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Kensho Ono Interview

Casting interview with Kensho Ono, Giorno Giovanna's seiyuu. (source collector Blu-ray booklet, translated by Nabu, checked by FTR)

How did you envision the original work?

The publication was well underway when I was young. My big brother had all the volumes. I began to read them in middle school, but my first memory is that I didn't understand anything (laughs). Then, later, as an adult, I read them again and that is when I understood what were Stands and other subtleties that you do not get as an adolescent, like the subtle negotiations that come out of the relationships between characters, and the evolution of the story that comes out of these relationships and which hits head at full force. It is a very profound work. The more you read it, the more the story impacts you on an emotional level. One day, I went to look at an exhibit from the author, Mr. Hirohiko Araki (the JoJo exhibition from august 22nd to october 1st of 2018 at Roppongi, Tokyo). When we looked at the chronology of the publication, me and Daisuke Yamashita (Bucciarati's seiyuu) noticed then that we weren't even born when the first part was being published (laughs). I mean to say that this work is great, that it has lasted for years and continues to be adapted as an anime, causing the same enthusiasm in the readers and the viewers. It was at this moment that I realised again the scale that this series had.

As you said it, it is a work that one enjoys more as they reread it.

Yes, firstly because it is full of details and text. In my opinion, you always miss something when you read it for the first time. When you reread it, you always discover something else. It is a really dense work.

It is a work where you voice one of the characters. Can you talk to us about the auditions? Were they as intense as the work?

Indeed, JoJo gives the image of intense and impassioned work and it was in that state of mind that I presented myself at the audition. I was telling myself that I would have to raise my voice. It was all the more true since one of the exercises during the audition was to repeat "Muda" rapidly in quick succession for as long as possible. I suffered the most there. After my first try, I was told that my performance was OK but I wasn't satisfied. I thus asked to redo it.

Because you knew you could do better?

After doing something once until you reach your limit, I told myself that I could go further in the second try. And I didn't want to have any regrets. I wanted to make the audition team understand that I was ready to redo it as many times as was necessary. I followed my emotions (laughs). I don't know if they had that image of me but I think they saw I wasn't someone who would give up.

This relentlessness is surely useful when you voice a JoJo character

In JoJo, you find a theme of a hymn for humanity. The protagonists as well as the antagonists have the rage to live. It is particularly true for this arc in which fights to the death in which nobody ever gives up until the end comes in quick succession. It is perhaps this impression that I managed to give at the audition.

Please tell us now what was your approach about Giorno when you were told that you got the role?

Giorno is a calm and discreet boy who doesn't talk often. My aim was to highlight each of his lines, to go at the bottom of things to convince his interlocuteur and to make them listen to him when he spoke.

Already when he first appeared, I had the impression that Giorno was a complete and achieved character. Il already has ideals and an unbreakable determination, and does everything that must be done to accomplish his ambition. He's always ready to take on the challenges that wait for him. For example, when he knocks out Leaky-Eye Luca, it is an accident. However, Giorno is quick-witted and understands immediately that he risks suffering from other gang members trying to take revenge. It is this that allows him to take advantage of his meeting with Bucciarati to come closer to his dream.

Has the image that you had of Giorno evolved with the recording sessions?

In substance, not really. His power and his relationships with the characters evolve, but apart from this, Giorno has the same will as at the start. However in the third episode, we see him behaving much more like a teen of his age. It slightly softened the image I had of him. Personally, I had no intention to give this episode any comedic tone. I was fully invested in the dubbing, as usual. Giorno himself is not a character who cheats. Maybe it is this contrast that makes the gag (laughs). When he says "No! It's impossible! Giorno, who is so intelligent, looks like a bumbling fool but that's what makes his charm.

Would you say that there are similarities between you and Giorno? For instance, when you compare your 15 year old self to him...

Then, no, I wasn't anything like him at age 15 (laughs). It would be scary to have a friend like him (laughs). However, if I had to find one similarity between him and me, it would be my habit to conclude any conversation by summarizing everything that has been said. Particularly in a conversation between a lot of people. Apart from this one thing, I don't behave like him at all (laughs).

What did you feel when you found yourself in the studio?

It is thanks to the words' intonation and all the terms that are specific to the work that I realised that I was dubbing JoJo. I even unconsciously took on some verbal tic, to the point it didn't feel right if I didn't use them (laugh). Sometimes I was asking myself why this or that word didn't have the same intonation. Was that an error, or was that on purpose? I couldn't distinguish things anymore.

In fact, you were fully invested, in body and spirit, in each word of each line?

Before the recording session, we always make corrections or make notes on the script, in my case it is notes on how to pronounce some words. But in fact these are details that the viewer won't notice. However, even if the difference was undistinguishable, it had to appear on the script. All the team and the comedians were attached to these nuances. But, honestly, I don't know how much the viewers perceive these subtleties. However, if I'm talking to you about this, it is because I trust in the work that we have accomplished.

Everybody on set loves JoJo from the bottom of their heart. We were seeking to transmit our love for the work while staying as close as possible to it. For instance, we counted how many times Giorno was saying "Muda". And yet this cry comes up so often that at the end, you ask yourself if it's so important to get the numbers right (laughs). It is a token of respect towards the original work and it is what makes it charming.

Among the first four episode, which scene marked you the most?

It would be the introductory scene in the first episode, which is completely original and absent from the manga. It immediately sets the tone about Giorno's character. In this beautiful city, he's passing near young drugged kids in the alleys, you see pickpockets, in short he is surrounded by crime on a daily basis. In this scene, Giorno doesn't speak and you don't see his face, but you understand that he sees what's going on and he is affected by it. He loves his town but cannot do anything about it to rescue it for now, despite his will to change things. Of course, Giorno is not entirely innocent and wants to join the mafia. What I take from this scene, it is that it shows us a righteous Giorno with a strong sense of justice that he's obtained from a troubled childhood.

Then, there is the scene in the fourth episode where he has a grudge against Polpo for having insulted an old janitor's life. At this moment, you understand that beyond his thirst for justice, Giorno is also capable of killing in cold blood. When he joins the mafia, he knows very well that he won't be able to go back.

If you had the ability to use Gold Experience's powers, what would you do?

Gold Experience can give life to inanimate objects, and then it evolves with its capacity to create individual pieces of a body or to heal wounds. I think that it is a very powerful ability so if I had to use it... it would be to make pranks, like those you see on overseas programs like putting a fake snake on random passersby and shout "Beware! A snake!". This Stand is made for this type of pranks.

But it would be a real snake (laughs)!

I would create a harmless snake with cute eyes (laughs).

Thank you for this interview. To conclude, do you have any word for those who will read these lines?

Firstly, I thank them for buying this box set. In the fourth episode, Giorno's adventure is only beginning. He will now meet all of Bucciarati's team. The plot will become more and more interesting. I hope that you follow it to the end.

Tonkam Interviews

Golden Wind Vol 1

Tonkam : Etant donné qu'avec JoJo, vous avez créé votre propre univers, quelles sont vos références artistiques ?

Hirohiko Araki : Babel II (une bande dessinnée japonaise) et L'Inspecteur Harry (film américain avec Clint Eastwood).

Tonkam : Cela fait plus de vingt ans que vous êtes sur une même série. Comment faites-vous pour tenir aussi longtemps ?

Hirohiko Araki : J'ai un rythme de vie sain. Je me couche tôt, je me lève tôt, etc..., ce qui me permet de ne pas être trop fatigué.

Tonkam : D'où vous est venue l'idée des Stands ?

Hirohiko Araki : En général, les pouvoirs paranormaux sont invisibles et donc difficiles à représenter. Ici, je voulais leur donner une réelle apparence, pour our que l'on puisse correctement se rendre compte de ce dont il s'agit.

Tonkam : Avez-vous une réserve permanente de Stands, ou bien les créez-vous sur le vif ?

Hirohiko Araki : Lorsque les idées me viennent, je prends toujours des notes pour pouvoir les utiliser ou non. J'ai donc une réserve que j'alimente au fur et à mesure et où je pioche en fonction de mes besoins.

Tonkam : Quel est votre personnage préféré dans JoJo ?

Hirohiko Araki : Josuké Higashikata de Diamond is Unbreakable la 4e partie ?

Tonkam : Et votre Stand favori ?

Hirohiko Araki : Les fermetures Eclairs du Sticky Fingers de Buccellati, dans la 5e partie.

Tonkam : Pour beaucoup de lecteurs, Golden Wind est considéré comme la meilleure partie de JoJo. A quoi attribuez-vous cette popularité ?

Hirohiko Araki : Je pense que, par rapoort aux autres saisons, un tel succès est probablement dû à la classe et au style des personnages, différents de d'habitude. A moins qu'il ne s'agisse plus simplement du passé et du destin tragique de ces personnes.

Tonkam : Pourquoi être passé en Italie tout d'un coup ?

Hirohiko Araki : Je trouve que l'Italie est un pays très dramatique, chargé de sens et qui convient bien aux histoires de destinées. En plus, du point de vue d'un Japonais il s'agit d'un très beau pays, tout comme la France.

Tonkam : A quand une partie de JoJo en France ?

Hirohiko Araki : J'aimerais effectivement bien essayer. Malheureusement, le français est une langue difficile et je pense que j'aurais du mal à me documenter.

Tonkam : Un petit mot pour vos fans français ?

Hirohiko Araki : Pour moi, la France est le pays de l'art, et a une grande sensibilité pour les belles choses. Je suis très honoré d'y avoir des lecteurs.

Tonkam : Merci.

---

Volume 1

Connaissez-vous 奇妙的冒險 ?

Katsuki Hamamatsu, rédacteur en chef de la revue Fanroad

Maître Araki, àa faisait longtemps. Je tiens encore à vous remercier, ainsi que votre éditeur, pour votre collaboration consacré à Baoh Le Visiteur. Vous aviez alors parlé de votre prochaine série intitulée JoJo's Bizarre Adventure, que je suis depuis le début dans les pages du Shonen Jump. Je dois reconnaître que vous avez comblé toutes mes attentes ! Vos compositions graphiques étranges, à l'instar des "trompe-l'oeil" de l'Europe ancienne, sont de plus en plus intéressantes, et à ceci s'ajoute cette idée si unique d'"Ondes". Je suis comme absorbé par la force magique du masque de pierre, et il me tarde de pouvoir lire la suite.

Très vite, les lecteurs de notre revue ont également exprimé leur fascination, non seulement pour les tournures de phrases "Araki-esques" mais aussi pour votre univers héroïque. Dans notre revue, où les goûts des fans de des auteurs se rejoignent "vigoureusement" (c'est un véritable "onde" de choc !), il n'aura pas fallu longtemps pour que la série fasse un vrai tabac. Dans le bureau de notre rédaction, nous jouons à l'"Onde", en vociférant des attaques du genre "par la pulsation du coeur !" ou "chaleur irradiante !".

En effet, malgré son passé tragique, JoJo acquiert non seulement du courage mais aussi une force singulière qui a pour nom "onde". Il est en train de devenir, à mes yeux, un héros d'un nouveau genre, comme le fut Ikuro dans Baoh. Au fait, connaissez-vous 奇妙的冒險 ?

C'est le titre en chinois de la série JoJo que j'ai trouvé à Taîwan, lors d'une visite pour la revue. Ils ont déjà publié trois volumes. Il semblerait que la série ait du succès non seulement au Japon mais aussi à l'étranger. Je vous offrirai ces livres prochainement. En souhaitant que ces drôles d'aventures ne s'arrêtent jamais !

PS. Maître, allons déguster de bonnes choses prochainement.

---

Volume 2 La Saga JoJo's Bizarre Asventure est un savoureux mélange de personnages bizarres de dialogues bizarres et d'onomatopées bizarres.

Kouji Koseki, auteur de manga.

"C'est palpitant !!" Voulà le terme qui exprime le mieux tout ce que je pense à propos de la série JoJo's Bizarre Adventure.

Non seulement j'adore son scénario grandiose (qu'un humain lambda n'imaginerait jamais) mais aussi et sourtout les dialogues ! Chaque mot que figure dans les histoires de monsieur Araki a le on de pénétrer dans le cerveau pour le secouer en profondeur. Nul n'arrive à imiter sa sensibilité ! Ca dépasse largement le sens commun ! Peutre-être est-ce là l'un des pouvoirs surnaturels de son auteur !

Je me surprends à tourner chaque page, le coeur palpitant à l'affût des mots qui vont me sauter dessus, des nouvelles onomatopée qui vont naître... J'imagine bien monsieur Araki en train de se frotter le menton, un sourire malicieux en coin, pendant qu'il réfléchit à ces dialogues et à ces bruitages.

Pour finir, je citerai une de mes scènes préférées, en dehors de JoJo, tirée de Baoh le Visiteur. Dans le tome 1 page 67, dans la cinquième case, quand l'oiseau dit "merci !" avec sa langue courte.

Je ne connais personne d'autre qui soit capable de donner autant d'impact à une si petite case et à la parole insignifiante d'un volatile.

Cher monsieur Araki, nous sommes voisons mais nous nous voyons peu. Qu'à cela ne tienne : à la prochainne occasion, allons nous a-mu-ser ! (comme des gamins...)