใƒ€ใƒผใ‚นใ€ใงDIOใฏๅ€’ใ•ใ‚Œใพใ—ใŸใ‘ใฉใ€ใใฎๅพŒใฎ็‰ฉ่ชžใงใ‚‚ใ€DIOใฎๆ‚ชใฎ็ฒพ็ฅžใฏๆฎ‹ใฃใฆใ„ใฆใƒปใƒปใƒปใ‚ธใƒงใƒผใ‚นใ‚ฟใƒผๅฎถใฏไปฃใ€…ใ€ใใฎ้‚ชๆ‚ชใช็ฒพ็ฅžใจๆˆฆใฃใฆใ„ใ‚‹ใ‚“ใงใ™ใ€‚ใ€Žใ‚นใƒˆใƒผใƒณ๏ฝฅใ‚ชใƒผใ‚ทใƒฃใƒณใ€ใงใ‚‚ใ€DIOใฏๅ‡บใฆใใพใ›ใ‚“ใŒ๏ฝคDIOใŒๆฎ‹ใ—ใŸ้‚ชๆ‚ชใช็ฒพ็ฅžใจๅพๅ€ซใฏๆˆฆใฃใฆใ„ใพใ™ใ€‚DIOใ‚’ๆใๆ™‚ใฏใ€ใ„ใคใ‚‚ๆฐ—ๅˆใŒๅ…ฅใ‚Šใพใ—ใŸใญใ€‚DIOใŒๅ‡บใฆใใ‚‹ใจใ€้›ฐๅ›ฒๆฐ—ใ‚‚ใชใ‚“ใ‹ๅค‰ใ‚ใ‚‹ใ‚“ใงใ™ใ‚ˆใญใ€‚ใƒžใƒณใ‚ฌใฎไธญใฎ็ฉบๆฐ—ใŒใ“ใ†ใ€ๅผตใ‚Šใคใ‚ใ‚‹ใจใ„ใ†ใ‹ใƒปใƒปใƒปใ€‚็”Ÿใ็‰ฉๆœฌๆฅใฎๅผฑ่‚‰ๅผท้ฃŸใฎไธ–็•Œใ‹ใ‚‰ใ™ใ‚‹ใจใ€DIOใฎใ‚„ใฃใฆใ‚‹ใ“ใจใฏๆญฃใ—ใ„ใ“ใจใชใ‚“ใงใ™ใ€‚ไบบ้–“ใŒ็”Ÿใๅปถใณใฆใ„ใใ‚„ใ™ใใ™ใ‚‹ใŸใ‚ใซไฝœใฃใŸ ใ€็คพไผšใฎๅธธ่ญ˜ใจใ„ใ†ใ“ใจใ‹ใ‚‰ใฏๅค–ใ‚Œใฆใพใ™ใ‘ใฉใญใ€‚ๅผฑ่‚‰ๅผท้ฃŸใฎไธ–็•Œใ‹ใ‚‰่€ƒใˆใ‚‹ใจใ€DIOใฏๆ™ฎ้€šใฎ่กŒๅ‹•ใ‚’ใ—ใฆใ„ใ‚‹ใ€‚DIOใ‚’ๆใๆ™‚ใฏ๏ฝค่‡ชๅˆ†ใ‚‚DIOใฎๆฐ—ๆŒใกใซใชใฃใฆใพใ™ใ€‚ใƒปใƒปใƒปใ“ใ‚“ใชใ“ใจใ„ใ†ใจใ€ๅ็คพไผš็š„ใ ใฃใฆใ„ใ‚ใ‚Œใ‚‹ใ‹ใ‚‚ใ—ใ‚Œใชใ„ใ‘ใฉใ€ใ‚ใ‚‹ๆ„ๅ‘ณDIOใฏ่‡ชๅˆ†ใฎๆ†งใ‚Œใฎๅญ˜ๅœจใงใ™(็ฌ‘)ใ€‚[8]

Hirohiko Araki Interview - Kira My Hero (Short Summary)
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Kira Yoshikage is obviously a pun on Killer, and of course Killer Queen. Regarding how his name is spelled, the reason I use ๅ‰่‰ฏ (Kira), and ๅ‰ๅฝฑ (Yoshikage) is because I love alliteration.


I love Kira's personality. He is always calm and tries to keep a low profile. He consistently does his best to live a quiet life, which includes secretly killing women and always having a hand to hold (literally). The way he keeps a record of the length of his nails is similar to things I do, like keeping track of my blood pressure. He knows and admits his quirks and usually knows what he's doing; he understands that there is no way to stop him. I admire him so much except for the fact he kills.

You know the photo of Kira with his parents? I thought I'd describe his childhood and all he had gone through, but decided against it as I figured Kira's childhood would have made the readers feel sorry for him. That's not good; after all, he is the main villain Josuke has to face. Instead of trying to illustrate it fully, I tried to hint how his childhood was like, such as the fact his parents are old. Another is his mom in the photo, doesn't she look somehow strange?

  • In Deadman's Questions, I hid the fact that the main character was Kira until the very end of the story because I didn't want core fans to read though the story with the image of Kira in mind.
  • Why did Kira's father have the bow and arrow?--He received it from DIO.
  • I never planned for Cinderella being Kira's ticket to survival. I usually deal with the plot on a weekly basis.
  • With Kira's death, I wanted to make Morioh seem "eternal". In my mind, Morioh just stayed the same, so things such as "what happen to Josuke afterwards," aren't that important. Amoungst all the bosses in the JoJo series, I love Kira best.
  • About Josuke's hairstyle...my editor said it was "out of fashion." That comment made my day, though it would be more challenging for me to describe Josuke's personality.
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โ€”Hirohiko Araki

Full Interview

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Before we talk about Kira, lets talk about the town of Morioh.

It is modelled after a new residential development built close to where I grew up. Back then, I was looking at these new buildings and felt a sort of anxiety as opposed to admiration. โ€œWas everything really going well [in there]?โ€

Looking from the outside, you see all these warm lights in the houses, but you have no idea what people are doing inside. These houses that looked the same were being built and they all looked pristine and happy. Doesnโ€™t that sort of make you feel like a Kira might be [lurking] there? (laughter)

With โ€˜Diamond is Unbreakableโ€™ my theme was to build out a town. I wanted to draw the humor and spookiness that might be lurking the peripheries of everyday life. Even myself now, there might be bizarre things going on if I just change my point of view.

I was also very influenced by the novels of Stephen King. I was reading them a lot in the 80โ€™s and 90โ€™s, but I especially liked โ€˜Miseryโ€™. The stage is fixed and you just keep delving deeper and deeper within it. Back then I read a lot of King novels.

Also with Part 4, I got to bring in a lot of my own tastes into the work so that was fun. Games, shops, Italian restaurants! With Tonioโ€™s store, I paid a lot of attention to what I was drawing down to the ornaments. It was great bringing that into the fold tooโ€ฆ Research was also really easyโ€”I just had to go home to Sendai (laughter) I would just go back, take a few pictures at a souvenir shop and draw them inโ€”all within the realm of not being scolded [for frivolous travel] of course!

Also, Josukeโ€™s hairstyle, even my editor pushed back being like โ€˜Please draw a main character suited for the eraโ€™. But I thought it was good because he wasnโ€™t. The way he cares about his hairstyle, itโ€™s very โ€˜70โ€™s~80โ€™s delinquentโ€™-like isnโ€™t it? But when you go to the countryside, you occasionally see people like that (laughter) When I was a student, I would stay away from people like that because they scared me, but now thereโ€™s almost something endearing about them.

So it seems that when we remixed the comics, there were 7 volumes just dedicated to episodes related to Kira. I myself was like โ€˜Wow, did I really draw that much of him?โ€™

One of the themes of โ€˜Diamond is Unbreakableโ€™ is that Horror may be lying right behind our everyday lives. The reason for that is because I liked reading books on serial killers back in the 80โ€™sโ€”this is right before โ€˜Silence of the Lambsโ€™ would be published and that became a trendโ€”and I wanted to understand what the motivation of serial killers were. Why would you be born a human and do things like this? Those types of questions really interested me and the actions of these people I found really spooky.

So when I started drawing out โ€˜everyday lifeโ€™, I had an initial assumption that a serial killer would be the enemy. A sort of different enemy from โ€˜Stardust Crusadersโ€™, one that lies in wait. The โ€˜Stardust Crusaderโ€™ enemies came rushing in, but [I was thinking of] an enemy that would sort of lure you inโ€ฆ Eventually I was thinking of drawing something like that, but I wasnโ€™t imagining Kira Yoshikage as a specific character from the start.

The first enemies were student-level enemies like Okuyasu and Keicho, also the guitarist Otoishi Akiraโ€”at first I was thinking of student level, delinquent level enemies. The reason for that being that I didnโ€™t want to make a sort of โ€˜Greatest enemyโ€™. When you create a โ€˜Greatest enemyโ€™ to be overcome, to be the goal, the readers canโ€™t focus on anything besides that. I didnโ€™t want that to become a weakness in the work. For every story I wrote, I wanted the attention to be on whatโ€™s happening right now.

But it seems โ€˜Jojoโ€™ readers really wanted a โ€˜Greatest enemyโ€™ of some sort, I guess DIO gave off too strong an impactโ€ฆ. so when it seemed like the end was in sight, I thought up of Kira.

The name Kira is of course from โ€˜Killerโ€™โ€”so a murderer. Its very simple (laughter) The name โ€˜Yoshikageโ€™โ€ฆ I wanted the first kanji of both names to be the same. Same with Jojo right? So it might be easy to remember if I aligned it around the letter โ€˜ๅ‰โ€™. That;s all. But it sounded right.

The first appearance, I drew from the PoV of Kira. I wanted to draw something from the point of view of the antagonist. Up until this point, I only wrote the villains from the point of view of the protagonistsโ€”the villains as seen by the protagonists. But antagonist has a point of view as well, and I wanted to draw what their mental state might be. Why does Kira commit murders? And I wanted to draw that in a fashion where he stays an antagonist and doesnโ€™t become a protagonist.

So I didnโ€™t want to make him a very sympathetic character. When you read about the young lives of these serial killers, you often see that they lived unhappy childhoods. But if you start drawing that out, they become useless as antagonists. So I took care to cut out those parts as best I could when building his character. That took a bit of work.

For DIO, he had a thing about becoming a pinnacle over humanity right? But Kira is pursuing true human happiness. Thatโ€™s why he hates trouble. He just wants to live in a world of his own interests, and thatโ€™s what makes him dangerous (laughter) But he might have an philosophy of his ownโ€ฆ The enemies up until that point like DIO and Kars were all aiming for the topโ€”it might have been symbolic of the Japanese economy up until that point, like the bubble economy (laughter). Back in those days, DIOโ€™s might have been the more natural mindset and you might unconsciously sympathize more with that.

When I was drawing Kira, what people were looking for was tranquility. The idea that happiness is not about standing on top of others. Kiraโ€™s awards since he was a middle schooler were all for the #3 spot. Not #1 or #2, but #3. Not conspicuous, but still respectful. He himself has the talent to become #1. But standing out, making enemies, being chased, feeling pressure, feeling expectations he canโ€™t handle that at all. There might be a lot of adults who think like that, but itโ€™ll be creepy if someone was thinking that when theyโ€™re a kid right? Itโ€™s much cuter for kids to be like โ€˜Iโ€™m going to become #1!โ€™ That sort of abnormality was what I wanted to draw, that sort of odd genius.

Killing Sugimoto Reimi when he was 18, that was Kiraโ€™s first murder. Itโ€™s around the same time Jotaro and his companions fought DIO. Maybe that was a sort of year when the stars aligned. A year of destiny. Josuke was saved by the man with the pompadour that year too, so a lot of things went on.

His first murder, it was probably by impulse. By chance, he saw Reimi and snuck into her houseโ€ฆ and that changed his fate. If not for that incident, he might not have lived a happy life without killing, but the stars steered him wrong. And from there, you canโ€™t shake fate. His first murder went a long time without being uncovered. You read about serial killers and how they have dozens of bodies buried under the floor. You wonder how that happens without being uncovered, but thatโ€™s really scary right? Maybe its driven by the apathy of the neighborsโ€ฆ With that first murder, Kira became destined to kill 48 people.

Kiraโ€™s background of bottling up his nailsโ€ฆ that was inspired from a real life story of someone who preserved his nails to monitor his own condition and stress levels. That person is not a serial killer (laughter) That nail story was interesting, and I remembered it. It seemed like something Kira might doโ€ฆ โ€˜When my nails have grown x millimeters, Iโ€™m doing great!โ€™ โ€˜This is when I can never be caught!โ€™ I feel like I do something similarโ€ฆ I measure my blood pressure and read from it my condition. Sometimes I feel invincible when the readings are good. There might be athletes who do that tooโ€ฆ not with nails of course. Kira just does a sorta-creepy version of that (laughter)

Now for Kiraโ€™s family, do you remember that scene where you see a picture of Kiraโ€™s family, I put a lot of thought into drawing that. Itโ€™s not a fun-looking family, but it also looks sort of peacefulโ€ฆ and thatโ€™s creepy. The father and mother appears close to each other, but also distant. They probably havenโ€™t ever really had a major fight either. When you read about a serial killerโ€™s life, you feel chills when you come across a picture of them as a child. I wanted to imbue that picture with a bit of that feeling.

Now Kiraโ€™s father, he was a strange person. Not quite a criminal, but considered odd. He probably knew his son was a murderer and went ahead hiding his crimes. Of course, Kiraโ€™s father went to Egypt and obtained the bow and arrow from Enya to protect his son. Right around then, DIO was looking for allies around the world and Kiraโ€™s father was one of those accepted as having potential by him. The same for Okuyasuโ€™s father. People who had been scouted by DIO were all around the world, and even among them, Kiraโ€™s father and Okuyasuโ€™s father may have had extra attention paid to them as they were in Japan along with Jotaro. For the mother, I havenโ€™t drawn anything about her at all, but I think she may have done a sort of โ€˜abusive coddlingโ€™ towards Kira. Thatโ€™ll be scary right?

Even now, I wonder if I should have drawn out Kiraโ€™s relationship with his parents in more depth. But I had to cut it out with much reluctanceโ€ฆ or maybe I should say that I didnโ€™t have the courage to draw that out. Like I said before, I didnโ€™t want to detail Kiraโ€™s past too much. I didnโ€™t want the readers to look at Kira and his father and think โ€˜these are actually very sad charactersโ€™. I drew out Kiraโ€™s mental state when killing, but if I started delving into the fundamental reason why he kills, Kira becomes a sort of sympathetic characterโ€ฆ if you start emphasizing with Kira thatโ€™s not really appropriate for a Shonen manga. I didnโ€™t want readers to feel sympathy. That may be the hardest thing about drawing out Kira. Although I think I might have been able to add another two or three volume if I started delving into Kiraโ€™s mental state, his motivations and his relationship with his parents.

Iโ€™m really interested in familial relationsโ€ฆ the Joestar bloodline is about families too after all. When I draw a character, I start wondering about their parents or siblings. It might be because I was influenced by my parents and sisters a lot. When follow that trail, when you draw out an antagonist I start wondering what influences he got from his family. But if you start delving into that personโ€™s background, you start straying from the theme. Thereโ€™s so much you could draw out. Even DIO had a lot of influence from his father. But because this is a weekly serial manga, its always difficult to decide how to cut that out. I mean, you only have 19 pages to draw on a week. Thatโ€™s no space at all. You basically just have to take one idea and run with it. But even then it wonโ€™t fit, so I have to think hard about how I might condense two pages down to oneโ€ฆ

Kira was cornered once and had to flee. Some people thought that might be the end of Part 4, but I was always planning on reviving him. His flight is equivalent to DIOโ€™s resurrection. You think heโ€™s lost, but then he surges backโ€ฆ around there was I really felt a sort of vitality from him. A different sort of vitality from DIO. DIOโ€™s is merely a biological vitality, but Kira was able to tap into the world of a sort of spiritual or mental strength. At that point, Kira trumped Josuke and his friends in spiritual strength. Itโ€™s because he had that resurrection that Kira became such a great antagonist. If he had given up then, he would have been a no-go.

I didnโ€™t think at all about using Cinderella to change his appearance. When he was cornered and I was thinking hard about how Kira might escape, lighting struck me and I realized โ€˜hey I could just use Cinderella which I wrote about last episode!โ€™ Iโ€™m basically thinking at a week-by-week interval and never about what happens after that. I donโ€™t know about Jump manga these days, but itโ€™s all about how I make this week interesting for me.

I also like that part after this where Kira becomes a โ€˜fatherโ€™ as Kawajiri Kosaku. Thereโ€™s a P.K. Dick novel about an alien masquerading as a father in a family; I wanted to draw something like that. Only the son knows that heโ€™s an alienโ€ฆ those types of stories are fun. Those episodes are written from the point of view of the son Kawajiri Hayato, and I think it was good as it changed up the pace. After that you had a few Kira point of view stories and you saw that wife falling in love with Kira. I guess itโ€™s plausible that you might grow to love someone if theyโ€™ve actually changed, but falling in love with a serial killer, thatโ€™s sort of abnormal too and good.

At the end, the son discovers his secret and Kira discovers a new ability. Thatโ€™s an extension of his resurrection. Itโ€™s impossible to stick around in Jojo with the same ability, you have to power up. The youngling who develops into something greater is a common archetype in Shonen. Itโ€™s one of the things I feel are a โ€˜must haveโ€™ in a story. Josuke and Jotaro are sort of โ€˜completedโ€™ characters so itโ€™s difficult to draw a development scene for them, but Koichi-kun and Kawajiri Hayato fit that type. To see Kira also grow in parallel to them is an atypical way of fulfilling a Shonen stereotype.

On โ€˜Bites the dustโ€™ ability. When you start thinking around the theme of time or rather time travel thereโ€™s a lot of variations you can delve into like stopping time, rewinding timeโ€ฆ So its sort of like me passing on ideas I wasnโ€™t able to use for DIO. I like the idea of time manipulation. I did something like that with โ€˜Golden Windโ€™ and โ€˜Stone Oceanโ€™.

Writing the โ€˜Bites the Dustโ€™ episodes were fun. It felt like I was assembling a puzzle or building a game. But because the same time was incremented so many times, I became concerned with whether the readers would follow along. I said this before too, but given that I only have 19 pages a week, I started wondering if this was appropriate for a Weekly manga. A weekly serial has build up story tension within those 19 minutes then pass it along to the next week. Itโ€™s a lot of work, but I see those as the rules I have to work within.

In the end, Kira dies after having been run over by an ambulance, and his face was obliterated and nobody could tell who he is.

With โ€˜Diamond is Unbreakableโ€™ โ€ฆ with the town of Morioh, I wanted to trap it into a world of โ€˜eternityโ€™. Like would the wife have been happy if she knew that her husband was no longer the same person? If she realized it, it would be a bit boring right? So I was fine with that state continuing forever and no answer being resolved. Within myself, Morioh will forever be in that state. What happened to Josuke after the series? I donโ€™t think about that at all. Morioh is โ€˜eternalโ€™.

I drew Kira also in a spinoff called โ€˜Deadmanโ€™s Qโ€™. Being trapped in an โ€˜eternalโ€™ world with his soul being unable to go to heaven or hell, I thought that might be a form of suffering or punishment too. The same thing with Diavolo in โ€˜Golden Windโ€™, but it might be a punishment to be trapped within eternity. In the commentary for the short story collection [โ€˜Under Eecution, Under Jailbreakโ€™] I wrote that I was tearing up as I drew the story (laughter) I was very invested in Kira. I almost understood his feelings, if only he hadnโ€™t committed murderโ€ฆ I didnโ€™t draw it at the time, but thinking back on it I feel that he might have been person with the burden of sadness too.

Out of all the villains Iโ€™ve drawn so far, Kira is my favorite. I like DIO tooโ€ฆ but more than DIO. Because he was seeking a quiet life and wasnโ€™t a character you would see often in a shonen manga, I was very invested
โ€
โ€”Hirohiko Araki
[9]

Afterword written in the last volume of the second printing of Stone Ocean translated by twitter user @macchalion from the Japanese volume

โ€œ

The truth is, I donโ€™t really know what to say about this. Writing this sixth part of โ€œJojoโ€™s Bizarre Adventure - Stone Oceanโ€, I started feeling a great sense of satisfaction regarding the standโ€™s powers. I felt like I had reached the peak of my creativity, as an author I had drawn everything my capabilities allowed. โ€˜Timeโ€™ that got faster and faster for humansโ€™ senses to perceive, getting closer to the concept of infinite โ€“ given we canโ€™t really comprehend much of it. How could there possibly be a stand power bigger than this? โ€œThereโ€™s nothing more incredible, my creativity has reached the highest pointโ€, thatโ€™s what I thought. I normally think that feelings like a sense of satisfaction or personal realization are extremely scary. Finding yourself in a situation where you think everythingโ€™s going well and you donโ€™t need to do anything more is without doubt a terrible situation, as a person and as a mangaka, but also if we think about society and the development of science, philosophy, art and culture in general. People act to achieve something, to obtain satisfaction above all else, but what do they do when they reach it? This contradictory feeling crept up my heart while I was coming up with an ending for โ€˜Stone Oceanโ€™. Jolyne Cujoh, our protagonist, felt a deep void in her heart too because she was missing the paternal love that brought her to befriend the shady guy that caused her to be imprisoned, after causing a car accident. But whatโ€™s important is the progress she makes because of that, because of the actions she has to do to save her father she becomes the strong woman she is. If we look at this story as a telling of the protagonistโ€™s growth, her story had ended. So know what should I do for the accomplishment of this manga? In other words, I donโ€™t have anything more to draw. Itโ€™s over. โ€˜Jojoโ€™s Bizarre Adventureโ€™ has reached its summit.
This is โ€˜Stone Oceanโ€™.
The end.
But this is not right, not at all, it feels wrong. The fact that Iโ€™m feeling accomplished should not be a good thing.
Itโ€™s like a red light is in front of me, what should I do?
This is what I was thinking then, until I had an idea.
Go back to the origins! Isnโ€™t this how Renaissance happened in Italy, going back to Greeks and Romans concepts in classic art? The French painter Gauguin also built a whole new painting going back the origins that Tahiti represented for him.

I need to strengthen further Father Pucciโ€™s stand power. This way time, the characters, the bloodlines and the whole universe will have a turnaround and go back to their origins. For โ€˜Jojoโ€™s Bizarre Adventureโ€™ I had to leave modern days and return to nature. I had to change Stone Oceanโ€™s ending right before the last chapters for this reason, I brought out all the nostalgic feelings I had in my soul and this is why it came out like that. Jolyne Cujohโ€™s memories might be different in the reset of the universe but her love and her feelings are still there, they became something eternal and Iโ€™m sure sheโ€™ll keep growing wiser and stronger. I want the protagonist for the seventh part to be fighting against nature in a way that teaches him how to be mature. This were my thoughts upon writing the sixth part, maybe these things shouldnโ€™t be said or written but this is the authorโ€™s afterword right? It came out like this[10].
โ€
โ€”Hirohiko Araki

โ€œ

Your thoughts about your 25th anniversary as an author?
I think that it was a very quick 25 years. But when I look back at my work...it's kind of like the stuff around the Phantom Blood era is the work of someone else. Yeah, that's what I honestly feel. So, when I read it I can kind of read it objectively; I can read it as though I was a fan.

Do you read back on your old work?
Not very much, but if there's a game or something released like now, I'll read back and think "Ohh, so I was writing this kind of stuff?" Once the stands started coming out, I often forget about some characters. Someone will mention a guy and I'll be like, "Who was that again?" and I'll read back and say "Ohh yeah there was that guy." Kind of like that. The readers know more than me.

Next year will be the 20th anniversary of JoJo.
Well, they let me debut on the New Year's of '82 but that still felt a bit vague to me. I couldn't really imagine myself as a manga artist; it wasn't clear on what kind of manga artist I was going to be. It was like I just was incidentally awarded the Tezuka Award, it wasn't really like I was aiming to win it. So that was kind of when I began training. And...when I look at the other Jump artists manga, they all had their own distinct styles. So the period when I was thinking about what style and what kind of manga I should draw was right before JoJo. I sort of feel that I finally became a pro with JoJo; it was like everything opened up in front of my eyes.

How was "JoJo" born?
I liked movies and at the time Sylvester Stallone and Arnold Schwarzenegger were popular. They're both muscular characters and their bodies are covered in muscle, which made me think to myself "I wonder who the strongest person in the world is?" This question was basically the beginning of the idea of JoJo. Themes such as immortality, seeking life, justice and things that humans innately seek spawned from this and eventually lead to the creation of Part one. So basically stuff to do with immortality and super macho guys and how strong they can get; that was what I was pursuing. Also, I had gone on a trip to Italy about 2 years before that and you may already know but, the art in Italy kind of strives for human beauty. When I saw the original artworks, it made me want to do the same.

The origin of the name "JoJo"
I wonder if it's okay to say this..? Umm, the place I used to hold meetings with the editor was at a local family restaurant in my neighborhood called Jonathan's. We were thinking of making the name "Jonathan" Something, and you know how a name can be two S's like Steven Spielberg? I wanted something like that so I thought "Well if it's Jonathan then it'll start with J so...Joestar should be okay." But that was really adventurous for a Shonen manga because it was taboo to have a foreigner as a main character; it was that kind of era. It was a big adventure so I was really grateful to my editor at the time.

Regarding the birth of the arch nemesis, Dio
He's full of confidence, very arrogant and he's aiming to become a God, or top of the world. Because of this, I used the Italian word, 'Dio,' that is used to refer to a God, as well as the 'Dio' that plays Heavy Metal. I like Heavy Metal and Rock so I used those as a reference to make characters. They're also characters that I created to signify 'black and white' or good and evil.'

Part 1:Phantom Blood
What were your initial ideas?
Back when I started drawing part one, I liked stories that went over several generations like 'East of Eden' and the show 'Roots' that they did on TV. The lead character changes but it kinda continues; it's something like an American periodical drama or periodical novel. And I don't think it was very Jump-like in style but I thought that it might be good to go where nobody else had before.

There's also a manga that I really respect called Babel II by Yokoyama Mitsuteru which has fights that follow rules. I also wanted fights that followed rules in JoJo, so the Hamon was one of those things. Also, you can't see psychic abilities right? Like if you concentrate your mind and something breaks, you can't really see it. But it's a manga so I thought I should be able to draw it and try and make it easy for readers to know what kind of psychic powers they were, which is how I came up with the ripple. It kind of spread from that like how ripples slowly spread, no pun intended. (Slowly is 'jojo' in Japanese)

When I look at him now, I think Jonathan is too much of a good boy. If I was to draw him now, I'd probably show more of the weaknesses of his heart too.

Part 2: Battle Tendency
Was Joseph's personality affected by Part one?
One more thing that you weren't supposed to do in those days was to let your main character die. That was another forbidden act. We had a discussion as to whether that will happen first and it was eventually decided in a meeting that we'd kill the main character. Because of this, I had to drastically change the story's characters and portray events that I didn't show in part one in part two and then similarly portray events I didn't show in part two in part three. That was my plan. I had a story devised up until part three, but because the story convention required Part 2 to be different to Part 1, I created Joseph. He does share similarities to Jonathan though in that he is also a muscle type.

Was it always your plan to revive Dio in Part 3?
I really wanted to draw him being dead for awhile and then coming back to life, but if I was to do that I needed something to happen in between (Part 2). Yeah.

Part 3: Stardust Crusaders
How was the process of changing from Ripples to Stands?
I tried portraying the ripple through pictures and I also tried portraying the psychic ability of Stands with pictures too but, how should I say it... I wanted to have punches from here (away from body). I had a meeting for it where I was asked, "What are you going to do next? You can't use the Ripple anymore." But when I said, "Well, a punch comes out of here (referring to the front of the body) and breaks stuff," they'd be confused and wouldn't understand me. So I was like, how should I say this...? Well, there's a thing like a guardian spirit and...it comes out and attacks." That's how I explained what the new ability would be and nobody would understand what I was on about. I told them that I think I could create alot of characters this way; I could make like a green colored punch or a sharp thing spawn and make them fight. Unlike the ripple, I can do lots of variations. That's how I started with Stands, though I originally thought that people who read it at first wouldn't know what's going on. Stands gave me alot of trouble when it came to explaining them, but I really felt that I could keep inventing new characters and ideas this way forever. It was like I dug up a gold mine. No one else thought it was gold, but I was like "Wow, look what I dug up!"

Part 4: Diamond is Unbreakable
What were your ideas from Part 4 and onwards?
Part 3 was a story that had the shape of a role playing game. It's like a board game where you go here and there. There's a book called "Around the World in 80 Days," which I made Part 3's story with that as an influence. If that's the case, then enemies have to be types that come and attack Jotaro themselves, though they might be waiting for them too. So when i was thinking of ideas I thought of people that were willing to wait in their positions for a long time: like people that live in houses and attack when customers arrive, people with personalities like trapdoor spiders. I had a lot of these ideas left over and so I thought that I could probably use all of them within a single town. There were various incidents back then such as a serial killing incident that sent huge shockwaves across Japan. The feeling of your neighbor possibly being a serial killer was the perfect atmosphere, so I used that idea when positioning lots of Stand users around the town. That's basically how Part 4 was born and you can see how it's different from part 3. Making Part 3 different to Part 2, and making Part 4 different to part 3...is the way JoJo was made.


Up until Part 3, the setting was in an imaginary, mythical kind of world but for Part 4 I drew an everyday world so I feel more closeness to Josuke, which is why I like him the most. I found it really fun to write, it was like he became a friend of sorts. Jotaro, however, is someone that you admire, like a hero from a mythical tale. But Josuke seems more like a friend or a senior.

Josuke is supposed to be the child of a lover but...?
Yes, he is. If I could write more of Part 4, I'd like to explore that more specifically. You would probably develop some complicated ways of thinking if you were a child of a lover and Josuke was also meeting his dad for the first time in a while, so I'd like to write more in depth about that. If I had the opportunity to write that, I would really like to. Part 4 isn't really finished yet. If I decided to continue it, I could as much as I want.

Part 5: Vento Aureo
Why did you make the hero Dio's son?
Oh yes right. In part 5, he's not really a blood relative...well kind of. I find great importance in the upbringing and background of the characters. Stuff like what kind of place they were born, and what their parents were like. If I know that then it makes it easier to understand and write. That's what I do it for, so I find bloodlines very important. It might seem like a bit of a stretch, but that's how Part 5 started. During Part 4, the editor said to me, "Are you able to draw sadness?" But life is a sad thing though isn't it? He asked me if I could draw that, and initially I said that it wasn't really my style but during Part 5, I suddenly felt to urge to draw just that. Like the sadness of being ostracized by society but still having a sense of justice. That was what I tearfully wrote for Vento Aureo.

Part 6: Stone Ocean
You once said that you can't draw females.
Back then, it was an era when it was unthinkable to have a female character taking punches and in JoJo, arms can go flying if you're not careful. I felt that I wasn't able to draw that with female characters and the readers wouldn't be able to keep up. As I grew older, the difference between genders became less important, and I started to feel that I could actually draw a tough female. What I came up with was Stone Ocean, whose takes place in a prison setting.

About the end of Part Six
The last boss in JoJo has to be made incredibly strong. And I already made Dio stop time, so I figured the readers wouldn't be happy unless I thought of something even stronger. That factor had become a bubble-like situation and so I thought what would happen if you sped up time really fast, and ended up going full circle. Your brain goes strange when you think about infinity.

What are your thoughts regarding time?
It's mysterious isn't it? If you think about time, it feels mysterious and possibly the ultimate power if you could control it. My thought process involved coming up with this ultimate power and then thinking up how on earth you'd defeat it. Even while writing JoJo I myself often thought, "Oh...they're going to lose this one, they can't possibly win." But thinking about how it will be done is how I go about making this, so even now I still think about the question from Part 1, "Who is the strongest person in the world." I find that there's a great deal of romance there.

Manga Artist Araki HiroHiko
About drawing old characters.
I really find it hard being asked to draw previous characters. I wonder why that is..? I just get really tired. First, I have to try and draw the essence of my older style and then I have to fuse it with my current style, which made drawing the cover of this game really tiring. Though I did end up drawing it anyways after telling them that I can't draw older characters.

Second, artwork always changes; for example, I said before that muscular characters were really popular in the 80's but that wasn't really the case anymore in the 90's. I think it's strange to keep drawing muscular people if that's the case. So when I started on a new chapter back then I made Giorno Giovanna quite thin to be like a normal sized person. From around the time of Josuke, I decided to change from a mythical kind of person to a more ordinary size. That's the kind of way that artwork changes. Well, that's what I think. Also, I don't know about my art getting better. You could say that I was bad at the beginning though. I don't really try to keep it like my older styles; they're pictures that I've drawn in a classical kind of method, so I don't really mind if it changes.

About the game's cover
Well I first imaged it as having the ripple, but I was requested to have Dio and Jonathan fighting with the stone mask but I basically tried to bring the stone mask to the front more. The stone mask is like the game's emblem or the game's mark, so I put water and ripples over the background to lessen its impact. Usually, the main character is right at the front for package illustrations but I kind of made it the opposite of that.

About the poses.
The poses are influenced from Italian sculptures. I really like the way the bodies are twisted and it makes me want to turn them into a drawing. Also, you might not understand unless you're a person that draws, but the pelvis moves up and down and that's what I find fun. Like doing this... and stuff like if you move your wrist than you move up here. (Hand gestures) It's fun to draw while you theorize about that. Well for example, I'll show you here...If you put weight down on your right leg like this, your left shoulder drops and stuff. Or if you raise this hip, you go like this; it all moves oppositely. If you raise one hip then a shoulder goes down. If you concentrate on it you'll notice it, I found that about the human body very interesting and I really find it fun putting that into a drawing.

Also, it's not related but I actually enjoy drawing skin getting peeled. So I had alot of fun when drawing Koichi turning into a book. Not because it's grotesque but I think it's because I have to theorize what it might be like. It's strange. Also, things like what would happen if you bend a finger this way. You can make it possible by drawing. I think those are the kind of things I like, though I like drawing the poses too.

About the unique 'sound words'.
Oh, right. They're influenced from horror movies and rock music. In progressive rock and horror music, they use synthesizers and an instrument called a mellotron and sometimes I really want the tinkly kind of sound it produces for some scenes. Also stuff like "Chwween" and "Kyun Kyun Kyun!" You know how they often have noises like that in horror moves? I get the feeling of wanting those in my work. So I just write them out using letters and they naturally become the sound words I use, and I'm not really conscious of it.

Is the model of Kishibe Rohan yourself?
Everyone I meet for the first time thinks that I'll be like Rohan, so it's a bit of nuisance. I once thought about just acting like that character but that is something I aspire instead and I'm sorry if I break anyone's dreams, but I'm not really like that. Everyone comes into my house a little bit frightened. Sorry, but I'll use this to change my image now.

Do you lick spiders like Rohan?
Well, I do sometimes try eating some unusual things. If they tell me that it's edible cooking then I'll eat it, but... (Laughs)

Themes Embedded in Araki's Work
The theme of JoJo that continues for 20 years?
To not negate human beings. What I mean by that is is to have positive thinking characters that don't stress about things going wrong. They're not allowed to stress. They believe strongly in what they do. Even if its a bad guy doing bad things, those actions are very important to him and he'll use that to move one step forward. Then in response, the hero comes to defeat that. When they both step out forwards they'll then conflict. That's what I find interesting. I don't think it's interesting as a Shonen manga if the hero feels some sort of empathy for the villain. For example, with the character Yoshikage Kira, he's a serial killer but I think that he had his own proper reasons for doing so, such as the poor environment of his childhood, his relationship with his mother and his father always ignoring him. But if I write that you start to feel sorry for Kira, and so despite being such a horrible villain, when Josuke fights him, I think he'll kind of feel sorry for him. But then Kira says that he's fine being that way and moves one step up. That's what I like. That's the reason why I really like Kira. Although he may have had a bad childhood and turned into a serial killer, I always hope that he tries his best at being one. I can't really say that out loud much though. I'm secretly a fan of his. So living with a postive outlook like that is the theme of JoJo. It's a 'celebration of humanity.' To make humans positive. There may be conflicts because of that but that sort of thing is a theme.

Will that remain to be the theme?
Yes, probably. I said this before but I think that if the villains weak, it'll definitely be a boring story. They may be that way in real life but its better if its not in a manga like this. Yes...so I don't think it'll change.

A finale message to the fans
JoJo's Bizarre Adventure: Phantom Blood is a piece that I created 20 years ago and it really feels nostalgic. I'm really thankful that it has been adapted like this after 20 years.I find it more special than a recent and currently serialized one being adapted because it makes me think that it really has been appreciated for 20 years. So I would really like to express my gratitude and say thank you very much. I hope you really enjoy it. I've properly checked the game myself and I've given it my guarantee.[11]

โ€
โ€”Hirohiko Araki
โ€œ

"To be honest becoming a mangaka was my childhood dream. When I was about 9, I was drawing all the time at school and my friends I was showing my drawings to, like them a lot. It gaves me the bravery and desire to try my luck in that field. And after at universty I could participate in a contest which allowed me to begin my career as a mangaka."

"When I was young in the early 70's there was a huge amount of manga that I liked. My favorite ones being those with stories dealing about sports, horror, and even sci-fi. Therefore I was inspired by all of this to create my own stories. I'm not sure but still I consider having been inspired a lot of by the works of my elders and I reckon my work wouldn't be what it is "without them. Anyhow I'm still attached to the past of manga and there is still today influence by the authors I'd read as a teenager."

"What I've been trying to do when I started manga was to make evolve the drawing which was somehow too flat, but from the 80's on mangakas started to inspire from Michaelangelo's work. The generation of mangaka I belong to was inspired much by the artists like Michaelangelo or some French painters in order to create characters whose physical aspects was more striking."

(On Tetsuo Hara, I suppose) "The fact that our drawings look alike is very easy to explain. We started at about the same period in the early 80's and it was then too that movies starring Sylvester Stallone or Arnold Schwarzenegger started to come to Japan and all these action movies were big hits there. Actually I reckon we wanted to make manga starring macho characters, with big muscles and fighting all the time, a bit like the heroes of the action movies."

"Before the 5th part I reckon, the story was too long so I'll try to make them shorter now."

"The new generation of mangaka is about 10 years younger than me, so they've read Jojo in their childhood, and so it's normal that it has inspired them."

"What I've been trying to do when I started Jojo is to implement a powerful and invisible force which would overcome my characters during the fights. So the idea of stand came to me by thinking of shintoism, which teaches us that our ancestors are always by our side to protect us."

"It's a real pain in the ass for me trying to show the good side of some of my bad guys as it's always very hard. I'd rather go for a more stereotyped approach where I create a hero who will fundamentally be good and to make it balanced, oppose him to a truly evil being."

"About the animรฉ nothing is planned so far but maybe in the future the 5th part will be adapted to TV too." (!?)

"I've no experience as a prisoner myself but I've visited jails and made researches on the subject to make my scenario credible and I've no real mesage to pass on except maybe the condition of mangaka regarding to their editors. Every week I've to hand in 20 new pages to mine. I work simply, on friday I imagine what's next in the story and write the scenario, then from saturday to tuesday I create the drawings, so normally I've two days off a week, but I mainly use them to imagine the sories of weeks to come."

"I deal with the main drawing but my assistants are the ones who deal with the details. And if I can be here today it's only because I've just finished the 6th part so I'm entitled to a few holidays. But the rest of the time I'm very busy." [12]
โ€
โ€”Hirohiko Araki

December 29, 2006

ARAKI HIROHIKO & NEKOI TSUBAKI SPECIAL TALK From the xxxHolic reading guide, new edition.

Araki: My meeting with CLAMP was quite interesting. Though I don't know if it's all right to say this.

Nekoi: It's fine, please go ahead. *laughs*

Araki: By coincidence they frequent the same beauty salon as my wife. So apparently she was chatting with the beautician saying "My husband draws manga," and they told her "We have other clients who are mangaka too."

Nekoi: That's right. Then I heard that Araki-sensei's wife was there and basically it turned into a huge deal.

Araki: We live quite close so said "Why not come over sometime if you like?" and that's how it started.

Nekoi: But really, I've only met Sensei four or fives times in total up to now. And it was always the four of us as a group, so I think this is the first time we've had a one-to-one conversation. I'm really nervous.

Araki: Come to think of it, at first I believed CLAMP were male. I thought it was a man pretending to be a woman in order to draw in a girlish style. [2] And then I heard rumours that it was several people collaborating and not just one person, and I thought, What the hell? There were too many pieces of information flying around, I couldn't make sense of it. It was pretty mysterious.


NEKOI TSUBAKI'S FASCINATION WITH ARAKI'S SLIGHTLY ALIEN WORK

Nekoi: It was really very early on that I encountered Sensei's work and thought "Wow, I love this person's manga" - with Devil Boy BT.

Araki: BT! I got into so much trouble with the editors for that one. They said right off the title was impossible, there's no way you can run a manga called "Devil Boy" in Shounen Jump, and that the main character was evil. I had to explain that it was essentially a rehash of Sherlock Holmes and in the end somehow I convinced them.

Nekoi: That's amazing, it was that difficult then. I couldn't have imagined but there was something alien about it I found as a child, I think, and that fascinated me.

Araki: Really though, the 70s were a period in the manga world where you had to develop to set yourself apart from the crowd. That was the tide, to go where no one else had gone before. I worked hard on that, so it makes me very happy to be told someone liked it.

Nekoi: I loved it!

Araki: Thank you very much! But, to think those readers back then have become what they are now... it's amazing. They even criticized my work. *laughs*

Nekoi: Please don't say things that sound so awful~

Araki: They crowded up and were like "Why did you do such a thing to Jotaro there!?"

Nekoi: But, anyone would do that if they had their favorite mangaka in front of them! You don't know if the chance will ever come again, right? So you want to run up and make them tell you everything! [3]


THE BLACK-AND-WHITE AESTHETIC ADMIRED BY ARAKI

Araki: If I had to say what interests me the most as someone in the same line of work, it would be how you divide the work among the four of you. I've heard you don't use assistants soโ€ฆ In any case I would venture that xxxHolic is mainly drawn by Nekoi-san, is it not?

Nekoi: I wonder if that's so... perhaps that's not the case? *laughs*

Araki: It must be Nekoi-san, surely. The kimono styles, the atmosphere of the art has that feel to it... I don't suppose you can tell me? [4]

Nekoi: No, it's quite all right, I'll answer.

Araki: Ah, you can tell! I thought this might be CLAMP's greatest secret. *laughs*

Nekoi: I'll go with the conclusion. The female characters in xxxHolic are drawn by Mokona.

Araki: Eh! Yuuko-san and Himawari-chan and everyone!?

Nekoi: That's right. I draw the male characters, the youkai, and any spirits that aren't in human shape. And animals. The covers and colour pages are Mokona and I together. The overall flow is blocked out by Mokona from Ohkawa's script, after which I check it, and that's how things typically advance. If we get stuck on anything we go back to Ohkawa and ask, "I don't quite understand this part, what is it supposed to be?" and then we fix it. Once everything is settled, Satsuki, Mokona and Nekoi each draw our parts separately.

Araki: You're really systematic. How did you establish xxxHolic's global aesthetic?

Nekoi: There's a concept for the cover or opening art each time, and that's decided by Ohkawa. The story and worldview are all Ohkawa. She's like the overseeing producer.

Araki: There's something of an Art Nouveau element to it, design wise.

Nekoi: There's a Japanese-ness to it, and Chinese too.

Araki: The gothic atmosphere that permeates the work is a large part of its charm. All that flat black is great.

Nekoi: We decided not to use tones this time.

Araki: Yes, it's good to have a clear divide between black and white. That's something I can't do. I can't bring myself to colour something in as a flat surface. I have to crosshatch and make it stand out in 3D. Something like a school uniform, it's frightening to colour it inโ€ฆ if I bring it down to a basic aesthetic level, perhaps.

Nekoi: But if I had to choose I'd pick Tsubasa's tactile feel. *laughs*

Araki: I see. But you can also draw in a gothic style. That's amazing! All of xxxHolic has a flat, decorative feel to it, like Japanese prints or Alphonse Mucha.

Nekoi: Ah, Mokona likes Mucha.

Araki: I thought so. It comes across. And the base colour of the tankoubon covers is never white.

Nekoi: That's true. It's always gold or silver, and then colour printed over it.

Araki: The feeling that there's an overriding concept at work is what makes it special. I think it's cool. With the JoJo series I wanted to use the classical method as a base and then introduce modern elements in the singular. For instance, drawing in a realistic style but colouring in completely impossible colours. Or completely impossible poses.

Nekoi: Impossible posesโ€ฆ but the fans imitate the poses? The "JoJo stances".

Araki: True, true. That's the thing, I aim for impossible but then am like, "Huh? Well, I guess it's possible after all..." *laughs*


WHERE IS REALITY? THE DAY THE KAPPA APPEARED IN TOONO

Araki: Does CLAMP ever travel for research purposes?

Nekoi: Almost never. We know that drawing from imagination can't approach the solidity that comes with research, that level of reality where people can say, "Turn the corner right there and you'll see my house..." But if you take the scenery from xxxHolic, for example, the place where Yuuko-san exists is an enclosed courtyard really. Aside from that I think depicting fantasy in a fantastical way is also a matter of technique. Well โ€“ one of our early stories did have an Indian flavour to it.

Araki: I understand. For my part, you see, I'm currently drawing a journey as my main theme. I started wondering about the psychology of someone who's been walking for three days straight. So I went and walked the Kumano pilgrimage road, which is a World Heritage site, to see what it was like.

Nekoi: Wow. And did you understand anything from it?

Araki: Yup. After three days, first of all you want to throw away everything you're carrying. I even wished I could throw away the cel phone they told me to carry in case I came across a bear. And when I saw the shrine at the end of the road, I felt thankful from the bottom of my heart. I honestly and unironically thought, "Thank god I came this far without getting hurt." It cleansed my heart, perhaps? I understood then that the road was put there in order to give people that experience.

Nekoi: That's a World Heritage site for you.

Araki: xxxHolic takes place in a magical alternate world, doesn't it. What I get hung up on is, What are those youkai-like things!? The ones shaped like young girls and the ones shaped like animals, and the monster types, are they all part of the same existence?

Nekoi: Er... the properly-formed youkai and the monster-like ayakashi are different things actually. But then, if you put them all together one can't say much other than "Well, that's the kind of world it is."

Araki: The "stands" in JoJo can be conceptualized as a reification of hidden talent, with their source being a sort of energy that's been in the earth since ancient times. So there are no real monsters or youkai in my story. I've never really been able to get the existence of such things. I looked at Mizuki Shigeru-sensei's drawings and thought they were lovely, but when I saw something like a "bean washer" in the picture I would just think, What's up with that? I couldn't see any reason for that creature to exist. Purely for the sake of washing beans?

Nekoi: That's true. It's the sort of world where you go take a bath and there's an "akaname" in there.

Araki: Exactly. What the heck is it? Is it an enemy? An ally? What does it want? If you can't figure out that much how are you supposed to fight it! Is what I think.

Nekoi: That's a Jump-like way of looking at it. *laughs*

Araki: With that in mind, the other day I went to Toono, in Iwate. In order to gain a better understanding of youkai.

Nekoi: Wah~ Such lengths. *laughs*

Araki: "I'd like to draw youkai too~" was what I was half-thinking. *laughs* So I went to the Kappa River there, the one that's famous for kappas, and stood on the riverbank spacing out. And as I was standing, there was this middle school-aged boy there at the same time, and he bursts out with, "Hirohiko's in the Kappa River!" Like, "Oniichan, look, there's a Hirohiko in the Kappa River!"

Nekoi: *dies*

Araki: And even I for some reason thought for a split second, "Gah, I have to get out of here!" At that moment I finally understood what it must feel like to be a youkai. *laughs*

Nekoi: You understood what it feels like to be a youkai, huh... *laughs* I bet it's passed into legend by now. His brother came and said, "There's no such thing, you're lying!" And he said, "It was really there, I saw it!" And there was a huge disturbance, and years afterward you'll hear the story of the kappa Hirohiko in the river.

Araki: So there, I think that might be what youkai really are.


FIGHTIN' PRESIDENTS AND DRAMA AT HIGH NOON

Araki: If it had an Indian flavour... do you watch a lot of movies? On DVD or whatever.

Nekoi: I watch films in the usual way, because I'm always following fads. I liked "Jurassic Park".

Araki: I like stuff like that too. Like "Jaws". But recently I've really been into Michael Mann's films: "Heat", "Collateral" and so forth. I like the sense one gets that the characters are driven by fate, but they don't hesitate over their actions. They hurtle toward their destiny in a way that goes beyond considerations of good or evil. It makes me weak at the knees. They're not movies you're supposed to cry at but I get tears in my eyes anyway. I think, "Oh, you people!" Do you have anything like that?

Nekoi: I'm faddish but I did like "Independence Day".

Araki: The story's pretty astonishing in that one. In order to fight with aliens, they get into a flying saucer that was buried on earth by aliens in the past. The human strategy was like ripping off the opponent's fundoshi in sumo. The designs all came from other SF works. And on top of it all the President himself flew the saucer to fight. When I saw that I decided the party would be battling the President in Steel Ball Run.

Nekoi: Really!?

Araki: Yeah, I realized a fighting President is awesome. [5] Was there ever anything like it?

Nekoi: It's very American. Although maybe Americans themselves don't realise it. And it was a German who made it. I think he made it with the intention that that's what Americans would like to see, and it really hit home. I like it too! *laughs*

Araki: What about Japanese films? I don't go to the theater but I watch a lot of DVDs. I saw "Sekachu" and so on.

Nekoi: Wow, you saw it?

Araki: Yes, it was good.

Nekoi: Was it!

Araki: Yes. I'm the type who cries at everything. That's right, lately I've gotten hooked on daytime soaps. Ever since "Shinju Fujin" I can't go without checking in with the latest developments. She became his lover with the aim of getting her hands on his fortune! It's awesome!

Nekoi: *laughs*

Araki: The dialogue gives one thrills down the spine. They say such dangerous and suggestive things the viewer's left panting. Like, is it all right to show that? But there they have it on television, at high noon.

Nekoi: It feels like you watch it to enjoy the names.

Araki: Exactly. A lot of mangaka seem to watch soaps, because time-wise it's just when one's getting out of bed. Morita (Masanori) sensei told me he also watches them. *laughs*


CLAMP'S MYSTERY VERSUS KISHIBE ROHAN'S SKIN: AND ONWARD, LEGEND

Araki: Many of CLAMP's mysteries were made clear to me today, so for my part this has been a meaningful hour spent. Thank you very much.

Nekoi: The pleasure's all mine, thank you very much. Though I would have liked to talk more about JoJo.

Araki: But today we're talking about xxxHolic.

Nekoi: Don't you think we should reveal more of JoJo's mysteries too, even for the sake of the reader?

Araki: Oh, I think it'll be quite enough if you say "He's so cool and looks just like Kishibe Rohan โ™ฅ". *laughs*

Nekoi: Oh yes, that's true. He's so cool and looks just like Kishibe Rohan. *laughs* And you look younger and younger in the photos that get published these days.

Araki: That's because I'm a hamon user. *laughs* [6]

Nekoi: Please do become a new legend in Toono, I'd love to see it.

Araki: Leave it up to me. *laughs*[13]

Eureka November 2007 Hirohiko Araki Interview

Kaneda: A while ago, there was a story called "Let's Go Hunting" and I really liked how Josuke and Jotaro teamed up. First you have Josuke who always feels like he's about to burst into a rage but he's always reliable when push comes to shove. Then there's Jotaro who can get really mad and he'll barely lose the cool expression on his face. I thought them working together went well, I love that story. It's to be expected seeing as he's a scientist, but I'm really enthralled with how Jotaro knows so much about wild animals (laugh).


Araki: Yeah, I like partnerships. When I see artists that have partnerships, I get all jealous. Though I guess there's sort of a partnership between a mangaka and an editor. I liked the partnership of Josuke and Jotaro, too. They both have a kind of "pursuer" feel to them, don't they?


Kaneda: It was so cool when Jotaro said "You've got to be the one to shoot." and then went off to let himself become a decoy.


Araki: They have a relationship where they sort of bring out each other's strengths.


Kaneda: I think that because Josuke respects Jotaro so much, he feels a lot of pride from just being with him. It's an exceedingly good relationship, even one that almost crosses a certain line (laugh).


Editor: Sounds like she's reading into it in a yaoi sort of way. I guess she's excited by that sort of thing.


Araki: Oh, I see (laugh). Maybe it's better that I didn't write that, then.


Kaneda: Yeah! If you'd written that openly, there'd be no room for imagination and that'd ruin all the fun. I don't think anything like that would happen for the whole hunting thing, but if it turned into something like "After the hunt is over, do you wanna go to a hotel?", I feel like that'd be really overdoing it! (Laugh) Also, if something like that were written in the story, there would be a lot of people that really like coupling and would say things like "the only one for Jotaro is Kakyoin!" So it would actually, it would actually narrow the scope of the story. So I really think that stopping just short of that is much better.


Araki: That kinda sounds like "Beverly Hills, 90210". This person and this person are connected, and this person is with so-and-so, that sorta thing.


Kaneda: It's good to draw all sorts of jumbled lines like that (laugh). That way it never goes to the point of actual acts, it's more desirable to be potential.


Araki: I see.


Kaneda: Really, from a boy's point of view a team play is "admirable friendship". and from a girl's point of view it's has a different kind of admiration. And we want it to end with that double meaning. Personally, I think Okuyasu and Josuke make a good partnership, too. Both are good-for-nothing-types. Truthfully, if Okuyasu were smart, he would have a top-class Stand. I think that the user not being smart strikes a good balance.


Araki: He's a lovable character, isn't he? (laugh).


Kaneda: I think Okuyasu is the best person you'd want for your friend. But in regards to partnerships, I think Johnny and Gyro in the current Part, "SBR" are the best.


Araki: That was me tracing the story of Part 1 with Zeppeli making Jonathan grow and trying to write it a bit more deeply. This time they're a bit closer in age, and I'm really enjoying writing their conversations.


Kaneda: I just love those pointless exchanges between the two. Like when Johnny used his evolved nail bullets to brush his teeth and Gyro gave that monotone response about being jealous (laugh). I remember thinking "This is how boys communicate!" when I read that.


Araki: Yeah, boys tend to have those sorts of pointless back-and-forth conversations a lot, don't they? (Laugh)


Kaneda: You really feel their friendship in those sorts of scenes. Rather than hug each other or anything, that makes them really charming to girls.


Saitou: But they have a fixed relationship, so they're kinda hard to couple, right?


Araki: Yeah, there really isn't much room there for reading too much into it, is there? I wanted to have a deeper connection of friendship between teacher and disciple than I did in Part 1.


Kaneda: It's written so richly, so they don't even need to be coupled, I guess. People have ideas about how Johnny is paralyzed in the lower half of his body, so while Gyro generally seems very cold, there are times at night when he has to care for Johnny and that sort of thing.


Araki: Yeah, I like that (laugh). Well, maybe I'll draw a scene of them in a night-time camp scene.


Kaneda: That sounds good! I hope you do (laugh)! Also, I'm hoping that Dio gets involved in their relationship somehow...... Fundamentally, Dio is a character who started out in poverty. So then, because of his desire to be successful in life, he's not afraid of anyone and he's not afraid to dirty himself to make his way to the top. Girls love that sort of thing. Fujoshi-wise, I mean in my mind, at the point in Part 6 where the character of Father Pucci that feels seriously about Dio, I've made this theory of "Dio = Princess" (laugh). Like he started out from the status of prostitute, so he dirtied his body with lots of different men, but his soul never lost its purity. And the 16 year old Pucci was attracted by that...... Early on, there's a scene where Dio and Pucci are sitting slovenly on the same bed facing different directions and having a discussion ('The Time of Heaven', "Stone Ocean" Volume 11). I simultaneously could barely believe my eyes and went mad with joy. That's the effect you must've been going for, right, Araki-sensei?


Araki: Uh... I didn't really think it would be taken that way, I don't think. Guys do that sorta thing all the time. Just sorta crashing someplace. Like when you go drinking and it gets late, so you need to stay over at somebody's place.


Kaneda: Eh, then you're saying that Father Pucci and Dio were out late drinking?! (Laugh) Um, I'm not so sure these are the types of characters who would crash at each other's place because they missed the last train for the night or something.


Araki: Now that you mention it, I think I might've had something like that in mind when I drew it (laugh). But Dio's sort of a composed character that could go either way. He could go with a man or a woman.


Kaneda: Really?! As I thought, my interpretation was correct.... (laugh). So, Dio originally liked Jonathan, right?


Araki: Ah, did he?! (Laugh)


Kaneda: Jonathan Joestar was a man that had everything he didn't, so Dio felt that he wanted to make Jonathan his. That sort of thing. He couldn't allow Jonathan's first kiss to be with Erina, so he did it to Erina himself.


Araki: Uh, it kinda sounds comedic if you're gonna go that far (Laugh).


Kaneda: No, but Dio thought about Jonathan seriously, but at the same time homosexuality was a serious crime in England during that era, so Dio had to hide his desires for such a future deep inside.


Araki: Uh, I guess that could be.


Kaneda: And those feelings he'd suppressed so long finally resulted in him taking over Jonathan's body.


Araki: I see. Well if you look at it at that angle, it gives the story a fresh feel, I suppose. (Laugh)


Kaneda: Dio, someone so dirtied, wanted to profess "I like you" to Jonathan. But he was unable to and then Erina took Jonathan, so through bitter tears at the end he took Jonathan's body. "Now we've finally become one, Jonathan." That sorta thing. If he'd had time to smooth his words over a bit more, he would have said that he wanted to be part of Jonathan's bloodline.


Araki: That kind of sounds like the movie "Purple Moon".


Kaneda: He wanted to become Jonathan. But I think in the end, he lost track of whether he wanted to become Jonathan or he wanted Jonathan to become his. With his noble soul that harbored such sorrow, there were men showing up that loved Dio one after another. Like in Part 3, Vanilla Ice and N'Dour and those guys. Particularly in Part 3, whenever was mentioned, they talk about his almost-transparent white skin and his bewitching charm that made it hard to believe he was a man. Even Avdol felt dizzy the first time (laugh). Even Avdol, that macho guy that liked peeing outside was attracted to Dio. So he really had an aura that attracted all types of men.


Araki: Uh, I guess that's a way of looking at it, too. (Laugh)


Kaneda: ......I'm glad. If you'd said something like "There's no way there was anything like that!" and just cut me off, I don't know what I would've done.... (Laugh)


Araki: There's no way I could write that, but I'll admit that could exist as a sort of hidden meaning. He definitely had some lust somewhere.


Kaneda: Dio's confusion of not being sure himself if he wanted Jonathan's bloodline or wanted his body or wanted his heart is really juicy from a yaoi aspect.


Araki: But someone like Dio would never offer his love 100% to someone.


Kaneda: Speaking of which, he had lots of illegitimate children, didn't he? I feel bad for Ungaro being the only ugly one. (Laugh)


Araki: (Laugh)


Kaneda: So it's a bit different from the sort of love Jonathan and such have, huh?


Araki: Jonathan and the others' love is far deeper than Dio's. They didn't run purely on desire like Dio. Dio will do anything to get what he wants, but he would absolutely never pour 100% of his love into a specific person.


Kaneda: True. It doesn't sound so much like love as it does like stealing. Well, I suppose Father Pucci, pursuing the princess he would never obtain, was really the juiciest character of Part 6.


Araki: Now that you mention it, I think I really did consciously write it that way (Laugh).


Kaneda: He wanted so thoroughly to love Dio more, so when Pucci said the line "I love you as I love God", it was a real thrill. And in response to that, I'm glad Dio said "I was afraid you'd disappear". Vanilla Ice loved Io as well, but he died spinning around in circles like that, so you wanted to have a character express their intense feelings towards Dio in a more open way, huh?


Araki: I think if Dio had lived, it could've gone a bit more in that direction. But he's dead, so all of that will just remain in the realms of imagination.


Kaneda: But there were people like this in Dio's life, so I feel vindicated.


Araki: But I don't think Dio loved Pucci.


Kaneda: I suppose so. I think for Dio, their relationship was casual. There was a sort of feeling like "You don't know anything about my life, so don't start worshipping me like a god." I guess. "I've been the object of pleasure for hundreds of men!"


Araki: He was made the object of their pleasure? (Laugh)[14]

2010-2017

็ฌฌ๏ผ‘ๅ›ž ใ€Œๆœ็Ž‹็”บใ€ใจไป™ๅฐๅธ‚ใจใฎ้–ขไฟ‚ใฏ๏ผŸ 2011.2.14 ่žใๆ‰‹: ใ“ใฎใ€Œ็งใฎๅบƒ็€ฌๅทใ‚คใƒณใ‚ฟใƒ“ใƒฅใƒผใ€ใงใฏใ€ ไป™ๅฐใ‚„ๅบƒ็€ฌๅทใซใ‚†ใ‹ใ‚Šใฎใ‚ใ‚‹่‘—ๅไบบใซๅ‡บๆผ”ใ„ใŸใ ใใ“ใจใงใ€ ๅคšใใฎๆ–นใซๅบƒ็€ฌๅทใ‚’ใฏใ˜ใ‚ใจใ™ใ‚‹ไป™ๅฐใฎ้ญ…ๅŠ›ใ‚’ ็Ÿฅใฃใฆใ„ใŸใ ใใŸใ„ใจ่€ƒใˆใฆใ„ใพใ™ใ€‚ ไปŠๆ—ฅใฏใ€ไป™ๅฐๅธ‚ๅ‡บ่บซใฎใƒžใƒณใ‚ฌๅฎถใง ใ€Œใ‚ธใƒงใ‚ธใƒงใฎๅฅ‡ๅฆ™ใชๅ†’้™บใ€(ไปฅไธ‹ใ€Œใ‚ธใƒงใ‚ธใƒงใ€)ใฎ ไฝœ่€…ใƒป่’ๆœจ้ฃ›ๅ‘‚ๅฝฆใ•ใ‚“ใซๅ‡บๆผ”ใ„ใŸใ ใใพใ—ใŸใ€‚ ใฉใ†ใžใ‚ˆใ‚ใ—ใใŠ้ก˜ใ„ใ—ใพใ™ใ€‚

่’ๆœจใ•ใ‚“: ใ“ใกใ‚‰ใ“ใใ€ใ‚ˆใ‚ใ—ใใŠ้ก˜ใ„ใ—ใพใ™ใ€‚

	่’ๆœจใ•ใ‚“

่žใๆ‰‹: ๆ—ฉ้€Ÿใงใ™ใŒใ€ๅ…ˆ็”Ÿใฎไฝœๅ“ใซใฏใƒ‡ใƒ“ใƒฅใƒผๅฝ“ๆ™‚ใ‹ใ‚‰ ไป™ๅฐใซ็ธใฎใ‚ใ‚‹ๅœฐๅใ‚„ไบบๅใชใฉใŒๆ•ฐๅคšใ็™ปๅ ดใ—ใฆใŠใ‚Šใ€ ็งใŸใกไป™ๅฐๅธ‚ๆฐ‘ใฏๅคงๅค‰ๅฌ‰ใ—ใๆ€ใฃใฆใ„ใพใ™ใ€‚ ็‰นใซใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌๅ››้ƒจใ€Œใƒ€ใ‚คใƒคใƒขใƒณใƒ‰ใฏ็ •ใ‘ใชใ„ใ€็ทจใงใฏใ€ ใ€Œๆœ็Ž‹็”บใ€ใจใ„ใ†ๆ—ฅๆœฌใฎๆžถ็ฉบ้ƒฝๅธ‚ใŒ่ˆžๅฐใจใชใฃใฆใ„ใพใ™ใŒใ€ ๅฎŸ้š›ใซไป™ๅฐใซใ‚ใ‚‹ๅœฐๅใ‚„ใŠๅบ—ใชใฉใ‚‚็™ปๅ ดใ—ใฆใŠใ‚Šใ€ ใƒ•ใ‚กใƒณใฎ็š†ใ•ใ‚“ใ‹ใ‚‰ใ€ไป™ๅฐๅธ‚ใŒใ€Œใ‚ธใƒงใ‚ธใƒงใ€ไฝœๅ“ใฎ ใ€Œ่–ๅœฐใ€ใฎไธ€ใคใจใ‚‚ๆ€ใ‚ใ‚Œใฆใ„ใ‚‹ใ‚ˆใ†ใงใ™ใ€‚ ใใ“ใงใพใšใฏๆœ็Ž‹็”บใจไป™ๅฐใจใฎ้–ข้€ฃใซใคใ„ใฆ ๆ•™ใˆใฆใ„ใŸใ ใ‘ใพใ™ใ‹ใ€‚

่’ๆœจใ•ใ‚“: ไป™ๅฐใฏ่‡ชๅˆ†ใŒ็”Ÿใพใ‚Œ่‚ฒใฃใŸ่ก—ใชใฎใงใ€ ใชใ˜ใฟๆทฑใ„ใจใ„ใ†ใ‹ใ€ๆใใ‚„ใ™ใ„ใ‚“ใงใ™ใญใ€‚ ไฝœๅ“ไธŠใฎๆžถ็ฉบใฎ่ก—ใจใฏใ„ใˆใ€ ่‡ชๅˆ†ใฎไฝ“้จ“ใ‚’ไธ‹ๆ•ทใใซใ—ใฆไฝœๅ“ใซๆใใ“ใจใฏๅŸบๆœฌใงใ™ใ—ใ€ ไฝ•ใ‚ˆใ‚Šใƒชใ‚ขใƒชใƒ†ใ‚ฃใŒๅ‡บใ‚‹ใฎใงใ€‚

่žใๆ‰‹: ็ฌฌๅ››้ƒจใฎไธป่ฆไบบ็‰ฉใฎไธ€ไบบใจใ—ใฆ็™ปๅ ดใ™ใ‚‹ใƒžใƒณใ‚ฌๅฎถใฎ ใ€Œๅฒธ่พบ้œฒไผดใ€ใฏใ€่ชญ่€…ใ‹ใ‚‰ๅ…ˆ็”Ÿใจ ๅŒไธ€่ฆ–ใ•ใ‚Œใ‚‹ใ‚€ใใ‚‚ใ‚ใ‚‹ใ‚ˆใ†ใงใ™ใŒใ€ ใ‚„ใฏใ‚Šไฝœๅ“ใงใ‚‚ใƒชใ‚ขใƒชใƒ†ใ‚ฃใ‚’้‡่ฆ–ใ—ใฆใ„ใ‚‹ใ“ใจใŒ็ชบใˆใพใ™ใ€‚

	ใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌๅ››้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ34ๅทป

๏ผœใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌๅ››้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ34ๅทป๏ผž

่’ๆœจใ•ใ‚“: ้œฒไผดใฏๅƒ•่‡ช่บซใงใฏใชใ„ใงใ™ใ‚ˆ(็ฌ‘)ใ€‚ ใŸใ ใ€ใƒชใ‚ขใƒชใƒ†ใ‚ฃใฏๆฌฒใ—ใ„ใงใ™ใŒใ€ ใ‚ใ„ใซใ็ฌฌๅ››้ƒจใงใฏๆฎบไบบ้ฌผใŒๅ‡บใฆใใพใ™ใฎใงใ€ ไป™ๅฐใ‚’ใใฎ่ˆžๅฐใจใ™ใ‚‹ใฎใฏใ•ใ™ใŒใซใฉใ†ใ‹ใชใจๆ€ใ„ใ€ ๅธ‚ๆฐ‘ใฎ็š†ใ•ใ‚“ใซใชใ‚‹ในใใ”่ฟทๆƒ‘ใŒใ‹ใ‹ใ‚‰ใชใ„ใ‚ˆใ†ใซ ใ€Œๆœ็Ž‹็”บใ€ใจใ„ใ†ๆžถ็ฉบใฎ่ก—ใ‚’ไฝœใ‚‰ใ›ใฆใ„ใŸใ ใ„ใŸใ€ ใจใ„ใ†ๆฌก็ฌฌใงใ™ใ€‚

	ใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌๅ››้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ36ๅทป

๏ผœใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌๅ››้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ36ๅทป๏ผž

่žใๆ‰‹: ๆœ€่ฟ‘ใงใฏใ€ไป™ๅฐๅธ‚ใ‚‚็‰ฉ้จ’ใซใชใ‚Šใพใ—ใฆใ€ ๆ˜ ็”ปๅŒ–ใ‚‚ใ•ใ‚ŒใŸไป™ๅฐๅธ‚ๅœจไฝใฎไฝœๅฎถใƒปไผŠๅ‚ๅนธๅคช้ƒŽใ•ใ‚“ใฎ ใ€Œใ‚ดใƒผใƒซใƒ‡ใƒณใ‚นใƒฉใƒณใƒใƒผใ€ใฎไฝœไธญใงใ€ ไป™ๅฐๅ‡บ่บซใฎ้ฆ–็›ธใŒๆš—ๆฎบใ•ใ‚Œใ‚‹ๆ™‚ไปฃใงใ™ใ€‚ ใกใชใฟใซๆš—ๆฎบใ‚ทใƒผใƒณๆ’ฎๅฝฑๆ™‚ใซใฏใ€ ใ‚จใ‚ญใ‚นใƒˆใƒฉใจใ—ใฆใŸใใ•ใ‚“ใฎๅธ‚ๆฐ‘ใฎ็š†ใ•ใ‚“ใ‹ใ‚‰ ๅ”ๅŠ›ใ„ใŸใ ใ„ใŸใฎใงใ€ ไปŠใ ใฃใŸใ‚‰ใใ†ใ—ใŸใ”ๅฟƒ้…ใ‚’ใ•ใ‚Œใชใใฆใ‚‚ ๅคงไธˆๅคซใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใŒใ€‚

	ใ›ใ‚“ใ ใ„ๆ—…ๆ—ฅๅ’Œใ€Œใ‚ดใƒผใƒซใƒ‡ใƒณใ‚นใƒฉใƒณใƒใƒผใƒญใ‚ฑๅœฐ็ดนไป‹ใ€

(c)ใ›ใ‚“ใ ใ„ใƒปๅฎฎๅŸŽใƒ•ใ‚ฃใƒซใƒ ใ‚ณใƒŸใƒƒใ‚ทใƒงใƒณ ๏ผœๅ‚่€ƒใ€€ใ€Œใ›ใ‚“ใ ใ„ๆ—…ๆ—ฅๅ’Œใ€Žใ‚ดใƒผใƒซใƒ‡ใƒณใ‚นใƒฉใƒณใƒใƒผใƒญใ‚ฑๅœฐ็ดนไป‹ใ€ใ€๏ผž

่’ๆœจใ•ใ‚“: ้€ฃ่ผ‰ๆ™‚(ๆณจ๏ผš็ฌฌๅ››้ƒจใฎ้€ฃ่ผ‰ใฏ1992ๅนด๏ฝž1995ๅนด)ใฏ Sๅธ‚ใจใ„ใ†ใฎใŒไป™ๅฐๅธ‚ใงใ€ ๆœ็Ž‹็”บใฏใใฎ้ƒŠๅค–ใฎ่ก—ใจใ„ใ†่จญๅฎšใงใ€ ไป™ๅฐๅธ‚ใใฎใ‚‚ใฎใŒ่ˆžๅฐใงใฏใชใ‹ใฃใŸใ‚“ใงใ™ใ€‚

่žใๆ‰‹: ่ฟ‘ๅนดใงใฏใ€ใใฎๆœ็Ž‹็”บใ‚‚ไบบๅฃใŒๅข—ใˆใฆใ€ Sๅธ‚ใ€Œๆœ็Ž‹ๅŒบใ€ใซๆ˜‡ๆ ผใ—ใŸใใ†ใงใ™ใญใ€‚

่’ๆœจใ•ใ‚“: ใˆใˆใ€Sๅธ‚ๅ†…ใซๅ–ใ‚Š่พผใพใ‚Œใ‚‹ๅฝขใงๅˆไฝตใ—ใŸใ‚ˆใ†ใงใ™(็ฌ‘)ใ€‚

่žใๆ‰‹: ๆœ็Ž‹็”บใฎๅœฐๅฝข็š„ใชใƒขใƒ‡ใƒซใจใ—ใฆใฏใ€ ๅฒฉๆ‰‹็œŒใฎๅฎฎๅคๅธ‚ใงใฏใชใ„ใ‹ใ€ใจใ„ใ†่ฉฑใŒใƒ•ใ‚กใƒณใฎ้–“ใง ใ•ใ‚Œใฆใ„ใ‚‹ใใ†ใงใ™ใ€‚

่’ๆœจใ•ใ‚“: ๅœฐ็†็š„ใซใ‚คใƒกใƒผใ‚ธใ—ใŸใฎใฏใ€ๅฎฎๅŸŽ็œŒใฎๆพๅณถใฎๅŒ—ใ€ ๆฑๆพๅณถๅธ‚ใฎใ‚ใŸใ‚Šใงใ™ใ€‚ ใŸใ ใ€ใƒ™ใƒƒใƒ‰ใ‚ฟใ‚ฆใƒณใจใ—ใฆใฎ่ก—ใฎใ‚คใƒกใƒผใ‚ธใฏใ€ ๅฝ“ๆ™‚้–‹็™บใŒ้€ฒใ‚“ใงใ„ใŸๆณ‰ๅธ‚(ๆณจ๏ผšๆ˜ญๅ’Œ63ๅนดใ‚ˆใ‚Šไป™ๅฐๅธ‚ๆณ‰ๅŒบ) ใ‚„ๅฎฎๅŸŽ้‡ŽๅŒบ้ถดใƒถ่ฐทใƒ‹ใƒฅใƒผใ‚ฟใ‚ฆใƒณใชใฉใ‚’ๅ‚่€ƒใซใ—ใฆใ„ใพใ—ใŸใ€‚

	ใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌๅ››้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ29ๅทป

๏ผœใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌๅ››้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ29ๅทป๏ผž

่žใๆ‰‹: ใชใ‚‹ใปใฉใ€‚ ใใ†ใ—ใŸๅฝ“ๆ™‚ใฎใƒ‹ใƒฅใƒผใ‚ฟใ‚ฆใƒณ้–‹็™บใฎๆง˜ๅญใŒ ไฝœๅ“ใซๅๆ˜ ใ•ใ‚Œใฆใ„ใ‚‹ใ‚“ใงใ™ใญใ€‚

่’ๆœจใ•ใ‚“: ๅฝ“ๆ™‚ใฏๆฑๅŒ—ๅญฆ้™ข้ซ˜ๆ กๆฆดใƒถๅฒกๆ ก่ˆŽใซ้€šๅญฆใ—ใฆใ„ใพใ—ใŸใŒใ€ ๆฏŽๆ—ฅใฎใ‚ˆใ†ใซ้ขจๆ™ฏใŒๅค‰ใ‚ใฃใฆใ„ใใ‚“ใงใ™ใ‚ˆใ€‚ ใ‚‚ใ†้“่ทฏใŒๆ€ฅใซใƒใƒผใƒณ๏ผใจใงใใŸใ‚Šใ—ใฆใ€ ใใฎๅค‰ๅŒ–ใŒใ‚ทใƒงใƒƒใ‚ญใƒณใ‚ฐใงใ—ใŸใญใ€‚ ใใ‚“ใชไฝ“้จ“ใŒใ„ใใ‚‰ใ‹ใฏๅๆ˜ ใ•ใ‚Œใฆใ„ใ‚‹ใ‹ใ‚‚ใ—ใ‚Œใชใ„ใ€‚

่žใๆ‰‹: ๅ…ˆ็”ŸใŒไป™ๅฐใซใŠไฝใ„ใ ใฃใŸ้ ƒใฎไป™ๅฐใฏใ€ ๆ—ฅๆœฌใฎ็ตŒๆธˆๆˆ้•ทใซๅˆใ‚ใ›ใฆ่ก—ใ‚‚ ๅคงใใๅงฟใ‚’ๅค‰ใˆใฆใ„ใๆ™‚ไปฃใฎ็œŸใฃๅชไธญใ ใฃใŸใจๆ€ใ„ใพใ™ใŒใ€ ใใฎไธ€ๆ–นใงใ€ใพใ ๆˆฆๅพŒใฎ้ขๅฝฑใ‚’ๆฎ‹ใ—ใŸใ‚ˆใ†ใช ใƒŸใ‚นใƒ†ใƒชใ‚ขใ‚นใชใจใ“ใ‚ใŒใ‚ใฃใŸใจไผบใ„ใพใ—ใŸใ€‚

่’ๆœจใ•ใ‚“: ใ‚ใ‚Šใพใ—ใŸใญใ€‚ใ‚ใฎใ€ๅบƒ็€ฌๅทใซใฏ้–ขไฟ‚ใชใ„ใงใ™ใ‘ใฉ(็ฌ‘)ใ€ ๅญไพ›ใฎ้ ƒใซๅฐๆพๅณถใ‚„ไธŽๅนณ่ก›ๆฒผใฎใ‚ใŸใ‚Šใง ใ‚ˆใ้Šใ‚“ใงใ„ใŸใ‚“ใงใ™ใ€‚ ใใ“ใซใฏ้˜ฒ็ฉบๅฃ•่ทกใฟใŸใ„ใชๆ‰€ใŒใ‚ใฃใฆใ€ ไฝใฟไป˜ใ„ใฆใ„ใŸๆ–นใŒใ„ใพใ—ใŸใ€‚ ใใฎๆ–นใฏใ€ๅฎŸใฏๆตฎๆตช่€…ใงใฏใชใใ€ ๆ˜”ๅคง้‡‘ๆŒใกใงใ€ใใฎ่ฒก็”ฃใŒ้š ใ•ใ‚Œใฆใ„ใ‚‹ใจใ„ใ† ๅŸ‹่”ต้‡‘ใฎๅ™‚ใŒใ‚ใฃใŸใ‚“ใงใ™ใ‚ˆใ€‚

่žใๆ‰‹: ๅ…ˆ็”Ÿใ”่‡ช่บซใ‚‚ๆŽขใ—ใซ่กŒใ‹ใ‚ŒใŸใฎใงใ™ใ‹๏ผŸ

่’ๆœจใ•ใ‚“: ๅฝ“็„ถ่กŒใใพใ—ใŸใ‚ˆ๏ผ ใพใ‚ใ€ๅ™‚่ฉฑใ ใฃใŸใจๆ€ใ„ใพใ™ใŒ(็ฌ‘)ใ€ ใใ‚ŒใŒๅฆ™ใชใƒชใ‚ขใƒชใƒ†ใ‚ฃใŒใ‚ใฃใฆใ€ๅญไพ›ๅฟƒใซ ๅฎŸ้š›ใซไฝ•ใ‹ใ‚ใ‚‹ใฎใงใฏใชใ„ใ‹ใจๆ„Ÿใ˜ใ•ใ›ใ‚‰ใ‚Œใ‚‹ใ‚“ใงใ™ใ€ ๆœฌๅฝ“ใซใ€‚ ใใฎๆ–นใซใ‚‚็Ÿฅ็š„ใช้›ฐๅ›ฒๆฐ—ใŒใ‚ใฃใฆใ€ ่‹ฑ่ชžใงใ—ใ‚ƒในใฃใŸใ‚Šใ—ใฆใ€ไธ€ไฝ“ไฝ•่€…ใชใ‚“ใ ๏ผŸใฟใŸใ„ใช(็ฌ‘)ใ€‚

่žใๆ‰‹:ใ€Œใ‚ธใƒงใ‚ธใƒงใ€ใฎไฝœไธญใซๅ‡บใฆใใŸใ‚Šใ™ใ‚‹ใ‚ˆใ†ใชโ€ฆ

่’ๆœจใ•ใ‚“: ใใ†ใใ†ใ€‚ไธ–ๆจใฆไบบใ ใ‘ใฉใ€้ŽๅŽปใซไฝ•ใ‹ใ‚ใฃใŸใ‚“ใ ใ‚ใ†ใชใ€ ใจใ„ใ†้›ฐๅ›ฒๆฐ—ใŒใ‚ใฃใฆใ€ๅŸ‹่”ต้‡‘ใฎ่ฉฑใ‚‚ใ€ ใพใ‚“ใ–ใ‚‰ๅ™‚ใงใ‚‚ใชใ„ใฃใฆๆ€ใ‚ใ›ใ‚‰ใ‚Œใ‚‹โ€ฆ

็ฌฌ๏ผ’ๅ›ž ๅˆใ‚ใฆ่ฆšใˆใŸ่จ€่‘‰ใฏใ€Œใฉใ–ใˆใ‚‚ใ‚“ใ€๏ผ๏ผŸ ๅญไพ›ๆ™‚ไปฃใฎๆ€ใ„ๅ‡บ 2011.2.15 ่žใๆ‰‹

ใใ‚“ใชใƒŸใ‚นใƒ†ใƒชใ‚ขใ‚นใช้›ฐๅ›ฒๆฐ—ใŒๆผ‚ใฃใฆใ„ใŸไธ€ๆ–นใงใ€ ใฉใ‚“ใฉใ‚“ๅฎ…ๅœฐ้–‹็™บใŒ้€ฒใ‚€ใจใ„ใ† ใกใ‚‡ใ†ใฉๆ™‚ไปฃใฎๅค‰ใ‚ใ‚Š็›ฎใ ใฃใŸใฎใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใ€‚ ๅญไพ›ใฎ้ ƒใซๅบƒ็€ฌๅทใง้Šใฐใ‚ŒใŸใ“ใจใฏใ‚ใ‚Šใพใ—ใŸใ‹ใ€‚

่’ๆœจใ•ใ‚“

็ˆถใŒ่‹ฅๆž—ใฎ็”Ÿใพใ‚Œใงใ€ๅนผๅฐ‘ใฎ้ ƒใฏ่‹ฅๆž—ๅŒบใซไฝใ‚“ใงใ„ใพใ—ใŸใ€‚ ๅฎฎๅŸŽๅˆ‘ๅ‹™ๆ‰€ใฎๅ‚ใงใ€ ใใฎๅˆ‘ๅ‹™ๆ‰€ใŒใพใŸใƒŸใ‚นใƒ†ใƒชใ‚ขใ‚นใชใ‚“ใงใ™ใ‘ใฉ(็ฌ‘)ใ€‚ ใšใฃใจใ€ๅก€ใฎๅ‘ใ“ใ†ใฏใฉใ†ใชใฃใฆใ„ใ‚‹ใ‚“ใ ใ‚ใ†๏ผŸ ใจๆ€ใ„ใชใŒใ‚‰่‚ฒใกใพใ—ใŸใ€‚

่žใๆ‰‹

ใใ†ใ—ใŸ็”Ÿใ„็ซ‹ใกใ‹ใ‚‰ใ€Œใ‚ธใƒงใ‚ธใƒงใ€ใฏ ็”Ÿใพใ‚Œใ‚‹ในใใ—ใฆ็”Ÿใพใ‚ŒใŸใ‚ˆใ†ใชๆฐ—ใŒใ—ใพใ™ใ€‚ ใกใชใฟใซๅฎฎๅŸŽๅˆ‘ๅ‹™ๆ‰€ใฏใ€ ๆ”ฟๅฎ—ๅ…ฌใŒ้š ๅฑ…ๅพŒใซ้Žใ”ใ—ใŸ่‹ฅๆž—ๅŸŽ่ทกใซๅปบใฆใ‚‰ใ‚ŒใฆใŠใ‚Šใ€ ๅ €ใซใฏๅบƒ็€ฌๅทใ‹ใ‚‰ๅ–ๆฐดใ—ใŸๆฐดใŒๆตใ‚Œใฆใ„ใพใ™ใ€‚


ๅ…ญ้ƒทๅ €ไธƒ้ƒทๅ €้žๆฝ…ใŒใ„ๆœŸ้€šๆฐดไบ‹ๆฅญ

๏ผœๅ‚่€ƒใ€€ๅ…ญ้ƒทๅ €ไธƒ้ƒทๅ €้žๆฝ…ใŒใ„ๆœŸ้€šๆฐดไบ‹ๆฅญ๏ผž

่’ๆœจใ•ใ‚“

ๅบƒ็€ฌๅทใฏๅฝ“ๆ™‚ไฝใ‚“ใงใ„ใŸใจใ“ใ‚ใ‹ใ‚‰ใ‚‚่ฟ‘ใ‹ใฃใŸใฎใงใ€ ใ‚ˆใ้Šใณใซ่กŒใฃใฆใ„ใพใ—ใŸใ‚ˆใ€‚ ๆฏŽๅนด๏ผ—ๆœˆ๏ผ‘ๆ—ฅใซใ‚ขใƒฆ้‡ฃใ‚Šใฎ่งฃ็ฆๆ—ฅใซใฏใ€ ็ˆถใซ้€ฃใ‚Œใ‚‰ใ‚Œใฆไธ€็ท’ใซ่ƒด้•ทใ‚’ใฏใ„ใฆ้‡ฃใ‚Šใซใ„ใฃใฆใ„ใพใ—ใŸใ—ใ€‚


ๅบƒ็€ฌๅทใงใฎใ‚ขใƒฆ้‡ฃใ‚Š้ขจๆ™ฏ

๏ผœๅ‚่€ƒใ€€ๅบƒ็€ฌๅทใงใฎใ‚ขใƒฆ้‡ฃใ‚Š้ขจๆ™ฏ๏ผž

่žใๆ‰‹

ๅ…ˆ็”ŸใŒ่ƒด้•ทใ‚’ใฏใ„ใฆๅทใซๅ…ฅใฃใฆใ„ใ‚‹ใจใ“ใ‚ใฏใ€ ๆƒณๅƒใ—้›ฃใ„ใงใ™ใŒใ€ๅบƒ็€ฌๅทใฏๅนผใ„้ ƒใ‹ใ‚‰ ่บซ่ฟ‘ใชๅญ˜ๅœจใ ใฃใŸใ‚“ใงใ™ใญใ€‚

่’ๆœจใ•ใ‚“

ๅฎŸใฏๅญไพ›ใฎๆ™‚ใซใ€ๆœ€ๅˆใซ่ฆšใˆใŸ่จ€่‘‰ใŒ ใ€Œใฉใ–ใˆใ‚‚ใ‚“ใ€ใชใ‚“ใงใ™(็ฌ‘)ใ€‚ ไปŠใฏๅบƒ็€ฌๅทใซๅฏพใ—ใฆใ€ ็š†ใ•ใ‚“ใใ‚Œใ„ใชใ‚คใƒกใƒผใ‚ธใ—ใ‹ใชใ„ใจๆ€ใ„ใพใ™ใŒใ€ ๅฝ“ๆ™‚ใฏ็Šฌใฎๆญปไฝ“ใจใ‹ๆตใ‚Œใฆใใ‚‹ใ“ใจใ‚‚ใ‚ใฃใฆใ€ ๅ‘จใ‚ŠใฎๅคงไบบใŸใกใ‹ใ‚‰ ใ€Œใฉใ–ใˆใ‚‚ใ‚“ใซใชใ‚‹ใ‹ใ‚‰ใ€ๅทใซ่กŒใๆ™‚ใฏๆฐ—ใƒใคใ‘ใชใ‚ˆใ€ ใจ่จ€ใ„่žใ‹ใ›ใ‚‰ใ‚Œใฆใ„ใŸใฟใŸใ„ใ€‚ ๆ˜”ใฏใใ†ใ—ใŸๅฑ้™บใซๅฏพใ—ใฆใ€ ๅœฐๅŸŸใฎใŠๅนดๅฏ„ใ‚ŠใŸใกใฎ็›ฎ้…ใ‚Šใ‚‚ใ‚ใฃใŸใ‚“ใงใ™ใญใ€‚

	่’ๆœจใ•ใ‚“

่žใๆ‰‹

ๅญไพ›ใŒๅˆใ‚ใฆ่ฆšใˆใ‚‹่จ€่‘‰ใจใ—ใฆใฏใ€ ใ‹ใชใ‚Šใ‚ทใƒงใƒƒใ‚ญใƒณใ‚ฐใช่จ€่‘‰ใงใ™ใŒใ€‚

่’ๆœจใ•ใ‚“

ๅทใงใฉใ†ใ‚„ใฃใฆ้Šใถใ‹ใ‚’ๆ•™ใˆใฆใใ‚Œใฆใ„ใŸใฎใ ใจๆ€ใ„ใพใ™ใ€‚ ๅท้Šใณใฏ่‡ชๅทฑ่ฒฌไปปใ ใ‹ใ‚‰ใ€่‡ชๅˆ†่‡ช่บซใงๆฐ—ใ‚’ไป˜ใ‘ใชใ„ใจ ใƒ€ใƒกใชใ‚“ใ ใ‚ˆใ€ใจใ„ใ†ใ“ใจใงใ€‚

่žใๆ‰‹

ๅฝ“ๆ™‚ใฏใพใ ๆฐด้›ฃไบ‹ๆ•…ใงไบกใใชใ‚‹ๆ–นใŒๅฐ‘ใชใใชใ„ๆ™‚ไปฃใงใ™ใ‚ˆใญใ€‚

่’ๆœจใ•ใ‚“

ไฝ•ใ‹ไบ‹ๆ•…ใŒใ‚ใ‚‹ใจไปŠใ ใจใ™ใ่กŒๆ”ฟใŒ่ฒฌใ‚ใ‚‰ใ‚ŒใŒใกใงใ™ใŒใ€ ๅฝ“ๆ™‚ใฎๅท้Šใณใชใฉใฏ่‡ชๅทฑ่ฒฌไปปใงใ—ใŸใญใ€‚ ใ‚ใจใ€ๅ—่’ฒ็”Ÿๆต„ๅŒ–ใ‚ปใƒณใ‚ฟใƒผใŒใงใใ‚‹ๅ‰ใซใฏ ใ‚ใฎ่พบใ‚„ๆฒณๅฃใฎ้––ไธŠใฎใ‚ใŸใ‚Šใงๆณณใ„ใ ใ‚Šใ€ ใ‚ญใƒฃใƒณใƒ—ใ‚’ใ—ใŸใ‚Šใ—ใพใ—ใŸใ€‚ ใใ‚Œใจ็ง‹ใซใฏใ‚‚ใฃใจไธŠๆตใง่Š‹็…ฎไผšใŒๅฎš็•ชใงใ—ใŸใญใ€‚

่žใๆ‰‹

ๆœ็Ž‹็”บ็ทจใซใฏๅ‡บใฆใใพใ›ใ‚“ใŒใ€ ๅ…ˆ็”Ÿใ‚‚่Š‹็…ฎไผšใฏใ‚ˆใใ•ใ‚Œใฆใ„ใพใ—ใŸใ‹ใ€‚

่’ๆœจใ•ใ‚“

ใ‚‚ใกใ‚ใ‚“ใงใ™ใ‚ˆ๏ผใ‚„ใฏใ‚Š็ˆถใซ้€ฃใ‚Œใ‚‰ใ‚ŒใฆไบŒๅฃๆธ“่ฐทใ‚„ ๅฅฅๆ–ฐๅทใชใฉใธ่กŒใฃใฆใ‚„ใฃใฆใ„ใพใ—ใŸใ€‚


ๅบƒ็€ฌๅท100้ธใ€€ๅฅฅๆ–ฐๅทใƒฉใ‚คใƒณ

๏ผœๅ‚่€ƒใ€€ๅบƒ็€ฌๅท100้ธใ€€ๅฅฅๆ–ฐๅทใƒฉใ‚คใƒณ๏ผž


็ˆถใฏใ‚ขใƒฆ้‡ฃใ‚Šใ ใ‘ใงใชใใ€ ้›‰ๆ’ƒใกใ‚„ใใฎใ“็‹ฉใ‚Šใชใฉใ‚‚ใ‚„ใฃใฆใ„ใพใ—ใŸใฎใงใ€‚


ๅบƒ็€ฌๅทๅฎฎๆฒข็ท‘ๅœฐๅ‘จ่พบใฎ้›‰

๏ผœๅ‚่€ƒใ€€ๅบƒ็€ฌๅทๅฎฎๆฒข็ท‘ๅœฐๅ‘จ่พบใฎ้›‰๏ผž

่žใๆ‰‹

ๅบƒ็€ฌๅทใฎ่ฟ‘ใใซใŠไฝใพใ„ใฎๆ–นใฏใ€ ็‹ฉ็ŒŸๆฐ‘ๆ—ใฎ่ก€ใŒๆตใ‚Œใฆใ„ใ‚‹ใ‹ใ‚‚ใ—ใ‚Œใชใ„ใงใ™ใญใ€‚ ใ“ใฎๅบƒ็€ฌๅทใƒ›ใƒผใƒ ใƒšใƒผใ‚ธใงไปŠๅนดๅ–ๆใ•ใ›ใฆใ„ใŸใ ใ„ใŸ ๅคงๅนดๅฏบๅฑฑใฎใตใ‚‚ใจใงใƒใƒใƒŸใƒ„ใคใใ‚Šใ‚’ใ•ใ‚Œใฆใ„ใ‚‹ๆ–นใ‚‚ ๅ†ฌใซใชใ‚‹ใจ็‹ฉใ‚Šใซ่กŒใใใ†ใงใ™ใ—ใ€ ไปฅๅ‰ๅฅฅๆ–ฐๅทใง่Š‹็…ฎไผšใฎไผ็”ปใงใŠไธ–่ฉฑใซใชใฃใŸๆ–นใ‚‚ ๆธ“ๆต้‡ฃใ‚Šใ‚„ใใฎใ“ใซ้€šๆšใ•ใ‚Œใฆใ„ใพใ—ใŸใ—ใ€‚


ๅบƒ็€ฌๅทใƒฉใ‚คใƒ•ๅ…ฅ้–€vol๏ผŽ5

๏ผœๅ‚่€ƒใ€€ๅบƒ็€ฌๅทใƒฉใ‚คใƒ•ๅ…ฅ้–€vol๏ผŽ5๏ผž

่’ๆœจใ•ใ‚“

ใใฎใ“ใฏ้›ฃใ—ใ„ใงใ™ใ‚ˆใญใ€‚ ๅŒใ˜็จฎ้กžใงใ‚‚ๅฎฎๅŸŽ็œŒใง้ฃŸในใ‚‰ใ‚Œใ‚‹ใฎใซใ€ ใŠ้šฃใฎ็ฆๅณถ็œŒใงใฏๆฏ’ใ‚’ๆŒใฃใฆใ„ใ‚‹ใ‚‚ใฎใ‚‚ใ‚ใ‚‹ใใ†ใงใ™ใญใ€‚ ใ‚ใจใ€ไป™ๅฐใฎไบบใฏๆฑไบฌใซ่กŒใฃใฆใ‚‚ใ€ ่Š‹็…ฎไผšใฎ่ฉฑ้กŒใง็››ใ‚ŠไธŠใŒใ‚Šใพใ™ใ‚ˆใญใ€‚ ใ€Œ่Š‹็…ฎไผšใ—ใฆใŸ๏ผŸใ€ ใ€ŒๆฒณๅŽŸใงใ‚„ใ‚‹ใ‚“ใ ใ‚ˆใญใ€ใฃใฆใ€‚ ใงใ‚‚ใ€ๆฑไบฌใฎไบบใจ่ฉฑใ™ใจใ€Œใใ‚Œใฃใฆใƒใƒผใƒ™ใ‚ญใƒฅใƒผใฎใ“ใจ๏ผŸใ€ ใจ่žใ‹ใ‚Œใพใ™ใŒใ€ ใ€Œใ„ใ‚„้•ใ†้•ใ†ใ€่Š‹็…ฎไผšใงใฏ็…ฎใ‚‹ใ‚“ใ ใ‚ˆใ€ ๆฒณๅŽŸใง่‚‰ใฏ็„ผใ‹ใชใ„ใ‚ˆใญ๏ฝžใ€ใฟใŸใ„ใช(็ฌ‘)ใ€‚

่žใๆ‰‹

ไป™ๅฐๅ‡บ่บซ่€…ๅŒๅฃซใ ใจ่Š‹็…ฎไผšใฃใฆ่จ€ใ†ใ ใ‘ใง ใ™ใๅˆ†ใ‹ใ‚ŠๅˆใˆใŸใ‚Šใ—ใพใ™ใ‚ˆใญใ€‚

่’ๆœจใ•ใ‚“

ใใ†ใชใ‚“ใงใ™ใ‚ˆใ€‚ใ„ใ‚„๏ฝž่Š‹็…ฎไผšใฏใ„ใ„ใงใ™ใ‚ˆใญใ€‚ ใ„ใ‚ใ‚“ใชไบบใจใ‚ณใƒŸใƒฅใƒ‹ใ‚ฑใƒผใ‚ทใƒงใƒณใงใใŸใ‚Šใ€ ๆฒณๅŽŸใงๅฎถๆ—ใฎ่ผชใจใ‹็ขบ่ชใงใใŸใ‚Šใ—ใฆใ€‚


็‰›่ถŠๆฉ‹ไธŠๆตๆฒณๅทๆ•ทใงใฎ่Š‹็…ฎไผšใฎๆง˜ๅญ

๏ผœๅ‚่€ƒใ€€็‰›่ถŠๆฉ‹ไธŠๆตๆฒณๅทๆ•ทใงใฎ่Š‹็…ฎไผšใฎๆง˜ๅญ๏ผž

่žใๆ‰‹

ใ€Œ่Š‹็…ฎไผšใ€ใจ่žใใจใ‚‚ใ†ใใ‚Œใ ใ‘ใงไป™ๅฐใฎใ“ใจใ‚’ ๆ€ใ„ๅ‡บใ—ใŸใ‚Šใ€ๆ•…้ƒทใซๅธฐใฃใฆใใŸใชใ€ ใจๅฎŸๆ„ŸใงใใŸใ‚Šใ—ใพใ™ใ‚ˆใญใ€‚

่’ๆœจใ•ใ‚“

ใใ†ใใ†ใ€‚ไปŠ้ ƒใ‚‚ใพใ ใ‚„ใฃใฆใ„ใพใ™ใ‹ใ€‚

่žใๆ‰‹

็‰›่ถŠๆฉ‹ใฎไธŠๆตใŒๅบƒ็€ฌๅทใงใฎ่Š‹็…ฎไผšใฎ่–ๅœฐใจใชใฃใฆใ„ใฆใ€ ๅญฆ็”Ÿใ•ใ‚“ใŒไธญๅฟƒใงใ™ใŒใ€ๅคฉๆฐ—ใฎ่‰ฏใ„ๆ—ฅใฏ ๆœใ‹ใ‚‰ๅ ดๆ‰€ใจใ‚Šใ—ใŸใ‚Šใ—ใฆใ„ใ‚‹ใใ†ใงใ™ใ€‚ ใใ‚ใใ‚ๅฏ’ใใชใฃใฆใใŸใฎใงใ€ ใ‚‚ใ†ไธ‹็ซใซใชใฃใฆใใฆใ„ใ‚‹ใ‚ˆใ†ใงใ™ใŒใ€ ใคใ„ๅ…ˆๆ—ฅใ‚‚ใ“ใ“ใ‹ใ‚‰่ฆ‹ใˆใ‚‹ใ‚ใฎ็ฑณใƒถ่ข‹ใฎๆฒณๅŽŸใง ใ‚„ใฃใฆใ„ใพใ—ใŸใ€‚


็ฑณใƒถ่ข‹ๆฒณๅทๆ•ทใงใฎ่Š‹็…ฎไผšใฎๆง˜ๅญ

๏ผœๅ‚่€ƒใ€€็ฑณใƒถ่ข‹ๆฒณๅทๆ•ทใงใฎ่Š‹็…ฎไผšใฎๆง˜ๅญ๏ผž

่’ๆœจใ•ใ‚“

ใใ†ใชใ‚“ใงใ™ใ‹ใ€‚ไปŠใฎๅญฆ็”Ÿใ•ใ‚“ใฏใƒใƒผใƒ™ใ‚ญใƒฅใƒผใงใ™ใ‹๏ผŸ

่žใๆ‰‹

ใƒกใ‚คใƒณใฏใ‚„ใฏใ‚Š่Š‹็…ฎใ ใจๆ€ใ„ใพใ™ใ€‚

่’ๆœจใ•ใ‚“

ใงใ™ใ‚ˆใญใ€‚ใ‚ˆใ‹ใฃใŸ(็ฌ‘)ใ€‚

็ฌฌ๏ผ“ๅ›ž ๅบƒ็€ฌๅบทไธ€ๅ›ใฎ็”ฑๆฅใฏ๏ผŸ 2011.2.16 ่žใๆ‰‹

ใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌๅ››้ƒจใซใฏใ€่ชžใ‚Š้ƒจใจใ—ใฆใ€Œๅบƒ็€ฌๅบทไธ€ใ€ๅ› ใจใ„ใ†ใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใŒ้‡่ฆไบบ็‰ฉใจใ—ใฆ็™ปๅ ดใ—ใพใ™ใ€‚ ใ“ใ†ใ—ใŸใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใซใ€Œๅบƒ็€ฌใ€ใจๅไป˜ใ‘ใ‚‰ใ‚ŒใŸ ๅ…ˆ็”Ÿใฎๆ„ๅ›ณใฏใ€ๅบƒ็€ฌๅทใ‚’ไป™ๅฐใฎใ‚ทใƒณใƒœใƒซใจใ—ใฆ ่€ƒใˆใ‚‰ใ‚Œใฆใฎใ“ใจใชใฎใงใ—ใ‚‡ใ†ใ‹๏ผŸ

	ใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌๅ››้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ32ๅทป

๏ผœใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌๅ››้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ32ๅทป๏ผž

่’ๆœจใ•ใ‚“

ใ‚„ใฃใฑใ‚Šใ€Œๅบƒ็€ฌๅทใ€ใ‚’ๅ‡บใ•ใชใ„ใ‚ใ‘ใซใฏ ใ„ใ‹ใชใ„ใ˜ใ‚ƒใชใ„ใงใ™ใ‹๏ผ ๆœ็Ž‹็”บใฏไป™ๅฐๅธ‚ใงใฏใชใ„ใงใ™ใŒใ€‚ ใ•ใจใ†ๅฎ—ๅนธใ•ใ‚“ใฎๅคงใƒ’ใƒƒใƒˆๆ›ฒใ‚‚ใ‚ใ‚Šใพใ™ใ—ใ€ ๅบƒ็€ฌๅบทไธ€ๅ›ใฏไป™ๅฐใฎใ‚ทใƒณใƒœใƒซใƒปๅบƒ็€ฌๅทใ‹ใ‚‰ใ€ ใใ‚Œใ—ใ‹ใชใ„ใงใ™ใ‚ˆใ€‚

่žใๆ‰‹

ใ‚ใ‚ŠใŒใจใ†ใ”ใ–ใ„ใพใ™ใ€‚ ไป™ๅฐๅธ‚ใซไฝใ‚€ใ€Œใ‚ธใƒงใ‚ธใƒงใ€ใƒ•ใ‚กใƒณใซใจใฃใฆใ€ ใจใฆใ‚‚ๅฌ‰ใ—ใ„่ฉฑใงใ™ใ€‚ ไปฅๅ‰ๅบƒ็€ฌๅทๆฒฟใ„ใซใ€Œๆฒณ็ซฅใ€ใฎ้Š…ๅƒใ‚’ๅธ‚ๆฐ‘ใฎๅฏ„ไป˜ใงๅปบ็ซ‹ใ—ใ‚ˆใ† ใจใ„ใ†ไผ็”ปใŒใ‚ใฃใŸใ‚ˆใ†ใงใ™ใŒใ€ ใ€Œใ‚ธใƒงใ‚ธใƒงใ€ใƒ•ใ‚กใƒณใ ใฃใŸใ‚‰ๅบƒ็€ฌๅบทไธ€ๅ›ใฎ้Š…ๅƒใ‚’ ๅปบใฆใŸใ„ใจๆ€ใ†ใงใ—ใ‚‡ใ†ใญใ€‚ ใงใฏใ€ไป™ๅฐใ‚’้›ขใ‚ŒใŸไปŠใ€ๆ‡ใ‹ใ—ใๆ€ใ†ๅ ดๆ‰€ใ‚„ใ€ ไปŠใงใ‚‚ใ‚ˆใ็ซ‹ใกๅฏ„ใ‚‹ๅ ดๆ‰€ใชใฉใฏใ‚ใ‚Šใพใ™ใ‹๏ผŸ

่’ๆœจใ•ใ‚“

ๅฐ‘ๅนดๆ™‚ไปฃใซ้Šใ‚“ใ ๅฐๆพๅณถใฎๆ–นใซใฏไปŠใงใ‚‚่กŒใใพใ™ใ‚ˆใ€‚ ๆ˜”ใ‹ใ‚‰ใ‚ใ‚“ใพใ‚Šๅค‰ใ‚ใฃใฆใ„ใชใ„ใงใ™ใ‚ˆใญใ€‚ ไธŽๅ…ต่ก›ๆฒผๅ‘จ่พบใ‚‚ๅ…ฌๅœ’ๅŒบๅŸŸใจใ—ใฆ่‡ช็„ถใŒๆฎ‹ใ•ใ‚Œใฆใ„ใŸใ‚Šใ—ใฆใ€ ใ„ใ„ใงใ™ใญใ€‚ ใ‚ใจๅฐๅŽŸๆฃฎๆž—ๅ…ฌๅœ’ใ‚„ๆฑๅŒ—่–ฌ็ง‘ๅคงๅญฆๅดใฎ็ž‘ๆƒณใฎๆพใจใ‹ใ€‚

	ๅฐๅŽŸๆฃฎๆž—ๅ…ฌๅœ’

๏ผœๅ‚่€ƒใ€€ๆœใฎ้ƒฝ็ท‘ใฎๅๆ‰€100้ธใ€€ๅฐๅŽŸๆฃฎๆž—ๅ…ฌๅœ’๏ผž

	็ž‘ๆƒณใฎๆพ

๏ผœๆœใฎ้ƒฝ็ท‘ใฎๅๆ‰€100้ธใ€€็ž‘ๆƒณใฎๆพใ€€ๆ’ฎๅฝฑใ€€้ซ˜ๆฉ‹ๆ”ฟๅ‰๏ผž

่žใๆ‰‹

ๆ‡ใ‹ใ—ใ„ๅ ดๆ‰€ใ‚’่จชใญใฆ่ถณใ‚’้‹ใฐใ‚Œใ‚‹ใฎใงใ—ใ‚‡ใ†ใ‹๏ผŸ

่’ๆœจใ•ใ‚“

ๆœฌๅฝ“ใซใ‚ˆใใ‚ใฎ่พบใง้Šใ‚“ใงใ„ใŸใฎใงใ€‚ ใใ†ใงใ™ใญใ€ใ„ใ„ใ“ใจใ‚‚ๆ‚ชใ„ใ“ใจใ‚‚ ใ„ใ‚ใ‚“ใชๆ€ใ„ๅ‡บใŒใ‚ใ‚Šใพใ™ใ€‚

่žใๆ‰‹

ใ€Œๅ‹•็‰ฉใฎ่ถณ่ทกใ‚’่ฟฝใฃใฆใ„ใ‚ใ„ใ‚่จชใญๆญฉใใฎใŒ ๅฅฝใใชๅฐ‘ๅนดๆ™‚ไปฃใ ใฃใŸใ€ใจใ„ใ†ใŠ่ฉฑใ‚‚ไผบใ„ใพใ—ใŸใ€‚

	่ถณ่ทก

่’ๆœจใ•ใ‚“

ๅ…ˆ็จ‹ใฎๅŸ‹่”ต้‡‘ๆŽขใ—ใงใฏใชใ„ใฎใงใ™ใŒใ€ ใ„ใ‚ใ‚“ใชใ‚‚ใฎใ‚’่ฟฝ่ทกใ™ใ‚‹ใฎใŒๅฅฝใใงใ€ไปŠใงใ‚‚ๅ‹•็‰ฉใฎ่ถณ่ทกใจใ‹ใ€ ใ™ใ”ใ่ˆˆๅ‘ณใŒใ‚ใ‚Šใพใ™ใ€‚

่žใๆ‰‹

ไปŠๅนดใฏ็†Šใฎ้คŒใจใชใ‚‹ใƒŠใƒฉใฎๅฎŸใŒไธไฝœใงใ€ ไบบ้‡Œใพใงใ‚ˆใ็†ŠใŒ้™ใ‚Šใฆใใ‚‹ใใ†ใงใ™ใŒใ€็†Šใฎ่ถณ่ทกใชใฉใ‚‚โ€ฆ

่’ๆœจใ•ใ‚“

ไป™ๅฐใงใ‚‚็†ŠใŒ้™ใ‚Šใฆๆฅใ‚‹ใ‚“ใงใ™ใ‹๏ผŸ ๆฐดๆบœใ‚Šใฎใใฐใจใ‹ใซ็ˆชใงๅผ•ใฃๆŽปใ„ใŸ่ทกใŒใ‚ใ‚‹ใจใ€ ่ƒŒ็ญ‹ใŒใžใฃใจใ—ใพใ™ใ‚ˆใ€‚ ใ€Œใปใ‚“ใจใซใ€ใ“ใ“ใซๅฑ…ใ‚‹ใ‚“ใ ใ€้€šใฃใŸใ‚“ใ ใ€ใฃใฆใ€‚

่žใๆ‰‹

ใจใ“ใ‚ใงใ€ไปŠๅนด(ๆณจ๏ผš2011ๅนด)ใงใƒ‡ใƒ“ใƒฅใƒผใ‹ใ‚‰30ๅ‘จๅนดใจไผบใฃใฆใ„ใพใ™ใ€‚ 1987ๅนดใฎใ€Œใ‚ธใƒงใ‚ธใƒงใ€้€ฃ่ผ‰้–‹ๅง‹ใ‹ใ‚‰ใฏ24ๅนดใŒ็ตŒใกใ€ ใใฎ้–“ใซๆ—ฅๆœฌใ‚’ๅ–ใ‚Šๅทปใ็คพไผšๆƒ…ๅ‹ขใ‚‚ ๅคงใใๅค‰ๅŒ–ใ—ใŸใจๆ€ใ„ใพใ™ใ€‚ ้€ฃ่ผ‰ใงไป™ๅฐใ‚’้›ขใ‚Œใ‚‰ใ‚Œใฆใ‹ใ‚‰ใ€ ๆ˜”ใจๆฏ”ในใฆ็พๅœจใฎไป™ๅฐใ‚’ใฉใ†ใ”่ฆงใซใชใ‚Šใพใ™ใ‹ใ€‚

่’ๆœจใ•ใ‚“

ใใ†ใงใ™ใญใ€ๆ˜”ใฎๅพกๅฑ‹ๆ•ทใฎใ‚ˆใ†ใชๅปบ็‰ฉใŒ ็„กใใชใฃใกใ‚ƒใ„ใพใ—ใŸใญใ€‚ ใใ‚Œใจใ€ใ„ใ„ๅ–ซ่Œถๅบ—ใ‚‚็„กใใชใฃใฆใ—ใพใฃใฆ ใกใ‚‡ใฃใจๅฏ‚ใ—ใ„ใงใ™ใ€‚ ่ก—่‡ชไฝ“ใฏใใ‚Œใ„ใซใชใฃใฆใ€ไฝใฟใ‚„ใ™ใใชใฃใŸใจใฏๆ€ใ„ใพใ™ใŒใ€‚

่žใๆ‰‹

ๆˆฆๅพŒใฎ้ขๅฝฑใ‚’ๆฎ‹ใ—ใŸใƒŸใ‚นใƒ†ใƒชใ‚ขใ‚นใช้›ฐๅ›ฒๆฐ—ใฏใ€ ๅธ‚่ก—ๅœฐๆ•ดๅ‚™ใŒ้€ฒใ‚“ใงใชใใชใฃใฆใ—ใพใฃใŸใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใ€‚

่’ๆœจใ•ใ‚“

ใงใ‚‚ใ€ใ•ใฃใใ‚ฟใ‚ฏใ‚ทใƒผใฎ้‹่ปขๆ‰‹ใ•ใ‚“ใŒ่ฉฑใ•ใ‚Œใฆใ„ใพใ—ใŸใŒใ€ ๆ˜จๆ—ฅ้›ชใŒ้™ใ‚‹ๅ‰ใซ็พใ‚Œใ‚‹ใจใ„ใ†ใƒฆใ‚ญใƒ ใ‚ทใŒ ่ˆžใฃใฆใ„ใŸใใ†ใงใ™ใ‚ˆใ€‚ ใใ‚Œใ‚‚ๅธ‚ๅ†…ใงๅ‡บใฆใ„ใŸใใ†ใงใ™ใŒใ€ ใใ†ใ—ใŸ่‡ช็„ถใŒ่บซ่ฟ‘ใซๆ„Ÿใ˜ใ‚‰ใ‚Œใ‚‹ใ“ใจใฏ ็ด ๆ™ดใ‚‰ใ—ใ„ใชใจๆ€ใ„ใพใ™ใ€‚

่žใๆ‰‹

ๅญไพ›ใฎ้ ƒใฎใ€Œใฉใ–ใˆใ‚‚ใ‚“ใ€ใŒๆตใ‚Œใฆๆฅใฆใ„ใŸๆ™‚ไปฃใ‚„ ้ซ˜ๅบฆ็ตŒๆธˆๆˆ้•ทๆœŸใฎๅ…ฌๅฎณๅ•้กŒใชใฉใ‚’็ตŒใฆใ€ ่‡ช็„ถ็’ฐๅขƒใ‚’ๅคงๅˆ‡ใซใ—ใชใ‘ใ‚Œใฐใจใ„ใ†ๆ„่ญ˜ใฎ้ซ˜ใพใ‚Šใ‹ใ‚‰ใ€ ่‡ช็„ถใจใฎๅ…ฑ็”ŸใŒๅ›žๅพฉใ—ใคใคใ‚ใ‚‹ใจใ„ใ†ๆ„Ÿใ˜ใงใ—ใ‚‡ใ†ใ‹ใ€‚

่’ๆœจใ•ใ‚“

ใใ†่€ƒใˆใ‚‹ใจไป™ๅฐใฏใ“ใฎ่ก—ใฎ่ฆๆจกใŒใ„ใ„ใ‚“ใงใ™ใ‚ˆใญใ€‚

่žใๆ‰‹

ใ‚ณใƒณใƒ‘ใ‚ฏใƒˆใงใกใ‚‡ใ†ใฉ่‰ฏใ„่ก—ใฎใ‚ตใ‚คใ‚บใชใฎใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใ€‚

่’ๆœจใ•ใ‚“

ใใ†ใงใ™ใญใ€‚ๆญฉใ„ใฆๅ›žใ‚‹ใซใ—ใฆใ‚‚ใ€ ้›ป่ปŠใ‚„ใƒใ‚นใ‚’ไฝฟใ†ใซใ—ใฆใ‚‚ใ€ใกใ‚‡ใ†ใฉ่‰ฏใ„่ท้›ขใง ใฉใ“ใธ่กŒใใซใ—ใฆใ‚‚็งปๅ‹•ใ—ใ‚„ใ™ใ„ใ€‚

่žใๆ‰‹

่ปŠใฏ้‹่ปขใชใ•ใ‚‰ใชใ„ใฎใงใ™ใ‹ใ€‚

่’ๆœจใ•ใ‚“

ใชใœใ‹๏ฝฅ๏ฝฅ๏ฝฅใ—ใชใ‹ใฃใŸใงใ™ใญใ€‚

่žใๆ‰‹

ใ‚„ใฏใ‚Šใ€ๆญฉใ„ใฆ่ฟฝ่ทกใ—ใŸใ‚Šใ™ใ‚‹ใฎใŒใŠๅฅฝใใจใ„ใ†ใ“ใจใงใ€‚

่’ๆœจใ•ใ‚“ ่’ๆœจใ•ใ‚“

่ฟฝ่ทกใฏๆฅฝใ—ใ„ใงใ™ใญ๏ฝž(็ฌ‘) ใงใ‚‚ๆœฌๅฝ“ใซไป™ๅฐใฏไฝใฟใ‚„ใ™ใ„้ƒฝๅธ‚่ฆๆจกใ ใจๆ€ใ„ใพใ™ใ‚ˆใ€‚ ๆฑไบฌใ ใจๅบƒใ™ใŽใฆใ€‚

่žใๆ‰‹

ใ‚ณใƒŸใƒƒใ‚ฏใ‚นใฎๆŠ˜ใ‚Š่ฟ”ใ—ใฎใ‚ณใƒกใƒณใƒˆใงๆ‹่ฆ‹ใ—ใŸใฎใงใ™ใŒใ€ ๅ…ˆ็”ŸใŒไป™ๅฐใง้€ฃ่ผ‰ใ‚’ๅง‹ใ‚ใŸ้ ƒใฏใ€ ใ‚ณใƒ”ใƒผใŒไธ€ๆžš40ๅ††ใ™ใ‚‹ใชใฉใ€ไป™ๅฐใซไฝใฟใชใŒใ‚‰ ้€ฃ่ผ‰ใ™ใ‚‹ใซใฏๅคงๅค‰ใ ใจใ„ใ†ใ“ใจใง ๆฑไบฌใซๅผ•่ถŠใ—ใ•ใ‚ŒใŸใใ†ใงใ™ใŒใ€‚

่’ๆœจใ•ใ‚“

ๅฝ“ๆ™‚ใฏใพใ ๆฑๅŒ—ๆ–ฐๅนน็ทšใŒ้–‹้€šใ—ใฆใ„ใชใใฆใ€ ๆฑไบฌใพใง้›ป่ปŠใง4ๆ™‚้–“ใฏใ‹ใ‹ใฃใŸใ‚“ใงใ™ใ€‚ ๅฎ…้…ใ‚ทใ‚นใƒ†ใƒ ใ‚‚ใ‚„ใฃใจใ‚ฏใƒญใƒใ‚ณใƒคใƒžใƒˆใฎๅฎ…ๆ€ฅไพฟใŒ ใงใใŸใใ‚‰ใ„ใฎๆ™‚ๆœŸใง ้€ฑๅˆŠ่ชŒใง้€ฃ่ผ‰ใ™ใ‚‹ใฎใฏๅคงๅค‰ใ ใฃใŸใ‚“ใงใ€ ใ‚‚ใ†่กŒใ‹ใ–ใ‚‹ใ‚’ใˆใชใ„็Šถๆณใงใ—ใŸใ€‚

่žใๆ‰‹

ไปŠใงใฏใ‚คใƒณใ‚ฟใƒผใƒใƒƒใƒˆใชใฉ้€šไฟกๆŠ€่ก“ใ‚‚ๆ™ฎๅŠใ—ใ€ ใพใŸใ“ใ†ใ—ใŸ่‡ช็„ถ็’ฐๅขƒใ‚‚่บซ่ฟ‘ใซใ‚ใ‚Šไฝใฟใ‚„ใ™ใใชใฃใฆใ€ ้€†ใซใ€ไปŠใ ใฃใŸใ‚‰ไป™ๅฐใซไฝใฟใชใŒใ‚‰้€ฃ่ผ‰ใ—ใฆใ‚‚ใ„ใ„ใชใ€ ใจๆ€ใ†ใ“ใจใ‚‚ใ‚ใ‚Šใพใ™ใ‹๏ผŸ

่’ๆœจใ•ใ‚“

ใ‚ใ‚Šใพใ™ใญใ€‚ไป™ๅฐใซไฝใฟใชใŒใ‚‰้€ฃ่ผ‰ใงใใŸใ‚‰ใ„ใ„ใงใ™ใ‚ˆใญใ€‚

่žใๆ‰‹

ๅ…ˆใปใฉใฎไผŠๅ‚ๅนธๅคช้ƒŽใ•ใ‚“ใ‚’ๅง‹ใ‚ใ€ไป™ๅฐใซใŠไฝใพใ„ใฎ ไบบๆฐ—ไฝœๅฎถใฎๆ–นใ‚‚ๅคšใ„ใ‚ˆใ†ใงใ™ใ€‚

่’ๆœจใ•ใ‚“

ๅฐ่ชฌๅฎถใฎๆ–นใฏใปใผๅ•้กŒใชใ„ใจๆ€ใ„ใพใ™ใ‚ˆใ€‚ ใƒžใƒณใ‚ฌใ‚‚ใƒ‡ใ‚ธใ‚ฟใƒซใงๆใ„ใฆใ„ใ‚Œใฐใ‚คใƒณใ‚ฟใƒผใƒใƒƒใƒˆใŒใ‚ใ‚Œใฐ ้€ใ‚Œใพใ™ใ‘ใฉใ€ๅƒ•ใฏใใ†ใงใฏใชใ„ใฎใงโ€ฆใ€‚ ่ชฐใ‹ใŒ็”ŸๅŽŸ็จฟใ‚’็ขบๅฎŸใซ็ทจ้›†้ƒจใซๅฑŠใ‘ใชใ„ใจใ„ใ‘ใชใ„ใ‚“ใงใ™ใ€‚

	ใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌๅ››้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ34ๅทป

๏ผœใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌๅ››้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ34ๅทป๏ผž

่žใๆ‰‹

ใ€Œๅฒธ่พบ้œฒไผดใ€ใฏๆœ็Ž‹็”บใง้€ฃ่ผ‰ใงใใฆใ‚‚ใ€ๅ…ˆ็”ŸใŒ้€ฃ่ผ‰ไธญใซ ไป™ๅฐใซไฝใ‚€ใ“ใจใฏใ‚„ใฏใ‚ŠๅŽณใ—ใ„ใฎใงใ—ใ‚‡ใ†ใ‹โ€ฆ

่’ๆœจใ•ใ‚“

ไป•ไบ‹้–ขไฟ‚ใ‚„ๅ‹ไบบ้–ขไฟ‚ใจใ„ใฃใŸ็”ŸๆดปๅŸบ็›คใŒไปŠใฏๆฑไบฌใซใ‚ใ‚‹ใฎใงใ€ ้›ฃใ—ใ„ใงใ—ใ‚‡ใ†ใญโ€ฆใ€‚ ใ‚ขใ‚ทใ‚นใ‚ฟใƒณใƒˆใ•ใ‚“ใŸใกใ‚‚ใ€ๆฑไบฌใซไฝใ‚“ใงใพใ™ใ‹ใ‚‰ใ€‚

็ฌฌ๏ผ”ๅ›ž ่ก—ใจ่‡ช็„ถใจใŒๅ…ฑๅญ˜ใ™ใ‚‹ไป™ๅฐใฎ้ญ…ๅŠ› 2011.2.17 ่žใๆ‰‹

ๅ…ˆ็”Ÿใฏๅ„ๅœฐใ‚’ๆ—…ใ•ใ‚Œใฆใ€ใ„ใ‚ใ„ใ‚ใช่ก—ใ‚’ ใ”่ฆงใซใชใฃใฆใ„ใ‚‹ใจๆ€ใ„ใพใ™ใŒใ€ ไปŠใฎไป™ๅฐใฎ่ก—ใฎ้ญ…ๅŠ›ใฏใฉใฎใ‚ˆใ†ใซๆ„Ÿใ˜ใ‚‰ใ‚Œใพใ™ใ‹ใ€‚

่’ๆœจใ•ใ‚“

ใ“ใ†ใ„ใ†ใ€่ก—ใจ่‡ช็„ถใŒๅ…ฑๅญ˜ใ—ใฆใ„ใ‚‹ๆ„Ÿใ˜ใฏใ„ใ„ใงใ™ใ‚ˆใญใ€‚ ๅปบ็‰ฉใจๆจนๆœจใจใ‹ใ€‚ ๅฎŸใฏใใ†ใ„ใ†้ƒฝๅธ‚ใฃใฆใ‚ใ‚“ใพใ‚Šใชใ„ใจๆ€ใ„ใพใ™ใ‚ˆใ€‚ ้–ขๆฑใ ใจ็ฎฑๆ นใชใฉใซใฏใใฎใ‚ˆใ†ใช้›ฐๅ›ฒๆฐ—ใŒ ใ‚ใ‚‹ใ‹ใ‚‚ใ—ใ‚Œใชใ„ใงใ™ใŒใ€ๅˆฅ่˜ๅœฐ็š„ใช่ฆ็ด ใ‚‚ใ‚ใฃใฆ ใพใŸ้•ใ„ใพใ™ใ€‚ ๆ—ฅๅธธ็”Ÿๆดปใฎไธญใซๆบถใ‘่พผใ‚“ใ ่‡ช็„ถใจใ„ใ†ๆ„ๅ‘ณใงใฏใ€ ้’่‘‰้€šใ‚„ๅฎš็ฆ…ๅฏบ้€šใฎใ‚ฑใƒคใ‚ญไธฆๆœจใฎ้ขจๆ™ฏใชใฉใฏใ€ ใพใ•ใซไป™ๅฐใ‚’่ฑกๅพดใ™ใ‚‹้ญ…ๅŠ›็š„ใชใจใ“ใ‚ใ ใจๆ€ใ„ใพใ™ใ€‚

	้’่‘‰้€šใฎใ‚ฑใƒคใ‚ญไธฆๆœจ

๏ผœๅ‚่€ƒใ€€ๆœใฎ้ƒฝ็ท‘ใฎๅๆ‰€100้ธใ€€้’่‘‰้€šใฎใ‚ฑใƒคใ‚ญไธฆๆœจ๏ผž

่žใๆ‰‹

ไป™ๅฐ้ง…ใซ้™ใ‚Š็ซ‹ใฃใฆ้’่‘‰้€šใ‚Šใฎใ‚ฑใƒคใ‚ญไธฆๆœจใ‚’่ฆ‹ใ‚‹ใจใ€ ไป™ๅฐใซๅธฐใฃใฆใใŸใชใจใ„ใ†ๆ„Ÿใ˜ใŒใ—ใŸใ‚Šใ€‚

่’ๆœจใ•ใ‚“

ใใ†ใใ†ใ€‚ใใ‚Œใจใ€ไป™ๅฐใซใฏใ€ ใ‚ชใƒผใƒ‡ใ‚ฃใ‚ชใ‚„่‡ช่ปข่ปŠใ€ๅคๆœฌใจใ‹ใ€่ถฃๅ‘ณใจใ„ใ†ใ‚ˆใ‚Š ใ‚‚ใฃใจใƒžใƒ‹ใ‚ขใƒƒใ‚ฏใซใ“ใ ใ‚ใฃใฆใ„ใ‚‹ไบบใŒๅฎŸใฏ็ตๆง‹ใ„ใฆใ€ ใ™ใ”ใ„ใŠๅบ—ใŒใ‚ใ‚Šใพใ™ใ‚ˆใ€‚ ใ‚ชใƒผใƒ‡ใ‚ฃใ‚ชใ ใจใ€Œใฎใ ใ‚„ใ€ใ•ใ‚“ใจใ‹ใ€ ่‡ช่ปข่ปŠใ ใจใ€Œใ‚ทใ‚ฏใƒญใƒคใƒžใ‚ฐใƒใ€ใ•ใ‚“ใจใ‹ใ€‚ ๆ™ฎ้€šใฎ่ก—ไธญใซใ€ใ™ใ”ใใ“ใ ใ‚ใฃใŸๅ•†ๅ“ใ‚’ๆ‰ฑใฃใฆใ„ใ‚‹ ใŠๅบ—ใŒใ‚ใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚ ไธ€ใคใฎ่ก—ใซใ€ใใ†ใ—ใŸใ„ใ‚ใ„ใ‚ใชใ“ใ ใ‚ใ‚ŠใฎใŠๅบ—ใŒ ใ‚ใ‚‹่ก—ใจใ„ใ†ใฎใฏใ€ๆฑไบฌใงใ‚‚ใ‚ใพใ‚Š่ฆ‹ใ‹ใ‘ใชใ„ใ‹ใ‚‚ใ—ใ‚Œใชใ„ใ€‚

่žใๆ‰‹

่‡ช่ปข่ปŠใฎ่ฉฑใŒใงใพใ—ใŸใŒใ€ ๅบƒ็€ฌๅทใฏๅ…ˆ็”ŸใŒ้Šใ‚“ใงใ„ใ‚‰ใ—ใŸ่‹ฅๆž—ๅŒบใ‹ใ‚‰ใฏใ€ ๅทๆฒฟใ„ใ‚’่‡ช่ปข่ปŠใงๆฒณๅฃใฎ้––ไธŠใพใง่กŒใ‘ใ‚‹ใ‚ˆใ†ใซใชใฃใฆใ„ใพใ™ใ€‚ ไปฅๅ‰ใใฎๅ–ๆใงใ€Œใ‚ทใ‚ฏใƒญใƒคใƒžใ‚ฐใƒใ€ใฎๅฑฑๅฃใ•ใ‚“ใซ ใŠไธ–่ฉฑใซใชใ‚Šใพใ—ใŸใ€‚

	ๅบƒ็€ฌๅทใƒฉใ‚คใƒ•ๅ…ฅ้–€vol๏ผŽ4

๏ผœๅ‚่€ƒใ€€ๅบƒ็€ฌๅทใƒฉใ‚คใƒ•ๅ…ฅ้–€vol๏ผŽ4๏ผž

่’ๆœจใ•ใ‚“

ๅƒ•ใŒไป™ๅฐใซใ„ใŸๆ™‚ใ‹ใ‚‰ใšใฃใจใ‚ใ‚‹ใฃใฆใ„ใ†ใฎใฏใ€ ใ™ใ”ใ„ใงใ™ใญใ€‚ ใ‚ใจ่ฒžๅฑฑ้‹ๆฒณๆฒฟใ„ใซใ‚‚ใ‚ตใ‚คใ‚ฏใƒชใƒณใ‚ฐใƒญใƒผใƒ‰ใŒใ‚ใ‚Šใพใ™ใ‚ˆใญ๏ผŸ

	่ฒžๅฑฑ้‹ๆฒณ

๏ผœๅ‚่€ƒใ€€ๆœใฎ้ƒฝ็ท‘ใฎๅๆ‰€100้ธใ€€่ฒžๅฑฑ้‹ๆฒณ๏ผž

่žใๆ‰‹

ใˆใˆใ€‚2010ๅนดใซใฏใ€ๆตทๅฒธๅ…ฌๅœ’ใซใ‚ปใƒณใ‚ฟใƒผใƒใ‚ฆใ‚นใ‚‚ใงใใฆใ€ ใใ“ใง่‡ช่ปข่ปŠใฎ่ฒธใ—ๅ‡บใ—ใ‚‚่กŒใฃใฆใ„ใพใ™ใ€‚ ๅ‘จ่พบใ‚‚ๆ•ดๅ‚™ใ•ใ‚Œใ€ๅคšใใฎไบบใŸใกใŒ ๆฅฝใ—ใ‚ใ‚‹ใ‚ˆใ†ใซใชใฃใฆใ„ใพใ™ใ€‚

่’ๆœจใ•ใ‚“

็”Ÿๆดปๅœๅ†…ใซใ“ใ†ใ—ใŸๆตทๆฐดๆตดๅ ดใ‚„ใ‚นใ‚ญใƒผๅ ดใŒใ‚ใ‚‹่ก—ใฃใฆใ€ ใ™ใ”ใ„ใงใ™ใ‚ˆใ€ๆœฌๅฝ“ใซใ€‚ ๆฑไบฌใ ใจใ€ใ‚นใ‚ญใƒผใซ่กŒใใซใ—ใฆใ‚‚ไธ€ๆณŠใŒๅ‰ๆใ ใฃใŸใ‚Šใ—ใฆใ€ ใ‚‚ใ†ใใ‚Œใ ใ‘ใง้ขๅ€’ใงโ€ฆ ๆ˜ ็”ปใซ่กŒใใซใ‚‚ใ€ๅ ดๆ‰€ใซใ‚ˆใฃใฆใฏ ๏ผ‘๏ฝž๏ผ’ๆ™‚้–“ใ‹ใ‹ใฃใŸใ‚Šใ—ใพใ™ใ‹ใ‚‰ใ€‚

่žใๆ‰‹

ไป™ๅฐๅธ‚ๅ†…ไธญๅฟƒ้ƒจใ‹ใ‚‰ๆณ‰ใŒๅฒณใฎใ‚นใ‚ญใƒผๅ ดใ€ ๆทฑๆฒผใฎๆตทๆฐดๆตดๅ ดใ€ๅบƒ็€ฌๅทไธŠๆตใฎ่Š‹็…ฎไผšใ‚„ๆธฉๆณ‰ใ€ ใ ใ„ใŸใ„ใฉใ“ใธใ‚‚30ๅˆ†ๅœๅ†…ใง่กŒใ‘ใพใ™ใ‚ˆใญใ€‚

	ๆณ‰ใƒถๅฒณใ‚นใ‚ญใƒผๅ ด

๏ผœๅ‚่€ƒใ€€ๆณ‰ใƒถๅฒณใ‚นใ‚ญใƒผๅ ด๏ผž

่’ๆœจใ•ใ‚“

ใใ†ใชใ‚“ใงใ™ใ‚ˆใ€‚ ใ‚ใจใ€ๆœ€่ฟ‘ใฏ่ก—ใ‚’ๆญฉใ„ใฆใ„ใ‚‹ไบบใ‚‚ ใšใ„ใถใ‚“ใƒ•ใ‚กใƒƒใ‚ทใƒงใƒŠใƒ–ใƒซใซใชใฃใŸใ‚ˆใ†ใชๆฐ—ใŒโ€ฆใ€‚

่’ๆœจใ•ใ‚“

่žใๆ‰‹

ๅ…ˆ็”ŸใŒไป™ๅฐใซใ„ใ‚‰ใ—ใŸ้ ƒใฏใ€ ใ‚ใพใ‚Šใƒ•ใ‚กใƒƒใ‚ทใƒงใƒŠใƒ–ใƒซใชใ‚คใƒกใƒผใ‚ธใŒโ€ฆ๏ผŸ

่’ๆœจใ•ใ‚“

ใ„ใ‚„ใชใ‚“ใ‹ใ€ๆ˜”ใฏๅฅณใฎๅญใŒใ‚ใ‚“ใพใ‹ใ‚ใ„ใใชใ„ใจใ‹โ€ฆ ่จ€ใ‚ใ‚Œใฆใพใ—ใŸใ‚ˆใญ(็ฌ‘)ใ€‚ ไปŠใงใฏๅ…จ็„ถใใ‚“ใชใ“ใจใชใ„ใงใ™ใŒใ€‚

่žใๆ‰‹

ๅ…ˆ็”Ÿใฎๅญฆ็”Ÿๆ™‚ไปฃใซใฏใ€็งๆœใฎๅญฆๆ กใŒๆต่กŒใฃใŸๆ™‚ใ ใฃใŸใจ ๆ€ใ„ใพใ™ใŒใ€ๅฝ“ๆ™‚ใฏใ‚ฌใ‚ฏใƒฉใƒณใ‚’็€ใ‚‰ใ‚Œใฆใ„ใพใ—ใŸใ‹ใ€‚

่’ๆœจใ•ใ‚“

ๅƒ•ใฏใ‚ฌใ‚ฏใƒฉใƒณๆดพใงใ—ใŸใญใ€‚้ซ˜ๆ กใงใฏ็งๆœ๏ผฏ๏ผซใงใ—ใŸใŒใ€ ๆœใ‚’้ธใถใฎใŒใใฎใ†ใก้ขๅ€’ใซใชใฃใฆ ใฟใ‚“ใชใ‚ฌใ‚ฏใƒฉใƒณใซใชใฃใฆใใ‚‹(็ฌ‘)ใ€‚

่žใๆ‰‹

ใ€Œใ‚ธใƒงใ‚ธใƒงใ€ใฎ็™ปๅ ดไบบ็‰ฉใฏใ€ใฟใชใ•ใ‚“ใ‚ฌใ‚ฏใƒฉใƒณใŒ ใƒฆใƒ‹ใƒ•ใ‚ฉใƒผใƒ ใฟใŸใ„ใซใชใฃใฆใ„ใฆใ€ๅ…ˆ็”Ÿใฎใ‚ฌใ‚ฏใƒฉใƒณใซๅฏพใ™ใ‚‹ ๆ€ใ„ๅ…ฅใ‚ŒใŒ็›ธๅฝ“ใ‚ใ‚‹ใฎใงใฏใจๆ€ใฃใฆใ„ใพใ—ใŸใ€‚

	ใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌไธ‰้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ19ๅทป

๏ผœใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌไธ‰้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ19ๅทป๏ผž

่’ๆœจใ•ใ‚“

ใ‚ฌใ‚ฏใƒฉใƒณใ€ใ‚„ใฃใฑใ‚Šๆ ผๅฅฝใ„ใ„ใงใ™ใ‚ˆใ€‚ ๅฎŸใฏใ€ใƒžใƒณใ‚ฌใฎใƒ•ใ‚กใƒƒใ‚ทใƒงใƒณใจใ—ใฆไธ€็•ชๆ ผๅฅฝใ„ใ„ใฎใฏ ใ‚ฌใ‚ฏใƒฉใƒณใงใ€ใ€Œใ‚ฏใƒญใƒผใ‚บใ€ใจใ‹ใŒใƒ’ใƒƒใƒˆใ—ใŸใฎใฏ ็ตถๅฏพใ‚ฌใ‚ฏใƒฉใƒณใ ใฃใŸใ‹ใ‚‰ใงใ™ใ‚ˆใ€‚ ใใ‚Œใงใ‚ฌใ‚ฏใƒฉใƒณใซใƒ“ใƒ‹ใƒผใƒซๅ‚˜ใ‚’ใ•ใ™ใ€ใฃใฆใ„ใ†ใฎใŒใพใŸ ๆ ผๅฅฝใ„ใ„ใ‚“ใงใ™ใ‚ˆใญใ€‚ ใ‚‚ใ†ใ€็”ทใฎ็พŽๅญฆใจใ—ใฆใฎใƒžใƒณใ‚ฌใฎ้ป„้‡‘ๆ–น็จ‹ๅผใจใ„ใ†ใ‹ใ€‚ ๅคšๅˆ†ใ€้ซ˜ๅ€‰ๅฅใ•ใ‚“ใฎๅฝฑ้Ÿฟใ‹ใ‚‰ใ ใจๆ€ใ„ใพใ™ใ‘ใฉใ€‚

	ใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌๅ››้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ47ๅทป

๏ผœใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌๅ››้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ47ๅทป๏ผž

็ฌฌ๏ผ•ๅ›ž ใƒžใƒณใ‚ฌใจ็พๅฎŸไธ–็•Œใจใฎ้–ขใ‚ใ‚Š 2011.2.18 ่žใๆ‰‹

่ฟ‘ๅนดใงใฏใ€ใ€Œใ‚ธใƒงใ‚ธใƒง่Šธไบบใ€ใจใ„ใ‚ใ‚Œใ‚‹ใ‚ฟใƒฌใƒณใƒˆใ•ใ‚“ใ‚„ ็†ฑๅฟƒใชใƒ•ใ‚กใƒณใซใ‚ˆใ‚‹ใ€Œใ‚ธใƒงใ‚ธใƒง็ซ‹ใกใ€ใชใฉใฎใƒ ใƒผใƒดใƒกใƒณใƒˆใŒ ่ฉฑ้กŒใซใชใฃใฆใ„ใพใ™ใ€‚ ใƒžใƒณใ‚ฌใจใ„ใ†ใƒ•ใ‚ฃใ‚ฏใ‚ทใƒงใƒณใ‹ใ‚‰ ไปŠใพใงใจ้•ใฃใŸๅฝขใง็พๅฎŸใธใฎๅฝฑ้ŸฟใŒๅŠใ‚“ใงใ„ใ‚‹ใจๆ€ใ„ใพใ™ใŒใ€ ใใ†ใ—ใŸใƒ•ใ‚กใƒณใŒๅ…ˆ็”Ÿใฎไฝœๅ“ใ‚’่งฃ้‡ˆใ—ใฆ็››ใ‚ŠไธŠใŒใฃใฆใ„ใ‚‹ ็Šถๆณใซใคใ„ใฆใฏใฉใ†ใ”่ฆงใซใชใฃใฆใ„ใพใ™ใ‹๏ผŸ

่’ๆœจใ•ใ‚“

ใ€Œใ‚ธใƒงใ‚ธใƒง็ซ‹ใกใ€ใซใคใ„ใฆใฏใ€่‡ชๅˆ†ใงใ‚‚ใณใฃใใ‚Šใ—ใฆใ„ใฆใ€ ไธ–ใฎไธญใฎใปใ†ใŒๅค‰ใ‚ใฃใŸใ‚“ใ ใชใจๆ€ใ„ใพใ—ใŸ(็ฌ‘)ใ€‚ ใ‚‚ใจใ‚‚ใจใ€Œใ‚ธใƒงใ‚ธใƒงใ€ใฎ็™ปๅ ดไบบ็‰ฉใฎใƒใƒผใ‚บใฏใ€ ใƒ•ใ‚กใƒณใ‚ฟใ‚ธใƒผๆ€งใ‚’ๅ‡บใ™ใŸใ‚ใซใ‚ใˆใฆ ็พๅฎŸใซใฏใ‚ใ‚Šใˆใชใ„ใƒใƒผใ‚บใ‚’ๅ–ใ‚Šๅ…ฅใ‚Œใฆๆผ”ๅ‡บใ—ใฆใ„ใ‚‹ใ‚“ใงใ™ใ€‚ ๅฎŸ้š›ใฎไบบ้–“ใฎ้–ข็ฏ€ใฎๅฏๅ‹•็ฏ„ๅ›ฒใฏใ“ใ“ใพใงใจใ„ใ†ใจใ“ใ‚ใ‚’ใ€ ใ•ใ‚‰ใซ้™็•Œใ‚’่ถ…ใˆใŸใจใ“ใ‚ใพใงๆปใฃใฆ่กจ็พใ—ใฆใ„ใพใ™ใŒใ€ ใใ‚Œใ‚’ๅฎŸ้š›ใซใ‚„ใฃใฆใ„ใ‚‹ใ‚“ใงใ™ใ‹ใ‚‰โ€ฆ ๅ†™็œŸใงใฟใ‚‹ใจใ€ใกใ‚ƒใ‚“ใจๅ†็พใ—ใฆใ„ใ‚‹ใ‚“ใงใ™ใ‚ˆ๏ผ ไบบ้–“ใฎไฝ“ใŒ้€ฒๅŒ–ใ—ใŸใฎใ‹ใช๏ผŸ

	่’ๆœจใ•ใ‚“

่žใๆ‰‹

ๅ…จใใฎไบˆๆƒณๅค–ใ ใฃใŸใฎใงใ—ใ‚‡ใ†ใ‹ใ€‚

่’ๆœจใ•ใ‚“

ไบˆๆƒณๅค–ใจใ„ใ†ใ‹็œŸไผผใ—ใฆๆฌฒใ—ใใชใ„ใจใ„ใ†ใ‚ˆใ‚Šใ‚‚ใ€ ใใ‚‚ใใ‚‚็œŸไผผใ—ใ‚ˆใ†ใŒใชใ„่กจ็พใซใ—ใฆใ„ใ‚‹ใฎใซใ€ ใใ“ใซ็พๅฎŸใซ่ธใฟ่พผใ‚“ใงใใ‚‹ใจใ„ใ†โ€ฆ ใชใ‚“ใ‹ใ€ใใฎ็™บๆƒณใ‹ใ‚‰ใ—ใฆ้ฉšใใงใ™ใ‚ˆใ€‚

่žใๆ‰‹

้ฉšใ‹ใ‚ŒใŸใจใ‚‚ๆ€ใ„ใพใ™ใŒใ€ๅ…ˆ็”Ÿใซใจใฃใฆใฏใใ‚Œใ‚‚ ๅฌ‰ใ—ใ„ใ“ใจใ ใฃใŸใฎใงใ—ใ‚‡ใ†ใ‹ใ€‚

่’ๆœจใ•ใ‚“

ๅฌ‰ใ—ใ„โ€ฆใจใ„ใ†ใ‹(็ฌ‘)ใ€‚ ใ‚‚ใ†ใ€ๅฅฝใใชใ‚ˆใ†ใซๆฅฝใ—ใ‚“ใงใ‚‚ใ‚‰ใˆใ‚Œใฐโ€ฆ ใจๆ€ใฃใฆใพใ™ใญ(็ฌ‘)ใ€‚

่žใๆ‰‹

ๆœ€่ฟ‘ใงใฏๅ…ˆ็”Ÿใ‚‚ๅทปใ่พผใพใ‚Œใฆใ€ไธ€็ท’ใซใƒใƒผใ‚ธใƒณใ‚ฐใ•ใ‚Œใ‚‹ ใ“ใจใ‚‚ใ‚ใ‚‹ใ‚ˆใ†ใงใ™ใŒใ€‚

่’ๆœจใ•ใ‚“

ใ ใฃใฆใ‚„ใฃใฆใใ ใ•ใ„ใฃใฆ่จ€ใ‚ใ‚Œใ‚‹ใ‹ใ‚‰(็ฌ‘)ใ€‚

่žใๆ‰‹

ไปŠๆ—ฅใฏใ‚ใ‚Œใ‚ใ‚Œใ‚‚ใœใฒๅ…ˆ็”Ÿใจไธ€็ท’ใซ ใ€Œใ‚ธใƒงใ‚ธใƒง็ซ‹ใกใ€ใ‚’ใ—ใŸใ„ใจๆ€ใฃใฆใ„ใพใ—ใŸใ€‚

่’ๆœจใ•ใ‚“

ใ‚ใ‹ใ‚Šใพใ—ใŸโ€ฆใฃใฆใ€็พๅฎŸใซใฏใงใใชใ„ใ‚“ใ ใ‹ใ‚‰(็ฌ‘)ใ€‚

ใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌไบŒ้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ4ๅทป (c)่’ๆœจ้ฃ›ๅ‘‚ๅฝฆ๏ผ้›†่‹ฑ็คพใ€€ใ€€ ๏ผœใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌไบŒ้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ4ๅทป๏ผžใ€€

่žใๆ‰‹

็งใŒไธญๅญฆ็”Ÿๆ™‚ไปฃใซๅ…ˆ็”Ÿใฎไฝœๅ“ใซ่งฆใ‚ŒใŸใจใใฏใ€ ใ‚‚ใฃใจ็›ดๆŽฅ็š„ใซใ€็‰นๅพด็š„ใชใ‚ปใƒชใƒ•ใชใฉใ‚’ ๅ‹้”ๅŒๅฃซใง็œŸไผผใ—ใŸใ‚Šใจใ—ใŸ่จ˜ๆ†ถใŒใ‚ใ‚Šใพใ™ใŒใ€ ่ฟ‘ๅนดใฎใ“ใ†ใ—ใŸ็››ใ‚ŠไธŠใŒใ‚Šใฏใ€ ใ‚คใƒณใ‚ฟใƒผใƒใƒƒใƒˆใซใ‚ˆใ‚‹ๅฝฑ้Ÿฟใ‚‚ๅคงใใ„ใฎใงใฏใจใ‚‚ๆ€ใ„ใพใ™ใ€‚

่’ๆœจใ•ใ‚“

็ขบใ‹ใซใใ†ใ‹ใ‚‚ใ—ใ‚Œใชใ„ใงใ™ใญใ€‚

่žใๆ‰‹

ใ‚คใƒณใ‚ฟใƒผใƒใƒƒใƒˆใ‚’้€šใ˜ใฆ่ฆ‹็Ÿฅใ‚‰ใฌไบบๅŒๅฃซใŒ็ตใณใคใ„ใฆ ๅ…ฑๆœ‰ใ•ใ‚Œใ‚‹ใ€ๅ…ฑๆ„Ÿใ•ใ‚Œใ‚‹ใจใ„ใ†ๆ™‚ไปฃใชใฎใงใฏใจๆ€ใ„ใพใ™ใŒใ€ ใใ†ใ—ใŸๅค‰ๅŒ–ใ‚’ๅฎŸ้š›ใซๆ„Ÿใ˜ใ‚‰ใ‚Œใ‚‹ใ“ใจใฏใ‚ใ‚Šใพใ™ใ‹๏ผŸ

่’ๆœจใ•ใ‚“

ๆ˜”ใฏๅฃใ‚ณใƒŸใจใ„ใฃใฆใ‚‚็ฏ„ๅ›ฒใฏ้™ๅฎš็š„ใงใ—ใŸใŒใ€ ็พไปฃใ ใจใ€ใ‚คใƒณใ‚ฟใƒผใƒใƒƒใƒˆใซใ‚ˆใ‚‹ไบˆๆƒณใฎใงใใชใ„ ๅฑ•้–‹ใŒใ‚ใ‚‹ใจๆ€ใ„ใพใ™ใ€‚ใ ใ‹ใ‚‰้€†ใซๆ€–ใ„ใงใ™ใญโ€ฆ ใใฎใ€ไฝœๅ“ใซใฏไบบ้–“ใฎๆœฌๅฟƒใŒ็„กๆ„่ญ˜ใซใงใพใ™ใ‹ใ‚‰ใ€‚ ไพ‹ใˆใฐๅ‘ๆ€ฏใชๆใๆ–นใ‚’ใ—ใฆใ„ใ‚‹ใจใ€ใŸใถใ‚“่ชญ่€…ใฎๆ–นใฏ ่ฆ‹ๆŠœใใจๆ€ใ„ใพใ™ใŒใ€ใใ‚ŒใŒใƒใƒƒใƒˆใ ใจ ๅข—ๅน…ใ•ใ‚ŒใŸใ‚Šใ™ใ‚‹ใฎใ‹ใ‚‚ใ—ใ‚Œใชใ„ใงใ™ใ‚ˆใญใ€‚

่žใๆ‰‹

ใ“ใ†ใ—ใŸๆ™‚ไปฃใ ใ‹ใ‚‰ใ“ใใ€ใ‚ˆใ‚Š่ช ๅฎŸใ•ใ‚’ๆฑ‚ใ‚ใ‚‰ใ‚Œใ‚‹ ใจใ„ใ†ใ“ใจใชใฎใงใ—ใ‚‡ใ†ใ‹ใ€‚

่’ๆœจใ•ใ‚“

ใใ†ใงใ™ใญใ€‚ไธ€่ฆ‹ๆใ‹ใ‚‚ใ—ใ‚Œใชใ„ใ‘ใฉใ€่ช ๅฎŸใซๆใ„ใฆใชใ„ใจ ใใ‚ŒใŒใ‚ใจใซใชใฃใฆ็ขบๅฎŸใซๅŠนใ„ใฆใใ‚‹โ€ฆ

่žใๆ‰‹

ไปฅๅ‰ๅ…ˆ็”ŸใŒๆฑๅŒ—ๅคงๅญฆใงใ€Œๅฃฒใ‚Œใ‚‹ใƒžใƒณใ‚ฌใ€ใจใ„ใ†ใƒ†ใƒผใƒžใง ่ฌ›ๆผ”ใ•ใ‚ŒใŸใใ†ใงใ™ใŒใ€ใใฎใจใใ‚‚ใ€ ใ€Œๅฃฒใ‚Œใ‚‹ใ€ใŸใ‚ใซใใ‚Œใ ใ‘ใ‚’็‹™ใฃใฆๆใใจใ„ใ†ใฎใงใฏใชใใฆใ€ ใฉใ‚“ใชใซ่‰ฏใ„ไฝœๅ“ใงใ‚‚็ตๆžœ็š„ใซๅฃฒใ‚Œใชใ„ใจใ€่ชญ่€…ใซ ๅฑŠใ‹ใชใ„ใ‹ใ‚‰ใ ใ‚ใชใ‚“ใ ใจใ„ใ†่ฉฑใ‚’ใ•ใ‚Œใฆใ„ใŸใใ†ใงใ™ใญใ€‚

่’ๆœจใ•ใ‚“

ใใ†ใงใ™ใญใ€‚ใ€Œๅฃฒใ‚Œใ‚‹ใ€ใ“ใจใ ใ‘ใ‚’็‹™ใฃใŸไฝœๅ“ใจใ€ ่ชญ่€…ใซๅฑŠใ‘ใ‚‹ใŸใ‚ใซ็ตๆžœ็š„ใซใ€Œๅฃฒใ‚Œใ‚‹ใ€ไฝœๅ“ใจใฎ้•ใ„ใฏใ€ ่ชญ่€…ใฎๆ–นใฏ่ฆ‹ๆŠœใใงใ—ใ‚‡ใ†ใ€‚ ใพใŸใ€ใใ‚Œใจใฏๅˆฅใซใ€ใƒใƒƒใƒˆใงใฎ็™บ่จ€ใชใฉใงใใ†ใ„ใ†็ฒพ็ฅžใฏ ใ‚ˆใ‚Šใฏใฃใใ‚Šใจ่ฆ‹ๆŠœใ‹ใ‚Œใฆใ—ใพใ†ใฎใงใฏใชใ„ใงใ—ใ‚‡ใ†ใ‹ใ€‚ ใ‚คใƒณใ‚ฟใƒผใƒใƒƒใƒˆใฎๆ›ธใ่พผใฟใฎๅ†…ๅฎนใ‹ใ‚‰ใ€ ใ€Œใ“ใฎไบบใšใ‚‹ใ„ใชใ€ใจๆ„Ÿใ˜ใŸใ‚Šใ€‚

่žใๆ‰‹

ๅ…ˆ็”Ÿ่‡ช่บซใฏใ‚ˆใใ‚คใƒณใ‚ฟใƒผใƒใƒƒใƒˆใงใƒใ‚งใƒƒใ‚ฏใ•ใ‚Œใพใ™ใ‹ใ€‚

่’ๆœจใ•ใ‚“ ่’ๆœจใ•ใ‚“

ๆ€–ใ„ใ‹ใ‚‰ใ€ใชใ‚“ใ‹ใญใ€ใ‚ใพใ‚Šใ‚„ใ‚‰ใชใ„ใงใ™(็ฌ‘)ใ€‚

่žใๆ‰‹

ใชใ‚‹ในใ้ฟใ‘ใ‚‰ใ‚ŒใŸใ„ใ€ใจใ‹ใ€‚

่’ๆœจใ•ใ‚“

ไธ€็ทšใ‚’็”ปใ—ใฆใŠใใŸใ„ใจใ„ใ†ใ‚ˆใ‚Šใ‚‚ใ€ใ€Œๅฒธ่พบ้œฒไผดใ€ ใงใฏใชใ„ใงใ™ใŒใ€ๅ›ณใซไน—ใฃใŸใ“ใจใ‚’่จ€ใ„ใใ†ใชใฎใง ่‡ช้‡ใฎใŸใ‚ใซ(็ฌ‘)ใ€‚

่žใๆ‰‹

ๅฒธ่พบ้œฒไผดใฏใ€ใƒžใƒณใ‚ฌใซ้–ขใ—ใฆใฏๅ–„ๆ‚ชใฎๅˆคๆ–ญๅŸบๆบ–ใ‚’ ่ถ…ใˆใŸใ‚‚ใฎใ™ใ”ใ„ๅŸท็€ๅฟƒใ‹ใ‚‰ใ€ใกใ‚‡ใฃใจใ‚„ใ‚Šใ™ใŽใช้ขใŒ ่ฆ‹ๅ—ใ‘ใ‚‰ใ‚Œใพใ™ใŒใ€ใ‚„ใฏใ‚Šใใ†ใ—ใŸ้ขใซใฏ ๅ…ˆ็”Ÿใฎๆƒณใ„ๅ…ฅใ‚ŒใŒๅๆ˜ ใ•ใ‚Œใฆใ„ใ‚‹ใ‚ˆใ†ใซๆ„Ÿใ˜ใฆใ—ใพใ„ใพใ™ใ€‚

่’ๆœจใ•ใ‚“

ใใ†ใ„ใ†้ƒจๅˆ†ใ‚‚ใ‚ใ‚Šใพใ™ใŒใ€้œฒไผดใฏๆ†งใ‚Œใงใ™ใญใ€‚ ใ‚นใƒผใƒ‘ใƒผใƒžใƒณใ‚ฌๅฎถใจใ—ใฆใฎใ€‚ ใŸใ ๅฐ‘ใ—ใ ใ‘ใ€ไฝœๅ“ใจใ‹่Šธ่ก“ใซๅฏพใ—ใฆ ็œŸๆ‘ฏใงใชใ„ใ“ใจใธใฎๆ€’ใ‚Šใชใฉใ‚’่กจ็พใ—ใฆใ„ใพใ™ใŒใ€‚

	ใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌๅ››้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ36ๅทป

๏ผœใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌๅ››้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ36ๅทป๏ผž

่žใๆ‰‹

ใ‚ใใพใงใ‚‚ๆฅต็ซฏใชๅฝขใงใฎ่กจ็พใ ใจๆ€ใ„ใพใ™ใŒใ€ ็Ÿญ็ทจใ€Œๅฒธ่พบ้œฒไผดใฏๅ‹•ใ‹ใชใ„ใ€ใงใฏใ€้œฒไผดใŒๅ–ๆใง ใ‚คใ‚ฟใƒชใ‚ขใซ่กŒใใ€ๆ•™ไผšใฎๆ‡บๆ‚”ๅฎคใซๆฝœๅ…ฅใ—ใฆใฟใฆ ไฝ“้จ“ใฎ้‡่ฆๆ€งใ‚’่ชžใ‚‹ใ‚ทใƒผใƒณใ‚‚ใ‚ใ‚Šใพใ—ใŸใ€‚ ใƒ•ใ‚กใƒณใจใ—ใฆใฏใ€ใใ†ใ—ใŸใจใ“ใ‚ใซๅฎŸ้š›ใฎๅ…ˆ็”Ÿใฎๅงฟใ‚’ ้‡ใญใŸใใชใ‚‹ใจๆ€ใ„ใพใ™ใ€‚


ใ€Œๅฒธ่พบ้œฒไผดใฏๅ‹•ใ‹ใชใ„ใ€(็Ÿญ็ทจ้›†ใ€Œๆญปๅˆ‘ๅŸท่กŒไธญ่„ฑ็„้€ฒ่กŒไธญใ€ใ‚ˆใ‚Š

๏ผœใ€Œๅฒธ่พบ้œฒไผดใฏๅ‹•ใ‹ใชใ„ใ€(็Ÿญ็ทจ้›†ใ€Œๆญปๅˆ‘ๅŸท่กŒไธญ่„ฑ็„้€ฒ่กŒไธญใ€ใ‚ˆใ‚Š๏ผž

่’ๆœจใ•ใ‚“

ใใฎ่พบใฏ็ขบใ‹ใซๅฎŸๆ„Ÿใ‚’ๅๆ˜ ใ—ใฆใ„ใ‚‹ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใ€‚ ไปŠใ ใจใƒใƒƒใƒˆใง่ชฟในใ‚Œใฐใปใจใ‚“ใฉ ใ‚ใ‚‰ใ‚†ใ‚‹ใ‚‚ใฎใฎๆƒ…ๅ ฑใฏๅˆ†ใ‹ใ‚‹ๆ™‚ไปฃใ ใจๆ€ใ„ใพใ™ใŒใ€ ๅƒ•่‡ช่บซใฏใ‚„ใฏใ‚ŠๅฎŸ้š›ใซไฝ“้จ“ใ—ใŸไธŠใงๆใใŸใ„ใงใ™ใญใ€‚ ไพ‹ใˆใฐใ‚คใ‚ฟใƒชใ‚ขๆ–™็†ใฎ็ตตใ‚’ๆใๆ™‚ใ€ ๅˆฅใซ้ฃŸในใชใใฆใ‚‚ๅ†™็œŸใ‚’่ฆ‹ใŸใ‚Šใ—ใฆๆใ‘ใพใ™ใŒใ€ ใงใ‚‚ใ€ๅƒ•ใ ใฃใŸใ‚‰ใใฎๆ–™็†ใฎๅŒ‚ใ„ใ‚’ๅ—…ใ„ใ ใ‚Šใ€ ๅฎŸ้š›ใซๅ‘ณใ‚ใ„ใ‚’็ขบใ‹ใ‚ใŸไธŠใงๆใใŸใ„ใงใ™ใ€‚ ใใฎ่พบใฏใ€้œฒไผดใซใ‚‚ๅๆ˜ ใ•ใ‚Œใฆใ„ใ‚‹ใ‹ใชใ€‚

	ใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌๅ››้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ33ๅทป

๏ผœใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌๅ››้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ33ๅทป๏ผž

็ฌฌ๏ผ–ๅ›ž ๆตทๅค–ใฎใƒžใƒณใ‚ฌไบ‹ๆƒ… 2011.2.19 ่žใๆ‰‹

ไบฌ้ƒฝๅ›ฝ้š›ใƒžใƒณใ‚ฌใƒŸใƒฅใƒผใ‚ธใ‚ขใƒ ใงใฏใ€ใ€Œใƒžใƒณใ‚ฌใƒปใƒŸใƒผใƒ„ใƒป ใƒซใƒผใƒดใƒซโ€•็พŽ่ก“้คจใซ่ฟทใ„่พผใ‚“ใ ๏ผ•ไบบใฎไฝœๅฎถใŸใกโ€•ใ€ ใจใ„ใ†็‰นๅˆฅๅฑ•ใงใ€ใ€Œๅฒธ่พบ้œฒไผดใ€€ใƒซใƒผใƒดใƒซใซ่กŒใใ€ใจใ„ใ† ๅฑ•็คบใŒๅ…ฌ้–‹ใ•ใ‚Œใฆใ„ใพใ—ใŸใ€‚ (ๆณจ๏ผš2010ๅนด11ๆœˆ5ๆ—ฅ๏ฝž12ๆœˆ3ๆ—ฅใพใง้–‹ๅ‚ฌ) ใพใŸใ€2009ๅนดใซใƒซใƒผใƒดใƒซ็พŽ่ก“้คจใฎไผ็”ปๅฑ•ใงใ€ ๆ—ฅๆœฌใฎใƒžใƒณใ‚ฌๅฎถใจใ—ใฆใƒซใƒผใƒดใƒซๅฒไธŠๅˆใจใชใ‚‹ ไฝœๅ“ๅฑ•็คบใŒใ•ใ‚ŒใŸใจไผบใฃใฆใ„ใพใ™ใ€‚ ใกใชใฟใซไปŠๅ›žๅŒ่กŒใ—ใฆใ„ใ‚‹ใ‚นใ‚ฟใƒƒใƒ•ใงใใ‚Œใ‚’ ้‘‘่ณžใ™ใ‚‹ใŸใ‚ใซใƒซใƒผใƒดใƒซ็พŽ่ก“้คจใซ่กŒใฃใŸ่€…ใ‚‚ใŠใ‚Šใพใ™ใ€‚

่’ๆœจใ•ใ‚“

ๆœฌๅฝ“ใงใ™ใ‹๏ผŸใ‚ใ‚ŠใŒใจใ†ใ”ใ–ใ„ใพใ™ใ€‚

	่’ๆœจใ•ใ‚“

่žใๆ‰‹

ใใฎๆ™‚ใฏใƒ•ใƒฉใƒณใ‚นใงใ‚‚ๅคงๅค‰ๅฅฝ่ฉ•ใงใ‚ใฃใŸใจ ไผบใฃใฆใ„ใพใ™ใŒใ€ไปŠใ‚„ใƒžใƒณใ‚ฌใŒๆ—ฅๆœฌใฎ่ช‡ใ‚‹ ็พไปฃใ‚ขใƒผใƒˆใจใ—ใฆๆตทๅค–ใง่ฉ•ไพกใ•ใ‚Œใ‚‹ๆ™‚ไปฃใ ใจๆ€ใ„ใพใ™ใ€‚ ็งใŸใกใŒๅญฆ็”Ÿๆ™‚ไปฃใฏใ€ใฉใกใ‚‰ใ‹ใจใ„ใ†ใจ ใƒžใƒณใ‚ฌใซๅฏพใ™ใ‚‹ใ‚คใƒกใƒผใ‚ธใฏ่‰ฏใใชใใฆใ€ ๅญฆๆ กใฎๅ…ˆ็”Ÿใ‚„ไธก่ฆชใชใฉใ‹ใ‚‰ใฏ ใ€Œใƒžใƒณใ‚ฌใฐใ‹ใ‚Š่ฆ‹ใฆใ„ใชใ„ใงๅ‹‰ๅผทใ—ใชใ•ใ„ใ€ ใจใ„ใ†ใ‚ˆใ†ใชๆ™‚ไปฃใ ใฃใŸใจๆ€ใ„ใพใ™ใŒใ€ ใใฎๆ™‚ไปฃใซๅ…ˆ็”ŸใŒใƒžใƒณใ‚ฌๅฎถใ‚’ๅฟ—ใใ†ใจๆ€ใ‚ใ‚ŒใŸ ๅ‹•ๆฉŸใฏไฝ•ใ ใฃใŸใฎใงใ—ใ‚‡ใ†ใ‹๏ผŸ

่’ๆœจใ•ใ‚“

70ๅนดไปฃใจใ„ใ†ใ€Œๆ™‚ไปฃใฎ้ขจใ€ใงใ—ใ‚‡ใ†ใ‹ใ€‚ใ‚‚ใ†ใ€ๆœฌๅฝ“ใซ ใ„ใ‚ใ‚“ใชใƒžใƒณใ‚ฌใŒๅ‡บใฆใใŸๆ™‚ไปฃใ ใฃใŸใ‚“ใงใ™ใ€‚ SFใ‚‚ใ‚ใ‚Œใฐๆ™‚ไปฃๅЇใ‚‚ใ‚ใ‚‹ใ—ใ€ ใ€Œใ‚ฒใ‚ฒใ‚ฒใฎ้ฌผๅคช้ƒŽใ€ใฟใŸใ„ใชๅฆ–ๆ€ชใƒžใƒณใ‚ฌใ‚„ ๆฅณๅ›ณใ‹ใšใŠๅ…ˆ็”Ÿใฎใ‚ˆใ†ใชๆ€ชๅฅ‡ใƒžใƒณใ‚ฌใจใ‹ใ€ ใจใซใ‹ใใ„ใ‚ใ„ใ‚ใชไฝœๅ“ใŒไธ€ๆฐ—ใซๅ‡บใฆใใŸๆ™‚ๆœŸใงใ€ ใใฎใ‚จใƒใƒซใ‚ฎใƒผใŒใจใซใ‹ใใ™ใ”ใ‹ใฃใŸใ€‚

่žใๆ‰‹

ไธ€ใคใฎใƒกใƒ‡ใ‚ฃใ‚ขใจใ—ใฆใฎใ‚จใƒใƒซใ‚ฎใƒผใŒ ใƒžใƒƒใ‚ฏใ‚นใ ใฃใŸใฎใงใ—ใ‚‡ใ†ใ‹ใ€‚

่’ๆœจใ•ใ‚“

ใจใ„ใ†ใ‚ˆใ‚Šใ‚‚ใ€ๆ–ฐใ—ใ„ๆ™‚ไปฃใฎๅง‹ใพใ‚Šใจใ„ใ†ๆ„Ÿใ˜ ใ‹ใ‚‚ใ—ใ‚Œใชใ„ใ€‚่Šธ่ก“ใงใ„ใ†ใจใƒซใƒใ‚ตใƒณใ‚นใจใ„ใ†ใ‹ใ€ ไธ€ใคใฎ้ป„้‡‘ๆ™‚ไปฃใฎๅง‹ใพใ‚Šใจใ„ใ†ใ‹ใ€ ไปŠใ‹ใ‚‰ๆ€ใˆใฐใใ‚“ใชๆ„Ÿใ˜ใŒใ—ใพใ™ใ€‚

่žใๆ‰‹

ใใ“ใซๅฝ“ใฆใ‚‰ใ‚Œใฆใ—ใพใฃใฆใ€‚

่’ๆœจใ•ใ‚“

ใใ†ใ€ๅฝ“ใฆใ‚‰ใ‚Œใฆใ€ใ‚‚ใ†โ€ฆใปใ‚“ใจใ€ ใƒžใƒณใ‚ฌๅฎถใซใชใ‚ŠใŸใใฆใ—ใ‚‡ใ†ใŒใชใ‹ใฃใŸใงใ™ใ‚ˆใ€‚

	่’ๆœจใ•ใ‚“

่žใๆ‰‹

ใƒžใƒณใ‚ฌๅฎถใซใชใ‚‰ใ‚ŒใŸใ ใ‘ใงใชใใ€ไปŠใงใฏใ‚ขใƒผใƒ†ใ‚ฃใ‚นใƒˆ ใจใ—ใฆใƒซใƒผใƒดใƒซ็พŽ่ก“้คจใซๅฑ•็คบใ•ใ‚Œใ‚‹ใพใงใซใชใ‚‰ใ‚Œใพใ—ใŸใ€‚

่’ๆœจใ•ใ‚“

ใ„ใ‚„ใ€ใพใ ใพใ ใงใ™ใ‘ใฉ(็ฌ‘)โ€ฆใงใ‚‚ใญใ€ ๅฝ“ๆ™‚ใฏใ€Œใ‚ญใƒณ่‚‰ใƒžใƒณใ€ใ‚’ๆใ„ใŸใ‚†ใงใŸใพใ”ๅ…ˆ็”ŸใŒใ€ ๅƒ•ใจๅŒใ„ๅนดใชใฎใซ้ซ˜ๆ ก็”Ÿใงใ‚‚ใ†ใƒ—ใƒญใซใชใฃใฆใ„ใ‚‹ใจใ„ใ† ๆ™‚ไปฃใงใ—ใŸใ€‚ๅƒ•ใชใ‚“ใ‹ๆ™ฎ้€šใซๅญฆๆ ก้€šใฃใฆใ„ใŸๆ™‚ใงใ€ ใ€Œใˆใฃใ€ๅŒใ„ๅนดใงใ‚‚ใ†ใƒ—ใƒญใฎใƒžใƒณใ‚ฌๅฎถใชใ‚“ใ ๏ผใ€ใฃใฆใ€‚ ใใฎๆ™‚ใฏ็„ฆใ‚Šใพใ—ใŸใญใ€ ใ€Œใ‚‚ใ†ๅญฆๆ กใซ่กŒใฃใฆใ„ใ‚‹ๅ ดๅˆใ˜ใ‚ƒใ‚ใชใ„๏ผใ€ใจ(็ฌ‘)ใ€‚ ใใ‚Œใ‹ใ‚‰ๅƒ•ใ‚‚ใƒžใƒณใ‚ฌๆใ„ใฆใ€ๆ—ฉใๆŠ•็จฟใจใ‹ใ—ใชใ„ใจ ใƒ—ใƒญใซใชใ‚Œใชใ„ใ€ใจๆ€ใ„ใพใ—ใŸใ€‚

่žใๆ‰‹

ใใ“ใ‹ใ‚‰็‹ฌๅญฆใงใ‚นใ‚ฟใƒผใƒˆใ•ใ‚Œใฆโ€ฆ

่’ๆœจใ•ใ‚“

ใใ†ใงใ™ใญใ€‚ๆœฌๅฝ“ใฏใ‚ขใ‚ทใ‚นใ‚ฟใƒณใƒˆใจใ‹ใใกใฃใจ ใ‚„ใ‚ŠใŸใ‹ใฃใŸใงใ™ใŒใ€ใใฎๅ‰ใซ็‹ฌใ‚Š็ซ‹ใกใ—ใฆใ—ใพใฃใฆโ€ฆ ไบŒๅๆญณใฎใจใใซใƒ‡ใƒ“ใƒฅใƒผใ•ใ›ใฆใ„ใŸใ ใ„ใŸใ‚“ใงใ™ใ€‚

่žใๆ‰‹

ๅ…ˆใปใฉ็”ณใ—ไธŠใ’ใพใ—ใŸใ‚ˆใ†ใซใ€ไปŠใงใฏใƒžใƒณใ‚ฌใŒๆตทๅค–ใงใ‚‚ ่ฉ•ไพกใ•ใ‚Œใ‚‹ๆ™‚ไปฃใงใ™ใŒใ€ใƒ‡ใƒ“ใƒฅใƒผใ•ใ‚Œใฆใ‹ใ‚‰ ใ“ใ‚Œใพใงใฎใƒžใƒณใ‚ฌใ‚’ๅ–ใ‚Šๅทปใ็’ฐๅขƒใฎๅค‰ๅŒ–ใฏ ใฉใฎใ‚ˆใ†ใซๆ„Ÿใ˜ใ‚‰ใ‚Œใพใ™ใ‹๏ผŸ

่’ๆœจใ•ใ‚“

ใƒžใƒณใ‚ฌใซใฏใ€ไพ‹ใˆใฐใ‚นใƒˆใƒผใƒชใƒผใŒ้ข็™ฝใ„ใจใ‹ใ€ ็”ปใŒใ†ใพใ„ใจใ‹ใ€ใƒ‡ใ‚ถใ‚คใƒณใŒ็ด ๆ™ดใ‚‰ใ—ใ„ใจใ„ใฃใŸใ€ ใ„ใ‚ใ„ใ‚ใช่ฆ็ด ใ‹ใ‚‰ๆˆใ‚Š็ซ‹ใค็ทๅˆ่Šธ่ก“็š„ใช้ญ…ๅŠ›ใ‚‚ ใ‚ใ‚‹ใจๆ€ใ„ใพใ™ใ€‚ ใงใ‚‚ใ€ใใฎใ†ใกใฎใฉใ‚Œใ‹ไธ€ใคใ ใ‘ใงใ‚‚ๆˆ็ซ‹ใ™ใ‚‹ใจ ๆ€ใ†ใ‚“ใงใ™ใ€‚่ฉฑใŒ้ข็™ฝใใชใใฆใ‚‚ใ€็”ปใŒใ†ใพใ„ใจ ใใ‚Œใงใƒ—ใƒญใจใ—ใฆๆˆใ‚Š็ซ‹ใฃใŸใ‚Šใ™ใ‚‹ใ‚“ใงใ™ใญใ€‚ ๆ™ฎ้€šใ ใฃใŸใ‚‰ใ“ใฎใ‚นใƒˆใƒผใƒชใƒผใ ใจๅนผ็จšใ ใชใ€ ใจใ„ใ†ใ‚‚ใฎใงใ‚‚ๅฃฒใ‚Œใกใ‚ƒใ†ใ‚“ใงใ™ใ€‚ ๅฃฒใ‚Œใ‚‹ใจใ„ใ†ใ‹ใ€่Šธ่ก“ใจใ—ใฆๆˆใ‚Š็ซ‹ใคใ‚“ใงใ™ใญใ€‚ ้€†ใซใ€็”ปใŒใ“ใ‚Œใฏๅญไพ›ใŒๆใ„ใŸใฎ๏ผŸใจใ„ใ†ไฝœๅ“ใงใ‚‚ใ€ ใจใซใ‹ใใ‚นใƒˆใƒผใƒชใƒผใŒ้ข็™ฝใ‹ใฃใŸใ‚Šใ€‚ ใ„ใ‚ใ‚“ใช้ญ…ๅŠ›ใŒใ‚ใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚ ใงใ‚‚ใ€ๅƒ•ใซใฏ็†่งฃใงใใชใ„ใ‚‚ใฎใ‚‚ใ‚ใ‚Šใพใ™ใŒ(็ฌ‘)ใ€‚

่žใๆ‰‹

ใ“ใ‚Œใฏใ™ใ”ใ„ใจๆ„Ÿ้Š˜ใ‚’ๅ—ใ‘ใ‚‹ใ‚‚ใฎใฏไปŠใงใ‚‚ใ‚ใ‚Šใพใ™ใ‹๏ผŸ

่’ๆœจใ•ใ‚“

ใใ‚Œใฏใ‚‚ใ†ใŸใใ•ใ‚“ใ‚ใ‚Šใพใ™ใ€‚ ่‹ฅใ„ไบบใŸใกใฏใ™ใ”ใ„ใงใ™ใ‚ˆใ€‚ ใงใ‚‚้€†ใซใ€็”ปใ‚‚ใ†ใพใใชใ„ใ—ใ€ใ‚นใƒˆใƒผใƒชใƒผใ‚‚้ข็™ฝใ•ใŒ ใ‚ใ‹ใ‚‰ใชใ„ใ‘ใฉๅฃฒใ‚Œใ‚‹ใ€ใจใ„ใ†ไฝœๅ“ใ‚‚ใ‚ใ‚Šใพใ™ใญใ€‚

่žใๆ‰‹

ๆฑๅŒ—ๅคงๅญฆใงใฎ่ฌ›ๆผ”ๆ™‚ใซใ‚‚ใ‚นใƒˆใƒผใƒชใƒผใฏ ่ตทๆ‰ฟ่ปข็ตใŒ้žๅธธใซๅคงไบ‹ใจใ„ใ†่ฉฑใ‚‚ใ•ใ‚Œใฆใ„ใŸใใ†ใงใ™ใญใ€‚

่’ๆœจใ•ใ‚“

ใใ“ใ‹ใ‚‰ๅฎŒๅ…จใซๅค–ใ‚Œใฆใ„ใ‚‹ใƒžใƒณใ‚ฌใงใ‚‚ใ€ ใ‹ใชใ‚Šใƒ•ใ‚กใƒณใŒใ„ใŸใ‚Šใจใ‹โ€ฆ ใใ‚Œใฏใใ‚Œใงใ€ใ™ใ”ใ„ใงใ™ใ‘ใฉใญใ€‚

่žใๆ‰‹

ใใ†ใ—ใŸๆ‡ใฎๅบƒใ•ใจใ„ใ†ใฎใ‚‚ใƒžใƒณใ‚ฌใฎๆŒใค ้ญ…ๅŠ›ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใญใ€‚ไธ€ๆ–นใงใ€ๆตทๅค–ใงใฏ ใƒžใƒณใ‚ฌใฏใฉใฎใ‚ˆใ†ใซๅ—ใ‘ๆญขใ‚ใ‚‰ใ‚Œใฆใ„ใ‚‹ใฎใงใ—ใ‚‡ใ†ใ‹ใ€‚

่’ๆœจใ•ใ‚“

ใƒ•ใƒฉใƒณใ‚นใฎใƒžใƒณใ‚ฌใฏใ€Œใƒใƒณใƒ‰ใƒปใƒ‡ใ‚ทใƒใ€ใจใ„ใ†ใฎใงใ™ใŒใ€ ใใฎๆใๆ–นใฏใ“ใกใ‚‰ใจใฏๆ˜Žใ‚‰ใ‹ใซ้•ใ„ใพใ™ใ€‚ ไพ‹ใˆใฐใ€ๆ—ฅๆœฌใงใฏใพใš่กจ็ด™ใซไธปไบบๅ…ฌใ‚’ๆใใ‚“ใงใ™ใ‚ˆใ€‚ ใƒกใ‚คใƒณใฎใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใ‚’ใƒใƒผใƒณ๏ผใจใ€‚ ใใ‚Œใ‚’ใ€ใƒซใƒผใƒดใƒซใฎใ‚นใ‚ฟใƒƒใƒ•ใฏ่กจ็ด™ใซใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใ‚’ ๆใ„ใฆใใ‚Œใ‚‹ใชใจใ„ใ†ใ‚“ใงใ™ใ€‚ ใƒซใƒผใƒดใƒซ็พŽ่ก“้คจใฏไบบ็‰ฉใฎ่ƒŒๆ™ฏใจใ—ใฆๆใ„ใฆใ„ใ‚‹ใฎใซใ€ ่ƒŒๆ™ฏใฎใƒซใƒผใƒดใƒซใ‚’ใƒกใ‚คใƒณใงๆใ„ใฆใใ‚Œใฃใฆใ€‚ ็ขบใ‹ใซใƒ•ใƒฉใƒณใ‚นใฎใƒใƒณใƒ‰ใƒปใƒ‡ใ‚ทใƒใ‚’่ฆ‹ใฆใ„ใ‚‹ใจใ€ ่กจ็ด™ใฎใƒกใ‚คใƒณใŒ่ƒŒๆ™ฏใชใ‚“ใงใ™ใ‚ˆใ€‚


่žใๆ‰‹

ไธปไบบๅ…ฌใฏใฉใ†ใชใฃใฆใ—ใพใ†ใฎใงใ™ใ‹๏ผŸ

่’ๆœจใ•ใ‚“

ไธปไบบๅ…ฌใฏ่ƒŒๆ™ฏใฎใฉใ“ใ‹ใซใ€ ใ‚ˆ๏ฝžใ่ฆ‹ใ‚‹ใจๅฐใ•ใๅ†™ใฃใฆใ„ใŸใ‚Šใจใ‹ใ€ ๅปบ็‰ฉใฎไธŠใ‚’้ฃ›ใ‚“ใงใ„ใ‚‹้ฃ›่กŒๆฉŸใซ ใกใ‚‡ใฃใจไน—ใฃใฆใ„ใŸใ‚Šใจใ‹ใ€ ้‹่ปขใ—ใฆใ„ใ‚‹่ปŠใฎๆ“็ธฆๅธญใ‹ใ‚‰ใกใ‚‰ใฃใจ ่ฆ‹ใˆใฆใ„ใŸใ‚Šใจใ‹(็ฌ‘)ใ€‚ ใใ†ใ„ใ†็”ปใ‚’ๆใ„ใฆใใ‚Œใฃใฆ่จ€ใ‚ใ‚Œใพใ—ใŸใ€‚ ้€†ใซใ€ๆ—ฅๆœฌใฎๅ ดๅˆใฏ็ตถๅฏพใซใƒ•ใ‚กใƒƒใ‚ทใƒงใƒณ้›‘่ชŒใฎ ่กจ็ด™ใฎๆง˜ใซไธปไบบๅ…ฌใŒๅ‰ใซใ‚ฌใƒผใƒณ๏ผใจๅ‡บใฆใ„ใ‚‹ใ€‚ ใใ“ใฏใพใ‚‹ใง้•ใ„ใพใ™ใญใ€‚

่žใๆ‰‹

ๆญฃๅๅฏพใฎไพกๅ€ค่ฆณใชใฎใงใ™ใญใ€‚

่’ๆœจใ•ใ‚“

ใˆใˆใ€‚ใ ใ‹ใ‚‰ใ€ใ€Œๆ—ฅๆœฌใฏใ“ใ†ใ„ใ†ใ‚„ใ‚Šๆ–นใชใ‚“ใงใ™ใ€ใฃใฆ ่ชฌๆ˜Žใ—ใฆๆใ„ใŸใ‚“ใงใ™ใ‚ˆ(็ฌ‘)ใ€‚ ใชใ‹ใชใ‹ๅˆ†ใ‹ใฃใฆใ‚‚ใ‚‰ใˆใชใ‹ใฃใŸใงใ™ใŒใ€ ใ€Œๆ—ฅๆœฌไบบใฎใƒžใƒณใ‚ฌๅฎถใซไพ้ ผใ—ใŸใ‚“ใ ใ‹ใ‚‰ใ€ ๆ—ฅๆœฌใฎใƒžใƒณใ‚ฌใฎๆ–นๆณ•่ซ–ใงใ‚„ใ‚‰ใ›ใฆไธ‹ใ•ใ„ใ€ใจ ่ชฌๅพ—ใ—ใพใ—ใŸใ€‚

่žใๆ‰‹

ๅ…ˆ็”ŸใŒใƒ‡ใƒ“ใƒฅใƒผใ•ใ‚ŒใŸๅฝ“ๆ™‚ใฎ้€ฑๅˆŠๅฐ‘ๅนดใ‚ธใƒฃใƒณใƒ—ใงใฏใ€ 10m้›ขใ‚Œใฆใ‚‚่ฆ‹ใฆใ‚‚่ชฐใŒไฝœ่€…ใชใฎใ‹ๅˆ†ใ‹ใ‚‹็”ปใ‚’ๆใใ€ ใจใ„ใ†ใฎใŒๅŸบๆœฌใ ใฃใŸใใ†ใงใ™ใญใ€‚

่’ๆœจใ•ใ‚“

ใˆใˆใ€ใใ†ใงใ™ใ€‚

่žใๆ‰‹

ใงใ‚‚ใใ‚Œใจใฏ้€†ใงใ€ๅ‘ใ†ใฎไบบใฏไธ€็›ฎใง่ชฐใŒๆใ„ใŸใฎใ‹ ๅˆ†ใ‹ใ‚‰ใชใใฆใ‚‚ใ€ใ„ใ„ใจใ€‚

่’ๆœจใ•ใ‚“

ใพใšๅ…จไฝ“็š„ใชใƒ ใƒผใƒ‰ใ‚’ๆใ„ใฆใใ‚Œใ€ใจใ„ใ†ๆ„Ÿใ˜ใงใ™ใญใ€‚ ใ‚ใชใŸใชใ‚‰ใƒซใƒผใƒดใƒซ็พŽ่ก“้คจใ‚’ใฉใ†ๆใใพใ™ใ‹ใ€ใฟใŸใ„ใชใ€‚ ใ‚ใใพใงใ‚‚ใƒซใƒผใƒดใƒซใŒใƒกใ‚คใƒณใจใ„ใ†่€ƒใˆๆ–นใงใ™ใญใ€‚

่žใๆ‰‹

ใ€Œใ‚ธใƒงใ‚ธใƒงใ€ใฎไฝœ่€…ใจใ„ใ†ใ‚ˆใ‚Šใ‚‚ใ€ใ‚ขใƒผใƒ†ใ‚ฃใ‚นใƒˆใจใ„ใ† ไฝ็ฝฎใฅใ‘ใ ใฃใŸใฎใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใญใ€‚

็ฌฌ๏ผ—ๅ›ž ไปŠๅพŒใฎไป™ๅฐๅธ‚ใจใ‚ธใƒงใ‚ธใƒงไฝœๅ“ใจใฎ้–ขใ‚ใ‚Šใฏ๏ผŸ 2011.2.20 ่žใๆ‰‹

็ขบใ‹ใซๆฌง็ฑณใงใฏใ€ใƒžใƒณใ‚ฌใ‚„ใ‚ขใƒ‹ใƒกใฏๅญไพ›ใฎใ‚‚ใฎใงใ€ ๅคงไบบใŒ่ฆ‹ใ‚‹ใ‚‚ใฎใงใฏใชใ„ใจใ„ใ†ๅŒบๅˆ†ใ‘ใŒ ใฏใฃใใ‚Šใชใ•ใ‚Œใฆใ„ใ‚‹ใ‚ˆใ†ใงใ™ใญใ€‚ ๆˆ‘ใ€…ใƒ•ใ‚กใƒณใฏใ€่’ๆœจๅ…ˆ็”ŸใŒ้‚ใซไธ–็•Œใซ่ชใ‚ใ‚‰ใ‚Œใฆ ใƒซใƒผใƒดใƒซ็พŽ่ก“้คจใซๅฑ•็คบใ•ใ‚ŒใŸใ€ใจใ„ใ†ใ“ใจใง ๅฌ‰ใ—ใๆ€ใฃใฆใ„ใพใ™ใŒใ€ๅ…ˆ็”Ÿใซใจใฃใฆใฏใ€ ใƒžใƒณใ‚ฌๅฎถใฎ็ซ‹ๅ ดใจใ‚ขใƒผใƒ†ใ‚ฃใ‚นใƒˆใฎ็ซ‹ๅ ดใง ่‘›่—คใŒใ‚ใฃใŸใฎใงใ—ใ‚‡ใ†ใ‹ใ€‚

่’ๆœจใ•ใ‚“

่‘›่—คใจใ„ใ†ใ‹ใ€ใใ†ใ—ใŸ้•ใ„ใ‚’ใฏใฃใใ‚Šใจๆ„Ÿใ˜ใพใ—ใŸใญใ€‚

่žใๆ‰‹

ไบฌ้ƒฝใฎๅฑ•่ฆงไผšใงใฏใ€ใƒจใƒผใƒญใƒƒใƒ‘ใฎไฝœๅฎถใ•ใ‚“ใจ ไธ€็ท’ใซๅฑ•็คบใ•ใ‚Œใฆใ„ใพใ™ใŒใ€ใใฎไฝœๅฎถใ•ใ‚“ใŸใกใจใฎ ไบคๆตใฏใ‚ใ‚Šใพใ™ใ‹๏ผŸ

่’ๆœจใ•ใ‚“

ใใฎๆ™‚ๆฅๆ—ฅใ•ใ‚Œใฆใ„ใŸใ€ใƒ‹ใ‚ณใƒฉใƒปใƒ‰ใƒปใ‚ฐใƒฌใ‚ทใƒผใ•ใ‚“ใซใฏ ใŠไผšใ„ใ—ใพใ—ใŸใ€‚

่žใๆ‰‹

ๆ—ฅๆœฌ่ชž่จณใŒๅ‡บ็‰ˆใ•ใ‚ŒใŸ้š›ใซๆŽจ่–ฆใฎๅธฏใ‚’ ๆ›ธใ‹ใ‚ŒใŸใใ†ใงใ™ใญใ€‚ ๅ…ˆ็”Ÿใฎไฝœๅ“ใจ็›ธ้€šใ˜ใ‚‹ใจใ“ใ‚ใฏใ‚ใ‚‹ใฎใงใ—ใ‚‡ใ†ใ‹๏ผŸ

่’ๆœจใ•ใ‚“

ใ„ใ‚„ใ€้•ใ„ใพใ™ใญใ€‚่ชญใฟๅ‘ณใจใ‹ๅ…จ็„ถ้•ใ†ใ‚“ใงใ™ใ‚ˆใ€‚

่žใๆ‰‹

ใƒ•ใ‚กใƒณใฎๆ–นใŒ้‹ๅ–ถใ•ใ‚Œใฆใ„ใ‚‹ใ‚ตใ‚คใƒˆใง ็ดนไป‹ใ•ใ‚Œใฆใ„ใพใ—ใŸใŒใ€ๅ…ˆ็”Ÿใฎใƒ•ใ‚กใƒณใชใ‚‰ใฐใ€ ใ“ใ‚Œใฏใ“ใ‚ŒใงใฒใจใคใฎๅฎŒๆˆใ•ใ‚ŒใŸๅฅ‡ๅฆ™ใชไธ–็•Œใฎใ‚ˆใ†ใซ ใฟใˆใ‚‹ใใ†ใงใ™ใŒใ€‚

่’ๆœจใ•ใ‚“

ใใ†ใงใ™ใญใ€‚็”ปใŒใ‚‚ใฎใ™ใ”ใไธŠๆ‰‹ใ„ใงใ™ใ€‚

่žใๆ‰‹

ใใ‚Œใฏใƒžใƒณใ‚ฌใจใ„ใ†ใ‚ˆใ‚Šใ‚‚็ตต็”ปใจใ—ใฆใ€‚

่’ๆœจใ•ใ‚“

ใˆใˆใ€ใชใ‚“ใ‹ใญใ“ใ†ใ€ๅคงไบบใŒใŠ่Œถใจใ‹ ใŠ้…’ใ‚’้ฃฒใฟใชใŒใ‚‰ใ‚†ใฃใใ‚Š้‘‘่ณžใ™ใ‚‹ใ‚ˆใ†ใชใ‚คใƒกใƒผใ‚ธใงใ€ ๆ—ฅๆœฌใฎใƒžใƒณใ‚ฌใฟใŸใ„ใซ้›ป่ปŠใฎไธญใจใ‹ใงใƒใƒผใƒƒใจ่ชญใ‚€ ๆ„Ÿใ˜ใงใฏใชใ„ใงใ™ใญใ€‚

่žใๆ‰‹

ใ‚ขใƒผใƒˆใจใ—ใฆ้‘‘่ณžใ™ใ‚‹ใ‚ˆใ†ใชใ‚คใƒกใƒผใ‚ธใงใ™ใ‹ใ€‚

่’ๆœจใ•ใ‚“

ใƒฏใ‚คใƒณ็‰‡ๆ‰‹ใซ้‘‘่ณžใ—ใชใŒใ‚‰ใ€ใ€Œใƒณใƒผใ€ใฟใŸใ„ใช(็ฌ‘)ใ€‚ ใ‚ใ‚‹ใ„ใฏ้€ฑๆœซใฎๅˆๅพŒใฏใ“ใ‚Œใ‚’่ฆณใชใŒใ‚‰ ใ‚†ใฃใใ‚Š้Žใ”ใใ†ใ‹ใชใ€ใฟใŸใ„ใชๆ„Ÿใ˜ใงใ€‚

	ใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌไบ”้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ48ๅทป

๏ผœใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌไบ”้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ48ๅทป๏ผž

่žใๆ‰‹

ๆ—ฅๆœฌใงใ‚‚ใใ‚“ใชใƒžใƒณใ‚ฌๆ–‡ๅŒ–ใŒใ‚ใ‚Œใฐ้ข็™ฝใ„ใงใ™ใญใ€‚ ๅ…ˆ็”Ÿใฎ็”ป้›†ใชใฉใฏใ€ใŠใใ‚‰ใใใ†ใ„ใ†ๆฅฝใ—ใฟๆ–นใ‚‚ ใงใใ‚‹ใจๆ€ใ„ใพใ™ใ€‚

็”ป้›†็ญ‰ ่’ๆœจใ•ใ‚“

ใใ†ใ—ใŸ่ฆ็ด ใ‚‚ๅฐ‘ใ—ใšใคๅ–ใ‚Šๅ…ฅใ‚ŒใŸใ„ใจใฏๆ€ใ„ใพใ™ใŒใ€ ใงใ‚‚ใ€้›ป่ปŠใฎไธญใง่ชญใ‚€ใฃใฆใ„ใ†ใ‚ทใƒใƒฅใ‚จใƒผใ‚ทใƒงใƒณใ‚‚ ใพใŸๅคงๅˆ‡ใชใ‚“ใ ใ‚ˆใญใ€‚

่žใๆ‰‹

ๅฎถใซๅธฐใ‚‹ใพใงๅพ…ใกใใ‚Œใชใ„ๆฅฝใ—ใฟใจใ„ใ†ใฎใ‚‚ ใ‚ใ‚Šใพใ™ใ‹ใ‚‰ใ€‚

่’ๆœจใ•ใ‚“

ใใ†ใใ†ใ€‚ใ€Œๆฅ้€ฑใฉใ†ใชใ‚‹ใ‚“ใ ใ‚ใชใ‚๏ฝžใ€ใฃใฆใ€‚ ๅƒ•ใŒๅญไพ›ใฎใจใใฏใ€ๅฐ‘ๅนดใ‚ธใƒฃใƒณใƒ—ใฏๆœฌๅฝ“ใฏ ็ซๆ›œๆ—ฅ็™บๅฃฒใชใฎใซใ€ไป™ๅฐ้ง…ใ ใ‘ใฏๆœˆๆ›œใฎๅค•ๆ–นใซ ่ฒทใˆใŸใ‚“ใงใ™ใ‚ˆ๏ผใ‚‚ใ†ไธ€ๅˆปใ‚‚ๆ—ฉใ่ชญใฟใŸใใฆ ้ง…ใพใง่ฒทใ„ใซ่กŒใฃใฆใพใ—ใŸใ€‚ ใใ†ใ„ใ†ใฎใฏๅฟ…่ฆใงใ™ใ‚ˆใญใ€‚

่žใๆ‰‹

ใƒฏใ‚ฏใƒฏใ‚ฏๆ„Ÿใจใ„ใ„ใพใ™ใ‹ใ€็ถšใใŒใฉใ†ใชใ‚‹ใ‚“ใ ใ‚ใ†ใ€ ใจใ„ใ†ๆฅฝใ—ใฟใŒ็”Ÿๆดปใฎไธญใซใ‚ใ‚‹ใฎใฏๅคงไบ‹ใงใ™ใ‚ˆใญใ€‚ ใใฎๆ„ๅ‘ณใงใƒžใƒณใ‚ฌใฎๅฝนๅ‰ฒใฏใ€ๅคงใใ„ใจๆ€ใ„ใพใ™ใ€‚

่’ๆœจใ•ใ‚“

ใใ†ใ ใจๅฌ‰ใ—ใ„ใงใ™ใ‘ใฉใญใ€‚

่žใๆ‰‹

ใ“ใ†ใ—ใฆ่ฉฑใ‚’ไผบใฃใฆใ„ใ‚‹ใจใ€ๅ…ˆ็”Ÿใฎใ‚ขใ‚คใƒ‡ใƒณใƒ†ใ‚ฃใƒ†ใ‚ฃใฏ ใ‹ใชใ‚Šไป™ๅฐใง็”Ÿใพใ‚Œ่‚ฒใฃใŸใ“ใจใซ่ตทๅ› ใ™ใ‚‹้ƒจๅˆ†ใ‚‚ ใ‹ใชใ‚Šใ‚ใ‚‹ใ‚ˆใ†ใซๆ„Ÿใ˜ใพใ™ใŒใ€ใใฎใ”ๆดป่บใ‚„ ใ€Œใ‚ธใƒงใ‚ธใƒงใ€ไฝœๅ“ใ‚’็Ÿฅใฃใฆใ„ใ‚‹ไป™ๅฐๅธ‚ๆฐ‘ใฏๅคšใใฆใ‚‚ใ€ ๅฎŸ้š›ใซใ”ๅ‡บ่บซใŒไป™ๅฐใ ใจใ„ใ†ใ“ใจใฏใ€ใ‚ใพใ‚Š ็Ÿฅใ‚‰ใ‚Œใฆใ„ใชใ„ใ‚ˆใ†ใชๆฐ—ใŒใ—ใพใ™ใ€‚

่’ๆœจใ•ใ‚“

ใใ†ใ‹ใ‚‚ใ—ใ‚Œใชใ„ใงใ™ใญใ€ๅƒ•่‡ช่บซใ‚ใพใ‚Šไป™ๅฐใ‚’ ใ‚ขใƒ”ใƒผใƒซใ—ใฆใ„ใชใ‹ใฃใŸใ‹ใ‚‚(็ฌ‘)ใ€‚

่žใๆ‰‹

ใŸใพใŸใพใ‚ใพใ‚ŠใใฎๆฉŸไผšใŒ็„กใ‹ใฃใŸใ‹ใ‚‰ใงใ—ใ‚‡ใ†ใ‹ใ€‚

่’ๆœจใ•ใ‚“

ไธปไบบๅ…ฌใŒๆ—…ใ‚’ใ™ใ‚‹ใ‚นใƒˆใƒผใƒชใƒผใŒๅคšใ„ใฎใงใ€ ๅƒ•่‡ช่บซใŒใฉใ“ใ‹ใซๅฎšไฝใ—ใฆใ„ใ‚‹ใ‚คใƒกใƒผใ‚ธใŒ ใชใ„ใฎใ‹ใ‚‚ใ—ใ‚Œใชใ„โ€ฆ ใ€Œใ‚ธใƒงใ‚ธใƒงใ€ใงๆ—ฅๆœฌใ‚’่ˆžๅฐใจใ—ใฆใ„ใ‚‹ใฎใฏใ€ ็ฌฌๅ››้ƒจใฎๆœ็Ž‹็”บใ‚ทใƒชใƒผใ‚บใ ใ‘ใ ใ—ใ€‚

่žใๆ‰‹

ใงใ™ใŒ็ฌฌๅ››้ƒจใงๅคงใใใƒ•ใ‚กใƒณๅฑคใŒๅบƒใŒใฃใŸใจๆ€ใ„ใพใ™ใ€‚

่’ๆœจใ•ใ‚“

ไปŠๅบฆใฏใ‚‚ใฃใจใใฎ่พบใ‚’ใ‚ขใƒ”ใƒผใƒซใ—ใพใ™ใ‹ใ€ ๆœ็Ž‹็”บใ‚’่ˆžๅฐใซใ—ใฆใ„ใ‚‹ใฎใฏใ€ใ€Œใ‚ธใƒงใ‚ธใƒงใ€ใฎไฝœ่€…ใŒ ไป™ๅฐๅธ‚ๅ‡บ่บซใ ใ‹ใ‚‰ใ ใ‚ˆ๏ผใฃใฆ(็ฌ‘)ใ€‚

	่’ๆœจใ•ใ‚“

่žใๆ‰‹

ใœใฒใŠ้ก˜ใ„ใ—ใพใ™ใ€‚

่’ๆœจใ•ใ‚“

ใงใ‚‚ใญใ€ๆฎบไบบ้ฌผใจใ‹ๅ‡บใฆใใ‚‹่ฉฑใงใ™ใ‹ใ‚‰ใ€ ไป™ๅฐๅธ‚ๆฐ‘ใฎๆ–นใŒๆ€’ใ‚‹ใฎใงใฏใชใ„ใ‹ใจใ„ใ†ๅฟƒ้…ใŒ ๅผทใ„ใ‚“ใงใ™ใ€‚ๆœฌๅฝ“ใซไป™ๅฐใฎไบบใŸใกใซ ใ”่ฟทๆƒ‘ใ‚’ใŠใ‹ใ‘ใ—ใŸใใชใ„ใ‹ใ‚‰ใ€‚

่žใๆ‰‹

ไปŠๅนด(โ€ปๆณจ2010ๅนด)ใฏๅธ‚ๅ†…ใงใ‚‚ไบ‹ไปถใŒใ‚ใ‚Šใ€ ไป™ๅฐใŒๅ…จๅ›ฝ็š„ใซๆณจ็›ฎใ•ใ‚ŒใŸๆ™‚ๆœŸใ‚‚ใ‚ใ‚Šใพใ—ใŸใŒใ€ ่ฃๅˆคๅ“กๅˆถๅบฆใ‚‚ๅง‹ใพใ‚Š่‡ชๅˆ†ใฎไฝใ‚“ใงใ„ใ‚‹ใจใ“ใ‚ใงใ‚‚ใ€ ใใ†ใ—ใŸไบ‹ไปถใŒ่บซ่ฟ‘ใซๆ„Ÿใ˜ใ‚‹ๆ™‚ไปฃใซๆฎ‹ๅฟตใชใŒใ‚‰ ใชใ‚Šใคใคใ‚ใ‚‹ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใ€‚

่’ๆœจใ•ใ‚“

ใ€Œใ“ใกใ‚‰่‘›้ฃพๅŒบไบ€ๆœ‰ๅ…ฌๅœ’ๅ‰ๆดพๅ‡บๆ‰€ใ€ใฎใ‚ˆใ†ใซ ่ก—ใซใจใฃใฆ่‰ฏใ„ใ‚คใƒกใƒผใ‚ธใŒใ‚ใ‚‹ใ‚ˆใ†ใชไฝœๅ“ใงใ‚ใ‚Œใฐ ่‰ฏใ„ใฎใงใ—ใ‚‡ใ†ใŒใ€ๅƒ•ใฎไฝœๅ“ใฎใ‚คใƒกใƒผใ‚ธใ ใจใ€ ใกใ‚‡ใฃใจโ€ฆ(็ฌ‘)ใ€‚ ใ‚ใ‚“ใพใ‚Šๅคงใ€…็š„ใซไป™ๅฐใ‚’ใใ†ใ—ใŸ่ˆžๅฐใจใ™ใ‚‹ใฎใฏ ๆฐ—ใŒๅผ•ใ‘ใพใ™ใ€‚

่žใๆ‰‹

ใจใ“ใ‚ใงใ€ไปฅๅ‰ๅ…ˆ็”Ÿใซใ‚จใ‚ณใƒใƒƒใ‚ฐใฎใƒ‡ใ‚ถใ‚คใƒณใ‚’ ใŠ้ก˜ใ„ใ—ใŸใ“ใจใŒใ‚ใ‚Šใพใ—ใŸใŒใ€ๅ…ˆ็”Ÿใซๆใ„ใฆ ใ„ใŸใ ใ„ใŸใ‚‚ใฎใฏๅคงไบบๆฐ—ใง ใ‚ใฃใจใ„ใ†้–“ใซใชใใชใฃใฆใ—ใพใ„ใพใ—ใฆใ€‚

ใ‚จใ‚ณใƒใƒƒใ‚ฐ ่’ๆœจใ•ใ‚“

ๅฌ‰ใ—ใ„ใงใ™ใญใ€ใ‚จใ‚ณใƒใƒƒใ‚ฐใงๅฐ‘ใ—ใฏไป™ๅฐๅธ‚ใซ ่ฒข็ŒฎใงใใŸใฎใ‹ใชใ€‚

่žใๆ‰‹

ๅคงๅค‰่ฉฑ้กŒใจใชใฃใŸใฎใงใ™ใŒใ€ใ‚จใ‚ณใƒใƒƒใ‚ฏใฎๅˆถไฝœๆžšๆ•ฐ ่‡ชไฝ“ใŒใใ‚Œใปใฉๅคšใใฏใชใใฆใ€ใ‚ใฃใจใ„ใ†้–“ใซ ใ‚ณใƒฌใ‚ฏใ‚ฟใƒผใ‚ขใ‚คใƒ†ใƒ ใซใชใฃใฆใ—ใพใฃใŸใฟใŸใ„ใงใ™ใ€‚

่’ๆœจใ•ใ‚“

ๅธ‚ๆฐ‘ใฎ็š†ใ•ใ‚“ใซๅ–œใ‚“ใงใ„ใŸใ ใ‘ใ‚‹ใชใ‚‰ใ€ ไปŠๅพŒใ‚‚้ ‘ๅผตใ‚Šใพใ™ใ€‚

่žใๆ‰‹

ใ€Œใ‚ธใƒงใ‚ธใƒงใ€ใƒ•ใ‚กใƒณใฎ็š†ใ•ใ‚“ใฏใ€ไป™ๅฐใ‚’ ่–ๅœฐๅทก็คผใจใ—ใฆ่จชใ‚Œใ‚‹ๆ–นใŒใ„ใ‚‰ใฃใ—ใ‚ƒใ‚‹ใ‚ˆใ†ใงใ™ใ—ใ€ ใพใŸไป™ๅฐๅธ‚ใงใฎใ€Œใ‚ธใƒงใ‚ธใƒง็ซ‹ใกใ€ใ‚‚ๅคงๅค‰็››ใ‚ŠไธŠใŒใฃใŸใจ ไผบใฃใฆใŠใ‚Šใพใ™ใฎใงใ€ใœใฒใ€ไป™ๅฐใงใ€Œใ‚ธใƒงใ‚ธใƒงใ€ใ‚’ ใƒชใ‚ขใƒซใซๆ„Ÿใ˜ใฆใ‚‚ใ‚‰ใˆใŸใ‚‰ใจๆ€ใ„ใพใ™ใ€‚ ใกใชใฟใซไป™ๅฐๅธ‚ใงใฏใ€Œๅฝซๅˆปใฎใ‚ใ‚‹ใพใกใฅใใ‚Šไบ‹ๆฅญใ€ใ‚’ ่กŒใฃใฆใ„ใฆใ€ๅธ‚ใฎใ‚ทใƒณใƒœใƒซใงใ‚ใ‚‹ๅฎš็ฆ…ๅฏบ้€šใ‚Šใฎ ใ‚ฑใƒคใ‚ญไธฆๆœจใฎไธ‹ใชใฉใซใ‚‚ใ€ใƒ•ใ‚กใƒณใซใฏใ€Œใ‚ธใƒงใ‚ธใƒงใ€ใฎ ไธ–็•Œ่ฆณใ‚’ๆ„Ÿใ˜ใ•ใ›ใ‚‹ๅฝซๅˆปใ‚‚ใ‚ใ‚Šใพใ™ใ—ใ€‚

	ๅฎš็ฆ…ๅฏบ้€šใฎๅฝซๅˆปใฎๅ†™็œŸ

๏ผœๅ‚่€ƒใ€€ๅฎš็ฆ…ๅฏบ้€šใฎๅฝซๅˆปใ€€ใ‚จใƒŸใƒชใ‚ชใƒปใ‚ฐใƒฌใ‚ณไฝœใ€Œๅคใฎๆ€ใ„ๅ‡บใ€๏ผž

่’ๆœจใ•ใ‚“

ใ‚ใ‚ใ€ใ‚ใ‚Šใพใ™ใญ(็ฌ‘)ใ€‚

่žใๆ‰‹

็†ฑๅฟƒใชใƒ•ใ‚กใƒณใฎๆ–นใงใ—ใŸใ‚‰ใ€ใ€Œใ‚ธใƒงใ‚ธใƒงใ€ใจใฏ ๅ…จใ้–ขไฟ‚ใŒใชใใฆใ‚‚ใ€Œๆปใ‚Šใ€ใŒๅ…ฅใฃใŸๅฝซๅˆปใ‚’่ฆ‹ใฆ ๅ–œใฐใ‚Œใ‚‹ใจๆ€ใ„ใพใ™ใŒใ€ๅฎŸ้š›ใซใ€Œใ‚ธใƒงใ‚ธใƒงใ€ใ‚’ ใƒขใƒใƒผใƒ•ใจใ—ใŸไฝœๅ“ใ‚’ไป™ๅฐๅธ‚ใง้‘‘่ณžใงใใŸใ‚‰ใ€ๅ…จๅ›ฝใ‹ใ‚‰ ใƒ•ใ‚กใƒณใฎๆ–นใŒใŸใใ•ใ‚“ไป™ๅฐๅธ‚ใ‚’่จชใ‚Œใฆใใ‚Œใ‚‹ใจๆ€ใ„ใพใ™ใ€‚ ใกใชใฟใซใ€ไป™ๅฐๅธ‚ๅฝนๆ‰€ใซใ‚‚ใ€Œใ‚ธใƒงใ‚ธใƒงใ€ใฎ็†ฑๅฟƒใช ใƒ•ใ‚กใƒณใŒใ„ใฆใ€ ไฝœๅ“ใซ็™ปๅ ดใ™ใ‚‹ใ‚จใƒ”ใ‚ฝใƒผใƒ‰ใ‚„ ๅๆ‰€ใชใฉใ‚’ๅทกใ‚‹ใƒซใƒผใƒˆใ‚’่จญๅฎšใ—ใฆใ€ไป™ๅฐๅธ‚ใจใ—ใฆใ‚‚ ใ‚ปใƒผใƒซใ‚นใƒใ‚คใƒณใƒˆใ‚’ใคใใ‚ใ†ใจใ„ใ†ไผ็”ปใŒใ‚ใ‚Šใพใ—ใŸใ€‚

่’ๆœจใ•ใ‚“

ใ„ใ‚„ใใ‚“ใชใ€ๆใ‚Œๅคšใ„(็ฌ‘)ใ€‚ใงใ‚‚ๅคขใฎใ‚ˆใ†ใช่ฉฑใจใ—ใฆใฏใ€ ใชใ‚“ใ ใ‹ใ€ๆฅฝใ—ใใ†ใงใ™ใญใ€‚

่žใๆ‰‹

ๅฎŸ้š›ใซ้’่‘‰ๅŒบ่Šฑไบฌ้™ขใซใ‚ใ‚‹้ƒตไพฟๅฑ€ใชใฉใ‚’ใƒ•ใ‚กใƒณใฎๆ–นใŒ ่จชใ‚Œใฆใ€ใ€Œ้ƒตไพฟๅฑ€ใชใฎใซใ‚„ใฃใฑใ‚Š็ท‘่‰ฒใ ๏ผใ€ใจใ„ใ†่ฉฑใ‚‚ ใ‚ใฃใŸใใ†ใงใ™ใ€‚ๆ™ฎ้€šใฎ้ƒตไพฟๅฑ€ใ ใ‘ใงใชใใ€ ่ก—ใฎใ„ใ‚ใ‚“ใชใจใ“ใ‚ใซใ€Œใ‚ธใƒงใ‚ธใƒงใ€ใƒฏใƒผใƒซใƒ‰ใ‚’ ่ฆ‹ๅ‡บใ™็†ฑๅฟƒใชใƒ•ใ‚กใƒณใฎๆ–นใŒใ„ใ‚‹ใ‚ˆใ†ใงใ™ใ€‚

็ฌฌ๏ผ˜ๅ›ž ไป™ๅฐๅ‡บ่บซ่€…ใฏใ„ใคใพใงใ‚‚่‹ฅใ„๏ผŸ๏ผ 2011.2.21 ่žใๆ‰‹

ใ€Œใ‚ธใƒงใ‚ธใƒง็ซ‹ใกใ€ใ‚‚ใใ†ใงใ™ใŒใ€ใƒ•ใ‚ฃใ‚ฏใ‚ทใƒงใƒณใฎไธ–็•Œใซ ใจใฉใพใ‚‰ใšใ€ไฝœๅ“ใฎ้ญ…ๅŠ›ใŒ็พๅฎŸไธ–็•Œใซไพต้ฃŸใ—ใฆใใฆ ใ„ใ‚‹ใจใ„ใ†ใ“ใจใ ใจๆ€ใ„ใพใ™ใ€‚ ใพใŸใ€2010ๅนดใฎNHKๆœใฎใƒ†ใƒฌใƒ“ใƒ‰ใƒฉใƒžๅฐ่ชฌใง ใ€Œใ‚ฒใ‚ฒใ‚ฒใฎๅฅณๆˆฟใ€ใŒๅคงใƒ’ใƒƒใƒˆใ—ใฆใ€ ใƒขใƒ‡ใƒซใจใชใฃใŸๆฐดๆœจใ—ใ’ใ‚‹ๅ…ˆ็”Ÿใฎๆ•…้ƒทใซ ใŸใใ•ใ‚“ใฎ่ฆณๅ…‰ๅฎขใŒๆŠผใ—ๅฏ„ใ›ใ‚‹ใ‚ˆใ†ใซใชใฃใŸใใ†ใงใ™ใ€‚ ใƒ†ใƒฌใƒ“ๆ”พๆ˜ ๅ‰ใฏใ€ใƒ•ใ‚กใƒณใฎๆ–นใŒ่จชใ‚Œใ‚‹ใใ‚‰ใ„ใ ใฃใŸใฎใŒใ€ ๆ”พๆ˜ ๅพŒใซใฏไบบๅฃใฎๆ•ฐๅ€ใฎไธ€่ˆฌใฎ่ฆณๅ…‰ๅฎขใŒ่จชใ‚Œใ‚‹ใ‚ˆใ†ใซ ใชใฃใŸใใ†ใงใ€็ตŒๆธˆๅŠนๆžœใจใ—ใฆใ‚‚ๅคงใใชๅŠนๆžœใŒใ‚ใฃใŸใจใ€‚

่’ๆœจใ•ใ‚“

ๆฐดๆœจๅ…ˆ็”Ÿใ”่‡ช่บซใŒใ‚‚ใ†็ด ๆ™ดใ‚‰ใ—ใ„ใงใ™ใ‹ใ‚‰ใญใ€‚

่žใๆ‰‹

ใ›ใฃใ‹ใใงใ™ใ‹ใ‚‰ใ€ไปŠๅพŒใฏไฝ•ใ‹ไป™ๅฐๅธ‚ใงใ‚‚ใ€ ใ€Œใ€Žใ‚ธใƒงใ‚ธใƒงใ€ใฎไฝœ่€…ใƒป่’ๆœจ้ฃ›ๅ‘‚ๅฝฆใฎใƒซใƒผใƒ„ใฏใ“ใ“ใซใ‚ใ‚Šใ€ ใฟใŸใ„ใชไผ็”ปใชใฉใงใใŸใ‚‰ใจๆ€ใ„ใพใ™ใ€‚

่’ๆœจใ•ใ‚“

ใ„ใ‚„ใ€้žๅธธใซๅ…‰ๆ „ใชใ‚“ใงใ™ใŒโ€ฆๆ็ธฎใ—ใฆใ—ใพใ„ใพใ™ใ€‚

่žใๆ‰‹

ใ”ๅญ˜ใ˜ใ‹ใจๆ€ใ„ใพใ™ใŒใ€ไป™ๅฐๅธ‚ใฏ่‡ช็„ถ็’ฐๅขƒใซๆตใพใ‚Œใฆ ใ„ใ‚‹ใ‚‚ใฎใฎใ€ๆญฃ็›ดใชใจใ“ใ‚ๅ…จๅ›ฝใ‹ใ‚‰ใฉใฃใจไบบใŒ ๆŠผใ—ๅฏ„ใ›ใ‚‹่ฆณๅ…‰ๅœฐใจใ„ใ†ใ‚ˆใ‚Šใ‚‚ใ€ใฉใกใ‚‰ใ‹ใจใ„ใˆใฐ ๅฎŸ้š›ใซๆšฎใ‚‰ใ—ใฆใฟใฆใ€ ใ„ใ„ใชใใจๆ€ใ†ๅœŸๅœฐๆŸ„ใ ใจๆ€ใ„ใพใ™ใ€‚

่’ๆœจใ•ใ‚“ ่’ๆœจใ•ใ‚“

ใใ†ใงใ™ใญใ€‚

่žใๆ‰‹

ใงใ™ใ‹ใ‚‰ใ€ไป™ๅฐใฎ่‰ฏใ•ใ‚’PRใ™ใ‚‹ไธŠใงใ‚„ใฏใ‚Š ใ€Œไบบใ€ใŒใ‚ซใ‚ฎใซใชใ‚‹ใจๆ€ใ„ใพใ™ใ€‚ ไป™ๅฐใฎ่‰ฏใ•ใ‚’็Ÿฅใฃใฆใ„ใŸใ ใใ€ ๅฎŸ้š›ใซไฝใ‚“ใงใฟใฆใ„ใŸใ ใ„ใฆใ€ ใ‚ใ‚ใ€ๆœฌๅฝ“ใซ็ด ๆ™ดใ‚‰ใ—ใ„ใงใ™ใญใ€ ใจๆ€ใฃใฆใ„ใŸใ ใใŸใ‚ใซใฏใ€ใใ“ใงๆšฎใ‚‰ใ™ไบบใŸใก่‡ช่บซใŒ ใ„ใ„ใจใ“ใ‚ใ ใจๅฎŸๆ„Ÿใ—ใฆใ„ใ‚‹ใ“ใจใฏๅ‰ๆใงใ™ใŒใ€ ใใฎไธŠใงไบบใจไบบใจใฎใคใชใŒใ‚Šใซใ‚ˆใฃใฆ ้ญ…ๅŠ›ใ‚’็™บไฟกใ—ใฆใ„ใใ“ใจใŒๅคงๅˆ‡ใ ใจๆ€ใ„ใพใ™ใ€‚ ใ€Œใ‚ธใƒงใ‚ธใƒงใ€ใƒ•ใ‚กใƒณๅŒๅฃซใซใฏ้žๅธธใซๅ›บใ„็ต†ใŒใ‚ใ‚‹ใจ ๆ€ใ„ใพใ™ใ‹ใ‚‰ใ€ไป™ๅฐๅธ‚ใฎๅœฐๅŸŸๆŒฏ่ˆˆใ€้ญ…ๅŠ›ใฎ็™บไฟกใจใ„ใ† ่ฆณ็‚นใ‹ใ‚‰ใ‚‚ใœใฒๅ…ˆ็”Ÿใฎใ”ๅ”ๅŠ›ใ‚’ใ„ใŸใ ใ‘ใ‚Œใฐใ€ ใจๆ€ใฃใฆใŠใ‚Šใพใ™ใ€‚ ใ€Œๆฐดๆœจใ—ใ’ใ‚‹ใƒญใƒผใƒ‰ใ€ใชใ‚‰ใฌ ใ€Œ่’ๆœจ้ฃ›ๅ‘‚ๅฝฆใ€Žใ‚ธใƒงใ‚ธใƒงใ€ใƒญใƒผใƒ‰ใ€ใงใ™ใจใ‹ใ€‚

่’ๆœจใ•ใ‚“

ๆœฌๅฝ“ใซๅคขใฟใŸใ„ใช่ฉฑใงใ™ใญใ€‚ ไป™ๅฐๅธ‚ใฎใŸใ‚ใซๅ”ๅŠ›ใงใใ‚‹ใ“ใจใŒใ‚ใฃใŸใ‚‰ ใ“ใ‚Œใ‹ใ‚‰ใ‚‚ไฝ•ใ‹ใงใใ‚Œใฐใจๆ€ใฃใฆใ„ใพใ™ใ€‚

่žใๆ‰‹

ใ‚ใ‚ŠใŒใจใ†ใ”ใ–ใ„ใพใ™ใ€‚ ็”Ÿๅ‘ฝ็ง‘ๅญฆ็ ”็ฉถ่€…ใฎ็€ฌ่—คๅ…‰ๅˆฉใ•ใ‚“ใŒใ€ ใ‚ขใƒกใƒชใ‚ซใฎๅŒปๅญฆ็”Ÿ็‰ฉๅญฆ่ชŒใ€Œcellใ€ใฎ่กจ็ด™็”จใ‚คใƒฉใ‚นใƒˆใ‚’ ๅ…ˆ็”Ÿใซใƒชใ‚ฏใ‚จใ‚นใƒˆใ•ใ‚ŒใŸใ‚ˆใ†ใซใ€ ใƒชใ‚ขใƒซใ‚ฟใ‚คใƒ ใงใ€Œใ‚ธใƒงใ‚ธใƒงใ€ใ‚’่ชญใ‚“ใง่‚ฒใฃใŸไธ–ไปฃใŒใ€ ไฝœๅ“ใ‹ใ‚‰ๅ—ใ‘ใŸๅฝฑ้Ÿฟใ‚’ใƒžใƒณใ‚ฌไปฅๅค–ใฎใƒ•ใ‚ฃใƒผใƒซใƒ‰ใงใ‚‚ ใฉใ‚“ใฉใ‚“็พใ™ๆ™‚ไปฃใซใชใฃใฆใใŸใจๆ„Ÿใ˜ใพใ™ใ€‚ ใพใŸใ€ๆ–ฐใŸใช่‹ฅใ„่ชญ่€…ใ‚‚ๅข—ใˆใฆใ„ใ‚‹ใ‚ˆใ†ใงใ™ใ—ใ€‚

่’ๆœจใ•ใ‚“

ใ™ใ”ใๅฌ‰ใ—ใ„ใงใ™ใญใ€‚ ใ“ใ‚Œใ‹ใ‚‰ใ‚‚ๅน…ๅบƒใ„ไธ–ไปฃใซๆธกใฃใฆ่ชญใ‚“ใงใ„ใŸใ ใ‘ใŸใ‚‰ ใ„ใ„ใงใ™ใญ๏ฝฅ๏ฝฅ๏ฝฅๆฐดๆœจๅ…ˆ็”Ÿใฎใ‚ˆใ†ใซใ€‚

่žใๆ‰‹

ใ‚„ใฏใ‚Š้•ทใ้€ฃ่ผ‰ใ•ใ‚Œใฆใ„ใ‚‹ใ‹ใ‚‰ใ“ใใ€ ใใ†ใ—ใŸๆ„ๅ‘ณใงใ‚‚ๅบƒใใ‚ขใƒ”ใƒผใƒซใงใใ‚‹ใจๆ€ใ„ใพใ™ใฎใง ไปŠๅพŒใ‚‚ๆœซๆฐธใ„ใ”ๆดป่บใ‚’้ก˜ใฃใฆใŠใ‚Šใพใ™ใ€‚

่’ๆœจใ•ใ‚“

ๆฐดๆœจๅ…ˆ็”Ÿใฏใ‚‚ใ†ใ™ใ90ๆญณใซใชใ‚‰ใ‚Œใพใ™ใŒใ€ ใใ‚Œใงใ‚‚ใชใŠ็ด ๆ™ดใ‚‰ใ—ใ„ใงใ™ใ‚ˆใญใ€‚

่žใๆ‰‹

ไปฅๅ‰ๅ…ˆ็”Ÿใฏใ€้€ฑๅˆŠ่ชŒ้€ฃ่ผ‰ใงใฏ้žๅธธใซไฝ“ๅŠ›ใ‚’ๆถˆ่€—ใ™ใ‚‹ใฎใงใ€ ้€ฃ่ผ‰ใฏ50ๆญณใใ‚‰ใ„ใŒ้™็•Œใ€ใจใ„ใ†ใ‚ˆใ†ใชใ“ใจใ‚’ ใŠใฃใ—ใ‚ƒใฃใฆใ„ใพใ—ใŸใ€‚็พๅœจใฏๆœˆๅˆŠ่ชŒใงใฎ้€ฃ่ผ‰ใจใชใ‚Šใ€ ้€ฑๅˆŠ่ชŒใ‚ˆใ‚Šใฏใ„ใใ‚‰ใ‹ใ”่ฒ ๆ‹…ใŒๆธ›ใฃใŸใจๆ€ใ„ใพใ™ใŒใ€ ไปŠๅพŒใฏใฉใฎใใ‚‰ใ„ใพใงใงใ—ใŸใ‚‰ๅคงไธˆๅคซใจ ๆ„Ÿใ˜ใ‚‰ใ‚Œใฆใ„ใพใ™ใ‹ใ€‚

่’ๆœจใ•ใ‚“

ใ„ใ‚„โ€ฆใ“ใ‚Œใฐใฃใ‹ใ‚Šใฏใ€ๆœฌๅฝ“ใซๅˆ†ใ‹ใ‚‰ใชใ„ใงใ™ใญใ€‚ ใงใ‚‚ใ€ใ‚ใจ10ๅนดใฏๆœ€ไฝŽใงใ‚‚ใ‚„ใ‚ŠใŸใ„ใงใ™ใญใ€‚

่žใๆ‰‹

ๅ…ˆ็”Ÿใฏ1960ๅนด็”Ÿใพใ‚Œใจไผบใฃใฆใ„ใพใ™ใŒใ€ ใ“ใ†ใ—ใฆใŠ่ฉฑใ‚’ไผบใฃใฆใ„ใชใŒใ‚‰ใ€ ๆญฃ็›ดใซ็”ณใ—ไธŠใ’ใพใ™ใŒใจใฆใ‚‚ใใ†ใฏ่ฆ‹ใˆใพใ›ใ‚“ใ€‚ ๅ™‚ใงใฏใ€Œใ‚ธใƒงใ‚ธใƒงใ€ใฎ็™ปๅ ดไบบ็‰ฉใŸใกใจๅŒใ˜ใ ใ€Œๆณข็ด‹ไฝฟใ„ใ€ใงใ™ใจใ‹ใ€ ๅฅฅๆง˜ใŒๆณข็ด‹ใฎไฝฟใ„ๆ‰‹ใงใ€ใ”่‡ชๅฎ…ใงใ€Œๆณข็ด‹ใ€ใ‚’ ๆตดใณใฆใ„ใ‚‹ใจใ‹โ€ฆ

	ใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌไบŒ้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ11ๅทป

๏ผœใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌไบŒ้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ11ๅทป๏ผž

่’ๆœจใ•ใ‚“

ใ„ใ‚„ๆญณ็›ธๅฟœใงใ™ใ‚ˆ(็ฌ‘)ใ€‚ ใ€Œๆณข็ด‹ใ€ใ˜ใ‚ƒใชใใฆโ€ฆไป™ๅฐใฎไบบใฏใ€ ็š†ใ•ใ‚“่‹ฅใ„ใ‹ใ‚‰ใ ใจๆ€ใ„ใพใ™ใ‚ˆ(็ฌ‘)ใ€‚

่žใๆ‰‹

ๅ…ˆ็”Ÿใซ้™ใ‚‰ใšไป™ๅฐๅ‡บ่บซ่€…ใฏ่‹ฅใ่ฆ‹ใˆใ‚‹ไบบใŒๅคšใ„ใจใ€‚

่’ๆœจใ•ใ‚“

ใ“ใ†ใ—ใŸ่‡ช็„ถ็’ฐๅขƒใ‚„ๆฐ—ๅ€™ใจใ‹ใ€ใŠ็ฑณใ‚„้ฃŸใน็‰ฉใจใ‹โ€ฆ ใใ†ใ—ใŸ่ฆ็ด ใŒใ‚ใ‚‹ใ‹ใ‚‚ใ€‚

่’ๆœจใ•ใ‚“ ่žใๆ‰‹

ใงใฏๅ…ˆ็”Ÿใ‚‚ใ“ใฎใพใพๅค‰ใ‚ใ‚‰ใšใ€ใ‚ใจ็งใŸใกไป™ๅฐๅธ‚ๆฐ‘ใ‚‚ใ€ ใ„ใคใพใงใ‚‚่‹ฅใ€…ใ—ใใ€Œใ‚ธใƒงใ‚ธใƒงใ€ใ‚’ๆฅฝใ—ใ‚€ใ“ใจใŒ ใงใใพใ™ใญใ€‚

่’ๆœจใ•ใ‚“

ใงใ‚‚ใ€ใ“ใฎไป•ไบ‹ใฏๆœฌๅฝ“ใซๅฑใชใ„ใ‚“ใงใ™ใ‚ˆใ€‚ ๆฒนๆ–ญใงใใพใ›ใ‚“ใ‹ใ‚‰ใ€‚ ๆ‰‹ๅกšๅ…ˆ็”Ÿใฏ60ๆญณใงไบกใใชใ‚‰ใ‚Œใฆใ„ใพใ™ใ—ใ€‚

่žใๆ‰‹

ๅ‰ตไฝœใซใ‚จใƒใƒซใ‚ฎใƒผใ‚’ๆณจใŽ่พผใ‚“ใงใ—ใพใ†ใ‹ใ‚‰ ใชใฎใงใ—ใ‚‡ใ†ใ‹ใ€‚

่’ๆœจใ•ใ‚“

ใฉใ†ใ—ใฆใ‚‚็„ก็†ใ—ใฆใ—ใพใ†ใฎใ‹ใ‚‚ใ—ใ‚Œใชใ„ใงใ™ใญใ€‚ ่‹ฅใ„ๆ™‚ใจใฏ้•ใฃใฆใ‚‚ใ†ๅพนๅคœใงใใชใ„ใฎใซใ€ ๆใ„ใฆใ„ใ‚‹ใจใ‚„ใ‚Œใ‚‹ใจๆ€ใฃใฆใ—ใพใ†ใจใ‹ใ€‚

่žใๆ‰‹

ๆใ„ใฆใ„ใ‚‹ใจใ‚ขใƒ‰ใƒฌใƒŠใƒชใƒณใŒๅ‡บใฆ ็–ฒใ‚Œใ‚’ๆ„Ÿใ˜ใ‚‰ใ‚Œใชใใชใฃใฆใ—ใพใฃใŸใ‚Šใ™ใ‚‹ใฎใงใ—ใ‚‡ใ†ใ‹ใ€‚

่’ๆœจใ•ใ‚“

้›†ไธญใ—ใฆใ„ใŸใ‚‰ใ€ใ‚ใฃใจใ„ใ†้–“ใซๆ™‚้–“ใŒ้ฃ›ใณใพใ™ใ‹ใ‚‰ใ€‚ ๆฐ—ใฅใ„ใŸใ‚‰ไฝ•ๆ™‚้–“ใ‚‚ๅŒใ˜ๅงฟๅ‹ขใงๆใ็ถšใ‘ใฆใ„ใฆใ€ ่…ฐใŒใ‚‚ใ†โ€ฆ(่‹ฆ็ฌ‘)ใ€‚

่žใๆ‰‹

ใพใ‚‹ใงใƒ‡ใ‚ฃใ‚ขใƒœใƒญใฎใ‚นใ‚ฟใƒณใƒ‰ใ€Œใ‚ญใƒณใ‚ฐใ‚ฏใƒชใƒ ใ‚พใƒณใ€ ใฎๆ”ปๆ’ƒใซใ‚ใฃใŸใฟใŸใ„ใซใ€ๆ™‚้–“ใŒๆถˆใ—้ฃ›ใณใ€ ่…ฐใฎ็—›ใฟใ ใ‘ใŒๆฎ‹ใ‚‹ใ€‚ ็งใŸใกใ‚‚ใ€Œๆณข็ด‹ใ€ใŒไฝฟใˆใ‚‹ใฎใงใ—ใŸใ‚‰ใ€ ๅ…ˆ็”Ÿใซ็”Ÿๅ‘ฝใ‚จใƒใƒซใ‚ฎใƒผใ‚’้€ใ‚ŠใŸใ„ใงใ™ใŒ(็ฌ‘)ใ€‚

	ใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌไบ”้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ59ๅทป

๏ผœใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌไบ”้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ59ๅทป๏ผž

่’ๆœจใ•ใ‚“

ใ‚ใ‚ŠใŒใจใ†ใ”ใ–ใ„ใพใ™ใ€‚ ใ„ใคใงใ‚‚ใ‚จใƒใƒซใ‚ฎใƒผใฏๆฌฒใ—ใ„ใงใ™ใฎใง(็ฌ‘)ใ€‚ ใงใ‚‚ไปŠๆ—ฅใฏใ€็š†ใ•ใ‚“ใ‹ใ‚‰ๅ…ƒๆฐ—ใฎใ‚จใƒใƒซใ‚ฎใƒผใ‚’ ใŸใใ•ใ‚“ใ„ใŸใ ใ„ใŸๆฐ—ใŒใ—ใพใ™ใ‚ˆใ€‚

็ฌฌ๏ผ™ๅ›ž ่’ๆœจๅ…ˆ็”Ÿใ‹ใ‚‰ใฎใƒกใƒƒใ‚ปใƒผใ‚ธ 2011.2.22 ่žใๆ‰‹

ใงใฏๆœ€ๆ–ฐไฝœใฎ่ฉฑใ‚’ใŠไผบใ„ใ—ใพใ™ใ€‚ ๅ…ˆๆ—ฅ(2010ๅนด11ๆœˆ)ใ€็ฌฌ๏ผ—้ƒจใ€ŒSBRใ€ใฎ็ฌฌ22ๅทปใŒ ็™บๅฃฒใ•ใ‚Œใพใ—ใŸใ€‚ใใฎไธญใงใ€ ๆˆ‘ใ€…่กŒๆ”ฟๆฉŸ้–ขใงๅƒใ่ทๅ“กใซใจใฃใฆ ้žๅธธใซๅฐ่ฑก็š„ใชใ‚จใƒ”ใ‚ฝใƒผใƒ‰ใŒใ‚ใ‚Šใพใ—ใŸใ€‚ ใ“ใฎไธ–ใฎไธๅนธใ‚’ใฉใ“ใ‹่‡ชๅˆ†ใŸใกใฎไฝใ‚€ๅœฐๅŸŸใจใฏ ๅˆฅใฎไธ–็•Œใธ่ฟฝใ„ใ‚„ใ‚‹ใจใ„ใ†็ตถๅคงใช่ƒฝๅŠ›ใ‚’ๅพ—ใŸ ใ‚ขใƒกใƒชใ‚ซๅคง็ตฑ้ ˜ใŒใ€ไธ–็•Œไธญใฎใ™ในใฆใฎไบบ้–“ใŒ ๅนธใ›ใซใชใ‚‹ใ“ใจใฏใ‚ใ‚Šใˆใชใ„ใฎใงใ€ ่‡ชๅˆ†ใฏๆ„›ๅ›ฝๅฟƒใซๅŸบใฅใ„ใฆใ€ใ“ใฎ่ƒฝๅŠ›ใ‚’ไฝฟใฃใฆ ๆญฃใ—ใ„่กŒใ„ใ‚’ใ—ใฆใ„ใ‚‹ใจไธปๅผตใ™ใ‚‹ใ‚ทใƒผใƒณใŒใ‚ใ‚Šใพใ™ใ€‚ ่กŒๆ”ฟ่ทๅ“กใจใ—ใฆใฏใ€ใ‚ˆใ‚Šๅคšใใฎๅธ‚ๆฐ‘ใŒๅนธใ›ใ‚’ ๆ„Ÿใ˜ใ‚‰ใ‚Œใ‚‹ใ‚ˆใ†ใชๆ–ฝ็ญ–ใ‚’่กŒใ†ใ“ใจใ‚’่€ƒใˆใชใŒใ‚‰ใ€ ไธ€ๆ–นใงใ™ในใฆใฎๅธ‚ๆฐ‘ใซใจใฃใฆๆบ€่ถณใฎใ„ใๆ–ฝ็ญ–ใฏ ้›ฃใ—ใ„ใจใ„ใ†ใ‚ธใƒฌใƒณใƒžใŒใ‚ใ‚Šใ€ ใ‚„ใฏใ‚Šใ“ใฎๅคง็ตฑ้ ˜ใฎไธปๅผตใซใ‚‚ ่‚ฏใ‹ใ•ใ‚Œใ‚‹ใจใ“ใ‚ใ‚‚ใ‚ใ‚‹ใ‚ˆใ†ใซๆ„Ÿใ˜ใฆใ—ใพใ„ใพใ—ใŸใ€‚

	ใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌไธƒ้ƒจใ€Œ๏ผณ๏ผข๏ผฒใ€ใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ22ๅทป

๏ผœใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌไธƒ้ƒจใ€Œ๏ผณ๏ผข๏ผฒใ€ใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ22ๅทป๏ผž

่’ๆœจใ•ใ‚“

ไบˆใ‚ๆ–ญใฃใฆใŠใ„ใŸๆ–นใŒใ„ใ„ใจๆ€ใ„ใพใ™ใ‘ใฉใ€ ใ“ใฎใƒดใ‚กใƒฌใƒณใ‚ฟใ‚คใƒณๅคง็ตฑ้ ˜ใฏใ€ๆ‚ชๅฝนใงใ™ใ‹ใ‚‰ใญ(็ฌ‘)ใ€‚ ๅ‚่€ƒใซใ—ใชใ„ใง(็ฌ‘)ใ€‚ใงใ‚‚ใ€ๅฎŸใฏใ‚ใ‚‹ๆ„ๅ‘ณใงใฏ ใใฎไธปๅผตใŒๆญฃใ—ใ„ใจใ„ใ†ๆ‚ชๅฝนใซใ—ใŸใ‹ใฃใŸใ‚“ใงใ™ใ€‚

่žใๆ‰‹

ใใ†ใงใ™ใ‚ˆใญใ€ๅฎŸ้š›ใ€ใ‚นใƒˆใƒผใƒชใƒผไธŠใงใฏไธปไบบๅ…ฌใŒ ใใฎใ‚ทใƒผใƒณใงใ€Œใ‚ใ‚Œ๏ผŸ้–“้•ใฃใฆใ„ใŸใฎใฏๅƒ•๏ผŸใ€ ใฟใŸใ„ใชๆ„Ÿใ˜ใงโ€ฆ

่’ๆœจใ•ใ‚“

ใใ†ใใ†ใ€ๆบใ‚Œใฆใ„ใพใ™ใ€‚

	ใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌไธƒ้ƒจใ€Œ๏ผณ๏ผข๏ผฒใ€ใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ22ๅทป

๏ผœใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌไธƒ้ƒจใ€Œ๏ผณ๏ผข๏ผฒใ€ใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ22ๅทป๏ผž

่žใๆ‰‹

ๅ…ˆ็”ŸใŒใ€Œๆ‚ชๅฝนใ€ใจ่จ€ใ‚ใ‚Œใ‚‹ใฎใงใใฎใ‚ปใƒชใƒ•ใ‚’ ็œŸใซๅ—ใ‘ใฆใ—ใพใฃใฆใฏใƒ€ใƒกใชใ‚“ใงใ—ใ‚‡ใ†ใŒใ€ ใƒชใƒผใƒ€ใƒผใ‚ทใƒƒใƒ—ใจใ—ใฆใฏใ‚ใ‚Šใชใฎใ‹ใชใ€ใจใ‚‚ๆ€ใˆใพใ™ใŒใ€‚

่’ๆœจใ•ใ‚“

ใ„ใ‚„ใ€็พๅฎŸไธ–็•Œใงใฏใ‚ใ‚Šใ ใจๆ€ใ„ใพใ™ใ‚ˆใ€‚ ๅƒ•่‡ช่บซใ‚‚ใ“ใฎๅคง็ตฑ้ ˜ใฎใ‚ˆใ†ใชใƒชใƒผใƒ€ใƒผใ‚ทใƒƒใƒ—ใฎๆ–นใŒใ€ ๆœฌๅฝ“ใฏๅฅฝใใงใ™ใ€‚

่žใๆ‰‹

ไธŠใซ็ซ‹ใคใ‚‚ใฎใจใ—ใฆใฏใ€ใ‚„ใฏใ‚Šใใ†ใ—ใŸ่ฆšๆ‚Ÿใ‚’ ่ƒŒ่ฒ ใ†ๅฟ…่ฆใŒใ‚ใ‚‹ใจใ€‚

	่’ๆœจใ•ใ‚“

่’ๆœจใ•ใ‚“

ใใ†ใ€‚ๅ…จๅ“กใซใจใฃใฆใฎๅนธใ›ใŒ็„ก็†ใชใ‚‰ใ€ใ‚„ใฏใ‚Šใฉใ“ใ‹ใซ ่ฆ–็‚นใ‚’็ฝฎใ„ใฆ่€ƒใˆใชใ‘ใ‚Œใฐใ„ใ‘ใชใ„ใงใ—ใ‚‡ใ†ใ‹ใ‚‰ใ€‚ ็ตๅฑ€็‰ฉไบ‹ใซใŠใ„ใฆ็ตถๅฏพ็š„ใซๆญฃใ—ใ„ใจใ‹ๆ‚ชใ„ใ“ใจใฃใฆ ใใ‚“ใชใซใชใ„ใจๆ€ใ„ใพใ™ใ€‚ใ ใ‹ใ‚‰ใ“ใใ€ ใ‚‚ใ†ใ“ใ“ใ ใจใ„ใ†็ทšๅผ•ใใŒ้‡่ฆใ ใ—ใ€ ๆ”ฟๆฒปใฏใใฎใŸใ‚ใฎไป•ไบ‹ใงใ—ใ‚‡ใ†ใ‹ใ‚‰ใ€‚ ใใ‚Œใงใ€่ฆšๆ‚Ÿใ‚’ๆŒใฃใฆๆฑบใ‚ใŸใ‹ใ‚‰ใซใฏใ‚‚ใ†ใ€ ็ชใ้€ฒใ‚“ใงใ„ใในใใ ใจๆ€ใ„ใพใ™ใ€‚ ใกใ‚‡ใฃใจไฝ•ใ‹่จ€ใ‚ใ‚ŒใŸใใ‚‰ใ„ใงๅฟƒใŒๆŠ˜ใ‚ŒใŸใ‚Šใ€ ๅ‰่จ€ๆ’คๅ›žใ—ใŸใ‚Šใ™ใ‚‹ใ“ใจใฏ่‰ฏใใชใ„ใชใจๆ€ใ„ใพใ™ใ€‚

่žใๆ‰‹

ใใ†ใ„ใ†ๆ„ๅ‘ณใงใฏใ€ใƒดใ‚กใƒฌใƒณใ‚ฟใ‚คใƒณๅคง็ตฑ้ ˜ใฏใ€ ๆ”ฟๆฒปๅฎถใจใ—ใฆใฏ๏ผฏ๏ผซใงใ™ใ‚ˆใญใ€‚ ใ‚‚ใ†ใ“ใฎใพใพ่กŒใใ—ใ‹ใชใ„ใ€‚

่’ๆœจใ•ใ‚“

ๆ‚ชๅฝนใงใ™ใ‘ใฉใญ(็ฌ‘)ใ€‚

่žใๆ‰‹

ไธ€ๆ–นใง็พๅฎŸไธ–็•Œใฏใ€ใ„ใ‚ใ„ใ‚ใชไพกๅ€ค่ฆณใŒใถใคใ‹ใ‚Šๅˆใ† ๆœฌๅฝ“ใซ้›ฃใ—ใ„ๆ™‚ไปฃใงใ™ใ€‚ ไปŠใฎๆ”ฟๆฒปใซใƒดใ‚กใƒฌใƒณใ‚ฟใ‚คใƒณๅคง็ตฑ้ ˜ใฎใ‚ˆใ†ใช็ฒพ็ฅžใ‚’ ๆฑ‚ใ‚ใ‚‹ใ“ใจใ‚‚ๅŽณใ—ใ„ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใŒใ€ ใใ‚Œใงใ‚‚ๅฏ„ใฃใฆ็ซ‹ใคในใไฟกๅฟตใฏๅฟ…่ฆใงใฏใชใ„ใ‹ ใจๆ€ใ„ใพใ™ใ€‚ๅคง็ตฑ้ ˜ใฏใ€Œๆ„›ๅ›ฝๅฟƒใ ใ€ใจ่จ€ใฃใฆใ„ใพใ™ใŒใ€ ็งใŸใกไธ€ๅธ‚ๆฐ‘ใจใ—ใฆๆŒใฃใฆใŠใในใไฟกๅฟตใจใ—ใฆใฏใ€ ๅ…ˆ็”Ÿใฎไฝœๅ“ใฎใƒ†ใƒผใƒžใซใคใชใŒใ‚‹่ฉฑใ‹ใจๆ€ใ„ใพใ™ใŒใ€ ๆ”นใ‚ใฆใŠ่žใ‹ใ›ใ„ใŸใ ใ‘ใพใ›ใ‚“ใ‹ใ€‚

่’ๆœจใ•ใ‚“

ๆ„›ๅ›ฝๅฟƒใจใพใงใฏใ„ใ‹ใชใใฆใ‚‚ใ€ ใ‚„ใฏใ‚Šๅฎถๆ—ใ‚’ๅฎˆใ‚ใ†ใจใ„ใ†ๆ„Ÿๆƒ…ใ‚„ใ€ ใ‚ใ‚‹ใ„ใฏ่‡ชๅˆ†ใŒ็”Ÿใพใ‚ŒใŸๆ•…้ƒทใ‚„ไปŠๆšฎใ‚‰ใ—ใฆใ„ใ‚‹ๅœฐๅŸŸ ใธใฎๆƒณใ„ใชใฉใซ็น‹ใŒใ‚‹้ƒจๅˆ†ใ ใจๆ€ใ„ใพใ™ใ€‚

	ใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌๅ››้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌใ€€ๅทป

๏ผœใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌๅ››้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ29ๅทป๏ผž

่žใๆ‰‹

ใ€Œใ‚ธใƒงใ‚ธใƒงใ€ใŒใ€Œไบบ้–“่ณ›ๆญŒใ€ใ‚’ใƒ†ใƒผใƒžใจใ—ใฆใ„ใ‚‹ ใจใ„ใ‚ใ‚Œใ‚‹็”ฑ็ธใงใ™ใญใ€‚ใ‚„ใฏใ‚Šๅ…ˆ็”Ÿใฎไป™ๅฐใธใฎๆƒณใ„ใ‚‚ ใใ“ใ‹ใ‚‰ๆฅใฆใ„ใ‚‹ใ‚“ใงใ™ใญใ€‚

่’ๆœจใ•ใ‚“

ใใ“ใฎ่พบใ‚’โ€ฆ่‡ชๅˆ†ใจใ—ใฆใฏใ€ใŠใ‚ใใ‹ใซใ—ใฆ ๆฌฒใ—ใใชใ„ใงใ™ใ—ใ€ใŠใ‚ใใ‹ใซใ™ใ‚‹ใ‚ˆใ†ใชไบบใซใฏ ไธŠใซ็ซ‹ใฃใฆๆฌฒใ—ใใชใ„ใจๆ€ใ„ใพใ™ใญใ€‚

่žใๆ‰‹

ไป™ๅฐๅธ‚ๅฝนๆ‰€่ทๅ“กใฏ่‡ชๅˆ†ใฎไฝใ‚€่ก—ใ‚’ๆ€ใ†ๆฐ—ๆŒใกใฏ ใ‚‚ใกใ‚ใ‚“ๆŒใฃใฆใ„ใ‚‹ใจๆ€ใ„ใพใ™ใŒใ€ใใฎไธŠใงใ•ใ‚‰ใซ ่ฆšๆ‚Ÿใ‚’ๆŒใฃใฆไป•ไบ‹ใซ่‡จใพใชใ‘ใ‚Œใฐใ„ใ‘ใพใ›ใ‚“ใญใ€‚

่’ๆœจใ•ใ‚“

ใใ†ใงใ™ใญใ€‚ๅŽณใ—ใ„ๆ™‚ไปฃใงใ™ใ‹ใ‚‰ใ€ ้ขจๅฝ“ใŸใ‚Šใฏๅผทใใชใ‚‹ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใŒใ€‚

่žใๆ‰‹

ใใ“ใฏใ‚„ใฏใ‚Šใ€ใ€Œใ‚ธใƒงใ‚ธใƒงใ€ใ‚’ๆ„›ใ™ใ‚‹ๅธ‚่ทๅ“กใจใ—ใฆใฏใ€ ไฝœๅ“ใงๆใ‹ใ‚Œใฆใ„ใ‚‹ใ‚ˆใ†ใชใ€Œใ€Žๆญฃ็พฉใ€ใฎ่ผใใฎไธญใซใ‚ใ‚‹ ใ€Ž้ป„้‡‘ใฎ็ฒพ็ฅžใ€ใ€ใ‚’ๅ‚่€ƒใซใ—ใŸใ„ใจๆ€ใ„ใพใ™ใ€‚

	ใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌๅ››้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ47ๅทป

๏ผœใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌๅ››้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ47ๅทป๏ผž

่’ๆœจใ•ใ‚“

ใ€Œใ‚ธใƒงใ‚ธใƒงใ€ไฝœๅ“ใฎไธญใงใฎๆˆฆใ„ใ ใจใ€ ๆœ€ๅพŒใพใงๅ‹ใกๆฎ‹ใ‚‹ใฎใฏใ€ ๅคšๅˆ†ไธ€ไบบไบŒไบบใใ‚‰ใ„ใ—ใ‹ใ„ใชใ„ไธ–็•Œใงใ™ใ—ใ€ ใพใŸ็พๅฎŸใ‚‚็›ธๅฝ“ๅŽณใ—ใ„ๆ™‚ไปฃใงใ™ใŒใ€้ ‘ๅผตใฃใฆใใ ใ•ใ„ใ€‚

่žใๆ‰‹

ใ‚ใ‚ŠใŒใจใ†ใ”ใ–ใ„ใพใ™ใ€‚

่žใๆ‰‹

ใ•ใฆใ€ๅบƒ็€ฌๅทใงใฏ๏ผฎ๏ผฐ๏ผฏๅ›ฃไฝ“ใŒ็ด„20ๅนดๆŒฏใ‚Šใซ ่ฒธใ—ใƒœใƒผใƒˆใ‚’ๅพฉๆดปใ•ใ›ใŸใ‚Šใ€ ๅธ‚ๆฐ‘ๅ›ฃไฝ“ใŒไธญๅฟƒใจใชใฃใฆไผๆฅญใ‚„ๅคงๅญฆใชใฉใจ ๆตๅŸŸไธ€ๆ–‰ๆธ…ๆŽƒๆดปๅ‹•ใชใฉใ‚’่กŒใฃใŸใ‚Šใจใ€ ๅธ‚ๆฐ‘ใฎ็š†ใ•ใ‚“ใŒใ„ใ‚ใ„ใ‚ใชๆดปๅ‹•ใ‚’่กŒใฃใฆใ„ใพใ™ใ€‚ ๆœ€ๅพŒใซใ€ๅ…ˆ็”Ÿใ‹ใ‚‰ๅบƒ็€ฌๅทใซ้–ขใ‚ใ‚‹ๆดปๅ‹•ใ‚’่กŒใฃใฆใ„ใ‚‹ ็š†ใ•ใ‚“ใธๅฟœๆดใฎใƒกใƒƒใ‚ปใƒผใ‚ธใ‚’ใ„ใŸใ ใ‘ใพใ™ใ‹ใ€‚

	NPOๆณ•ไบบๅบƒ็€ฌๅทใƒœใƒผใƒˆใใ‚‰ใถใซใ‚ˆใ‚‹่ฒธใ—ใƒœใƒผใƒˆไบ‹ๆฅญใฎๆง˜ๅญ

๏ผœๅ‚่€ƒใ€€NPOๆณ•ไบบๅบƒ็€ฌๅทใƒœใƒผใƒˆใใ‚‰ใถใซใ‚ˆใ‚‹่ฒธใ—ใƒœใƒผใƒˆไบ‹ๆฅญใฎๆง˜ๅญ๏ผž

่’ๆœจใ•ใ‚“

ๅบƒ็€ฌๅทใ ใ‘ใงใชใใ€ใ“ใ†ใ—ใŸ่‡ช็„ถ็’ฐๅขƒใ‚’ๅฎˆใฃใฆใ„ใไธŠใงใ€ ใ“ใ‚Œใ‹ใ‚‰ใฎๆ™‚ไปฃใฏ่กŒๆ”ฟใ ใ‘ใงไฝ•ใ‚‚ใ‹ใ‚‚ใ‚„ใฃใฆใ„ใใ“ใจใฏ ไธๅฏ่ƒฝใ ใจๆ€ใ„ใพใ™ใ€‚ ๆ˜”ใฏใ€ไพ‹ใˆใฐ็ฅž็คพใฎ่ฝใก่‘‰ๆŽƒ้™คใชใฉใ‚’ ่ฟ‘้šฃใซไฝใ‚€ไบบใŸใกใŒ่‡ช็„ถใซใ‚„ใฃใฆใ„ใพใ—ใŸใ‚ˆใญใ€‚ ๅ…ˆใปใฉๆ„›ๅ›ฝๅฟƒใฎ่ฉฑใ‚‚ใ‚ใ‚Šใพใ—ใŸใŒใ€ ใใ“ใพใงใ„ใ‹ใชใใฆใ‚‚ ๅธ‚ๆฐ‘ใŒ่‡ชๅˆ†ใฎไฝใ‚€่ก—ใ‚’ๅคงๅˆ‡ใซๆ€ใ†ๆฐ—ๆŒใกใ‹ใ‚‰ใ€ ใƒœใƒฉใƒณใƒ†ใ‚ฃใ‚ขๆดปๅ‹•ใชใฉใ‚’่กŒใ†ใ“ใจใฏ ใจใฆใ‚‚ๅคงๅˆ‡ใชใ“ใจใ ใจๆ€ใ„ใพใ™ใ€‚ ใใ†ใ—ใŸๆดปๅ‹•ใ‚’ใ•ใ‚Œใฆใ„ใ‚‹ๆ–นใŒๅบƒ็€ฌๅทใซ ใŸใใ•ใ‚“ใ„ใ‚‰ใฃใ—ใ‚ƒใ‚‹ใ“ใจใฏใ€ ็ด ๆ™ดใ‚‰ใ—ใ„ใ“ใจใ ใจๆ€ใ„ใพใ™ใ€‚

่žใๆ‰‹

ๅธ‚ๆฐ‘ไธ€ไบบใฒใจใ‚ŠใŒใใ†ใ—ใŸๅœฐๅŸŸใ‚’ๆ„›ใ™ใ‚‹ๆฐ—ๆŒใกใ‚’ๆŒใฃใฆใ€ ้€ฃๆบใ—ใฆใ„ใ‘ใ‚Œใฐๅบƒ็€ฌๅทใ ใ‘ใงใชใไป™ๅฐๅธ‚ใ‚‚ ใ•ใ‚‰ใซ็ด ๆ™ดใ‚‰ใ—ใ„่ก—ใซใชใ‚Šใพใ™ใ‚ˆใญใ€‚

่’ๆœจใ•ใ‚“

ใใ†ใงใ™ใญใ€‚ ่ชฐใ‹ไธ€ไบบใฎๅŠ›ใงไฝ•ใจใ‹ใชใ‚‹ใ‚‚ใฎใงใฏใชใ„ใจๆ€ใ„ใพใ™ใ‹ใ‚‰ใ€‚ ใใฎใŸใ‚ใซใ‚‚ใ€ใฟใ‚“ใชใง่Š‹็…ฎไผšใ‚’ใ—ใŸใ‚Šใ—ใฆ ไปฒ่‰ฏใใชใฃใŸใ‚Šใ€ไป˜ใๅˆใ„ใŒๅบƒใŒใฃใฆใ„ใ‘ใฐ ใ„ใ„ใงใ™ใ‚ˆใญใ€‚ไฝ•ใ‚ˆใ‚Šใ‚‚ๆฅฝใ—ใ„ใ—(็ฌ‘)ใ€‚

่žใๆ‰‹

่Š‹็…ฎไผšใฏใ‚ณใƒŸใƒฅใƒ‹ใ‚ฑใƒผใ‚ทใƒงใƒณใ‚’ๆทฑใ‚ใ‚‰ใ‚Œใ‚‹ใ ใ‘ใงใชใใ€ ๅบƒ็€ฌๅทใ‚’ใ“ใ‚Œใ‹ใ‚‰ใ‚‚ๅฎˆใฃใฆใ„ใใ“ใจใซใคใชใŒใ‚Šใพใ™ใญใ€‚

่’ๆœจใ•ใ‚“

ใใ†ใ„ใฃใŸๆดปๅ‹•ใŒใ•ใ‚‰ใซๅบƒใŒใฃใฆใ„ใใ“ใจใ‚’ ้ก˜ใฃใฆใ„ใพใ™ใ€‚ๅƒ•ใ‚‚ใใฎใŸใ‚ใซไฝ•ใ‹ใงใใ‚‹ใ“ใจใŒ ใ‚ใ‚Šใพใ—ใŸใ‚‰ๅ”ๅŠ›ใ—ใŸใ„ใจๆ€ใ„ใพใ™ใ€‚

่žใๆ‰‹

ใ‚ใ‚ŠใŒใจใ†ใ”ใ–ใ„ใพใ™ใ€‚ ๅ…ˆ็”Ÿใฎๅบƒ็€ฌๅบทไธ€ๅ›ใซใ“ใ‚ใ‚‰ใ‚ŒใŸๆƒณใ„ใซ่ฒ ใ‘ใชใ„ใ‚ˆใ†ใซใ€ ็งใŸใกใ‚‚ใ“ใ‚Œใ‹ใ‚‰้ ‘ๅผตใ‚ŠใŸใ„ใจๆ€ใ„ใพใ™ใ€‚ ไปŠๆ—ฅใฏใŠๅฟ™ใ—ใ„ใจใ“ใ‚ๆœฌๅฝ“ใซใ‚ใ‚ŠใŒใจใ†ใ”ใ–ใ„ใพใ—ใŸใ€‚

็ฌฌ10ๅ›ž ใ“ใผใ‚Œ่ฉฑ 2011.2.23 ่žใๆ‰‹

ไปŠๅ›žใฏใ€ใ“ใ“ใ‚คใ‚ฟใƒชใ‚ขใƒณใƒฌใ‚นใƒˆใƒฉใƒณใ€Œใ‚ขใƒซ ใƒ•ใ‚ฃใ‚ชใƒผใƒฌใ€ ใ‚’ใ‚คใƒณใ‚ฟใƒ“ใƒฅใƒผไผšๅ ดใจใ—ใฆใŠๅ€Ÿใ‚Šใ—ใพใ—ใŸใ€‚ ใ“ใกใ‚‰ใฎใŠๅบ—ใ‹ใ‚‰ใฏใ€ใ”่ฆงใ„ใŸใ ใ„ใฆใ„ใ‚‹ใ‚ˆใ†ใซใ€ ๅบƒ็€ฌๅทใจไป™ๅฐๅธ‚่ก—ๅœฐใ‚’่ฆ‹ไธ‹ใ‚ใ™ ็ด ๆ™ดใ‚‰ใ—ใ„ๆ™ฏ่‰ฒใŒๆœ›ใ‚ใพใ™ใ€‚

	ๅบƒ็€ฌๅทใจไป™ๅฐใฎ่ก—ใ‚’้นฟ่ฝๅ‚ไป˜่ฟ‘ใ‹ใ‚‰ๆœ›ใ‚€

๏ผœๅ‚่€ƒใ€€ๅบƒ็€ฌๅทใจไป™ๅฐใฎ่ก—ใ‚’้นฟ่ฝๅ‚ไป˜่ฟ‘ใ‹ใ‚‰ๆœ›ใ‚€๏ผž

่’ๆœจใ•ใ‚“

ใใ†ใงใ™ใญใ€‚ ใ“ใฎๅ ดๆ‰€ใซใ“ใ‚“ใช็ด ๆ•ตใชใ‚คใ‚ฟใƒชใ‚ขใƒณใƒฌใ‚นใƒˆใƒฉใƒณใŒ ใ‚ใ‚‹ใชใ‚“ใฆใ€ๅƒ•ใŒไป™ๅฐใซใ„ใŸ้ ƒใซใฏ ่€ƒใˆใ‚‰ใ‚Œใชใ‹ใฃใŸใ“ใจใ™ใญใ€‚

	่’ๆœจใ•ใ‚“

่žใๆ‰‹

ใ“ใฎใƒญใ‚ฑใƒผใ‚ทใƒงใƒณใ‚‚็ด ๆ™ดใ‚‰ใ—ใ„ใฎใงใ™ใŒใ€ ใ“ใกใ‚‰ใฎใŠๅบ—ใซไผบใฃใŸ็†็”ฑใฏใ‚‚ใ†ไธ€ใคใ‚ใ‚Šใพใ™ใ€‚ ใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌๅ››้ƒจใ€ใ€Œๆœ็Ž‹็”บใ€ใจใ„ใ†ๆ—ฅๆœฌใฎๆžถ็ฉบ้ƒฝๅธ‚ใ‚’ ่ˆžๅฐใจใ—ใŸใ€Œใƒ€ใ‚คใƒคใƒขใƒณใƒ‰ใฏ็ •ใ‘ใชใ„ใ€็ทจใงใ€ ไธปไบบๅ…ฌใ€Œๆฑๆ–นไป—ๅŠฉใ€ใจ่ฆชๅ‹ใฎใ€Œ่™นๆ‘ๅ„„ๆณฐใ€ใŒใ€ ใ‚คใ‚ฟใƒชใ‚ขๆ–™็†ๅบ—ใ€Œใƒˆใƒฉใ‚ตใƒซใƒ‡ใ‚ฃใƒผใ€ใ‚’่จชใ‚Œใ‚‹ใจใ„ใ† ใ‚จใƒ”ใ‚ฝใƒผใƒ‰ใŒใ‚ใ‚Šใพใ™ใ€‚

	ใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌๅ››้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ33ๅทป

๏ผœใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌๅ››้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ33ๅทป๏ผž

่’ๆœจใ•ใ‚“

ใ‚นใ‚ฟใƒณใƒ‰ไฝฟใ„ใฎใ‚ทใ‚งใƒ•ใƒปใƒˆใƒ‹ใ‚ชใ•ใ‚“ใŒใ€ใ‚นใ‚ฟใƒณใƒ‰ใง ๆ–™็†ใ‚’้ฃŸในใŸไบบใ‚’ๅฅๅบทใช็Šถๆ…‹ใซ็›ดใ—ใฆใ—ใพใ†ใจใ„ใ†ใŠๅบ—ใ€‚

	ใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌๅ››้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ33ๅทป

๏ผœใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌๅ››้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ33ๅทป๏ผž

่žใๆ‰‹

็งใ‚‚ๅคงๅฅฝใใชใ‚จใƒ”ใ‚ฝใƒผใƒ‰ใงใ€ใ€Œใ‚ธใƒงใ‚ธใƒงใ€ใƒ•ใ‚กใƒณใชใ‚‰ใฐ ใใ‚“ใชใŠๅบ—ใŒ็พๅฎŸใซใ‚ใฃใŸ็ตถๅฏพ่กŒใใŸใ„ใ€ ใจใ„ใ†ใŠๅบ—ใงใ™ใŒใ€ๅฎŸใฏใ“ใฎใŠๅบ—ใฎใ‚ทใ‚งใƒ•็›ฎ้ป’ใ•ใ‚“ใ‚‚ใ€ ใ‚นใ‚ฟใƒณใƒ‰ไฝฟใ„ใงใฏใ‚ใ‚Šใพใ›ใ‚“ใŒใ€ๆง˜ใ€…ใช้ฃŸๆใ‚‚ ๆ‰‹ใฅใใ‚Šใ•ใ‚Œใฆใ„ใฆใ€ใ“ใกใ‚‰ใซๅŠใ‚‹ใ•ใ‚Œใฆใ„ใ‚‹ ใƒใƒ ใชใฉใ‚‚ใ‚ทใ‚งใƒ•่‡ชใ‚‰ใŒไฝœใ‚‰ใ‚Œใฆใ„ใ‚‹ใ‚“ใงใ™ใ€‚

่’ๆœจใ•ใ‚“

ใƒˆใƒ‹ใ‚ชใ•ใ‚“ใฟใŸใ„ใซๆ–™็†ใซใ‚นใ‚ฟใƒณใƒ‰ใ€Œใƒ‘ใƒผใƒซใƒปใ‚ธใƒฃใƒ ใ€ ใŒๅ…ฅใฃใฆใ„ใ‚‹ใ‹ใ‚‚ใ€‚

่žใๆ‰‹

ๅ…ˆ็”Ÿใ€่‚ฉใ“ใ‚Šใ‚„็œผ็ฒพ็–ฒๅŠดใชใฉใฎ็—‡็Šถใฏใ‚ใ‚Šใพใ›ใ‚“ใ‹ใ€‚ ใงใ‚‚ไปŠๆ—ฅใฏใ€้ฃŸไบ‹ใ‚’ๅฌใ—ไธŠใŒใฃใฆใ„ใŸใ ใๆ™‚้–“ใŒใชใใฆ ๅคงๅค‰ๆฎ‹ๅฟตใงใ™ใŒ๏ฝฅ๏ฝฅ๏ฝฅ ใจใ“ใ‚ใงใ€ใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌไบ”้ƒจใ€Œ้ป„้‡‘ใฎ้ขจใ€็ทจใง ใ‚คใ‚ฟใƒชใ‚ขใ‚’่ˆžๅฐใจใ—ใŸไฝœๅ“ใ‚’ๆใ‹ใ‚Œใฆใ„ใ‚‹ใ“ใจใ‚‚ใ‚ใ‚Šใ€ ๅ…ˆ็”Ÿใฏใ‚คใ‚ฟใƒชใ‚ขใŒๅคงๅค‰ใŠๅฅฝใใชใฎใงใฏใชใ„ใ‹ใจ ๆ€ใฃใฆใŠใ‚Šใพใ—ใŸใ€‚

่’ๆœจใ•ใ‚“ ่’ๆœจใ•ใ‚“

ๅฎŸใฏๆฑไบฌใซ่กŒใฃใฆใ„ใกใฐใ‚“่กๆ’ƒใ‚’ๅ—ใ‘ใŸใฎใฏใ€ ใƒ‘ใ‚นใ‚ฟใชใ‚“ใงใ™ใ€‚ ใ“ใ‚“ใชใซ็พŽๅ‘ณใ—ใ„้ฃŸใน็‰ฉใŒใ‚ใฃใŸใฎใ‹ใƒผ๏ผใฃใฆใ€ ๆœฌๅฝ“ใซๅœงๅ€’็š„ใช่กๆ’ƒใงใ—ใŸใ€‚ ๅƒ•ใŒไป™ๅฐใซใ„ใŸ้ ƒใฏใ€ ไปŠใฎใ‚ˆใ†ใชใ‚คใ‚ฟใƒชใ‚ขใƒณใƒฌใ‚นใƒˆใƒฉใƒณใฏใชใ‹ใฃใŸใ‚“ใงใ™ใ‚ˆใ€‚ ใ“ใ‚“ใช็ด ๆ•ตใชใ‚คใ‚ฟใƒชใ‚ขใƒณใƒฌใ‚นใƒˆใƒฉใƒณใŒใ‚ใ‚‹ใจใ„ใ†ใฎใฏใ€ ๅฝ“ๆ™‚ใ‹ใ‚‰่€ƒใˆใŸใ‚‰ๅคขใฟใŸใ„ใงใ™ใ€‚

่žใๆ‰‹

ใ“ใกใ‚‰ใฎ็›ฎ้ป’ใ‚ทใ‚งใƒ•ใฏๅ…ˆๆ—ฅTBSใ€Œๆƒ…็†ฑๅคง้™ธใ€ใซๅ‡บๆผ”ใ•ใ‚Œใ€ ไป™ๅฐใฎใ‚คใ‚ฟใƒชใ‚ขๆ–™็†็•Œใงใฏๆณจ็›ฎใฎใŠๅบ—ใงใ€ใ‚ใ–ใ‚ใ– ๆฑไบฌใ‹ใ‚‰่ถณใ‚’้‹ใฐใ‚Œใ‚‹ใŠๅฎขใ•ใ‚“ใ‚‚ใ„ใ‚‹ใใ‚‰ใ„ใงใ™ใ€‚ ใกใชใฟใซใ€ใŠๅบ—ใฎใƒกใƒ‹ใƒฅใƒผใ‚‚ใ€ใŠๅฎขใ•ใ‚“ใฎๅฅฝใฟใซๅฟœใ˜ใฆ ใ‚ทใ‚งใƒ•ใจ็›ธ่ซ‡ใ—ใฆๆฑบใ‚ใ‚‹ใจใ„ใ†ใฎใŒๅŸบๆœฌใงใ™ใ€‚

่’ๆœจใ•ใ‚“

ๅŒใ˜ใ˜ใ‚ƒใชใ„ใงใ™ใ‹ใ€‚ ใพใ•ใ‹ใ€ใ€Œใ‚ธใƒงใ‚ธใƒงใ€ใฎๆ–นใŒๅพŒใ‹ใ‚‰ใ ใฃใŸใ‚Šใ—ใฆโ€ฆ

่žใๆ‰‹

ใŠๅบ—ใฏ้–‹ๅบ—ใ—ใฆ้–“ใ‚‚ใชใ๏ผ–ๅ‘จๅนดใ€ ็พๅœจใฎๅ ดๆ‰€ใซ็งป่ปขใ•ใ‚Œใฆใ‹ใ‚‰ใฏใ€4ๅนดๅ‘จๅนดใจใฎใ“ใจใงใ™ใ€‚

่’ๆœจใ•ใ‚“

ใ‚ˆใ‹ใฃใŸใ€ใ€Œใƒˆใƒฉใ‚ตใƒซใƒ‡ใ‚ฃใƒผใ€ใฎใ‚ชใƒผใƒ—ใƒณใŒๅ…ˆใงใ™ใญ(็ฌ‘)ใ€‚ ใจใ“ใ‚ใงใ“ใฎใ‚ฟใƒซใƒˆใ€้ฆ™ใ‚ŠใŒ็ด ๆ™ดใ‚‰ใ—ใ„ใงใ™ใญใ€‚ ๅƒ•ใฏ้ฃŸๆใฎ้ฆ™ใ‚Šใ‚’ๆดปใ‹ใ—ใฆใ„ใ‚‹ๆ–™็†ใŒๅฅฝใใชใ‚“ใงใ™ใ‚ˆใ€‚

ๆด‹ใƒŠใ‚ทใฎใ‚ฟใƒซใƒˆ ็›ฎ้ป’ใ‚ทใ‚งใƒ•

็ด…ใ‚คใƒขใฎใ‚ขใ‚คใ‚นใ‚ฏใƒชใƒผใƒ ใƒ”ใƒฅใƒฌใ‚’ๆทปใˆใŸ ๆด‹ใƒŠใ‚ทใฎใ‚ฟใƒซใƒˆใงใ™ใ€‚ ใใฎไธŠใซใƒ‘ใƒซใƒŸใ‚ธใƒฃใƒผใƒŽใƒปใƒฌใƒƒใ‚ธใƒฃใƒผใƒŽใ‚’ ๆŒฏใ‚Šใ‹ใ‘ใฆใ„ใพใ™ใ€‚

่’ๆœจใ•ใ‚“

ๆœฌๅฝ“ใซใƒ‘ใƒซใƒŸใ‚ธใƒฃใƒผใƒŽใƒปใƒฌใƒƒใ‚ธใƒฃใƒผใƒŽใฎ้ฆ™ใŒ๏ฝฅ๏ฝฅ๏ฝฅใ™ใ”ใ„ใ€‚ ใ‚ใจใ“ใฎ็ด…ใ‚คใƒขใฎ็”˜ใฟใŒ๏ฝฅ๏ฝฅ๏ฝฅ็พŽๅ‘ณใ—ใ„ใงใ™ใญ๏ฝžใ€‚

่’ๆœจใ•ใ‚“ ่žใๆ‰‹

ใœใฒไปŠๅบฆไป™ๅฐใซใŠ่ถŠใ—ใซใชใ‚‹้š›ใซใฏใ“ใกใ‚‰ใง้ฃŸไบ‹ใ‚’ ๅฌใ—ไธŠใŒใฃใฆใ„ใŸใ ใ‘ใ‚Œใฐใจๆ€ใ„ใพใ™ใ€‚ ใ‚ทใƒผใ‚บใƒณใซใชใฃใŸใ‚‰ใ‚ธใƒ“ใ‚จ(้‡Ž็ฃ)ๆ–™็†ใ‚‚ใŠๅ‹งใ‚ใงใ™ใ€‚

่’ๆœจใ•ใ‚“

ใ‚ธใƒ“ใ‚จใจใ„ใฃใฆใ‚‚ใ€ไพ‹ใˆใฐๆตทๅดใงใจใ‚Œใ‚‹้›‰ใจ้‡Žๅฑฑใง ็ฒใ‚Œใ‚‹้›‰ใจใงใฏใ€ๆฝฎ้ขจใจใ‹้ฃŸในใ‚‹้คŒใฎ้•ใ„ใ‚‰ใ—ใ„ใงใ™ใŒใ€ ๅ‘ณใŒ้•ใ†ใ‚‰ใ—ใ„ใงใ™ใ‚ˆใ€‚ ใใ‚“ใช่ฉฑใ‚’่žใใจใ€ใใฎ้•ใ„ใ‚’ๆŽขใฃใฆใฟใŸใ„ใงใ™ใญใ€‚

่žใๆ‰‹

ใงใฏไปŠๅบฆใ€ใ“ใกใ‚‰ใฎใŠๅบ—ใฎใ‚ทใ‚งใƒ•ใซ ๆตทๅดใฎ้›‰ใจๅฑฑๅดใฎ้›‰ใ‚’ๅ–ใ‚Šๅฏ„ใ›ใฆใ„ใŸใ ใ„ใฆโ€ฆ

่’ๆœจใ•ใ‚“

ไบŒ็จฎ้กžๅ‡บใ—ใฆใ„ใŸใ ใ„ใฆใ€ไปŠๅบฆใœใฒ ้ฃŸในๆฏ”ในใ—ใŸใ„ใงใ™ใญ(็ฌ‘)ใ€‚ ใงใ‚‚ใ“ใกใ‚‰ใฎใƒ‡ใ‚ถใƒผใƒˆใ‚’ใ„ใŸใ ใ„ใŸใ‚‰ ไฝ•ใ ใ‹ๅ…ƒๆฐ—ใŒๅ‡บใฆใใพใ—ใŸใ‚ˆ๏ผ

	ใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌๅ››้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ33ๅทป

๏ผœใ€Œใ‚ธใƒงใ‚ธใƒงใ€็ฌฌๅ››้ƒจใ€€ใ‚ธใƒฃใƒณใƒ—ใ‚ณใƒŸใƒƒใ‚ฏใ‚น็ฌฌ33ๅทป๏ผž

่žใๆ‰‹

ใ‚ทใ‚งใƒ•ใ€ๅ…ˆ็”ŸใŒใƒ‡ใ‚ถใƒผใƒˆใ‚’ๅฌใ—ไธŠใŒใฃใฆ ๅ…ƒๆฐ—ใŒๅ‡บใŸใใ†ใงใ™๏ผ ใ‚„ใฃใฑใ‚Šใ‚นใ‚ฟใƒณใƒ‰ไฝฟใ„ใ ใฃใŸใ‚“ใงใ™ใญ(็ฌ‘)ใ€‚

็›ฎ้ป’ใ‚ทใ‚งใƒ•

ใ‚ใ‚ŠใŒใจใ†ใ”ใ–ใ„ใพใ™(็ฌ‘)ใ€‚

็›ฎ้ป’ใ‚ทใ‚งใƒ•ใจ่’ๆœจใ•ใ‚“ ๅ–ๆๅ”ๅŠ› AL FIORE(ใ‚ขใƒซ ใƒ•ใ‚ฃใ‚ชใƒผใƒฌ) http://blog.livedoor.jp/al_fiore/ [15]

่’ๆœจ้ฃ›ๅ‘‚ๅฝฆใจๅฒธ่พบ้œฒไผดใฏใ‚ฐใƒƒใƒๅฅฝใใ ใฃใŸ๏ผ๏ผŸ

โ€•ใฏใ˜ใ‚ใซใ€ใ€ŽSPURใ€ใ‹ใ‚‰ไผ็”ปใฎๅ†…ๅฎนใ‚’่žใ„ใŸๆ™‚ใฎๆฐ—ๆŒใกใ‚’ๆ•™ใˆใฆใใ ใ•ใ„ใ€‚

่’ๆœจ้ฃ›ๅ‘‚ๅฝฆๆฐ๏ผš(ไปฅไธ‹ใ€่’ๆœจ๏ผšๆ•ฌ็งฐ็•ฅ)๏ผšใใ†ใงใ™ใญใ€‚ใพใšไผ็”ปใฎๅ†…ๅฎนใŒใ€ใ‚ฐใƒƒใƒใฎ่ทไบบใจๅทฅๆˆฟใซใคใ„ใฆใ€ใ•ใ‚‰ใซใ‚‚ใฎใฅใใ‚Šใซใคใ„ใฆใฎใƒžใƒณใ‚ฌใ‚’ๆใ„ใฆใปใ—ใ„ใจใ„ใ†ไพ้ ผใ ใฃใŸใฎใงใ€ใ€Œใ“ใ‚Œใฏไฝ•ใ ใ‚ใ†๏ผŸใ€ใจๆ€ใ„ใพใ—ใŸใญใ€‚

โ€•ไฝ•ใ ใ‚ใ†ใจใ„ใ†ใจ๏ผŸ

่’ๆœจ๏ผšๆ™ฎ้€šใ ใจ่ทไบบใ‚„ๅทฅๆˆฟใ‚’็ดนไป‹ใ™ใ‚‹ใƒžใƒณใ‚ฌใงใ€ใ“ใ†ใ„ใ†ใจใ“ใ‚ใงใ€ใ“ใ‚“ใช้ขจใซ่ทไบบใ•ใ‚“ใŒๅƒใ„ใฆใ„ใ‚‹ใ‚“ใ ใ‚ˆใจใ‹ใ€ใใ†ใ„ใ†ใ‚‚ใฎใŒSPUR็ทจ้›†้ƒจใ‚‚ใ‚ฐใƒƒใƒใ‚‚ๆฌฒใ—ใ‹ใฃใŸใ‚“ใ ใจๆ€ใ†ใ‚“ใงใ™ใญใ€‚ใงใ‚‚ใ‚‚ใ†ๅฐ‘ใ—ใƒžใƒณใ‚ฌใฎใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใจ่žๅˆใ—ใŸใ„ใจๆ€ใฃใŸใ‚“ใงใ™ใ€‚ใ‚นใƒˆใƒผใƒชใƒผใŒใ‚ใ‚Œใฐ็™ปๅ ดใ™ใ‚‹ใฎใฏ่ชฐใงใ‚‚่‰ฏใ„ใจใ„ใ†ๆ„Ÿใ˜ใงใฏใชใใฆใ€ใ‚ธใƒงใ‚ธใƒงใจ่žๅˆใ—ใŸใ„ใชใจใ€‚

โ€•ใ‚ธใƒงใ‚ธใƒงใจ่žๅˆใจใ„ใ†ใฎใฏใ€ใ€ŽSPURใ€ใ‹ใ‚‰ไพ้ ผใฏใ‚ใฃใŸใ‚“ใงใ™ใ‹๏ผŸ

่’ๆœจ๏ผšใ„ใ„ใˆใ€ใใ‚Œใฏใ‚ใ‚Šใพใ›ใ‚“ใงใ—ใŸใญใ€‚ใใ‚Œใงใ‚‚ๅผ•ใๅ—ใ‘ใŸใ‹ใ‚‰ใซใฏใ€ใใ†ใ„ใ†ไฝœๅ“ใ‚’ๆใใŸใ„ใชใจๆœ€ๅˆใซๆ€ใ„ใพใ—ใŸใ€‚ใงใ‚‚้›ฃใ—ใ„ใ‹ใชใจใ‚‚ๆ€ใ„ใพใ—ใŸใ‘ใฉใ€‚

โ€•ใ‚นใƒˆใƒผใƒชใƒผใฎไธปไบบๅ…ฌใซ็ฌฌ๏ผ”้ƒจใซ็™ปๅ ดใ™ใ‚‹ๅคฉๆ‰ๆผซ็”ปๅฎถใƒปๅฒธ่พบ้œฒไผดใ‚’ๆŒใฃใฆใใพใ—ใŸใ‚ˆใญ๏ผŸ

่’ๆœจ๏ผšใใ†ใใ†ใ€‚้œฒไผดใ‚’ใ‚นใƒˆใƒผใƒชใƒผใฎไธŠใซใกใ‚ƒใ‚“ใจไน—ใ›ใฆใ€ใ‚ฐใƒƒใƒใ‚’็ดนไป‹ใ—ใฆใ„ใใฃใฆใ„ใ†้ขจใซใ—ใŸใ‹ใฃใŸใ€‚

โ€•ไปŠๅ›žใฎใƒžใƒณใ‚ฌใฎใ‚ฟใ‚คใƒˆใƒซใŒใ€Žๅฒธ่พบ้œฒไผด ใ‚ฐใƒƒใƒใธ่กŒใใ€ใงใ™ใŒใ€ไปฅๅ‰ใฎใƒซใƒผใƒดใƒซ็พŽ่ก“้คจใจใฎใƒ—ใƒญใ‚ธใ‚งใ‚ฏใƒˆไฝœๅ“ใ€Žๅฒธ่พบ้œฒไผด ใƒซใƒผใƒดใƒซใธ่กŒใใ€ใจใฎ้–ข้€ฃๆ€งใฏใ‚ใ‚Šใพใ™ใ‹๏ผŸ

่’ๆœจ๏ผšๆœ€ๅˆใฏใชใ‹ใฃใŸใ‚“ใงใ™ใ€‚ใงใ‚‚้œฒไผดใ ใฃใŸใ‚‰ใ‚ฐใƒƒใƒใซ่กŒใฃใฆใ‚‚ใ„ใ„ใญใฃใฆใ€‚ใใ‚“ใชๆ„Ÿใ˜ใงใ—ใŸใ€‚

โ€•ใ€Žใ‚ธใƒงใ‚ธใƒงใฎ๏ฝžใ€็ฌฌ๏ผ”้ƒจใฎใ‚ฏใƒฉใ‚คใƒžใƒƒใ‚ฏใ‚นใฎใ‚ทใƒผใƒณใงใ€้œฒไผดใฏใ‚ฐใƒƒใƒใฎๆ™‚่จˆใ‚’ใ—ใฆใ„ใพใ™ใ‚ˆใญ๏ผŸ

่’ๆœจ๏ผšใใ†ใชใ‚“ใงใ™ใ‚ˆใญใ€‚ใงใ‚‚ใใฎใ“ใจใฏๆŒ‡ๆ‘˜ใ•ใ‚Œใ‚‹ใพใงๅƒ•่‡ช่บซใฏๅฟ˜ใ‚Œใฆใ„ใพใ—ใŸ(็ฌ‘)ใ€‚ใ€Œใ‚ใ‚ใ€ใใ†ใ„ใˆใฐใ—ใฆใŸใชใใ€ใฃใฆใ€‚

โ€•ใจใ„ใ†ใ“ใจใฏใ€้œฒไผดใฏใ‚ฐใƒƒใƒๅฅฝใใจใ„ใ†ใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผ่จญๅฎšใ ใฃใŸ่จณใงใฏใชใ„ใ‚“ใงใ™ใญ๏ผŸ

่’ๆœจ๏ผšใใ†ใงใ™ใญใ€‚็ขบใ‹ใซ้œฒไผดใฏใ‚ฐใƒƒใƒใฎๆ™‚่จˆใ‚’ใ—ใฆใ„ใพใ—ใŸใ‘ใฉใ€ใƒ•ใ‚กใƒƒใ‚ทใƒงใƒณใฏใฉใ“ใฉใ“ใฎใƒ–ใƒฉใƒณใƒ‰ใŒๅฅฝใใงใจใ„ใ†้ขจใซ่จญๅฎšใ‚’ๆฑบใ‚ใฆใ„ใŸ่จณใงใฏใชใ„ใงใ™ใญใ€‚ใ ใ‹ใ‚‰ไปŠๅ›žใ‚‚ใ‚ฐใƒƒใƒใ ใ‹ใ‚‰้œฒไผดใจใ„ใ†ใ“ใจใงใฏใชใใฆใ€ใ‚นใƒˆใƒผใƒชใƒผ็š„ใซ้œฒไผดใชใ‚“ใงใ™๏ผ

โ€•ใชใ‚‹ใปใฉใงใ™ใญใ€‚

่’ๆœจ๏ผš้œฒไผดใฏใƒ‘ใƒชใฎใƒซใƒผใƒดใƒซใซใ‚‚่กŒใฃใŸใ—ๅˆใ†ใญใ€‚ใฟใŸใ„ใชๆ„Ÿใ˜ใงใ—ใŸใ€‚

โ€•ไปŠๅ›žใฏ่’ๆœจๅ…ˆ็”Ÿ่‡ช่บซใ‚‚ใƒ•ใ‚ฃใƒฌใƒณใƒ„ใ‚งใ‹ใ‚‰ๆฅๆ—ฅใ—ใŸใ‚ฐใƒƒใƒใฎ่ทไบบใซๅ–ๆใ‚’ใ—ใŸใใ†ใงใ™ใŒใ€ไธ€็•ชๅฐ่ฑกใซๆฎ‹ใฃใŸใ“ใจใฏใชใ‚“ใงใ™ใ‹๏ผŸ

่’ๆœจ๏ผšใ‚“๏ฝžใชใ‚“ใงใ™ใ‹ใญใ€‚ใ‚นใ‚ฟใƒƒใƒ•ใฎใƒ—ใƒญๆ„่ญ˜ใงใ™ใ‹ใญ๏ผŸ ใใ‚Œใฏๆœฌๅฝ“ใซใ™ใ”ใ‹ใฃใŸใ€‚ใ‚„ใฃใฑใ‚Š่ทไบบใจใ„ใ†ใ‹ใ€ๅƒใ„ใฆใ„ใ‚‹ไบบใŸใกๅ…จๅ“กใŒใƒ—ใƒฉใ‚คใƒ‰ใ‚’ๆŒใฃใฆไป•ไบ‹ใ‚’ใ—ใฆใ„ใ‚‹ใ‚“ใ ใชใจๆ„Ÿใ˜ใพใ—ใŸใ€‚ใ„ใ‚ใ„ใ‚ใชใƒ–ใƒฉใƒณใƒ‰ใŒใ‚ใ‚‹ใ‘ใ‚Œใฉใ€ๅ‘ใ“ใ†ใฎไบบใŸใกใซใจใฃใฆใ‚ฐใƒƒใƒใงๅƒใใจใ„ใ†ใ“ใจใฏๆ†งใ‚Œใชใ‚“ใ ใใ†ใงใ™ใ€‚ใฟใ‚“ใชใ‚ฐใƒƒใƒใŒไธ€็•ช่‰ฏใ„ใจ่จ€ใฃใฆใพใ—ใŸใญใ€‚

โ€•่’ๆœจๅ…ˆ็”Ÿ่‡ช่บซใ‚‚ๆด‹ๆœใฏใจใฆใ‚‚ๅฅฝใใจไผบใฃใŸใ‚“ใงใ™ใŒใ‚ฐใƒƒใƒใฏใฉใฎ็จ‹ๅบฆใŠๆŒใกใงใ™ใ‹๏ผŸ

่’ๆœจ๏ผš้ดใจใ‹้ž„ใจใ‹ใใ†ใ„ใฃใŸใ‚‚ใฎใŒๅคšใ„ใงใ™ใญใ€‚ๆฅใšใ‹ใ—ใชใŒใ‚‰ๆœใฏใ‚ใพใ‚ŠๆŒใฃใฆใ„ใพใ›ใ‚“ใงใ—ใŸใ€‚

โ€•ใงใฏใ€ใฉใ‚“ใชใƒ•ใ‚กใƒƒใ‚ทใƒงใƒณใŒใŠๅฅฝใใงใ™ใ‹๏ผŸ

่’ๆœจ๏ผš่‡ชๅˆ†ใงใฏ็€ใชใ„ใ‚“ใงใ™ใ‘ใฉใ€ใชใ‚“ใ‹ไธ่‰ฏใชๆ„Ÿใ˜ใŒๅฅฝใใชใ‚“ใงใ™ใ€‚

่’ๆœจ๏ผšใใ†ใงใ™ใญใ€‚ๅ€‹ไบบ็š„ใซใฏไธŠๅ“ใ‚ˆใ‚Šใฏใใ†ใ„ใ†ใฎใŒๅฅฝใใงใ™ใญใ€‚

่’ๆœจๅ…ˆ็”Ÿใฎใƒžใƒณใ‚ฌ็‹ฌ็‰นใฎ"ใ‚ใฎ่กจ็พ"ใฎ็œŸ็›ธใจใฏ๏ผŸ

โ€•ไปŠๅ›žใฎใƒžใƒณใ‚ฌใฎไธญใงใฏใ€้œฒไผดใ‚‚้€š่จณใฎๅฅณๆ€งใ‚‚ใ‚ฐใƒƒใƒใฎๆœใ‚’็€ใฆใ„ใพใ™ใŒใ€ใ‚ใ‚Œใฏ่’ๆœจๅ…ˆ็”Ÿใฎใ‚ขใ‚คใƒ‡ใ‚ฃใ‚ขใงใ™ใ‹๏ผŸ

่’ๆœจ๏ผšใใ‚‚ใใ‚‚ใ‚ฐใƒƒใƒใฎไฝœๅ“ใ‚’ๆใ‘ใจใ„ใ†ใ“ใจใ ใฃใŸใ‚“ใงใ€ใ™ในใฆใ‚ฐใƒƒใƒใซๅพนใ—ใ‚ˆใ†ใจใ€‚ใใ‚ŒใŒ็†็”ฑใงใ™ใญใ€‚ใ˜ใคใฏใƒžใƒณใ‚ฌใซๅ‡บใฆใใ‚‹ไบบ็‰ฉๅ…จๅ“กใŒใ‚ฐใƒƒใƒใ‚’็€ใฆใ„ใ‚‹ใงใ™ใŒใ€ใใ‚Œใฏๅƒ•ใฎใ‚ขใ‚คใƒ‡ใ‚ฃใ‚ขใงใ™ใญใ€‚ใ‚ใ‚“ใพใ‚Šใใ†ใ„ใ†้ขจใซ่ฆ‹ใˆใชใ„ใ‚“ใงใ™ใ‘ใฉใ€‚

โ€•ใใ†ใชใ‚“ใงใ™ใ‹๏ผ๏ผŸ

่’ๆœจ๏ผšใใ†ใชใ‚“ใงใ™ใ‚ˆใ€‚ใงใ‚‚ใ€ใ˜ใคใฏๆด‹ๆœใฎ่‰ฒใ‚’ไธ€้ƒจๅค‰ใˆใ•ใ›ใฆใ‚‚ใ‚‰ใฃใฆใ„ใ‚‹ใ‚“ใงใ™ใ€‚

โ€•็ขบใ‹ใซ่‰ฒใŒ้•ใฃใฆใพใ™ใ‚ˆใญใ€‚ๆฐ—ใŒใคใใพใ—ใŸใ€‚

่’ๆœจ๏ผšๅ…ƒใฎ่‰ฒใฎใพใพใ ใจใ€็ตต็š„ใซ่ฏใ‚„ใ‹ใ•ใจใ‹้…่‰ฒใฎๆ„Ÿใ˜ใŒใฉใ†ใ—ใฆใ‚‚็ดๅพ—ใ„ใ‹ใชใ„ใ‚“ใงใ™ใ‚ˆใญใ€‚่Œถ่‰ฒใ ใ‘ใงใพใจใพใฃใฆใ‚‹ใจใ€ใกใ‚‡ใฃใจๅซŒใ ใชใใจใ‹ๆ€ใฃใฆใ—ใพใ†ใ€‚

โ€•ใใ†ใ„ใ†ใ‚ชใƒผใƒ€ใƒผใซๅฏพใ—ใฆใ€ใ‚ฐใƒƒใƒใ‹ใ‚‰NGใฏๅ‡บใชใ‹ใฃใŸใ‚“ใงใ™ใ‹๏ผŸ

่’ๆœจ๏ผš่‰ฒใซ้–ขใ—ใฆใฏใ‚ใ‚Šใพใ›ใ‚“ใงใ—ใŸใญใ€‚ใงใ‚‚ๆœฌๅฝ“ใซใŠ้ก˜ใ„ใ‚’ใ—ใฆใ€Œใ“ใฎใƒ‘ใƒณใƒ„ใ‚’็ท‘่‰ฒใซใ•ใ›ใฆใใ ใ•ใ„๏ฝžใ€ใจใ‹ใใ‚“ใชๆ„Ÿใ˜ใงใ—ใŸใ€‚ใ˜ใ‚ƒใชใ„ใจ็ตตใŒๆฒˆใ‚€ใ‚“ใงใ™ใ‚ˆใ€‚ใƒžใƒณใ‚ฌใจใ—ใฆใ€่’ๆœจ้ฃ›ๅ‘‚ๅฝฆใฎไฝœๅ“ใจใ—ใฆ้•ใ†ใจๆ€ใ†ใ‚“ใงใ™ใ‚ˆใญ๏ผ

โ€•ใชใ‚‹ใปใฉใงใ™ใญใ€‚ใƒžใƒณใ‚ฌใฎๆœ€ๅพŒใŒใ€Œใ“ใฎใƒใƒƒใ‚ฐใฏใ‚นใ‚ฟใƒณใƒ‰ใ ใฃใŸใ‚“ใ ......ใ€ใจใ„ใ†ใ‚ชใƒใงใ™ใ‚ˆใญใ€‚ใƒ•ใ‚กใƒณใจใ—ใฆใฏใ€ใ‚ใฎใƒใƒƒใ‚ฐใฎใ‚นใ‚ฟใƒณใƒ‰ๅใฏไฝ•ใ ใฃใŸใ‚“ใ ใ‚ใ†๏ผŸ ใจใ™ใ”ใๆฐ—ใซใชใฃใŸใ‚“ใงใ™ใŒใ€‚

่’ๆœจ๏ผš็ขบใ‹ใซ๏ผ ็ขบใ‹ใซใใ†ใงใ™ใญใ€‚ใ‚นใ‚ฟใƒณใƒ‰ๅใ‹๏ฝžใ€‚่€ƒใˆใฆใชใ‹ใฃใŸใชใ‚ใ€‚ไฝ•ใŒ่‰ฏใ„ใ ใ‚ใ†๏ผ๏ผŸ ้Ÿณๆฅฝใฃใฝใ„ใ‚‚ใฎใงไฝ•ใ‹......ใ€‚ใƒใƒƒใ‚ฐใซ้–ข้€ฃใ™ใ‚‹ๆ›ฒใฏ็Ÿฅใ‚‰ใชใ„ใชใ‚(็ฌ‘)ใ€‚ใใ†ใใ†ใ€‚ใ˜ใคใฏๅˆๆœŸๆฎต้šŽใฎใ‚นใƒˆใƒผใƒชใƒผใงใฏใ€ใƒใƒƒใ‚ฐใงใฏใชใใฆ่ฒกๅธƒใ ใฃใŸใ‚“ใงใ™ใ‚ˆใ€‚

โ€•ใใ†ใชใ‚“ใงใ™ใ‹๏ผ๏ผŸ

่’ๆœจ๏ผšใฏใ„ใ€‚ใงใ‚‚ใ‚ฐใƒƒใƒใ‹ใ‚‰่ฒกๅธƒใงใฏใชใใฆใƒใƒƒใ‚ฏใซใ—ใฆใใ‚ŒใจๅผทใใŠ้ก˜ใ„ใ•ใ‚ŒใŸใ‚“ใงใ™(็ฌ‘)ใ€‚

โ€•ๆ›ธใ‘ใชใ„ใ‹ใ‚‚ใ—ใ‚Œใชใ„ใงใ™ใญใ€‚ใ“ใฎ่ฉฑใฏ(็ฌ‘)ใ€‚

่’ๆœจ๏ผšใงใ‚‚็ตๆžœ็š„ใซใฏใƒใƒƒใ‚ฐใฎๆ–นใŒ่ฉฑใจใ—ใฆใฏใ‚ˆใ‹ใฃใŸใงใ™ใญใ€‚

โ€•ใใ†ใใ†ใ€‚ใŠ็ฅ–ๆฏใกใ‚ƒใ‚“ใฎๅฝข่ฆ‹ใฎใƒใƒƒใ‚ฐใจใ„ใ†ใ“ใจใฏใ€Žๅฒธ่พบ้œฒไผด ใƒซใƒผใƒดใƒซใธ่กŒใใ€ใงๅ†’้ ญใซใƒใƒฉใƒƒใจ็™ปๅ ดใ—ใŸใ€ใ‚ใฎใŠ็ฅ–ๆฏใกใ‚ƒใ‚“ใงใ™ใ‚ˆใญ๏ผŸ

่’ๆœจ๏ผšใใฎใจใŠใ‚Šใงใ™ใ€‚ๆธฉๆณ‰ๅฎฟใ‚’็ตŒๅ–ถใ—ใฆใ„ใŸใŠ็ฅ–ๆฏใกใ‚ƒใ‚“ใงใ™ใ€‚ใ‚‚ใ†ๆ—ขใซๆญปใ‚“ใงใ‚‹ใ‚“ใงใ™ใญใ€‚ใ€Žๅฒธ่พบ้œฒไผด ใƒซใƒผใƒดใƒซใธ่กŒใใ€ใฏใ€้œฒไผดใŒ17ๆญณใฎใจใใฎ่ฉฑใงใ™ใ‹ใ‚‰ใญใ€‚

โ€•ไปŠๅ›žใ‚‚ใ€Œใƒ‘ใ‚กใ‚กใƒผใ‚กใƒƒใ€ใจใ‹ใ€Œใ‚ฌใƒ‘ใ‚กใ‚กใƒƒใ€ใจใ‹ใ€Œใ‚ฎใƒฃใƒณใƒƒใ€ใจใ„ใ†ใ‚ˆใ†ใช่กจ็พใŒใ‚ใฃใŸใ‚Šใ€ใ€Žใ‚ธใƒงใ‚ธใƒงใฎ๏ฝžใ€ใงใฏใŠใชใ˜ใฟใฎใ€Œใ‚ชใƒฉใ‚ชใƒฉใ‚ชใƒฉใ‚ชใƒฉใ‚ชใƒฉใ‚ชใƒฉใ€ใ€ใ€Œ็„ก้ง„็„ก้ง„็„ก้ง„็„ก้ง„็„ก้ง„็„ก้ง„ใ€ใ€ใ€Œใƒ‰ใƒฉใƒฉใƒฉใƒฉใƒฉใƒฉใƒฉใ€ใ€ใ€Œใ‚บใ‚ญใƒฅใ‚ฅใ‚ฅใ‚ฅใƒณใƒƒใ€ใจใ„ใฃใŸ่’ๆœจๅ…ˆ็”Ÿใฎใƒžใƒณใ‚ฌ็‹ฌ็‰นใฎใ‚ใฎ่กจ็พใฏใ€ใฉใ“ใ‹ใ‚‰ใ‚คใƒณใ‚นใƒ”ใƒฌใƒผใ‚ทใƒงใƒณใ‚’ๅ—ใ‘ใฆใ„ใ‚‹ใ‚“ใงใ—ใ‚‡ใ†ใ‹๏ผŸ

่’ๆœจ๏ผšใ‚ใ‚Œใฏไป•ไบ‹ไธญใ‚‚ใ‚ขใ‚คใƒ‡ใ‚ฃใ‚ขใ‚’่€ƒใˆใ‚‹ใจใใ‚‚ใ€ใ„ใคใ‚‚้Ÿณๆฅฝใ‚’่ดใ„ใฆใ„ใ‚‹ใ‚“ใงใ™ใ€‚ใใฎใƒŽใƒชใงใ™ใญใ€‚ใ‚ใจใฏใƒชใ‚บใƒ ใงใ™ใ€‚ๆใ„ใฆใ„ใ‚‹ใจใใฃใฆใƒใƒผใƒ ใฎใƒชใ‚บใƒ ใŒใ‚ใ‚‹ใ‚“ใงใ™ใ€‚ใใ“ใงๆœ€ๅพŒใซใ€Œใƒƒใƒƒใƒƒใƒ„ใ‚ขใƒผ!!ใ€ใฃใฆใฎใฐใ—ใŸใ‚Šใ€‚ใใ†ใ„ใ†ๆ„Ÿใ˜ใงใ™ใญใ€‚ใ“ใ“ใงใ“ใ‚“ใช้ŸณๆฅฝใŒใใ‚‹ใจใ€Œใ‚บใ‚ญใƒฅใ‚ฅใ‚ฅใ‚ฅใƒณใƒƒ๏ผใ€ใจใ‹ใ€‚

โ€•ใ‚ใจใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใŒ็ช็„ถ่ฑนๅค‰ใ—ใฆใ—ใพใ†ใƒ‘ใ‚ฟใƒผใƒณใ‚‚ใ‚ˆใใ‚ใ‚Šใพใ™ใ‚ˆใญใ€‚

่’ๆœจ๏ผšใใ†ใงใ™ใญใ€‚ๅคงไบบใ—ใ„ใจๆ€ใฃใฆใ„ใŸไบบใŒๅฎŸใฏ่ฟฝใ„ใคใ‚ใ‚‰ใ‚ŒใฆไบบใŒๅค‰ใ‚ใ‚‹ใจใ‹ใ€ๆใ„ใฆใ„ใฆๆฅฝใ—ใ„ใงใ™ใญใ€‚ๆ€งๆ ผใพใงๅดฉๅฃŠใ—ใฆใ„ใๆ„Ÿใ˜ใจใ‹ใ€‚

โ€•่’ๆœจๅ…ˆ็”Ÿใฎไธญใงไธ€็•ชๅฅฝใใชใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใฏ่ชฐใงใ™ใ‹๏ผŸ

่’ๆœจ๏ผšใ„ใพใพใงๆใ„ใŸไธญใงใงใ™ใ‹๏ผŸ

โ€•ใฏใ„ใ€‚

่’ๆœจ๏ผšใ‚“๏ฝžใ€Œ้‡ใกใƒผใ€ใฃใฆใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใงใ™ใญใ€‚ใ„ใ‚ใ‚“ใชใจใ“ใ‚ใ‹ใ‚‰ใ€ๅฐ้Šญใ‚„็ดฐใ‹ใ„ใ‚‚ใฎใ‚’ๆ‹พใฃใฆใใ‚‹ใ‚นใ‚ฟใƒณใƒ‰ใ‚’ไฝฟใ†ใ‚“ใงใ™ใ€‚ใ€Œ้‡ใกใƒผใ€ใฏ่‰ฏใ„ใงใ™ใ‚ˆใƒผใ€‚ใ‚ใจใกใ‚‡ใฃใจ้ ญใŒ่‰ฏใใชใ•ใใ†ใชใจใ“ใ‚ใ‚‚็™’ใ•ใ‚Œใพใ™ใ‚ˆใญใ€‚ไธปไบบๅ…ฌใงใฏไป—ๅŠฉใฃใฆใฎใŒๅฅฝใใชใ‚“ใงใ™ใ‘ใฉใ€‚

โ€•ใ„ใšใ‚Œใ‚‚้œฒไผดใจๅŒใ˜็ฌฌ4้ƒจใฎใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใงใ™ใญใ€‚

่’ๆœจ๏ผšใใ†ใงใ™ใญใ€‚ๆ™ฎๆฎตใ€Žใ‚ธใƒงใ‚ธใƒงใฎ๏ฝžใ€ใฃใฆ็ฅž่ฉฑ็š„ใซๆใ„ใฆใ„ใ‚‹ใ‚“ใงใ™ใ€‚ใงใ‚‚็ฌฌ4้ƒจใฏใ€Œ้šฃใฎไบบใ€ใฃใฆๆ„Ÿใ˜ใŒใ™ใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚่บซ่ฟ‘ใชไบบใฃใฆๆ„Ÿใ˜ใ€‚ใใฎไธญใงใ‚‚ใ€Œ้‡ใกใƒผใ€ใงใ™ใ€‚่ƒฝๅŠ›ใ‚‚่‰ฏใ„ใงใ™ใญใƒผใ€‚ใ‚ใ‚Œใฏๆณฅๆฃ’ใ˜ใ‚ƒใชใ„ใงใ™ใ‹ใ‚‰ใญใ€‚่ฝใกใฆใ‚‹ใ‚‚ใฎใ‚’ๆ‹พใฃใฆใ‚‹ใ ใ‘ใ ใ‹ใ‚‰ๆ‚ชใ„ใ“ใจใฏใ—ใฆใชใ„ใ‚“ใงใ™ใ€‚

โ€•ใงใฏๅฐ‘ใ—่ฉฑใ—ใ‚’ๆˆปใ—ใฆใ€‚่’ๆœจๅ…ˆ็”Ÿใซใจใฃใฆใ€ใ€Œ่‰ฏใ„ใƒ•ใ‚กใƒƒใ‚ทใƒงใƒณใƒ–ใƒฉใƒณใƒ‰ใ€ใจใฏใฉใ†ใ„ใ†ใƒ–ใƒฉใƒณใƒ‰ใ ใจๆ€ใ„ใพใ™ใ‹๏ผŸ

่’ๆœจ๏ผšใพใšๅ“่ณชใŒ็ตถๅฏพใงใ™ใ‚ˆใญใ€‚็€ๅฟƒๅœฐใŒ่‰ฏใใฆใ€่‡ชๅทฑไธปๅผตใ›ใšใ€ใใ‚Œใงใ„ใฆๅฐ่ฑกใซๆฎ‹ใ‚‹ใ‚„ใคใงใ™ใ€‚้›ฃใ—ใ„ใงใ™ใ‚ˆใญใ€‚ใงใ‚‚ใ‚ฐใƒƒใƒใซใฏใใ‚ŒใŒใ‚ใ‚‹ใจๆ€ใ„ใพใ™ใ€‚

โ€•ใชใ‚‹ใปใฉใงใ™ใญใ€‚

่’ๆœจ๏ผšใ ใ‹ใ‚‰ใ‚„ใ‚Šใ™ใŽใชใ„ๅฏธๆญขใ‚ใชใ‚“ใงใ™ใ‚ˆใ€‚ใใ‚ŒใŒ่‰ฏใ„ใƒ•ใ‚กใƒƒใ‚ทใƒงใƒณใ ใจๆ€ใ„ใพใ™ใ€‚ๅƒ•ใฏไธ่‰ฏใฃใฝใ„ใƒ•ใ‚กใƒƒใ‚ทใƒงใƒณใŒๅ…ฅใฃใฆใ‚‹ใฎใ‚‚ใฎใŒๅฅฝใใงใฏใ‚ใ‚Šใพใ™ใŒใ€ๆ€ใ„ใฃใใ‚Šไธ่‰ฏใงใฏใชใ„ใ‚“ใงใ™ใ‚ˆใญใ€‚ใใ“ใซไธŠๅ“ใ•ใ‚‚ๅฟ…่ฆใชใ‚“ใงใ™ใ€‚ใ ใ‹ใ‚‰ใ‚ฐใƒƒใƒใ‚’ใฏใ˜ใ‚ใจใ™ใ‚‹ใ‚คใ‚ฟใƒชใ‚ขใฎใƒ•ใ‚กใƒƒใ‚ทใƒงใƒณใฏใใ†ใ„ใ†ใจใ“ใ‚ใŒใ™ใ”ใ„ใ‚“ใงใ™ใ€‚ใพใ•ใซๅฏธๆญขใ‚ใงใ™ใญใ€‚

โ€•ใ‚ใ‹ใ‚Šใพใ—ใŸใ€‚ใงใฏๆœ€ๅพŒใฎ่ณชๅ•ใงใ™ใ€‚้œฒไผดใฏใƒ‘ใƒชใฎใƒซใƒผใƒดใƒซใซ่กŒใฃใฆใ€ใƒ•ใ‚ฃใƒฌใƒณใƒ„ใ‚งใฎใ‚ฐใƒƒใƒใซใ‚‚่กŒใฃใฆใ€ไปŠๅ›žๆ–ฐๅฎฟใซใ‚‚่กŒใใพใ—ใŸใ€‚ๆฌกใฏใฉใ“ใซ่กŒใใ‚“ใงใ—ใ‚‡ใ†ใ‹๏ผŸ

่’ๆœจ๏ผšๆฌกใฏๅฏŒๅฃซๅฑฑใจใ‹่‰ฏใ„ใงใ™ใญ(็ฌ‘)ใ€‚ ใ ใฃใฆNYใจใ‹่กŒใ‹ใชใใ†ใ˜ใ‚ƒใชใ„ใงใ™ใ‹๏ผŸ ใฉใ†ใ›ใ ใฃใŸใ‚‰้œฒไผดใŒ็ตถๅฏพใซ่กŒใ‹ใชใ•ใใ†ใชใ€ใƒžใƒ‹ใ‚ขใƒƒใ‚ฏใชใจใ“ใ‚ใซ่กŒใ‹ใ›ใŸใ„ใงใ™ใญใ€‚

GUCCI ร— HIROHIKO ARAKI ร— SPUR ใ€Œๅฒธ่พบ้œฒไผด ๆ–ฐๅฎฟใธ่กŒใใ€ๅฑ• ไผšๆœŸ๏ผš2011ๅนด9ๆœˆ17ๆ—ฅ(ๅœŸ)๏ฝž10ๆ—ฅ6ๆ—ฅ(ๆœจ) ไผšๅ ด๏ผšใ‚ฐใƒƒใƒๆ–ฐๅฎฟ

ไฝๆ‰€๏ผšๆฑไบฌ้ƒฝๆ–ฐๅฎฟๅŒบๆ–ฐๅฎฟ3-26-11[16]

โ€œ

I don't play fighting games myself, so I can't comment on that aspect, but I think it's amazing how perfectly they were able to recreate everything. It's beautiful. Whenever people try and adapt JoJo they always want to use a bunch of different colors. But this game actually suppresses the colors and makes them refined/quiet. I think this is good, because it will keep players' eyes from getting tired. I think the more colors on the screen increases the exhaustion in one's eyes. I also think the cutting-edge CG technology they used did a great job of capturing the atmosphere.

The characters have been recreated so well, they may look cooler than they are in the manga. (Laugh) There's a psychological level to the battles here. I like how they've made it something more than just a fighting game.

The town of Morio-cho appears in Parts 4 and 8, but they're in parallel worlds, so they aren't linked in time or space. The two Josukes would never meet each other normally. With this game, though, it becomes possible. At first I was bit taken aback. But then the bizarre nature to it all really got me interested. It's very entertaining. I would never allow something like this in the manga, but since this is a game, it's cool. Same thing with Jotaro fighting Dio Brando. The way the characters look is so different over the parts, though, that normally if you lined them all up they'd look very out of place with each other. But this game fixes all that, and I think that's one of its strengths.

Personally, I play a lot of horror action/adventure games. I like exploring a lot, not just fighting. I like puzzle games too. And I like sports and racing games too, as you might have figured from my inclusions of F-MEGA and Oh! That's a Baseball! in part 3. Lately games have been getting really "real." I still like cheap-looking games like F-MEGA.

Lately, though, I haven't really played any fighting games or shooting games. When I get excited during battles, my Adrenalin pumps up. I want games to heal me. That's why I play horror games. Horror heals me. (Laugh) Even in this game, the punch animations are just too fast for me. I'd rather watch them in slow motion.

I wish I had a technique that girls liked. (Laugh) Or, I wish I could appear as a side character, who says "Do your best!" and offers up an energy drink or something.

People who started reading JoJo when they were young have now become adults and are contributing to this project. I'm really amazed. And moved that we can work together to let the next generation read JoJo. I was so surprised when I heard they were going to make an anime. For 20 years, I've thought about how unsuited JoJo was for TV. (Laugh) It ended up being a lot bigger than I imagined it would. I'm so glad the fans enjoyed it.

People say my gallery showing in Florence was a success, but I don't have any strong feelings about that personally. But one thing I did notice is that whenever I go to Italy, I always hear people talking about Japanese manga. Dragon Ball, Naruto, and Yu Gi Oh are all very popular. And whenever people talk about Japanese manga they always talk about Japanese soccer. I suppose Captain Tsubasa has had a lot of influence over there. Whenever you mention Japan in Italy, it's either Naruto or Nagamoto (soccer player).

I listen to country and Western music a lot. It's like American "enka" music. I like the pure, "human" sound of the vocals.

As for movies, I mainly watch suspense and horror. Recently I saw "Life of Pi" and "Gangster Squad." They were very good. There look to be a lot of good horror movies coming out in 2013, including the Evil Dead remake, so I'm excited.

From here on out, in JoJolion, I plan to focus on the Higashikata family in more detail. But it won't be linked to Part 4 in any way. People keep asking me when Kishibe Rohan will appear, so let me answer that question: he won't. (Laugh) That is absolutely set in stone. Another weird mangaka will appear, though.

Q. What is manga to you?

A. Like how food is a blessing from the sky and earth, I think manga is a blessing from society. I'm receiving ideas and inspiration from Japan.

Q. Who do you respect?

A. Many people... Shirato Sanpei and Fujiko Fujio I've respected since long ago. Recently, I've really thought about how amazing pro mangaka who came before me are. Like how they've polished themselves so much, how much work they were able to handle... it'd be impossible in the present day. They were always so pure about how they faced their work. They weren't drawing manga because they wanted to become someone great. they just wanted to draw. That's what's so amazing.

Q. What's the most important thing in the world to you?

A. A lot is important to me... hmm. The most important thing would be my breathing technique, I suppose. (LOL) If my breathing gets bad, my stomach starts to hurt. So every morning, I use a special breathing technique. I store up breath around my ribs. It trains my inner muscles and connects me with the universe. It's pretty deep.[17]
โ€
โ€”Hirohiko Araki
Note: Naokatsu Tsuda is the creative director in charge of David Production's enthusiastic anime adaptation of the iconic JoJo's Bizarre Adventure manga. This is an interview for Mr. Tsuda at Anime Expo, Los Angeles on July 4, 2015 by Anime News Network.

ANN: What is the difference between your role as director and Kenichi Suzuki's role as "series director," as far as how things are managed?

Naokatsu Tsuda: The best way to think of it is not as co-directors, but one as the executive director and one as the actual director.

So he's in more of a producer position and you are the creative director?

We're both creative, but I have final say in everything.

How were you approached about directing a JoJo's television series and what was your reaction?

So, the story starts off with me being an employee at our production company, David Production. My previous work was directing Inu X Boku Secret Service and our Vice President, a man by the name of Kajita, asked me, "You like JoJo?" And I said "Yes!" And he said, "Okay, you're directing JoJo." That's it! Very easy.

When looking at the material, did you feel that there was much adaptation that needed to be made for language and references, since it is over twenty years old, or did you feel that it was timeless and you didn't have to change much?

The main adaptation needed for a modern audience would be in the visuals. If you look at the original JoJo's Bizarre Adventure, the lines are very detailed and I question if a modern viewer would be able to relate to these details. Also, we do need to simplify the lines for animation. So simplifying the lines was something we definitely prioritized. But the JoJo's graphic novels, over the years, have become something of an internet meme, or at least they are the source of a lot of internet memes. One thing we can do today that wouldn't have been possible 20 years ago is pick up on already established memes and see how we can pull those into the anime. Many parts of the series are already finished, so we are in a unique position today where we can do a wholesale retrospective on them. Also, modern audiences have a preference for higher-paced dialogue, so that's also different today from how it would've been adapted back then.

That's very interesting to hear about the meme culture of JoJo's. So you were aware of that stuff going in and you consciously said, "Oh we have to get this right, we have to make this feel classic for fans of the manga?"

Yes, in fact that was fully intended. We wanted to make a show where a fan could watch the animated episode and then go back to the graphic novel and see that their idea of JoJo was faithfully animated. We wanted to make something that could be shared as a new source of fan memes, and something where everyone's idea of JoJo could come to life through it.

One of my favorite things about JoJo's is the incredible sound design and music work on this show, both the soundtrack and the use of sound effects visually is very powerful. I feel like viewers can listen to this show and understand the story almost as well as seeing it. What was your philosophy going into the music and sound effects for the series?

The written words that show up in JoJo's is something that we call a "word effect." This comes directly from the manga, where if you look directly at the panel, the written sound effects are an integral part of the layout. Usually, when you animate a graphic novel, all those sound effects would be taken out, but that also changes the visual layout of the panel in translation to the screen. Now when you look at streaming culture today in Japan, especially when you look at websites such as Niconico, all the users just paste up their text reactions as part of the video stream, and that's part of the actual fan culture. My takeaway from that was younger audiences of today don't actually have any problem seeing written sound effects onscreen. So rather than changing the original manga layout, we wanted to incorporate that into the anime as well and use word effects in choice places for favorite lines and favorite sounds, perhaps sound effects that the viewer might want to shout out along with the show. So it's just thinking about things backwards and then making them work out. I don't think you actually need to be able to read the text, because it's more of a visual element than a language thing.

For the music, I really wanted to incorporate film-style music rather than something that resembled a variety show. When you use music in film, it's often set to a specific character or emotion or scene. In the first two parts of Jojo's, the music is really set to the scene and only once in a while is it set to the emotions of the moment. Part 1 takes place in 19th century England, which isn't exactly a place anyone has first-hand experience living through. So we used the music to establish a sense of history and location and period that we can relate to. Then we skip over to Part 2, which takes place in Art Deco America. So we had to establish something more stylish and pop in tone there. Since there's a graphic visual difference between Part 1 and Part 2, we wanted the audience to be transported 50 years forward through the music as well as the visuals.

What was the process for choosing the ending theme songs like "Roundabout" and "Walk Like an Egyptian?" Is this a tradition that you want to continue in future parts?

Well, those came from the author of the original graphic novel, Hirohiko Araki. They're all songs that he was listening to back when he was drawing the individual parts. Mr. Araki only listens to Western music because he doesn't understand English, so none of the lyrics come across to him as language, but as pure sound. So we got a list of these songs that he was listening to back when he was writing each part, and we chose songs for the closing animation based on which ones Warner was able to secure the rights for. It was up to Warner to actually do the negotiating. So if there is an anime production of the next part, we'll probably go by the same process. Traditionally, JoJo's Bizarre Adventure has been a gateway to learn about Western music for Japanese readers. For American fans, a lot of the music and names featured in JoJo's are more an acknowledgement of familiar artists, but this is also cause for Warner to be engaged in a lot of negotiations to secure those rights.

Yes, the names of these characters are changed in the official subtitles for American viewers. Vanilla Ice becomes Cool Ice, Oingo Boingo becomes Zenyatta Mondatta, and so on. The fans always know the real names, so they see that and sort of laugh at it. They feel like "what, are they afraid of lawyers?" How do you feel about American audiences being given changed names?

Well, I do think someone may have tried to err on the sensitive side of things in translation. When you look at characters like Oingo and Boingo, if the musical artist of the same name wasn't happy with the idea of being depicted as such comical characters, perhaps erring on the sensitive side might have been the right decision.


On that note, where did the Oingo Boingo Brothers song come from? It was a very fun surprise!

Part 3, Stardust Crusaders, is split into two halves for television airing. At the time, the music producer at Warner, Mr. Oomori, had asked if there was any scene-specific music that I wanted to have in the series. You might be familiar with a specific practice in Japanese animation where episode one and episode three are very important for a show's production. If episode one doesn't execute well, a lot of viewers will write off the show and never watch it. And you also need to have a new development or twist take place in episode three, or more established viewers will abandon the show. It's not such an issue with episode four onwards, but that's the unfortunately reality of the industry right now. The Oingo Boingo episode in question is actually episode three of Stardust Crusaders' second half, so we knew we had to make it stand out. Boingo is an enemy who uses manga as their gimmick, so for the ending we thought this could be the first and only instance of a character song. I thought it would be something that the viewers would be very happy to see. So I went to producer Oomori, he greenlit it, and the Oingo Boingo Brothers happened.

And the Hol Horse Boingo Combo as well! Now do you have a favorite Joestar or a favorite character? Not just in the three parts that are animated, but from any of it?

Well, since I just finished working on Stardust Crusaders, I'm most sympathetic to Jotaro. In part 4, my favorite is still Jotaro. As a high school reader of the manga, my favorite Joestar wasโ€ฆ well, it's actually questionable if he's from the Joestar family, but he's the main character from part 5, Giorno Giovanna. He's actually Dio's child, but he inherits a very large portion of the Joestar family spirit.

You mentioned that the manga's art could be difficult to adapt to animation. What were your thoughts on adapting the manga's striking color design in a way that wouldn't be too overwhelming?

One thing that makes anime different is that once you establish the color setting, you can't change it, whereas there's no set color for a lot of things in the JoJo's graphic novel. Once we established the color setting inside the anime, we knew there might be a lot of fans who would object to the choice of colors. As a JoJo fan myself, I do really understand the kinds of things they would object to. So we decided on scene-specific coloring, so that the "set color" could still change depending on the specifics of the scene. Since the graphic novel doesn't actually have set colors for a lot of things, I think that was one way to take advantage of its style, while creating something that would be acceptable to fans.

One last question: JoJo's is filled with great moments of elation, and it must be exciting for the voice cast to do that sort of thing. What was the most powerful moment for you, vocally?

There's far too many to mention, but if I were to choose one, it would be the final episode of Stardust Crusaders, where Jotaro and Dio are having their showdown, and it is the battle of ORAORA and MUDAMUDA.

I knew the story, so I knew it was coming, but I was still surprised when Dio shouted "ROAD ROLLER!"

I'm very happy to hear that.[18]

ๆค›ๅณถใ•ใ‚“ใจใฎๅฏพ่ซ‡ใงใ‚‚ๅฐ‘ใ—่ฉฑใŒๅ‡บใพใ—ใŸใ‘ใฉใ€ ็ฌฌ1้ƒจใฏใƒ‡ใ‚ฃใ‚ชใ‚’ๆใใŸใ‹ใฃใŸใ‚“ใงใ™ใ‚ˆใ€‚ ใจใซใ‹ใๅฝผใ‚’ๆใใŸใ‚ใฎใ‚นใƒˆใƒผใƒชใƒผใฟใŸใ„ใชใจใ“ใ‚ใŒใ‚ใฃใฆใƒ‡ใ‚ฃใ‚ชใ‚’ใฉใ†ๅ‹•ใ‹ใ™ใ‹ใ€ ใ‚’ๅธธใซ่€ƒใˆใฆใ„ใŸๆฐ—ใŒใ—ใพใ™ใ€‚ ใ€Œ ๅ–„ใจๆ‚ชใ€ ใ€Œ ็™ฝใจ้ป’ใ€ ใฟใŸใ„ใชไธปไบบๅ…ฌใจใƒฉใ‚คใƒใƒซใฎๅฏพๆฏ”ใ‚’่ฆ‹ใ›ใ‚‹ๆผซ็”ปใซใ—ใ‚ˆใ†ใจๆ€ใฃใฆใ„ใŸใ€‚ ใใฎใŸใ‚ใซใฏๆ•ตใŒๅผทๅŠ›ใ˜ใ‚ƒใชใ„ใจ็ตถๅฏพ้ข็™ฝใใชใ„ใ‚“ใงใ™ใ‚ˆใญใ€‚ ใ ใ‹ใ‚‰ใƒ‡ใ‚ฃใ‚ชใฏใ€ ใ€Œ ใฉใ†ใ‚„ใฃใฆไธปไบบๅ…ฌใฏใ‚ณใ‚คใƒ„ใซๅ‹ใคใ‚“ใ ๏ผ ๏ผŸ ใ€ ใจ่ชญ่€…ใŒๆ€ใฃใฆใใ‚Œใ‚‹ใ‚ˆใ†ใชใ€Œ ็ฉถๆฅตใฎๆ‚ชใ€ ใซใ—ใพใ—ใŸใ€‚ ใŸใ ใ€ ่ชญ่€…ใŒใกใ‚‡ใฃใจๆ†งใ‚Œใ‚‹ใ‚ˆใ†ใช้ƒจๅˆ†ใ‚‚ๆŒใฃใŸๆ‚ชใ€ ใ€Œ ๅ…ฑๆ„Ÿใงใใ‚‹ๆ‚ชใ€ ใซใ—ใŸใ„ใจใ‚‚ๆ€ใฃใฆใพใ— ใƒ‡ใ‚ฃใ‚ชใ‚’็ฉถๆฅตใฎๆ‚ชใซใ—ใŸๅˆ†ใ€ ใใฎๅฏพๆฏ”ใจใ—ใฆใ‚ธใƒงใƒŠใ‚ตใƒณใฏ็ด”็ฒ‹ใ™ใŽใ‚‹ใใ‚‰ใ„ใฎใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใซใชใ‚Šใพใ—ใŸใญใ€‚ ใ‚ธใƒงใƒŠใ‚ตใƒณใฏไปŠใ ใฃใŸใ‚‰ใ€ ใ‚‚ใ†ใกใ‚‡ใฃใจ้•ใ†ๅ‘ณไป˜ ใ‘ใŒใงใใ‚‹ใ‚“ใ ใ‘ใฉใ€ ๅฝ“ๆ™‚ใฏๅƒ•ใ‚‚่‹ฅใ‹ใฃใŸใ‹ใ‚‰ใ€‚ ไธปไบบๅ…ฌใฎใ‚ธใƒงใƒŠใ‚ตใƒณใจใ„ใ†ๅๅ‰ใซใ€ ใใ‚“ใชใซๆทฑใ„ๆ„ๅ‘ณใฏใชใ„ใงใ™ใญใ€‚ ๅค–ๅ›ฝไบบใŒไธปไบบๅ…ฌใชใฎใงๅๅ‰ใฏใ€Œ ใจใซใ‹ใ่ชญ่€…ใŒ่ฆšใˆใ‚„ใ™ใ„ใ‚‚ใฎใซใ—ใ‚ˆใ†ใ€ ใจๆ€ใฃใฆใ„ใพใ—ใŸใ€‚ ใ€Œ ใ‚นใƒ†ใ‚ฃใƒผใƒ–ใƒณยท ใ‚นใƒ”ใƒซใƒใƒผใ‚ฐใ€ ใฟใŸใ„ใซใ€ ้ ญใง้Ÿปใ‚’่ธใ‚“ใงใ„ใ‚‹ใจๅฐ่ฑกใŒๅผทใ„ใ‚ˆใ†ใซๆ„Ÿใ˜ใŸใฎใงใ€Œ ใ‚ธใƒงใƒŠใ‚ตใƒณใ€‚ ใ‚ธใƒงใƒผใ‚นใ‚ฟใƒผใ€ ใ€‚ ไปŠใงใฏๅ—ใ‘ๅ…ฅใ‚Œใ‚‰ใ‚Œใฆใ„ใ‚‹ใ‘ใฉๅฝ“ๆ™‚ใฏๅค–ๅ›ฝไบบใŒไธปไบบๅ…ฌ ใฎๆผซ็”ปใชใ‚“ใฆๅฐ‘ใชใ‹ใฃใŸใ‹ใ‚‰ใ€ ้ฆดๆŸ“ใฟใŒใชใ„ใจใ„ใ†ใ‹้•ๅ’Œๆ„ŸใŒใ‚ใ‚Šใพใ—ใŸใ€‚ ่‡ชๅˆ†ใงใ‚‚ๆใ„ใฆใ„ใฆใ€Œ ไบบๆฐ—ใฏๅ‡บใชใ„ใ‹ใ‚‚ใชใ€ ใจใ„ใ†ๆ„่ญ˜ใ‚‚ใ‚ใ‚Šใคใคใ€ ใงใ‚‚ใ€Œ ใ“ใ†ใ„ใ†ใฎใ‚‚่ชใ‚ใฆใปใ—ใ„ใ€ ใจใ„ใ†ๆฐ—ๆŒใกใ‚‚ใ‚ใ‚Šใพใ—ใŸ ใƒ‡ใ‚ฃใ‚ชใฏใ€Ž ้ญ”ๅฐ‘ๅนดใƒ“ใƒผใƒ†ใ‚ฃใƒผใ€ ใฎไธปไบบๅ…ฌยท ใƒ“ใƒผใƒ†ใ‚ฃใƒผยท ใƒ”ใƒผใƒ†ใ‚ฃใƒผใฎ็™บๅฑ•็ณปใชใ‚“ใงใ™ใ€‚ ๅซ‰ๅฆฌใ ใจใ‹ใƒใƒณใ‚ฐใƒชใƒผ็ฒพ็ฅžใจใ„ใฃใŸไบบ้–“ใฎๆ„Ÿๆƒ…ใฎๅฝฑใฎ้ƒจๅˆ†ใ‚’ใ€ ใƒ“ใƒผใƒ†ใ‚ฃใƒผใ‚ˆใ‚Šใ‚‚ใ‚‚ใฃใจๆทฑใใ—ใŸใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใงใ™ใ€‚ ๆ‚ชๅฝนใงใ‚ใ‚‹ใƒ‡ใ‚ฃใ‚ชใ‚’ๆใ„ใฆใ„ใŸๆ™‚ใฏ่‡ชๅˆ†ใฎ็ฒพ็ฅž้ขใซใ‚‚ ๅฝฑ้Ÿฟใฏใ‚ใฃใŸใ‹ใ‚‚ใ—ใ‚Œใชใ„ใ€‚ ใ‚คใƒฉใ‚คใƒฉใ™ใ‚‹ใ‚ˆใ†ใชใ“ใจใŸใ‹ใ‚‚ใ—ใ‚Œใชใ„ใฏใชใ„ใ‚“ใ ใ‘ใฉใ€ ไพ‹ใˆใฐๆ™ฎๆฎตใฎๆšฎใ‚‰ใ—ใฎไธญใงใ‚‚ใ€ ใตใจใƒ€ใƒผใ‚ฏใชใ“ใจใ‚’่€ƒใˆใฆใ—ใพใฃใŸใ‚Šใ€ ใƒ‡ใ‚ฃใ‚ชใจๅŒใ˜่ฆ–็‚นใซใชใฃใกใ‚ƒใคใฆไบบ้–“ใ‚’ๆ˜†่™ซ่ฆณๅฏŸใ™ใ‚‹ใ‚ˆใ†ใช็›ฎใง็œบใ‚ใฆใ—ใพใฃใŸใ‚Šใ€ ใใ†ใ„ใ†ใ“ใจใฏใ‚ใฃใŸใ‹ใ‚‚ใ—ใ‚Œใชใ„ใงใ™ใญใ€‚ ใ€Ž ้ญ”ๅฐ‘ๅนดใƒ“ใƒผใƒ†ใ‚ฃใƒผใ€ ใ‚’ๆใ„ใฆใ„ใŸ้ ƒใ‚‚ใใ†ใ ใฃใŸใ‚“ใ ใ‘ใฉใ€ ็ฌฌ1้ƒจใ‚„็ฌฌ2้ƒจใฎๅฝ“ๆ™‚ใซ็›ฎๆŒ‡ใ—ใฆใ„ใŸใฎใฏๅฐ‘ๅนดๆผซ็”ปใธใฎใ‚ขใƒณใƒใฃใฆใ„ใ†ใ‹ใ€ ๅ‹ๆƒ…ยท ๅŠชๅŠ›ยท ๅ‹ๅˆฉใฃใฆใ„ใ†ใ€Œ ้€ฑๅˆŠๅฐ‘ๅนดใ‚ธใƒฃใƒณใƒ—ใ€ ๏ผˆ ไปฅไธ‹ใ€ WJ๏ผ‰ ใฎไธ–็•ŒใซๆŒ‘ๆˆฆใ—ใฆ้–‹ๆ‹“ใ—ใฆใ„ใ“ใ†ใฃใฆใ„ใ†็”Ÿๆ„ๆฐ—ใชๆฐ—ๆŒใกใ‚‚ใ‚ใ‚Šใพใ—ใŸใ€‚ ็ฌฌ2้ƒจใฎไธปไบบๅ…ฌใฎใ‚ธใƒงใ‚ปใƒ•ใจใ„ใ†ๅๅ‰ใฏใ€ ใ‚ธใƒงใƒŠใ‚ตใƒณใจๅŒใ˜ใใ€Œ ใ‚ธใƒงใ‚ธใƒงใ€ ใซใชใ‚Œใฐใ„ใ„ใฃใฆใ“ใจใ ใ‘ใงใ€ ใ“ใ‚Œใ‚‚ๆทฑใ„ๆ„ๅ‘ณใฏใชใ„ๅ‘ณ1ใ€‚3ใชใ—ใงใ™ใ€‚ ใŠ่ชฟๅญ่€…ใฎๆ€งๆ ผใฏใ€ ็”Ÿ็œŸ้ข็›ฎใ ใฃใŸใ‚ธใƒงใƒŠใ‚ตใƒณใจๅฏพๆฏ”ใ•ใ›ใŸใ‹ใ‚‰ใงใ™ใญใ€‚ ็‰ฉ่ชžใง็›ฎๆŒ‡ใ—ใŸใฎใฏใ€Œ ่ชฐใŒใ„ใกใฐใ‚“ๅผทใ„ใฎใ‹ใ€ ใ€Œ ใฉใ†ใ„ใ†ไบบ้–“ใŒๆ€–ใ„ใฎใ‹ใ€ ใ‚’ๆใใ“ใจใ€‚ ๆ•ตใŒใ€Œ ็ฉถๆฅต็”Ÿๅ‘ฝไฝ“ใ€ ใจใ„ใ†่จญๅฎšใฏใ€ ใพใ•ใซใใ“ใงใ™ใญใ€ ้ฃŸ็‰ฉ้€ฃ้Ž–ใฎ้ ‚็‚นใ€‚ ๅฝ“ๆ™‚ใฏใ€Œ ใจใซใ‹ใ่‡ชๅˆ†ใฎไฝœ้ขจใ‚’ไฝœใ‚‰ใชใใ‚ƒใ€ 11ใ‹ใใจๆ€ใฃใฆใ„ใพใ—ใŸใ€‚ ๅƒ•ใฎๅ…ˆ่ผฉใฎๆ–นใ€…1970ๅนดไปฃใฎๆœ‰ๅใชไฝœๅฎถใ•ใ‚“ใฏใ€ ็š†ใ•ใ‚“ใ”่‡ชๅˆ†ใฎไฝœ้ขจใ‚’ๆŒใฃใฆใ„ใ‚‹ใ‚“ใงใ™ใ€‚ ใใ“ใซใฏไฝ•ใ‹ๅคงไบ‹ใชๆ„ๅ‘ณใŒใ‚ใ‚‹ใ‚“ใ ใ‚ใ†ใจๆ€ใฃใฆใ„ใพใ—ใŸใ€‚ ใ ใ‹ใ‚‰่‡ชๅˆ†ใฎๆผซ็”ปใฎไบบๆฐ—ใŒใชใ„ใ‹ใ‚‰ใจใ„ใฃใฆใ€Œ ใƒ›ใƒฉใƒผใ‚’ๆใ„ใฆใ„ใŸใฎใซใ€ ๆ€ฅใซใ‚นใƒใƒผใƒ„ๆผซ็”ปใ‚„ใƒฉใƒ–ใ‚ณใƒกๆผซ็”ปใ‚’ๆใใ‚ˆใ†ใซใชใฃใกใ‚ƒใƒ€ใƒกใ ใ‚ใ†ใ€ ใจใ€‚ ใ€Œ ใใ“ใฏ็ชใ่ฉฐใ‚ใฆใ„ใ‹ใชใใ‚ƒใƒ€ใƒกใชใ‚“ใ ใ€ใ€Œ ใƒ–ใƒฌใฆใฏใ„ใ‘ใชใ„ใ€ ใจๆ€ใ†ใ‚ˆใ†ใซใชใฃใŸใ‚“ใงใ™ใใ‚Œใฏ่‡ชๅˆ†ใง่‡ชๅˆ†ใ‚’่ฟฝใ„่พผใ‚€ใ“ใจใซใชใ‚‹ใ‘ใฉใ€ ไปŠใงใ‚‚็ถšใ„ใฆใ„ใพใ™ใญใ€‚ ่กŒใ่ฉฐใพใฃใŸใ‚‰็ต‚ใ‚ใ‚Šใ‹ใ‚‚ใ—ใ‚Œใชใ„ใ€‚ โ€ฆ ใงใ‚‚้“ใฏๅฟ…ใš้–‹ใ‘ใ‚‹ใจๆ€ใˆใฐใ“ใใงใ™ใ€‚ ็ฌฌ3้ƒจใฏใ€ ็ฌฌ1้ƒจใจ็ฌฌ2้ƒจใฎไธปไบบๅ…ฌใŒๅค–ๅ›ฝไบบใง็ถšใ„ใŸ ใฎใงใ€ ๆ—ฅๆœฌไบบใซใชใฃใŸใฃใฆใ†ใฎใฏใ‚ใ‚‹ใ‹ใชใ€‚ ใงใ‚‚ๅ‘ใ‹ใ†ๅ ดๆ‰€ใฏใ‚จใ‚ธใƒ—ใƒˆใ ใ—ใ€ ไปฒ้–“ใ‚‚ๅค–ๅ›ฝไบบใŒๅคšใ‹ใฃใŸใ‚“ใงใ™ใŒ๏ผˆ ็ฌ‘๏ผ‰ ใ€‚ ไธปไบบๅ…ฌใฎๅๅ‰ใฏใ€Œ ๆ‰ฟใ€ ใฎๅญ—ใซใฏใ€Œ ๅ—ใ‘็ถ™ใใ€ ใจใ„ใ†ๆ„ๅ‘ณใŒใ‚ใฃใฆใ€ ๆœฌๅฝ“ใฏใ€Œ ใ—ใ‚‡ใ†- ใจใ„ใ†่ชญใฟๆ–นใ ใ‘jใ”ใƒŠใฉใ‰ใฉใŠๅฏบใฎๅๅ‰ใจใ‹ใงใ€Œ ใ˜ใ‚‡ใ†ใ€ ใ˜ใ‚ˆAใจ่ชญใพใ›ใ‚‹ใ“ใจใ‚‚ใ‚ใฃใŸใฎใงใ€ ใใ‚Œใซๆฑบใ‚ใพใ—ใŸใ€‚ ใ€Œ ็ฉบๆกใ€ ใฎๆ–นใฏใ€ ็ฌฌ3้ƒจใŒๅง‹ใพใ‚‹ๆ™‚ใซ้ŽŒๅ€‰ใซๅ–ๆใซ่กŒใฃใŸใ“ใจใŒใ‚ใฃใฆใ€ ้ŽŒๅ€‰ๅน•ๅบœใฎๅŸทๆจฉใ ใฃใŸใ€Œ ๅŒ—ๆกใ€ๆฐใ‹ใ‚‰ใงใ™ใญใ€‚ ใใ‚Œใงใ€Œ ใ‚ธใƒงใ‚ธใƒง=็ฉบๆกๆ‰ฟๅคช้ƒŽใ€ ใจใ—ใพใ—ใŸใ€‚

Jojoโ€™s Bizarre Adventure X Assassination Classroom

Araki Hirohiko & Matsui Yuusei

Dream talk session

A chance meeting between Matsui Yuusei, author of the popular Weekly Jump manga "Assassination classroom", and Araki Hirohiko, who has built a unique world within his "Jojo's Bizarre Adventure". During this relaxed discussion, they raise the curtain on their work methods.

Even though I look like this, I'm an outdoors type of guy (laughs). -Araki

Thank you for coming today! Matsui-sensei ate Araki-sensei's cod roe spaghetti and chicken soup. Can you give us an impression?

Matsui: Really, I'm overwhelmed by being able to eat the food an artist I look up to made. The chicken soup had a really gentle flavour and I felt it was very invigorating. The spaghetti was good too!

Araki-sensei, you said you like to cook as a divergence from your work. Are making food and making manga similar in any way?

Araki: Well, not really (laughs). However, I make both manga and food in gratitude of many things, so I guess they spring from the same source.

You just ate together. Do you do anything special to keep up your health, and what are your favorite foods?

Matsui: I just eat stuff I buy at the convenience store. I take nutritional supplements and go out to eat some proper food every now and then, so I really donโ€™t fuss over my health much yet.

Araki: I donโ€™t eat anything after 6pm. I eat whatever I like in the morning and afternoon, but I donโ€™t eat anything in the evening. If you eat while working in the evenings, youโ€™ll definitely get fat. If you get fat, you wonโ€™t want to move and youโ€™ll fall into a downwards spiral, so Iโ€™m careful about my health.

Matsui: Youโ€™re still very slim. Do you exercise regularly?

Araki: I do.

Matsui: When did you start?

Araki: I think that when people hit their 40s, theyโ€™ll want to take up running because theyโ€™re tense about their health. I used to like diving and mountaineering, so from there I started running. I actually like exercising. Even though I look like this, Iโ€™m an outdoors type of guy (laughs).

Matsui: I didnโ€™t mind exercise before I started Assassination Classroom, but as soon as the serialisation started, my will to exercise disappeared. Moreover, I feel like muscles get in the way when Iโ€™m just sitting and letting my mind work at full force, so it canโ€™t be helped. To draw manga you just need your head and hands. Anything else is unnecessary. Although I do think I should keep up my stamina while doing a serialisation, so itโ€™d be bad if I kept going like this.

Mangaka can take a break whenever they want, but they donโ€™t get any holidays. โ€“Matsui'

Photo caption: Jojo has moved to Ultra Jump since Steel Ball Run. Araki-sensei is currently working on Jojolion, but he says the current amount of pages matches his personal rhythm better.

How do you two gather data and materials?

Matsui: Iโ€™ve been relying on the internet a lot recently.

Araki: For me itโ€™s still books. However, I have to buy them at a physical bookstore, or it wonโ€™t work. I want to choose a book from a bookstore that I like.

Matsui: Where do you buy them normally?

Araki: In Shinjuku or Aoyama. If I go there Iโ€™ll know whatโ€™s popular, or what the staff recommends. I want to see those things. If I look online Iโ€™ll just see the things I like. Without realising Iโ€™ll only look for the things I like, so bookstores and CD shops in which I can see what others recommend are an indispensable source of information for me.

Iโ€™d like to ask about your weekly schedules and how you work. Araki-sensei, has your work pace changed since you moved from Weekly Jump to Ultra Jump?

Araki: Weekly Jump was 19 pages per week, but that rhythm didnโ€™t work for me. I really wanted to draw 21 pages per week. Since Iโ€™ve gone to Ultra Jump itโ€™s become 45 pages per month. This matches my natural work rhythm better, so I can draw comfortably every month.

Matsui: Thatโ€™s unusual! For me, 19 pages per week is a bit too much. Bringing that to 21 pages evenโ€ฆ doesnโ€™t it become a bit demanding? (laughs)

Araki: Thatโ€™s true. But for Jojo I want the decisive panels to be big, so the page count goes up anyway.

Matsui: Thatโ€™s typical of Jojo. If you put in โ€œgogogogoโ€ leading up to the decisive panelsโ€ฆ. Youโ€™d have 21 pages very quickly.

Araki: Perhaps, yes. But what do you do when your name* ends at 17 pages? (*t/n: A name is a manga manuscript)

Matsui: Itโ€™s not that hard to increase the amount. If Iโ€™m 2 pages short Iโ€™ll consult with my editor. Heโ€™ll generally say something like โ€œletโ€™s add these elementsโ€, and when I incorporate those it usually turns out fine. Thatโ€™s the easiest way.

Araki: I see.

Matsui: On the other hand, itโ€™s much harder to take things out of the material Iโ€™ve already got. I take care not to waste too much time on that. Iโ€™ve already got my hands full just trying to get it done every week. How did you manage when you worked weekly?

Araki: On Sunday Iโ€™d do the name. On Monday I got that checked by my editor, and from Tuesday to Thursday Iโ€™d draw with the assistants. On Thursday weโ€™d also discuss the next chapter. Friday and Saturday were my days off.

Matsui: What an ideal week. For veterans like you or Akimoto-sensei* itโ€™s okay, but thereโ€™s no one of my age that can pull that off.

  • 1โ€ฆ Akimoto Osamu, the creator of Weekly Jumpโ€™s longest running manga, Kochikame. Heโ€™s looked up to by other mangaka for thoroughly keeping to his schedule and never missing a deadline in over 40 years of serialisation.

Photo caption: Matsui-sensei is giving his all for Assassination Classroom. He doesnโ€™t have time to take a holiday at this point.

Araki: What does your weekly schedule look like?

Matsui: 3 days for the name, 2 days for the sketches. Finishing up with the assistants also takes 2 days. Recently Iโ€™ve changed this to 4 days for the name, 1 day for the sketches and 2 days for finishing up with the assistants. There isnโ€™t a day where I can take the whole day off. However, I think the 4 days I take for the name do include breaks of some kind. Mangaka can take a break whenever they want, but they donโ€™t get any holidays. If you have some free time, you have to use every spare moment to make your story more interesting. Itโ€™s hard to take a proper holiday. In that sense, you veterans are good at relaxing. The better you get at work, the better you get at play.

Araki: Fujiko A-sensei* is amazing. I think itโ€™s something personal, that exceeds technique, which brings forth that sort of appeal to a manga.

  • 2โ€ฆA veteran mangaka famous for works such as Pro Golfer Saru and The Laughing Salaryman. Also famous for associating with a wide variety of people, such as the actress Rie Miyazawa and the singer Inoshita Yousui.

Matsui: In my own generation there arenโ€™t that many people that can relax like that. Myself especially, I canโ€™t even say I have a hobby of any kind. That unrelenting energy and willpower, staying active as a mangaka until your 60sโ€ฆ. I canโ€™t imagine it. Last year was Jojoโ€™s 25th year, but you donโ€™t draw it thinking โ€œI should keep goingโ€ or anything do you?

Araki: I donโ€™t.

Matsui: Your body moves naturally?

Araki: No. But 30 years pass in no time at all, you know. And I have examples like A-sensei and Akimoto-sensei.

Matsui: To me, youโ€™re a great example as well!

Araki: Thank you. Iโ€™m already 53, but I think I should try to keep going until Iโ€™m about 60. I think you should take it easy and focus on making your current work interesting!

Next, Iโ€™d like to hear about your works. Iโ€™d like to talk about Jojoโ€™s Bizarre Adventure first. How was it when your serialisation first started a quarter century ago?

Araki: When I debuted in the 80โ€™s, Jump was full of people that emitted this intense power. I debuted amongst that, so in order to survive I had to emit a power strong enough to stand up to them. In other words, I had to show my own style. When I started Jojo, I think I finally managed to show something like that. I finally found my own direction. In the 7โ€“8 years before that, I kept wandering, struggling to find my originality, my colour. Those were my twenties.

Matsui: But from our point of view, the works you made before that, like โ€œMagic Boy B.T.โ€ and โ€œBaohโ€, are pretty distinct as well! No matter how you look at it, itโ€™s Araki-ism.

Araki: Back then, I used to draw while looking at Shirato-senseiโ€™s* works. I moved my pen, wondering what to do.

  • 1โ€ฆOne of the pioneers of the โ€œnarrative comicโ€ genre of manga in the 1960โ€™s. He gained fame with his ninja works such as โ€œSasukeโ€, and managed to draw adults to manga with the philosophical elements of โ€œThe Legend of Kamuiโ€.

Matsui: I get that. To me, you were my Shirato-sensei. When I was young, I tried really hard to get rid of your influence. I think Iโ€™ve finally managed to shed all of it recently.

Araki: โ€˜Hidingโ€™ those things means youโ€™ve finally found your own sense of direction. You can clearly draw whatever it is that you want to draw. You canโ€™t have any doubts there.

Matsui: Thatโ€™s right. But I think itโ€™s too late to escape things I already know. For instance, if an enemy is slowly following someone and itโ€™d be good to put in โ€œgogogogogoโ€, I think to myself โ€œIf you put it in, you loseโ€, but I still end up putting it in. Itโ€™s like that. I mean to put in something original, but then when I look back at it later I often think โ€œThis was influenced by that workโ€.

Araki: For me, itโ€™s the main charactersโ€™ thick eyebrows. It took me 10 years to get those thick boyโ€™s magazine-style eyebrows back to thin eyebrows. Truth be told, I just canโ€™t do it because thin eyebrows gross me out. Maybe itโ€™s just bias, but without realising, this influence became deeply ingrained within me.

Matsui: Jotaro had some pretty thick ones too.

Araki: Yes. A supporting character like Kakyoin can have thin eyebrows, but for a main character like Jotaro I just canโ€™t make them thin.

Matsui: Back then, there was that kind of formula where characters with thin eyebrows had weak emotions, so they were supporting characters.

Araki: But when youโ€™re trying to follow your own path, you should break away from those formulas.

Matsui: Thatโ€™s true! By the way, how old were you when you started Jojo?

Araki: I was about 26-27. You see, people who were at the top like Yudetamago-sensei* and Takahashi Youichi-sensei*already found their style in their teens. So I was really fretting. At the time it gave me a serious complex.

  • 2โ€ฆA famous manga duo known for the superhuman pro wrestling comic โ€œKinnikumanโ€. You can still read new episodes of Kinnikuman in Weekly Playboy Webcomic!
  • 3โ€ฆThe mangaka of the immortal soccer manga โ€œCaptain Tsubasaโ€. His works gave rise to an immense soccer boom amongst primary school kids, and has influenced many J-leaguers and world-famous soccer players.

Matsui: Nowadays people are quite premature. I was quite late as well, debuting at 25, so I was pretty frantic until I became 30.

I think that even amongst all those other manga, Jojo is a particularly ambitious work. โ€“ Matsui.

Araki: Have you ever had your manuscript rejected by an editor before?

Matsui: Actually, itโ€™s only been small comments like adjusting the dialogue in one panel. I havenโ€™t really had any rejection, so I can say Iโ€™ve been allowed to draw freely. Whatโ€™s rejection like?

Araki: I was once made to redraw all 19 pages! Thatโ€™s how it was back then. New mangaka all had to undergo this kind of baptism. If you said โ€œI only have two days left, do I really have to redraw everything?โ€ they just replied with โ€œKurumada-sensei* does it tooโ€.

  • 4โ€ฆKurumada Masami-sensei of โ€œKojirou of the Fuumaโ€ and โ€œSaint Seiyaโ€ fame. One of Weekly Jumpโ€™s top runners, churning out hit series since the 70โ€™s.

Matsui: Thatโ€™s unfair! In those 2 precious days you could have thought of some valuable topics.

Araki: However, if I look back at it, my drawings were really kind of unstable. The faces on the first and last page are a little different.

Matsui: Couldnโ€™t you have tried getting really angry to see if your editor would give in? (laughs)

Everyone bursts out laughing.

Araki: I tried to protest, but it was futile. Even my popular seniors redrew their work if the editor demanded it. A beginner like me had no margin to object, so I resigned to redrawing.

Matsui: Back then they had that style of training where rookies were burdened both mentally and physically.

Araki: Thatโ€™s right. Something like the Showa* style. In any case, it was ridiculous! (laughs) (*t/n: Showa is the historical period lasting from 1926 to 1986)

Matsui: I think that these days the editors donโ€™t need to test them that much, since there are a lot of people who will draw without complaining or fighting. Even though itโ€™s the same Weekly Jump, it really changes with the times.

Araki: Though I think the passion to bring interesting manga to the readers hasnโ€™t changed.

Matsui: Thatโ€™s right. I agree!

Matsui-sensei, you think that Jojo is the greatest masterpiece in history when it comes to drawing grotesque things. But what do you think is so greatly grotesque about Jojo?

Matsui: A lot of the grotesque things are in plain view, and itโ€™s not as if these things can just be healed again. Thatโ€™s impossible in other manga!

Araki: Thatโ€™s why I got a lot of rejections. I couldnโ€™t show erotica either. Even if I used stands to portray things, it was all rejected.

Matsui: I think they allowed a lot more than in other works though.

Araki: Well, there were many unprecedented things in Jojo, so the hurdle was pretty low. Still, there were a lot of topics that got rejected.

Matsui: Wow! Iโ€™m really curious!! But Iโ€™m sure theyโ€™re kind of embarrassing to say.

Araki: Yes (laughs).

Matsui: I think that even amongst all those other manga, Jojo is a particularly ambitious work. Iโ€™m really interested in the things you thought up that were too ambitious for your editor to understand. I wanted to see those things. Itโ€™s a real pityโ€ฆโ€ฆ Ah, I also get the feeling that youโ€™re alternating between drawing Jojo in a small and a large world setting. Were you aiming for that?

Araki: Maybe I was, yes. Thank you for noticing. When youโ€™ve drawn a small world for a long time, donโ€™t you feel like travelling? Iโ€™m just repeating that process.

Matsui: So Morioh, which also appears in Jojolion, is an example of that too?

Photo caption: In Sendai, which stood model for Morioh, there have been many collaborations, like celebrating Jojo's 25th anniversary with an exhibition last year.

Araki: Yes. I used my hometown of Sendai in Miyagi prefecture as a model for Morioh. I made it into a fictional place because I thought they might complain, but they were really happy I used it. I thought โ€œThe times sure have changedโ€.

Matsui: I was actually pretty surprised you drew such a familiar world for your manga.

Araki: Someone told me โ€œI was surprised to see you do something Japaneseโ€. Is it that surprising?

Matsui: Yes. Even when Morioh first appeared in part 4, it still had something foreign.

Araki: But in my personal life I donโ€™t really get out of the neighbourhood I live in. Before I drew part 5 I went to Italy every year though. Recently I havenโ€™t gone out of the country for anything non-work related.

Jojo is currently up to part 8, but what has been the main cause for you to continue for over 25 years?

Araki: Itโ€™s accidental. I didnโ€™t plan for it to be like this, nor did I expect it. I donโ€™t even know what will happen next year.

Last time you said you wanted to continue drawing until you were 60, but what part is Jojo up to by then?

Araki: Iโ€™m really not thinking about that! Iโ€™m just giving Jojolion my all right now. Weโ€™ll know when we get there, wonโ€™t we (laughs).

Matsui: That reminds meโ€ฆ.. you like zombie movies and horror-type things donโ€™t you?

Araki: I love all zombie movies, from the masterpieces to the absolutely terrible ones.

Matsui: I really donโ€™t have a hobby, so Iโ€™d like to have one. I donโ€™t really like gaming either. If I had to say anything, itโ€™d probably just be eating good food.

Araki: You donโ€™t watch horror movies?

Matsui: I watch some every now and then, but I canโ€™t say I watch them all or anything. Iโ€™m the type of person who decides what to use from a small number of good and bad movies, rather than learn from watching a lot of them.

Araki: Ah, I seeโ€ฆ.. I thought you must be a horror movie fan too though.

Matsui: Well, itโ€™s true that I love horror movies. Jojo is like horror movies in that at a glance, it seems to be in a genre that people would avoid, but is loved by everyone anyway and does really well.

Araki: Youโ€™re too kind. But itโ€™s good to be perverse too! Itโ€™s fine to be perverse as long as you keep it limited. If you get serious about it no one will like you.

Matsui: Yes. If it doesnโ€™t have some kind of charm about it, people wonโ€™t like it in the end. Even the most inhumane character should have some kind of charm point. In that sense, donโ€™t you think zombies are super charming?

Araki: Exactly! Zombie movies are really great. I think thereโ€™s something wrong with people who say โ€œI canโ€™t watch zombie movies because theyโ€™re scaryโ€, even though they havenโ€™t watched any (laughs). But Iโ€™ll go on forever if we keep talking about zombie movies, so letโ€™s end it here.

Everyone bursts out laughing.

Araki: Weโ€™d need 2 hours if we had this conversation, so letโ€™s talk about zombie movies another time.

As long as the starting point is controversial, itโ€™s fine to be moral afterwards. -Matsui

Photo caption: Korosensei has many tentacles. The gap between his striking appearance and his personality as a humorous, ideal teacher has been reflected in the story since its beginning.

Araki-sensei, Iโ€™d like to hear your thoughts on Assassination Classroom.

Araki: It deals with a pretty risky theme, so if it was handled wrong thereโ€™d be a lot of complaints. Within that theme youโ€™ve managed to draw about things like school life and friendship, while still keeping morality in mind. It thought that was splendid.

Matsui: I always take great care in making sure no one will copy the actions in my work. For that reason I also needed to create a teacher that isnโ€™t human. The students also use fake knives for their assassinations, so Iโ€™m really careful.

Araki: I see. But that edge is what makes it charming. The title, โ€œAssassination Classroomโ€, is pretty controversial too.

Matsui: Itโ€™s just that though. I make the start controversial and then play it safe on the rest.

Araki: But having โ€œassassinationโ€ as a theme is still pretty controversial.

Matsui: Thank you! That reminds me. In Jojo, people would slip in the bath and look up at the ceilingโ€ฆ...at which point the battle starts. I donโ€™t think thereโ€™s anyone else but you who could turn such an every-day scene into a dramatic, tense battle.

Araki: Thatโ€™s thanks to working for Weekly Jump all those years. You simply have to draw battles. Thatโ€™s a very unique working culture, isnโ€™t it? But itโ€™s also a curse thatโ€™s quite hard to get rid of.

Matsui: It makes me want to see you draw something that isnโ€™t about battles. What would it be like if you drew a genuine story manga?

Araki: Wouldnโ€™t that be pretty boring? (laughs) In the end, I think battles are the foundation of manga. Thereโ€™s a main character, a villain and friends. I think my themes are pretty conventional, such as โ€œGood and Evilโ€ or โ€œConflictโ€. But even if you make it romance or gags, isnโ€™t everything a battle in the end? Whether youโ€™re deciding to have curry or ramen for lunch; every choice you make is a form of battle.

Matsui: I see! Iโ€™m also pretty conscious of what kinds of characters would appeal to kids these days. The kids niche might change and all. Maybe I dealt with it the wrong way, but when I drew this pretty bad character getting beaten up, some people still disapproved of that, even though I got a lot of votes*. (*t/n: The popularity of manga in WJ is decided by a system of voting through a survey card that is attached in the magazine every week. You pick your three favourite manga of that week and send it in.)

Araki: So you should have let them reconcile.

Matsui: No matter how bad the character is, if you just beat them up itโ€™ll end up leaving a bad taste.

Araki: In Jojo theyโ€™re just beyond recovery though. When I think โ€œI donโ€™t need these guys anymoreโ€.

Everyone bursts out laughing.

Matsui: โ€œThey put me through all that, so I can have my revengeโ€, right? Iโ€™m jealous that your unique worldview is so accepted by the readers.

I think Assassination Classroomโ€™s story will progress rapidly from here on out, but will we be seeing any new characters?

Photo caption: The students keep developing through their time with Korosensei. The story will expand even further in the second semester!!

Matsui: I had a very solid structure for the first semester. Introducing the characters, introducing the world setting. By now I think everyone will remember the studentsโ€™ names and faces, so I want to gradually expand the story through the second semester. Iโ€™m thinking I could show the kids using their assassination skills in the outside world a bit more.

We look forward to future developments! Finally, if you could give each other some words of encouragement, as well as a message to the Jump Live readers?

Matsui: I couldnโ€™t say everything because I was so nervous, but since middle school, Jojo has been part of my youth. I canโ€™t put it all in one word, but if I must say something itโ€™sโ€ฆ.. I love it!!

Araki: I donโ€™t get many chances to meet artists from the new generation, so I was really glad to be able to do this. Iโ€™m honoured to have been asked for this and Iโ€™m grateful we were able to have such a deep conversation. This time it was a video and a discussion, but next time Iโ€™d like to draw manga too. Thank you for everything today.

Matsui: Aw, youโ€™ve said everything already.

Everyone bursts out laughing.

Matsui: Assassination Classroom is contributing to Jump Live in various ways, like mini-games and special drawings. Korosensei has a pretty simple form, so itโ€™s easy to make him appear in all sorts of things. Iโ€™d like to have him use that light footwork and appear in Jump Live again sometime, so please keep supporting us!

And just like that, this bizarre special discussion comes to an end! Look forward to Araki-sensei and Matsui-senseiโ€™s further activities![19]

๏ผˆใ€Žใ‚ขใƒ‹ใƒกใƒผใ‚ธใƒฅใ€2016ๅนด11ๆœˆๅท่จ˜ไบ‹ใ‚ˆใ‚Š๏ผ‰ ใ€Œ้‡ใกใƒผใฎๅพŒใ‚ใฎๅ„„ๆณฐใจ้–“็”ฐใฏใ€ไธ€ๅฟœใ‚ปใƒชใƒ•ใ‚‚ๆฑบใ‚ใฆ่Šๅฑ…ใ•ใ›ใฆใ„ใพใ™ใ€‚ใ€ŒใŠๅ‰ใพใŸ้ณฉใจใ‹ๆฎบใ™ใ‚“ใ˜ใ‚ƒใ‚ใญใƒผใžใ€ใ€Œใใ‚“ใชใ“ใจใ‚„ใ‚‰ใชใ„ใ‚ˆ๏ผใ€ใฟใŸใ„ใช๏ผˆ็ฌ‘๏ผ‰ใ€‚
3ไบบใฎ็™ปไธ‹ๆ กใ‚‚ใ€ๅฏ†ใ‹ใซๅฅณใฎๅญๅฅฝใใชๅ„„ๆณฐใฏใ€Œๅฏๆ„›ใ„ๅญใ„ใชใ„ใ‹ใชใ€ใ€ไป—ๅŠฉใจๅบทไธ€ใฏใ€Œใ‚ใฎใ‚ขใ‚คใ‚นใ‚ฏใƒชใƒผใƒ ๅฑ‹ใงๆ–ฐไฝœๅ‡บใŸใ‹ใ‚‰่ฒทใ„ใซ่กŒใ“ใ†ใœใ€ใใ‚‰ใ„ใฎๆ„Ÿใ˜ใงใ™ใ€‚ใ€ ใ€Œๅคช้™ฝใฎใ‚ฌใ‚ธใ‚งใƒƒใƒˆใฏใ€ใ‚ธใƒงใƒŠใ‚ตใƒณใ‚’่ฑกๅพดใ•ใ›ใฆใ„ใพใ™ใ€‚
OP๏ผ’ใงใ‚‚ๆœฌๅฝ“ใฏใ‚ธใƒงใƒŠใ‚ตใƒณใ‚’ๅ‡บใ—ใŸใ‹ใฃใŸใ‚“ใงใ™ใŒใ€ใƒ€ใƒกใจ่จ€ใ‚ใ‚ŒใŸใฎใงๅคช้™ฝใซใ—ใฆใ—ใพใˆใฐOKใ‹ใชใจ๏ผˆ็ฌ‘๏ผ‰ใ€‚ใ€ Other Notes: ใ‚ฝใ‚จใ‚ธใƒžใƒคใ‚นใƒ•ใƒŸใ•ใ‚“ใฎ่งฃ่ชฌใซใฏใ€ใ“ใฎไป–ใซใ‚‚ใ€OP๏ผ’ใฏใ€Žใ‚นใ‚ฟใƒผใ‚ฆใ‚ฉใƒผใ‚บ๏ผๅธๅ›ฝใฎ้€†่ฅฒใ€ใฟใŸใ„ใชๆฐ—ๆŒใกใงไฝœใฃใฆใ„ใŸใฎใซๅฏพใ—ใ€OP3ใฏใ€Žใ‚ธใ‚งใƒ€ใ‚คใฎๅธฐ้‚„ใ€ใฎใ‚ˆใ†ใชไฝ็ฝฎใฅใ‘ใงใ‚ใ‚‹ใชใฉใ€ใƒ‡ใ‚ฃใƒปใƒขใƒผใƒซใƒˆ่ˆˆๅ‘ณๆทฑใ„ๆƒ…ๅ ฑใŒใ€ŒใŸใฃใทใ‚Š๏ผใ€่ชžใ‚‰ใ‚Œใฆใ„ใ‚‹ใ€‚ใพใŸใ€ไปŠๆœˆๅทใฏใƒšใƒผใ‚ธๅพŒๅŠใฎ่ตค้ป’2่‰ฒใ‚ซใƒฉใƒผใƒšใƒผใ‚ธใซใ‚‚ใ€ไป—ๅŠฉใ‹ใ‚‰่พปๅฝฉใ€ๅ‰่‰ฏๅ‰ๅฝฑใพใงใฎใ€Œใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผ่จญๅฎš่ณ‡ๆ–™ใƒ•ใ‚กใ‚คใƒซใ€ใŒ6ใƒšใƒผใ‚ธใซๆธกใฃใฆๆŽฒ่ผ‰ใ•ใ‚Œใฆใ„ใ‚‹ใฎใงใ€TVใ‚ขใƒ‹ใƒกใ€Žใ‚ธใƒงใ‚ธใƒงใ€ใซ่ˆˆๅ‘ณใฎใ‚ใ‚‹ๆ–นใฏ้›‘่ชŒใฎๆ–นใงใœใฒใƒใ‚งใƒƒใ‚ฏใ—ใ‚ˆใ†ใ€‚[20]

Savage Garden: Darren Stanley Hayes

Had you heard of this manga "JoJo's Bizarre Adventure" before? If yes, please tell us how you came to know of it.

I was aware that JoJo's was considered to be the coolest anime in Japan. I have many friends who love comics, anime and the show but I admit I had never watched it before! When the request came through, I did of course watch some episodes and I immediately knew the show was lovingly made and clearly adored by millions.

What did you think of your hit "I Want You" being chosen as the ending theme for the TV anime of "JoJo's Bizarre Adventure?"

I was very touched by the fact that the creator of the show had been fond of the song "I Want You" and 'Savage Garden'. When I confirmed the news on twitter, my timeline literally blew up and I was swamped with kind messages of support and welcome from the JoJo community. The last thing I wanted was for fans of the show to think the song didn't fit or wasn't appropriate. So to see the positive response, I felt very grateful.

The Part 4 episodes of "JoJo's Bizarre Adventure" (currently aired in Japan) are set in the year 1999, fairly close to the time "I Want You" first became an international hit. Can you share some memories from around that time?

1996 to 2002 was a roller coaster. In the music industry, this was a time of great excess. The entire Savage Garden period was part of a golden time in music where sales were thriving, music videos were high budget and extravagant and I loved very single minute of it. The fashion, the experimentation and the excitement of radio back then was so electric. I am proud to have been part of that period.

There's been an increased buzz for Savage Garden now that people are hearing "I Want You" on the broadcast of the latest "JoJo's Bizarre Adventure: Diamond is Unbreakable." What is your impression of the reaction from fans?

It's a privilege to reconnect with older fans and meet new fans who were just children when Savage Garden songs were on the radio. I'm meeting fans in their 20's who remember buying our music as their first album. Especially in Japan, the reaction to Savage Garden in the 90's was very special to me. I remember playing some incredible shows to the most gracious and enthusiastic audiences. I still remember my Japanese fans to this day.

The creator of the JoJo series has been a long time fan of Savage Garden and he is thrilled to have "I Want You" on his latest anime series. Any thoughts on the loyalty of your fans and it leading to your track being reintroduced in a brand-new anime project?

I'm just very appreciative that the music has occuppied a very special place in people's lives. I absolutely love the repackaged cover of the album featuring JoJo artwork - it's incredibly cool! Such an honor.

Please give us a message for our Japanese fans.

Thank you for remembering me, our band and our music. My time in Japan was amongst the most magical of my adventures in the music industry. I have fond memories of cheery blossoms, tiny Starbucks cups, incredibly thoughtful gifts, amazing food and an outpouring of love. I love Japan and our Japanese fans and I always will.[21]

Onoโ€™s first encounter with Jojoโ€™s came in middle school, when Part 3 of the manga -- Stardust Crusaders -- was running. It wasnโ€™t until he went off to college, however, that he realized just how powerful Jojoโ€™s truly was. โ€œI had a lot of free time as a college student, and I ended up getting totally sucked into Jojoโ€™s, to the point where I spent what little money I had on the whole series up that point. And then during the course of my going to school, as I read it over and over again, I realized everything I needed to live my life was in that comic.โ€ A big part of that realization was the rather adult nature of Jojoโ€™s, which mixes horror and suspense elements in a bid to live up to the Bizarre part of its title, and, at least according to Ono, became even more satisfying when viewed through the eyes of an adult. โ€œAs I started to understand the little subtleties and quirks of life, as I experienced doubt, confusion and frustration and accumulated life experience, I found more and more things in Jojoโ€™s that resonated and stayed with me,โ€ Ono said. Ultimately, Jojoโ€™s was part of the reason he decided to enter the world of broadcasting, and part of how he found success. Ono found himself frustrated with weak communication skills, unable to get others interested in what he had to offer professionally, and floundering in general. It was during this period of his life that he encountered Jojoโ€™s again, discovered a love for radio, and met common friends who would shape the rest of his life. โ€œThe people I work with, my closest friends and acquaintances who I see on a daily basis, are all huge Jojoโ€™s fans. In a way, reading Jojoโ€™s pointed the way forward during the time of my life when I most felt frustrated and unsure of what to do next.โ€ An inspiring story, but how did he feel about getting the chance to play Jotaro Kujo, one of the most iconic characters in manga and anime history? โ€œWell, Jotaroโ€™s a representative character of the series, and from the part that I think most people are aware of in general, so I felt a lot of pressure at first, followed by more pressure, culminating inโ€ฆ really, it was just all pressure.โ€ There were also a few questions asked about the audition process for the Jojoโ€™s Bizarre Adventure: All Star Battle video game, which Ono also played Jotaro in. As is often the case in these kinds of situations, the audition process for the Stardust Crusaders TV series was completely separate from that of the game, and Ono found himself having to re-audition for Jotaro all the way from square one. It all ended up working out in the end, though. โ€œJotaro is a character whoโ€™s cool and collected and on the verge of boiling over all at the same time. He takes those two contradictory elements and makes them work together at a high level,โ€ Ono said. โ€œHeโ€™s a guy whoโ€™s cool on the surface, but deep down inside heโ€™s white-hot.โ€[22] ใ€Žใ‚ธใƒงใ‚ธใƒงใฎๅฅ‡ๅฆ™ใชๅ†’้™บ ใ‚นใ‚ฟใƒผใƒ€ใ‚นใƒˆใ‚ฏใƒซใ‚ปใ‚คใƒ€ใƒผใ‚นใ€ / http://jojo-animation.com/ โ– ใ€€็”Ÿใใฆใ„ใไธญใง่‡ชๅˆ†ใซๅฟ…่ฆใช่ฆ็ด ใŒๅ…จใฆใ“ใฎไฝœๅ“ใซๅ…ฅใฃใฆใ„ใ‚‹ โ€•ใ‚ขใƒ‹ใƒก๏ผใ‚ขใƒ‹ใƒก๏ผ๏ผˆไปฅไธ‹ใ€AA๏ผ‰ ใพใšใ€ใ‚ธใƒงใ‚ธใƒงใซๅˆใ‚ใฆๅ‡บไผšใฃใŸใฎใฏใ„ใคใงใ—ใ‚‡ใ†ใ‹๏ผŸ โ€•ๅฐ้‡Žๅคง่ผ”ใ•ใ‚“๏ผˆไปฅไธ‹ใ€ๅฐ้‡Ž๏ผ‰ ๅฐๅญฆ็”Ÿใฎๆ™‚ใ€็ฌฌ3้ƒจใ‚’ใ‚„ใฃใฆใ„ใŸ่พบใ‚ŠใŒๆœ€ๅˆใฎ้‚‚้€…ใ ใฃใŸใจๆ€ใ„ใพใ™ใ€‚ใใฎใ‚ใจใฏๅคงๅญฆใธๅ…ฅใฃใฆไธŠไบฌใ—ใฆใ‹ใ‚‰ใ€็ฌฌ5้ƒจใ‚’้€ฃ่ผ‰ใ—ใฆใ„ใ‚‹่พบใ‚Šใงใ™ใ€‚ ๅคงๅญฆๆ™‚ไปฃใชใฎใงใจใซใ‹ใๆ™‚้–“ใซไฝ™่ฃ•ใŒใ‚ใ‚‹ใ‚ใ‘ใงใ™ใ‚ˆใญใ€‚ใƒ‰ใƒใƒžใ‚Šใ—ใฆใ€ใชใ‘ใชใ—ใฎใŠ้‡‘ใงๅ…จๅทป่ฒทใ„ใพใ—ใŸ๏ผˆ็ฌ‘๏ผ‰ใ€‚ๅคงๅญฆ็”Ÿๆดปใ‚’้€ใ‚ŠใชใŒใ‚‰ใ€Œ็”Ÿใใฆใ„ใไธญใง่‡ชๅˆ†ใซๅฟ…่ฆใช่ฆ็ด ใŒๅ…จใฆใ“ใฎไฝœๅ“ใซๅ…ฅใฃใฆใ„ใ‚‹ใ€ใจๆ€ใฃใฆไฝ•ๅ›žใ‚‚่ชญใฟ่ฟ”ใ—ใฆใพใ—ใŸใ€‚ โ€•AA ๅฐๅญฆๆ กใงใฎๅ‡บไผšใ„ใ‹ใ‚‰ใ€ๅคงๅญฆใพใงใฏ้–“ใŒ็ฉบใใ‚“ใงใ™ใญใ€‚ โ€•ๅฐ้‡Ž ๅฐใ€ไธญๅญฆ็”Ÿใฎๆ™‚ๆœŸใฏใ€ใ‚ตใ‚นใƒšใƒณใ‚น่ฆ็ด ใ‚‚ใƒ›ใƒฉใƒผ่ฆ็ด ใ‚‚ๅ…ฅใฃใฆใ„ใ‚‹ๆ–‡ๅญ—้€šใ‚Šใ€Œๅฅ‡ๅฆ™ใชใ€ไฝœๅ“ใ€ใ‚ธใƒฃใƒณใƒ—ใฎไธญใงใ‚‚ๅคงไบบใณใŸไฝœๅ“ใ ใฃใŸใฎใงใƒใƒžใ‚‹ใพใงใฏ่กŒใ‹ใชใ‹ใฃใŸใ‚“ใงใ™ใ€‚ๅคงๅญฆๆ™‚ไปฃใซใ„ใ‚ใ‚“ใชไบบ็”ŸใฎๆฉŸๅพฎใŒใ‚ใ‹ใ‚Šๅง‹ใ‚ใฆใ€่‡ชๅˆ†ใŒใ‚„ใฃใฆใ„ใ‚‹ใ“ใจใซ็–‘ๅ•ใ‚’ๆŠฑใ„ใŸใ‚Šใ€้“ใซ่ฟทใฃใŸใ‚ŠๆŒซๆŠ˜ใ—ใŸใ‚Šใจไบบ็”Ÿ็ตŒ้จ“ใŒๅคšใใชใ‚Œใฐใชใ‚‹ใปใฉใ€ใ‚ธใƒงใ‚ธใƒงใ‹ใ‚‰ๅ—ใ‘ใจใ‚‹ใ‚‚ใฎใ€้Ÿฟใใ‚‚ใฎใŒใฉใ‚“ใฉใ‚“ๅข—ใˆใฆใ„ใฃใฆใ€‚ใ“ใ‚Œใฏใ‚‚ใ—ใ‹ใ—ใŸใ‚‰ใจใ‚“ใงใ‚‚ใชใใ™ใฐใ‚‰ใ—ใ„ไฝœๅ“ใ‚’่ฆ‹้€ƒใ—ใฆใ„ใŸใฎใงใฏใชใ„ใ‹ใจใ€ใ‚„ใฃใจใใ“ใงๆฐ—ใฅใ„ใŸใ‚“ใงใ—ใ‚‡ใ†ใญใ€‚ โ€•AA ใใฎ่พบใ‚Šใงใ€ใ”่‡ช่บซใซ่ปขๆฉŸใŒ่จชใ‚ŒใŸใจใ„ใ†ใ“ใจใงใ™ใ‹๏ผŸ โ€•ๅฐ้‡Ž ไธญๅญฆใ€้ซ˜ๆ กๆ™‚ไปฃใฏ่‡ชๅˆ†ใŒๅฐ†ๆฅไฝ•ใซใชใ‚ŠใŸใ„ใ‹ใ€ใ‹ใฃใกใ‚Šๆฑบใ‚ใฆใ‚‹ไบบใฏใชใ‹ใชใ‹ใ„ใชใ„ใจๆ€ใ„ใพใ™ใ€‚่‡ชๅˆ†ใ‚‚ใ€Œๅคงๅญฆใซ่กŒใฃใฆๆ”พ้€ใฎใ“ใจใ‚’ๅ‹‰ๅผทใ—ใฆๆ”พ้€ๆฅญ็•Œใซใชใ‚“ใจใชใ้–ขใ‚ใ‚ŠใŸใ„ใ€ใฃใฆใ„ใ†ใ“ใจใ—ใ‹ๆฑบใ‚ใฆใ„ใพใ›ใ‚“ใงใ—ใŸใ€‚ fd โ€•AA ๆ—ฅๆœฌๅคงๅญฆ่Šธ่ก“ๅญฆ้ƒจใซ้€ฒๅญฆใ•ใ‚Œใฆใ„ใพใ™ใ€‚ โ€•ๅฐ้‡Ž ใใ†ใงใ™ใ€‚ใŸใ ใ€ๅ…ฅใฃใฆใ‹ใ‚‰ใ€Œ่‡ชๅˆ†ใฏไบบใจใฎใ‚ณใƒŸใƒฅใƒ‹ใ‚ฑใƒผใ‚ทใƒงใƒณใŒ่‹ฆๆ‰‹ใ ใ€ใจใ„ใ†ใ“ใจใซๆฐ—ใฅใ„ใŸใ‚“ใงใ™ใ€‚ๅƒ•ใฏๆ”พ้€ๅญฆ็ง‘ใƒปใƒ†ใƒฌใƒ“ๅˆถไฝœใ‚ณใƒผใ‚นใซใ„ใŸใฎใงใ™ใŒใ€ใƒ†ใƒฌใƒ“ใ‚’ไฝœใ‚‹ใจใชใ‚‹ใจใ‚‚ใฎใ™ใ”ใๅคšใใฎใ‚นใ‚ฟใƒƒใƒ•ใ•ใ‚“ใจใ‚ณใƒŸใƒฅใƒ‹ใ‚ฑใƒผใ‚ทใƒงใƒณใŒๅฟ…่ฆใ ใ—ใ€ไผ็”ปใ‚„ๆผ”ๅ‡บใงใ™ใจใ•ใ‚‰ใซๅคšใใฎไบบใซๆŒ‡็คบใ‚’ๅ‡บใ•ใชใ„ใจใ„ใ‘ใชใ„ใ€‚ใคใพใ‚Š่‡ชๅˆ†ใซ่ˆˆๅ‘ณใ‚’ๆŒใฃใฆใ‚‚ใ‚‰ใฃใฆใ€ใ‚„ใ‚ŠใŸใ„ใ“ใจใ‚’ไผใˆใชใ„ใจใ„ใ‘ใชใ„ใ‚“ใงใ™ใ€‚ๅƒ•ใซใฏใใ‚ŒใŒๅ…จใใงใใชใ‹ใฃใŸใ€‚ ใƒ†ใƒฌใƒ“ๅˆถไฝœใซ้–ขใ™ใ‚‹ๅ‹‰ๅผทใ‚‚ใ—ใฆใชใ‹ใฃใŸใ—ใ€ใŸใ ๅฅฝใใชใ ใ‘ใงๆ”พ้€ๅญฆ็ง‘ใซๅ…ฅใฃใŸใฎใงใ€ใใ“ใงๆŒซๆŠ˜ใ—ใฆใ—ใพใฃใฆใ€‚ใใ“ใงใ€ใƒฉใ‚ธใ‚ชๅˆถไฝœใซ่กŒใใ‚“ใงใ™ใ€‚ ใƒฉใ‚ธใ‚ชใฏ2ไบบใ„ใ‚Œใฐ็•ช็ต„ไฝœใ‚Œใกใ‚ƒใ†ใ€‚ใƒžใƒณใ‚ฌใ‚„ใ‚ขใƒ‹ใƒกใ€ใใ†ใ—ใŸใ‚ตใƒ–ใ‚ซใƒซใƒใƒฃใƒผใŒใ™ใ”ใๅฅฝใใ ใฃใŸใฎใงใ€ใ€Œใ“ใ‚Œใ‚’ไป•ไบ‹ใซใ—ใŸใ„ใชใ€ใจๆ€ใ„ๅง‹ใ‚ใŸใ‚“ใงใ™ใ€‚ใ‚ธใƒงใ‚ธใƒงใซ่งฆใ‚ŒใŸใฎใฏใใฎๆ™‚ๆœŸใชใ‚“ใงใ™ใ‚ˆใ€‚ ไพ‹ใˆใฐใ€็ฌฌ3้ƒจใฎใƒ›ใ‚คใ‚ฃใƒผใƒซใƒปใ‚ชใƒ–ใƒปใƒ•ใ‚ฉใƒผใƒใƒฅใƒณ๏ผˆ้‹ๅ‘ฝใฎ่ปŠ่ผช๏ผ‰ๆˆฆใฎใ‚ปใƒชใƒ•ใ€Œใ€Ž้“ใ€ใจใ„ใ†ใ‚‚ใฎใฏ่‡ชๅˆ†ใงๅˆ‡ใ‚Š้–‹ใใ‚‚ใฎใ ใ€ใจใ„ใ†่จ€่‘‰ใ€‚ใ™ใ”ใๆ„Ÿ้Š˜ใ‚’ๅ—ใ‘ใพใ—ใŸใ€‚ โ€•AA ๅˆบใ•ใ‚‹่จ€่‘‰ใงใ™ใ€‚ โ€•ๅฐ้‡Ž ๅฎŸใฏใใฎๆ™‚ใฎไปฒ้–“ใฏไปŠใงใ‚‚ใ™ใ”ใ้€ฃ็ตกใ‚’ๅ–ใฃใŸใ‚Šใ—ใพใ™ใ—ใ€็พๅ ดใงไผšใฃใŸใ‚Šใ‚‚ใ™ใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚ ใ‚ขใƒ‹ใƒกใฎๅˆถไฝœใ‚นใ‚ฟใƒƒใƒ•ใ•ใ‚“ใซใ„ใŸใ‚Šใ€ไปŠใƒฉใ‚คใ‚ฟใƒผใ‚„ใฃใฆใ‚‹ๅ‹ใ ใกใ‚‚ใ„ใพใ™ใ€‚่ฆชๅ‹ใงใ‚ใ‚Šๆˆฆๅ‹ใงใ‚ใ‚‹ๅญ˜ๅœจใงใ™ใ€‚ใใ‚Œใฏๅคงๅญฆๆ™‚ไปฃใ€้“ใซ่ฟทใฃใฆใ„ใŸๆ™‚ใฎ่‡ชๅˆ†ใŒใ‚ธใƒงใ‚ธใƒงใซๅ‡บไผšใฃใฆๅค‰ใ‚ใฃใŸใ‹ใ‚‰ใ“ใใ ใจๆ€ใ†ใ‚“ใงใ™ใ€‚ โ€•AA ใ‚ธใƒงใ‚ธใƒงใซๅฐŽใ‹ใ‚Œใฆใ€ไปŠใฎๅฐ้‡Žใ•ใ‚“ใ‚„ๅ‹ไบบใŸใกใŒใ„ใ‚‹ใ‚ใ‘ใงใ™ใญใ€‚ โ€•ๅฐ้‡Ž ๅƒ•ใฎๅ‘จใ‚Šใฎไบบใ€่ฆชๅ‹ใจใ—ใฆไปŠใงใ‚‚ไป˜ใๅˆใ†ไบบใฃใฆใฟใ‚“ใชใ‚ธใƒงใ‚ธใƒงๅฅฝใใง๏ผˆ็ฌ‘๏ผ‰ใ€‚ใ‚ณใƒŸใƒฅใƒ‹ใ‚ฑใƒผใ‚ทใƒงใƒณใ‚’ไบบใจๅ–ใ‚‹ใจใ„ใ†ใ“ใจใซๆŒซๆŠ˜ใ—ใŸๆ™‚ใ‹ใ‚‰ใ€ใ‚ธใƒงใ‚ธใƒงใจใ„ใ†ไฝœๅ“ใŒไบบ็”ŸใฎๆŒ‡้‡ใซใชใ‚‹ใ€ใจใ„ใ†ใ“ใจใŒใฏใ˜ใพใฃใฆใ„ใŸๆฐ—ใŒใ—ใพใ™ใ€‚ โ€•AA ใใ†ใ„ใฃใŸๅฐ้‡Žใ•ใ‚“่‡ช่บซใฎไบบ็”ŸใฎๆŒ‡้‡ใซใชใ‚‹ใ‚ˆใ†ใชๅคงใใชไฝœๅ“ใซใ€ไธปไบบๅ…ฌใจใ—ใฆ้–ขใ‚ใ‚Œใ‚‹ใจใ„ใ†ใ“ใจใŒๆฑบใพใฃใŸๆ™‚ใฎใŠๆฐ—ๆŒใกใจใ„ใ†ใฎใฏใฉใ†ใ„ใฃใŸใ‚‚ใฎใ ใฃใŸใฎใงใ—ใ‚‡ใ†ใ‹ใ€‚ โ€•ๅฐ้‡Ž ็ฌฌ3้ƒจใฏใ‚ธใƒงใ‚ธใƒงใ‚’ไปฃ่กจใ™ใ‚‹ใ‚ˆใ†ใชใ€่ฑกๅพด็š„ใช้ƒจใ ใจๆ€ใ„ใพใ™ใ€‚ไธ€่ˆฌ็š„ใซใ‚‚ไธ€็•ช่ช็ŸฅๅบฆใŒ้ซ˜ใ„ใƒ‘ใƒผใƒˆใซใชใฃใฆใ„ใ‚‹ใจๆ€ใ†ใฎใงใ€ใใฎไธปไบบๅ…ฌใƒป็ฉบๆกๆ‰ฟๅคช้ƒŽใ‚’ๆผ”ใ˜ใ‚‹ใจใ„ใ†ใฎใฏใ€ๆœ€ๅˆใฏใƒ—ใƒฌใƒƒใ‚ทใƒฃใƒผใ€ใ•ใ‚‰ใซใƒ—ใƒฌใƒƒใ‚ทใƒฃใƒผโ€ฆโ€ฆๆœฌๅฝ“ใซใƒ—ใƒฌใƒƒใ‚ทใƒฃใƒผใงใ—ใŸใ€‚ (C)่’ๆœจ้ฃ›ๅ‘‚ๅฝฆ๏ผ†LUCKY LAND COMMUNICATIONS/้›†่‹ฑ็คพใƒปใ‚ธใƒงใ‚ธใƒงใฎๅฅ‡ๅฆ™ใชๅ†’้™บSC่ฃฝไฝœๅง”ๅ“กไผš[23]

Other

If you could use a Stand power, whose Stand would you choose and what would you want to do with it?

Araki: Well, which one do you choose, Shokotan? Can I call you Shokotan?
Shoko: Of course! He calls me "Shokotan"! I'm so glad. My dream is to marry Jotaro-sama and have a child with him. He'd probably say to me, "Yare Yare Daze" and spit on me. That's my dream. Sorry, the question was about stands, wasn't it.
Araki: So, Star Platinum?
Shoko: I want to receive 'ora ora' from him.
Araki:(Laugh) Hmm...I think I would choose Rohan Kishibe's Stand. I want to know what people are thinking by opening their minds.
Shoko: You work with various people, so that would be useful.
Araki: Yes, I want to discover the unknown sides to them.
Shoko: It's scary though, it seems like you are already able to use that Stand, I guess.
Araki: (Laugh) Well, yeah. And your choice is Star Platinum, right?
Shoko: I want to be beaten up by him.
Araki: I hope your dream will come true.
Shoko:(Laugh) I am a completely bizarre person.


What type of woman does Jotaro-sama like?
Araki: Type of woman? Uh, I don't think he is interested in women that much.
Shoko: I think he would say, "Yare Yare Daze," to a girl like me, right?
Araki: He definitely would. That is his charm.
Shoko: He would also say: "You are annoying."
Araki: (Laugh) That would be great.
Shoko: That's what I want! I want to have a child with him. How can i make him love me?
Araki: He might say that you're annoying, but he'd still love you, I think.
Shoko: I like it! It's tsundere. Does he prefer a girl who's neatly dressed or one with a short skirt?
Araki: Eh, he is more of a straightfoward guy. He will enjoy the time with you, though he might say that you're annoying.
Shoko: Really? Then I will do my best! I think I should go to a disco.

Is Jotaro's school cap a part of his head?
Araki: Yes, it's true.
Shoko: Is it? Why is the cap a part of his head?
Araki: Well, because he never takes off his cap.
Shoko: The cap is part of his body?
Araki: Right. When drawing Jotaro, I felt it was OK to combine his and his hair since he never takes it off.
Shoko: That's a unique idea.
Araki: Indeed. By doing so, Jotaro looks more elegant. I want readers to recognize him from the back, not just his forefront.
Shoko: So he isn't actually wearing a cap. The cap is completely part of his body.
Araki: That is right.
Shoko: Only Araki-sensei could come up with such an idea. It's me who wants to use Rohan's stand to see inside of Araki-Sensei's imagination.

There is a rumor that one scene in the 20th volume of JoJo's Bizarre Adventure predicted the 9/11 attack in New York 11 years before it actually happened. Did Boingo really predict 9/11?
Araki: Yeah, that actually surprised me. I don't know why I drew such a scene.
Shoko: You clearly wrote the word 911 and the laughing plane.
Araki: I don't even know why the plane is laughing.
Shoko: You didn't intentionally draw the scene?
Araki: Well, I don't know. I don't remember. I drew that scene as part of the story, but I don't know what it means. I learned about it recently, but I think it's just a coincidence.
Shoko:Your stand can predict the future. Your Stand predicts the future AND keeps your yourself young. (Laugh)


How can one defeat Star Platinum: The World, the most powerful stand ever?
Araki: Eh...Jotaro can be defeated only by Jotaro himself or by the child of Jotaro and Shokotan.
Shoko: You allow me to have his child? So Jotaro-sama and I have a child and he won't be invincible.
Araki: Correct.
Shoko: That's a great idea!!
Araki: Actually, it's impossible to defeat his stand at the moment. Star Platinum can halt the flow of time, so to defeat him, you need to let time flow again.
Shoko: So you would need to possess a power to control time itself? Sounds great.

What do you keep in mind when drawing pictures in color?
Araki: Well, the combination of colors is important. Like what color should be placed where.
Shoko: What is your favorite color?
Araki: My favorite color? Green...or moss green with some white. The mix of dark moss green and white is my favorite.
Shoko: But the color you actually draw with and the color that is printed are somewhat different right?
Araki: Yeah, you're right. So the important thing is not only the color itself but its adjacent colors.
Shoko: When you were a child, what were you drawing?
Araki: I was drawing things like Hakagata Mitsuru, a character from Kyojin no Hoshi. I'm a big fan of Ikki Kajiwara. I was curious how Joe Yabuki's hair looked like when we saw him from the forefront, right side and left side.
Shoko: Ordinary kids draw Joe only from the right or left sides, but you were not a normal kid.
Araki: (Laugh) Yeah.

What type of woman does Araki-Sensei like?
Araki: EH..? This question is hard to answer.
Shoko: You wife may be watching this show.
Araki: I like a woman like my wife.
Shoko: A good answer. What do you like about your wife?
Araki: As soon as you meet her, you will see that she loves gags. She will often say gags like Shokotan's giza thing (means "super").
Shoko: She uses "giza"?
Araki: When I said to her "Giza Ohayu-su" (Super good morning), she told me I was doing it wrong.

Shoko (Laugh) You wife corrected your usage.[24]

ARAKI Hirohiko : Exposed AnimeLand : Pouvez-vous nous รฉclairer sur la genรจse de Jojo ?
ARAKI Hirohiko : En premier lieu il y avait le concept de succession des gรฉnรฉrations, lโ€™hรฉritage pรจre/fils. Ensuite, je voulais mettre en scรจne des hรฉros voyageurs qui se battraient pour dรฉfendre lโ€™humanitรฉ. Lโ€™idรฉe des gรฉnรฉrations successives mโ€™a รฉtรฉ inspirรฉe par la saga du Parrain (Brian DE PALMA), ou A lโ€™Est dโ€™Eden (Eliat KAZAN) : des histoires de familles, dont lโ€™action se dรฉroule sur plusieurs gรฉnรฉrations. Trรจs Jeune, Jโ€™ai รฉtรฉ touchรฉ et inspirรฉ par tous ces films devenus des classiques. A.L. : Aviez-vous une idรฉe de ce serait chaque saison ร  lโ€™avance, ou votre idรฉe premiรจre sโ€™est-elle modifiรฉe au fur et ร  mesure ? A.H. : Au tout dรฉbut tout รฉtait axรฉ sur le combat, les rapports de force, puis, au fil du temps, tout est devenu plus โ€œspirituelโ€, avec une grande place faite ร  des valeurs comme lโ€™amitiรฉ. Au niveau graphique, les premiรจres sรฉries mettaient en scรจne des hรฉros trรจs โ€œmachosโ€ aux muscles surdimensionnรฉs. Puis les personnages sont devenus plus fins, plus รฉlรฉgants aussi. A.L. : Que pensez vous de la traduction occidentale du titre de Jojo (1) : le terme bizarre vous parait-il appropriรฉ ? Et si oui, quel aspect de votre travail reflรจte-t-il ?
A.H. : En effet, le titre japonais se traduirait plus par โ€œamazingโ€ : รฉtonnant, merveilleux. Mais justement, ce que je tenais ร  exprimer dans ce manga est rรฉellement quelque chose de diffรฉrent, dโ€™รฉtrange, de bizarre. Donc, en dรฉfinitive, la traduction est plutรดt juste (sourire). Je pense que cette sensation se reflรจte dans certains aspects ou situations du manga : les retournements de situation imprรฉvus, la faรงon dont lโ€™expression des visages change, se dรฉforme, la personnalitรฉ cachรฉe de certains personnagesโ€ฆ A.L. : Comment vous est venu lโ€™idรฉe de lโ€™Onde, puis du Stand ?
A.H. : Pour lโ€™Onde (ou Hamon), lโ€™idรฉe de dรฉpart รฉtait celle dโ€™une force indirecte, une force qui frappe ร  distance, comme dans lโ€™eau par exemple : si je frappe une surface dโ€™eau calme, jโ€™affecte indirectement les alentours grรขce ร  lโ€™onde rรฉsiduelle. Le stand, quant ร  lui, est peut-รชtre quelque chose de difficile ร  apprรฉhender pour un occidental. Il trouve son origine dans le shintoรฏsme : lโ€™essence spirituelle de nos ancรชtres nous protรฉge, en fait chacun de nous est protรฉgรฉ en permanence. Sans รชtre moi-mรชme shintoรฏste, je connais bien la culture et la philosophie japonaise pour y รชtre nรฉ, je suis donc influencรฉ par elles dans mon travail de crรฉation. A.L. : Vous semblez beaucoup apprรฉcier le gore et mettez souvent en scรจne des personnages possรฉdant la capacitรฉ de se reconstituer aprรจs blessure. Est-ce un hommage ร  ce cinรฉma, et au The Thing de John CARPENTER ?
A.H. : Oh, jโ€™aime beaucoup ce genre de cinรฉma, mais aussi les comics, et la tรฉlรฉ. John CARPENTER, DE PALMAโ€ฆ leur travail mโ€™intรฉresse รฉnormรฉment, jโ€™รฉtudie beaucoup tout cela, je les ai tous vus. Maintenant, concernant The Thing, il ne faut pas oublier que les premiers volumes de Jojo remontent aux annรฉes 80, jโ€™avais probablement eu lโ€™idรฉe avant de voir ce film.
A.L. : Il parait dโ€™ailleurs que vous รชtes un grand fan de culture occidentale, classique ou moderne ?
A.H. : Oui, je mโ€™intรฉresse beaucoup ร  lโ€™art en gรฉnรฉral, quโ€™il sโ€™agisse dโ€™impressionnisme, dโ€™art contemporain ou dโ€™illustration. Jโ€™รฉtudie tout cela รฉgalement, et รงa mโ€™influence dans mon travail.
A.L. : Cela peut-il expliquer, ร  votre avis, le succรจs remportรฉ par Jojo en occident ? A.H. : Eh bien, pour devenir auteur de manga au Japon, il faut รฉtudier รฉnormรฉment, apprendre beaucoup de choses trรจs diffรฉrentes : en quelque sorte, il faut tout connaรฎtre, de JANGAYA ร  SPIELBERG.
A.L. : Tous les hรฉros de Jojo ont certaines caractรฉristiques communes : morale impeccable, tรฉmรฉritรฉ, don de soi, plastique parfaite, force incommensurable. Nโ€™avez-vous jamais รฉtรฉ tentรฉ de donner vie ร  un anti-hรฉros ?
A.H. : Non. Pour moi, un hรฉros doit รชtre propre, juste, du moins cโ€™est lโ€™idรฉe que je mโ€™en fais. Il peut avoir lโ€™air mรฉchant, dangereux, il peut traverser des moments difficiles, mais son coeur reste pur, et jamais il ne ferait quelque chose de malhonnรชte. Jamais il ne sโ€™attaquerait ร  une femme ou ร  un enfant, voila son principal trait. A.L. : Jojo est รฉgalement un des seuls manga ร  mettre en scรจne la mort de ses hรฉros de faรงon trรจs gore. (voir la mort de Zeppelli, coupรฉ en deux).
A.H. : Pour protรฉger quelquโ€™un, un vrai hรฉros peut avoir ร  se sacrifier, mรชme si sa mort ne fait aucun doute : cโ€™est lร  aussi un hรฉritage de la philosophie japonaise. Un hรฉros ne cherche pas lโ€™argent, il devient ce quโ€™il est pour sauver autrui, il est honnรชte, charitable. Plus sa mort est horrible, plus son sacrifice prend de la valeur. A.L. : Parlant de valeurs morales, on a dโ€™ailleurs lโ€™impression dโ€™assister ร  des affrontements โ€œmorauxโ€, plus quโ€™ร  de rรฉels combats dans JoJo.
A.H. : Cโ€™est une symbolique, cela a trait ร  la faรงon dont le hรฉros arrive ร  vaincre le mal. Il y a trรจs basique ment trois archรฉtypes de personnage dans Jojo : les gentils, les mรฉchants, et les personnages indรฉterminรฉs (du moins momentanรฉment, un personnage apparemment agressif pouvant se rรฉvรฉler รชtre un gentil par la suite). Mรชme les personnages โ€œmauvaisโ€ ont une raison de mal agir, il y a toujours une raison qui justifie leurs exactions. Et il faut prรฉsenter au lecteur les circonstances qui ont poussรฉ ces individus ร  se tourner du mauvais cotรฉ. A.L. : Jojo reflรจte รฉgalement votre passion pour la magie, lโ€™illusionnismeโ€ฆ A.H. : Oui, je ne rate jamais un show de magie, au Japon ! Lance BARTON, David COPPERFIELD : vous savez, par exemple, ce tour ou il fait disparaรฎtre une motoโ€ฆร‡a mโ€™intรฉresse beaucoup, je me donne du mal pour essayer de comprendre comment ils font tout รงa ! Cela me donne รฉgalement de lโ€™inspiration. A.L. : Comme pour la crรฉation du personnage de Zeppelli notamment ?
A.H. : Oui (rires) ! A.L. : Et vous, pratiquez-vous la magie ?
A.H. : Je connais quelques tours, je sais faire disparaรฎtre les piรจces de monnaie (rires) A.L. : Jojoโ€™s bizarre adventure a souvent รฉtรฉ comparรฉ ร  Hokuto no Ken : quโ€™en pensez-vous ?
A.H. : HARA Tetsuo est un de mes amis, nous dรฎnons souvent ensemble. Il a complรจtement rรฉvolutionnรฉ la reprรฉsentation du corps humain dans le manga, il mโ€™a donc influencรฉ รฉgalement ร  ce niveau. A.L. : Parlez-vous de vos travaux respectifs quand vous vous voyez ?
A.H. : En fait, รฉtant tous deux des professionnels du manga, nous รฉvitons de parler boulot. A.L. : Et peut-on dire que Jojoโ€™s est รฉmaillรฉ de clins dโ€™oeil, ร  HNK ?
A.H. : Dans les premiers รฉpisodes, oui, au niveau des corps masculins et des effets goreโ€ฆ Mais plus maintenant. A.L. : Toujours en ce qui concerne votre travail sur la plastique de vos hรฉros, quelles sont vos influences, hors manga ?
A.H. : Je consulte en permanence des livres dโ€™anatomie, des รฉcorchรฉs, pour la structure des os et des muscles. Jโ€™ai รฉtรฉ trรจs impressionnรฉ par le musรฉe Palazzo Vecchio ร  Florence, en Italie. Jโ€™y ai achetรฉ des ouvrages sur le sujet. A.L. : La sculpture รฉgalement ? Il y a des oeuvres dans ce musรฉe dรฉmontrant des poses trรจs caractรฉristiques de votre travailโ€ฆ
A.H. : Oui, tout ร  fait, et jโ€™aime รฉgalement beaucoup le musรฉe RODIN, ici ร  Paris. Jโ€™ai assistรฉ ร  des sรฉances de pose, cela mโ€™a beaucoup touchรฉ. A.L. : Pour finir, il semble quโ€™il y ait plusieurs niveaux de lecture dans Jojo, et chacun peut selon son รขge, apprรฉcier ce manga ร  sa faรงon. A qui destinez-vous Jojo en prioritรฉ ?
A.H. : Actuellement au Japon, on me demande dโ€™รฉcrire des choses pour un public plus jeune (moins de 15 ans), dans un esprit trรจs mignon, trรจs Kawaiiโ€ฆ Mais tout cela est trรจs loin de moi, en fait. Pour รฉcrire quelque chose de correct, il faut avant tout รชtre capable de le comprendre et de lโ€™apprรฉcier. A.L. : Chose รฉtonnante, Jojoโ€™s Bizarreโ€™s adventure semble beaucoup plaire aux lectrices franรงaises, alors quโ€™il semblait destinรฉ avant tout ร  un public masculin. Quโ€™est-ce qui peut justifier cela, ร  votre avis ?
A.H. : Eh bien, peut-รชtre le fait que mes hรฉros sont tous trรจs beau garรงon ! (Rires) Remerciements pour la traduction ร  M. OGII Michael-Akira, organisateur de lโ€™exposition. [25]

In February, Paris Manga had the honor of hosting Masahiko Komino, a veteran of the industry who's highly acclaimed for his various roles on the animated adaptations of Jojo's Bizarre Adventure, including lead Character Designer of Stardust Crusaders. We took advantage of his visit to Paris to meet with him for a fully dedicated Jojo interview!

Mashiko Komino, thank you very much for accepting this meeting! Can you tell us what brought you to work in animation?

Masahiko Komino: I've been interested in animation since I was very young, but it was only after a brief period abroad that I decided to join a school that specialized in animation.

Are there any artists or works that have influenced your choice of career?

In terms of manga, Ushio & Tora was a series that impacted me deeply, but anime-wise, Sailor Moon was the true turning point in my attraction to this medium. Particularly the first season and its animation, I think the staff managed to find a good balance between the different aspects of the work. It's thanks to Sailor Moon that I discovered that we could convey a lot of emotion through an anime.

Stardust Crusaders is the first anime where you hold the position of Character Designer. How did you go about approaching this first time endeavor?

To be honest, it really wasn't my first time. In fact, I was already given a shot at character design in the past without ever being credited, though Stardust Crusaders is the first series where my name is properly listed in the credits. My past experiences have given me a certain bias of the medium as I've been a long time fan of 80's-90's Shonen such as Dragon Ball, Hokuto no Ken and, of course, Jojo. The problem was that they had previously offered me the character designer role for other series, but I ended up declining them out of lack of interest. However, when I was asked to design the Stardust Crusader characters, you can imagine how thrilled I was since it brought me back to the type of shonen I love.

Although you were already on the staff of Jojo's first animated series, you were not the character designer. Why this change of position between the first anime and Stardust Crusaders?

In the original manga, Hirohiko Araki has a trait of constantly evolving with the times. Out of respect to his series, we felt that it was also necessary to signify these changes in the anime. That's why with each new animated season of Jojo, the character designer is switched out. (Spoiler for Battle Tendency) Regarding the reason that I was chosen for Stardust Crusader's design, the team had admitted to being fairly impressed with how I adapted Part 2, particularly the episode where Caesar died. From there, they wanted to see me push that experience forward.

Hirohiko Araki is one of those authors whose art is very personal and immediately identifiable. How did you handle recapturing it? What was most difficult?

Yes, its true that he has a very special design; Araki is one of those designers who really have their own style. But you know, I've read the manga since I was a kid, so I've constantly absorbed it throughout the years to a point where I find no real difficulty recapturing it. What has actually been difficult is the process. When you draw a manga, you are only responsible for yourself, whereas when you're character designer, you are responsible for a team of a dozen or even hundreds of people who are all waiting to see what they'll work on. The issue is finding a good balance between ease of animation (where the rest of the staff can work without difficulty) and keeping true to the characters. That is what is most difficult.

Which characters were harder to work with? Who was easiest? And who are your favorite characters?

The person I had the most problems with is Daniel J. D'Arby (D'Arby the Gambler). This is a man who is not really old or young, and finding the right balance to emphasize that age and animate it without distorting Araki's original design was very complicated. The easiest character was Jean-Pierre Polnareff because he was very simple to work with, even for action scenes. As for my favorite characters, the one who I prefer to draw is Jotaro, while my favorite short character was Anne as she was the one I related to most.

How was working with Hirohiko Araki?

I have never actually met Mr. Araki. Generally, I would send him my work every Thursday and then he'd make suggestions on modifications, though everything was usually accepted very quickly. I felt alot of confidence from him.

What would you say to a person who would be reluctant to watch Jojo?

Watch, and you'll understand. (Laughs)

JoJo's Bizarre Adventure: Diamond is Unbreakable is arriving this spring. Will you be a part of the staff?

For now, I still have things to wrap up with Stardust Crusaders. I have contacts for participating in Diamond is Unbreakable and I'd love to participate, but before that I'd like to finish what I have to do.

Character Designer, is it an experience that you'd like to repeat?

It's actually not one of the positions I prefer, because I like above all to live the characters, animate them and make them speak. The character design is obviously important, but I prefer positions where I can work on the animation.

Thanks to Mr. Masahiko Komino, his interpreter and manager Emmanuel Bochew, and Paris Manga for the reception.03/28/2016[26]

Renowned artist and ageless wunderkind Hirohiko Araki (Jojo's Bizarre Adventure, Baoh, Steel Ball Run) recently gave a lecture at Tokai Junior & High School in Nagoya City, Aichi Prefecture, as part of their Saturday Program series, as transcribed/compiled by @JOJO, Japan's premier site for Jojo-related news. Due to its length this entry will be broken into 2 parts.

The lecture hall was filled to its 1,500 person capacity. There were so many people that there was a delay while people moved in and out of the hall, and the lecture began 15 minutes later than planned, at 12:45.

[12:45: The Lecture Hall]

After a student MC introduces Mr. Araki and his body of work, he abruptly pops up on stage, at which time the hall erupts into a deafening round of applause. Mr. Araki, quite nervous at the reception, immediately has a slip of the tongue, saying "I'm a little honored to meet all of you today." "I'm a little..no..quite messed up. I feel like I've met an entire lifetime's worth of people today." Although he claims that he is not a performer, and asks not to expect laughs, he claims "I'm just going to meander along today," scoring some unintentional laughs.

[Reason For Accepting The Invitation]

Araki, who marks his 25th year as a manga artist this year, used to dislike (from well over a decade ago) being told "I used to read your comics!" "I was a fan when I was young!" etc, since it stirred fears within him that perhaps he was getting old, and becoming irrelevant. But in the past 5 years or so, he has had a gradual change of heart, and has begun to enjoy and appreciate the accolades he gets, especially from older people and people in esteemed positions in society. Also, when he was younger he may have been writing manga to benefit himself and his publisher's bottom line, but now he has a slightly different point of view and wants to give back to people, especially younger people. That's when he got an invitation from Saturday Program, and, figuring it would probably just be a classroom of 30-40 people, he said "sure, I'll do it." However, he arrived today to this circus, and thought, "this wasn't what I signed up for." (audience bursts into laughter)

[Motives For Drawing Manga, Family, Days of Youth]

Young Araki lived with his father, an office worker, his mother, a stay-at-home mom, and younger identical twin sisters. Those sisters were quite a handful: for example, if there were 3 snacks, the sisters, upon arriving home first, would eat all 3, and then proceed to conceal any traces of evidence. Growing up, young Araki, thinking that there weren't any snacks, "would think 'man, I'm hungry' and go chew on something like a really old piece of kamaboko." (audience bursts into laughter). And when his sisters' evil doings came to light, a fight would erupt; and this would occur on a daily basis. (yet more laughter) He would often feel such a sense of exclusion and ill-will towards his sisters that he didn't want to come home. He used to find relief in spending time along in his room, reading classic manga from the 70's and his father's collection of art books, which he supposes was his motive for drawing manga. He figures that had he not started drawing manga, he "might have gotten out of hand and killed my sisters." (laughter)

[Days of Submissions and Rejections]

He attended a prep school through junior high and high school, but a friend complimented him on the manga he drew (apparently he drew his first manga while he was in 4th grade), which made him think that if his very first fan thought he was good, he might want to become a manga artist. So, he began to secretly draw manga when his parents were not looking. He first began submitting his work during his first year of high school; however, all of his submissions were rejected. At the same time, a rash of artists who were the same age (Yudetamago) or younger than him (Masakazu Katsura) continued to make big splashes with their debut. But Mr. Araki could not understand why he was rejected, and decided to finish off a submission on an all-nighter and go on a 4-hour trip to pay a visit to the editors in Tokyo, and to ask them for an explanation. At first he intended to visit Shogakukan, which published Shonen Sunday, but he was intimidated by the size of their building, and decided to take his submission into the smaller Shueisha building next door. It was noon when he visited, but one rookie editor (about 6'2", or 185 cm, tall) happened to be there, so he showed him his work. However, the editor, after reading the first page, promptly quipped "your white-out's leaked (you haven't fixed it)": he was criticized every time the editor flipped through each page; Mr. Araki, already exhausted from having been up all night, felt like he was going to pass out. However, after he was finished, he was told that it might be good, and was immediately told to fix it up for the Tezuka Awards in 5 days. That submission was "Buso Poker (Armed Poker)", which won was the runner-up prize at the Tezuka Awards.

[The Jump Editors At The Time Were Really Scary]

At the time, Mr. Torishima (Akira Toriyama's editor, and inspiration for the Dr. Slump character Dr. Mashirito) would take submissions out of their envelopes, glance at the folder, promptly go "I don't want to see this style!" and order a rewrite. Apparently, he wanted people to draw in such a way that looking at the cover was enough to make people want to read the manga. The editorial department as a whole was always on edge at the time. But he also mentioned in the latter half of his lecture that manga editors were like golf caddies; they provided objective information like "why don't you hit this way" or "you're X meters away from the green" and that he appreciated them. He also said that people who wanted to become manga artists had to get along with editors.

[Drawing Manga, Araki-Style Part (1): 10 Meters]

Drawing styles which are so distinctive that you can look at a person from 10 meters away and go, "oh hey, he's reading that manga" are incredible: Araki managed to make his debut, but didn't feel like he had that unique style. And so from 1981 onwards he started thinking about how he could achieve that distinctive style, something that would make people think "oh, that's him!"

[Drawing Manga, Araki-Style Part (2): The World's Most Simple Drawing]

(Showing a blank piece of paper) If you told your art teacher "this is a drawing of 'snow" he would be very upset at you, but in manga you could say this was "the flash from a nuclear bomb" or "my soul is barren" and that would fly. And here Mr. Araki drops a bomb: "There are people who get paid for stuff like this." (audience bursts into laughter) "It's amazing, really. You know, like....I guess I could get in trouble for mentioning names." (more laughter) [Note: probably in reference to Shaman King, which printed a blank 2-page pullout to supposedly express an "incredible move"] "And coloring the page all black, and saying "he went to hell." Sort of like in the last few chapters of Death Note." (audience goes into hysterical laughter, applause) Mr. Araki tried to patch things up by claiming that he was joking, but could not help further mentioning how much per page said-artists were probably paid for those particular pages.

[Drawing Manga, Araki-Style Part (3): The Ultimate Character]

Araki introduces modern abstract art such as Barnett Newman's drawing of an orange square on a piece of canvas, Agness Martin's drawing of nothing but a pencil line on white canvas etc. And then he drew the following, calling it the ultimate simple, ideal character in manga anybody could draw:

Oh no, we're gonna get sued! "I might get in trouble for displaying this in public, so." (audience bursts into laughter)

He also introduced things like the smiley face and Morizo and Kiccoro (Mr. Araki thought that Akira Toriyama had designed them), and explained that he respected these types of drawings that anybody could recognize, and that it was what he aspired for. "It's incredible. It's the ultimate style."

[Drawing Manga, Araki-Style Part (4): Gauguin]

Gaugin's art, while having depth, also did things like contain certain colors within certain areas, paint the ground pink and the trees blue etc. Araki loved Gauguin's art ever since he was a child, and has been deeply influenced by him. When Jojo became an OVA, one of the animators asked Araki, "What color is Jotaro?" however Araki had no such concept. He colors everything based on calculation. For example, in Volume 54 Giorno's clothes are pink, but in Volume 63 they are blue. Also, regarding the color cover illustration, he explains that placing the color blue beside pink exudes more power. He says that he gets his inspiration from 80's art, shading techniques in Western art, classical paintings and gets inspiration for his various poses from sculptures. All of this research, blended with Araki's own personality, result in Jojo's art style.

[Drawing Manga, Araki-Style Part (5): Aim & Direction]

(Araki shows a diagram mapping the world of manga, broken into 4 quadrants with the X-axis labeledใ€€"Using classical methods to portray reality" and "Impressionist markings and symbolic fantasy" and the Y-axis labeled "Treating introspective themes such as inner emotions as the central focus" and "Putting weight on the plot structure. "Suspense" and "creating a sense of the world")

If you don't think about "where you stand," you won't have any sense of direction even after you become a mangaka, wandering from idea to idea, not knowing what you want to write about and ending up becoming one of those people who asks their editor, "What should I write?" In the case of Jojo, Araki is trying to pursue reality by portraying things with classical methodology, but he gives precedence to emotion and inner thought over plot structure, trying to portray the protagonists' destiny, so he ends up in the bottom-left quadrant.

[Drawing Manga, Araki-Style Part (6): The Theme is "Mystery"]

Araki was fascinated by mysteries ever since he was a child, fantasized about deserted islands and believed that King Kong and Nessie existed, and so writes his manga with "mystery" as the central theme. In Jojo, Araki wondered what "superpowers" really were, and if he could portray "energy" itself, which lead to Parts 1&2, and the Stands in Part 3, which were like guardians who could "destroy boulders and stuff." They would "stand" by their master and would be called "stands." Apparently Part 3 began immediately after Part 2 with no interval in between.

[Drawing Manga, Araki-Style Part (7): Like an RPG or Board Game]

At the time, the "pyramid (tournament) formula" (A would fight & defeat B, then fight stronger character C, and on and on) was all the craze in Shonen Jump. But, Araki wondered, how strong could they get? Wouldn't the entire system collapse as soon as you reached the top, much like the economic bubble of the 80's in Japan? It wasn't like there could be an infinite number of levels of strength. So, he decided to create an RPG/board game-style system where characters traveled to different places to fight enemies, as seen in Jojo Part 3, where the protagonists traveled across Egypt while battling enemies

Araki's lecture ended here and proceeded to a Q&A with students, which may or may not be posted here as Part 3.

[13:38: Araki-sensei's Talk Ends Here]

From now on the lecture will be a discussion between Araki-sensei and the students of Tokai Junior & High School. Since there were a lot of questions, they'll be summarized and presented together in a certain order.

[Question for Araki-sensei! (1): "When You Were Young, What Was Your Source of Inspiration?"]

"Manga, movies... I didn't have any collections; neither did I have any 'solid' objects like plastic models. I enjoyed drawing pictures. I was a boy who wanted to live in a world of fantasy with movies and novels.

(When asked what influenced his works) "After achieving success, respecting my sempai was the most important thing for me. It all started with Da Vinci - reading about such people was very important for me. I learned about the things they mastered, and through their discoveries, I found my own answer.

As for manga I read when I was a boy, the most significant one was Kajiwara Ikki/Nagayasu Takumi's Ai to Makoto (Love and Truth), the scene where the protagonist is stabbed by a knife... although the manga ended in the next issue (a January New Year's double issue), it was still a rather extraordinary experience for me. When I was in middle school, I joined the kendo club because of Tetsuya Chiba's kendo manga Ore wa Teppei (I'm Teppei)."

[Question for Araki-sensei! (2): "The Model for Morioh Town, Sendai City"]

  • Morioh Town is a town in JoJo, while Sendai is Araki's hometown.

"Sendai, when I was a kid, was an old and historical city. Since the '80s, construction began on a new residential district. The new houses were beautiful, but strangers from who-knows-where were scary, and those personal experiences have been tied together with the town itself."

"Well, I don't think there are any homicidal maniacs, but..." (Everyone starts a roar of laughter). Of course, Araki-sensei likes his hometown very much, but he was intimidated by the rapid increase in stragers, maybe Morioh Town was made based on his "disdain" of that situation. Of course, using the real name of the city in his manga may anger people, so Araki-sensei changed the name to something else.

  1. Also refer to Kahoku Shinpou: Araki Hirohiko's "Buried Gold Requires Daily Expedition" and Araki Hirohiko's talk-essay "My manga are the 'outcries of my heart'"

[Question for Araki-sensei! (3): "What About Love and Passion?"]

Although he went a boy's school, he had a girlfriend. "There's not much to add, since it's what causes the most problems in today's relationships" (everyone starts a roar of laughter).

  1. By the way, Araki-sensei is married, and according to an interview from "Weekly Shounen Jump", Araki met his first love during his first year in high school, and his preference for the opposite was "a woman who is not ladylike."

[Question for Araki-sensei! (4): "What Model Did You Base Your Protagonists On?"]

"Eeeeh?" Araki-sensei appears worried. There was no model, but there were influences from "muscle movies" such as "Rambo" and "Terminator." Jotaro Kujo (a character from JoJo) feels like Clint Eastwood: he doesn't run, his movements are minimal and he's a silent person. "On the other hand, the Stands are fast." The personalities of protagonists' from each part are different. After drawing Part I, I wanted to do something I haven't done before. (1st Part: Serious --> 2nd Part: A crazy person)

[Question for Araki-sensei! (5): "Irene = Gorgeousโ˜…Irene?"]

What is the relationship between Irene of Gorgeousโ˜…Irene and the Irene who made her appearance in the last part of "JoJo 6" (Stone Ocean Volume 17)?

"I was just having a good time, there is no deep meaning behind it, I'm sorry." (Everyone laughs).

[Question for Araki-sensei! (6): "About the Ability of 'Time'"]

The most powerful technique: "Time". Stopping it, returning to the past, watching the future... if there were people who can control such a thing, they'd be invincible. For a main character with powers that aren't invincible, I want to have people wonder how such a character could win. The ability to control physical things, such as gravity, is also very powerful.

From Araki Hirohiko/Shibasaki Tomoka's Osaka University of Arts, College Manga Vol. 4:

Araki: About time, when I think about it, it's incredibly powerful. You can do things like repeating the same morning over and over, stopping time while jumping, and the people who become visible only at a particular time, etc. But if I used that concept every time, someone would say: "Is JoJo only about 'time'?" So... (laughs).
Shibasaki: Is it because you're interested in the representation of time?
Araki: It's an interesting and powerful concept. To what extent is it changing? Is the other side of the earth being affected by it as well? And things like that.
Shibasaki: What is the maximum affected range when time is stopped?
Araki: All the way out into space. Speaking of which, what kind of energy would that be?

[Question for Araki-sensei! (7): "Joseph Joestar"]

And now the 'forbidden question': "Why, as an old man, is Joseph such a lustful man?" "Although JoJo was a story that ended naturally after Part 3, I asked myself: 'Should I draw a 4th part? There shouldn't be anymore Jojo!'" (Everyone laughs). Since I didn't know what would happen in the future, even though I wanted to keep his personality, the personality did match up with his age (Joestar is an old man in Part 4).

[Question for Araki-sensei! (8): "Lineage"]

When asked about the reason why he's only focusing on the story of the "Joestar family", according to Araki, going back, back, way back, all the way to the origin of the family lineage, his character's lineage gives him a feeling of pride - the wonder and the mystery that exists within the "lineage". "I put more importance on such things than others (said with a serious tone)".

[Question for Araki-sensei! (9): "If You Can Describe Manga in A Single Word"]

Troubled by the question, Araki replied: "My combined feeling would be 'the salvation of the heart'? I think it's very important."

[Question for Araki-sensei! (10): "Western music and its influence"]

Using names from Western music to name his characters and "Stands" is a "simple hobby" for Araki. It's also a way to pay his respect towards rock artists. "But the fact that nowadays there aren't many names of bands to use is becoming a problem". (Everyone starts a roar of laughs). The imitative sounds of Jojo is also influenced by music (This was said on "Weekly Shounen Jump"as well). While on the subject, according to SOUL'd OUT, their music is influenced by JoJo. So while "JoJo" is influenced by Rock, it is also influencing "Rock"!

[Question for Araki-sensei! (11): "About the Change in Design"]

When asked about his designs that continue to change, Araki replied that since he's not trying to draw using classical techniques, the designs won't be the same, and usually experience rapid changes. "I'm not concerned about the old drawings (assertion)." Though the readers may get confused, I wonder if they will forgive me".

  1. It has also being reported that in Hirohiko Araki's collection of short stories, Gorgeousโ˜…Irene, the illustration of Irene that was drawn for Ultra Jump in 2003, was originally a character drawn in 1985 as an entirely different person. At that time, the comment from UJ PRESS was: "I can't draw in my old style anymore".

[Question for Araki-sensei! (12): "You Stopped Drawing Your Self-Portrait"]

Often fan letters would ask: "Please take out that character from the manga", but since the character is almost complete, I don't want to take it out, and that is all. Although "Baoh the Visitor" ended as though it will later continue, but...

[Question for Araki-sensei! (13): "If you can describe JoJo in a single word"]

To a question that he hates to answer, Araki-sensei's answer was: "'The enigma of human beings', it's something I wanted to draw". As a human who works with a theme that will last for an eternity, that's all. Moreover, the manga is also being drawn for people who have committed crimes, it will make them think: "How did I become like this? Is there a meaning in this existence?" It's a "eulogy of human".

[Conclusion]

And so the time has come, the last words from the moderator, and the falling of the curtain. The clock says it is 2:05 PM on June 24, 2006. An event of about 1 hour and 20 minutes long, but to Araki's fans, without a doubt it was a "golden personal experience." Escorted by applause heavy as thunder, Araki-sensei disappeared behind the curtain with a smile on his face.

- End -

Translated by Aldo[27]

Interviewer: I'm so nervous today....

Araki: Oh, don't worry. I not here to make anyone nervous today, my goal is to be healing others:) Really, please don't be nervous.

I: Thank You!

A: Oh no, Thank you.

Part1: Hirohiko Araki, Road to becoming a Mangaka

I: Well my first question is, what kind of 22 year old were you, and what was your life like after graduating from high school?

A: Um... Well, it was the 70's. The mangakas at that time were a generation after people like Tezuka-sensei, Akatsuka-sensei, and Fujiko-sensei. And it was a time when the genre of manga really diversified. Not only manga, but music too, like jazz crossing over to rock music. I spent my teen during a time when everything was fusing together, so I kind of caught the momentum of that, and then Yudetamago-sensei, who was the same age as me debuted when we were about 16 or 17. Then I realized that I can't be wasting time. Of course I studied too, but as a student, I also was really interested in art, like manga, music, film, and fine arts. I really aspired foreign countries as well.

I: How old were you when you became interested in such things?

A: Well, from around high school, or maybe even middle school... Then I dreamed of being a mangaka or have a job relating to that.

I: So, you actually read Yudetamago-sensei's works?

A: Read it, and, well, there were many mangakas, and I couldn't do anything about that, but I felt like I had to something myself.

I: Interesting, so that was your turning point in life?

A: Probably... It may overlap with some questions later but can I keep going on?

I: Yes! Please, go ahead.

A: Well, how should I put it... You know how you learn from your elders? Back then was a time when doing the same thing as your elder was really looked down at. You had to do something different. If there were several paths that your elder paved, it was like finding somewhere in between that no one else has gone before. Kind of like that.

I: So it was about doing something different?

A: Well, you had to kind of make sure not to mimic anyone, yeah. It wasn't necessarily about going your own way, but learning from your elders and not stepping in their footsteps. You were looked down if you ever stepped in it. People would say โ€œyou're just doing the same thing, just coping!โ€ or something, and look at you with scornful eyes.

I: What did people actually say towards your works?

A: Like, โ€œThis looks looks that,โ€ or โ€œthats story development is identical to so-and-so,โ€

I: At times like that, where did you get inspiration to paved your own way?

A: Um... so, I had influences from my favorite mangakas, but also came up with my own things, or added on to it. Draw an area that hasn't been explored by others... and like that, for example, I now think theres a theory, and following a โ€œtheory of hitโ€ makes you feel like you have to do something that sells. I didn't think of that at all, so I guess I was pure in a sense, yeah.

I: Not a manga only for the sake of selling?

A: Its about drawing something that's never been drawn.

I: Interesting. This gets a little personal, but going to art school, I really understand what you mean. You take a class with a teacher and you get drawn towards your teachers style, but are punished if you fully adopt that style.

A: Yeah, its pretty much like that, but more intense with a strong 70's feel to it

Part 2: What it feels like after becoming a Mangaka

I: So, what was it like to actually become a mangaka?

A: Well, I was worried sick and couldn't sleep during earlier works, and even when starting JoJo. I wasn't sure if it was alright.

I: And did you have a strong support, someone backing you up?

A: Ahh, yeah. In my case, I based my works on works of art from the past that I felt sure, and things that were done by people I was sure about, so even if someone saids something bad or negative, I always was able to feel sure. And the told me that I had to be bold if I wanted a serialized series. Failing a serialized series is losing to yourself, so I think it works out well for an optimistic person.

I: Do you think most mangakas are optimists?

A: I think people who can keep doing it are like that. More like someone confident than an optimist. Many of them have absolute confidence in themselves. Many seems like they go beyond narcissism. So, you don't want to cripple their pride, you have to nurture it:) They're probably simpletons:) Out in the real world, you have to be careful not to be scolded for that.

Part 3: Araki's Manga-ism

I: Manga has really infiltrated our society nowadays, what does โ€œmangaโ€ mean to you?

A: Like I said earlier, its about the beauty of the art and training your โ€œeyes for judging beauty.โ€ Its kind of like a training. Um... I'm drawing and sometimes fall into meditation, and skip time. Kind of like that.

I: How do you feel about other mangas and works?

A: Well, yeah, I like some of them, but I'd also like to recognize those I'm not sure whats fun or interesting about them. Maybe not recognizing them, but try to think while I read them. Not only in manga but also in films, the kind of story that I don't feel interesting is when the protagonist doesn't have a reason to progress. For example, there are some that are negative towards fighting, and I personally think thats a no-no. So, if theres going to be war, it should be like โ€œYeah! I love war!โ€ Thats an extreme example, but fighting in war while denying war I'd say is negative story-wise. If the is a โ€œzero,โ€ the denial makes it a โ€œnegative.โ€ But fighting for one's own satisfaction, or fighting war to save one's mother, that kind of elements that makes the story โ€œpositiveโ€ is really interesting. The kinds of film fit in that. And because they fit in, I analyze from there. So, if you like โ€œnegative,โ€ and gather a lot of โ€œnegative,โ€ you start compiling those kinds of movies, but there are many perspectives, so there's not really a right or wrong direction. Its up to your own preference.

I: So the kind of things you're not interested are things that are negative.

A: Yeah. I can't get psyched watching or writing things like that.

Part 4: Relaxing, Araki style

I: You have been doing manga for a long time. I've heard in other interviews that you never miss an due date, and we see you as always being on schedule. Do you ever have trouble coming up with new ideas?

A: Its not really about the lack of ideas, but the scariest thing is the lack of the will to draw. Lack of idea is really losing the will to create. If you're willing to write, you will get ideas, so you shouldn't be afraid of the lack of ideas. Just keep putting things out there, and save nothing. Feeling like you don't care is the worst thing.

I: Have you ever felt like that?

A: Well, yeah, I start feeling like that when I get exhausted.

I: And how do you cope with that?

A: Um, in my case, I go discipline myself a little. Nothing serious, but go out on a walk to shrines, like that. I don't go out in waterfalls:) but that takes away my worries. It kind of weird, but going on a walk or a bicycle trip alone, discipline through a little exercise.

I: Not only use your mind, but also your body...

A: I exhaust myself, and theres many things. Like carrying a heavy load, and you start to realize what's really necessary. I start to think I don't need a cell phone because its heavy and I wanted to toss it, and I had no signal anyways... but I feel really healed by an iPod for some reason.

I: Why is that?

A: Somehow music is really good. So I really only need water, raincoat, and an iPod. I went to a place called Kumano Kodo once. It saids Kumano (Kuma = bear in Japanese) so I figured there will be bears in this place, so someone told me to take my cell phone. I took it, but didn't get any service... Then my feet starts to hurt, and I really started getting sick of all my luggage. I brought some bread with me but I ate it. And I started to realize that those things are not necessary. You don't need it to survive.

I: What do you feel like when you're out training at places like that.

A: Empty, and then I come back from that and start working again.

Part 5: Other Dreams

I: Your art works has been featured in fashion, a science magazine cover, and now in the Louvre. What is the meaning of working on projects besides manga?

A: Um, its the drawing... if theres story and drawing, I guess I'm better at drawing . I don't know, I'm a mangaka, so I have to draw, or otherwise people won't think me as an mangaka. There are mangakas famous for their story, but I'm more on the drawing side, so I want to draw the ultimate picture, something really good.

I: Do you not have enough time at the moment to do that?

A: You know, like the Louvre and the science magazine, especially the science magazine, theres more to that one, but I tend to think all of them as one. Physics, literature, there all the same in a sense that they are searching for the truth. Its nothing alien. So, the person who asked me the science magazine project felt the same way too. He thought that I can illustrate his scientific theory.

I: Was there anything else you were asked to do?

A: Something weird? Is there any thing weird? Maybe the CD cover? The t-shirt designs? I guess the Cell project was the weirdest, but that doctor's medical theory and my philosophy of stands were the same, so he asked me to draw. That way of thinking makes me happy, happy because its kind of like DaVinci. That really is a theory that no one can understand, borderline crazy. No one who sees those sentences agrees to the theory. It might be wrong. And if you write something wrong, someone is going t object later. So that project was a little risky.

I: What do you wish to do next, do you have any requests?

A: Umm... yeah, I probably want to do a series of pictures.

I: You mean like a CD cover?

A: Um, something like the "The Dancing Girl of Izu"

I: Oh!

A: The "The Dancing Girl of Izu" was a little different too. They asked me to draw the cover of "The Dancing Girl of Izu," and I couldn't believe it. They just asked me to do a work based on a famous literature.

I: So, did you choose that?

A: Yeah, but only from the Shyeisha-Bunko series.

I: Why the "The Dancing Girl of Izu."

A: I kind of wanted to draw the emptiness of youth.

Part 6: Message to 22 year olds today

A: I think people's actions should be based on their โ€œeyes to judge beauty.โ€ How to judge what's beautiful. Are your own actions beautiful, or not. And by beautiful, I don't simply mean the appearance of something, but does something fit in, can you understand it. I think studying is for training your โ€œeyes to judge beauty.โ€ For example, whether its physics, sociology, or literature, its a way to find out how the pieces fit together nicely, and the study of medicine is the way to discover a theory to cure beautifully. And as you layer those theories together, you are able to judge things, and if you know how judge you will be able to make a decision. I want young people to train their โ€œeyesโ€ so they can judge things, theories, and themselves, and I don't want them to study only as a way to become rich or for a high academic record. I think having such evil or not is important. It may sound fancy, but being something like a hero for the good is really important.[28]

About each otherโ€™s beginnings

Araki: Shall we begin by talking about each otherโ€™s beginnings?

Kaneko: Yes.

Araki: The first question will be related to work, but are you also involved in writing the stories?

Kaneko: Officially not, but I contribute as well.

Araki: Ah, I knew it! Looking at the illustration books, I believe that, after all, you canโ€™t draw without being involved in the story. Nevertheless, even though you only do the designs, itโ€™s amazing how many you create. There are also a lot of descriptions regarding the charactersโ€™ backgrounds and so on, arenโ€™t there? I design Stands combining those characteristics. For example, it would be strange if I didnโ€™t give a water Stand a certain type of design.

Kaneko: Of course, I think about the way the characters are and I draw them according to their personality type.

Araki: I see. For example, if something releases poisonous gas from its shoulders, it will definitely need a hole. Now the question is, what kind of hole would be most fitting?

Kaneko: But when Jojo is in front of the Stand, there will also be strange poses and things like that, right? How does that work?

Araki: Iโ€™ll eventually get to that too. Just in a little while (laughs).

Kaneko: Oh, is it still your turn?

Araki: Yes, yes (laughs). I have things I want to ask.

Kaneko: Understood. Then please ask me (laughs).

Araki: First, my parents used to read to me all kinds of books when I was a wee little boy, like โ€œThe Adventures of Tom Sawyerโ€ or Jules Verneโ€™s โ€œTwenty Thousand Leagues Under the Seaโ€. Only this kind of books and no Japanese ones at all. Thatโ€™s why I grew up to be very attracted to foreign countries, even when it comes to food and music. And thatโ€™s also why I donโ€™t really like Japanese food.

Kaneko: Iโ€™m not too fond of Japanese food either, but you see, my parents owned a sushi shop (laughs)/

Araki: Hahaha. Really?

Kaneko: I really came to hate it when I saw eels getting skewered after their eyes were removed (laughs). But, returning to the main question, I was more into Disney than Jules Verne. What about music? I can see from reading your works that you love Western music. I love it as well, but you know Takenoko-zokum right? I used to do that before.

Araki: Thatโ€™s not Western music, is it (laughs).

Kaneko: But what about Dschinghis Khan? (laughs). They were very interesting. I stopped watching Yoru Hit, and quickly got into Western music and came to love funk and other styles.

Araki: I like progressive rock.

Kaneko: Eh, progressive rock? (laughs)

Araki: From the โ€˜70s. Bands like Yes or Emerson, Lake & Palmer.


Kaneko: Almost all your Stand names come from progressive rock bands, huh. Araki: Well, yes butโ€ฆ(laughs)

Kaneko: I liked Esidisi [AC/DC] (laughs). It fit really well.

Araki: If the bands are foreign, using their names is ok. But this is definitely not the case for Japanese bands. Thatโ€™s no good. Or maybe I should say, itโ€™s empathy. Itโ€™s a bit strange, like โ€œWhat kind of silly things is this guy talking about?โ€ (laughs)

Kaneko: Well, Western bands also sing about rather silly things, right?

Araki: If I knew what they were saying, Iโ€™d get too embarrassed to continue listening (laughs). Thatโ€™s why for me itโ€™s about the rhythm, the propagation of sound. Thereโ€™s a sort of space between the sounds. Like the subtlety of the strings, the pauses, the way the air vibrates. Thatโ€™s why Iโ€™m fine with whatever that person sings.

Kaneko: Do you get motivated to work during times like this?

Araki: Yes, yes, I get motivated and I start crying.

Kaneko: Eh, you start crying? (laughs)

Araki: Thatโ€™s right. โ€œOhใ€œ, this is so sadใ€œโ€ (laughs). Donโ€™t you get sad even if the lyrics have nothing to do with it?

Kaneko: Oh, I do, I do. Similarly to diabolus in musica, making your emotions fluctuate, right? If you used it well, youโ€™d even be able to manipulate people, donโ€™t you think? (laughs)

Where do you collect data from?

Araki: Do you travel abroad to collect data?

Kaneko: No, not really.

Araki: Soo, you are the type to admire foreign countries from afar?

Kaneko: Well, I guess so. I read the books I have with utmost attention and absorb all the information the writers provide, but thatโ€™s pretty sly, isnโ€™t it (laughs). But Iโ€™d love to travel if I had the time. You travel a lot, donโ€™t you?

Araki: I only travel to certain places though; Iโ€™ve been to Italy many times, for example, and I love how itโ€™s the โ€œreal dealโ€. Other countries just look like imitations in comparison โ€“ when I see sculptures or other works of art, I can only think โ€œOh, this is an imitation of that sculpture.โ€.

Kaneko: I want to look more into Japanโ€™s underground, like the lifestyle of the people around Shinokubo or drug routes.

Araki: So you can include them in games?

Kaneko: Exactly. There are a lot of games that take place in our current times, so inevitably I got interested in present Tokyo. Itโ€™s not limited to the city, but the places where people gather have different appearances depending on the time of the day, so I wonder whether I can convey the impact of the contrast between noon and the darkness night brings. I simply like clubs and the like as wellโ€ฆ

Araki: What kind of clubs do you visit?

Kaneko: I donโ€™t, but now I go to a lot of spacious establishments. When I was young, I used to go to hobby shops quite a lot, but nowโ€ฆ Before, there was no automatic water in clubs, so the toilets would be filled with ice and once it melted it would turn into automatic water. And then, if you went to the toilet at 4 a.m., youโ€™d find the whole place drenched in blood.

Araki: Huh, why?

Kaneko: Group scuffles, it seems. Well, both scary and painful things happened, but looking and hearing about those rowdy times has become a very important factor to me now.

Araki: But if Tokyo is the main setting, then itโ€™s all right. I first came up with the concept of โ€œStandsโ€ when I was in Egypt, since the people over there looked really suspicious. So I thought they were all bad guys.

Kaneko: Hahahaha.

Araki: It wouldnโ€™t have been odd if anyone there had turned against me. No matter how kind they were to me, I just couldnโ€™t trust them.

Kaneko: Sounds like something you wonโ€™t be able to let go of.

Araki: And thatโ€™s how I created Stands, the power of evil, or should I say, a different kind of power.

Kaneko: Ooh, is that why the manga takes place in Egypt?!

Araki: Exactly. Well, the editor loved Egypt as well; the inhabitantsโ€™ power was truly great.

Kaneko: As I thought, if you donโ€™t go there it wonโ€™t actually be clear.

Araki: For that reason, the people closeby have great power, but the further they are, the weaker their power gets. I made all kinds of rules.

Kaneko: It would be boring if they were all-powerful. Itโ€™s good that the characters in your manga also have weak points they can overcome. We use demons in our games, but we thought of adding a slightly different nuance to it - โ€œWhat if we used them as guardian spirits?โ€. Thatโ€™s how the concept of Persona was born. We call them guardian spirits, but they are actually great Indian gods or all kinds of demons. Just as the name suggests, doesnโ€™t Persona mean someoneโ€™s โ€œpersonalityโ€? Oneโ€™s other self. So, how should I put it, there are all kinds of โ€œother selvesโ€, from the charactersโ€™ current appearance, to their manner of speech and even to their job. I thought Iโ€™d combine them all. Thatโ€™s how the characters in the game started moving around naturally. The impetus to start drawing

Araki: What made you become a graphic designer?

Kaneko: Iโ€™ve been drawing for a long time, but I wanted to become a manga artist at first. Later, in middle school, when I wanted to be popular with girls, Iโ€™d try to look like a badass, but fail (laughs). When I reached a certain age, I asked myself what job Iโ€™d take; I couldnโ€™t become a musician, I couldnโ€™t become anything. And the last option I had was drawing. Getting into a company was good, but I realized I didnโ€™t have much strength by myself, so from then on I put a lot of effort into it.

Araki: You see, I went to the kendo club in school, but I wasnโ€™t praised even once, whether I won or lost. However, when Iโ€™d draw manga, everyone would tell me how good I was. Thatโ€™s how I started. My friends too would get really enthusiastic about it, like โ€œThis is the greatest thing ever!โ€

Kaneko: Hahaha. It looks like you already had editors by that time.

Araki: Yes, yes, they really sounded like editors (laughs). So I really got into this and would tell myself Iโ€™d keep drawing the entire following night as well. These designs [are influenced] by Go Nagai, right?

Kaneko: Thatโ€™s right, Go Nagaiโ€™s influence is strong. Also, Kamen Rider, kaijuuโ€ฆ

Araki: Yes, the kaijuu effect is definitely there!

Kaneko: Itโ€™s impossible to say the name of all the kaijuu. But if Iโ€™m shown the Rider cards, I can tell everyoneโ€™s names. But you know whatโ€™s interesting? When you look into the designs and discover the original source of inspiration, like Ultra Sevenโ€™s monsters being the spitting image of clay figures (doguu).

Araki: Ah, yes, youโ€™re right.

Kaneko: I realised this while I was wondering whether armour should have a (Western) clothes motif, but if you left out the armour it would have looked just like Ultramanโ€™s costume; it becomes Western armour from the outline.

Araki: An extremely abstract image. Didnโ€™t Picasso, after seeing African masks, want to see how simple he could make his own paintings? Same here. Ultramanโ€™s form is indeed extreme. The type of design you simply canโ€™t imitate, just like Snoopy. You generally canโ€™t draw that sort of thing.

Kaneko: You start thinking why it is actually like that (laughs).

Araki: If you make Ultramanโ€™s design simpler than this, he wonโ€™t look cool anymore.

Kaneko: Besides, anyone will be able to draw him. Thatโ€™s why adding one thing after another is easy. Simplifying things, on the other hand, is really difficult.

Finally talking about fashion

Kaneko: What do you usually wear? Neatly fitted clothes?

Araki: I rarely wear ties and the like. And even then, is there a brand that actually suits me? There are brands that donโ€™t fit me at all, that make me feel like Iโ€™m anything but myself. Prada, for example, or Gucci.

Kaneko: Indeed, this does tend to happen. I have a lot of Gaultier suits, but I go shopping often. Because of that, when people ask โ€œAre people like mangaka coming?โ€, it seems they are pretty familiar with Jump authors like K.M. or T.B. Apparently, Mr. K.M once spent several tens of thousands yen on clothes. โ€œThatโ€™s so awesome!โ€, I thought. It looks like Mr. T.Bโ€™s clothes are bought by his friends or his girlfriend though. In the end I realised that there are all kinds of mangaka as well! (laughs)

Araki: I donโ€™t really go shopping. If weโ€™re talking about brands, then my picks are Versace or Dolce & Gabbana; still, Iโ€™m not too crazy about them. However, when it comes to fashion, I love looking at models. Donโ€™t you think models have this kind of spectre quality to them? The way they tilt their head or their mouths look oddly big. That kind of stuff captivates me. And so, by reproducing them, they gradually turn into Jojo-like characters (laughs) โ€“ like bending their hips back or forth. This kind of bending is also because of Italy.

Kaneko: So this is how they are turned into Jojoโ€™s characteristic poses! Like, โ€œใ‚บใ‚ญใƒฅใƒผใƒณ๏ผ!โ€ or grabbing a blood vessel and going โ€œYou should be stillโ€ (laughs). Thereโ€™s a fairy named Trish in Persona who helps characters recover their health. Her name comes from the fashion model Trish Goff. Back when she wasnโ€™t that famous I used to think โ€œSheโ€™s so cute!โ€. Her name was interesting as well. But then she became super famous not long after and I thought โ€œThis is bad!โ€ (laughs).

Araki: But I find it amazing that you knew about her from that time. She was already popular by the time I had created Trish Una.

Kaneko: All models have really cool names, donโ€™t they? Like Shalom Harlow.

Araki: Her huge eyes are cool as well.

Kaneko: Lately, thin models have become more numerous than bigger ones, huh. Like Devon Aoki.

Araki: Devon Aoki has got a strange air about her too.

Kaneko: Did you know she is Rocky Aokiโ€™s daughter?

Araki: Eh, is that so? Who is Rocky Aoki anyway (laughs).

Kaneko: Do you know the restaurants Benihana?

Araki: Oh, yes, yes.

Kaneko: He is the owner. Incidentally, isnโ€™t there someone in Jojo part 4 who likes Ferrรฉ? โ€œIs it because Mr.Araki likes him?โ€ I wondered.

Araki: But the truth is, even if I write this, I think โ€œThey donโ€™t know about itโ€ while writing it, but do it anyway.

Kaneko: Moschino is the same, right?

Araki: Oh, oh, Moschino was good too! I was surprised when it appeared. The peace mark design came from there.

Kaneko: Double suits are characteristic to them too. The buttons are in the place of the eyes, forming a face. Lately, there have been new designs from John Galliano or Alexander McQueen. Theyโ€™d make good Stands as well (laughs).

Araki: Also, I like Roberto Cavalli too. Quite a lot of people have been debuting these days. They donโ€™t have shops in Tokyo though. They remind of that type of dangerous ladies. I think that kind of thing is great.

What flows from the root of your work

Kaneko: Your works are referenced in a lot of things, right? Itโ€™s kind of like Shakespeare, or, how should I put it, something not seen with other Japanese drama, literature or manga.

Araki: But you know, thereโ€™s also Kajiwara Ikki. โ€œIn order for small people to beat big people, you must think of yourself as a small fry!โ€, something like this (laughs). I find this kind of thought pattern moving. Like, โ€œDonโ€™t say such cool things!โ€. , I still got that kind of feeling even though I read that in my fourth year of elementary school.

Kaneko: Iโ€™m a bit startled that youโ€™ve read Kajiwara Ikkiโ€™s works. Itโ€™s quite different from what I expected.

Araki: Truth is, I started with โ€œStar of the Giantsโ€.

Kaneko: Eh, no way?!

Araki: I think it was during my first year of elementary schoolโ€ฆThis is something I donโ€™t usually say, but โ€œMagazineโ€ was the first publication I talked to in order to publish my first manga. However, incidentally during that time Kajiwara Ikki stopped serializing in โ€œMagazineโ€ so I switched over to โ€œJumpโ€ (laughs).

Kaneko: Eh, thatโ€™s seriously unexpected (laughs).

Araki: Despite saying I love foreign countries, I also love stories where poor people rise in the world.

Kaneko: When I see the photos in the tankoubon, itโ€™s kind of rude of me to say, but I think you look like you had a good upbringing (laughs).

Araki: Hahahaha.

Kaneko: Because of that, when you write about Kishibe Rohan and those kind of stories, all the more I wonder โ€œIs this really all right?โ€ (laughs)

Araki: But you are surprising as well. You had a more frightening image.

Kaneko: Iโ€™m often told that. I have more of an role-playing personality. Truth is, Iโ€™m a pretty easy-going guy. Speaking of manga, I was into โ€œThe Genius Bakabonโ€.

Araki: Oh, Akatsuka Fujio-sensei (laughs). It was quite a thing (laughs). Great stuff.

Kaneko: I simply loved the surrealistic setting, couldnโ€™t get enough of it. After all, itโ€™s the person who discovered Tamori! In a way, he raised him and turned him into who he is today.

Araki: Speaking of settings, I went to a Christian school. Thatโ€™s why I read the Bible every day and that particular way of thinking got ingrained in my brain.

Kaneko: Is that so! Was it a Catholic school?

Araki: No, it was a Protestant one. As a kid, I thought โ€œWhat theโ€ฆ?โ€ at the discipleโ€™s betrayal, but as an adult I understood how important it was. Different kinds of literary works also have their roots in it, and Iโ€™ve come to understand all kinds of allusions. However, in my case, rather than believing in God, I believe something exists. Itโ€™s difficult to say it concretely, but it includes destiny. Because of that, if the basis of my works doesnโ€™t have that kind of thing, they become something scary. โ€œWhy am I drawing manga?โ€, stuff like that. Am I doing it in order to earn money or to impress women? In time, they become terrible things to feel. But if I have fairness and humanity, I persevere.

Kaneko: Indeed, if you donโ€™t have human love, you canโ€™t draw. Itโ€™s obviously fine if you can get money out of this as well though (laughs). But doing it just for this is not right.

Araki: You definitely need it in order to continue, donโ€™t you think? Kaneko: It also gets difficult when you start thinking โ€œWhy do people exist?โ€.

Araki: You reach this question when you draw about things like destiny โ€“ โ€œWhy is this person here?โ€. If youโ€™re attached to the protagonist,the question gets even more important. The people who make RPGs feel that to an even higher degree, right?

Kaneko: Thatโ€™s right. We think about the inevitable fate of the characters. Donโ€™t animals exist on the earth freely? Earthworms exist to clean the soil, isnโ€™t their purpose to leave descendants? However, only humans do something different.

Araki: But if that kind of world comes to the surface, then itโ€™s no good. We shouldnโ€™t see the lowest of the lowest. However, if they didnโ€™t exist, then it would get even worse. Not only manga, but also music and just about everything.[29]

ใ€Žใ‚ธใƒงใ‚ธใƒงใฎๅฅ‡ๅฆ™ใชๅ†’้™บใ€ใฏๅ‹‡ๆฐ—ใ‚’ใใ‚Œใ‚‹ๆผซ็”ป
่’ๅท
่’ๆœจๅ…ˆ็”Ÿใฎไฝœๅ“ใฏใ€Žใƒใ‚ชใƒผๆฅ่จช่€…ใ€ใ‹ใ‚‰่ชญใพใ›ใฆใ„ใŸใ ใ„ใฆใ„ใพใ™ใ€‚ใ‚‚ใกใ‚ใ‚“ใ€Žใ‚ธใƒงใ‚ธใƒงใฎๅฅ‡ๅฆ™ใชๅ†’้™บใ€(ไปฅไธ‹:ใ€Žใ‚ธใƒงใ‚ธใƒงใ€)ใ‚‚็ฌฌ๏ผ‘้ƒจใ‹ใ‚‰ใšใฃใจๆ„›่ชญใ—ใฆใ„ใพใ—ใฆใ€‚ไปŠๆ—ฅใฏใŠไผšใ„ใงใใฆๅ…‰ๆ „ใงใ™ใ€‚ใฉใ†ใžใ‚ˆใ‚ใ—ใใŠ้ก˜ใ„ใ—ใพใ™๏ผ
่’ๆœจ
ใŠใŠใ€œ๏ผใ€€ใใ‚“ใชๆ˜”ใ‹ใ‚‰่ชญใ‚“ใงใใ ใ•ใฃใฆใ„ใ‚‹ใจใฏใ€ๅฌ‰ใ—ใ„ใงใ™ใญใ€‚ใ‚ใ‚ŠใŒใจใ†ใ”ใ–ใ„ใพใ™๏ผใ€€
่’ๅท
ๅฐๅญฆ็”Ÿใฎ้ ƒใ€ๅง‰ใŒใ€Œๅฐ‘ๅนดใ‚ธใƒฃใƒณใƒ—ใ€ใ‚’่ฒทใฃใฆใ„ใพใ—ใฆใ€‚็ดๅฑ‹ใซ็ฉใ‚“ใงใ‚ใฃใŸใฎใ‚’ไฝ•ๆฐ—ใชใๆ‰‹ใซๅ–ใฃใŸใฎใŒใ€ใกใ‚‡ใ†ใฉใ€Žใ‚ธใƒงใ‚ธใƒงใ€็ฌฌ๏ผ‘่ฉฑใฎๆŽฒ่ผ‰ๅทใ ใฃใŸใ‚“ใงใ™ใ€‚่พฒๆฉŸๅ…ทใชใฉใ‚’ๅ…ฅใ‚ŒใฆใŠใใ€่–„ๆš—ใ„้ƒจๅฑ‹ใงๅคขไธญใซใชใฃใฆ่ชญใฟใพใ—ใŸใ€‚
่’ๆœจ
ใใ‚Œใฏใƒ ใƒผใƒ‰ๆบ€็‚นใ (็ฌ‘)ใ€‚
่’ๅท
ๆ€–ใ•ๅ€ๅข—ใงใ—ใŸใญใ€‚ใ‚‚ใ†ใƒใƒžใ‚‰ใชใ„ใ‚ใ‘ใŒใชใ„๏ผใ€€ใจใ„ใ†็Šถๆณใงใ—ใŸ(็ฌ‘)ใ€‚ๅฝ“ๆ™‚ใฏๅญไพ›ใ ใฃใŸใฎใงใ€ๆณข็ด‹ๆณ•ใ‚’ใƒžใƒใ—ใŸใ‚Šใ€ใ€Œใ“ใ‚“ใชใ‚นใ‚ฟใƒณใƒ‰ๆฌฒใ—ใ„ใƒผ๏ผใ€ใจ้จ’ใ„ใ ใ‚Š(็ฌ‘)ใ€‚ใใ—ใฆไปŠๅ›žใŠไผšใ„ใ™ใ‚‹ใซใ‚ใŸใฃใฆใ€ๆ”นใ‚ใฆใ€Œ็งใซใจใฃใฆใฎใ€Žใ‚ธใƒงใ‚ธใƒงใ€ใฎ้ญ…ๅŠ›ใจใฏใ€ใ‚’่€ƒใˆใฆใฟใŸใฎใงใ™ใŒใ€ใ‚„ใฏใ‚Šๅ‹‡ๆฐ—ใ‚’ใใ‚Œใ‚‹ใจใ“ใ‚ใงใฏใชใ„ใ‹ใจใ€‚
่’ๆœจ
ใ€Ž้‹ผใฎ้Œฌ้‡‘่ก“ๅธซใ€(ไปฅไธ‹๏ผšใ€Ž้‹ผใ€)ใ‚‚ใใ“ใŒ้ญ…ๅŠ›ใงใ™ใ‚ˆใญใ€‚่ชญใ‚“ใงใ„ใ‚‹ใจใ€ไบบ้–“ใฎๆ นๆบใซใคใ„ใฆ่€ƒใˆใ•ใ›ใ‚‰ใ‚Œใพใ™ใ€‚้Œฌ้‡‘่ก“ใฎใ‚ทใ‚นใƒ†ใƒ ใ‚’้€šใ˜ใฆใ€่‡ช็„ถ็•Œใ‚„ไบบ้–“็•Œใฎไป•็ต„ใฟใพใง่ฟฝๆฑ‚ใ—ใฆใ„ใใ€‚ใ€ŒใŠใŠ๏ผใ€ใฃใฆๆ€ใ„ใพใ—ใŸใ€‚
่’ๅท
ใ‚ใใ€ใ‚ใ‚ŠใŒใจใ†ใ”ใ–ใ„ใพใ™๏ผใ€€ใใฎใ€ไบบ้–“ใฎๆ นๆบใ‚’่€ƒใˆใ‚‹ๆ™‚ใ€Œๅ‹‡ๆฐ—ใ‚„่ช‡ใ‚Šใฃใฆไฝ•ใ ใ‚ใ†๏ผŸใ€ใจใ„ใ†้ƒจๅˆ†ใฏๅค–ใ›ใชใ„ใจๆ€ใ†ใ‚“ใงใ™ใ€‚ใใ“ใธใ„ใใจใ€Žใ‚ธใƒงใ‚ธใƒงใ€ใฎ็™ปๅ ดไบบ็‰ฉใฏๆ•ตใ‚‚ๅ‘ณๆ–นใ‚‚ใฟใ‚“ใช่ช‡ใ‚Šใ‚’ใ‚‚ใฃใฆใ€ๆ‡ธๅ‘ฝใซ็”Ÿใใฆใ„ใ‚‹ใ€‚ใ€Œใ‚ใฃใฑใ‚Œใ€ใ ใจๆ€ใ„ใพใ™ใ€‚็‰นใซใ‚คใ‚ฎใƒผใฏโ€ฆโ€ฆใ‚ใฎใ€ใ‚ฌใƒ ใ‚’ใ‚ฏใƒใƒฃใ‚ฏใƒใƒฃใ‚„ใฃใฆใŸใ‚คใƒŒใซๆณฃใ‹ใ•ใ‚Œใ‚‹ใจใฏโ€ฆโ€ฆ๏ผใ€€ใ‚ใจใ€ใƒชใ‚ตใƒชใ‚ตใฎ้€†ใ•็…™่‰ใฎใ‚ทใƒผใƒณใ‚‚ใ‚ฐใƒƒใจใใ‚‹ใ—ใ€ใ‚ทใƒฅใƒˆใƒญใƒใ‚คใƒ ใฎใƒ–ใƒฌใฎใชใ•ใ‚‚ใ„ใ„ใงใ™ใญใ€‚ๆœฌๅฝ“ใ€ใฉใฎใ‚ญใƒฃใƒฉใ‚‚ๅคงๅฅฝใใงใ™ใ€‚
่’ๆœจ
ใฏใฏใฏ(็ฌ‘)ใ€‚ใ‚ทใƒฅใƒˆใƒญใƒใ‚คใƒ ใฏใ‚‚ใ†่บซไฝ“ๅŠๅˆ†ใŒๆฉŸๆขฐ้ŽงใฟใŸใ„ใชใ‚‚ใฎใ ใ‹ใ‚‰ใญใ€‚ใ€Ž้‹ผใ€ใฎไธ–็•Œใซใ„ใฆใ‚‚้•ๅ’Œๆ„Ÿใชใ„ใงใ™ใ‚ˆใ€‚ๅƒ•ใฏใ€Ž้‹ผใ€ใงใฏใ‚ขใƒผใƒ ใ‚นใƒˆใƒญใƒณใ‚ฐใŒใ„ใ„ใงใ™ใญใ€‚ใ“ใ†ใ„ใ†ใ€็œŸ้ข็›ฎใงใ‚ใ‚Šใคใค่ถฃๅ‘ณใซ่ตฐใ‚‹ไบบใฏๅฅฝใใงใ™ใ€‚็‰นใซใ‚ทใ‚ฐใจไธ€็ท’ใซใƒ ใ‚ญใƒƒใจใƒใƒผใ‚บใ‚’ใจใ‚‹ใ‚ทใƒผใƒณใฏๆฅฝใ—ใ„ใ€‚้€†ใซใ€ใ‚ขใƒซใŒใƒœใƒญใƒœใƒญใซใชใ‚‹ใ‚ทใƒผใƒณใฏ่พ›ใ„ใงใ™ใ€‚ไฝ•ใ‹ใฎๆ‹ๅญใซ่ก€ๅฐใŒๆถˆใˆใŸใ‚‰โ€ฆโ€ฆใจๆ€ใ†ใจใƒใƒฉใƒใƒฉใ—ใกใ‚ƒใฃใฆใ€‚
่’ๅท
ใ‚ซใƒใƒผใ—ใจใ‘ใฃใฆ่ฉฑใงใ™ใ‚ˆใญ(็ฌ‘)ใ€‚
ใ€Œใ‚จใƒซใƒชใƒƒใ‚ฏใ€ใฏๅฑ้™บ!?โ€˜70ใ€œโ€™80ๅนดไปฃใฎๅฐ‘ๅนดๆผซ็”ป็•Œ
่’ๅท
ใ€Žใ‚ธใƒงใ‚ธใƒงใ€ใฎ้ญ…ๅŠ›ใจใ„ใˆใฐใ‚‚ใ†ใฒใจใคใ€็‹ฌ็‰นใฎใ‚ปใƒชใƒ•ๅ›žใ—ใŒใ‚ใ‚‹ใจๆ€ใ„ใพใ™ใ€‚ใ€Œใ‚ธใƒงใ‚ธใƒงใฎๅฅ‡ๅฆ™ใช็™พไบบไธ€้ฆ–ใ€ใฎ๏ผฃ๏ผคใ‚’ไป•ไบ‹ๅ ดใงๆตใ—ใŸใ‚Šใ™ใ‚‹ใ‚“ใงใ™ใ‘ใฉใ€ใ€Žใ‚ธใƒงใ‚ธใƒงใ€ใ‚’่ชญใ‚“ใ ใ“ใจใŒ็„กใ„ใ‚ขใ‚ทใ‚นใ‚ฟใƒณใƒˆใ•ใ‚“ใพใงใชใœใ‹ๆš—ๅ”ฑใงใใ‚‹ใจใ„ใ†ใ€‚
่’ๆœจ
ใใ‚Œใฏใ™ใ”ใ„(็ฌ‘)ใ€‚ๅƒ•ใฏใ€Œใชใœๆˆฆใ†ใฎใ‹ใ€ใจใ‹ใ€ๅ‹•ๆฉŸใ‚„็†็”ฑใฅใ‘ใฏๆ„่ญ˜ใ—ใฆใ‚‹ใ‚“ใงใ™ใŒใ€ใ“ใฎใ‚ปใƒชใƒ•ใ‚’ๆต่กŒใ‚‰ใ›ใ‚ˆใ†ใจใ‹ใ€่ชญ่€…ใ‚’ๆณฃใ‹ใ›ใ‚ˆใ†ใจใ‹ใ€ใใฎ่พบใ‚Šใฏใ‚ใพใ‚Š่€ƒใˆใฆใ„ใชใ„ใ‚“ใงใ™ใ€‚ใ ใ‹ใ‚‰ใ€ใใ†่จ€ใฃใฆใ„ใŸใ ใ‘ใ‚‹ใจๅฌ‰ใ—ใ„ใงใ™ใญใ€‚
่’ๅท
ๆ—ฅๅธธ็”Ÿๆดปใงใ€็„กๆ„่ญ˜ใฎใ†ใกใซใ€Žใ‚ธใƒงใ‚ธใƒงใ€ใฎใ‚ปใƒชใƒ•ใŒๅ‡บใ‚‹ใ“ใจใŒใ‚ใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚ใŸใถใ‚“่’ๆœจๅ…ˆ็”ŸใŒๆ€ใฃใฆใ„ใ‚‰ใฃใ—ใ‚ƒใ‚‹ไปฅไธŠใซใ€่ชญ่€…ใฎ่ก€่‚‰ใซใชใฃใฆใ„ใ‚‹ใ‚“ใ ใจๆ€ใ„ใพใ™ใ€‚ใใ‚Œใ ใ‘ๅผทใ„่จ€้œŠใŒๅฎฟใฃใŸไฝœๅ“ใชใ‚“ใ ใชใ‚ใจใ€‚
่’ๆœจ
ใŸใ ใ€ใƒ›ใƒฉใƒผ่ฆ็ด ใŒใ‚ใ‚‹ไฝœๅ“ใชใฎใงใ€ใ‚ใˆใฆๆฑšใ„่จ€่‘‰ใ‚‚ไฝฟใฃใฆโ€ฆโ€ฆ็พŽใ—ใ„้ƒจๅˆ†ใฐใ‹ใ‚Šๆใ„ใฆใกใ‚ƒใƒ€ใƒกใฃใฆๆ€ใ„ใฏใ‚ใ‚Šใพใ™ใญใ€‚ใ€Œ็™ฝใจ้ป’ใ€ใ€Œๅ–„ใจๆ‚ชใ€ใ€Œ็พŽใจ้†œใ€ใจใ„ใฃใŸๅฏพๆฅต็š„ใชใ‚‚ใฎใ‚’้ ญใซ็ฝฎใใคใคๆใ„ใฆใ„ใ‚‹ใฎใงใ€ไบบ้–“ใฎใ‚ฒใ‚นใช้ƒจๅˆ†ใ‚‚้ฟใ‘ใšใซ่ธใฟ่พผใ‚‚ใ†ใ€ใจใ€‚
่’ๅท
ใชใ‚‹ใปใฉใ€‚
่’ๆœจ
ใงใ‚‚ใญใ€ใ“ใ†ใ—ใฆ่ชใ‚ใฆใ‚‚ใ‚‰ใˆใŸใฎใฏ้€ฃ่ผ‰้–‹ๅง‹ใ‹ใ‚‰10ๅนดใใ‚‰ใ„็ตŒใฃใฆใ‹ใ‚‰ใ˜ใ‚ƒใชใ„ใ‹ใชใ‚ใ€‚ๅฝ“ๆ™‚ใฏๅค–ๅ›ฝใŒ่ˆžๅฐใงใ€ไธปไบบๅ…ฌใ‚‚ๅค–ๅ›ฝไบบใจใ„ใ†่จญๅฎšใฏ้›ฃใ—ใ„ใจ่จ€ใ‚ใ‚Œใฆใ„ใฆใ€‚็ทจ้›†ไผ็”ปๆฎต้šŽใง่ฝใจใ•ใ‚Œใกใ‚ƒใ†ใ‚“ใงใ™ใ€‚ใ†ใ‚“ใ€ๅฝ“ๆ™‚ใฏๅƒ•ใ‚‚็”Ÿๆ„ๆฐ—ใ ใฃใŸใ‚“ใงใ™ใ‹ใญใ€‚ใใ†ใ„ใ†ๅฐ‘ๅนดๆผซ็”ปใฎใƒซใƒผใƒซใ‚„ใ‚ธใƒณใ‚ฏใ‚นใซๆŒ‘ๆˆฆใ—ใŸใ„ใจใ„ใ†ๆ€ใ„ใ‚‚ใ‚ใ‚Šใพใ—ใŸใ€‚ใ€Œใ‚ธใƒฃใƒณใƒ—ใ€ใฎๅŸบๆœฌๅŽŸๅ‰‡ใงใ‚ใ‚‹ใ€Œๅ‹ๆƒ…ใƒปๅŠชๅŠ›ใƒปๅ‹ๅˆฉใ€ใ•ใˆๅฎˆใฃใฆใ„ใ‚Œใฐใ€ๆจชๆ–‡ๅญ—ใงใ‚‚ใ„ใ„ใ˜ใ‚ƒใชใ„ใ‹ใจใ€‚
่’ๅท
ใ—ใ‹ใ‚‚ใ€็‰ฉ่ชžใฎๅ…ฅใ‚Šๅฃใฏใ‚ขใ‚นใƒ†ใ‚ซใงใ™ใ‚ˆใญใ€‚
่’ๆœจ
ใ‚ใ‹ใ‚Šใซใใ™ใŽ(็ฌ‘)๏ผ
่’ๅท
ใ„ใ‚„ใ€œใ€็งใฎใ‚ˆใ†ใชใ‚ชใ‚ซใƒซใƒˆๅฅฝใใซใฏใ€ใ‚‚ใ†ใŸใพใ‚‰ใชใ„ใงใ™ใ‘ใ‚Œใฉใ‚‚ใ€‚
่’ๆœจ
ๆ€ชๅฅ‡็ณปใฎๅคงๆฒณใƒ‰ใƒฉใƒžใ‚‚ใ€ๅฝ“ๆ™‚ใฎๆผซ็”ป็•Œใงใฏใƒ’ใƒƒใƒˆใ—ใชใ„ใจ่จ€ใ‚ใ‚Œใฆใ„ใŸใ‚“ใงใ™ใ€‚ใŸใพใŸใพใ€ใ“ใ†ใ„ใ†ไธ–็•Œ่ฆณใŒๅฅฝใใช็ทจ้›†่€…ใŒๅพŒๆŠผใ—ใ‚’ใ—ใฆใใ‚Œใฆโ€ฆโ€ฆใ€Žใ‚ธใƒงใ‚ธใƒงใ€ใ‚’้€ฃ่ผ‰ใ•ใ›ใฆใ‚‚ใ‚‰ใˆใŸใฎใฏๅฅ‡่ทกใ ใจๆ€ใ„ใพใ™ใญใ€‚ใ ใ‹ใ‚‰ใ€Ž้‹ผใ€ใฎใ€Œใ‚จใƒซใƒชใƒƒใ‚ฏใ€ใจใ„ใ†ใƒใƒผใƒŸใƒณใ‚ฐใฏใ€ๅฝ“ๆ™‚ใ ใฃใŸใ‚‰ใ‹ใชใ‚Šใ‚ญใ‚ฑใƒณใงใ—ใŸใ‚ˆ(็ฌ‘)ใ€‚
่’ๅท
ใฏใฏใฏใ€ใƒœใƒ„ใ (็ฌ‘)ใ€‚
่’ๆœจ
ใใฎ่พบใ‚Šใฏใ™ใ‚“ใชใ‚ŠๆฑบใพใฃใŸใ‚“ใงใ™ใ‹๏ผŸ
่’ๅท
ใ‚จใƒ‹ใƒƒใ‚ฏใ‚น(็พใƒปใ‚นใ‚ฏใ‚ฆใ‚งใ‚ขใƒปใ‚จใƒ‹ใƒƒใ‚ฏใ‚น)ใฏใ‚ฒใƒผใƒ ไผš็คพใชใฎใงใ€ใใฎ็‚นใฏใ‚นใƒ ใƒผใ‚บใ ใฃใŸใจๆ€ใ„ใพใ™ใ€‚ใ‚€ใ—ใ‚๏ผฒ๏ผฐ๏ผงใซๆ…ฃใ‚ŒใŸ่ชญ่€…ใ‚’ๆƒณๅฎšใ—ใฆใ„ใพใ—ใŸใ‹ใ‚‰ใ€ใƒ•ใ‚กใƒณใ‚ฟใ‚ธใƒผใฎ้ฆ™ใ‚ŠใŒใ™ใ‚‹ใƒใƒผใƒŸใƒณใ‚ฐใŒใ„ใ„ใฎใ‹ใชใจใ€‚
่’ๆœจ
ใใ†ใชใ‚“ใงใ™ใ‹ใ€‚ๆ™‚ไปฃใฏๅค‰ใ‚ใฃใŸใ‚“ใ ใชใ‚ใ€‚[30]

โ€•โ€• ใ€ŽThe Bookใ€ใ‚’่ชญใพใ‚Œใฆ่’ๆœจๅ…ˆ็”Ÿใฏใ„ใ‹ใŒใงใ—ใŸใ‹๏ผŸ

่’ๆœจ๏ผš ใƒฉใ‚นใƒˆใ‚ทใƒผใƒณใŒใ‚ฐใƒƒใจๆฅใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚ใ‚ตใ‚นใƒšใƒณใ‚นใŒใ‚ใฃใฆ็››ใ‚ŠไธŠใŒใฃใฆใ€ใใฎ่งฃๆฑบใŒใ‚ฌใƒผใƒƒใจใ‚ใฃใฆใ€ๆ‚ฒใ—ใใฆๅˆ‡ใชใ„ใƒฉใ‚นใƒˆใŒใ‚ใ‚‹ใ€‚ๆœ็Ž‹็”บใซใดใฃใŸใ‚Šใ ใ—ไน™ไธ€ใ•ใ‚“ใซใดใฃใŸใ‚Šใ ใ—ใ€‚ใƒใƒƒใƒ”ใƒผใ‚จใƒณใƒ‰ใจใฏ้•ใฃใŸ่ฑŠใ‹ใชๆ„Ÿใ˜ใŒใ‚ใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚

ไน™ไธ€๏ผš โ€ฆใ€Œ่ฑŠใ‹ใชๆ„Ÿใ˜ใ€โ€ฆใ„ใ„ใงใ™ใญใ€‚

โ€•โ€• ่’ๆœจๅ…ˆ็”Ÿใฏใ€ใ”่‡ชๅˆ†ใฎใƒžใƒณใ‚ฌใŒใƒŽใƒ™ใƒฉใ‚คใ‚บใ•ใ‚Œใ‚‹ใจใ„ใ†ใฎใฏใ„ใ‹ใŒใงใ™ใ‹๏ผŸ

่’ๆœจ๏ผš ๅˆฅใซๅคงไธˆๅคซใชใ‚“ใงใ™ใ‚ˆใ€‚ๆ‰่ƒฝใฎใ‚ใ‚‹ไฝœๅฎถใ•ใ‚“ใŒๅฐ่ชฌใซใ—ใฆใใ‚Œใ‚‹ใฎใฏใ™ใฃใ”ใ้ข็™ฝใ„ใงใ™ใ—ใ€‚็‰นใซไปŠๅ›žใฎใ€ŽThe Bookใ€ใฏใ‚นใƒƒใจๅ…ฅใฃใฆใ„ใ‘ใ‚‹ใ‚“ใงใ€‚

โ€•โ€• ใ€Žใ‚ธใƒงใ‚ธใƒงใ€ใฎไธ–็•Œใซๅ…ฅใ‚Œใ‚‹๏ผŸ

่’ๆœจ๏ผš ใใ†ใ€้ฆดๆŸ“ใ‚“ใงใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚ๅผ•ใ่พผใพใ‚Œใ‚‹ใฃใฆใ„ใ†ใ‹ใ€‚ไน™ไธ€ใ•ใ‚“ใฎไป—ๅŠฉใซใชใฃใฆใ„ใฆใ€‚ใƒžใƒณใ‚ฌใฎใƒŽใƒ™ใƒฉใ‚คใ‚บใฃใฆใ‚ใพใ‚Š่ชญใ‚“ใ ใ“ใจใŒ็„กใ„ใ‹ใ‚‰่ชค่งฃใ—ใฆใ„ใ‚‹ใฎใ‹ใ‚‚ใ—ใ‚Œใชใ„ใ‘ใฉใ€Œใกใ‚‡ใฃใจๅŽŸไฝœใจ้•ใ†ใชใƒผใ€ใฃใฆๆ€ใ†ใ“ใจใ‚‚ใ‚ใฃใŸใ‚“ใงใ™ใ‚ˆใ€‚ใงใ‚‚ใ€ใ“ใฎใ€ŽThe Bookใ€ใฏใ‹ใชใ‚Š็†Ÿๆˆใ•ใ‚Œใฆใ„ใพใ—ใŸใญใ€‚ๆ›ธใไธŠใ’ใ‚‹ใฎใซไฝ•ๅนดใ‹ใ‹ใฃใŸใ‚“ใงใ—ใŸใฃใ‘๏ผŸ

ไน™ไธ€๏ผš ไฝ•ๅนดใ‹ใ‹ใฃใŸใฎใ‹ใชโ€ฆใ€ๅคšๅˆ†5ๅนดใใ‚‰ใ„ใ ใจๆ€ใ„ใพใ™ใ€‚ๅคง้‡ใฎใƒœใƒ„ๅŽŸ็จฟใŒใ‚ใ‚Šใพใ™ใ€‚็ตๅฑ€ใ€2000ๆžšไปฅไธŠๆ›ธใ„ใŸใฏใšใชใ‚“ใงใ™ใŒใ€ๆ€ใ„่ฟ”ใ™ใจ5ๅนดใฏใ‚ขใƒƒใจใ„ใ†้–“ใงใ™ใญใ€‚

โ€•โ€• ๅŸท็ญ†5ๅนดใ€ใƒœใƒ„ๅŽŸ็จฟ2000ๆžšใฏใ™ใ”ใ„ใงใ™ใญใ€‚

ไน™ไธ€๏ผš ใ€Žใ‚ธใƒงใ‚ธใƒงใ€ใฎใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใ‚’่‡ช็”ฑใซๅ‹•ใ‹ใ›ใฆใ„ใชใ„ใจใ„ใ†ใ‹ใ€ๆ“ใ‚Šไบบๅฝขใ—ใ‹ๆ›ธใ‘ใฆใ„ใชใ„้•ๅ’Œๆ„ŸใŒใšใฃใจใคใใพใจใฃใฆใ„ใฆโ€ฆใ€‚ใใ‚Œใงใ€ใ„ใ‚ใ„ใ‚ใจ่€ƒใˆใ‚‹ๅฟ…่ฆใŒใ‚ใ‚‹ใจๆ€ใฃใฆ่‡ชๅˆ†ใงไฝ•ๅบฆใ‚‚ใƒœใƒ„ใซใ—ใฆไฝœๆˆฆใ‚’็ทดใฃใฆใ„ใพใ—ใŸใ€‚ใ“ใ†ใ„ใ†ใ“ใจใ‚’ใงใใ‚‹ใฎใฏไธ€็”Ÿใซไธ€ๅบฆใชใ‚“ใ˜ใ‚ƒใชใ„ใ‹ใจๆ€ใ†ใจใ€็ดๅพ—ใงใใชใ„ๅŽŸ็จฟใงๆœฌใ‚’ๅ‡บใ™ใฎใฏไธ€็”ŸๅพŒๆ‚”ใ—ใใ†ใ ใฃใŸใฎใงใ€ๅ„ๆ–น้ขใซ้ ญใ‚’ไธ‹ใ’ใฆๆœฌใŒๅ‡บใชใ„็ŠถๆณใŒ็ถšใใพใ—ใŸใ€‚

่’ๆœจ๏ผš ใงใ‚‚ใ€ใใฎ็”ฒๆ–ใฏใ‚ใฃใŸใจๆ€ใ†ใ‚ˆใ€‚ใŸใ—ใ‹ใซใ™ใ”ใ„ๆœฌใซใชใฃใฆใ‚‹ใ€‚

ไน™ไธ€๏ผš ไปŠๅ›žใฎใ€ŽThe Bookใ€ใงใฏ่’ๆœจๅ…ˆ็”Ÿใซๅฃ็ตตใ‚„ๆŒฟ็ตตใ‚‚ๆใ„ใฆ้ ‚ใ„ใŸใ‚“ใงใ™ใŒใ€ไปŠใฎ็ตตๆŸ„ใง4้ƒจใฎใ‚ญใƒฃใƒฉใ‚’่ฆ‹ใ‚‰ใ‚Œใ‚‹ใฎใฏใ€ใ™ใ”ใใ†ใ‚Œใ—ใ„ใงใ™ใ€‚

่’ๆœจ๏ผš ๆŒฟ็ตตใงๆฐ—ใ‚’ไฝฟใฃใŸใฎใŒๆ—ฅๅธธๆ€งใชใ‚“ใงใ™ใ‚ˆใ€‚ๅ†ฌใฎๆœ็Ž‹็”บใŒ่ˆžๅฐใชใ‚“ใง่ƒŒๆ™ฏใซ้›ชใ‚’้™ใ‚‰ใ›ใฆใฟใŸใ‚Šใ€‚ๅฐ่ชฌใ‚ชใƒชใ‚ธใƒŠใƒซใฎๆ•ตใ‚‚ไป—ๅŠฉใŸใกใจๆˆฆใ†ใ‘ใฉใ€ใงใ‚‚ใ€Œๆ‚ชใใฆๅผทใ„ๆ•ตใ€ใฃใฆใ„ใ†ๆ„Ÿใ˜ใ˜ใ‚ƒใชใ„ใ€‚ใ€Œ็”บใฎไธญใซใ„ใ‚‹ไธปไบบๅ…ฌใ€ใฃใฆใ„ใ†ๆ„Ÿใ˜ใงใ€ใกใ‚ƒใ‚“ใจไบบ็”Ÿใฎ่ƒŒๆ™ฏใŒใ‚ใ‚‹ใ€‚ใใฎ่พบใฎใƒชใ‚ขใƒชใƒ†ใ‚ฃใจใ‹ใฏๆณจๆ„ใ—ใพใ—ใŸใ€‚


ไน™ไธ€๏ผš ใฉใฎใ‚คใƒฉใ‚นใƒˆใ‚‚ๅƒ•ใฎใ‚คใƒกใƒผใ‚ธไปฅไธŠใงใ—ใŸใ€‚ใใ‚Œใจๅทป้ ญๅฃ็ตตใงๆใ„ใฆ้ ‚ใ„ใŸ้ฃ›ใณๅ‡บใ™ใ‚คใƒฉใ‚นใƒˆใ€ใ“ใ‚ŒใŒใพใŸใ™ใฐใ‚‰ใ—ใ„โ€ฆใ€‚

โ€•โ€• ไน™ไธ€ๅ…ˆ็”Ÿใฏใ€ใƒŽใƒ™ใƒฉใ‚คใ‚บใฎๅŸท็ญ†ใง้ข็™ฝใ‹ใฃใŸ้ƒจๅˆ†ใฏใฉใ“ใงใ™ใ‹๏ผŸ

ไน™ไธ€๏ผš ใ€Žใ‚ธใƒงใ‚ธใƒงใ€ใƒ•ใ‚กใƒณใ ใ‘ใซๅˆคใ‚‹ใ‚ˆใ†ใชใƒใ‚ฟใ‚’ๆ•ฃใ‚Šใฐใ‚ใฆใฟใŸใ‚“ใงใ™ใŒใ€ใใ†ใ„ใ†ใจใ“ใ‚ใŒ้ข็™ฝใ‹ใฃใŸใ€‚ๅŒไบบ่ชŒใ‚’ๆ›ธใ„ใฆใ„ใ‚‹ๆฐ—ๅˆ†ใงใ—ใŸใ€‚

่’ๆœจ๏ผš ใใ†ใ„ใ†ใƒใ‚ฟ็š„ใช้ƒจๅˆ†ใŒใ€ใชใ‚“ใ‹็”Ÿใ็”Ÿใใ—ใฆใ‚‹ใ‚“ใ ใ‚ˆใญ(็ฌ‘)ใ€‚้ฉๅบฆใซใƒชใƒฉใƒƒใ‚ฏใ‚นใ—ใฆใ„ใ‚‹ๆ„Ÿใ˜ใ‚‚ๅ‡บใฆใ„ใŸใ—ใ€‚

ไน™ไธ€๏ผš ๆœ€ๅˆใฏใƒใ‚ฟ็š„ใช้ƒจๅˆ†ใ‚’ๆŽ’้™คใ™ใ‚‹ๆ–นๅ‘ใงๆ›ธใ„ใฆใ„ใŸใ‚“ใงใ™ใŒใ€ใใ†ใ™ใ‚‹ใจๅ€Ÿใ‚Š็‰ฉ็š„ใช้•ๅ’Œๆ„ŸใŒๅ‡บใฆใ—ใพใฃใฆใ€‚ใจใ“ใ‚ใŒใƒใ‚ฟ็š„ใช่ฆ–็‚นใ‚’ๅ…ฅใ‚ŒใŸใ‚‰ใ€ไธๆ€่ญฐใจ้•ๅ’Œๆ„ŸใŒใชใใชใฃใฆใ„ใใ‚ˆใ†ใชๆฐ—ใŒใ—ใŸใฎใง็ฉๆฅต็š„ใซๅ…ฅใ‚Œใ‚ˆใ†ใจๆ€ใ„ใพใ—ใŸใ€‚

่’ๆœจ๏ผš ไน™ไธ€ใ•ใ‚“ใฏไปฅๅ‰ใ‹ใ‚‰ใ€Œ4้ƒจใ‚’ๅฐ่ชฌใซใ—ใŸใ„ใ€ใฃใฆ่จ€ใฃใฆใ„ใŸใ‚ˆใญใ€‚

ไน™ไธ€๏ผš 3้ƒจใจ5้ƒจใฎใƒŽใƒ™ใƒฉใ‚คใ‚บใŒใ™ใงใซๅ‡บ็‰ˆใ•ใ‚Œใฆใ„ใ‚‹ใจใ„ใ†ใฎใ‚‚ใ‚ใ‚‹ใ‚“ใงใ™ใŒใ€ใงใ‚‚ใใ‚ŒใŒๅ‡บใฆใ„ใชใใฆใ‚‚4้ƒจใ‚’้ธใ‚“ใงใ„ใŸๆฐ—ใŒใ—ใพใ™ใ€‚ไธๆฐ—ๅ‘ณใงๅฅฝใใชใ‚“ใงใ™ใ€‚

่’ๆœจ๏ผš 4้ƒจใŒไน™ไธ€ใƒฏใƒผใƒซใƒ‰ใซ่ฟ‘ใ„ใ‹ใ‚‰ใ˜ใ‚ƒใชใ„ใ‹ใช๏ผŸใ€€ใ“ใฎใ€ŽThe Bookใ€ใŒๅ‡บใŸใ‚‰ใญใ€ใ‚นใƒƒใ‚ฒใƒผๆ‚”ใ—ใŒใ‚‹ไฝœๅฎถใ•ใ‚“ใ‚‚ใ„ใ‚‹ใจๆ€ใ†ใ‚ˆใ€‚

ไน™ไธ€๏ผš ๅƒ•ใฏใ€ใ„ใ‚ใ‚“ใชไฝœๅฎถใ•ใ‚“ใŒ4้ƒจใฎๅฐ่ชฌใ‚’ๆ›ธใ„ใŸใ‚‰้ข็™ฝใ„ใ ใ‚ใ†ใชใใฃใฆๆ€ใฃใฆใ„ใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚ๆ›ธใ„ใŸไฝœๅฎถใ•ใ‚“ใŒใ€Žใ‚ธใƒงใ‚ธใƒงใ€ใ‚’ใฉใ†่ชญใ‚“ใงใใŸใฎใ‹ใŒๅ‡บใฆใใใ†ใง้ข็™ฝใใ†ใ ใชใใจโ€ฆใ€‚ใ€Œใ“ใฎไฝœๅฎถใฏใ“ใ†ใ„ใ†ใจใ“ใ‚ใŒๅฅฝใใ ใฃใŸใ‚“ใ ใชใ€ใจใ‚ใ‹ใ‚‹ใจๆ€ใ„ใพใ™ใ€‚

โ€•โ€• ๅЇไธญใฎใ‚นใ‚ฟใƒณใƒ‰่ƒฝๅŠ›(่ฉณ็ดฐใฏๅฐ่ชฌใ‚’่ชญใ‚“ใงใใ‚Œใƒƒ๏ผ)ใฏไน™ไธ€ๅ…ˆ็”Ÿใฎใ‚ชใƒชใ‚ธใƒŠใƒซ๏ผŸ

ไน™ไธ€๏ผš ใใ†ใงใ™ใญใ€‚

่’ๆœจ๏ผš ใ‚นใ‚ฟใƒณใƒ‰ใฃใฆๅฟ…ใš่‡ชๅˆ†ใฎไบบ็”Ÿ่ฆณใŒๅ…ฅใฃใฆใใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚ใ ใ‹ใ‚‰่€ƒใˆใŸๆœฌไบบใ˜ใ‚ƒใชใ„ใจใ€ใŸใ„ใ—ใŸๆŠ€ใซๆ€ใˆใชใ„ใ‚“ใ˜ใ‚ƒใชใ„ใ‹ใชใ€‚ๆใๆœฌไบบใŒใ€Œใ“ใ‚Šใ‚ƒใ‚นใ‚ดใ‚คใ€ใฃใฆๆ€ใฃใŸใฎใŒใ„ใ„ใ‚“ใ ใ‚ˆใญใ€‚

ไน™ไธ€๏ผš ใ€Œใ‚นใ‚ฟใƒณใƒ‰ใŒไบบ็”Ÿ่ฆณใ‚’ๅๆ˜ ใ—ใฆใ„ใ‚‹ใ€โ€ฆใ€ใ“ใ‚Œใ‚‚ใ„ใ„่จ€่‘‰ใงใ™ใญใ€‚

โ€•โ€• ไน™ไธ€ๅ…ˆ็”ŸใŒ4้ƒจใงๅฅฝใใชใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใฏ่ชฐใงใ™ใ‹๏ผŸ

ไน™ไธ€๏ผš ๅ‰่‰ฏๅ‰ๅฝฑใงใ™ใญใ€‚้€ฃ็ถšๆฎบไบบ็Šฏใฎๆ‚ชๅฝนใชใ‚“ใงใ™ใŒใ€ใจใซใ‹ใๅนณ็ฉใซไบบ็”Ÿใ‚’็ต‚ใˆใ‚ˆใ†ใจ่จ€ใ†ใใฎๆ€ๆƒณใŒ่กๆ’ƒ็š„ใงใ€ๅƒ•ใฎไบบ็”Ÿใซใ‚‚้ฆดๆŸ“ใ‚“ใ ใจใ“ใ‚ใŒใ‚ใฃใฆใ€‚

่’ๆœจ๏ผš ๅ‰่‰ฏใฏๅ‰ๅ‘ใใชใ‚“ใ ใ‚ˆใญใ€ใจใซใ‹ใใ€Œๆ‚ชใฎใƒ’ใƒผใƒญใƒผใ€ใ‚’็›ฎๆŒ‡ใ—ใฆใŸใ‚“ใงใ€‚ใ˜ใคใฏใƒžใƒณใ‚ฌใงใฏๆใ‹ใชใ‹ใฃใŸใ‘ใฉๅ‰่‰ฏใฎ่ƒŒๆ™ฏใ‚‚ใ‚ใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚ๅ‰่‰ฏใฎๆฏ่ฆชใŒ่™ๅพ…ใฟใŸใ„ใชใ“ใจใ‚’ใ—ใฆใฆ็ˆถ่ฆชใฏ่ฆ‹ใฆ่ฆ‹ใฌใƒ•ใƒชใงใ€ใใ‚Œใ‚’ใ€Œใ™ใพใชใ„ใ€ใฃใฆๆ€ใฃใฆใ„ใŸใ‹ใ‚‰ๅ‰่‰ฏใ‚’ใ‚ใใ“ใพใงๆ•‘ใŠใ†ใจใ—ใฆใŸใฃใฆใ„ใ†ใ€‚ใŸใ ใƒžใƒณใ‚ฌใงใ‚„ใฃใกใ‚ƒใ†ใจๆ‚ชๅฝนใจใ—ใฆใฏๆ‚ฒใ—ใ„ใƒคใƒ„ใซใชใ‚‹ใ—ใ€ๆ•ตใซใ‚‚ใชใ‚‰ใชใ„ใ—ใ€‚ใใ“ใฎๅ…ผใญๅˆใ„ใฏๆใ‘ใชใ‹ใฃใŸใฃใฆใ„ใ†ใ‹ๅฐ‘ๅนด่ชŒใ ใ‹ใ‚‰ใงใใชใ‹ใฃใŸใฎใ‹ใชใ€‚ใงใ‚‚ไน™ไธ€ใ•ใ‚“ใฎๅฐ่ชฌใซใฏใใ†ใ„ใ†ๆ‚ฒใ—ใ„้ƒจๅˆ†ใ‚‚ใ‚ใฃใฆใ€ใ‹ใชใ‚Š่‰ฏใ‹ใฃใŸใงใ™ใ‚ˆใ€‚

โ€•โ€• ๅฐ่ชฌๅฎถใจใ„ใ†็ซ‹ๅ ดใ‹ใ‚‰่ฆ‹ใฆใ€ใ€Žใ‚ธใƒงใ‚ธใƒงใ€ใฎใ‚ญใƒขใฏใฉใ“ใ ใจๆ€ใ„ใพใ™ใ‹๏ผŸ

ไน™ไธ€๏ผš ใใ‚Œใฏไบบใใ‚Œใžใ‚Œ้•ใ†ใจๆ€ใ„ใพใ™ใŒใ€ๅƒ•ใฎไธญใงใฏๆผ”ๅ‡บใงใ™ใ€‚ๆ™ฎ้€šใฎใƒžใƒณใ‚ฌใชใ‚‰ใ„ใใชใ‚Š่ฆ‹ใ›ใฆ่ชญ่€…ใ‚’้ฉšใ‹ใ™ๅ ด้ขใงใ‚‚ใ€ใ€Žใ‚ธใƒงใ‚ธใƒงใ€ใฏๅฐ‘ใ—ใšใคๅ‘จ่พบใ‚’ๅ›บใ‚ใฆใ‹ใ‚‰ๆ็คบใ™ใ‚‹ใ‚ˆใ†ใชใ€ใ‚พใ‚ฏใ‚พใ‚ฏใ™ใ‚‹ๆ„Ÿใ˜ใŒใ‚ใ‚Šใพใ™ใ€‚ใใ†ใ„ใ†ใƒ“ใƒƒใ‚ฏใƒชใ™ใ‚‹ใ‚ˆใ†ใชไป•ๆŽ›ใ‘ใŒใ™ใ”ใๅฅฝใใงใ€ใ€Žใ‚ธใƒงใ‚ธใƒงใ€ใ‚’่ชญใ‚“ใงใ„ใฆ่‡ณ็ฆใ‚’ๆ„Ÿใ˜ใ‚‹ๆ™‚ใงใ™ใญใ€‚

่’ๆœจ๏ผš ใ‚ใ‚ŠใŒใจใ†ใ”ใ–ใ„ใพใ™ใ€‚ใงใ‚‚ไฝ•ๆฐ—ใชใใ‚„ใฃใฆใ‚“ใ ใ‘ใฉ(็ฌ‘)ใ€‚

โ€•โ€• ่’ๆœจๅ…ˆ็”Ÿใ‹ใ‚‰่ฆ‹ใฆใ€ใ“ใฎใ€ŽThe Bookใ€ใฎ้ญ…ๅŠ›ใฏใฉใ“ใงใ—ใ‚‡ใ†ใ‹๏ผŸ

่’ๆœจ๏ผš ใ“ใฎใ€ŽThe Bookใ€ใซใฏใญใ€ใ‚ตใ‚นใƒšใƒณใ‚นใŒใ‚ใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚ใ‚ใจใ€ใ€Œ่ก€ใฎๅ› ็ธใ€็š„ใช่จญๅฎšใŒๅ‡บใฆใใ‚‹ใ‚“ใ ใ‘ใฉใ€ใใฎ่พบใŒใ‚คใ‚คใฃใ™ใญใ€‚ใใ“ใ‚’ๅค–ใ•ใชใ‹ใฃใŸใฎใฏใ€ใ•ใ™ใŒไน™ไธ€ใ•ใ‚“ใ€‚

ไน™ไธ€๏ผš ๅƒ•ใฏใ€Žใ‚ธใƒงใ‚ธใƒงใ€ใ‚’่ชญใ‚“ใงใ€Œ่ก€็ธใ€ใจใ„ใ†่จ€่‘‰ใ‚’ๆฐ—ใซใ™ใ‚‹ใ‚ˆใ†ใซใชใฃใŸใ‚“ใงใ™ใ€‚ๅฐ‘ใ—ๅ‰ใ‹ใ‚‰ใ€Œ็ˆถใ€ใจใ‹ใ€Œๅญใ€ใจใ‹ใ€ใใ†ใ„ใ†ใ‚ญใƒผใƒฏใƒผใƒ‰ใŒๅฅฝใใซใชใฃใฆใ„ใฆใ€่‡ชๅˆ†ใฎๅฐ่ชฌใงใ‚‚ใใ†ใ„ใฃใŸ่ก€ๆ—ใฎ่ฉฑใ‚’ๆ›ธใ„ใŸใ‚Šใ—ใฆใ„ใพใ—ใŸใ€‚

่’ๆœจ๏ผš ใ€ŽThe Bookใ€ใฏไน™ไธ€ใƒฏใƒผใƒซใƒ‰ใซ4้ƒจใฎใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใŒๅ…ฅใฃใฆใ„ใๆ„Ÿใ˜ใŒใ™ใ‚‹ใจใ“ใ‚ใ‚‚ใ‚คใ‚คใ‚“ใงใ™ใ‚ˆใ€‚ๅ„„ๆณฐใจใ‹ไป—ๅŠฉใจใ„ใฃใŸ4้ƒจใฎๅ„ใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใŸใกใŒๆทฑใๆใ‹ใ‚Œใฆใ„ใฆใ€ๅŽŸไฝœใ‚ˆใ‚Šใ„ใ„ใ‹ใ‚‚ใ—ใ‚“ใชใ„ใงใ™ใญใ€‚

โ€•โ€• ๅฐ่ชฌใ ใจใ€ๅฟƒ็†ๆๅ†™ใ‚’ใ‚ˆใ‚Š็ดฐใ‹ใๅ…ฅใ‚Œใ‚‰ใ‚Œใพใ™ใญใ€‚

่’ๆœจ๏ผš 3้ƒจใ‚„4้ƒจใ‚’ๆใ„ใฆใ„ใŸ้ ƒใ€ๆ‹…ๅฝ“็ทจ้›†่€…ใ‹ใ‚‰ใ€Œๆ‚ฒใ—ใ„่ฉฑใ‚’ๆใ„ใฆใใ‚Œใ€ใจ่จ€ใ‚ใ‚ŒใŸใ‚“ใงใ™ใ‚ˆใ€‚ๅƒ•ใ‚‚ใใ‚Œใ‚’็›ฎๆŒ‡ใ—ใŸใ‚“ใ ใ‘ใฉใ€ใงใ‚‚่‹ฅใ‹ใฃใŸใ›ใ„ใ‹ใ€ใใ“ใพใง้”ใ—ใฆใ„ใชใ‹ใฃใŸใ€‚ใ ใ‘ใฉใ€ใ“ใฎใ€ŽThe Bookใ€ใซใฏใใ‚ŒใŒใ‚ใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚4้ƒจๅฝ“ๆ™‚ใซ็›ฎๆŒ‡ใ—ใฆใ„ใŸใ‚‚ใฎใฎๅฎŒๆˆๅฝขใŒใ‚ใ‚‹ใ€‚ๅฎŒ็’งใงใ™ใญใ€‚

ไน™ไธ€๏ผš

่‰ฏใ‹ใฃใŸโ€ฆใ€‚ใƒ›ใƒƒใจใ—ใพใ™ใ€‚

Note: Not transcribed word for word. Actual Interview can be viewed here.

ใƒŠใƒฌใƒผใ‚ทใƒงใƒณ

่’ๆœจ้ฃ›ๅ‘‚ๅฝฆใ€1960ๅนด6ๆœˆ7ๆ—ฅใ€ไป™ๅฐๅธ‚็”ฃใพใ‚Œใ€‚ ้€ฑๅˆŠๅฐ‘ๅนดใ‚ธใƒฃใƒณใƒ—็ฌฌ20ๅ›žๆ‰‹ๅกš่ณžใซใ€Žๆญฆ่ฃ…ใƒใƒผใ‚ซใƒผใ€ใงๆบ–ๅ…ฅ้ธใ€ใƒ‡ใƒ“ใƒฅใƒผใ€‚ ใ€Ž้ญ”ๅฐ‘ๅนดใƒ“ใƒผใƒ†ใ‚ฃใƒผใ€ใ€Žใƒใ‚ชใƒผๆฅ่จช่€…ใ€ใซ็ถšใใ€87ๅนดใ‚นใ‚ฟใƒผใƒˆใฎใ€Žใ‚ธใƒงใ‚ธใƒงใฎๅฅ‡ๅฆ™ใชๅ†’้™บใ€ใฏ็พๅœจใ‚‚็ถšใใ€่ชญ่€…ใซ็ตถๅคงใชๆ”ฏๆŒใ‚’ๅ—ใ‘ใฆใ„ใ‚‹โ€ฆโ€ฆโ€ฆใ€‚

ใ‚ฟใ‚คใƒˆใƒซ

่ˆน่ถŠใ€Œใฉใƒผใ‚‚ใฏใ˜ใ‚ใพใ—ใฆใ€‚่ˆน่ถŠใงใ™ใ€‚ไปŠๆ—ฅใฏใŠๅฟ™ใ—ใ„ใจใ“ใ‚โ€ฆโ€ฆโ€ฆใ€ ่’ๆœจใ€Œใ‚ใ‚ใ€ใฉใ†ใ‚‚ใ‚ใ‚ŠใŒใจใ†ใ”ใ–ใ„ใพใ™ใ€ ่ˆน่ถŠใ€Œ่’ๆœจใ•ใ‚“ใ€ใกใ‚‡ใฃใจไปŠไผบใ„ใพใ—ใŸใ‚‰ใ€ใคใ„ใซใ‚ธใƒงใ‚ธใƒงใฎๅ…ญ้ƒจใŒๆœ€็ต‚ๅ›žใจใ‹โ€ฆโ€ฆโ€ฆใใฎๅŽŸ็จฟใ‚’ใ€ใ„ใพโ€ฆโ€ฆโ€ฆใ€ ่’ๆœจใ€Œใˆใˆใ€ไปŠๆใ„ใฆใพใ™ใญใ€ ่ˆน่ถŠใ€Œใ‚‚ใ†็ต‚ใ‚ใ‚‹ใ‹ใชใจใ„ใ†ๆ‰€ใชใ‚“ใงใ™ใ‹ใ€ ่’ๆœจใ€Œใใ†ใงใ™ใญใ€ไปŠๆ—ฅใฎๆทฑๅคœใซใฏใ€ ่ˆน่ถŠใ€Œใใ‚“ใชๆ™‚ใซใƒƒ๏ผๅ‡บใใ‚ใ—ใŸใ‚ใ‘ใงใ™ใญใ€‚ใ„ใ‚„ใ“ใ‚Œใฏใ‚‚ใ†ใ“ใฎ้€ฑๅˆŠๅฐ‘ๅนดใ€Žใ€ใฎๅ‰ตๅˆŠใ‚’้ฃพใ‚‹ใฎใซใตใ•ใ‚ใ—ใ„ใ‚ฟใ‚คใƒŸใƒณใ‚ฐใงใŠ้‚ช้ญ”ใ—ใพใ—ใฆใ€‚ใกใ‚‡ใฃใจๆ—ฉใ„ๅฎŒๆˆ็ฅใ„ใจใ„ใฃใฆใฏใชใ‚“ใงใ™ใ‘ใฉโ€ฆโ€ฆโ€ฆใ€ (่ฑ†ๆบใฎ็ด™่ข‹) ่’ๆœจใ€Œใ‚ใ‚ใ™ใฟใพใ›ใ‚“ใ€ ่ˆน่ถŠใ€Œ้žๅธธใซใ‚ขใƒณใƒใƒฉใƒณใ‚นใชใ‚‚ใฎใง็”ณใ—่จณใชใ„ใ‚“ใงใ™ใŒใ€ ่’ๆœจใ€Œใ‚ใ‚ใ€ใ‚ใ‚ŠใŒใจใ†ใ”ใ–ใ„ใพใ™ใ€ ่ˆน่ถŠใ€ŒใŠใ‹ใใงใ”ใ–ใ„ใพใ™ใ€‚ใ‚ˆใ‚ใ—ใใŠ้ก˜ใ„ใ„ใŸใ—ใพใ™ใ€‚ๅ…ˆ็”Ÿใ€ๅƒ•ใจๅŒใ„ๅนดใงใ™ใญ๏ผŸใ€ ่’ๆœจใ€Œใ‚ใ€ใใ†ใชใ‚“ใงใ™ใ‹๏ผŸใ€ ่ˆน่ถŠใ€Œ1960ๅนด็”Ÿใพใ‚Œใงใ™ใ‚ˆใญ๏ผŸใ€ ่’ๆœจใ€Œใ‚ใ‚ใ€ใใ†ใงใ™ใ‘ใฉโ€ฆโ€ฆโ€ฆใ€ ่ˆน่ถŠใ€Œใใ†ใงใ™ใญใ€ๅƒ•ใ‚‚60ๅนด็”Ÿใพใ‚Œใงใ™ใญใ€‚6ๆœˆใ ใใ†ใงใ™ใญ๏ผŸใ€ ่’ๆœจใ€Œใฏใ„ใ€ ่ˆน่ถŠใ€Œๅƒ•ใฏ7ๆœˆใงใ™(็ฌ‘)ใ€ ใƒžใƒณใ‚ฌๅฎถใจใ—ใฆQ1๏ฝžQ20

Q1ใ€€ๆœไฝ•ๆ™‚ใซ่ตทใใ‚‹๏ผŸ ่ˆน่ถŠใ€Œๆœใ€ไฝ•ๆ™‚ใซ่ตทใใพใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œ็งใฏ10ๆ™‚ๅŠใงใ™ใญใ€ ่ˆน่ถŠใ€Œ10ๆ™‚ๅŠ๏ผŸใ€ ่’ๆœจใ€Œๆœใฎ10ๆ™‚ๅŠใ€ใฏใ„ใ€

Q2ใ€€ใ‚นใƒˆใƒฌใ‚น่งฃๆถˆๆณ•ใฏ๏ผŸ ่ˆน่ถŠใ€Œใ‚นใƒˆใƒฌใ‚นใฎ่งฃๆถˆๆณ•ใฏใชใ‚“ใงใ™๏ผŸใ€ ่’ๆœจใ€Œไป•ไบ‹ๅ ดใพใงๆญฉใ„ใฆ้€šใฃใฆใใฆใ„ใ‚‹ใ‚“ใงใ™ใ‘ใฉใ‚‚ใ€ๆญฉใ„ใฆ10ๅˆ†ใใ‚‰ใ„ใชใ‚“ใงใ™ใ‘ใฉใ€ใใ‚Œใงใ™ใญใ€

Q3ใ€€ใ‚ขใ‚คใƒ‡ใ‚ขใ‚’่€ƒใˆใ‚‹ๅ ดๆ‰€ใฏ๏ผŸ ่ˆน่ถŠใ€Œใ‚ขใ‚คใƒ‡ใ‚ขใ‚’่€ƒใˆใ‚‹ๅ ดๆ‰€ใฏใฉใ“ใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใˆใฃใจโ€ฆโ€ฆโ€ฆใ“ใฎ้ƒจๅฑ‹ใงใ™ใญใ€ (ๆ’ฎๅฝฑๅ ดๆ‰€ใฏไป•ไบ‹ๅ ด)

Q4ใ€€ใƒžใƒณใ‚ฌๅฎถใซใชใ‚ใ†ใจๆ€ใฃใŸใใฃใ‹ใ‘ใฏ๏ผŸ ่ˆน่ถŠใ€Œใƒžใƒณใ‚ฌๅฎถใซใชใ‚ใ†ใจๆ€ใฃใŸใใฃใ‹ใ‘ใฏ๏ผŸใ€ ่’ๆœจใ€Œใ“ใ‚Œใฏใ‚‚ใ†โ€ฆโ€ฆโ€ฆใ‚‚ใฎใ™ใ”ใ„่ค‡้›‘ใงใ™ใ€ ่ˆน่ถŠใ€Œใงใ™ใ‚ˆใญใ€ ่’ๆœจใ€Œไธ€่จ€ใงใฏ็ญ”ใˆใ‚‰ใ‚Œใชใ„ใงใ™ใ‘ใฉใ€ใพใๅฐใ•ใ„้ ƒใ€ๅ‹้”ใŒใƒžใƒณใ‚ฌไธŠๆ‰‹ใ„ใญใ€ใฃใฆ่จ€ใฃใฆใใ‚ŒใŸไบ‹ใŒใใฃใ‹ใ‘ใ‹ใ‚‚ใ—ใ‚Œใชใชใ„ใงใ™ใญใ€ ่ˆน่ถŠใ€Œใฏใโ€ฆโ€ฆโ€ฆใ€ ่’ๆœจใ€Œๅ‹้”ใซ่ช‰ใ‚ใฆใ‚‚ใ‚‰ใฃใŸใ“ใจใŒๅฌ‰ใ—ใใฆใ€

Q5ใ€€ใƒžใƒณใ‚ฌๅฎถใซใชใฃใฆใ„ใชใ‹ใฃใŸใ‚‰ ่ˆน่ถŠใ€Œใ‚‚ใ—ใ€ใƒžใƒณใ‚ฌๅฎถใซใชใฃใฆใ„ใชใ‹ใฃใŸใ‚‰ใ€ไฝ•ใซใชใฃใฆใ„ใพใ—ใŸใงใ—ใ‚‡ใ†ใ‹ใ€ ่’ๆœจใ€Œใˆใƒผใฃใจใ€ใ“ใ‚Œใฏใ‚‚ใ†่€ƒใˆใ‚‰ใ‚Œใชใ„ใงใ™ใญใ€‚ไฝ•ใ‚‚็„กใ„ใจๆ€ใ„ใพใ™ใ€

Q6ใ€€ๅฐ่ฑกใซๆฎ‹ใ‚‹ใƒ•ใ‚กใƒณใƒฌใ‚ฟใƒผ ่ˆน่ถŠใ€Œๅฐ่ฑกใซๆฎ‹ใฃใฆใ„ใ‚‹ใƒ•ใ‚กใƒณใƒฌใ‚ฟใƒผใฏใ‚ใ‚Šใพใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใ‚ใ‚โ€ฆโ€ฆโ€ฆใชใ‚“ใ‹ใญใ€ใ‚ณใƒณใ‚ตใƒผใƒˆใฎใƒใ‚ฑใƒƒใƒˆใจใ‹ใŒๅŒๅฐใ—ใฆใ‚ใฃใฆใ€ไธ€็ท’ใซ่กŒใใพใ›ใ‚“ใ‹ใ€ใฟใŸใ„ใช(็ฌ‘)ใ€ ่ˆน่ถŠใ€Œ(็ฌ‘)ใ€ ่’ๆœจใ€Œใกใ‚‡ใฃใจ่กŒใฃใŸใ‚‰้šฃใซๅบงใฃใฆใ„ใ‚‰ใฃใ—ใ‚ƒใ‚‹ใจๆ€ใ†ใ‚“ใงใ€ใกใ‚‡ใฃใจ้ ๆ…ฎใ•ใ›ใฆใ„ใŸใ ใ„ใŸใ‚“ใงใ™ใ‘ใฉใ‚‚ใ€‚ใ™ใ”ใ„ใ„ใ„ๅธญใง่กŒใใŸใ‹ใฃใŸใ‚“ใงใ™ใ‘ใฉใ€ใƒญใƒƒใ‚ฏใ‚ขใƒผใƒ†ใ‚ฃใ‚นใƒˆใฎใƒœใ‚บใƒปใ‚นใ‚ญใƒฃใƒƒใ‚ฐใ‚นใฃใฆใ„ใ†โ€ฆโ€ฆโ€ฆใ€ ่ˆน่ถŠใ€Œใƒœใ‚บใƒปใ‚นใ‚ญใƒฃใƒƒใ‚ฐใ‚นใงใ™ใ‹โ€ฆโ€ฆโ€ฆๆˆ‘ใ€…ใฎไธ–ไปฃใซใฏใ‚นใƒˆใƒฉใ‚คใ‚ฏใงใ”ใ–ใ„ใพใ™ใญใ€ ่’ๆœจใ€Œใใ†ใงใ™ใญใ€‚่กŒใใŸใใฆใ—ใ‚‡ใ†ใŒใชใ‹ใฃใŸใ‚“ใงใ™ใ‘ใฉใ€ใกใ‚‡ใฃใจใใ‚Œใฏโ€ฆโ€ฆโ€ฆ(็ฌ‘)ใ€

Q7ใ€€่ณ‡ๆ–™ใซใคใ„ใฆ ่ˆน่ถŠใ€Œ่ณ‡ๆ–™ใฏใ€ใฉใฎใ‚ˆใ†ใชใ‚‚ใฎใ‚’่ฆ‹ใพใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใˆใˆใฃใจโ€ฆโ€ฆโ€ฆใ„ใ‚„ใ€ไฝ•ใงใ‚‚ใ€‚ใ‚‚ใ†ใใฎๆ™‚ใซๆถˆ้˜ฒ่ปŠใ‚’ไฝฟใ†ใฃใฆใ„ใฃใŸใ‚‰ๆถˆ้˜ฒ่ปŠใฎๅ†™็œŸใ‚’ใ‚‚ใฃใฆใใ‚‹ใ—ใ€ๆœˆใฎๆบ€ใกๆฌ ใ‘ใ‚’็Ÿฅใ‚ŠใŸใ‹ใฃใŸใ‚‰ใ€ๆœˆใฎๆบ€ใกๆฌ ใ‘ใฎ่ณ‡ๆ–™ใ‚’ๆŽขใ—ใฆใใ‚‹ใฃใฆๆ„Ÿใ˜ใงใ€

Q8ใ€€ใ“ใ ใ‚ใ‚Šใฎ้“ๅ…ท ่ˆน่ถŠใ€Œใ“ใ ใ‚ใ‚Šใฎ้“ๅ…ทใ‚’ใฒใจใคใ€ๆ•™ใˆใฆใ„ใŸใ ใ‘ใพใ™ใ‹ใ€ ่’ๆœจใ€Œใ“ใ ใ‚ใ‚Šใฎ้“ๅ…ท๏ผŸใ€€ใพใใ€ไธ€ใคใฏGใƒšใƒณใงใ™ใญใ€‚ใ“ใ‚Œใ—ใ‹ไฝฟใ‚ใชใ„ใ‚“ใงใ™ใ‚ˆใ€ ่ˆน่ถŠใ€Œใƒžใƒณใ‚ฌๅฎถใฎๅ‘ฝใงใ™ใ‚ˆใญใ€Gใƒšใƒณใจใ„ใ„ใพใ™ใจใ€ ่’ๆœจใ€Œใˆใˆใ€ไป–ใซใ‚‚ใƒšใƒณใ‚ใ‚‹ใ‚“ใงใ™ใ‘ใฉใ€ใ“ใ‚Œใ ใ‘ใงใ™ใญใ€ๅƒ•ใฎๅ ดๅˆใ€‚ใˆใˆใฃใจใ€ใ“ใฎ็จฎ้กžใ ใ‘ใ€ใจใ„ใ†ใ“ใจใ€ (็”ป้ขใซใ€Œใ‚ผใƒ–ใƒฉใฎGใƒšใƒณใ€ใฎใƒ†ใƒญใƒƒใƒ—)

Q9ใ€€ใ‚ขใ‚คใƒ‡ใ‚ขใƒŽใƒผใƒˆใฏใ‚ใ‚‹๏ผŸ ่ˆน่ถŠใ€Œใ‚ขใ‚คใƒ‡ใ‚ขใƒŽใƒผใƒˆใฎใ‚ˆใ†ใชใ‚‚ใฎใฏใ€ใ”ใ–ใ„ใพใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใ‚ใ‚ใ€ใ‚ใ‚Šใพใ™ใ€‚่ฆ‹ใ›ใฆโ€ฆโ€ฆโ€ฆ่กจใ ใ‘๏ผŸใ€ (ๅผ•ๅ‡บใ—ใ‹ใ‚‰ๅคงๅญฆใƒŽใƒผใƒˆใ‚’ๅ–ใ‚Šๅ‡บใ™ใ€‚ใชใ‚“ใฎๅค‰ๅ“ฒใ‚‚็„กใ„ใƒŽใƒผใƒˆ) ่ˆน่ถŠใ€Œ็ช็„ถ่ฆ‹ใ›ใฆใ„ใŸใ ใ‘ใ‚‹ใฎใงใ™ใ‹(็ฌ‘)ใ€ ่’ๆœจใ€Œไธญใฏใกใ‚‡ใฃใจใ‚ใ‚Œใงใ™ใ‹ใ‚‰ใญใ€ (ใจ่จ€ใ„ใคใคใ€ใƒ‘ใƒฉใƒ‘ใƒฉใจ่ฆ‹ใ›ใ‚‹) ่ˆน่ถŠใ€Œใˆใˆใ€ใ‚‚ใกใ‚ใ‚“ใ‚‚ใกใ‚ใ‚“โ€ฆโ€ฆโ€ฆใ“ใ‚ŒใŒใ‚ขใ‚คใƒ‡ใ‚ขใƒŽใƒผใƒˆใงใ™ใญใ€ ่’ๆœจใ€Œใ“ใ†ใ„ใ†ๆ„Ÿใ˜ใงใ€

Q10ใ€€ใƒžใƒณใ‚ฌๅฎถใซใชใฃใฆๅพ—ใ—ใŸใ“ใจใฏ๏ผŸ ่ˆน่ถŠใ€Œใƒžใƒณใ‚ฌๅฎถใซใชใฃใฆๅพ—ใ—ใŸใ“ใจใฏใ‚ใ‚Šใพใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใ‚ใฎใ€ๆใฏใ‚ใ‚‹ใญใ‡ใ€‚ๅญไพ›ใฎๆ™‚ใฏใƒžใƒณใ‚ฌใฐใฃใ‹ใ‚Š่ชญใ‚“ใงใ€ใƒžใƒณใ‚ฌใ‚’่ชญใ‚€ใชใ€ใฃใฆ่จ€ใ‚ใ‚Œใฆใ„ใŸใ‚“ใงใ™ใ‘ใฉใ€ใƒžใƒณใ‚ฌๅฎถใซใชใฃใŸใจใŸใ‚“ใƒžใƒณใ‚ฌใ‚’่ชญใ‚ใ€ใฃใฆ่จ€ใ‚ใ‚Œใฆใ€ใใ‚ŒใŒ้€†ใซ่พ›ใ„ใฃใฆใ„ใ†ใ‹โ€ฆโ€ฆโ€ฆๆฏŽๆ—ฅ่ชญใพใชใใ‚ƒใ„ใ‘ใชใ„ใ‚“ใง(็ฌ‘)ใ€ ่ˆน่ถŠใ€Œใใ†ใงใ™ใ‚ˆใญใ‡ใ€

Q11ใ€€่พžใ‚ใŸใ„ใจๆ€ใฃใŸใ“ใจใฏ๏ผŸ ่ˆน่ถŠใ€Œ่พžใ‚ใŸใ„ใจๆ€ใฃใŸใ“ใจใฏใ‚ใ‚Šใพใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใ“ใ‚Œใ‚‚ไปŠใฎใจใ“ใ‚ใ€ใชใ„ใงใ™ใญใ‡ใ€

Q12ใ€€ใƒžใƒณใ‚ฌๅฎถใจใ—ใฆ็ขบไฟกใ‚’ๅพ—ใŸใฎใฏ๏ผŸ ่ˆน่ถŠใ€Œ่‡ชๅˆ†ใŒใ€ใƒžใƒณใ‚ฌๅฎถใจใ—ใฆใ‚„ใฃใฆใ„ใ‘ใ‚‹ใชใจ็ขบไฟกใ‚’ๅพ—ใŸใฎใฏใ„ใคใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใ“ใ‚Œใ‚‚็ขบไฟกใ—ใŸใ“ใจใ‚‚ๅˆฅใซ็„กใ‘ใ‚Œใฐโ€ฆโ€ฆโ€ฆใ„ใคๅˆ‡ใ‚‰ใ‚Œใ‚‹ใ‹ใฃใฆๆฏŽๆ—ฅใŠใณใˆใฆใ„ใฆใ€ใใ‚Œใงไฝ•ๅนดใ‚‚็ตŒใฃใฆใ„ใ‚‹ใ‹ใชใ€ใฃใฆๆ„Ÿใ˜ใงใ™ใ‘ใฉใ€ ่ˆน่ถŠใ€Œใชใ‚‹ใปใฉใ€

Q13ๅบงๅณใฎ้Š˜ใฏ๏ผŸ ่ˆน่ถŠใ€Œๅบงๅณใฎ้Š˜ใฏ๏ผŸใ€ ่’ๆœจใ€Œใ‚ใ‚‰ใ‚†ใ‚‹ใ“ใจใ‚’็–‘ใ†ใ€ใฃใฆใ„ใ†ใฎใŒไฝ•ใฆ่จ€ใ†ใ‹โ€ฆโ€ฆโ€ฆใใ†ใ„ใ†้ขจใซใ—ใฆใ„ใ‚‹ใฎใŒๅบงๅณใฎ้Š˜ใงใ™ใญใ€‚ไพ‹ใˆใฐใ€่‘‰ใฃใฑใฎ่‰ฒใŒ็ท‘ใฃใฆใ„ใ†ใฎใ‚‚ใ€ๆœฌๅฝ“ใซ็ท‘ใ‹ใชใฃใฆๆ€ใ†ใ‚ˆใ†ใชใ€ ่ˆน่ถŠใ€Œใชใ‚‹ใปใฉใ€ ่’ๆœจใ€Œใƒ”ใƒณใ‚ฏใงใ‚‚ใ„ใ„ใ‚“ใ˜ใ‚ƒใชใ„ใฎ๏ผŸใฃใฆใใ†ใ‚„ใฃใฆใƒ”ใƒณใ‚ฏใฎ่‘‰ใฃใฑใซใ—ใŸใ‚Šใจใ‹ใ€ใใ†ใ„ใ†ไบ‹ใงใ™ใญใ€

Q14ใ€€ใ‚ธใƒณใ‚ฏใ‚นใฏ๏ผŸ ่ˆน่ถŠใ€Œใ‚ธใƒณใ‚ฏใ‚นใฏใ‚ใ‚Šใพใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใ‚ธใƒณใ‚ฏใ‚นใงใ‚‚ใชใ„ใงใ™ใ‘ใฉใ€ใ‚ขใ‚คใƒ‡ใ‚ขใ‚’่€ƒใˆใ‚‹ใจใใฏใ‚ดใƒซใ‚ด13ใ˜ใ‚ƒใ‚ใชใ„ใ‚“ใงใ™ใ‘ใฉใ€ๅฃใ‚’่ƒŒใซใ™ใ‚‹ใจใ‚ˆใๆตฎใ‹ใถใ‚“ใงใ™ใ‚ˆใ€‚ๅฏใฆใฆใ‚‚้ง„็›ฎใชใ‚“ใงใ™ใ€‚ใ“ใ†ใ„ใ†ๆ‰€ใซใ“ใ†(ๅฃใ‚’่ƒŒใซใ—ใฆ)่€ƒใˆใ‚‹ใจใ€‚ไฝ•ๆ•…ใ‹ใฏ่งฃใ‚‰ใชใ„ใ‚“ใงใ™ใ‘ใฉใ€‚ๅ…ฅใ‚Šๅฃใจใ‹็ช“ใ‚’ๅ‘ใ„ใฆใ˜ใ‚ƒ้ง„็›ฎใงใ™ใญใ€ ่ˆน่ถŠใ€Œใใ‚ŒใŒใ‚ธใƒณใ‚ฏใ‚นใงใ™ใ‹ใ€ ่’ๆœจใ€Œใใ‚ŒใŒใ‚ธใƒณใ‚ฏใ‚นใงใ™ใ€

Q15ใ€€็ท ใ‚ใใ‚Šใฏๅฎˆใ‚‰ใ‚Œใ‚‹๏ผŸ ่ˆน่ถŠใ€Œ็ท ใ‚ใใ‚Šใฏๅฎˆใ‚‰ใ‚Œใ‚‹ๆ–นใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใˆใˆใ€ไธ€ๅฟœใ€‚่ฝใจใ—ใŸใ“ใจใฏไปŠใฎใจใ“ใ‚ใชใ‹ใฃใŸใจๆ€ใ„ใพใ™ใ€‚ใชใ„ใงใ™ใญใ€

Q16ใ€€ๆœ€ๅคงใฎไฟฎ็พ…ๅ ดใฏ๏ผŸ ่ˆน่ถŠใ€Œใƒžใƒณใ‚ฌๅฎถใจใ—ใฆๆœ€ๅคงใฎไฟฎ็พ…ๅ ดใ‚’่ฟŽใˆใŸใชใจๆ€ใฃใŸใฎใฏใ„ใคใงใ—ใ‚‡ใ†๏ผŸใ€ ่’ๆœจใ€Œใ‚„ใฃใฑใ‚Šไฝ“่ชฟใ‚’ๅฃŠใ—ใŸใจใใŒใ€ ่ˆน่ถŠใ€Œใใ†ใงใ™ใญใ€ ่’ๆœจใ€Œ็‰นใซใ€ๅƒ•ใฏใ‚นใƒˆใƒฌใ‚นๆ€งใฎ่ƒƒใซๆฅใ‚‹ใ‚ฟใ‚คใƒ—ใฟใŸใ„ใงใ€‚ใใฎๆ™‚ใฏใ€ๆฒปใ‚Šใ‚‚้…ใ„ใ—ใ€็ท ใ‚ใใ‚Šใ‚‚ๆฅใ‚‹ใ—ใ€ใจใ€‚ใ‚ใ‚Œใฏไฟฎ็พ…ๅ ดใ ใฃใŸใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใ€

Q17ใ€€ใ‚ขใ‚ทใ‚นใ‚ฟใƒณใƒˆใฏไฝ•ไบบ๏ผŸ ่ˆน่ถŠใ€Œใ‚ขใ‚ทใ‚นใ‚ฟใƒณใƒˆใฎๆ–นใฏไฝ•ไบบใ„ใ‚‰ใฃใ—ใ‚ƒใ„ใพใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใกใ‚‡ใ†ใฉ6ไบบใ„ใพใ™ใ€

Q18ใ€€ใ‚ขใ‚คใƒ‡ใ‚ขใซ่กŒใ่ฉฐใพใฃใŸๆ™‚ใฏ๏ผŸ ่ˆน่ถŠใ€Œใ‚ขใ‚คใƒ‡ใ‚ขใซ่กŒใ่ฉฐใพใฃใŸๆ™‚ใฏใฉใ†ใ„ใŸใ—ใพใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใ“ใ‚Œใ‚‚ใญใ€่กŒใ่ฉฐใพใ‚‰ใชใ„ใ€ใฃใฆๆ€ใ†ใ‚“ใงใ™ใ‚ˆใ€ ่ˆน่ถŠใ€Œใ‚ใ‚โ€ฆโ€ฆโ€ฆใ€ ่’ๆœจใ€Œๅฎ‡ๅฎ™ใŒ็„ก้™ใฎใ‚ˆใ†ใซๅบƒใŒใฃใฆใ„ใ‚‹ใ‚ˆใ†ใซใ€ไบบ้–“ใฎๅฟƒใ‚‚ๅบƒใŒใ‚‹ใ‚“ใ ใชใจใ€ ่ˆน่ถŠใ€Œใชใ‚‹ใปใฉใ€ ่’ๆœจใ€Œ่†จๅผตใ™ใ‚‹ใจๆ€ใ†ใ€

Q19ใ€€็ทจ้›†่€…ใฎๅญ˜ๅœจใจใฏ๏ผŸ ่ˆน่ถŠใ€Œ่’ๆœจๅ…ˆ็”Ÿใซใจใฃใฆใ€็ทจ้›†่€…ใฏใฉใ†ใ„ใ†ๅญ˜ๅœจใงใ„ใ‚‰ใฃใ—ใ‚ƒใ„ใพใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใ‚„ใฃใฑใ‚ŠๅŠฉใ•ใ‚“่ง’ใ•ใ‚“ใ€ใฃใฆๆ„Ÿใ˜ใงใ™ใ‹ใญใ€

Q20ใ€€ใƒžใƒณใ‚ฌๅฎถใฎ่ทๆฅญ็—…ใฏ๏ผŸ ่ˆน่ถŠใ€Œใƒžใƒณใ‚ฌๅฎถใจใ—ใฆใ€่ทๆฅญ็—…ใฏใชใ‚“ใงใ—ใ‚‡ใ†ใ‹๏ผŸใ€ ่’ๆœจใ€Œใ‚ˆใใธใๆ›ฒใŒใ‚Šใฃใฆ่จ€ใ‚ใ‚Œใ‚‹(็ฌ‘)ใ€‚ใ ใ‹ใ‚‰ๅณใฃใฆ่จ€ใฃใŸใ‚‰ๅทฆใฃใฆใ„ใ†ใ‚ˆใ†ใช็™–ใŒใคใ„ใฆใ„ใ‚‹ใฎใ‹ใ‚‚ใ—ใ‚Œใชใ„ใงใ™ใญใ€ (ไปฅ้™ใ€ใใ‚Œใžใ‚Œใฎ่ณชๅ•ใซใคใ„ใฆ่ฉณใ—ใๅ›ž็ญ”) ่ˆน่ถŠใ€Œๅ…ˆ็”Ÿใฎไธ€้€ฑ้–“ใจใ„ใ†ใฎใ‚’ใ‚ขใƒใ‚ฆใƒˆใซๆ•™ใˆใฆใ„ใŸใ ใ‘ใ‚‹ใจใฉใ†ใ„ใ†้ขจใชไธ€้€ฑ้–“ใซใชใ‚‹ใ‚“ใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใพใšใ€ๆœจๆ›œๆ—ฅใซใƒใƒผใƒ ใฃใฆใ„ใ†ใ€ใ‚ขใ‚คใƒ‡ใ‚ขใ‚’็ด™ใซใ™ใ‚‹่จณใงใ™ใญใ€‚้‡‘ๆ›œๆ—ฅใ€ๅœŸๆ›œๆ—ฅใ€ๆ—ฅๆ›œๆ—ฅใงใƒšใƒณๅ…ฅใ‚Œใ—ใฆใ€ๆœˆๆ›œใซ็ท ใ‚ใใ‚Šใจไป•ไธŠใ’ใฃใฆใ„ใ†ใ‹ใ€‚ใใ—ใฆ็ซใ€ๆฐดใงไผ‘ใฟใฃใฆใ„ใ†โ€ฆโ€ฆโ€ฆใ€ ่ˆน่ถŠใ€Œใ“ใฎโ€ฆโ€ฆโ€ฆๅฎŸ้š›ใซใฏๆใ‹ใ‚Œใ‚‹ไฝœๆฅญใฏๅ››ๆ—ฅ้–“ใงใ€ ่’ๆœจใ€Œๅ››ๆ—ฅ้–“ใงใ™ใญใ€ ่ˆน่ถŠใ€Œใ“ใ‚Œใงไธ€้€ฑ้–“ๅˆ†ใจใ„ใ†ไบ‹ใซใชใ‚Šใพใ™ใ‹ใ€ ่’ๆœจใ€Œ(ใƒใƒผใƒ ๅŽŸ็จฟใ‚’่ฆ‹ใ›ใชใŒใ‚‰)ไพ‹ใˆใฐใ“ใ‚“ใชๆ„Ÿใ˜ใซโ€ฆโ€ฆโ€ฆใ€ ่ˆน่ถŠใ€Œใ‚ใ‚ใ€ใ‚ณใƒžๅ‰ฒใ‚’ใ“ใ“ใงใ‚ใ‚‰ใ‹ใ˜ใ‚ใ—ใฆใ„ใ่จณใงใ™ใญใ€ ่’ๆœจใ€Œ็ตตใ‚’ๆใ‹ใ‚Œใ‚‹ๅ…ˆ็”Ÿใ‚‚ใ„ใพใ™ใŒใ€ๅƒ•ใฏใ‚‚ใ†ใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใ ใ‘ๆใ„ใฆใ€ๅฐ่ฉžใŒใ“ใ†ใ‚ใฃใฆใ€ (ใ‚นใƒˆใƒผใƒณใ‚ชใƒผใ‚ทใƒฃใƒณๆœ€็ต‚่ฉฑใ€ใ€Œๅƒ•ใฎๅๅ‰ใฏใ‚จใƒณใƒใƒชใ‚ชใงใ™ใ€ใฎใƒšใƒผใ‚ธใฎใƒใƒผใƒ ๅŽŸ็จฟใŒๆ˜ ใ‚‹) ่ˆน่ถŠใ€Œใฏใ‚ใฏใ‚ใ€ ่’ๆœจใ€Œๆถ™ใ‚’ๆตใ—ใฆใ„ใ‚‹ใ€ใจ่„šๆœฌใฟใŸใ„ใชโ€ฆโ€ฆโ€ฆใ€ (ใ‚จใƒณใƒใƒชใ‚ชใฎใ‚ขใ‚ฟใƒชไฝ็ฝฎใซใ€Œๆถ™ใ‚’ๆตใ™ใ€ใจๅญ—ใงๆ›ธใ„ใฆใ‚ใ‚‹) ่ˆน่ถŠใ€Œใƒฉใƒ•ใ‚นใ‚ฑใƒƒใƒใงใ™ใ‚ˆใญใ€ ่’ๆœจใ€Œใใ†ใ„ใ†ๆ„Ÿใ˜ใงใ€‚ๅ…จ้ƒจใ€ใƒšใƒผใ‚ธใ‚‚ๆฑบใพใฃใฆใ„ใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚ใ€ ่ˆน่ถŠใ€Œใ‚ใฎใ€ๅ…ˆใปใฉใƒžใƒณใ‚ฌๅฎถใซใชใ‚‰ใ‚Œใ‚‹ใใฃใ‹ใ‘ใฏใ€ๅ‹้”ใซ่ช‰ใ‚ใ‚‰ใ‚ŒใŸใ‹ใ‚‰ใฟใŸใ„ใชไบ‹ใ‚’ใŠใฃใ—ใ‚ƒใฃใฆใ„ใพใ—ใŸใ‘ใฉใ‚‚ใ€ใใฎๅ‹้”ใซ่ช‰ใ‚ใ‚‰ใ‚Œใ‚‹ไปฅๅ‰ใฎใ“ใจใ‚’ใŠไผบใ„ใงใใ‚Œใฐใชใจใ€ ่’ๆœจใ€ŒไปŠใ ใ‹ใ‚‰่งฃใ‚‹ใ‚“ใงใ™ใ‘ใฉใ€ๅ…„ๅผŸใฃใฆ่จ€ใ†ใฎใŒ้–ขไฟ‚ใ‚ใ‚‹ใฎใ‹ใชใจๆ€ใ†ใ‚“ใงใ™ใ‚ˆใญใ€ ่ˆน่ถŠใ€Œๅ…ˆ็”Ÿใฎๅฎถๆ—ๆง‹ๆˆใ‚’ใŠ่žใใ—ใฆใ‚‚๏ผŸใ€ ่’ๆœจใ€Œใ‚ใ‚ใ€็ˆถใจๆฏใŒใ„ใฆใ€ๅฆนใฏไบŒไบบใชใ‚“ใงใ™ใ‘ใฉใ€ใใ‚ŒใŒๅŒๅญใชใ‚“ใงใ™ใ‚ˆใญใ€‚ใ“ใ‚ŒใŒใญใ€ใกใ‚‡ใฃใจๆ‚ช้ญ”ใฎใ‚ทใ‚นใ‚ฟใƒผใฃใฆๆ„Ÿใ˜ใชใ‚“ใงใ™ใ‚ˆ(็ฌ‘)ใ€‚ๅƒ•ใซใ™ใ‚Œใฐใญใ€‚ไพ‹ใˆใฐใฉใ†ใ„ใ†ไบ‹ใ‹ใฃใฆใ„ใ†ใจใ€ๅญฆๆ กใ‹ใ‚‰ๅธฐใฃใฆใใฆใŠใ‚„ใคใŒ๏ผ“ๅ€‹ใ‚ใฃใŸใ‚Šใ—ใพใ™ใ‚ˆใญใ€‚ใใ†ใ™ใ‚‹ใจๅฆนใŒๅฝ“็„ถๅ…ˆใซๅธฐใฃใฆใ„ใ‚‹ใ‚ใ‘ใ ใ‹ใ‚‰ใ€้ฃŸในใกใ‚ƒใ†ใ‚ใ‘ใงใ™ใ‚ˆใ€‚ใใ†ใ™ใ‚‹ใจไธ€ๅ€‹ใ‚ใพใ‚‹ใ€‚ใฉใ†ใ™ใ‚‹๏ผŸใฃใฆๆ„Ÿใ˜ใซใชใ‚‹ใจๆ€ใ†ใ‚“ใงใ™ใ‚ˆใญใ€ไบŒไบบใงใ€‚้ฃŸในใกใ‚ƒใˆใฐๅคšๅˆ†่งฃใ‚‰ใชใ„ใ ใ‚ใ†ใฃใฆไบ‹ใงใ€ๅƒ•ใŒๅธฐใฃใฆใใ‚‹ใจใ‚‚ใ†ใชใ„ใฃใฆ็Šถๆ…‹ใงใ€ใ‚ใ‚ใชใ„ใฎใ‹ใ€ๆ„Ÿใ˜ใชใ‚“ใงใ™ใ‘ใฉใ€‚ๅพŒใงใƒใƒฌใŸใจใใซใ€ใใฎ้™ฐ่ฌ€ใŒใญใ™ใ”ใ„ๅ‚ทใคใใ‚ใ‘(็ฌ‘)ใ€‚ใชใ‚“ใ‹ใญใ€ใ‚‚ใฎใ™ใ”ใ„ใ‚“ใงใ™ใ‚ˆใ€‚ใ“ใ‚Œไธ€ๅ›žใ‚„ไบŒๅ›žใชใ‚‰ใ„ใ„ใ‚“ใงใ™ใ‘ใฉใ€ๆฏŽๆ—ฅใชใ‚“ใงใ™ใ‚ˆๅญไพ›ใฎ้ ƒ(็ฌ‘)ใ€ ่ˆน่ถŠใ€Œ(็ฌ‘)ใ€ ่’ๆœจใ€Œใใ‚Œใงใ•ใฟใ—ใใฆใ€ใใฎใจใใซ่ชญใ‚“ใ ใƒžใƒณใ‚ฌใฃใฆใ„ใ†ใฎใฏใƒ›ใƒณใƒˆใ€ๆ•‘ใ‚ใ‚Œใ‚‹ใ‚“ใงใ™ใ‚ˆใญใ€‚ไพ‹ใˆใฐใƒ†ใƒฌใƒ“ใฎใƒใƒฃใƒณใƒใƒซๆจฉใ‚‚ๅฆนใซใ‚ใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚ไบŒไบบใ ใ‹ใ‚‰ใ€‚ใ ใ‹ใ‚‰ใ‚„ใฃใฑใ‚Š้ƒจๅฑ‹ใง่ชญใ‚€ใƒžใƒณใ‚ฌใฃใฆใ„ใ†ใฎใŒใ€็ด ๆ™ดใ‚‰ใ—ใ„ใ‚‚ใ‚“ใชใ‚“ใงใ™ใ‚ˆใญใ€ ่ˆน่ถŠใ€Œใใฎๆ™‚ใซๅ…ˆ็”Ÿใ‚’ๆ•‘ใฃใฆใใ‚ŒใŸใƒžใƒณใ‚ฌ้”ใฃใฆใ„ใ†ใฎใฏใ€ใฉใ†ใ„ใ†ใƒžใƒณใ‚ฌใชใ‚“ใงใ—ใ‚‡ใ†ใ‹๏ผŸใ€ ่’ๆœจใ€ŒๆขถๅŽŸไธ€้จŽใฃใฆใ„ใ†ใ€ใ‚นใƒใƒผใƒ„ๆ นๆ€งใƒขใƒŽโ€ฆโ€ฆโ€ฆใ€Žๅทจไบบใฎๆ˜Ÿใ€ใจใ‹ใ€Žใ‚ใ—ใŸใฎใ‚ธใƒงใƒผใ€ใจใ‹ใญใ€‚้•ใ†ใƒžใƒณใ‚ฌๅฎถใ•ใ‚“ใงใฏ็™ฝๅœŸไธ‰ๅนณใฎใ€Žใ‚ซใƒ ใ‚คๅค–ไผใ€ใจใ‹ใญใ€‚ใใ†ใ„ใ†ใฎใจใ‹ใ€Žใƒใƒ“ใƒซไบŒไธ–ใ€ใฟใŸใ„ใชใ‚„ใคใงใ™ใญใ€ ่ˆน่ถŠใ€Œใ€Žใƒใƒ“ใƒซไบŒไธ–ใ€ใงใ™ใญโ€ฆโ€ฆโ€ฆ๏ผใ€ ่’ๆœจใ€Œใ‚‚ใ†ๅคงๅฅฝใใงใ™ใญใ€ ๆ›ธๅบซๆ‹่ฆ‹

่ˆน่ถŠใ€Œใ“ใกใ‚‰ใŒใ€ๅ…ˆ็”Ÿใฎๆ›ธๅบซใ€ ่’ๆœจใ€Œๆ›ธๅบซใฃใฆใ„ใ†ใ‹ใญใ€ๆœฌ็ฝฎใๅ ดใ€ ่ˆน่ถŠใ€Œใ“ใกใ‚‰ใซใƒžใƒณใ‚ฌใฎๆœฌใŒๆฒขๅฑฑใ‚ใ‚Šใพใ™ใ‘ใฉใ€ใ“ใ‚Œใฏใ‚‚ใ†ๅ…ˆ็”Ÿใฎใ”่ถฃๅ‘ณ๏ผŸใ€ ่’ๆœจใ€Œใˆใˆใใ†ใงใ™ใ€ (็”ป้ขใซใ€Žใ‚ฟใ‚คใ‚ฌใƒผใƒžใ‚นใ‚ฏใ€ใ€Žๆ–ฐๅทจไบบใฎๆ˜Ÿใ€ใ€Žใ‚ซใƒ ใ‚คๅค–ไผใ€ใ€Žใƒคใƒžใƒˆใฎ็ซใ€ใ€Žไปฎ้ขๅคช้ƒŽใ€ใŒๆ˜ ใ‚‹) ่ˆน่ถŠใ€Œใ“ใ‚ŒใŒๅ…ˆ็”ŸใŒๆ„›ๅฅฝใ—ใฆใ„ใ‚‹ไฝœๅ“ใจๆ€ใฃใฆใ„ใ„ใงใ™ใญใ€ ่’ๆœจใ€Œๆจใฆใ‚‰ใ‚Œใชใ„ใƒžใƒณใ‚ฌใงใ™ใญใ€ ่ˆน่ถŠใ€Œใชใ‚‹ใปใฉใ€‚(่ˆน่ถŠใ€ไฝ•ใ‹ใ‚’ๅ–ใ‚Šๅ‡บใ—ใฆ)ใ‚ใฃใŸโ€ฆโ€ฆโ€ฆไธ€ๅบฆๅ…ˆ็”Ÿใซไผบใ„ใŸใ„ใจๆ€ใฃใฆใ„ใŸใฎใŒใ“ใฎๆ–นใงใ™ใ€ (็”ป้ขใซใ€Žใƒฏใ‚คใƒซใƒ‰7ใ€(ๆœ›ๆœˆไธ‰่ตทไนŸ)ใจใใฎ่งฃ่ชฌใ€ๆ˜ ใ‚‹) ่’ๆœจใ€Œใ‚ใ‚ใ€ใ„ใ„ใงใ™ใญใ€ ่ˆน่ถŠใ€Œใฉใ†ใ—ใฆใ‚‚ๅ…ˆ็”Ÿใฎใ‚คใƒฉใ‚นใƒˆใŒใญโ€ฆโ€ฆโ€ฆใ€ ่’ๆœจใ€Œไผผใฆใพใ™๏ผŸใ€ ่ˆน่ถŠใ€Œไผผใฆใ„ใ‚‹ใจใ„ใ†ใ‚ˆใ‚Šใ‚‚ใ€ไฝ•ใ‹ใ“ใ†ใ€ๆœ›ๆœˆไธ‰่ตทไนŸใ•ใ‚“ใ‚’ๅฟ…ใš่ฆ‹ใฆใ„ใ‚‹ใ ใ‚ใ†ใฃใฆใ„ใ†โ€ฆโ€ฆโ€ฆใ€ ่’ๆœจใ€Œใ‚ใ‚Šใพใ™ใ€‚้Šƒใฎๆกใ‚Šๆ–นใŒใญใ€ๆœ›ๆœˆไธ‰่ตทไนŸใฎใฏใ“ใ†ใ€้‡ใ•ใŒใ‚ใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚ๆ‰‹้ฆ–ใŒใ“ใ†ใ€ใ‚ฐใƒƒใจๅ…ฅใ‚‹ใ€‚(ๅฎŸๆผ”ใ—ใคใค)ใ“ใ†ๅ›บใ„ใ‚“ใ˜ใ‚ƒใ‚ใชใ„ใ‚“ใงใ™ใ€‚ใ“ใ“ใŒใ„ใ„ใ‚“ใงใ™ใ‚ˆใ€ ่ˆน่ถŠใ€Œใใ†ใงใ™ใ‚ˆใญใ‡ใ€ ่’ๆœจใ€Œ(็ฌ‘)ใ€€ใ“ใ†ใ„ใ†ๆ„Ÿใ˜ใงใญใ€้‡ใ„ใ‚“ใ ใ€ ่ˆน่ถŠใ€Œ้Šƒใ‚’ๆœฌๅฝ“ใซๅฅฝใใชๆ–นใชใ‚‰ใงใฏใฎใƒชใ‚ขใƒชใƒ†ใ‚ฃใŒใ‚ใ‚Šใพใ™ใ‚ˆใญใ€ (ใ‚ขใ‚คใƒ‡ใ‚ขใƒŽใƒผใƒˆใฏใ‚ใ‚‹๏ผŸ)

่ˆน่ถŠใ€Œใ“ใ‚Œใ€ๆ„Ÿๅ‹•ใ—ใŸใฎใฏใงใ™ใญใ€ๅคงๅญฆใƒŽใƒผใƒˆใ ใฃใฆใ„ใ†ๆ‰€ใงใ™ใญใ€ ่’ๆœจใ€Œใ‚ใ‚ใ€ใใ†ใงใ™ใ‹๏ผŸใ€ ่ˆน่ถŠใ€Œใˆใˆใ€ ่’ๆœจใ€Œใ ใฃใฆใ“ใ‚Œใฏไธญๆ€ง็ด™ใงใญใ€่‰ฒใŒๅค‰ใ‚ใ‚‰ใชใ„็ด™ใชใ‚“ใงใ™ใ‚ˆ(็ฌ‘)ใ€ ่ˆน่ถŠใ€Œใ‚ใฎใ€ใกใ‚‡ใฃใจ(่ฆ‹ใ›ใฆๆฌฒใ—ใ„)ใ€ ่’ๆœจใ€Œใฉใฎใธใ‚“ใ‹ใชโ€ฆโ€ฆโ€ฆไฝฟใฃใกใ‚ƒใฃใŸๆ‰€ใชใ‚‰ใ„ใ„ใ‹ใ€‚ใ“ใฎ่พบใ ใฃใŸใ‚‰ใ„ใ„ใฎใ‹ใชใ€ ่ˆน่ถŠใ€Œ(ใ˜ใฃใจ่ฆ‹ใ‚‹)ใ€ ่’ๆœจใ€Œใ“ใฃใกใŒใƒ†ใƒฌใƒ“ใ‚’่ฆณใŸๆ„Ÿๆƒณใงใ€ใ“ใฃใกใŒไธปใซโ€ฆโ€ฆโ€ฆใ€ ่ˆน่ถŠใ€Œโ€ฆโ€ฆโ€ฆใชใ‚‹ใปใฉใ€ๅ…ˆ็”Ÿใ“ใ‚ŒใฏๅฎŒๅ…จใซใ‚ขใ‚คใƒ‡ใ‚ขใƒ–ใƒƒใ‚ฏใจใ„ใ†ใ‚ˆใ‚Šใ‚‚ใ€ใƒใ‚ฟๅธ–ใงใ™ใญใ€ ่’ๆœจใ€Œใใ†ใ‹ใ‚‚ใ—ใ‚Œใชใ„ใ€ ่ˆน่ถŠใ€Œๅ…ˆ็”ŸใŒๆ—ฅๅธธ็”Ÿๆดปใ‚’ใ•ใ‚Œใฆใ„ใ‚‹ไธญใงใ€ๆฐ—ใฅใ„ใŸใ“ใจใ€ใ‚ใ‚‹ใ„ใฏใ“ใ‚Œใ‚’ๅผ•็”จใ—ใ‚ˆใ†ใจใ‹ๆ€ใ‚ใ‚Œใฆใ„ใ‚‹ใ“ใจใ‚’ๆ›ธใ็ถดใฃใฆใ„ใ‚‰ใฃใ—ใ‚ƒใ‚‹ใจใ€ ่’ๆœจใ€Œใฏใ„ใ€ ่ˆน่ถŠใ€Œ่จ€ใฃใฆใฟใ‚Œใฐๅ…ˆ็”Ÿใฎๅฟƒใฎๆ—ฅ่จ˜ใฟใŸใ„ใชใ‚‚ใ‚“ใงใ™ใญใ€ ่’ๆœจใ€Œใใ†ใ‹ใ‚‚ใ—ใ‚“ใชใ„ใงใ™ใญใ€ ่ˆน่ถŠใ€Œไฝœๅฎถใจใ—ใฆใฎใ€ๅฟƒใฎๆ—ฅ่จ˜ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใญใ€

(ใƒžใƒณใ‚ฌๅฎถใจใ—ใฆ็ขบไฟกใ‚’ๅพ—ใŸใฎใฏ๏ผŸ)

่’ๆœจใ€Œใ‚„ใฃใฑใ‚Š่ชญ่€…ใซใใฃใฝใ‚’ๅ‘ใ‹ใ‚ŒใŸใ‚‰ใใฎๆ™‚็‚นใง็ต‚ใ‚ใ‚Šใ‹ใชใใ€ใฟใŸใ„ใชใฎใฏโ€ฆโ€ฆโ€ฆใ€ ่ˆน่ถŠใ€ŒไปŠใงใ‚‚ใ€ใใฎๅฑๆฉŸๆ„Ÿใจใ„ใ†ใฎใŒใŠใ‚ใ‚Šใงใ™ใ‹ใ€ ่’ๆœจใ€Œใ‚ใ‚Šใพใ™ใ€‚ใใฎ่ฆšๆ‚Ÿใฏใ„ใคใงใ‚‚ใ—ใฆใ„ใ‚‹ใฃใฆใ„ใ†ใ‹ใ€่ฆšๆ‚Ÿใฃใฆใ„ใ†ใฎใ‹ใชใ€ใใ†ใ„ใ†ๆ™‚ใฏใ‚ใ‚Šใพใ™ใญใ€ (ใ‚ธใƒณใ‚ฏใ‚นใฏ๏ผŸ)

่ˆน่ถŠใ€Œๅฃใ‚’่ƒŒใซใ™ใ‚‹ใจใ‚ขใ‚คใƒ‡ใ‚ขใŒใ‚ใ„ใฆใใ‚‹ใ€ใ“ใ‚ŒใŒใ‚ธใƒณใ‚ฏใ‚นใ ใจใŠใฃใ—ใ‚ƒใฃใฆใ„ใพใ—ใŸใญ๏ผŸใ€ ่’ๆœจใ€Œใชใ‚“ใ‹ใ“ใฎใธใ‚“ใŒ(็›ฎใฎๅ‰ใ‚’ๆ‰‹ใง็คบใ—ใฆ)ๅบƒใ„ๆ„Ÿใ˜ใŒใ„ใ„ใ‚“ใงใ™ใ‚ˆใญใ€‚ใ ใ‹ใ‚‰ๆœบใชใ‚“ใ‹ใ‚‚ๅฟ…ใšใ“ใ†ใ„ใ†ๆ„Ÿใ˜ใงใ€ๆœฌ็ฎฑใจใ‹ใ‚’ๅพŒใ‚ใซใ—ใŸใ‚Šใจใ‹ใ€ ่ˆน่ถŠใ€Œไฝ•ใ‹ใ‚’่ƒŒ่ฒ ใ†ใ€ ่’ๆœจใ€Œใˆใˆใ€ใใ†ใงใ™ใญใ€‚ใ‚ขใ‚ทใ‚นใ‚ฟใƒณใƒˆใŒๅ‰ใ€ใ„ใŸใ‚Šใจใ‹ใ—ใŸใ‚“ใงใ™ใฉใ€ใƒ›ใƒณใƒˆ้ง„็›ฎใงใ™ใญใ€ (ใ“ใ“ใงๆœฌๆฃšใฎไธญใŒไธ€็žฌๆ˜ ใ‚‹ใ€‚ใ‚ธใƒงใ‚ธใƒงใฎๅ˜่กŒๆœฌใฎใปใ‹ใ€่พžๅ…ธใชใฉ๏ผŸ) ่ˆน่ถŠใ€Œใใ‚Œใฏใกใ‚‡ใฃใจ้ข็™ฝใ„ๅฟƒ็†ใงใ™ใญใ€ ่’ๆœจใ€Œใ‚ขใ‚ทใ‚นใ‚ฟใƒณใƒˆใŒๅ‰ใซใ„ใ‚‹โ€ฆโ€ฆโ€ฆๅญฆๆ กใฎๅ…ˆ็”Ÿใฎใ‚ˆใ†ใซใ€‚ใ‚ใ‚ใ„ใ†ๆ„Ÿใ˜ใŒใ„ใ„ใงใ™ใญใ€‚ใ‚ใ‚Šใพใ™ใญ็ตถๅฏพใ€ (ๆœ€ๅคงใฎไฟฎ็พ…ๅ ดใฏ๏ผŸ)

่ˆน่ถŠใ€Œไฟฎ็พ…ๅ ดใ€ใ“ใ‚Œใฏใ‚‚ใ†ไฝ“่ชฟใ‚’ๅดฉใ—ใŸใจใใฃใฆใŠใฃใ—ใ‚ƒใฃใฆใ„ใพใ—ใŸใ‘ใฉใ€ใ“ใ‚Œใฏใƒ•ใ‚กใƒณใฎๆ–นใฎ่ˆˆๅ‘ณใฏไธ€ไฝ“ใ‚ธใƒงใ‚ธใƒงใฎไฝ•ๅทป็›ฎใชใ‚“ใ ใ‚ใ†ใ€ใฃใฆใ„ใ†โ€ฆโ€ฆโ€ฆใ€ ่’ๆœจใ€Œใ‚ใ‚โ€ฆโ€ฆโ€ฆ็ฌฌๅ››้ƒจใฎใญใ€ๆœ€็ต‚ๆฑบๆˆฆใฎใ‚ใŸใ‚Šใจใ‹ใ€‚ๅ‰่‰ฏใฃใฆใ„ใ†ๆ•ตใŒใ„ใ‚‹ใ‚“ใงใ™ใ‘ใฉใ€ใใฎใธใ‚“ใจใ‹ใญใ€‚ใ“ใ‚Œใ‚‚ใ—ใ‹ใ—ใฆ่ฒ ใ‘ใ‚‹ใ‹ใ‚‚ใจใ‹ใญ(็ฌ‘)ใ€ (ใƒŠใƒฌใƒผใ‚ทใƒงใƒณ) (็ฌฌๅ››้ƒจใฎใ‚ซใƒฉใƒผใปใ‹ๆ˜ ใ‚‹ใ€‚ไป—ๅŠฉใŒใ€Œใใ‚ŒไปฅไธŠ่จ€ใ†ใชโ€ฆโ€ฆโ€ฆใฆใ‚ใƒผใ€ใฎใ‚ทใƒผใƒณไป–) ใ€€่’ๆœจๅ…ˆ็”Ÿๆœ€ๅคงใฎไฟฎ็พ…ๅ ดใ ใฃใŸใจใ„ใ†ใ“ใฎใ‚ทใƒผใƒณใ€็ฌฌๅ››้ƒจใ€Œใƒ€ใ‚คใƒคใƒขใƒณใƒ‰ใฏ็ •ใ‘ใชใ„ใ€ใฎใ‚ฏใƒฉใ‚คใƒžใƒƒใ‚ฏใ‚น๏ผใ€€ๆฎบไบบ้ฌผใƒปๅ‰่‰ฏๅ‰ๅฝฑใฎใ‚นใ‚ฟใƒณใƒ‰ใ€ใ‚ญใƒฉใƒผใ‚ฏใ‚คใƒผใƒณใฎ็ˆ†ๅผพใซใ€ๅ››ไปฃ็›ฎใ‚ธใƒงใ‚ธใƒงใƒปไป—ๅŠฉใŒ็ชฎๅœฐใซ่ฟฝใ„่พผใพใ‚Œใ‚‹๏ผ

่’ๆœจใ€Œไธปไบบๅ…ฌใฃใฆใ„ใ†ใฎใฏใ‚ณใƒณใƒˆใƒญใƒผใƒซใ—ใฆใ„ใ‚‹ใจๆ€ใ†ใ˜ใ‚ƒใชใ„ใงใ™ใ‹ใ€‚็š†ใ•ใ‚“ใฏใ€‚ไฝœๅฎถใŒใ‚ณใƒณใƒˆใƒญใƒผใƒซใ—ใฆๆ›ธใ„ใฆใ„ใ‚‹ใจใ€ ่ˆน่ถŠใ€Œใ‚‚ใกใ‚ใ‚“ใใ†ใงใ™ใ‚ˆใญใ€ ่’ๆœจใ€Œใใ†ใ˜ใ‚ƒใ‚ใชใ„ใ‚“ใงใ™ใ‚ˆใ€‚ไธปไบบๅ…ฌใฎๆ–นใŒไธŠใซใใกใ‚ƒใฃใฆใ‚‹ไบ‹ใ‚‚ใ‚ใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚ๆใ‹ใ›ใ‚‰ใ‚Œใ‚‹ใจใ„ใ†ใ‹ใ€ ่ˆน่ถŠใ€Œไธปไบบๅ…ฌใซๆใ‹ใ›ใ‚‰ใ‚Œใ‚‹๏ผใ€ ่’ๆœจใ€Œๆใ‹ใ›ใ‚‰ใ‚Œใ‚‹ใจใใŒใ‚ใฃใฆโ€ฆโ€ฆโ€ฆใ€ ่ˆน่ถŠใ€Œๅ‹ๆ‰‹ใซไธปไบบๅ…ฌใŒใ“ใฎไธŠใงไบบ็”Ÿใ‚’ๆผ”ใ˜ใ„ใใฃใฆไบ‹ใงใ™ใ‹ใ€ ่’ๆœจใ€Œใใ†ใงใ™ใญใ€ ่ˆน่ถŠใ€Œใใ‚Œใฏใฟใ‚“ใชใ‹ใ‚‰ใ€ใ“ใ†ใ ใ“ใ†ใ€ใฟใŸใ„ใชใ€ ่’ๆœจใ€Œๅ‹•ๆฉŸใจใ‹ใ‚’ๆ„Ÿใ˜ใฆใ‚„ใ‚‹ใจใ€‚ไฝœใฃใŸๆŠ€ใจใ‹ใญใ€‚ใ‚ใพใ‚Šใซใ‚‚ๅผทใ™ใŽใ‚‹ใจใ€ใฉใ†ใ—ใ‚ˆใ†ใ‚‚ใชใใชใฃใฆใใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚ใ‚ใจใ€ๆ€งๆ ผใจใ‹ใŒๆ‚ชใ™ใŽใ‚‹ใจใ€‚ใฉใ†ใ™ใ‚‹ใ‚“ใ ใ‚ใ†ใจๆ€ใฃใฆใ€ใฉใ†ใ—ใŸใ‚‰ใ„ใ„ใ‹ใ‚ใ‹ใ‚“ใชใใชใฃใกใ‚ƒใฃใฆ(็ฌ‘)ใ€ ่ˆน่ถŠใ€Œๅ…ˆ็”ŸใŒไปŠใพใงๆ‰‹ใซไฝ™ใฃใกใ‚ƒใฃใŸๆ‚ชๅ…šใฃใฆใ„ใ†ใฎใฏ่ชฐใงใ—ใ‚‡ใ†ใ‹๏ผŸใ€ ่’ๆœจใ€Œใ‚„ใฃใฑใ‚Šๅ‰่‰ฏๅ‰ๅฝฑใฃใฆใ„ใ†ใƒชใ‚ขใƒชใƒ†ใ‚ฃใ‚ใ‚‹ใ‚„ใคใŒใ„ใ‚‹ใ‚“ใงใ™ใ‘ใฉ(ใ“ใ“ใงใ€ŽJOJO A GO-GO๏ผใ€ใฎๅ‰่‰ฏใŒ็”ป้ขใซๆ˜ ใ‚‹)ใ€ใ‚ใ„ใคไฝ•ใงใ‚‚ใ‚ใ‚Šใชใ‚“ใงใ™ใ‚ˆใ€‚ใ‚ใฎๆ™‚ใฏใกใ‚‡ใฃใจโ€ฆโ€ฆโ€ฆใงใ‚‚ใ—ใ‹ใ‚‚ๅƒ•ใฏๅฅฝใใชใ‚“ใงใ™ใ‚ˆใ€ใ‚ใ„ใคใŒใ€ ่ˆน่ถŠใ€Œๅ‰่‰ฏๅฅฝใใชใ‚“ใงใ™ใ‹ใ€ ่’ๆœจใ€Œๅฅฝใใชใ‚“ใงใ™ใ‚ˆใ€‚ใชใ‚“ใ‹ใกใ‚‡ใฃใจใ€ใŠๅ‰ใ‚‚่งฃใ‚‹ใชใ€ใฃใฆใ„ใ†ๆ‰€ใŒใ‚ใ‚‹ใ‚“ใงใ™ใ‚ˆใญใ€ ่ˆน่ถŠใ€Œ่ฒ ใ‘ใใ†ใซใชใฃใŸๆ‰ฟๅคช้ƒŽใจไป—ๅŠฉใŒๅ‹ใฆใŸใฎใฏใ€ๅ…ˆ็”Ÿใฎไฝ“่ชฟใฎๅพฉๆดปใจ้–ขไฟ‚ใŒใ‚ใ‚‹ใ‚“ใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใ„ใ‚„ใ€ใใ‚Œใ˜ใ‚ƒใชใใฆๆญปใซใ‚‚ใฎ็‹‚ใ„ใงใฉใ†ใ—ใ‚ˆใ†ใ‹่€ƒใˆใŸใ‹ใ‚‰ใ ใจๆ€ใ„ใพใ™ใ‘ใฉใ€‚ใ‚‚ใ†(่‡ชๅˆ†ใŒ)ไธปไบบๅ…ฌใฎๆง˜ใชๆ„Ÿใ˜ใงใ—ใŸใญใ€ (ใƒŠใƒฌใƒผใ‚ทใƒงใƒณ) ใ€€ใ€Žใ‚ธใƒงใ‚ธใƒงใฎๅฅ‡ๅฆ™ใชๅ†’้™บใ€ใ€‚1987ๅนดใ‚ˆใ‚Š้€ฑๅˆŠๅฐ‘ๅนดใ‚ธใƒฃใƒณใƒ—ใซ้€ฃ่ผ‰ใ€‚19ไธ–็ด€ๆœซใฎใ‚คใ‚ฎใƒชใ‚นใŒ่ˆžๅฐใจใชใ‚Šใ‚นใ‚ฟใƒผใƒˆใ€‚ ใ€€็ฌฌไธ€้ƒจใฎไธปๅฝนใฏใ‚ธใƒงใƒŠใ‚ตใƒณใƒปใ‚ธใƒงใƒผใ‚นใ‚ฟใƒผใ€‚็ถšใ็ฌฌไบŒ้ƒจใฏใ‚ธใƒงใ‚ปใƒ•ใƒปใ‚ธใƒงใƒผใ‚นใ‚ฟใƒผใ€‚็ฌฌไธ‰้ƒจใฏๆ—ฅๆœฌไบบใ€็ฉบๆกๆ‰ฟๅคช้ƒŽใ€‚็ฌฌๅ››้ƒจใฏๆฑๆ–นไป—ๅŠฉใ€‚็ฌฌไบ”้ƒจใฏใ‚คใ‚ฟใƒชใ‚ขใŒ่ˆžๅฐใงใ‚ธใƒงใƒซใƒŽใƒปใ‚ธใƒงใƒใƒผใƒŠใ€‚็พๅœจใ€่ฟ‘ๆœชๆฅ2011ๅนดใŒ่ˆžๅฐใฎ็ฌฌๅ…ญ้ƒจใพใงใ‚ใ‚Šใ€ใใฎ้€ฃ่ผ‰ๆœŸ้–“ใฏๅฎŸใซ16ๅนดใซใ‚‚ๅŠใถใ€‚ ใ€€ใใ‚Œใžใ‚Œใฎๆ™‚ไปฃใซใ‚ˆใฃใฆไธปไบบๅ…ฌใŒๅค‰ใ‚ใ‚Šใ€่‹ฑๅ›ฝ่ฒดๆ—ใ‚ธใƒงใƒผใ‚นใ‚ฟใƒผๅฎถใฎ่ก€็ตฑใซใ‚ใ‚‹ใ‚ธใƒงใ‚ธใƒงใŒๆดป่บใ€‚ไธ€ไธ–็ด€ไปฅไธŠใซใ‚‚ใ‚ใŸใ‚‹ใ‚ธใƒงใƒผใ‚นใ‚ฟใƒผๅฎถใจใƒ‡ใ‚ฃใ‚ชใฎๅ› ็ธใ‚’ๆใ„ใŸๅ‚‘ไฝœๅคงๆฒณใƒญใƒžใƒณใ€‚

ใƒ—ใƒฉใ‚คใƒ™ใƒผใƒˆใ€€Q21๏ฝžQ60

Q21ใ€€ๅฅฝใใชๆ˜ ็”ปใƒ™ใ‚นใƒˆ3 ่ˆน่ถŠใ€Œๅฅฝใใชๆ˜ ็”ปใƒ™ใ‚นใƒˆ3ใ‚’ๆ•™ใˆใฆใใ ใ•ใ„ใ€ ่’ๆœจใ€Œๆด‹็”ปใงใ™ใ‘ใฉใ€Žๅคง่„ฑ่ตฐใ€ใจใ‹ใ€‚ใ€Žๅคง่„ฑ่ตฐใ€ใ‚ซใƒƒใ‚ณใ‚คใ‚คใงใ™ใญไธ€็•ชใ€ ่ˆน่ถŠใ€Œ(ๅ…ฑๆ„Ÿใ—ใฆ)ใŠใŠ๏ผโ€ฆโ€ฆโ€ฆใ‚นใƒ†ใ‚ฃใƒผใƒดใƒปใƒžใƒƒใ‚ฏใ‚คใƒผใƒณใ€ ่’ๆœจใ€Œใ‚ใจใ€Žใ‚ธใƒงใƒผใ‚บใ€ใจใ€Žใ‚ดใƒƒใƒ‰ใƒ•ใ‚กใƒผใ‚ถใƒผใ€ใงใ™ใญใ€‚ไฝ•ๅบฆใงใ‚‚่ฆณใพใ™ใญใ€ ่ˆน่ถŠใ€ŒไปŠใ€ๆกๆ‰‹ใ—ใŸใ„ใชใจใ€็งใฏๆ€ใฃใฆใŠใ‚Šใพใ™(็ฌ‘)ใ€

Q22ใ€€ๅฅฝใใชๅฐ่ชฌใƒ™ใ‚นใƒˆ3 ่ˆน่ถŠใ€Œๅฅฝใใชๅฐ่ชฌใƒ™ใ‚นใƒˆ3ใ‚’ๆ•™ใˆใฆใใ ใ•ใ„ใ€ ่’ๆœจใ€Œไธ‰ๆœฌใ‚‚ใชใ„ใ‚“ใงใ™ใ‘ใฉใ€ๅญไพ›ใฎๆ™‚ใฏใ€Žใ‚ทใƒฃใƒผใƒญใƒƒใ‚ฏ๏ฝฅใƒ›ใƒผใƒ ใ‚บใฎๅ†’้™บใ€ใฟใŸใ„ใชใฎใ‚ทใƒชใƒผใ‚บใ€‚ใ‚ใ‚Œใงใ€ไธปไบบๅ…ฌใฃใฆใ„ใ†ใฎใฏใฉใ†ใ„ใ†ไบบใชใฎใ‹ใชใฃใฆ่งฃใฃใŸใ‚ˆใ†ใชใ‚ˆใ†ใชๆฐ—ใŒใ™ใ‚‹ใ‚“ใงใ™ใ‘ใฉใ€

Q23ใ€€ๅฟ…ใš่ชญใ‚€้›‘่ชŒใฏ๏ผŸ ่ˆน่ถŠใ€Œๅฟ…ใš่ชญใ‚“ใงใ„ใ‚‹้›‘่ชŒใฏไฝ•ใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œไฝ•ๅๅนดใ‚‚่ชญใฟ็ถšใ‘ใงใ„ใ‚‹้›‘่ชŒใฏโ€ฆโ€ฆโ€ฆใ€Žใƒญใƒผใƒ‰ใ‚ทใƒงใƒผใ€ใฃใฆๆ˜ ็”ป้›‘่ชŒใŒใ‚ใ‚‹ใ‚“ใงใ™ใ‘ใฉใ€ใ‚ใ‚Œใฏใšใฃใจ่ฒทใฃใฆใ„ใ‚‹ใชใใ€ ่ˆน่ถŠใ€Œๅฅ‡ใ—ใใ‚‚้›†่‹ฑ็คพใงใ™ใญ(็ฌ‘)ใ€ ่’ๆœจใ€Œใใ†ใงใ™ใญ(็ฌ‘)ใ€

Q24ใ€€ๅฅฝใใช้ฃŸใน็‰ฉใฏไฝ•ใงใ™ใ‹๏ผŸ ่ˆน่ถŠใ€Œๅฅฝใใช้ฃŸใน็‰ฉใฏไฝ•ใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใ‚นใƒ‘ใ‚ฒใƒƒใƒ†ใ‚ฃใƒผใงใ™ใ€‚ไฝ•ๅ‘ณใงใ‚‚ใ„ใ„ใงใ™ใ€‚ใƒŠใƒใƒชใ‚ฟใƒณใงใ‚‚ใ„ใ„ใ—ใ€ไฝ•ใงใ‚‚ใ„ใ„ใงใ™ใญใ€

Q25ใ€€ๅซŒใ„ใช้ฃŸใน็‰ฉใฏ๏ผŸ ่ˆน่ถŠใ€ŒๅซŒใ„ใช้ฃŸใน็‰ฉใฏไฝ•ใงใ—ใ‚‡ใ†ใ‹๏ผŸใ€ ่’ๆœจใ€ŒๅซŒใ„ใช้ฃŸใน็‰ฉใฏโ€ฆโ€ฆโ€ฆใƒˆใƒžใƒˆใฎ็šฎใงใ™ใญใ€‚ใƒ—ใƒใƒˆใƒžใƒˆใจใ‹ใ€็ตถๅฏพ้ฃŸในใ‚Œใชใ„ใงใ™ใ€ ่ˆน่ถŠใ€Œใงใ‚‚ใ‚นใƒ‘ใ‚ฒใƒƒใƒ†ใ‚ฃใƒผใฃใฆใ€ใƒˆใƒžใƒˆใฐใฃใ‹ใ‚Šใ˜ใ‚ƒใ‚โ€ฆโ€ฆโ€ฆใ€ ่’ๆœจใ€Œ็…ฎใ‚‹ใจใ„ใ„ใ‚“ใงใ™ใ‘ใฉใ€็”Ÿใฏ้ง„็›ฎใชใ‚“ใงใ™ใ€ ่ˆน่ถŠใ€Œใ‚ใ‚ใ€็”Ÿใฎใƒˆใƒžใƒˆใฎ็šฎใ€‚ๅพŒใฏไฝ•ใงใ‚‚ๅคงไธˆๅคซใ€ใจใ€

Q26ใ€€ไผ‘ๆ—ฅใฎ้Žใ”ใ—ๆ–นใฏ๏ผŸ ่ˆน่ถŠใ€Œไผ‘ใฟใฎๆ—ฅใฏไฝ•ใ‚’ใ—ใฆใ„ใพใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œๆœฌ่ชญใ‚“ใ ใ‚Šใ€ๆ˜ ็”ป่ฆณใŸใ‚Šใจใ‹ใ€‚ใ‚ใจใ€้‹ๅ‹•ใงใ™ใญใ€

Q27ใ€€ๅ…ทไฝ“็š„ใซใฏ๏ผŸ ่ˆน่ถŠใ€Œๅ…ทไฝ“็š„ใซใฏ๏ผŸใ€ ่’ๆœจใ€Œ็ญ‹่‚‰ใƒˆใƒฌใƒผใƒ‹ใƒณใ‚ฐใจใ‹ใ€่ตฐใฃใŸใ‚Šใจใ‹ใ€

Q28ใ€€่ถฃๅ‘ณใฏ๏ผŸ ่ˆน่ถŠใ€Œ่ถฃๅ‘ณใฏไฝ•ใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใชใ„ใงใ™ใ€ ่ˆน่ถŠใ€Œไป•ไบ‹ใ€ใจใ€ ่’ๆœจใ€Œไป•ไบ‹ใงใ™ใ€ Q29ใ€€ๆœ€่ฟ‘ใƒใƒžใฃใฆใ„ใ‚‹ใ“ใจใฏ๏ผŸ

่ˆน่ถŠใ€Œๆœ€่ฟ‘ใƒใƒžใฃใฆใ„ใ‚‹ใ“ใจใฏไฝ•ใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œๆœ€่ฟ‘ใƒใƒžใฃใฆใ„ใ‚‹ใฎใฏโ€ฆโ€ฆโ€ฆ่‡ชๅˆ†ใฎ็ตตใ‚’ใงใฃใ‹ใๆใใฎใŒใƒใƒžใฃใฆใ„ใพใ™ใ€ Q30ใ€€ๅฅฝใใช้Ÿณๆฅฝใฏ๏ผŸ ่ˆน่ถŠใ€Œๅฅฝใใช้Ÿณๆฅฝใฏไฝ•ใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œๅ…จ้ƒจๅฅฝใใงใ™ใ‘ใฉโ€ฆโ€ฆโ€ฆใ‚‚ใ†ใƒฉใƒƒใƒ—ใงใ‚‚ไฝ•ใงใ‚‚ใ€ใ„ใ„ใงใ™ใ€‚ใ‚ธใƒฃใ‚บใงใ‚‚ใ€ Q31ใ€€ไธ€็•ชๅฅฝใใชใ‚ขใƒผใƒ†ใ‚ฃใ‚นใƒˆใฏ๏ผŸ ่ˆน่ถŠใ€Œ็™ปๅ ดไบบ็‰ฉใซใ‚ขใƒผใƒ†ใ‚ฃใ‚นใƒˆใฎๅๅ‰ใŒๅคšใๅ‡บใฆใใพใ™ใŒใ€ไธ€็•ชๅฅฝใใชใ‚ขใƒผใƒ†ใ‚ฃใ‚นใƒˆใฏ่ชฐใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใƒ—ใƒชใƒณใ‚นใŒๅฅฝใใ€‚ใƒ—ใƒชใƒณใ‚นใ€ Q32ใ€€ใŠใ™ใ™ใ‚ใฎใ‚ขใƒซใƒใƒ  ่ˆน่ถŠใ€ŒใŠๅ‹งใ‚ใฎใ‚ขใƒซใƒใƒ ใ‚’ๆ•™ใˆใฆใใ ใ•ใ„ใ€ ่’ๆœจใ€Œๆœ€่ฟ‘ใฏใญใƒใƒชใƒผ(NELLY)ใฃใฆใ„ใ†ใฎใฎโ€ฆโ€ฆโ€ฆใกใ‚‡ใฃใจใฉใฃใ‹ใซใ‚ใฃใŸใช(CDใƒฉใƒƒใ‚ฏใ‹ใ‚‰ไธ€ๆžšใฎCDใ‚’ใ•ใฃใจๅ–ใ‚Šๅ‡บใ™)ใ“ใ‚ŒใŒใ„ใ„ใ€‚ใ“ใ‚ŒใŒใ„ใ„ใ‚“ใงใ™ใ‚ˆใ€‚ใƒฉใƒƒใƒ‘ใƒผใฎใƒใƒชใƒผใ€ (็”ป้ขใซใ‚ธใƒฃใ‚ฑใ€‚ใ€ŽCOUNTRY GRAMMARใ€(NELLY)) ่ˆน่ถŠใ€Œใ‚ใ‚โ€ฆโ€ฆโ€ฆใ‚ใ–ใ‚ใ–ใ‚ใ‚ŠใŒใจใ†ใ”ใ–ใ„ใพใ™ใ€ Q33ใ€€ๅฅฝใใชใƒ†ใƒฌใƒ“็•ช็ต„ใฏ๏ผŸ ่ˆน่ถŠใ€Œๅฅฝใใชใƒ†ใƒฌใƒ“็•ช็ต„ใฏไฝ•ใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œๆœ€่ฟ‘ใฎใงใ™ใ‹ใ€‚ใ‚ใ‚“ใพ่ฆณใฆใ„ใชใ„ใงใ™ใญใ€ ่ˆน่ถŠใ€Œใใ†ใงใ™ใ‚ˆใญใ€ใ”่ฆงใซใชใ‚‹ๆ™‚้–“ใฏใชใ„ใงใ™ใ‚ˆใญใ€ ่’ๆœจใ€Œๆ˜ ็”ปใฏ่ฆณใ‚‹ใ‚“ใงใ™ใ‘ใฉใ€ ่ˆน่ถŠใ€Œๆ˜ฏ้žใ€ใ‚ตใ‚นใƒšใƒณใ‚นใ‚’ใ”่ฆงใซใชใฃใฆใใ ใ•ใ„(็ฌ‘)ใ€ (ๆณจ:่ˆน่ถŠใฏไบŒๆ™‚้–“ใ‚ตใ‚นใƒšใƒณใ‚นใƒ‰ใƒฉใƒžใฎๅธ็Ž‹) ่’ๆœจใ€Œ่ฆณใฆใฟใพใ™(็ฌ‘)ใ€‚่งฃใ‚Šใพใ—ใŸใ€ Q34ใ€€่’ๆœจๆตๅฅๅบทๆณ•ใฏ๏ผŸ ่ˆน่ถŠใ€Œ่’ๆœจๆตๅฅๅบทๆณ•ใ‚’ใฒใจใคใ€ๆ•™ใˆใฆใ„ใŸใ ใ‘ใพใ™ใงใ—ใ‚‡ใ†ใ‹๏ผŸใ€ ่’ๆœจใ€ŒๅŸท็ญ†ๅ‰ใฎใ‚นใƒˆใƒฌใƒƒใƒใงใ™ใญใ€ Q35ใ€€ใƒ•ใ‚กใƒƒใ‚ทใƒงใƒณใฎใ“ใ ใ‚ใ‚Š ่ˆน่ถŠใ€Œใƒ•ใ‚กใƒƒใ‚ทใƒงใƒณใซใ“ใ ใ‚ใ‚Šใฏใ‚ใ‚Šใพใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œ่‡ชๅˆ†ใงใฏใ‚ใ‚“ใพใชใ„ใงใ™ใ‘ใฉใ€ใ‚„ใฃใฑใ‚ˆใ่ฆ‹ใพใ™ใ€ Q36ใ€€ไธ€็•ช่ฝใก็€ใๅ ดๆ‰€ใฏ๏ผŸ ่ˆน่ถŠใ€Œไธ€็•ช่ฝใก็€ใๅ ดๆ‰€ใฏใฉใ“ใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œ่ฝใก็€ใๅ ดๆ‰€โ€ฆโ€ฆโ€ฆใ‚„ใฃใฑใ“ใฎ้ƒจๅฑ‹ใŒใ„ใ„ใ‹ใช๏ผŸใ€ Q37ใ€€ใ‚ฏใ‚ปใฏ๏ผŸ ่ˆน่ถŠใ€Œใ‚ฏใ‚ปใฏใ‚ใ‚Šใพใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใ‚ใ”ใ‚’ใ„ใ˜ใ‚‹ใฎใŒใ€‚็ทŠๅผตใ™ใ‚‹ใจใ€‚(่‡ชๅˆ†ใงใฏ)ใ‚ใ‹ใ‚“ใชใ„ใ‘ใฉใ€ ่ˆน่ถŠใ€Œใใ†ใงใ™ใญใ€ไปŠๆ—ฅใ‚‚ไฝ•ๅบฆใ‹ๆ‹่ฆ‹ใ—ใพใ—ใŸใ€ Q38ใ€€ใŠ้…’ใฏๅผทใ„๏ผŸ ่ˆน่ถŠใ€ŒใŠ้…’ใฏๅผทใ„ๆ–นใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใปใจใ‚“ใฉ้ฃฒใฟใพใ›ใ‚“ใ€ Q39ใ€€ใ‚‚ใ‚‰ใฃใฆๅฌ‰ใ—ใ„ใ‚‚ใฎใฏ๏ผŸ ่ˆน่ถŠใ€Œใ‚‚ใ‚‰ใฃใฆๅฌ‰ใ—ใ„ใ‚‚ใฎใฏไฝ•ใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œ็พŽๅ‘ณใ—ใ„ใŠ่“ๅญใŒใ„ใ„ใงใ™ใญใ€ ่ˆน่ถŠใ€ŒใŠ่“ๅญใ€ใŠๅฅฝใใงใ™ใ‹ใ€ ่’ๆœจใ€Œใˆใˆใ€ ่ˆน่ถŠใ€Œ็”˜ใ„ใ‚‚ใฎใ€ใ—ใ‚‡ใฃใฑใ„ใ‚‚ใฎโ€ฆโ€ฆโ€ฆใ€ ่’ๆœจใ€Œ"ใŠใ„ใ—ใ„"ใฎใŒใ„ใ„ใ‚“ใงใ™ใ‘ใฉ(็ฌ‘)ใ€ ่ˆน่ถŠใ€ŒไปŠๆ—ฅใŠๆŒใกใ—ใŸใ‚‚ใฎใฏๅคงไธˆๅคซใ‹ใชใ€ใจๆ€ใฃใฆ(็ฌ‘)ใ€ Q40ใ€€ใฉใ‚“ใช่ปŠใซไน—ใฃใฆใ‚‹๏ผŸ ่ˆน่ถŠใ€Œ็พๅœจใ€ใฉใ‚“ใช่ปŠใซไน—ใฃใฆใ„ใ‚‰ใฃใ—ใ‚ƒใ„ใพใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใ‚ใ€ๅƒ•้‹่ปขใงใใชใ„ใ‚“ใงใ™ใ€ ่ˆน่ถŠใ€Œใใ†ใงใ™ใ‹ใ€ใใ‚Œใฏใ‚ใˆใฆ้‹่ปขใ‚’โ€ฆโ€ฆโ€ฆใ€ ่’ๆœจใ€Œใ„ใ‚„ใ€ไฝ•ใ‹็Ÿฅใ‚‰ใชใ„ใ‘ใฉใ€ๅ…่จฑๅ–ใ‚Šใซ่กŒใ‹ใชใ„ไบบ็”Ÿใซใชใฃใฆใ—ใพใ„ใพใ—ใŸใญใ€ Q41ใ€€ๅนผๅฐ‘ๆœŸใฏใฉใ‚“ใชๅญไพ›๏ผŸ ่ˆน่ถŠใ€Œๅนผๅฐ‘ๆœŸใฏใฉใ‚“ใชใŠๅญใ•ใ‚“ใงใ—ใŸใ‹๏ผŸใ€ ่’ๆœจใ€Œๅฆนใซใ„ใ˜ใ‚ใ‚‰ใ‚Œใฆใ„ใ‚‹ใŠๅ…„ใกใ‚ƒใ‚“ใงใ—ใŸ(็ฌ‘)ใ€‚ใŸใถใ‚“ใ€ Q42ใ€€ๅˆๆ‹ใฏใ„ใค๏ผŸ ่ˆน่ถŠใ€Œๅˆๆ‹ใฏใ„ใคใงใ—ใ‚‡ใ†ใ‹๏ผŸใ€ ่’ๆœจใ€Œใˆใˆใฃใ€้ซ˜ๆ กไธ€ๅนดใฎๆ™‚ใ‹ใชใ€ Q43ใ€€ๅญไพ›ใฎ้ ƒ่ฆ‹ใฆใ„ใŸใ‚ขใƒ‹ใƒกใฏ๏ผŸ ่ˆน่ถŠใ€Œๅฐใ•ใ„้ ƒใ€่ฆ‹ใฆใ„ใŸใ‚ขใƒ‹ใƒกใฏไฝ•ใงใ—ใ‚‡ใ†ใ‹๏ผŸใ€ ่’ๆœจใ€Œไฝ•ใงใ‚‚่ฆ‹ใฆใ„ใŸใจๆ€ใ„ใพใ™ใ€‚ใ€Žๅทจไบบใฎๆ˜Ÿใ€ใจใ‹ใ€‚ใงใ‚‚ใ‚ใ‚“ใพใ‚Šใƒใƒžใ‚“ใชใ‹ใฃใŸใงใ™ใญใ€‚ใƒžใƒณใ‚ฌใฎๆ–นใŒๅฅฝใใงใ™ใญใ€ ่ˆน่ถŠใ€Œใ‚ขใƒ‹ใƒกใƒผใ‚ทใƒงใƒณใ‚ˆใ‚Šใ‚‚ใ€ใƒžใƒณใ‚ฌใ€ใจใ€ ่’ๆœจใ€Œใใ†ใงใ™ใญใ€ Q44ใ€€ๅˆใ‚ใฆ่ฒทใฃใŸใƒžใƒณใ‚ฌใฏ๏ผŸ ่ˆน่ถŠใ€Œๅˆใ‚ใฆ่ฒทใฃใŸใƒžใƒณใ‚ฌใฏ่ฆšใˆใฆใ„ใ‚‰ใฃใ—ใ‚ƒใ„ใพใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใ•ใ„ใจใ†ใŸใ‹ใ‚’ใฎใ€Ž็„ก็”จใƒŽไป‹ใ€ใ€‚ไพใฎใ€ ่ˆน่ถŠใ€Œใ‚ใ‚ŒใŒๅˆใ‚ใฆ่ฒทใฃใŸใƒžใƒณใ‚ฌ๏ผŸใ€ ่’ๆœจใ€Œใ‚ใ‚Œใ€็ตตใŒไธŠๆ‰‹ใ„ใ‚“ใ ใ‚ˆใชใโ€ฆโ€ฆโ€ฆใ™ใ‚“ใ”ใ„ใ„ใ„็ตตใŒๅ…ฅใฃใฆใ„ใ‚‹ใ‚“ใงใ™ใ‚ˆใ€ Q45ใ€€ๅฅฝใใ ใฃใŸใ‚ขใ‚คใƒ‰ใƒซใฏ๏ผŸ ่ˆน่ถŠใ€Œๅฅฝใใ ใฃใŸใ‚ขใ‚คใƒ‰ใƒซใฏใ„ใ‚‰ใฃใ—ใ‚ƒใ„ใพใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œๆต…็”ฐ็พŽไปฃๅญใŒๅฅฝใใ€‚ๆญณใŒใญใ‡โ€ฆโ€ฆโ€ฆใ‚„ใ ใชใ“ใ†ใ„ใ†่ฉฑใ€ Q46ใ€€ๆฌ ใ‹ใ•ใš่ฆ‹ใฆใ„ใŸใƒ†ใƒฌใƒ“ใฏ๏ผŸ ่ˆน่ถŠใ€Œๆฌ ใ‹ใ•ใš่ฆ‹ใฆใ„ใŸใƒ†ใƒฌใƒ“ใฏไฝ•ใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œๅ‘ใ†ใฎใƒ†ใƒฌใƒ“ใŒๅฅฝใใงใ—ใŸใ€‚ๅˆ‘ไบ‹ใ‚ณใƒญใƒณใƒœใจใ‹ใ€‚ใ‚ใ‚Œใฏใ‚‚ใ†ใ€็ตถๅฏพ่ฆณใฆใ„ใŸใญๅœŸๆ›œใฎๅคœใ€ ่ˆน่ถŠใ€Œๅƒ•ใ‚‚็ตถๅฏพ่ฆณใฆใ„ใพใ—ใŸใ€ Q47ใ€€ๅพ—ๆ„็ง‘็›ฎใฏ๏ผŸ ่ˆน่ถŠใ€Œๅญฆ็”Ÿๆ™‚ไปฃใ€ๅพ—ๆ„ใ ใฃใŸ็ง‘็›ฎใฏไฝ•ใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œๅˆฅใซใ‚ใ‚“ใพใ‚Šๅพ—ๆ„ใชใ‚‚ใฎใฏใชใ„ใ‘ใฉใ€ๅฅฝใใ ใฃใŸใฎใฏ็คพไผšใจใ‹็†็ง‘ใŒๅฅฝใใงใ—ใŸใญใ€ Q48ใ€€่‹ฆๆ‰‹็ง‘็›ฎใฏ๏ผŸ ่ˆน่ถŠใ€Œๅญฆ็”Ÿๆ™‚ไปฃใ€้€†ใซ่‹ฆๆ‰‹ใ ใฃใŸ็ง‘็›ฎใฏไฝ•ใงใ—ใ‚‡ใ†ใ‹๏ผŸใ€ ่’ๆœจใ€Œ่‹ฑ่ชžใ‹ใชใ€ ่ˆน่ถŠใ€Œ่‹ฑ่ชžใชใ‚“ใงใ™ใ‹ใ€ ่’ๆœจใ€Œใ‚„ใชใ‚“ใงใ™ใ‚ˆใญใ€ใ‚ใ‚Œๅ˜่ชžใจใ‹่ฆšใˆใ‚‹ใฎใŒใ€ Q49ใ€€ใ‚ฏใƒฉใƒ–ๆดปๅ‹•ใฏ๏ผŸ ่ˆน่ถŠใ€Œๅญฆ็”Ÿๆ™‚ไปฃใ€ใฉใ‚“ใชใ‚ฏใƒฉใƒ–ๆดปๅ‹•ใ‚’ใ—ใฆใ„ใพใ—ใŸใ‹๏ผŸใ€ ่’ๆœจใ€Œๅ‰ฃ้“ใ‚’ใ—ใฆใ„ใพใ—ใŸใ€ Q50ใ€€ๅฅฝใใช็•ฐๆ€งใฎใ‚ฟใ‚คใƒ—ใฏ๏ผŸ ่ˆน่ถŠใ€Œๅฅฝใใช็•ฐๆ€งใฎใ‚ฟใ‚คใƒ—ใ‚’ๆ•™ใˆใฆใใ ใ•ใ„ใ€ ่’ๆœจใ€Œ็•ฐๆ€งใฎใ‚ฟใ‚คใƒ—๏ผŸใ€€ใ‚ใฎใญใ€ใŠใ—ใจใ‚„ใ‹ใ˜ใ‚ƒใ‚ใชใ„ๆ–นใŒใ„ใ„ใงใ™ใญใ€ ่ˆน่ถŠใ€Œใพใ•ใ—ใๅ…ˆ็”Ÿใฎไฝœๅ“ใซๅ‡บใฆใใ‚‹ๅฅณๆ€ง้”ใŒใ€ ่’ๆœจใ€Œใ‚ใ‚ใ€ใใ†ใ„ใ†ใฎใŒใ€‚ไฝ•ใ‹ใ€้ป™ใฃใฆใ„ใ‚‹ใจไฝ•่€ƒใˆใฆใ„ใ‚‹ใ‹่งฃใ‚‰ใชใ„ใ‚ˆใ†ใชๅฅณๆ€งใฏๅซŒใงใ™ใญใ€ ่ˆน่ถŠใ€Œๆดป็™บใชไบบใŒใ„ใ„ใ‚“ใงใ™ใญใ€ ่’ๆœจใ€Œใใ†ใงใ™ใญใ€ Q51ใ€€ๅฅฅใ•ใ‚“ใฏใ„ใพใ™ใ‹๏ผŸ ่ˆน่ถŠใ€Œๅฅฅใ•ใ‚“ใฏใ„ใ‚‰ใฃใ—ใ‚ƒใ„ใพใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใ„ใพใ™ใ€ Q53ใ€€ๅฅฝใใช่‰ฒใฏ๏ผŸ ่ˆน่ถŠใ€Œๅฅฝใใช่‰ฒใฏไฝ•่‰ฒใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œไฝ•ใงใ‚‚ใ„ใ„ใ‘ใฉใ€ใ‚ชใƒฌใƒณใ‚ธใจใ‹ใ€ใ‚ชใƒฌใƒณใ‚ธใฃใฝใ„้ป„่‰ฒใ€ Q54ใ€€ๆœ€่ฟ‘ใ€ๆ€ใ‚ใš็ฌ‘ใฃใŸใ“ใจใฏ๏ผŸ ่ˆน่ถŠใ€Œๆœ€่ฟ‘ใ€ๆ€ใ‚ใš็ฌ‘ใฃใฆใ—ใพใฃใŸใ“ใจใฏใชใ‚“ใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใ“ใ‚Œใ‚‚ใ‚ˆใ่งฃใ‚‰ใชใ„ใงใ™ใ‘ใฉใ€็œผ็ง‘ใซ่กŒใฃใฆๆคœ็œผใจใ‹ใ™ใ‚‹ใ˜ใ‚ƒใชใ„ใงใ™ใ‹ใ€‚ใ‚ณใƒณใ‚ฟใ‚ฏใƒˆใƒฌใƒณใ‚บ่ฒทใ„ใซ่กŒใฃใŸๆ™‚ใซใ€‚ใใฎใŠๅŒป่€…ใ•ใ‚“ใŒ้™้›ปๆฐ—ใ‚’ๆŒใฃใฆใพใ—ใฆใ€ๅƒ•ใฎใพใถใŸใซ่งฆใฃใŸใจใใซใ€ใ“ใ†ใชใ‚“ใ‹้›ปๆ’ƒใŒใฏใ—ใฃใŸๆ™‚ใ‹ใชใ€‚ใ‚ใ‚Œใ‚‚ใƒˆใƒฉใ‚ฆใƒžใซใชใ‚‹ใ€‚ใ‚‚ใ†่กŒใ‘ใชใ„(็ฌ‘)ใ€ ่ˆน่ถŠใ€Œใ€Žใƒใƒ“ใƒซไบŒไธ–ใ€ใฎ่กๆ’ƒๆณขใฟใŸใ„ใชใ‚‚ใฎใงใ™ใ‹ใ€ ่’ๆœจใ€Œใใ†ใงใ™ใ€‚่กๆ’ƒๆณขใŒ็›ฎใซใฏใ—ใฃใŸใฎใซใฏโ€ฆโ€ฆโ€ฆใ‚‚ใ†ๆ€–ใใฆ่กŒใ‘ใชใ„ใงใ™ใ‚ˆใ€ Q54ใ€€ๆœ€่ฟ‘ใ€่…นใŒ็ซ‹ใฃใŸใ“ใจใฏ๏ผŸ ่ˆน่ถŠใ€Œๆœ€่ฟ‘ใ˜ใ‚ƒ่…นใŒ็ซ‹ใฃใŸใ“ใจใฏ๏ผŸใ€ ่’ๆœจใ€Œ่…นใŒ็ซ‹ใฃใŸใ“ใจใ‚‚โ€ฆโ€ฆโ€ฆใ‚ใ‚“ใพใ‚Šใชใ„ใงใ™ใญใ€‚ใชใ„ใงใ™ใ€ ่ˆน่ถŠใ€Œๅ…ˆ็”Ÿใ€ใ‚ใพใ‚Š่…นใฏใŠ็ซ‹ใฆใซใชใ‚‰ใชใ„ใ‚ˆใ†ใชๆ„Ÿใ˜ใซใŠ่ฆ‹ๅ—ใ‘ใ™ใ‚‹ใ‚“ใงใ™ใŒใ€ ่’ๆœจใ€Œใงใ‚‚ใ€ใ“ใ‚Œใ˜ใ‚ƒ้ง„็›ฎใ ใชใใจๆ€ใ†ใจใใฏใ‚ใ‚Šใพใ™ใ‘ใฉใญใ€‚ใƒ†ใƒฌใƒ“ใจใ‹ใ€ใƒ‹ใƒฅใƒผใ‚นใจใ‹่ฆ‹ใฆใฆใ€ Q55ใ€€ๆœ€่ฟ‘ใ€ๆถ™ใ‚’ๆตใ—ใŸใฎใฏใ„ใค๏ผŸ ่ˆน่ถŠใ€Œๆœ€่ฟ‘ใ€ๆถ™ใ‚’ๆตใ—ใŸใฎใฏใ„ใคใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œๆœ€็ต‚ๅ›žๆใ„ใฆใฆใกใ‚‡ใฃใจใ€ๆณฃใ„ใกใ‚ƒใฃใŸใชใ€ ่ˆน่ถŠใ€ŒไปŠๆ—ฅใงใ™ใญๅ…ˆ็”Ÿ(็ฌ‘)ใ€ ่’ๆœจใ€Œใ„ใ‚„ใ€ใƒใƒผใƒ ๆ›ธใ„ใฆใ„ใ‚‹ๆ™‚ใ ใ‹ใ‚‰ใ€ๆœจๆ›œๆ—ฅใ‹ใช(็ฌ‘)ใ€ ่ˆน่ถŠใ€Œใ‚„ใฃใฑใ‚Šใใ†ใงใ™ใ‚ˆใญใ‡โ€ฆโ€ฆโ€ฆใใ‚Œใฏโ€ฆโ€ฆโ€ฆใใ†ใชใ‚“ใ ใ‚ใ†ใชใใ€ Q56ใ€€ๆ—…่กŒใงไธ€็•ช่‰ฏใ‹ใฃใŸๆ‰€ใฏ๏ผŸ ่ˆน่ถŠใ€Œๆ—…่กŒใงไธ€็•ช่‰ฏใ‹ใฃใŸๆ‰€ใฏใฉใ“ใงใ—ใ‚‡ใ†ใ‹๏ผŸใ€ ่’ๆœจใ€Œๅƒ•ใฏใ‚คใ‚ฟใƒชใ‚ขใŒๅฅฝใใชใ‚“ใงใ™ใ‚ˆใ€‚ใ‚คใ‚ฟใƒชใ‚ขใฎใ€ใƒดใ‚งใƒใƒ„ใ‚ฃใ‚ขใŒใ„ใ„ใงใ™ใญใ€ ่ˆน่ถŠใ€Œใƒดใ‚งใƒใƒ„ใ‚ฃใ‚ขใ€‚ๆฐดใฎ้ƒฝใ€ ่’ๆœจใ€Œใ‚ใฎใ€่ปŠใŒใชใ„ใจใ“ใ‚ใŒใ„ใ„ใงใ™ใญใ€ ่ˆน่ถŠใ€Œใใ†ใงใ™ใญใ€‚ๅ…จใๆญฉใใฎใซใ‚นใƒˆใƒฌใ‚นใ‚’ๆ„Ÿใ˜ใพใ›ใ‚“ใ‹ใ‚‰ใญใ€‚ใกใ‚‡ใฃใจไบบใŒๅคšใ„ใ‹ใชใจใ„ใ†ใฎใฏใ‚ใ‚Šใพใ™ใ‘ใฉใ€ Q57ใ€€ใ‚‚ใ†่กŒใใŸใใชใ„ๆ‰€ใฏ๏ผŸ ่ˆน่ถŠใ€Œ้€†ใซๆœ€ๆ‚ชใ ใชใใจๆ„Ÿใ˜ใŸๆ‰€ใฏใ”ใ–ใ„ใพใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œ่จ€ใฃใฆใ„ใ„ใฎใ‹่งฃใ‚‰ใชใ„ใงใ™ใ‘ใฉใ€ใ‚จใ‚ธใƒ—ใƒˆใŒ้ง„็›ฎใงใ™ใญใ€ ่ˆน่ถŠใ€Œใงใ‚‚ใ‚จใ‚ธใƒ—ใƒˆใจใ„ใฃใŸใ‚‰็ฌฌไธ‰้ƒจใฎใพใ•ใซโ€ฆโ€ฆโ€ฆใ€ ่’ๆœจใ€Œใ‚‚ใ†ใ‚ใใ“ๅซŒใ„ใงใ€ใ ใ‹ใ‚‰่ˆžๅฐใซใ—ใฆใ„ใ‚‹ใ‚“ใงใ™ใ€ Q58ใ€€ๅฎฎๅŸŽ็œŒใงไธ€็•ช็พŽๅ‘ณใ—ใ„ใ‚‚ใฎใฏ๏ผŸ ่ˆน่ถŠใ€ŒๅฎฎๅŸŽ็œŒใฎใ”ๅ‡บ่บซใงใ™ใŒใ€ๅฎฎๅŸŽ็œŒใงไธ€็•ช็พŽๅ‘ณใ—ใ„ใ‚‚ใฎใฏใชใ‚“ใงใ—ใ‚‡ใ†ใ‹๏ผŸใ€ ่’ๆœจใ€Œใ‚ใ‚‹ใฎใ‹ใช๏ผŸ(็ฌ‘)ใ€€ๆฑไบฌใฎๆ–นใŒ็พŽๅ‘ณใ—ใ„ใงใ™ใ‚ˆใ€ ่ˆน่ถŠใ€Œ่บซใ‚‚่“‹ใ‚‚ใชใ็ต‚ใ‚ใฃใฆใ—ใพใ„ใพใ—ใŸ(็ฌ‘)ใ€ Q59ใ€€่กŒใใคใ‘ใฎใŠๅบ—ใฏ๏ผŸ ่ˆน่ถŠใ€Œ้ƒฝๅ†…ใง่กŒใใคใ‘ใฎใŠๅบ—ใฏใฉใ“ใ‹ใ‚ใ‚Šใพใ™ใงใ—ใ‚‡ใ†ใ‹ใ€ ่’ๆœจใ€Œใ‚ใ‚Šใพใ™ใ€‚ๅƒ•ใฏใ‚คใ‚ฟใƒชใ‚ขๆ–™็†ใŒๅฅฝใใชใฎใงใ€ใใฎใƒฌใ‚นใƒˆใƒฉใƒณใŒๅฅฝใใงใ™ใ€‚ๅคงๅฅฝใใงใ™ใญใ€‚ใŠ้…’้ฃฒใพใชใ„ใ‚“ใงใ€ใใ†ใ„ใ†ๆ‰€ใŒๅคงๅฅฝใใงใ™ใ€ Q60ใ€€ๆฑไบฌใงๅฅฝใใช็”บใฏ๏ผŸ ่ˆน่ถŠใ€Œๆฑไบฌใงๅฅฝใใช็”บใฏใฉใ“ใงใ—ใ‚‡ใ†ใ‹๏ผŸใ€ ่’ๆœจใ€Œๆฑไบฌใงๅฅฝใใช็”บใฏโ€ฆโ€ฆโ€ฆ่กจๅ‚้“ใŒๅฅฝใใงใ™ใญใ€ (ๅฅฝใใชๆ˜ ็”ปใƒ™ใ‚นใƒˆ3)

่ˆน่ถŠใ€Œ(ๅฅฝใใชๆ˜ ็”ป)ใ€Žๅคง่„ฑ่ตฐใ€โ€ฆโ€ฆโ€ฆใ€ ่’ๆœจใ€Œใ€Žๅคง่„ฑ่ตฐใ€ใญใ€ใ“ใ‚Œใฏใ‚‚ใ†ๅญไพ›ใฎ้ ƒ่ฆณใฆๆœฌๅฝ“ใซๆ‰‹ใซๆฑ—ๆกใฃใŸใ‹ใชใใจใ€‚ใ“ใ‚ŒไปŠใงใ‚‚ใ„ใ„ใงใ™ใ€‚ใƒžใƒƒใ‚ฏใ‚คใƒผใƒณใŒไฝ•ๅ›žใ‚‚ๆˆปใฃใฆใใ‚‹ใจใ“ใ‚ใ‚‚ใ„ใ„ใ‚“ใงใ™ใ€ ่ˆน่ถŠใ€Œใ‚„ใฃใฑใ‚Šใใฎใธใ‚“ใŒๆ นๆทฑใใ‚ใฃใฆใ€็ฌฌๅ…ญ้ƒจใฏใ‚ธใ‚งใ‚คใƒซ(็›ฃ็„)ใ‚‚ใฎใซใชใฃใŸใฎใ‹ใชใจใ€ใใ‚ŒใŒใƒซใƒผใƒ„ใชใฎใ‹ใชใจใ€ ่’ๆœจใ€Œใ‚ใ‚ใ€ใใ‚Œใฏใ‚ใ‚Šใพใ™ใญใ€‚ใƒžใƒƒใ‚ฏใ‚คใƒผใƒณใŒๆˆปใฃใฆใใ‚‹ใŸใณใซๅƒ•ใฏๆณฃใ„ใฆใ„ใŸใ‚‚ใ‚“(็ฌ‘)ใ€‚ใ“ใ‚Œใ ใ‚ˆ๏ผใ€€ใƒ’ใƒผใƒญใƒผใฃใฆใฎใฏใ“ใ‚Œใ ใ‚ˆ๏ผใฃใฆๆ„Ÿใ˜ใ€ ่ˆน่ถŠใ€Œใใ—ใฆใ€Žใ‚ธใƒงใƒผใ‚บใ€ใ€ ่’ๆœจใ€Œใ€Žใ‚ธใƒงใƒผใ‚บใ€ใงใ™ใญใ€‚ใ“ใ‚Œใฏใ‚‚ใ†ๆตทใซ่กŒใ‘ใชใใชใ‚‹ใใ‚‰ใ„ๆ€–ใใชใฃใŸๆ˜ ็”ปใ€‚ใงใ€ไฝ•ใงๆ€–ใ„ใ‚“ใ ใ‚ใ†ใ€ใฃใฆใ„ใ†ๆๆ€–ใฎๅˆ†ๆžใฃใฆใ„ใ†ใ‚“ใงใ™ใ‹ใ€‚ๆœ€ๅˆ่ฆณใŸใ‚‰ๆœ€ๅพŒใพใงใ€‚ๅพŒๅŠใฏไฝ•ใ‹ใƒใƒˆใƒซใ‚‚ใฎใซใชใ‚‹ใ—ใ€ใ„ใ„ใ‚“ใงใ™ใ‚ˆใญใ‚„ใฃใฑใ‚Šใ€ ่ˆน่ถŠใ€Œใงใ€ใ€Žใ‚ดใƒƒใƒ‰ใƒ•ใ‚กใƒผใ‚ถใƒผใ€ใ€ ่’ๆœจใ€Œใ€Žใ‚ดใƒƒใƒ‰ใƒ•ใ‚กใƒผใ‚ถใƒผใ€โ€ฆโ€ฆโ€ฆใ€‚ๅคงๆฒณใƒญใƒžใƒณใงใ™ใญใ€‚ใ“ใ†ใ„ใ†ใฎใŒใ„ใ„ใงใ™ใญใ€‚่ฆชๅญไฝ•ไปฃใซใ‚‚ๆธกใ‚‹โ€ฆโ€ฆโ€ฆไธ€้ƒจใ€ไบŒ้ƒจใ€ไธ‰้ƒจใจใ‚ใฃใฆใ€ ่ˆน่ถŠใ€Œ่งฃใ‚Šใ‚„ใ™ใ„ใงใ™ใ‚ˆใญใ€‚ใ“ใฎๆ˜ ็”ปใŒใ‚ธใƒงใ‚ธใƒงใฎไธ–็•Œ่ฆณใ‚’ไฝœใฃใŸใฃใฆใ„ใ†ใ€ (ๆœ€่ฟ‘ใƒใƒžใฃใฆใ„ใ‚‹ใ“ใจใฏ๏ผŸ)

่ˆน่ถŠใ€Œๅคงใใช็ตตใซใƒใƒžใฃใฆใ„ใ‚‹ใจโ€ฆโ€ฆโ€ฆใ“ใ‚Œใฏใกใ‚‡ใฃใจ้ข็™ฝใ„ใชใจใ€ ่’ๆœจใ€Œใใ†ใงใ™ใญใ€‚ใƒžใƒณใ‚ฌใฃใฆใ“ใฎใ‚ตใ‚คใ‚บใงๆใ„ใฆใ„ใ‚‹ใ‹ใ‚‰(ใจใ€ๅŽŸ็จฟ็”จ็ด™ใ‚’ๅ–ใ‚Šๅ‡บใ—ใฆ่ฆ‹ใ›ใ‚‹ใ€‚B4ใ‚ตใ‚คใ‚บใ‹๏ผŸ)ใ€ใ‚‚ใฃใจไฝ•ๅ€ใ‹ใซๆใใŸใ„ใ‚“ใงใ™ใ‚ˆใ€ ่ˆน่ถŠใ€Œใใ‚‚ใใ‚‚ๅคงใใๆใใŸใ„ใ€ใจใ€ ่’ๆœจใ€ŒใใฎๅพŒใ‚ใซใ‚ใ‚‹ใ‚„ใคใชใ‚“ใงใ™ใ‘ใฉใ€ (ใŸใฆ1mใ‚ˆใ“60cmใฎใ‚ญใƒฃใƒณใƒ‘ใ‚นๆ˜ ใ‚‹ใ€‚ใ‚ธใƒงใƒซใƒŽ๏ผŸใŒๆใ„ใฆใ‚ใ‚‹) ่ˆน่ถŠใ€ŒใŠใŠโ€ฆโ€ฆโ€ฆใงใฏใ‚ใพใ‚Šใ‚คใƒฉใ‚นใƒˆใซใ—ใฆใ‚‚ไฝ•ใซใ—ใฆใ‚‚ใŠๆใใซใชใฃใŸใ“ใจใŒใ‚ใฃใŸใ‚“ใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใชใ„ใงใ™ใญใ€‚ใ‚†ใใ‚†ใใฏ2ใƒกใƒผใƒˆใƒซใใ‚‰ใ„ใซใ—ใŸใ„ใ€‚ๆใใŸใ„ใงใ™ใ€ ่ˆน่ถŠใ€Œไพ‹ใˆใฐใƒใ‚ชใƒผใฎใ‚คใƒฉใ‚นใƒˆใ€ใ‚ใ‚‹ใ„ใฏใ‚ดใƒผใ‚ธใƒฃใ‚นใ‚ขใ‚คใƒชใƒณใชใฉใ‚ใฎใใ‚‰ใ„ใฎๆ™‚ไปฃใฎใ‚คใƒฉใ‚นใƒˆใ‚’ๆ‹่ฆ‹ใ™ใ‚‹ใจใ‚ใ‚‰ใŸใ‚ใฆๅ…ˆ็”Ÿใฎไธ–็•Œ่ฆณใฎๆทฑใ•ใจใ„ใ†ใฎใŒ็—›ๆ„Ÿใ™ใ‚‹ใ‚“ใงใ™ใ‘ใฉใ€ ่’ๆœจใ€Œใ‚ใฎ้ ƒใชใ‚“ใ‹ใญใ€ๅ‡„ใ„ใƒ•ใ‚กใƒƒใ‚ทใƒงใƒณใƒ‡ใ‚ถใ‚คใƒŠใƒผใฟใŸใ„ใชไบบใŒใ„ใฃใฑใ„ๅ‡บใฆใใŸใ‚“ใงใ™ใ‚ˆใ€‚ใ‚นใ‚ฟใƒผใฟใŸใ„ใชใฎใŒใ€‚ใƒดใ‚งใƒซใ‚ตใƒผใƒใงใ™ใจใ‹ใ€ใƒขใ‚นใ‚ญใƒผใƒŽใจใ‹ใ€ใใ‚ŒใŒ่‰ฏใ‹ใฃใŸใ‚“ใงใ™ใ‚ˆใ€‚ๅฝฑ้Ÿฟใ‚’ๅ—ใ‘ใฆใ€ไธปไบบๅ…ฌใซ็€ใ›ใŸใ„ใชใใฃใฆๆ„Ÿใ˜ใ€ (ๅˆๆ‹ใฏใ„ใค๏ผŸ)

่ˆน่ถŠใ€Œๅˆๆ‹ใฏ้ซ˜ๆ ก็”Ÿ๏ผŸใ€ ่’ๆœจใ€Œ(็ฌ‘)ใ€€ใฏใ„ใ€ ่ˆน่ถŠใ€Œใใฎๅˆๆ‹ใฎๆ–นใฏใฉใ†ใ„ใ†ๅฅณๆ€งใ ใฃใŸใ‚“ใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œ้•ใ†ๅญฆๆ กใฎๅฅณๅญฆ็”Ÿใงใ™ใ‚ˆใ€ ่ˆน่ถŠใ€Œๆ˜Žใ‚‹ใ„ๅญ๏ผŸใ€€ๆš—ใ„ๅญ๏ผŸใ€ ่’ๆœจใ€Œใกใ‚‡ใฃใจใญใ€ใŠใ—ใจใ‚„ใ‹ใชๆ„Ÿใ˜ใ ใฃใŸใญใ€‚ใ ใ‹ใ‚‰ใƒ€ใƒกใ ใฃใฃใŸใฎใ‹ใ‚‚(็ฌ‘)ใ€‚ใใ†ใ„ใ†ใƒžใƒณใ‚ฌใฎใ‚คใƒกใƒผใ‚ธใ‹ๅฐ่ชฌใฎใ‚คใƒกใƒผใ‚ธใ‹็Ÿฅใ‚‰ใชใ„ใ‘ใฉใ€ใใ†ใ„ใ†ๅฅณๆ€งใŒใ„ใ„ใฎใ‹ใชใจๆ€ใฃใฆๆœ€ๅˆๆ€ใฃใฆใ„ใŸใ‚“ใงใ™ใ‘ใฉใ€ไป˜ใๅˆใ†ใจ้ง„็›ฎใงใ™ใญใ€‚่พ›ใ„ใงใ™ใญใ€ ่ˆน่ถŠใ€Œๅ…ˆ็”Ÿใฏๅ‰ฒใจใƒชใƒผใƒ‰ใ—ใฆใ„ใฃใฆใใ‚Œใ‚‹ใ‚ˆใ†ใชๅฅณๆ€งใŒๅฅฝใใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใ‚ใ‚ใ€ใใฃใกใฎๆ–นใŒใ„ใ„ใงใ™ใญใ€ ่ˆน่ถŠใ€Œใจใ„ใ†ไบ‹ใฏใ€ๅฅฅๆง˜ใซใฏใ‹ใชใ‚Šใƒชใƒผใƒ‰ใ—ใฆโ€ฆโ€ฆโ€ฆใ€ ่’ๆœจใ€Œใใ†ใ‹ใ‚‚ใ—ใ‚“ใชใ„ใงใ™ใญ(็ฌ‘)ใ€ (ๆฌ ใ‹ใ•ใš่ฆ‹ใฆใ„ใŸใƒ†ใƒฌใƒ“ใฏ๏ผŸ)

่ˆน่ถŠใ€Œๆฌ ใ‹ใ•ใš่ฆ‹ใฆใ„ใŸไฝœๅ“ใซใ€ๅˆ‘ไบ‹ใ‚ณใƒญใƒณใƒœใ‚’ๆŒ™ใ’ใฆใ„ใพใ—ใŸใŒใ€ ่’ๆœจใ€Œใ‚ใ‚Œใ‚‚ใ€็Šฏไบบใซๆ„Ÿๆƒ…็งปๅ…ฅใ™ใ‚‹ใจใใ‚‚ใ‚ใ‚Šใพใ™ใญใ€ ่ˆน่ถŠใ€Œๅˆ‘ไบ‹ใ‚ณใƒญใƒณใƒœใฎไฝœใ‚Šใฃใฆใ„ใ†ใฎใฏใใ†ใงใ™ใ‚ˆใญใ€ ่’ๆœจใ€Œๅƒ•ใฏ็ตๆง‹ใ€็Šฏไบบใซๅ‘ณๆ–นใ—ใฆใ„ใ‚‹ใจใใŒใ‚ใ‚Šใพใ™ใ‚ˆใ€‚ใ‚ณใƒญใƒณใƒœใ€ใพใŸๆˆปใฃใฆใใŸใ‚ˆ๏ผใจใ‹ใญ(็ฌ‘)ใ€‚ใ‚ใ‚ใ“ใ‚Œๅธฐใฃใฆใใ‚‹ใ‚“ใ ใ‚ใ†ใชใจๆ€ใ†ใจๅธฐใฃใฆใใ‚‹ใ‚“ใ ใ‚ˆใ€ใ‚ใ‚Œใ€ ่ˆน่ถŠใ€Œใ“ใ‚Œใงๆ•‘ใฃใฆใ‚„ใ‚ŠใŸใ„ใ€ใฃใฆใ„ใ†็žฌ้–“ใŒใ‚ใ‚‹่ฉฑใŒใ„ใใคใ‹ใ‚ใ‚Šใพใ™ใ‚ˆใญใ€‚ใ“ใฎใพใพ้€ƒใ’ๅˆ‡ใ‚Œใฐใ„ใ„ใฎใซ๏ผใฃใฆใ„ใ†ใ€ ่’ๆœจใ€Œใใ†ใ€‚ใงใ‚‚ใใ“ใŒ้ข็™ฝใใฆ(็ฌ‘)ใ€ (ใƒŠใƒฌใƒผใ‚ทใƒงใƒณ) ใ€€ใ€Ž้ญ”ๅฐ‘ๅนดใƒ“ใƒผใƒ†ใ‚ฃใƒผใ€ใ€‚1983ๅนด้€ฑๅˆŠๅฐ‘ๅนดใ‚ธใƒฃใƒณใƒ—ใ€่’ๆœจ้ฃ›ๅ‘‚ๅฝฆใฎ่จ˜ๅฟตใ™ในใๅˆ้€ฃ่ผ‰ไฝœๅ“ใ€‚ ใ€€ๆ‚ช้ญ”็š„้ ญ่„ณใ‚’ๆŒใคๅฐ‘ๅนดใ€ใƒ“ใƒผใƒ†ใ‚ฃใƒผใŒๆ‰‹ๅ“ใƒˆใƒชใƒƒใ‚ฏใ‚’้ง†ไฝฟใ—็Šฏ็ฝชใซ้–ขใ‚ใฃใฆใ„ใๆง˜ใ‚’่ฆชๅ‹ใƒปๅบทไธ€ๅ›ใŒ่ชžใ‚‹ใ€‚ใ™ใงใซ่’ๆœจ็‹ฌ็‰นใฎๅฐ่ฉžๅ›žใ‚Šใฏ็ขบ็ซ‹ใ•ใ‚Œใ€ใ‹ใชใ‚Šใ‚จใ‚ญใ‚ปใƒณใƒˆใƒชใƒƒใ‚ฏใชๅ†…ๅฎนใจใชใฃใŸใ€‚

ใ€€84ๅนดใ€้€ฑๅˆŠๅฐ‘ๅนดใ‚ธใƒฃใƒณใƒ—ใซ้€ฃ่ผ‰ใ•ใ‚ŒใŸๆœฌๆ ผSFใ‚ขใ‚ฏใ‚ทใƒงใƒณ(ใ€Žใƒใ‚ชใƒผๆฅ่จช่€…ใ€)ใ€‚ ใ€€้บไผๅญๆ“ไฝœใซใ‚ˆใฃใฆ็”Ÿใพใ‚ŒใŸ็”Ÿ็‰ฉๅ…ตๅ™จใƒใ‚ชใƒผใ‚’ไฝ“ๅ†…ใซๆŒใค้’ๅนดใจใ€ๆ‚ชใฎ็ต„็น”ใƒ‰ใƒฌใ‚นใจใฎๆˆฆใ„ใ‚’ๆใ„ใŸ็†ฑ็‹‚็š„ใƒ•ใ‚กใƒณใ‚’็”Ÿใ‚“ใ ไฝœๅ“ใ€‚

ใƒžใƒณใ‚ฌไฝœๅ“ใซใคใ„ใฆใ€€Q61๏ฝžQ80

Q61ใ€€ใชใœใ‚ธใƒงใ‚ธใƒงใจใ„ใ†ๅๅ‰ใซ๏ผŸ ่ˆน่ถŠใ€Œใชใœใ€ใ‚ธใƒงใ‚ธใƒงใจใ„ใ†ๅๅ‰ใชใ‚“ใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใ‚‚ใ†ๅฟ˜ใ‚ŒใŸใ‘ใฉโ€ฆโ€ฆโ€ฆ(็ฌ‘)ใ€‚้ ญๆ–‡ๅญ—ใŒๅŒใ˜ใซใชใฃใฆๆฌฒใ—ใ‹ใฃใŸใ‚“ใงใ™ใ‚ˆใ€‚AAใจใ‹BBใจใ‹ใ€‚ใ‚ใจใ€ใ‚ธใƒงใƒŠใ‚ตใƒณใจใ„ใ†ใจใ“ใ‚ใงๆ‰“ใกๅˆใ‚ใ›ใ‚’ใ—ใฆใ„ใŸใ‹ใ‚‰ใ ใจๆ€ใ„ใพใ™ใ€ ่ˆน่ถŠใ€Œใ„ใ‚ใ‚†ใ‚‹ใƒ•ใ‚กใƒŸใƒฌใ‚นใฎใ‚ธใƒงใƒŠใ‚ตใƒณใงโ€ฆโ€ฆโ€ฆใ€ Q62ใ€€ใ‚ธใƒงใ‚ธใƒงใฎใƒ†ใƒผใƒžใฏ๏ผŸ ่ˆน่ถŠใ€Œใ‚ธใƒงใ‚ธใƒงใฎใƒ†ใƒผใƒžใฏไฝ•ใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใ‚„ใฃใฑใ‚Šใ“ใ†ใ€ไบบ้–“ใฏ็ด ๆ™ดใ‚‰ใ—ใ„ใชใ€ใจใ€‚ๆญฃ็พฉใจใ‹ใ€ๆธ…ใ„ๅฟƒใ‚’่ฒซใ„ใฆใ„ใ‚‹ไบบใงใ™ใญใ€‚ใใ†ใ„ใ†ไบ‹ใ‚’ใ€ใˆใˆใ€‚ใ€ Q63ใ€€ใ‚นใ‚ฟใƒณใƒ‰ใฎๆฆ‚ๅฟตใฏใฉใ“ใ‹ใ‚‰็™บๆƒณ๏ผŸ ่ˆน่ถŠใ€Œใ‚นใ‚ฟใƒณใƒ‰ใจใ„ใ†ๆฆ‚ๅฟตใฏใฉใ“ใ‹ใ‚‰็™บๆƒณใ•ใ‚ŒใŸใ‚“ใงใ—ใ‚‡ใ†๏ผŸใ€ ่’ๆœจใ€Œใ“ใ‚Œใฏๅ…ˆ็ฅ–้œŠใฃใฆใ„ใ†ใฎใ€ไฝ•ใฆใ„ใ†ใฎใ‹ใชใ€ ่ˆน่ถŠใ€Œๅฎˆ่ญท้œŠ๏ผŸใ€ ่’ๆœจใ€Œๅฎˆ่ญท้œŠใงใ™ใ€‚ๅฎˆ่ญท้œŠใŒๅ‡บใฆใใฆใ€ไธ€็ท’ใซๆˆฆใฃใฆใใ‚ŒใŸใ‚‰ใ„ใ„ใชใ€ใฃใฆใ„ใ†ใ€‚ๆ˜”ใ€Žใ†ใ—ใ‚ใฎ็™พๅคช้ƒŽใ€(ใคใฎใ ใ˜ใ‚ใ†)ใฃใฆใ„ใ†โ€ฆโ€ฆโ€ฆใ‚ใฎ่พบใŒใƒซใƒผใƒ„ใงใฏใชใ„ใ‹ใชใ€ใจๆ€ใ„ใพใ™ใ‘ใฉใ€ Q64ใ€€ใฉใฎใ‚ธใƒงใ‚ธใƒงใŒๅฅฝใ๏ผŸ ่ˆน่ถŠใ€ŒไปŠใ€็ฌฌๅ…ญ้ƒจใพใงใ‚ใ‚Šใพใ™ใ‘ใฉใ€ๅ…ˆ็”Ÿใฏใ‚บใƒใƒชใฉใฎใ‚ธใƒงใ‚ธใƒงใŒใŠๆฐ—ใซๅ…ฅใ‚Šใงใ„ใ‚‰ใฃใ—ใ‚ƒใ„ใพใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œๅƒ•ใฏ็ฌฌๅ››้ƒจใฎไป—ๅŠฉใฃใฆใ„ใ†โ€ฆโ€ฆโ€ฆใ‚ใฎใƒ„ใƒƒใƒ‘ใƒชใฎใ€ใ‚ใ‚ŒใŒใ„ใ„ใ‚“ใงใ™ใ‚ˆใญใ€ ่ˆน่ถŠใ€ŒๅพŒใปใฉใ˜ใฃใใ‚Šใจโ€ฆโ€ฆโ€ฆใ€ Q65ใ€€ใŠๆฐ—ใซๅ…ฅใ‚Šใฎใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใฏ๏ผŸ ่ˆน่ถŠใ€Œไธ€็•ชใ€ๆฐ—ใซๅ…ฅใฃใฆใ„ใ‚‹ใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใฏใ€ไฝ•ใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใ•ใฃใใ‚‚่จ€ใ„ใพใ—ใŸใ‘ใฉใ€ๅ‰่‰ฏๅ‰ๅฝฑใŒใ„ใ„ใงใ™ใญใ€ Q66ใ€€ใƒœใƒ„ใƒใ‚ฟใซใคใ„ใฆ ่ˆน่ถŠใ€ŒๆฒกใซใชใฃใŸใ‚จใƒ”ใ‚ฝใƒผใƒ‰ใฏใ‚ใ‚Šใพใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใ„ใฃใฑใ„ใ‚ใ‚Šใพใ™ใ‘ใฉโ€ฆโ€ฆโ€ฆใใ‚Œใ‚‚ใ‚ˆใ่ฆšใˆใฆใ„ใชใ„ใงใ™ใ€ Q67ใ€€่’ๆœจๆตๆ“ฌ้Ÿณใซใคใ„ใฆ ่ˆน่ถŠใ€Œ่’ๆœจๆตๆ“ฌ้Ÿณใฏใฉใ“ใ‹ใ‚‰ๆ€ใ„ใคใ„ใŸใ‚‚ใฎใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใ“ใ‚Œใฏใƒ˜ใƒ“ใƒกใ‚ฟใงใ™ใญใ€‚ใ‚ฎใƒฅใ‚ฆใ‚ฅใ‚ฅใ‚ฅใƒผใƒผใƒผใƒผใƒณใจใ‹ใ€ ่ˆน่ถŠใ€Œใ‚ใ‚Œใฏๆฅฝๅ™จใฎ้Ÿณใ ใฃใŸใฎใงใ™ใญใ€ ่’ๆœจใ€Œใใ†ใงใ™ใ€‚ใƒ›ใƒฉใƒผใƒ ใƒผใƒ“ใƒผใจใ‹ใซๅ‡บใฆใใ‚‹ใ€‚ใ‚ญใƒฅใƒณใ‚ญใƒฅใƒณใ‚ญใƒฅใƒณใ‚ญใƒฅใƒณใจใ‹ใ€ ่ˆน่ถŠใ€Œๅ‡บใฆใใพใ™ใญใ‡ใ€ ่’ๆœจใ€Œใ‚ใ‚ใ„ใ†ใ‚„ใคใงใ€ Q68ใ€€็‹ฌ็‰นใฎใƒใƒผใ‚บใซใคใ„ใฆ ่ˆน่ถŠใ€Œใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใฎ็‹ฌ่‡ชใฎใƒใƒผใ‚บใฏใ”่‡ช่บซใงใ‚‚ใ•ใ‚Œใ‚‹ใ‚“ใงใ—ใ‚‡ใ†ใ‹๏ผŸใ€ ่’ๆœจใ€Œใ„ใ‚„ใ€่‡ชๅˆ†ใงใฏใ—ใชใ„ใงใ™ใ‘ใฉใ€ Q69ใ€€ไธ€่ฉฑๆใใฎใซใ‹ใ‹ใ‚‹ๆ™‚้–“ใฏ๏ผŸ ่ˆน่ถŠใ€Œไธ€่ฉฑๆใใฎใซใฉใฎใใ‚‰ใ„ๆ™‚้–“ใŒใ‹ใ‹ใ‚Šใพใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œไธ€่ฉฑใฃใฆใ€้€ฃ่ผ‰ไธ€ๅ›žใงใ™ใ‚ˆใญ๏ผŸใ€€็ตตใ ใ‘ใงไธ‰ๆ—ฅใงใ™ใญใ€ Q70ใ€€้€ฃ่ผ‰ใ‚นใ‚ฟใƒผใƒˆๆ™‚ใ€ใฉใ“ใพใงๆง‹ๆƒณใŒใ‚ใฃใŸ๏ผŸ ่ˆน่ถŠใ€Œ้€ฃ่ผ‰ใ‚นใ‚ฟใƒผใƒˆๆ™‚ใ€ใฉใ“ใพใงๆง‹ๆƒณใŒใ‚ใฃใŸใฎใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œไธ€ๅฟœๅคงๆฒณใƒ‰ใƒฉใƒžใฟใŸใ„ใซใ—ใฆใ„ใ“ใ†ใฃใฆใ€ไธ–ไปฃใŒไบคไปฃใ—ใฆใ„ใใฃใฆโ€ฆโ€ฆโ€ฆ็ฌฌไธ‰้ƒจใฎ็ตๆœซใพใงใ‚ใ‚Šใพใ—ใŸใ€‚ๆง‹ๆƒณใ ใ‘ใงใ™ใ‘ใฉใญใ€ Q71ใ€€ใƒ†ใƒฌใƒ“ใ‚ขใƒ‹ใƒกๅŒ–ใฎ่ฉฑใฏ๏ผŸ ่ˆน่ถŠใ€Œใƒ†ใƒฌใƒ“ใ‚ขใƒ‹ใƒกๅŒ–ใฎ่ฉฑใฏใชใ„ใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€ŒใŸใถใ‚“ใ€ๅญไพ›ใซ่ฆ‹ใ›ใ‚‹ใƒžใƒณใ‚ฌใ˜ใ‚ƒใ‚ใชใ„ใ‚“ใงใ€ใชใ„ใจๆ€ใ„ใพใ™ใ‘ใฉใ€ Q72ใ€€ใ‚ญใƒฃใƒฉใ‚’ๆใใฎใซไธ€็•ช้‡่ฆใช้ƒจๅˆ†ใฏ๏ผŸ ่ˆน่ถŠใ€Œใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใ‚’ๆใไธŠใงไธ€็•ช้‡่ฆใช้ƒจๅˆ†ใฏ๏ผŸใ€ ่’ๆœจใ€Œ็ตตใงใ™ใ‹โ€ฆโ€ฆโ€ฆๅฃใงใ™ใญใ€ ่ˆน่ถŠใ€Œๅฃใงใ™ใ‹ใ€ ่’ๆœจใ€Œ่‰ฒใฃใฝใใชใ„ใจๅซŒใชใ‚“ใงใ™ใ‚ˆใ€‚็›ฎใ‚ˆใ‚Šๅฃใฎใปใ†ใŒใ‚‚ใฎใ‚’่จ€ใ†ใจๆ€ใ†ใ‚“ใงใ™ใ‚ˆใญใ€‚ใกใ‚‡ใฃใจใ€ใƒขใƒŠใƒชใ‚ถใ˜ใ‚ƒใชใ„ใงใ™ใ‘ใฉใ€ใ‚นใƒžใ‚คใƒซใง้•ใฃใฆใใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚็›ฎใฏใ“ใ‚“ใช(ใƒขใƒŠใƒชใ‚ถใฎ็œŸไผผ๏ผŸใ‚’ใ™ใ‚‹)ใ‚‚ใ‚“ใงใ„ใ„ใ‚“ใงใ™ใ‘ใฉใกใ‚‡ใฃใจโ€ฆโ€ฆโ€ฆ(ๅพฎ็ฌ‘ใ‚“ใง)ใƒขใƒŠใƒชใ‚ถใซใชใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚ๅพฎๅฆ™ใงใ™ใญใ€ Q73ใ€€ใ€Ž้™ใƒปใ‚ธใƒงใƒผใ‚นใ‚ฟใƒผใ€ใฎๅ†็™ปๅ ดใฏ๏ผŸ ่ˆน่ถŠใ€Œ็ฌฌๅ››้ƒจ็™ปๅ ดใ€้™ใƒปใ‚ธใƒงใƒผใ‚นใ‚ฟใƒผใ‚‚ใ‚ธใƒงใ‚ธใƒงใงใ™ใŒใ€ๅ†็™ปๅ ดใฏๆžœใŸใ—ใฆใ‚ใ‚‹ใฎใงใ—ใ‚‡ใ†ใ‹๏ผŸใ€ ่’ๆœจใ€Œใ“ใ‚Œใฏใƒžใƒ‹ใ‚ขใƒƒใ‚ฏใงใ™ใ‘ใฉโ€ฆโ€ฆโ€ฆใชใ„ใงใ™(็ฌ‘)ใ€ Q74ใ€€ใ€Žใƒ‡ใ‚ฃใ‚ชใ€ใฎๅ†็™ปๅ ดใฏ๏ผŸ ่ˆน่ถŠใ€Œ็ถšใใพใ—ใฆ็ฌฌไธ‰้ƒจ็™ปๅ ดใ€ใƒ‡ใ‚ฃใ‚ชใฎๅ†็™ปๅ ดใฏใ‚ใ‚Šใพใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใ“ใ‚Œใ‚‚ใชใ„ใงใ™ใ€ ่ˆน่ถŠใ€Œใชใ„ใ‚“ใงใ™ใ‹๏ผใ€ ่’ๆœจใ€Œใˆใˆใ€ใ‚ใ‚Šใพใ›ใ‚“ใ€ Q75ใ€€ใ‚ธใƒงใ‚ปใƒ•ใฏใพใ ็”Ÿใใฆใ‚‹๏ผŸ ่ˆน่ถŠใ€Œ็ฌฌๅ…ญ้ƒจใฏ2011ๅนดใฎ่จญๅฎšใงใ™ใŒใ€ใ‚ธใƒงใ‚ปใƒ•ใƒปใ‚ธใƒงใƒผใ‚นใ‚ฟใƒผใฏใพใ ็”Ÿใใฆใ‚‹ใฎใงใ—ใ‚‡ใ†ใ‹๏ผŸใ€ ่’ๆœจใ€Œใฏใ„ใ€ใ‚ใฎโ€ฆโ€ฆโ€ฆใกใ‚‡ใฃใจใƒœใ‚ฑใฆใ„ใ‚‹ใจๆ€ใ†ใ‚“ใงใ™ใŒใ€็”Ÿใใฆใ„ใ‚‹ใจๆ€ใ„ใพใ™ใ€ ่ˆน่ถŠใ€Œใ“ใฎใธใ‚“ใฏ็งใฏใ€ใจใฃใฆใ‚‚็–‘ๅ•ใŒใ‚ใ‚Šใพใ™ใฎใงๅ…ˆ็”ŸใซๅพŒใงใ“ใฎ็–‘ๅ•ใ‚’่งฃๆถˆใ—ใฆ้ ‚ใ‹ใชใ„ใจใจใ€ๆ€ใฃใฆใ„ใพใ™ใ€ ่’ๆœจใ€Œไฝ•ๆญณ๏ผŸใฃใฆๆ„Ÿใ˜๏ผŸใ€ Q76ใ€€้ญ”ๅฐ‘ๅนดใƒ“ใƒผใƒ†ใ‚ฃใƒผใฎๆœฌๅใฏ๏ผŸ ่ˆน่ถŠใ€Œ้ญ”ๅฐ‘ๅนดใƒ“ใƒผใƒ†ใ‚ฃใƒผใฎๆœฌๅใฏใชใ‚“ใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œไธ€ๅฟœใ€ใชใ„ใ‚“ใงใ™ใ‘ใฉใ€ๅƒ•ใ€ๅฏบๆฒขๆญฆไธ€ใ•ใ‚“ใฃใฆใƒžใƒณใ‚ฌๅฎถใŒๅฅฝใใงใ—ใฆใ€ ่ˆน่ถŠใ€Œใ€Žใ‚ณใƒ–ใƒฉใ€ใฎใ€ ่’ๆœจใ€Œไธ€ๅฟœใใฎ่พบใ‚‚ใ€ ่ˆน่ถŠใ€ŒBuichi Terasawaใงใ™ใ‹ใ€ ่’ๆœจใ€Œ้ซ˜ๆœจใƒ–ใƒผใฃใฆ่จ€ใ‚ใ‚ŒใŸใ“ใจใ‚‚ใ‚ใ‚‹ใ‚“ใงใ™ใ‘ใฉ(็ฌ‘)ใ€ Q77ใ€€็ฉบๆกๆ‰ฟๅคช้ƒŽใ‚’ๆผ”ใ˜ใ‚‹ใจใ™ใ‚Œใฐ่ชฐ๏ผŸ ่ˆน่ถŠใ€Œ็ฉบๆกๆ‰ฟๅคช้ƒŽใ‚’ใ‚‚ใ—ไฟณๅ„ชใŒๆผ”ใ˜ใ‚‹ใจใ™ใ‚Œใฐๅฝน่€…ใฏ่ชฐใซใชใ‚‹ใงใ—ใ‚‡ใ†๏ผŸใ€ ่’ๆœจใ€Œใˆใˆใฃใจโ€ฆโ€ฆโ€ฆ่งฃใ‚‰ใชใ„ใงใ™ใญใ€‚ใงใ‚‚ใ‚คใƒกใƒผใ‚ธใงๆใ„ใŸใฎใฏใ‚ฏใƒชใƒณใƒˆใƒปใ‚คใƒผใ‚นใƒˆใ‚ฆใƒƒใƒ‰ใŒใ‚คใƒกใƒผใ‚ธใ€‚ใ‚ใฎ่ตฐใฃใŸใ‚Šใ—ใชใ„ใจใ“ใ‚ใŒใ€ Q78ใ€€ใ‚‚ใ—ใ‚‚่‡ชๅˆ†ใŒใ‚นใ‚ฟใƒณใƒ‰่ƒฝๅŠ›่€…ใ ใฃใŸใ‚‰๏ผŸ ่ˆน่ถŠใ€Œใ‚‚ใ—ใ”่‡ช่บซใŒใ‚นใ‚ฟใƒณใƒ‰่ƒฝๅŠ›่€…ใ ใจใ—ใŸใ‚‰ใฉใฎใ‚นใ‚ฟใƒณใƒ‰ใ‚’ไฝฟใ„ใŸใ„ใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œไฝ•ใ ใ‚ใ†ใชใโ€ฆโ€ฆโ€ฆๆ™‚้–“ใ‚’ๆญขใ‚ใฆใฟใŸใ„ใงใ™ใญใ€ ่ˆน่ถŠใ€Œใ‚„ใฃใฑใ‚Šใญใ€‚ใใ‚Œใงใ™ใ‚ˆใญใ€ ่’ๆœจใ€Œใกใ‚‡ใฃใจใญใ€ Q79ใ€€็ฌฌ6้ƒจใงๅ˜่กŒๆœฌใŒไธ€ๅทปใซๆˆปใฃใŸ็†็”ฑ ่ˆน่ถŠใ€Œใชใœ็ฌฌ6้ƒจใงๅ˜่กŒๆœฌใŒไธ€ๅทปใซๆˆปใฃใŸใ‚“ใงใ—ใ‚‡ใ†ใ‹๏ผŸใ€ ่’ๆœจใ€Œ็ทจ้›†้ƒจใฎ่ฆๆœ›ใงใ™ใ€ ่ˆน่ถŠใ€Œๅ…ˆ็”ŸใŒไฝ•ใ‹ใŸใใ‚‰ใ‚“ใ ใจใ„ใ†ไบ‹ใงใฏใชใใฆใ€ ่’ๆœจใ€Œใ„ใ„ใˆใใ†ใ„ใ†ไบ‹ใงใฏใชใ„ใงใ™ใ€‚ไฝ•ใ‹่งฃใ‚Šใ‚„ใ™ใ•ใ‚’ๅ–ใฃใŸใ‚“ใ˜ใ‚ƒใ‚ใชใ„ใงใ—ใ‚‡ใ†ใ‹ใ€ Q80ใ€€็ฌฌ7้ƒจใฎๆง‹ๆƒณใฏ๏ผŸ ่ˆน่ถŠใ€Œ็ฌฌ7้ƒจใฎๆง‹ๆƒณใฏใ‚‚ใ†ใ‚ใ‚‹ใ‚“ใงใ—ใ‚‡ใ†ใ‹๏ผŸใ€ ่’ๆœจใ€Œใฏใ„ใ€ใ‚ใ‚Šใพใ™ใ€ ่ˆน่ถŠใ€Œใ‚ˆใ‹ใฃใŸ๏ผใ€€โ€ฆโ€ฆโ€ฆ(ใ‚ซใƒกใƒฉ็›ฎ็ทšใง)ใ“ใ‚Œใฏใ‚‚ใ†ๆœฌๅฝ“ใซ็š†ใ•ใ‚“ใ”ๅฎ‰ๅฟƒไธ‹ใ•ใ„ใ€‚็ฌฌ7้ƒจใฏๅง‹ใพใ‚Šใพใ™ใ€ (ใชใœใ‚ธใƒงใ‚ธใƒงใจใ„ใ†ๅๅ‰ใซ๏ผŸ)

่ˆน่ถŠใ€Œ่กๆ’ƒ็š„ใงใ™ใญใ€‚ใƒ•ใ‚กใƒŸใƒชใƒผใƒฌใ‚นใƒˆใƒฉใƒณใ ใฃใŸใฃใฆใ„ใ†ใฎใŒใ€‚ใ‚ธใƒงใƒŠใ‚ตใƒณใฎใƒซใƒผใƒ„ใŒใ€ ่’ๆœจใ€Œๆทฑๅคœใพใงใ‚„ใฃใฆใ„ใฆใ€24ๆ™‚้–“ใ ใ‹ใ‚‰ใ€ๆ‰“ใกๅˆใ‚ใ›ใฏใใ†ใ„ใ†ๆ‰€ใงใ‚„ใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚ใใ‚Œใง้ ญๆ–‡ๅญ—ใŒใ‚นใƒ†ใ‚ฃใƒผใƒ–ใƒณใƒปใ‚นใƒ”ใƒซใƒใƒผใ‚ฐ(S.S)ใฟใŸใ„ใซใ—ใŸใ‹ใฃใŸใ‚“ใงใ™ใ‚ˆใ€‚่ฆšใˆใ‚„ใ™ใ„ใ‹ใ‚‰ใ€‚ใใ‚Œใงใ‚ธใƒงใƒŠใ‚ตใƒณใซใชใฃใŸใ€ (ใ‚นใ‚ฟใƒณใƒ‰ใฎๆฆ‚ๅฟตใฏใฉใ“ใ‹ใ‚‰็™บๆƒณ๏ผŸ)

่ˆน่ถŠใ€Œใ‚นใ‚ฟใƒณใƒ‰ใฃใฆใ„ใ†ใฎใฏโ€ฆโ€ฆโ€ฆใ“ใ‚Œใฏใ‚‚ใ†ใ€Žใ†ใ—ใ‚ใฎ็™พๅคช้ƒŽใ€ใจใ„ใ†ใ‚ˆใ†ใช่จ€่‘‰ใŒใ€ๅƒ•ใ‚‚ไธ€็žฌใƒ€ใƒ–ใฃใŸใ‚“ใงใ™ใ‘ใ‚Œใฉใ‚‚ใ€ ่’ๆœจใ€Œใใ†ใงใ™ใญใ€‚ๅฃŠใ—ใฆๆฌฒใ—ใ„ใฃใฆๆ™‚ใซใ€่ถ…่ƒฝๅŠ›ใฃใฆใ„ใฃใŸใ‚‰ใ‚ฆใƒผใƒณใฃใฆๅฟตใ˜ใฆใƒ‘ใ‚ซใฃใฆๅ‰ฒใ‚Œใ‚‹ใ‚“ใ ใ‘ใฉใ€ใ“ใ“(่ƒŒๅพŒ)ใ‹ใ‚‰ๅ‡บใฆใใฆใ€ๅฎˆ่ญท้œŠใŒๅ‰ฒใ‚‹ใฃใฆใใ‚Œใ‚‹ใฃใฆ่ฆ‹ใ›ใŸใปใ†ใŒใ€ใƒžใƒณใ‚ฌๅ‘ใใชใ‚“ใงใ™ใ‚ˆใญใ€ ่ˆน่ถŠใ€Œใ‚นใ‚ฟใƒณใƒ‰ใจ่‡ชๅˆ†่‡ช่บซใฎ่‚‰ไฝ“ใŒไธ€ไฝ“ๅŒ–ใ—ใฆใ„ใ‚‹ใจใ„ใ†ๆ‰€ใงใ™ใ‚ˆใญใ€‚ใ“ใฎ่พบใฎ็™บๆƒณใŒ้žๅธธใซ่ˆˆๅ‘ณๆทฑใ„ใ‚“ใงใ™ใ‘ใฉใ€ ่’ๆœจใ€Œใ‚ใ‚Œใ‚‚ใญใ€ใŸใถใ‚“ๆจชๅฑฑๅ…‰่ผๅ…ˆ็”Ÿใฎใƒžใƒณใ‚ฌใ ใจใ€ใƒชใƒขใ‚ณใƒณใŒๆ•ตใซๆธกใฃใŸใ‚‰ๆ•ตใฎใ‚‚ใฎใซใชใฃใกใ‚ƒใ†ใจใ‹ใญใ€ ่ˆน่ถŠใ€Œๆ•ตใซๆธกใ™ใชๅคงไบ‹ใชใƒชใƒขใ‚ณใƒณใ€ใฃใฆใญใ€ (ๆณจ:ใ€Ž้‰„ไบบ28ๅทใ€ใฎไธป้กŒๆญŒใฎๆญŒ่ฉž) ่’ๆœจใ€Œใใ†ใ€ใ‚ใ‚ใ„ใ†ๅผฑ็‚นใฃใฆใ„ใ†ใ‹ใชใ€ใ‚ใ‚ใ„ใ†ใจใ“ใ‚ใŒ้ข็™ฝใ„ใ‚“ใงใ™ใ‚ˆใญใ€‚ใƒ‰ใ‚ญใƒ‰ใ‚ญใ™ใ‚‹ใฃใฆใ„ใ†ใ‹ใ€ใใ†ใ„ใ†ใฎใŒใชใ„ใจ้ข็™ฝใใชใ„ใฃใฆใ„ใ†ใ‹ๅ…จ้ƒจๅผทใ„ใ‚‚ใฎใฐใฃใ‹ใ˜ใ‚ƒๆใ„ใฆใ„ใฆใ‚ตใ‚นใƒšใƒณใ‚นใŒๆˆใ‚Š็ซ‹ใŸใชใใชใฃใฆใใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚ใ ใ‹ใ‚‰ใใ†ใ„ใ†ใฎใ‚’ๅ…ˆ่ผฉใ‚’่ฆ‹็ฟ’ใฃใฆไฝœใฃใฆใ„ใ‚‹ใฃใฆใ„ใ†ใฎใฏใ‚ใ‚‹ใ‚“ใงใ™ใ‘ใฉใ€‚ ใ€Œใใฎๆจชๅฑฑๅ…‰่ผๅ…ˆ็”Ÿใฎใƒžใƒณใ‚ฌใ ใจใญใ€ๅญฆ็”Ÿๆœใ‚’็€ใฆ็ ‚ๆผ ใซ่กŒใใ‚“ใงใ™ใ‚ˆใ€ ่ˆน่ถŠใ€Œใ€Žใƒใƒ“ใƒซ๏ผ’ไธ–ใ€ใ€ใพใ•ใ—ใใใ†ใงใ™ใ‚ˆใญใ€ ่’ๆœจใ€Œใใ‚ŒใŒใ„ใ„ใ‚“ใงใ™ใ‚ˆใ€‚ๆˆฆ้—˜ๆœใ‚’็€ใฆใ€ใ˜ใ‚ƒใ‚้ง„็›ฎใชใ‚“ใงใ™ใ‚ˆใ€‚ใชใ‚“ใ‹ใ‚ใ‚ŒใŒๆถ™ใŒๅ‡บใฆใใ‚‹ใฎ(็ฌ‘)ใ€‚ๅญฆ็”Ÿๆœใ‚’็€ใฆใ„ใ‚‹ๅฐ‘ๅนดใŒ็ ‚ๆผ ใซใ„ใ‚‹ใ€ใฃใฆใ„ใ†ใฎใ€‚็ตตใŒใ„ใ„ใ‚“ใงใ™ใ‚ˆใญใ€ ่ˆน่ถŠใ€Œใงใ‚‚่ฃๅˆ‡ใ‚‰ใ‚ŒใŸใฎใฏใ€ใ‚ขใƒ‹ใƒกใซใชใฃใŸใจใๅญฆ็”Ÿๆœ็€ใฆใ„ใชใ‹ใฃใŸใ‚“ใงใ™ใ‚ˆใญใ€ ่’ๆœจใ€Œใใ†ใ€ใ‚ขใƒ‹ใƒกใฏๆˆฆ้—˜ๆœ็€ใฆใ„ใŸใ‹ใ‚‰ใ‚ใ‚Œใฏใฒใฉใ‹ใฃใŸใ€ ่ˆน่ถŠใ€Œใฒใฉใ„ใงใ™ใ‚ˆใญใ€‚ไฝ•ใงใ‚ใ‚“ใช่ฃๅˆ‡ใ‚Šๆ–นใ‚’ใ™ใ‚‹ใ‚“ใ ใ‚ใ†ใฃใฆใ€‚ๅƒ•ใ‚‚ใ€Žใƒใƒ“ใƒซ๏ผ’ไธ–ใ€ใฏใ‚„ใฃใฑใ‚Šๅญฆ็”Ÿๆœใชใ‚“ใงใ™ใ‚ˆใญใ€ ่’ๆœจใ€Œใใ†ใงใ™๏ผใ€ (้€ฃ่ผ‰ใ‚นใ‚ฟใƒผใƒˆๆ™‚ใ€ใฉใ“ใพใงๆง‹ๆƒณใŒใ‚ใฃใŸ๏ผŸ)

่ˆน่ถŠใ€Œๅ…ˆใปใฉใ€ใ‚ธใƒงใ‚ธใƒงใฎ่ฉฑใซใ‚‚ๅ‡บใพใ—ใŸใ‘ใฉใ€ใ ใ„ใŸใ„็ฌฌไธ‰้ƒจใพใงใฏๆง‹ๆƒณใŒใ‚นใ‚ฟใƒผใƒˆๆ™‚ใซใ‚ใฃใŸใจใ„ใ†โ€ฆโ€ฆโ€ฆใ“ใ‚Œใฏใ‚‚ใ†็ฌฌไธ‰้ƒจใฏๆ—ฅๆœฌใซๆŒใฃใฆใ“ใ‚ˆใ†ใ€ใจใ„ใ†ๆ‰€ใพใงใ‚ใฃใŸ่จณใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใฏใ„ใ€ไธ–ไปฃใ‚’้€šใ˜ใ‚‹ใƒ‰ใƒฉใƒžใฃใฆใ‚ใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚ใ€Žใ‚จใƒ‡ใƒณใฎๆฑใ€ใจใ‹ใ„ใ‚ใ„ใ‚ใ€‚ใใ‚ŒใฟใŸใ„ใซใ—ใ‚ˆใ†ใจๆ€ใฃใฆใ€ ่ˆน่ถŠใ€Œๆ—ฅๆœฌใซๆŒใฃใฆใใ‚‹ใฃใฆใ„ใ†ใฎใฏใ‹ใชใ‚Šๅคง่ƒ†ใช็™บๆƒณใงใฏ๏ผŸใ€ ่’ๆœจใ€Œใ„ใ‚„ใงใ‚‚ใญใ€้€†ใ ใฃใŸใ‚“ใงใ™ใ‚ˆๅฝ“ๆ™‚ใฏใ€‚ๆ—ฅๆœฌไบบใ˜ใ‚ƒใ‚ใชใ„ไธปไบบๅ…ฌใ‚’ๅฐ‘ๅนดใƒžใƒณใ‚ฌใซใฏใคใ‹ใฃใกใ‚ƒใ„ใ‘ใชใ„ใฃใฆใ„ใ†ใ‚ฟใƒ–ใƒผใŒใ‚ใฃใŸใ€‚ๅค–ไบบใ‚’ไธปไบบๅ…ฌใซใ™ใ‚‹ใจ็ตถๅฏพ้ง„็›ฎใชใ‚“ใงใ™ใ€‚ใใ†ใ„ใ†ใ‚ฟใƒ–ใƒผใŒ80ๅนดไปฃใซใ‚ใฃใฆใ€ใ‚ฆใ‚งใ‚นใ‚ฟใƒณใงใ‚‚ไฝ•ๆ•…ใ‹ๆ—ฅๆœฌไบบใŒไธปไบบๅ…ฌใชใ‚“ใงใ™ใ‚ˆใ€‚ๆ—ฅๆœฌใฎใƒžใƒณใ‚ฌใฃใฆใ€ ่ˆน่ถŠใ€Œใ€Ž่’้‡Žใฎๅฐ‘ๅนดใ‚คใ‚ตใƒ ใ€ใจใ‹ใญใ€ ่’ๆœจใ€Œใใ†ใ„ใ†ใฎใŒใชใ‚“ใ‹็Ÿฅใ‚‰ใชใ„ใ‘ใฉใ‚ใฃใŸใ‚“ใงใ™ใ‚ˆใ€‚ใ ใ‹ใ‚‰ใใฃใก(ไธปไบบๅ…ฌใŒๆ—ฅๆœฌไบบ)ใฎๆ–นใŒๆ™ฎ้€šใงใ€ไธ€้ƒจใจใ‹ใฎๆ–นใŒ(ๅค–ๅ›ฝใฎไบบใŒไธปไบบๅ…ฌใจใ‹ใฎๆ–นใŒ)็•ฐๅธธใชใ‚“ใงใ™ใ€ ่ˆน่ถŠใ€Œไฝ•ใงๅค–ๅ›ฝใฎไบบใ‚’ไธปไบบๅ…ฌใซใ—ใ‚ˆใ†ใฃใฆๆ€ใ‚ใ‚ŒใŸใ‚“ใงใ™ใ‹๏ผŸใ€€ใใฎใ‚ฟใƒ–ใƒผใ‚’็Šฏใ—ใฆใพใงใ€ ่’ๆœจใ€Œใ†ใƒผใ‚“ใ€ใชใ‚“ใ‹ๆด‹็”ปใจใ‹ใ‚’ใ„ใฃใฑใ„่ฆณใฆใ„ใŸใ‹ใ‚‰ใงใ™ใ—ใ€ๆ—…่กŒใ—ใŸใจใใซใ‚ซใƒซใƒใƒฃใƒผใ‚ทใƒงใƒƒใ‚ฏใฃใฆใ„ใ†ใ‚“ใงใ™ใ‹ใ€่ฆณใ‚‹ใ‚‚ใฎๅ…จใฆๅ‡„ใ‹ใฃใŸใงใ™ใญใ€‚็พŽใ—ใใฆใ€‚้ผป่ก€ๅ‡บใ‚‹ใใ‚‰ใ„็พŽใ—ใ‹ใฃใŸใงใ™ใญใ€‚ไฝ•่ฆณใฆใ„ใ„ใ‹ใ‚ใ‹ใ‚‰ใชใ„ใ‚“ใ ใ‚‚ใ‚“ใ€ ่ˆน่ถŠใ€Œๅ…ˆ็”Ÿใฏๆ—…่กŒใซ่กŒใ‹ใ‚ŒใŸใฃใฆใ„ใ†ใฎใฏใ€ๆœ€ๅˆใ‚คใ‚ฎใƒชใ‚นใชใ‚“ใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใใ†ใงใ™ใญใ€ใ‚คใ‚ฎใƒชใ‚นใจใ‹ใƒ•ใƒฉใƒณใ‚นใจใ‹่กŒใฃใŸใ‚“ใงใ™ใ‘ใฉใ‚‚ใ€ ่ˆน่ถŠใ€Œใ“ใ‚Œใฏใ‚‚ใ†ใ€ใ‚คใ‚ฎใƒชใ‚นใ‚’่ˆžๅฐใซใ—ใŸใ‚‚ใฎใ‚’ใ€ใจใ„ใ†ไบ‹ใงใฏใชใใฆใ€ ่’ๆœจใ€Œใใ“ใงใกใ‚‡ใฃใจๅ‡„ใ‹ใฃใŸใ‹ใ‚‰ใงใ™ใญใ€ใ‚„ใฃใฑใ‚Šใ€ ่ˆน่ถŠใ€Œใจใ„ใ†ไบ‹ใฏๆ—…่กŒใซใ‚คใƒณใ‚นใƒ‘ใ‚คใ‚ขใ•ใ‚Œใฆใ€ใ‚ธใƒงใ‚ธใƒงใฎ่ˆžๅฐใฏใ‚คใ‚ฎใƒชใ‚นใซใชใฃใŸใฃใฆใ„ใ†้ขจใซ่งฃ้‡ˆใ—ใฆใ‚‚๏ผŸใ€ ่’ๆœจใ€Œใ‚ใ€ใใ†ใงใ™ใ€‚ใ‚„ใฃใฑใใ†ใ„ใ†ใฎใ‚‚็ทจ้›†่€…ใฃใฆใ„ใ†ไบบใฎๅฝฑ้ŸฟใฟใŸใ„ใชใ‚‚ใฎใ€ใ‚ใ‚‹ใ‚“ใงใ™ใ‚ˆใ€‚็ทจ้›†่€…ใฎ่ถฃๅ‘ณใ‚‚ใจใ‹ๅ…ฅใฃใฆใใ‚‹ใ“ใจใŒใ‚ใ‚‹ใ‚“ใงใ™ใ€‚ใ‚จใ‚ธใƒ—ใƒˆใซ่กŒใ“ใ†ใฃใฆ่จ€ใฃใŸใฎใ€็ทจ้›†่€…ใชใ‚“ใงใ™ใ‚ˆใ€‚ๅคงๅฅฝใใชใ‚“ใ ใ‚‚ใ‚“ใ€‚ใ‚ใฎ่ฑกๅฝขๆ–‡ๅญ—ใจใ‹่ชญใ‚ใ‚‹ๆ–นใงใ€ใ‚‚ใ†่กŒใใŸใใฆใ—ใ‚‡ใ†ใŒใชใ„ใฎใ€ ่ˆน่ถŠใ€Œใƒ’ใ‚จใƒญใ‚ฐใƒชใƒ•ใŒ่ชญใ‚ใ‚‹ใ€ ่’ๆœจใ€Œ่ชญใ‚ใ‚‹ไบบใงใ€ๅƒ•ใฏ่กŒใใŸใใชใ‹ใฃใŸใ‚“ใงใ™ใ‘ใฉ(็ฌ‘)ใ€ๆฑšใใ†ใงใญใ€ใจใซใ‹ใๅซŒใชใ‚“ใงใ™ใ‚ˆใ€ ่ˆน่ถŠใ€Œใ˜ใ‚ƒใ‚ๅ…ˆ็”Ÿใฎไธญใซใ‚ใฃใŸใ‚‚ใฎใŒใ‚จใ‚ธใƒ—ใƒˆใ˜ใ‚ƒใ‚ใชใ‹ใฃใŸใ‚“ใงใ™ใญใ€ ่’ๆœจใ€Œใใ†ใงใ™ใญใ€ใ‚ใ‚Œใฏๆ‹…ๅฝ“ใ•ใ‚“ใจใ‹ใใ†ใ„ใ†ใใฐใซใ„ใŸไบบใฎๅฝฑ้Ÿฟใฃใฆใ„ใ†ใฎใŒใ‚ใฃใฆใ€ไพ‹ใˆใฐๅค–ๅ›ฝใฎไธปไบบๅ…ฌใซใ—ใŸใ‚‰ใฉใ†ใ‹ใชใ€ใฃใฆใ„ใ†ใฎใ‚‚ๆ‹…ๅฝ“ใ•ใ‚“ใŒๅๅฏพใ•ใ‚Œใ‚‹ๅ ดๅˆใ‚‚ใ‚ใ‚‹ใจๆ€ใ†ใ‚“ใงใ™ใ‚ˆใญใ€ๆ‰“ใกๅˆใ‚ใ›ใงใ€‚ใใ‚Šใ‚ƒใพใšใ„ใ‚ˆใ€ใฃใฆใ€‚ใงใ‚‚ใใฎไบบใฏไน—ใฃใŸใ‚“ใงใ™ใ‚ˆใญใ€‚ใ„ใ„ใ‹ใ‚‚ใ—ใ‚“ใชใ„ใ€ใฟใŸใ„ใชใ€‚ใใ†ใ™ใ‚‹ใจๅ‹‡ๆฐ—ใซใชใฃใฆใใ‚‹ใจใ„ใ†ใ‹ใ€ (ใ€ŽDIOใ€ใฎๅ†็™ปๅ ดใฏ๏ผŸ)

่ˆน่ถŠใ€Œใƒ‡ใ‚ฃใ‚ชใฎใŠ่ฉฑใซใชใ‚‹ใ‚“ใงใ™ใŒโ€ฆโ€ฆโ€ฆใ‚„ใฃใฑใ‚Šใ‚ธใƒงใƒผใ‚นใ‚ฟใƒผใจใ„ใ†่ก€็ตฑใŒใ‚ใฃใฆใ€ใ“ใฃใกใฎๅฏพๆฅตใซๆ•ฐๅๅนดใ‚’่ฒซใ„ใฆ็ถฟใ€…ใจใƒ‡ใ‚ฃใ‚ชใจใ„ใ†ใฎใŒใ€ใฉใ†ใ‚‚่ชญ่€…ใฎๆˆ‘ใ€…ใซใจใฃใฆใฏๅธธใซใ„ใคใ‚‚ใƒ‡ใ‚ฃใ‚ชใฎๅฝฑใŒใคใใพใจใฃใฆใ„ใพใ™ใ€‚ๅ…ญ้ƒจใซ่‡ณใฃใฆใ‚‚ใƒ‡ใ‚ฃใ‚ชใฎ้ชจใพใงๅ‡บใฆใใพใ—ใŸใ€‚ใชใฎใซๅ…ˆ็”Ÿใฏๅ†็™ปๅ ดใฏใชใ„ใจใŠใฃใ—ใ‚ƒใฃใฆใ„ใŸใ‚“ใงใ™ใ‘ใฉใ€ (็”ป้ขใซใ„ใคใ‹ใฎใ‚ซใƒฉใƒผๅŽŸ็จฟ๏ผŸใฎใƒ‡ใ‚ฃใ‚ชๆ˜ ใ‚‹) ่’ๆœจใ€Œใ‚ใ‚Œใฏๆ‰ฟๅคช้ƒŽใŒใ‚„ใฃใคใ‘ใŸใ‚‚ใ‚“ใ ใ‹ใ‚‰ใ€‚ใงใ‚‚ใใฎๆ„ๆ€ใฏๆฎ‹ใฃใฆใ„ใ‚‹ใฃใฆใ„ใ†ใ‚ˆใ†ใซใ—ใŸใ„ใ‚“ใงใ™ใ‚ˆใญใ€‚ใใฎๅฟ—(ใ“ใ“ใ‚ใ–ใ—)ใฟใŸใ„ใชใ€‚ๆ‚ชใฎๅฟ—ใ€ ่ˆน่ถŠใ€Œใจใ„ใ†ไบ‹ใฏใ€ใƒ‡ใ‚ฃใ‚ชใฏๅฝขใจใ—ใฆใฏ็พใ‚Œใชใใจใ‚‚ๆ„ๆ€ใจใ—ใฆใฏใ‚‚ใ—ใ‹ใ—ใŸใ‚‰ไปŠๅพŒใ‚‚ใ€ ่’ๆœจใ€Œใใ†ใ‹ใ‚‚ใ—ใ‚Œใชใ„ใงใ™ใ‘ใฉใ€ ่ˆน่ถŠใ€Œ็ฌฌ๏ผ—้ƒจใ โ€ฆโ€ฆโ€ฆ(็ฌ‘)ใ€ (ใ‚ธใƒงใ‚ปใƒ•ใฏใพใ ็”Ÿใใฆใ„ใ‚‹๏ผŸ)

่ˆน่ถŠใ€Œใจใ“ใ‚ใงใ€ใƒ‡ใ‚ฃใ‚ชใ‚‚ใ•ใ‚‹ใ“ใจใชใŒใ‚‰ใ€ใ‚ธใƒงใ‚ปใƒ•ใฏๅ…ˆ็”Ÿ๏ผŸใ€ ่’ๆœจใ€Œใ‚ธใƒงใ‚ปใƒ•โ€ฆโ€ฆโ€ฆ็Ÿ›็›พ็‚นใฏ๏ผŸใ€ ่ˆน่ถŠใ€Œใ‚ใฎใญใ€ใƒชใ‚ตใƒชใ‚ตใฏ50ๆญณใฎ่จญๅฎšใงๅ‡บใฆใใพใ—ใŸใ‚ˆใญ๏ผŸใ€€่‚‰ไฝ“ใฏไบŒๅไปฃใงใ—ใŸใ€‚ใ‚ใ‚Œใฏไฝ•ๆ•…ใ‹ใจใ„ใ†ใจใ€ๆณข็ด‹ใŒใ‚ใฎ่‚‰ไฝ“ใ‚’ไฟใคใ‚“ใ ใ€่€ใ„ใฎใ‚นใƒ”ใƒผใƒ‰ใ‚’็ทฉใ‚ใ‚‹ใ‚“ใ ใจใŠๆใใซใชใ‚Šใพใ—ใŸใ‚ˆใญๅ…ˆ็”Ÿ๏ผŸใ€ ่’ๆœจใ€Œใฏใ„ใ€ ่ˆน่ถŠใ€Œไฝ•ๆ•…โ€ฆโ€ฆโ€ฆใƒชใ‚ตใƒชใ‚ตใ‚ˆใ‚Šใ‚‚ใ‚ธใƒงใ‚ปใƒ•ใฎใปใ†ใŒๅƒ•ใฏๆณข็ด‹ใฎใƒ‘ใƒฏใƒผใฏไธŠใ ใจๆ€ใ†ใ‚“ใงใ™ใ‚ˆใ€‚ไฝ•ๆ•…ใ€ใ‚ธใƒงใ‚ปใƒ•ใฏไบบ้–“ใจๅŒใ˜ใ‚นใƒ”ใƒผใƒ‰ใงๆญณใ‚’ใจใฃใกใ‚ƒใฃใŸใ‚“ใงใ—ใ‚‡ใ†ใญ๏ผŸใ€ ่’ๆœจใ€Œใ‚„ใฃใฑใกใ‚‡ใฃใจใ€ๆฐ—ใฎๆŒใกใ‚ˆใ†ใจใ„ใ†ใ‹(็ฌ‘)ใ€ ่ˆน่ถŠใ€Œๅคฑ็คผใ„ใŸใ—ใพใ—ใŸ(็ฌ‘)ใ€ (ใ‚ญใƒฃใƒฉใ‚’ๆใใฎใซไธ€็•ช้‡่ฆใช้ƒจๅˆ†ใฏ๏ผŸ)

่ˆน่ถŠใ€Œๅ…ˆใปใฉใ€ไธ€็•ชใƒใ‚คใƒณใƒˆใซใชใ‚‹ใฎใฏๅฃใ ใฃใฆใŠใฃใ—ใ‚ƒใฃใฆใ„ใพใ—ใŸใ‚ˆใญ๏ผŸใ€€ใ“ใ‚ŒใŒใ‚คใƒณใƒ‘ใ‚ฏใƒˆใŒใ‚ใฃใŸใ‚“ใงใ™ใ‚ˆใ€ ่’ๆœจใ€Œไฝ•ใ‹ใญใ€่‰ฒๆฐ—ใ‚’ๅ‡บใ—ใ„ใ‚“ใงใ™ใ‚ˆใญใ€‚ไธญๆ€ง็š„ใฃใฆใ„ใ†ใฎใ‹ใชใ€‚็”ทใงใ‚‚ใชใๅฅณๆ€งใงใ‚‚ใชใใ€ใฃใฆใ„ใ†ใ‚ˆใ†ใชใ€‚็ตตใซใ—ใŸใจใใซๆƒนใใคใ‘ใ‚‹ใ‚‚ใฎใŒใ‚ใ‚‹ใ‚“ใงใ™ใ‚ˆใ€ (ไป—ๅŠฉใ€ใ‚ธใƒงใƒซใƒŽใ€ใƒ‰ใƒƒใƒ”ใ‚ชใฎใ‚ซใƒฉใƒผๅŽŸ็จฟใ€ๅฃใ‚‚ใจใฎใ‚ขใƒƒใƒ—) ่’ๆœจใ€Œไพ‹ใˆใฐ็”ทๆใใ‚“ใงใ‚‚ใ€ๅฅณๆ€งใฎ้ก”ใ‚’่ฆ‹ใชใŒใ‚‰ๆใใจใใŒใ‚ใ‚‹ใ€‚ใ‚นใ‚ฟใ‚คใƒซใจใ‹ใ€ใƒใƒผใ‚บใฎๅ–ใ‚Šๆ–นใจใ‹โ€ฆโ€ฆโ€ฆใ€ ่ˆน่ถŠใ€Œๅ…ˆ็”Ÿใ€้ก”ใ‚’ๆใ‹ใ‚Œใ‚‹ๅ ดๅˆใ€ๆœ€ๅพŒใฏๅฃใงใ™ใ‹ใ€ใใ‚Œใจใ‚‚ๆœ€ๅˆใฏๅฃใงใ™ใ‹ใ€ ่’ๆœจใ€Œๆœ€ๅˆใฏ้ผปใงใ™ใญใ€ ่ˆน่ถŠใ€Œ้ผปใ€ใพใใใ‚Œใฏไธญๅฟƒใ‚’ใจใฃใฆใ€ ่’ๆœจใ€Œใฉใ†ๆใใ‚“ใ ใ‚ใ†ใชโ€ฆโ€ฆโ€ฆใ‚„ใฃใฑๆœ€ๅพŒใŒๅฃใงใ™ใญใ€ ่ˆน่ถŠใ€Œใ‚„ใฃใฑใ‚Šๆœ€ๅพŒใŒๅฃใ€‚ใกใชใฟใซใกใ‚‰ใฃใจๆใใจใ“ใ‚ใ‚’่ฆ‹ใ›ใฆใ„ใŸใ ใ„ใฆใ‚‚ใ‚ˆใ‚ใ—ใ„ใงใ—ใ‚‡ใ†ใ‹ใ€ (่’ๆœจใ€็ด™ใ‚’ใ‚ตใƒƒใจ็”จๆ„ใ—ใฆๆใ) ่’ๆœจใ€Œใ“ใ†ใ„ใ†ๆ„Ÿใ˜ใ€ ่ˆน่ถŠใ€Œ(ๅฐๅฃฐใง)ๅคงๅค‰ใชใ“ใจใซใชใ‚Šใพใ—ใŸใ€ (่’ๆœจใ€ใƒšใƒณใ‚’ไธ€ๅบฆๅ–ใ‚Šใ€ใพใŸๅˆฅใฎใ‚’ๅ–ใ‚Š็›ดใ—ใฆๆใๅง‹ใ‚ใ‚‹ใ€‚ใƒญใƒƒใƒˆใƒชใƒณใ‚ฐ๏ผŸ) ่’ๆœจใ€Œใพใšใกใ‚‡ใฃใจ่ผช้ƒญใ€ (่ผช้ƒญใ€้ผปใ€็œ‰ๆฏ›ใ€็›ฎใฎ้ †ใงใ‚ตใƒƒใ‚ตใจๆใ„ใฆใ„ใใ€‚ใ‚„ใ‚„ๅทฆๅ‘ใใฎ้ก”ใงใ€ๅณ็›ฎใ€ๅทฆ็›ฎใฎ้ †ใ€‚็›ฎใฏใƒ•ใƒใ€็›ฎ็މใฎ้ †) ่ˆน่ถŠใ€Œใ‚„ใฃใฑใ‚Šๅ…ˆ็”Ÿใฏไป—ๅŠฉใŒๅฅฝใใชใ‚“ใงใ™ใญใ€ ่’ๆœจใ€Œใ„ใ‚„ใ€ใ“ใ‚Œใฏไฝ•ใงใ‚‚ใชใ„ใ‚“ใงใ™ใ‘ใฉใ€ ่ˆน่ถŠใ€Œใ‚ใ€ไฝ•ใซใงใ‚‚ใชใ‚‹ใ‚“ใงใ™ใ‹ใ€ใใ“ใ‹ใ‚‰ใ€ ่’ๆœจใ€Œไป—ๅŠฉใซใ™ใ‚‹๏ผŸใ€ (ใƒชใƒผใ‚ผใƒณใƒˆใ‚’ๅฐ‘ใ—ๆใ„ใฆใ€ๅฃใ‚’ๆใ) ่’ๆœจใ€Œใ“ใ†ใ„ใ†ๆ„Ÿใ˜ใงใ™ใ‹ใญโ€ฆโ€ฆโ€ฆใ€ (่€ณใ€ใใ—ใฆๅณๅดใฎ่ผช้ƒญ) ่ˆน่ถŠใ€Œใชใ‚‹ใปใฉใ€็ขบใ‹ใซ่กจๆƒ…ใŒใ‚นใƒƒใจๅ‡บใฆใใ‚‹ใฎใŒๅฃใงใ™ใญใ€ ่’ๆœจใ€Œใ‚ใจๅซใถใจใใซใฏใ“ใ†(ๅฃใ‚’ใ‚ใ‘ใ‚‹ใ‚ˆใ†ใซๆใใตใ‚Šใ‚’ใ—ใฆ)ใชใฃใŸใ‚Šใจใ‹ใ€ (ใƒชใƒผใ‚ผใƒณใƒˆใฎไธŠใฎ้ƒจๅˆ†ใ‚’ๆใ) ่ˆน่ถŠใ€Œๅ…ˆ็”Ÿใ€็”Ÿใฎใ‚’ๆใ‹ใ‚Œใฆใ—ใพใ„ใพใ—ใŸใญใ€ ่’ๆœจใ€Œ็”Ÿไป—ๅŠฉ๏ผŸใ€ (ๆœใ‚’ๅฐ‘ใ—ๆใ„ใฆใ€ๅ˜่กŒๆœฌใงใ‚‚ไบบๆฐ—ใฎใƒฉใƒ•็”ปใŒๅฎŒๆˆใ€‚ๆ—ฉใ„) ่ˆน่ถŠใ€Œๅ…ˆ็”Ÿใ€ๅฃใจใ„ใ†ใฎใฏใ‚ใˆใฆๅฝฑ้Ÿฟใ‚’ๅ—ใ‘ใŸใจใ—ใŸใ‚‰ใ“ใฎๅฃๅ…ƒใฏใฉใ“ใŒใƒซใƒผใƒ„ใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใ‚„ใฃใฑใ“ใ†ใ„ใ†ๅ†™็œŸใจใ‹(ๅ†™็œŸ้›†ใ‚’ใฑใ‚‰ใฑใ‚‰ใจใ‚ใใ‚‹)่ฆ‹ใฆๆใ„ใฆใ„ใ‚‹ใ‚“ใงใ™ใ‘ใฉใ€(ๅ†™็œŸใฎๅฃใ‚’ๆŒ‡ๅทฎใ—)ใ‚„ใฃใฑใ“ใ†ใ„ใ†ๅฃใจใ‹ใ€ใ„ใ„ใงใ™ใ‚ˆใญใ€ (ๅ†™็œŸใŒใƒใƒƒใ‚ญใƒช่ฆ‹ใˆใ‚‹ใ‚“ใงใ™ใŒใ€ไฝ•ใฎๅ†™็œŸ้›†ใงใ—ใ‚‡ใ†ใ‹๏ผŸ) ่’ๆœจใ€Œใงใ‚‚ใ€ใ“ใ‚Œ่ฆ‹ใฆ็”ทใ‚’ๆใใจใใ‚‚ใ‚ใ‚‹ใ‚“ใงใ™ใ€ (ไป•ไบ‹ๅ ดๆ‹่ฆ‹)

่’ๆœจใ€Œใ“ใ“ใฏใ‚ขใ‚ทใ‚นใ‚ฟใƒณใƒˆใฎไป•ไบ‹ๅ ดใงใ™ใ€ ่ˆน่ถŠใ€Œใฏใ‚ใ‚โ€ฆโ€ฆโ€ฆใชใ‚“ใ‹ใ‚คใƒกใƒผใ‚ธใŒๅ…จ็„ถ้•ใ„ใพใ—ใŸใ€‚ใ‚‚ใฃใจ้›‘็„ถใจใ—ใŸไธญใง็”Ÿใพใ‚Œใฆใ„ใใฎใ‹ใชใจๆ€ใฃใฆใ„ใŸใ‚“ใงใ™ใ‘ใฉใ€‚ๅ…ˆ็”Ÿใฎๅ‡ ๅธณ้ขใ•ใŒใ€ ่’ๆœจใ€Œใใ†ใงใ™ใ‹๏ผŸใ€€ใ„ใ‚„โ€ฆโ€ฆโ€ฆใพใโ€ฆโ€ฆโ€ฆใฏใ„(็ฌ‘)ใ€ (ใ“ใฎๆ™‚ใ€ๅฃใซใ‹ใ‹ใฃใฆใ„ใ‚‹็ตตใŒ้ข็™ฝใ„ใ€‚่’ๆœจๅ…ˆ็”Ÿใฎ็ตต๏ผŸ) (ใ‚ขใ‚ทใ‚นใ‚ฟใƒณใƒˆใŒใƒšใƒณๅ…ฅใ‚Œใ‚’ใ—ใฆใ„ใ‚‹ไฝœๆฅญใ€ๆ˜ ใ‚‹) ใƒŠใƒฌใƒผใ‚ทใƒงใƒณ

ใ€€่’ๆœจๅ…ˆ็”Ÿใฎ็ตตใซใ€ไธๅฏงใซใƒšใƒณๅ…ฅใ‚Œใ‚’ใ™ใ‚‹ใ‚ขใ‚ทใ‚นใ‚ฟใƒณใƒˆใฎ็š†ใ•ใ‚“ใ€‚ (ๆœ€็ต‚่ฉฑ๏ผŸใ€็ฅž็ˆถใŒๅœฐ้ขใซๅ€’ใ‚Œใ“ใ‚€PAGEใŒๆ˜ ใ‚‹) ใ€€ใ“ใฎๆ—ฅใฏ็ฌฌๅ…ญ้ƒจใ‚นใƒˆใƒผใƒณใ‚ชใƒผใ‚ทใƒฃใƒณๆœ€็ต‚่ฉฑใฎไป•ไธŠใ’ใ€‚ ใ€€ใ€Žใ‚ธใƒงใ‚ธใƒงใฎๅฅ‡ๅฆ™ใชๅ†’้™บใ€ใฏใ“ใ“ใ‹ใ‚‰็”Ÿใพใ‚Œใฆใ„ใ‚‹ใฎใงใ™ใ€‚

(็ฌฌ7้ƒจใฎๆง‹ๆƒณใฏ๏ผŸ)

่ˆน่ถŠใ€Œใ“ใ‚Œใงใ„ใ‚ˆใ„ใ‚ˆ็ฌฌไธƒ้ƒจใŒๅง‹ใพใ‚‹ใจใ„ใ†ใ€็ง้”ใฏๅฌ‰ใ—ใ„ใƒ‹ใƒฅใƒผใ‚นใ‚’่€ณใซใ•ใ›ใฆใ„ใŸใ ใ„ใŸใ‚“ใงใ™ใ‘ใฉใ‚‚โ€ฆโ€ฆโ€ฆใ€ ่’ๆœจใ€Œ็ทจ้›†้ƒจใจใฏๅ…จ็„ถๆ‰“ใกๅˆใ‚ใ›ใ—ใฆใ„ใชใ„ใ‚“ใงใ€ ่ˆน่ถŠใ€Œใงใ‚‚ใ€ๅ…ˆ็”Ÿใฎไธญใซใฏใ‚‚ใ†โ€ฆโ€ฆโ€ฆใ€ ่’ๆœจใ€Œใ‚ใ‚Šใพใ™ใญใ€‚ใ‚ฟใ‚คใƒˆใƒซใ‚‚ใ€ใชใ‚“ใ ใฃใ‘ใชใ€ใ€Žใ‚นใƒ†ใ‚ฃใƒผใƒซใƒปใƒœใƒผใƒซใƒปใƒฉใƒณใ€ใฃใฆใ„ใ†ใ‚“ใงใ™ใ‘ใฉใ€ ่ˆน่ถŠใ€Œๆ•™ใˆใฆใ‚‚ใ‚‰ใฃใกใ‚ƒใ„ใพใ—ใŸใ‚ˆ(็ฌ‘)ใ€ ่’ๆœจใ€Œใงใ‚‚่ˆžๅฐใจใ‹ใ€ๅ†…ๅฎนใฏ้ง„็›ฎใงใ™ใญใ€ใพใ ใ€ ่ˆน่ถŠใ€Œใใ‚Œใฏใ‚‚ใกใ‚ใ‚“ใใ†ใงใ™ใ‚ˆใ€‚ใฉใฃใ‹ๅ…ˆ็”Ÿใฎไธญใงใ€ๅคงใใชๆœชๆฅใซ้ฃ›่บใ™ใ‚‹ใฃใฆใ„ใ†ใŸใ‚ใ‚‰ใ„ใŒใ‚ใ‚‹ใฃใฆใ„ใ†ไบ‹ใฏใ‚ใ‚‹ใ‚“ใงใ™ใญใ€ ่’ๆœจใ€Œๅ–ๆใŒใงใใชใ„ใ€ใฃใฆใ„ใ†ใ€‚ใ‚ใจ่บซ่ฟ‘ใงใชใ„ใจใ€ใƒชใ‚ขใƒชใƒ†ใ‚ฃใฃใฆใ„ใ†ใ‹ใ€ไฝ•ใงใ‚‚ใ‚ใ‚‹็™บๆ˜Žใจใ‹ใ€ไฝ•ใงใ‚‚ใ‚ใ‚‹ไธ–็•Œใซใชใ‚‹ใจใกใ‚‡ใฃใจใพใŸ้•ใฃใฆใใ‚‹ใ‚“ใ˜ใ‚ƒใ‚ใชใ„ใ‹ใจๆ€ใ†ใ‚“ใงใ™ใ‚ˆใ€‚ใ‚„ใฃใฑใƒชใ‚ขใƒชใƒ†ใ‚ฃใงใ™ใญใ€ ่ˆน่ถŠใ€Œๅ…ˆ็”ŸใŒใ”่‡ชๅˆ†ใงๆœชๆฅใ‚’ๆง‹็ฏ‰ใ—ใ‚ˆใ†ใจใฏใ‚ใพใ‚Šๆ€ใ‚ใ‚Œใชใ„๏ผŸใ€ ่’ๆœจใ€Œใˆใˆใ€ใ‚‚ใ†ใ‚นใ‚ฟใƒณใƒ‰ใŒๆžถ็ฉบใฎใ‚‚ใฎใ ใ‹ใ‚‰ใ€ใฉใ“ใ‹ใƒชใ‚ขใƒชใƒ†ใ‚ฃใŒใชใ„ใจ้ง„็›ฎใชใ‚“ใงใ™ใ‚ˆใ€ ่ˆน่ถŠใ€Œใชใ‚‹ใปใฉใชใ‚‹ใปใฉใ€‚ใใ‚Œใงใฏ็š†ใ•ใ‚“ใ€็ฌฌไธƒ้ƒจใฏใใ‚Œใปใฉ้ ใ„ๆœชๆฅใธ่กŒใ‹ใชใ„ใ€ใจใ€‚ใ“ใ‚Œใ ใ‘ใฏใŠ่žใใงใใพใ—ใŸใ€ ่’ๆœจใ€Œใ‚‚ใ†่ก€็ตฑใŒใ„ใชใ„ใ‚“ใงใ™ใ‚ˆใญใ€‚ไพ‹ใˆใฐไป—ๅŠฉใ ใฃใฆๆ„›ไบบใฎๅญใชใ‚“ใ ใ‚‚ใ‚“ใ€‚่‹ฆใ—ใ„ใ‚“ใงใ™ใ‚ˆ(็ฌ‘)ใ€ ใ‚จใƒ”ใƒญใƒผใ‚ฐใ€€Q81๏ฝžQ100

Q81ใ€€ใŠใ™ใ™ใ‚ใƒžใƒณใ‚ฌใƒ™ใ‚นใƒˆ3 ่ˆน่ถŠใ€Œใใ‚Œใงใฏใ‚จใƒ”ใƒญใƒผใ‚ฐ็š„ใซใใฎไป–ใฎใ“ใจใจใ„ใ†ใใใ‚Šใง่ณชๅ•ใ‚’ใ•ใ›ใฆใ„ใŸใ ใใŸใ„ใ‚“ใงใ™ใ‘ใฉใ‚‚ใ€ใŠๅ‹งใ‚ใฎใƒžใƒณใ‚ฌใƒ™ใ‚นใƒˆ3ใ‚’ๆ•™ใˆใฆใ„ใŸใ ใ‘ใพใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใ€Žใƒใƒ“ใƒซ๏ผ’ไธ–ใ€ใจโ€ฆโ€ฆโ€ฆใใ†ใ ใชๆขถๅŽŸไธ€้จŽใฎโ€ฆโ€ฆโ€ฆใ†ใƒผใ‚“ใ‚„ใฃใฑใ€Žๅทจไบบใฎๆ˜Ÿใ€ใ‹ใชใ€‚ๆŸ”้“ไธ€็›ด็ทšใ‚‚ใ„ใ„ใ‚“ใงใ™ใ‘ใฉใญใ€ ่ˆน่ถŠใ€Œใ„ใ„ใงใ™ใ‚ˆใญใ‡ใ€ ่’ๆœจใ€ŒๅพŒใฏใ‚„ใฃใฑใ€Žใƒ‰ใƒฉใ‚ดใƒณใƒœใƒผใƒซใ€ใงใ™ใญใ€ ่ˆน่ถŠใ€Œใ€Žใƒ‰ใƒฉใ‚ดใƒณใƒœใƒผใƒซใ€ใงใ™ใ‹๏ผใ€
Q82ใ€€ใ€Œใ‚„ใ‚‰ใ‚ŒใŸใ€ใจๆ€ใฃใŸใƒžใƒณใ‚ฌใฏ๏ผŸ ่ˆน่ถŠใ€Œใ‚„ใ‚‰ใ‚ŒใŸ๏ผใจๆ€ใฃใŸใƒžใƒณใ‚ฌใฏใ‚ใ‚Šใพใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใ„ใ‚„ใ€ในใคใซใชใ„ใงใ™ใญใ€
Q83ใ€€ๅฐŠๆ•ฌใ™ใ‚‹ใƒžใƒณใ‚ฌๅฎถใฏ๏ผŸ ่ˆน่ถŠใ€ŒๅฐŠๆ•ฌใ™ใ‚‹ใƒžใƒณใ‚ฌๅฎถใฏใฉใชใŸใงใ—ใ‚‡ใ†ใ‹๏ผŸใ€ ่’ๆœจใ€Œใ‚„ใฃใฑใ‚Šๆจชๅฑฑๅ…‰่ผๅ…ˆ็”Ÿใ€
Q84ใ€€้€ฑๅˆŠ้€ฃ่ผ‰ใงๅฟƒใŒใ‘ใฆใ„ใ‚‹ใ“ใจใฏ๏ผŸ ่ˆน่ถŠใ€Œ้€ฑๅˆŠ้€ฃ่ผ‰ใ‚’ใ™ใ‚‹ไธŠใงๅฟƒใŒใ‘ใฆใ„ใ‚‹ใ“ใจใฏใฉใ†ใ„ใ†ไบ‹ใงใ—ใ‚‡ใ†ใ‹๏ผŸใ€ ่’ๆœจใ€Œ็ท ใ‚ใใ‚Šใ‚’ๅฎˆใ‚‹ใ€
Q85ใ€€้•ทใ็ถšใ‘ใ‚‹็ง˜่จฃใฏ๏ผŸ ่ˆน่ถŠใ€Œ้•ทใ็ถšใ‘ใ‚‹็ง˜่จฃใ‚’ๆ•™ใˆใฆใใ ใ•ใ„๏ผŸใ€ ่’ๆœจใ€Œใ‚ใ€ใ“ใ‚ŒใŒใใ†ใงใ™ใญใ€‚็ท ใ‚ใใ‚Šใ‚’ๅฎˆใ‚‹ใ€ใจใ€‚ใใ†ใ„ใ†ใ“ใจใงใ™ใ€ Q86ใ€€ไปฒใฎ่‰ฏใ„ใƒžใƒณใ‚ฌๅฎถใฏ๏ผŸ ่ˆน่ถŠใ€Œไปฒใฎ่‰ฏใ„ใƒžใƒณใ‚ฌๅฎถใ•ใ‚“ใฏใฉใชใŸใงใ—ใ‚‡ใ†ใ‹๏ผŸใ€ ่’ๆœจใ€Œใˆใฃใจโ€ฆโ€ฆโ€ฆใ„ใชใ„ใงใ™ใญ(็ฌ‘)ใ€‚็‰นใซใ€‚ใ„ใ‚‹ใฃใฆ็ญ”ใˆใฆใ‚‚ใ„ใ„ใ‚“ใ ใ‘ใฉใ€ใใ‚“ใชไผšใฃใฆใ„ใชใ„ใ‚“ใ ใ‚ˆใชใใ€‚ใฟใ‚“ใชๅฟ™ใ—ใใฆใ•ใ(็ฌ‘)ใ€ ่ˆน่ถŠใ€Œใใ†ใงใ™ใ‚ˆใญใ€‚ใชใ‹ใชใ‹ใญใ‡ใ€ ่’ๆœจใ€Œใใ†ใชใ‚“ใงใ™ใ‚ˆใ€ Q87ใ€€ใƒ‘ใ‚ฝใ‚ณใƒณใฏไฝฟใ†๏ผŸ ่ˆน่ถŠใ€Œใƒ‘ใ‚ฝใ‚ณใƒณใฏไฝฟใˆใพใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œๅƒ•ใฏ้ง„็›ฎใงใ™ใƒ‘ใ‚ฝใ‚ณใƒณใ€‚ใ‚ใฎๅพ…ใกๆ™‚้–“ใŒใ€ ่ˆน่ถŠใ€Œใงใ‚‚ใ€ใŠไฝฟใ„ใซใฏใชใ‚‰ใ‚Œใ‚‹ใจใ€ ่’ๆœจใ€Œใˆใˆใ€ ่ˆน่ถŠใ€Œใ‚ใพใ‚Šๅฅฝใใงใฏใชใ„ใ€ใจใ€ ่’ๆœจใ€Œๅฅฝใใงใฏใชใ„ใงใ™ใญใ€ Q88ใ€€็€ใƒกใƒญใฏ๏ผŸ ่ˆน่ถŠใ€Œๆบๅธฏใฎ็€ใƒกใƒญใ‚’ๆ•™ใˆใฆใ„ใŸใ ใ‘ใพใ™ใงใ—ใ‚‡ใ†ใ‹๏ผŸใ€ ่’ๆœจใ€Œๆบๅธฏใฏๅƒ•ใ€ๆŒใฃใฆใพใ›ใ‚“ใ€ Q89ใ€€ไธ€็•ชไผšใ„ใŸใ„ๅฅณๅ„ชใ•ใ‚“ใฏ๏ผŸ ่ˆน่ถŠใ€Œไธ€็•ชไผšใฃใฆใฟใŸใ„ๅฅณๅ„ชใ•ใ‚“ใ‚’ไธ€ไบบๆ•™ใˆใฆใใ ใ•ใ„ใ€ ่’ๆœจใ€Œใˆใˆใฃใ€ใ“ใ‚Œๆ—ฅๆœฌใฎๅฅณๅ„ชใ•ใ‚“ใ€ใฃใฆไบ‹ใงใ™ใ‹๏ผŸใ€ (ใ‚นใ‚ฟใƒƒใƒ•ใŒใ€Œใ„ใ‚„ใ€ๅค–ๅ›ฝใงใ‚‚ใ€ใจ็ญ”ใˆใ‚‹) ่’ๆœจใ€ŒใƒŠใ‚ฟใƒชใƒผใƒปใƒใƒผใƒˆใƒžใƒณใซไผšใ„ใŸใ„ใงใ™ใญใ€‚ใ€Žใ‚นใ‚ฟใƒผใƒปใ‚ฆใ‚ฉใƒผใ‚บใ€€ใ‚จใƒ”ใ‚ฝใƒผใƒ‰1ใ€ใฎใ‚ขใƒŸใƒ€ใƒฉๅงซใ€‚ใ‚ใ‚Œใ€ใ„ใ„ใงใ™ใญใ‡(็ฌ‘)ใ€ ่ˆน่ถŠใ€Œ็›ฎๅฐปใŒไธ‹ใŒใ‚Šใพใ—ใŸใญๅ…ˆ็”Ÿใ€ ่’ๆœจใ€Œใ™ใ”ใ„็พŽไบบใงใ™ใ‚ˆใ‚ใ‚Œใฏใ€ ่ˆน่ถŠใ€Œใใ†ใงใ™ใ‚ˆใญใ‡ใ€ Q90ใ€€็„กไบบๅณถใซๆŒใฃใฆใ„ใใ‚‚ใฎใฏ๏ผŸ ่ˆน่ถŠใ€Œ็„กไบบๅณถใซๆŒใฃใฆใ„ใใ‚‚ใฎใ‚’ไธ‰ใคๆŒ™ใ’ใฆใใ ใ•ใ„ใ€ ่’ๆœจใ€Œใ‚„ใฃใฑใ‚Šๅฅฝใใชใƒžใƒณใ‚ฌใจใ€CDใจใ€้‰›็ญ†ใ€ Q91ใ€€ไธ€็•ช้ซ˜ไพกใชใ‚‚ใฎใฏ๏ผŸ ่ˆน่ถŠใ€ŒไปŠใพใง่ฒทใฃใŸไธ€็•ช้ซ˜ไพกใชใ‚‚ใฎใ‚’ๆ•™ใˆใฆใใ ใ•ใ„ใ€ ่’ๆœจใ€Œไฝ•ใ ใ‚ใ†โ€ฆโ€ฆโ€ฆไป•ไบ‹ๅ ดใ‹ใชใใ€ Q92ใ€€ๅฐŠๆ•ฌใ™ใ‚‹ไบบใฏ๏ผŸ ่ˆน่ถŠใ€ŒๅฐŠๆ•ฌใ™ใ‚‹ไบบใฏ่ชฐใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€ŒๅฐŠๆ•ฌใ™ใ‚‹ไบบ๏ผŸใ€€โ€ฆโ€ฆโ€ฆๅƒ•ใฏ็”ปๅฎถใฎใƒ™ใƒฉใ‚นใ‚ฑใ‚นใŒใ€ (็”ป้ขใซใƒ™ใƒฉใ‚นใ‚ฑใ‚นใฎใƒ†ใƒญใƒƒใƒ—ๅ‡บใ‚‹ใ€‚ ใ€Œใƒ™ใƒฉใ‚นใ‚ฑใ‚นใ€(1599๏ฝž1660)ใ€€ใ‚นใƒšใ‚คใƒณ ใ‚ปใƒ“ใƒชใ‚ข็”Ÿใพใ‚Œใ€‚ใƒ•ใ‚งใƒชใƒš4ไธ–ใฎๅฎฎๅปท็”ปๅฎถใจใ—ใฆๆดป่บ) Q93ใ€€ไปŠๅพŒใ€ๆŒ‘ๆˆฆใ—ใฆใฟใŸใ„ใ‚ธใƒฃใƒณใƒซใฏ๏ผŸ ่ˆน่ถŠใ€Œใƒžใƒณใ‚ฌๅฎถใจใ—ใฆไปŠๅพŒใ€ๆŒ‘ๆˆฆใ—ใฆใฟใŸใ„ใ‚ธใƒฃใƒณใƒซใฏใฉใ‚“ใชใ‚‚ใฎใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œๅˆฅใซใ€ไปŠใฎใƒžใƒณใ‚ฌใ‚’ใฉใ‚“ใฉใ‚“้€ฒใ‚ใฆใ„ใใŸใ„ใ ใ‘ใ€
Q94ใ€€ใ€Žๅฐ‘ๅนดใ‚ธใƒฃใƒณใƒ—ใ€ใฉใ“ใ‹ใ‚‰่ชญใ‚€๏ผŸ ่ˆน่ถŠใ€Œใ€Žๅฐ‘ๅนดใ‚ธใƒฃใƒณใƒ—ใ€ใฉใฎใƒžใƒณใ‚ฌใ‹ใ‚‰่ชญใฟใพใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œๆœ€ๅˆใ‹ใ‚‰ใ€่ผ‰ใฃใฆใ„ใ‚‹้ †ใซใ€
Q95ใ€€ใƒžใƒณใ‚ฌใฏใ„ใคใพใงๆใ๏ผŸ ่ˆน่ถŠใ€Œใƒžใƒณใ‚ฌใฏใ„ใคใพใงๆใ“ใ†ใจๆ€ใ‚ใ‚Œใฆใ„ใพใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œ50ใใ‚‰ใ„ใงใ™ใ‹ใญใ€‚ใใ‚“ใช้•ทใๆใ‘ใ‚‹ใฎใ‹ใชใ(็ฌ‘)ใ€€ๅฐ‘ใชใใจใ‚‚้€ฑๅˆŠ้€ฃ่ผ‰ใฏใกใ‚‡ใฃใจใงใใชใ„ใ‚“ใ˜ใ‚ƒใ‚ใชใ„ใ‹ใชใใ€‚ใ‚นใƒใƒผใƒ„้ธๆ‰‹ใจๅŒใ˜ๆง˜ใชๆ„Ÿใ˜ใŒใ‚ใ‚Šใพใ™ใ‘ใฉใ€ ่ˆน่ถŠใ€Œใ‚„ใฃใฑใ‚Šใ“ใ‚Œใฏๆ™‚ไปฃใงใ—ใ‚‡ใ†ใ‹ใญใ€ ่’ๆœจใ€Œๆ™‚ไปฃใฃใฆใ„ใ†ใ‹ใ€ไฝ“ๅŠ›ใ€
Q96ใ€€่€ๅพŒใฎ้Žใ”ใ—ๆ–นใฏ๏ผŸ ่ˆน่ถŠใ€Œ่€ๅพŒใฏใฉใ†้Žใ”ใ—ใŸใ„ใงใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใ‚„ใฃใฑใ‚Šใ“ใ†ใ€ๅ‹้”ใจใƒฌใ‚นใƒˆใƒฉใƒณใงใ ในใ‚ŠใชใŒใ‚‰ใ€ใฟใŸใ„ใช(็ฌ‘)ใ€‚ใใ‚Œใ„ใ„ใงใ™ใ‚ˆใ€‚็”ทๅŒๅฃซใงใญใ€
Q97ใ€€ใ‚‚ใ—้ก˜ใ„ไบ‹ใŒๅถใ†ใชใ‚‰๏ผŸ ่ˆน่ถŠใ€Œ้ก˜ใ„ไบ‹ใŒๅถใ†ใชใ‚‰ใ€ไฝ•ใ‚’ใŠ้ก˜ใ„ใ•ใ‚Œใพใ™ใ‹๏ผŸใ€ ่’ๆœจใ€Œใˆใˆใฃโ€ฆโ€ฆโ€ฆ๏ผŸใ€€ไฝ•ใ ใ‚ใ†ใชโ€ฆโ€ฆโ€ฆใ‚ใ‚“ใพใ‚Šใชใ„ใงใ™ใ‘ใฉใ€‚ๅˆฅใซใชใ„ใงใ™ใ€
Q98ใ€€ใƒžใƒณใ‚ฌๅฎถใซๅ‘ใ„ใฆใ„ใ‚‹ไบบใฏใฉใ‚“ใชไบบ๏ผŸ ่ˆน่ถŠใ€Œใƒžใƒณใ‚ฌๅฎถใซๅ‘ใ„ใฆใ„ใ‚‹ใจๆ€ใ†ไบบใฏใฉใ‚“ใชไบบใงใ—ใ‚‡ใ†ใ‹๏ผŸใ€ ่’ๆœจใ€Œใƒžใƒณใ‚ฌๅฎถใฃใฆใ€ใ„ใ‚ใ‚“ใช้ญ…ๅŠ›ใŒใ‚ใ‚‹ใ‚“ใงใ™ใ‚ˆใญใ€‚่„šๆœฌๅฎถใงใ‚ใฃใŸใ‚Šใ€็”ปๅฎถใงใ‚ใฃใŸใ‚Šใ€็›ฃ็ฃใงใ‚ใฃใŸใ‚Šใ€ๅฝน่€…ใงใ‚ใฃใŸใ‚Šใ™ใญใ‹ใ‚‰ใ€ใŸใถใ‚“้Ÿณๆฅฝๅฎถไปฅๅค–ใฏ่ชฐใงใ‚‚ๅ‘ใ„ใฆใ„ใ‚‹ใ‚“ใ˜ใ‚ƒใ‚ใชใ„ใ‹ใจๆ€ใ„ใพใ™ใ‘ใฉใ€ ่ˆน่ถŠใ€Œใฏใใƒผใชใ‚‹ใปใฉใ€ ่’ๆœจใ€Œใ„ใ‚ใ‚“ใช้ญ…ๅŠ›ใŒใ‚ใ‚‹ใ‹ใ‚‰ใ€ใใ“ใ•ใˆใ‚ใ‚Œใฐใ€‚็ตตไธ‹ๆ‰‹ใชใƒžใƒณใ‚ฌๅฎถใ‚‚ใ„ใ‚‹ใ—ใ€็ตตใ ใ‘ใง่ฉฑใŒใงใใชใ„ไบบใ‚‚ใ„ใ‚‹ใ—ใ€‚ใ„ใ‚ใ‚“ใช้ญ…ๅŠ›ใŒใ‚ใ‚‹ใ‹ใ‚‰ไฝ•ใงใ‚‚ใงใใ‚‹ใจๆ€ใ„ใพใ™ใญใ€
Q99ใ€€ใƒžใƒณใ‚ฌๅฎถใจใ—ใฆๅคงๅˆ‡ใชใ“ใจใฏ๏ผŸ ่ˆน่ถŠใ€Œใƒžใƒณใ‚ฌๅฎถใจใ—ใฆๅคงๅˆ‡ใชใ“ใจใฃใฆใชใ‚“ใงใ—ใ‚‡ใ†๏ผŸใ€ ่’ๆœจใ€Œๅ‰ตไฝœใฏ็พŽใ—ใ„ใ€ใฃใฆๅฟƒใซๅฟตใ˜ใฆใ„ใ‚‹ใ“ใจใ˜ใ‚ƒใ‚ใชใ„ใงใ™ใ‹ใ€ ่ˆน่ถŠใ€Œ็ด ๆ•ตใชโ€ฆโ€ฆโ€ฆใ€
Q100ใ€€ใ‚ใชใŸใซใจใฃใฆใƒžใƒณใ‚ฌใจใฏ๏ผŸ ่ˆน่ถŠใ€Œใงใฏๆœ€ๅพŒใซใ€ใกใ‚‡ใฃใจ้›ฃใ—ใ„่ณชๅ•ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใ‘ใฉใ€ๅ…ˆ็”Ÿใซใจใฃใฆใ‚บใƒใƒชใƒžใƒณใ‚ฌใจใฏไฝ•ใงใ—ใ‚‡ใ†๏ผŸใ€ ่’ๆœจใ€Œ่‡ชๅˆ†ใ‚’่ฆ‹ใคใ‚ใ‚‹ใ‚‚ใฎใงใ™ใญใ€ ่ˆน่ถŠใ€Œใ‚ใ‚ŠใŒใจใ†ใ”ใ–ใ„ใพใ—ใŸใ€ (่ˆน่ถŠใ€่’ๆœจใจๅ›บใๆกๆ‰‹ใ—ใคใค) ่ˆน่ถŠใ€Œใ‚ใ‚ŠใŒใจใ†ใ”ใ–ใ„ใพใ—ใŸใ€‚็ด ๆ•ตใชๅ‰ตๅˆŠๅทใซใ•ใ›ใฆใ„ใŸใ ใใพใ—ใŸใŠ่”ญๆง˜ใงใ€‚ใ“ใ‚Œใ‹ใ‚‰ใ‚‚ๆฅฝใ—ใฟใซใ—ใฆใŠใ‚Šใพใ™ใฎใงใ€ใใ‚Œใใ‚Œใ‚‚ไฝ“่ชฟใ‚’ๅดฉใ•ใชใ„ใ‚ˆใ†ใซโ€ฆโ€ฆโ€ฆไฝ“่ชฟใ‚’ๅดฉใ™ใจไธปไบบๅ…ฌใŒใƒ”ใƒณใƒใซใชใฃใฆใ—ใพใ„ใพใ™ใ‹ใ‚‰ใญ(็ฌ‘)ใ€‚ใ”ๆดป่บใ‚’ใŠ็ฅˆใ‚Šใ—ใฆใŠใ‚Šใพใ™ใ€‚ใ‚ใ‚ŠใŒใจใ†ใ”ใ–ใ„ใพใ—ใŸใ€ ่’ๆœจใ€Œใฏใ„ใ€ใฉใ†ใ‚‚ใ‚ใ‚ŠใŒใจใ†ใ”ใ–ใ„ใพใ™ใ€ (ใ‚ธใƒงใƒชใƒผใƒณใจ่’ๆœจๅ…ˆ็”Ÿใฎใ‚ตใ‚คใƒณๆ˜ ใ‚‹ใ€‚ๅคœ้“ใ‚’ๆญฉใ่ˆน่ถŠ)

่ˆน่ถŠใ€Œใ„ใ‹ใŒใงใ—ใŸใงใ—ใ‚‡ใ†ใ‹ใ€‚้€ฑๅˆŠๅฐ‘ๅนดใ€Žใ€ๅ‰ตๅˆŠๅทใจใ—ใฆใฏ็ด ๆ™ดใ‚‰ใ—ใ„ใ‚‚ใฎใŒๅ‡บๆฅไธŠใŒใฃใŸใจ็ทจ้›†้•ทใจใ—ใฆใฏ่‡ช่ฒ ใ™ใ‚‹ใจใจใ‚‚ใซใ€ใ‚ใ‚‰ใŸใ‚ใฆ่’ๆœจๅ…ˆ็”Ÿใซๆ„Ÿ่ฌใ—ใŸใ„ใจๆ€ใ„ใพใ™ใ€‚่’ๆœจๅ…ˆ็”ŸใฎใŠ่ฉฑใ‚’ๅฎŸ้š›ใซไผบใ†ใ“ใจใŒใงใใฆใ€ใ‚ธใƒงใ‚ธใƒงใฎใƒซใƒผใƒ„ใซใ‚‚่งฆใ‚Œใ‚‹ใ“ใจใŒใงใใฆใ€ใ•ใ‚‰ใซใ‚ธใƒงใ‚ธใƒงใฎไฝœๅ“ไธ–็•ŒใŒๅบƒใŒใฃใŸใ‚ˆใ†ใชๆฐ—ใŒใ—ใพใ™ใ€‚็ฌฌไธƒ้ƒจใŒๆœฌๅฝ“ใซไปŠใ‹ใ‚‰ๅพ…ใก้ ใ—ใ„ใ€ใใ‚“ใชๆ€ใ„ใงใ„ใฃใฑใ„ใงใ™ใ€‚ๆ˜ฏ้žใ€่’ๆœจๅ…ˆ็”Ÿใ€่€ๅพŒใฎใŠ่Œถใฎใฟๅ‹้”ใฎไธญใซ็งใ‚’ๅŠ ใˆใฆใ„ใŸใ ใใŸใ„ใจๆ€ใ„ใพใ™ใ€‚ใใ‚Œใงใฏ็š†ใ•ใ‚“ใ€ใพใŸๆฌกๅทใงใŠไผšใ„ใ—ใพใ—ใ‚‡ใ†๏ผใ€[31]

References

  1. โ†‘ http://blog.livedoor.jp/jojolab/archives/38665393.html
  2. โ†‘ http://blog.livedoor.jp/jojolab/archives/38791098.html
  3. โ†‘ http://blog.livedoor.jp/jojolab/archives/39165377.html
  4. โ†‘ http://blog.livedoor.jp/jojolab/archives/39516276.html
  5. โ†‘ http://blog.livedoor.jp/jojolab/archives/39762265.html
  6. โ†‘ http://blog.livedoor.jp/jojolab/archives/44263539.html
  7. โ†‘ http://raikaroom.blogspot.fr/2015/04/feelin-jojo-final-episode-araki.html
  8. โ†‘ http://blog.livedoor.jp/jojolab/archives/49569633.html
  9. โ†‘ https://docs.google.com/document/d/1pgcnMshVrs7ZqvtACT3PWweRpmJOXSNyu7O9qf4M21g/edit
  10. โ†‘ https://twitter.com/macchalion/status/834153287771422720
  11. โ†‘ http://www.dailymotion.com/video/xnzt4x_araki-hirohiko-interview-english-sub_creation
  12. โ†‘ http://ls57tiger.freepgs.com/jojo/phpBB3/viewtopic.php?f=2&t=616
  13. โ†‘ http://petronia.livejournal.com/493401.html
  14. โ†‘ http://ls57tiger.freepgs.com/jojo/phpBB3/viewtopic.php?f=2&t=6796
  15. โ†‘ http://www.hirosegawa-net.com/interview/new/18_01.html
  16. โ†‘ http://www.houyhnhnm.jp/culture/feature/gucci-araki-hirohiko.html
  17. โ†‘ http://www.gamefaqs.com/boards/676176-jojos-bizarre-adventure-all-star-battle/67151860
  18. โ†‘ http://www.animenewsnetwork.com/feature/2015-07-16/interview-jojo-bizarre-adventure-director-naokatsu-tsuda/.90413
  19. โ†‘ http://ls57tiger.freepgs.com/jojo/phpBB3/viewtopic.php?f=28&t=6459&hilit=interview
  20. โ†‘ http://atmarkjojo.org/archives/21023.html
  21. โ†‘ Newtype magazine, August 2016
  22. โ†‘ http://otakuusamagazine.com/Anime/News1/Anime-Anime-Interviews-Daisuke-Ono-JoJos-Jotaro-Ku-5729.aspx
  23. โ†‘ http://animeanime.jp/article/2014/04/12/18269.html
  24. โ†‘ https://www.youtube.com/watch?v=dTh1woTmDqs
  25. โ†‘ http://www.animeland.com/dossier/araki-hirohiko-exposed/
  26. โ†‘ http://www.manga-news.com/index.php/auteur/interview/KOMINO-Masahiko
  27. โ†‘ http://comipress.com/article/2006/06/30/387
  28. โ†‘ http://ls57tiger.freepgs.com/jojo/phpBB3/viewtopic.php?f=2&t=2627&p=43043&hilit=interview#p43043
  29. โ†‘ http://dijeh.tumblr.com/post/56081922481/remember-that-one-araki-x-kaneko-interview-its
  30. โ†‘ http://web.archive.org/web/20130110030214/http://www.ganganonline.com/special/hagane/index.html
  31. โ†‘ http://www.edit.ne.jp/~condor/arakitv1.html