User:MothGhost783/Sandbox4

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Mochi

Noboru MochizukiLink to this section
Noboru Mochizuki.jpg
Noboru Mochizuki (望月 昇, Mochizuki Noboru), aged 50, is the husband of Haruko and the father of Aki and Takeru. He is a office worker and the current head of the Mochizuki family.
Haruko MochizukiLink to this section
Haruko Mochizuki.jpg
Haruko Mochizuki (望月 晴瑠子, Mochizuki Haruko), aged 46, is the wife of Noboru Mochizuki and mother of Aki and Takeru. She is a full-time housewife, and it's revealed that she has cervical cancer, as shown by a positive test result she had received. Noboru reassures her that if she lives past midnight on their moon viewing, her medical treatment will go well, and her health is guaranteed to recover.
Takeru MochizukiLink to this section
Takeru Mochizuki.jpg
Takeru Mochizuki (望月 猛, Mochizuki Takeru), aged 15, is the son of Noboru Mochizuki and younger brother of Aki.
Mitsu MochizukiLink to this section
Mitsu Mochizuki.jpg
Mitsu Mochizuki (望月 ミツ, Mochizuki Mitsu), aged 78, is the wife of Sakuzo Mochizuki and mother of Noboru, Mamoru, and Akiko. She is also the grandmother of Aki and Takeru. One day, as the family goes out to the backyard during the Harvest Moon, a chain reaction of events causes a goldfish to be flung into Mitsu's mouth, almost choking her to death. However, Takeru's toy helicopter lands on her throat, making her spit it out. She places the fish back in its bowl afterwards.

Art Gallery

Needs LevelingReady
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April 2003
JOJO in Paris Exhibition
Jotaro illustration (Autograph)
2003 Jotaro Autograph.jpg
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2008
Rohan illustration (Autograph)
2008 Rohan Autograph.jpg
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2009
Jotaro illustration (Autograph)
2009 Jotaro Autograph.png
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2009
The Power of Worry (Written by Kang Sang-jung)
(Bookstore Illustration)
ArakiKang.png
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2015
Kakyoin illustration for Daisuke Hirakawa
(Script Autograph)
2015 Kakyoin Autograph.jpg

Sourcing needed

荒木 飛呂彦 イロイコ先生ッ イロイコ先生 So much sourcing needed!

Afterword

Link to this sectionAfterword
Yumemakura Baoh Vol 2 Afterword.jpg
TranslationTranscript
N/A
バオーの説得カある描写にはうなった!

この異様な迫力を持った物語を、ぼくは少年ジャンプ連載時から注目して読んでいた。絵柄もストーリーも遠慮がないのがよかった。おそらくは、この作者が何年もあたためていたものが、この作品でいちどに噴き出したからであるう。

小説の説得力が"文体"によって生まれるのなら、漫画の説得力は"絵"であると思う。どのような"絵"を読者の目の前に差し出せるかである。その"絵"の説得力が、そのまま、その漫画の持つ説得力になる。小さな理屈はどこかに漫えてしまう。

そういう意味で、寄生虫であるバオーの"絵"を見た時、その不気味さ、つまり説得力にばくはうなってしまった。このような"絵"を見せられれば、読者はその作家信用してしまうのである。「SFは描写だ」と、山田正紀氏(SF作家)が何かに書いていたが、漫画も描写であるとぼくは思う。

この物語の続編は、やがて必ず描かれねばならないものであろう。

Sketches