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{{Fighting Style Infobox
|title = Fate
|colors = PhantomBlood
|image = [[File:GWep39-1.png|{{ImageSize}}]]
|ja_kanji = 運命
|ja_romaji = Unmei
|litname = Bringer of luck
|altnames = Destiny
|debut = [[Chapter 1]]
|animedebut = [[Episode 1]]
}}
{{Spoiler|1-9}}
{{Quote|There are those who say fate is something one carves out for themselves... But at the same time, there are situations in one's life where, caught between a rock and a hard place, they lack the opportunity to choose the right path!|[[Narrator]]|{{Ch|Chapter 517}}}}
{{Nihongo|'''Fate'''|運命|Unmei}} is the concept of a predetermined course of events, especially one that serves a greater purpose. In the ''[[JoJo's Bizarre Adventure]]'' series, fate is taken as a fact, and greatly influences the story as a whole.
The conflict between human will and fate serves as a major theme throughout the series, most prominently in ''[[Phantom Blood]]'', ''[[Diamond is Unbreakable]]'', ''[[Vento Aureo]]'', and ''[[Stone Ocean]]''.
==Summary==
{{Quote|Don't you understand? You lost to fate! It's fate to walk the path of justice!|[[Emporio Alnino]] to [[Enrico Pucci]]|{{Ch|SO Chapter 158}}}}
[[File:WheelOfFate.png|thumb|250px|The wheel of fate, as depicted in [[GW Episode 20]].]]
Fate is introduced as early as [[Chapter 1|the first chapter of the series]] as an overarching force behind all things, and its influence is cited throughout the story. The exact nature and will of fate is never defined; nevertheless, by the end of ''Stone Ocean'', it is understood to be a force that ultimately favors justice, even if it appears otherwise at points.<ref name="SO158">{{Ch|SO Chapter 158}}</ref> The [[Joestar Family|Joestar bloodline]] is deeply tied to fate, with each generation destined to confront forces of evil, beginning with [[Jonathan Joestar]]'s sacrifice against [[Dio Brando]].<ref>{{Ch|Chapter 116}}</ref><ref>{{Ch|Chapter 117}}</ref>
Fate's existence is tangibly demonstrated several times throughout the series. [[Rolling Stones]] is directly stated to draw its energy directly from the power of fate, and [[Made in Heaven]]'s ultimate purpose relies upon fate's existence and immobility. [[Cinderella]] is also said to use its power to affect fate directly. Other [[Stand]]s such as [[Tohth]] and [[King Crimson]], as well as certain talented individuals such as [[Tonpetty]], are able to predict events that will occur in the near future with certainty, but with the caveat that said events cannot be altered in any way, only misunderstood. Even in [[King Crimson]]'s case, events can only be removed entirely by erasing the period of time in which they occur. However, these and other powers that "reshape fate" are also accounted for by fate in advance, and as such only further play into its goals.<ref>{{Ch|SO Chapter 157}}</ref>
[[File:SCep27-15.png|thumb|left|250px|[[Tohth]] predicts "[[Jotaro Kujo]]" being gravely wounded, but leaves out that it is actually [[Oingo]] disguised as Jotaro.]]
Though fate's grander shape generally remains unknown, certain patterns are identified within the story. The foremost example of these patterns is the idea of "gravity" between certain people that are fated to meet each other.<ref>{{Ch|Chapter 17}}</ref> According to [[Toshikazu Hazamada]], such a force acts on all Stand users, guiding them to meet each other either as friends or foes.<ref>{{Ch|Chapter 294}}</ref> [[Enrico Pucci]] devotes himself to this idea, using it to justify various phenomena that aid him in his goals.<ref>{{Ch|SO Chapter 136}}</ref> Ultimately, though the literal force of gravity is what allows Pucci to complete his Stand ability,<ref>{{Ch|SO Chapter 148}}</ref> [[Emporio Alnino]] cites that very same gravity when explaining the priest's defeat.<ref name="SO158"/>
People can also exploit patterns in fate to infer its resolutions. Examples of this range from prophecies, such as the [[Red Stone of Aja]] being necessary to defeat the [[Pillar Men]],<ref>{{Ch|Chapter 76}}</ref> to fortune-telling performed by [[Wang Chan]], [[Muhammad Avdol]], and others. For example, Wang Chan predicts that Dio won't be caught by the police in the [[Joestar Mansion]] because he was born with impenetrable luck, based on the attributes of his face and the three moles on his ear.<ref>{{Ch|Chapter 11}}</ref> Individuals such as [[Yoshikage Kira]] and [[Diavolo]] may also develop the idea that they have been favored by fate, though such beliefs are not guaranteed to be accurate.
==Related Phenomena==
===Feng Shui===
{{Main|Dragon's Dream}}
[[File:Anasui Feng-Shui.png|thumb|left|[[Narciso Anasui]] explaining feng shui.]]
{{Nihongo|'''Feng Shui'''|風水|Fūsui|lit. Wind and Water}}, also called {{Nihongo|'''{{Ruby|FENG|フェン}} {{Ruby|SUI|スウイ}}'''|type1=J}},<ref name="SO67">{{Ch|SO Chapter 67}}</ref> is a force featured in ''[[Stone Ocean]]'' as the basis behind [[Kenzou]]'s Stand, [[Dragon's Dream]]. Commonly considered a form of fortune-telling, feng shui operates on the idea that energy is shaped by the environment, and the flow of that energy bestows luck or misfortune onto certain areas. For instance, houses built in an unlucky area negatively impact the lives of their tenants, and castles during wartime would commonly have shrines built in unlucky areas to reduce their vulnerability. Feng shui is inevitable, however: lucky areas and those within them cannot be harmed, while unlucky areas and their inhabitants cannot avoid misfortune.
Kenzou survived his cult's mass suicide by unknowingly standing in a lucky area, which was protected from the debris of the collapsing building he was inside. After being sent to prison, Kenzou harnessed the power of feng shui to perform assassinations, taking advantage of the lucky and unlucky areas of the human body to target their weak points while protecting himself from attack.<ref name="SO67" /> Kenzou's technique eventually manifested as Dragon's Dream, whose form includes both an arrow pointing to unlucky directions and a compass pointing to lucky directions; these allow Kenzou to determine the best course of attack at a glance, but also provide the same information to his opponents.<ref>{{Ch|SO Chapter 68}}</ref>
===Happiness===
[[File:Ticketwindow.jpg|200px|thumb|right|[[Hot Pants]] is killed by a window frame drawn toward the Saint's Corpse.]]
{{Main|Saint's Corpse}}
{{Nihongo|'''Happiness'''|幸福|Kōfuku}} is a concept in ''[[Steel Ball Run]]'' that serves as the basis of the [[Saint's Corpse]]'s power. Within the world, there is a balance of fortune and misfortune such that the two level out overall. The Saint's Corpse, when fully assembled, is able to manipulate that fortune by repelling misfortune from itself and its owner, leaving only good fortune and a state of "happiness" around both.<ref>{{Ch|SBR Chapter 88}}</ref> The only known exception to this principle is the law of gravity; as such, it can be overcome by gravity such as that created by two of the same person from [[Parallel World|parallel worlds]] existing in the same world,<ref>{{Ch|SBR Chapter 95}}</ref> or bypassed entirely by beings of infinite energy like [[Ball Breaker]] and [[Tusk|Tusk ACT4]].<ref>{{Ch|SBR Chapter 83}}</ref><ref>{{Ch|SBR Chapter 86}}</ref>
Upon awakening the corpse's power, [[Funny Valentine]] also gains the ability [[D4C Love Train]], which creates a seam of light that Valentine can traverse and manipulate freely. However, Love Train is as much an evolution of his own Stand as it is an ability bestowed by the corpse; as such, the successor to the corpse's power (namely [[Parallel World Diego]]) does not gain a similar ability.<ref>{{Ch|SBR Chapter 78}}</ref>
===Flow===
{{Main|Wonder of U}}
[[File:Joshu loses fingers.png|thumb|left|A regular leaf slices off [[Joshu Higashikata]]'s fingers.]]
{{Nihongo|'''Flow'''|流れ|Nagare}} is a concept in ''[[JoJolion]]'' proposed by [[Norisuke Higashikata IV]]. Norisuke believes that there is a "flow" or natural path for everything in life, even a simple fruit parlor, and that determining and accepting it is sure to lead one to their goal. This idea is later expanded by a natural law called {{Nihongo|'''Calamity'''|厄災|Yakusai}}, which functions as the basis behind [[Wonder of U]], [[Toru]]'s Stand.<ref>{{Ch|JJL Chapter 99}}</ref>
Calamity is an unavoidable negative energy that causes unfortunate events to occur as part of flows. In its natural state, it affects people at random, regardless of morality or circumstance, and regardless of whether they've made any mistakes or accepted the flows of things.<ref name="JJLC98">{{Ch|JJL Chapter 98}}</ref> The law of calamity can manifest grievous misfortunes via any means necessary. For instance, calamity causes rain drops to pierce {{Josuke8}}, giving him near-lethal wounds,<ref>{{Ch|JJL Chapter 90}}</ref> and a falling leaf to slice off [[Joshu Higashikata]]'s fingers.<ref>{{Ch|JJL Chapter 104}}</ref> Calamity can also manifest as an unfortunate chain of events: according to [[Mitsuba Higashikata]], [[Yasuho Hirose]]'s discovery of the [[New Locacaca]] fruit and Norisuke subsequently being incapacitated is also a part of the ongoing calamity targeting her and her family.<ref>{{Ch|JJL Chapter 95}}</ref>
To those who can see Stands, calamity is accompanied by a vision of Toru's Stand, Wonder of U, even after Toru's demise. The only known forces capable of averting an occurrence of calamity are those that transcend the flow of logic itself, such as the [[Spin]] as applied by [[Soft & Wet: Go Beyond]].<ref>{{Ch|JJL Chapter 108}} Tailpiece</ref>
{{-}}
===Mechanisms===
{{Nihongo|'''Mechanisms'''|{{Ruby|仕組み|メカニズム}}|Mekanizumu}} are a concept in ''[[The JOJOLands]]'' proposed by [[Jodio Joestar]]. According to Jodio, mechanisms are natural principles of the world that control the direction in which aspects such as wealth, security, and power are transferred, similarly to flows. Unlike flows, however, Jodio perceives mechanisms as a kind of hierarchy, atop which lies an "apex" that controls the entire "ecosystem."<ref>{{Ch|TJL Chapter 1}}</ref> It is this apex mechanism that Jodio hopes to seize for his own gain, especially after discovering a strange [[Lava Rock]] and the mechanism that attracts wealth to it.
==Related Abilities==
{{CBox|Title=Related Abilities|bg=pb|bg2=pb2|
{{Char|Name=Ripple|Av=TonpettyProphecyAv.png|Av2=TonpettyProphecyAvAnim.png|Stand=Tonpetty|Color=PB|Color2=PB2}}
{{Char|Name=Tohth|Av=TohthMangaAv.png|Av2=TohthAvAnim.png|Stand=Boingo|Color=SDC|Color2=SDC2}}
{{Char|Name=Cinderella|Av=CinderellaMangaAv.png|Av2=CinderellaAvAnim.png|Stand=Aya Tsuji|Color=DIU|Color2=DIU2}}
{{Char|Name=Bites the Dust|Av=BitestheDustMangaAv.jpg|Av2=BitesTheDustAvAnim.png|Stand=Yoshikage Kira|Color=DIU|Color2=DIU2}}
{{Char|Name=Gold Experience Requiem|Av=GoldExperienceRequiemAv.png|Av2=GERAvAnim.png|Stand=Giorno Giovanna|Color=VA|Color2=VA2}}
{{Char|Name=King Crimson|Av=KingCrimsonAv.png|Av2=KingCrimsonAvAnim.png|Stands={{White2|Diavolo}}<br>{{White2|Vinegar Doppio}}|Color=VA|Color2=VA2}}
{{Char|Name=Rolling Stones|Av=RollingStonesAv.png|Av2=RollingStonesAvAnim.png|Stand=Scolippi|Color=VA|Color2=VA2}}
{{Char|Name=Dragon's Dream|Av=DragonDreamAv.png|Av2=DragonDreamAnimeAv.png|Stand=Kenzou|Color=SO|Color2=SO2}}
{{Char|Name=Made in Heaven|Av=MadeinHeavenAv.png|Av2=MiHAvAnim.png|Stand=Enrico Pucci|Color=SO|Color2=SO2}}
{{Char|Name=Saint's Corpse|Av=SaintsCorpseAv.png|Color=SBR|Color2=SBR2}}
{{Char|Name=Ticket to Ride|Av=TicketToRideAv.png|Stand=Lucy Steel|Color=SBR|Color2=SBR2}}
{{Char|Name=D4C Love Train|Av=LoveTrainAv.png|Stands=[[Lucy Steel]]<br>[[Funny Valentine]]|Color=SBR|Color2=SBR2}}
{{Char|Name=Wonder of U|Av=WonderofUAv.png|Stand=Toru|Color=JJL|Color2=JJL2}}
{{Char|Name=Lava Rock|Av=LavaRockAv.png|Color=TJL|Color2=TJL2}}
{{Char|Name=Beyond|Av=JorgeTheTrinityAv.jpg|Stands={{JJ|George Joestar II}}<br>[[Jorge Joestar (Joji)|Jorge Joestar]]<br>{{JJ|Dio Brando|t=2}}|Color=Jorge|Color2=Jorge2|Caption=''{{Black2|JORGE JOESTAR (Novel)|JORGE JOESTAR}}''}}
{{Char|Name=The World Over Heaven|Av=TheWorldOverHeavenAvEOH.png|Stand=Heaven-Attained DIO|Color=Game|Color2=Game2|Caption=''{{Black2|Eyes of Heaven}}''}}
{{Char|Av=NoPicAv.png|Name=Curiosity|Stand=Blood-Stained Bookmark|Color=TSKR|Color2=TSKR2}}
{{Char|Av=NoPicAv.png|Name=Okamisama (Creature)|SName=Okamisama|Stand=Okamisama|Color=TSKR|Color2=TSKR2}}
}}
==Creation and Development==
Although he does not believe in God, [[Hirohiko Araki]] himself harbors a belief in some kind of overarching force, including the concept of fate. By extension, Araki believes that tackling subjects such as fate in his works, through proxies such as bloodlines, is what gives them meaning;<ref>{{IN|THRILL (September 2001)}}</ref> Araki thinks similarly of other works as well, praising works from ''[[The Book]]'' to ''{{W|Spider-Man (2002 film)|Spider-Man}}'' for addressing the presence of destiny.<ref>{{IN|Araki x Otsuichi - The Book (December 2007)}}</ref><ref>{{IN|Playboy (July 2004)}}</ref> Nonetheless, he considers such factors to be an inevitability in the realm of manga, being determined by the circumstances of the work.<ref>{{IN|Monsoon Vol. 2 (March 1999)}}</ref>
However, Araki also believes that being unable to escape one's fate is more terrifying than death itself.<ref>{{IN|Quick Japan (December 2007)}}</ref> As such, he greatly admires and aims to write characters who move forward without consideration for fate, indirectly confronting and surpassing it in the process.<ref>{{IN|Vento Aureo Paperback Vol. 10 (August 2005)}}</ref><ref>{{IN|XxxHolic Guidebook (November 2006)}}</ref> To Araki, the ability to move forward and carve out one's own fate is the greatness of humanity that he aims to celebrate in his manga.<ref>{{IN|Da Vinci (August 2005)}}</ref><ref>{{IN|Anime News Network (June 2017)}}</ref>
==References==
{{References}}
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