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{{Book Infobox
|title = ''Hirohiko Araki's New<br>Manga Techniques:<br>How
|image = [[File:Hirohiko Araki's New Manga Techniques
|altname = ''Hirohiko Araki's Manga Techniques - Continued''
|ja_kanji =
|ja_romaji =
|date = November 15, 2024<ref>[https://www.shueisha.co.jp/books/items/contents.html?isbn=978-4-08-721338-6 Shueisha]</ref>
|
|pages = 224<br />30, 24 {{S|[[JOJO magazine]]}}
|isbn = {{ISBN|978-4-08-721338-6}}
|author = [[Hirohiko Araki]]
|publisher = [[Shueisha]]
|previous = ''[[Hirohiko Araki's Manga Techniques]]''
}}
{{Nihongo|'''''Hirohiko Araki's New Manga Techniques:
==Summary==
Araki delves deeper into his "trade secrets" and discusses how to create villains, as charming villains are the key to a good manga. He
Araki walks through the process of creating a new villain from scratch, introducing Kinjiro, a boy that loves mushrooms. Once a character's core traits are established, the "fate" of the manga is set, and creators must stay true to its foundational elements, rather than altering the story for external trends or commercial pressures. He concludes that aspiring manga artists should forge their own creative path along the 'royal road' of manga, while being mindful of societal influences; they should draw inspiration from personal experiences but also continuously learn about the world to create deeper characters and stories.
The book features additions that weren't present in the ''[[JOJO magazine]]'' publication. This includes an extra section about ''[[The JOJOLands]]'', as well as the character information sheets for Kira and Valentine.
===Table of Contents===
'''Introduction'''
*Beyond the Art of Manga
*Why Villains Are Important
*Discovering Connections Toward "Fusion"
*All Elements Are Created "Simultaneously"
*On the "Enemies" of a Manga Artist
'''Chapter 1: Review and Deep Dive into the "Four Basic Structures of Manga"'''
*'''Key Points of Each Element in the "Four Fundamental Structures"'''
**'''Character'''
***The First Thing to Consider: Motivation
***Character Profiles as a Switch
***What Can Be Changed and What Should Stay Consistent
**'''Story'''
***The Story Always Moves in the Same Direction
***The Rhythm of Introduction, Development, Twist, and Conclusion and the 19-Page Constraint
***Avoiding Rule-Breaking
**'''Setting'''
***Don't Just Draw a World You "Want to Immerse In"
***Reality vs. Fantasy
**'''Theme'''
***Having a Theme Helps Avoid Getting Lost
***What Makes ''Roman Holiday'' Great
***The Foundation is ''Godzilla vs. Ultraman''
**'''Art'''
***Finding Your Own Art Style
***Art is an Evolution of Human Intelligence
'''Chapter 2: Super Important! The Basics of Creating Villains'''
*On the Timeless Nature of Villains
*Thinking of the Protagonist and Villain as a Set
*The Protagonist's Role in Accentuating the Villain's Evil
*This is Dio Brando's Character Profile!
*Avoiding Unbelievable Actions or Dialogue
*Learning About Society's Evils
*Today's World of "Con Artists"
*The Author's Philosophy Reflected in Villains
'''Column: About the Enemies of ''JoJo'' Throughout History'''
*Part 2: [[Kars]], [[Wamuu]], [[Esidisi]]—Why the "[[Pillar Men]]" Appeared
*Part 4: [[Yoshikage Kira]]—The Fear of an "Ordinary Person"
*Part 5: [[Diavolo]]—A Mafia Boss Among Criminals
*Part 6: [[Enrico Pucci]]—The Priest as a Facade
*Part 7: [[Funny Valentine|President Valentine]]—The Strongest Are Often the Most Principled
*Parts 8 & 9: [[Rock Human]]s and Beyond—Enemies as "Inhuman Forces"
'''"How to Create a Villain" Practical Guide, Part 1: How to Create [[Kyoka Izumi]], [[Rohan Kishibe]]'s Editor'''
*The Most Troublesome Enemy
*The Editor Who Brings Trouble
*Kyoka's Profile
*Thorough Analysis of the Short Story "[[TSKR Episode 10|Hot Summer Martha]]"
*What Rohan Defends: "Freedom of Expression"
'''"How to Create a Villain" Practical Guide, Part 2: Starting from Scratch to Create a Villain'''
*Using Real People as Models
*Looking for "Quirky Characters" at Ceremonial Events
*"Kinjiro the Mushroom Lover"—Creating a Villain without a Protagonist
*Refining the Character Profile
*The Weekly Manga Formula: One Idea per Issue
*The Fate of Manga That Even the Author Cannot Defy
'''Chapter 3: Continuing on the Royal Road of Manga'''
*Editors Aren't an "Enemy"
*When You Don't Know What to Fix
*The Trap That Can Ruin a Manga Artist
*Let Revered Works Guide You
*Why Artists "Can't Draw" Sometimes
*Don't Draw Manga Just for Yourself
*Pay Your Taxes Properly
*My Decision at Age 30
*The Joy of Drawing
*The Future of Manga and Japanese Culture
'''Extra Section: About ''[[The JOJOLands]]'' [[TJL Chapter 1|Chapter 1]] and Panel Layout'''
*Creating Emphasis with Panel Layouts
*Before and After Large Panels
*Explaining the Opening of ''The JOJOLands'' Chapter 1!
'''Afterword'''
==Gallery==
<gallery>
Araki and Rohan Art 2024 Full.png|Full Art
Hirohiko Araki's New Manga Techniques No Obi.jpg|Cover without Obi
Hirohiko Araki's Manga Techniques - Continued.png|Cover in ''[[JOJO magazine]]''
File:JOJO magazine Winter 2022 cover.png|''[[JOJO magazine 2022 WINTER]]'' Cover
JOJO magazine UJ Dec 2022 Ad.jpg|[[Ultra Jump]] December 2022 Ad
JOJO magazine Winter 2023 cover.png|[[JOJO magazine 2023 WINTER]]
JOJO Magazine 2023 Winter Ultra Jump December 2023 Ad.png|[[Ultra Jump]] December 2023 Ad
</gallery>
===Trailer===
{{Center|{{Vid|UBWx7GtgkJo|500|center|desc=Hirohiko Araki Release Commentary}}}}
==See Also==
*''[[Hirohiko Araki's
*''[[Hirohiko Araki's
==References==
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