Diavolo/pt-br

"Eu devo esmagar meu medo! Agora é a hora... Eu devo superar isso! É isso que significa viver!"

- Diavolo,

Diavolo (ディアボロ) é o antagonista principal da quinta parte de JoJo's Bizarre Adventure, Vento Aureo, e o quarto antagonista principal da série.

Ele é mais conhecido como o "Chefe" da gangue Passione, que corrompe Nápoles por vender drogas nas ruas, fazendo dele o superior e maior inimigo de Giorno Giovanna e Bruno Bucciarati. Por causa do seu sigilo obsessivo, quase ninguém sabe sobre sua aparência, nome ou passado. Diavolo é o pai de Trish Una, e comando a Equipe Bucciarati para trazê-la até ele enquanto mantendo-a segura da traidora Squadra Esecuzioni.

Diavolo é secretamente a outra personalidade de Vinegar Doppio e é um usuário de Stand, possuidor do poderoso King Crimson.

Aparência
Diavol é um homem alto em seus 30 anos de idade com um porte magro ou quase-musculoso. Na sua primeira aparição, coberto em sombras exceto por seus olhos, ele possui um cabelo liso curto, penteado para trás e veste um terno e gravata.

Sua aparência drasticamente muda quando revelado completamente: Diavolo possui um cabelo grande, com vários pontos, partido na forma de um ziguezague; as franjas do qual são partidas um pouco para o lado. O resto de seu cabelo é cortado nos seus ombros, inconsistentemente indo de pequenas mechas até o cabelo inteiro. Sua camisa, escondida debaixo do moletom de Doppio, aparenta ser feito de uma complexa malha de fiação: ela cobre seus ombros e tronco mas abaixo de suas costas e abdômen são ligadas em círculos que são guardados dentro de suas calças, dos quais nas costas levam até dois~três "rabos de casaco". Em seus braços são mangas florais elegantemente feitas que vão até o seu par de pulseiras. Ele também compartilha um par de calças cravejadas e um par de mocassins aparentemente sem meias com o Doppio. Em quase todas suas aparições, Diavolo possui uma postura um pouco torta quando de pé.

Seus olhos são únicos como seus íris são "fragmentados", sendo formados como pontos e fragmentos de um íris inteiro com um ponto principal em formato de triângulo. Entretanto, enquanto Bucciarati está no controle de seu corpo, eles se tornam normais com um ponto principal circular.

Sua aparência difere grandemente quando operando como seu Alter ego, Doppio. Como o Doppio é uma alma completamente separada compartilhando um corpo com Diavolo, eles possuem portes ainda mais diferentes.

Personalidade
"O passado... até quando você quebra ele em pedaços o sepulta em uma pedra, ele rasteja de volta como uma minhoca."

- Diavolo,

A característica da personalidade de Diavolo que ele mais exibe é a sua obsessão em apagar qualquer vestígio de sua história e manter sua identidade um segredo para o mundo, uma compulsão que ele tenta cumprir por qualquer meio. Já que ele acredita que os erros do passado ou simplesmente o passado em si é algo que deve ser derrotado ou destruído para um ser humano crescer, ele é exepcionalmente ansioso em relação ao seu passado, ligando-a com o medo, e ficando apreensivo com a ideia de qualquer pessoa descobrindo algo sobre ele. Até na já secretiva hierarquia da Pasione, Diavolo toma medidas excessivas para esconder sua identidade e seu rosto, emitindo ordens através de vários representantes ou por computador para que ninguém nunca o veja pessoalmente. Diavolo vive a maioria de sua vida nas sombras, sugerido que ele perpetualmente viaja pela Itália escondido em Doppio, sua personalidade alternativa, e dorme em motéis e hotéis exclusivamente. Essa característica compulsiva de apagar seu próprio passado também é uma alegoria a imperfeição inerente de King Crimson, especificamente a habilidade de Epitaph; Enquanto ele pode ver o futuro para evitar quaisquer erros, a habilidade de Stand de Diavolo não pode apagar nenhum ponto baixo ou 'decaídas' de sua vida que já ocorreram, forçando-o a tentar resolver seus problemas através de seus próprios esforços pessoais e manuais. Diavolo tem uma tendência violenta de caçar e matar aqueles que tentam descobrir qualquer tipo de informação pessoal sobre ele, ou que são meramente suscetíveis a levar seus inimigos até ele, demonstrado por sua prontidão em matar até sua própria família se isso significa manter sua identidade segura - algo altamente vocalizado em suas tentativas em assassinar sua filha, que nunca sequer conheceu Diavolo e apenas sabe sobre ele o que sua mãe a contou. Isso é etretanto justificado como parentes dentro do universo de JoJo's Bizarre Adventure compartilham uma ligação espiritual mística, com Diavolo e Trish sendo capazes de sentir as almas um do outro e saber onde eles estão e também se estão vivos. No entanto, Diavolo é suficientemente pragmático de não sair em uma matança sempre que ele está prestes a ser descoberto, notavelmente apenas usando seus poderes para confundir uma faxineira de hotel desde que ele precise apagar qualquer traço de sua presença. Assim que ele descobre de um membro da Passione tentando investigá-lo, eles serão marcados como traidores e feitos de exemplo de sua fúria e poder absoluto. Oss mais notáveis são Sorbet and Gelato, quem Diavolo teve morto e no caso de Sorbet particularmente, cortado em pedaços e emoldurado em formalina, e então entregue a Squadra Esecuzioni como um aviso sombrio do destino que aguardava potenciais traidores. Diavolo também é persistente em se manter escondido até mesmo de Doppio, seu Alter ego e subordinado mais confiável. Sua característica de personalidade mais proeminente é seu orgulho e confiança, primeiramente em seu Stand quase invencível King Crimson, e então em si mesmo. Operando sobre uma filosofia de que King Crimson o torna invencível pois ele o permite ver as "ciladas" do futuro e evitá-las, e também permite-o manipular o Destino e a realidade ao escolher nulificar arbitrariamente certos eventos, ele justificavelmente exalta o poder de King Crimson com frequência. Diavolo notavelmente alega que as ações de todos antes do King Crimson são em vão, o que é verdadeiro a certo grau. Segundamente, Diavolo é intimamente convencido de sua superioridade nata sobre a humanidade. Utilizando epítetos como "Imperador" or "Rei dos Reis", ou como outros antagonistas principais da série, usando o prefixo I ou Me (この,  kono) para anunciar seu nome em um sinal de sua superioridade sobre os outros. O chefe da máfia não duvida de que ele é destinado a permanecer no topo, 'ápice' como ele descreve, para sempre. Esse orgulho desporporcional não é somente derivado da ideia de que pessoas crescem ao derrotar seus passados (e então, ele cresceu muito devido as suas tentativas constantes de apagar qualquer tipo de história de si mesmo), o que também é reafirmado pela sua crença de que ele foi abençoado pelo Destino; O passado de Diavolo envolve circunstâncias extremamente incomuns como uma gravidez não-naturalmente longa, em uma prisão feminina, fazendo do seu nascimento um milagre, e então ele encontrando seis Flechas que garantiriam seu extraordinariamente poderoso Stand assim como sua imensa riqueza. Como uma extensão da ideia de que ele é abençoado pelo Destino, Diavolo se considera extremamente sortudo também. Ele prontamente aceita qualquer dificuldade como um "teste" no qual ele vai ter que se sobressair para se provar como acima de todos, e mesmo ele sendo sujeito de ansiedade ou desespero, seu orgulho vai prevalecer e ele vai constantemente ser escolhido para confrontar diretamente qualquer problema que ele tiver. Isso faz com que ele tolamente encare o Gold Experience Requiem, embora ele tenha previsto a morte de Giorno Giovanna e não tinha nenhuma ideia de seus poderes novos. Contra o Réquiem a confiança de Diavolo desmoronou quando ele reverteu suas habilidades e o deixou indefeso. Quando ele se encontrou preso em um loop de morte infinito, incapaz de fazer qualquer coisa sobre sua situação, Diavolo entrou em pânico e na sua última aparição na história ele se assusta com uma menina; Seu orgulho, confiança e em certos graus, sanidade sendo completamente esmagados pelas suas mortes eternas.

Other than his own philosophy of defeating the past so as to mature, Diavolo also lives by another thematic philosophy that results are the only things that matter in the world. As a decisive and assertive crime boss, Diavolo doesn't hesitate to take shortcuts or directly involve himself with troublesome matters if those actions are the quickest and easiest paths to an end. King Crimson's ability is an echo of this, and maybe the source of it, leaving nothing but the outcomes of situations, specifically those he himself sees fit to keep. He abuses his Stand's power as a means to produce the most favorable conclusions to his problems, and at the same time boldly prove his philosophy's claim to anyone that he confronts. Diavolo shows a degree of prioritization for these results and answers as well, notably when he, upon meeting with Polnareff whom he thought he killed years ago, only questions him as to why he would have an Arrow before attacking once more, rather than how he learned the name of the boss of Passione, or even how he managed to survive being thrown off a cliff into rocky waters. For Diavolo, keeping stability within Passione is secondary to maintaining power and his status as the boss; a mentality that eventually realizes the corruption of Naples, worsens the city's drug problem, and ultimately, leads to the rousal of Giorno Giovanna into joining the gang seeking to dethrone their boss. Diavolo only commands the obedience of his subordinates through greed or fear, causing the organization to even be corrupted within itself, members turning against each other, and multiple people to plot against him. Diavolo is also unforgiving of those he considers enemies, most especially traitors. Should anyone try to approach his alter ego Doppio and pry too much on his past, Diavolo violently rebukes them. For instance, he violently murdered a fortune teller that correctly divined his history. He has proven capable of restraint, as he told Doppio to spare a taxi driver after realizing that he hadn't seen the photo of Donatella that he was attempting to hide.

Diavolo has also demonstrated an inability to empathize or even understand other people's emotions and morals, especially those righteous, as well as an inability to properly interact with anyone, due in no small part to his overwhelming pride and antisocial secretiveness. When Bucciarati revolts, Diavolo openly theorizes that Bucciarati merely wanted to overthrow him or was opportunistic in his presence, without considering that hurting his own daughter deeply angered Bucciarati. When interacting with others, Diavolo tends to act rather respectfully for his opponents and subordinates if they are obedient and competent. He compliments both Risotto and Bucciarati for their resourcefulness during their battles, and offers Risotto an honorable death. On a smaller scale, he compliments a fortune teller capable of accurately deriving his past as being "the best of the best" and gave a brutal yet painless death. However, Diavolo is also domineering and aggressive, taking his thoughts for absolute truths and ordering his interlocutor around; When he is angry, he is prone to shout insults and issue death threats. Diavolo approaches fights coldly, only considering confrontations as chores to be completed to maintain his supremacy. Diavolo favors eliminating his victims quickly using his King Crimson to confuse them and kill them in a single move. As seen with Bucciarati, Diavolo is shown slightly amused (or at least his Stand is) by the futile efforts of his opponents, and boasts regularly about his perceived invincibility. A pragmatic man, Diavolo still approaches the situation carefully, especially when Doppio is in command, and cannot use his full power. In an unadvantageous situation, Diavolo is patient, carefully undermining the enemy before using one critical attack, making him a most dangerous enemy during any battle, regardless of King Crimson's time erasure.

During his youth, the teenager named Diavolo was described as dim and timid, but well-meaning. He also expressed his wish to become a sailor and had a girlfriend Donatella, they were sufficiently close enough to have a child together. Due to the lack of further information and Diavolo's alternate personality disorder, it is unknown if this was a facade, or if he was genuinely like this before. Either way his secretiveness and ruthlessness were already present, having hidden his mother underground and having burnt his home village to the ground simply to hide his past.

Por razões desconhecidas, Diavolo manteve sua mãe viva, porém presa debaixo de sua casa, e sua velha namorada Donatella viva, apesar da sua disposição em matar sua filha.

Stand
O Stand de Diavolo é o King Crimson, um Stand extremamente poderoso com uma força física tremenda e a habilidade de apagar o tempo em até 10 segundos assim como prever qualquer acontecimento dentro dos 10 segundos seguintes. Apesar de ter algumas limitações, o King Crimson o torna essencialmente invencível em uma luta já que ele pode então prever as ações de inimigo e evitá-las ou fazê-las inúteis ao apagar o tempo em que suas ações ocorrem.

Personal
Double Personality: Diavolo and Doppio are two souls that inhabit the same body. As a result, they can switch their personalities as well as their physical appearance. Compared to Diavolo, Doppio appears a lot younger and is described by a fortuneteller as looking too young to have children. Diavolo appears to be a lot taller, as well as more muscular. When he takes over, Doppio's freckles disappear, his voice deepens, and his hair is seemingly a different length. According to Diavolo, it takes a couple of seconds for him to completely take over Doppio's body.

While Doppio is in control, Diavolo has quite a few abilities, border-lining omniscience. He was able to tell that the taxi driver didn't see the picture of Donatella that Doppio was carrying, despite his subordinate's beliefs, and was later able to see the lurking Risotto. Diavolo also seems to be able to manipulate Doppio's memories, as Diavolo remembers everything and can see everything that happens to Doppio but not vice versa, although it's unknown how much of this is based off Doppio's possible poor memory.

Diavolo can communicate with Doppio through any kind of object while not in control, granting his subordinate the belief that his alter ego is another person all together. Although we haven't heard the quality of these "calls" yet and whether or not the objects alter the quality of Diavolo's voice, Doppio can always hear his alter ego's voice through the object. Doppio also, on occasion, forgets that he's been able to communicate with Diavolo, but he consistently has never realized he's been using a broken or non-phone object. These "phones" have ranged from ice cream to frogs, to cigarettes to toys, and of course Doppio always carries on him a broken or dismantled phone headset.

Soul Manipulation: Diavolo is for unknown reasons, exceptionally knowledgeable about souls and their mechanisms, and is also equally skilled at manipulating his own soul.

Diavolo shows uncommon knowledge about souls, for instance being able to tell the near dying Bucciarati's state and then correctly guess that he can only see souls. Knowing that souls of family members have the same "scent", Diavolo is able to grant a shard of his soul to Doppio to disguise himself as Trish's soul. Moreover, under Chariot Requiem's influence, Diavolo has been able to control in which body he could go, although he otherwise couldn't freely control it. Although Diavolo could exert subtle control of his own soul, he remains subject to the powers of soul-manipulating Stands such as Chariot Requiem.

Spiritual Connection: As Trish Una's father, Diavolo has a spiritual connection to her. By instinct, he can sense that she is indeed his daughter and was able to feel that she was alive despite being informed that the plane she was on had crashed.

Intelligence: Diavolo is a gifted tactician and is generally more intelligent than average. As the proofs of Diavolo's abilities, the Boss has built a powerful gang with influence spreading across Italy in a matter of years. To avoid his enemies spying on him, Diavolo has proved to be imaginative in delivering his orders, using proxies, computers, dead drops, or even exploiting his subordinates' Stand abilities so only they could access the messages.

During a fight, Diavolo usually relies on his King Crimson's power and favors straightforward tactics like erasing time and positioning himself for a fatal strike. However, Diavolo has also shown to be rather observant, taking note of any event and keeping tabs on his enemies' abilities. He notably predicted that Giorno Giovanna's wit would become a real nuisance to his plans and treaded carefully with him. Diavolo also kept observing the apparently defeated Team Bucciarati from afar and managed to correctly analyze their state of mind and subsequently roughly guess their goals. Finally, Diavolo was the first and only one person to be observant enough to see the mechanisms of Chariot Requiem and guess its weak points, enabling him to disable the Stand effortlessly.

Diavolo has shown to be able of thinking on his feet, not panicking when he was chased by Bruno Bucciarati and Narancia Ghirga in a body deprived of hemoglobin and quickly using the surrounding fauna to replenish his blood. He also subsequently exploited this opportunity to assassinate Leone Abbacchio. Likewise in Rome, an accidental meeting with Bruno was exploited by him to approach Polnareff and assassinate him. Diavolo's arguably most effective tactic was during his confrontation against Risotto Nero, during which he exploited both the presence of Team Bucciarati, Risotto's own scalpels, and his own weakened state to manipulate Aerosmith into shooting only Risotto and turn the tables against the assassin.

Relacionamentos
"Você é a própria definição de mal nauseante! Você abusa os inocentes e os ignorantes! Tudo para seu próprio beneficio!"

- Bucciarati à Diavolo

Alter Ego

 * Diavolo to Doppio: Although in most cases it's self-preservation and survival (assuming killing Doppio would kill Diavolo, or vice versa), Diavolo seems to have a lot of affection for Doppio: he put Doppio in a very dangerous position of being the underboss instead of a usual subordinate, he often gave Doppio directions to being successful and even warned him to keep away from Nero and encouraged him to flee, and most peculiar of all, he has a habit of sometimes calling Doppio "[his] (cute) Doppio" with the more down-to-earth "watashi wa" pronoun.  Noticeably, when Chariot Requiem activates and Doppio is shot multiple times by Mista, Diavolo almost immediately destroys and impales Narancia on a gate, instantly killing him, and begins to attempt more murders - before it happened, Diavolo was perfectly hidden away and everyone assumed Diavolo was in Bucciarati's body. On the other hand, Diavolo doesn't spend a single thought for Doppio whom he left for dead in Bucciarati's body.
 * Doppio to Diavolo: While Doppio never learned the truth between themselves, he highly respects Diavolo and always called him "Boss" - though, whether or not Doppio knew Diavolo's name is unknown. Doppio also seems to be Diavolo's gopher, something he takes pride in considering how loyal he was to a point of stubbornness, and he seemed heed most of Diavolo's orders when he remembered them. According to Doppio himself before his death, Diavolo had told him that staying in Bucciarati's body would be dangerous and decided to move, leaving Doppio to his fate.

Family

 * Donatella Una: Although it's unknown how their relationship went, outside of Diavolo refusing to give her a name and never talking about himself, it can be inferred that it was largely positive. He took a picture of Donatella and she kept it throughout the years (although Diavolo becomes enraged upon learning that it still exists). Interestingly enough, Diavolo also never attempted on Donatella's life despite his ruthlessness. Likewise, Donatella loved Diavolo and told her daughter good things about him (albeit all lies Diavolo said before hand), and it's known that as Donatella died from her illness, she wished to see her lover again.
 * Trish Una: It's inferred that Diavolo was never actually aware of Trish's existence until Donatella passed away and Squadra Esecuzioni begun looking for clues on their former employer's identity. Diavolo realizes that their bond of blood allows him to sense her presence (the bonds of family being a reoccurring supernatural force in the world of JoJo). Immediately realizing that she could sense him as well and jeopardize his anonymity, he set in motion a plan to kill her with his own hands and used Bucciarati's group as pawns to bring her to him without letting the traitors capture her. In the final battle, Diavolo disowns Trish, wishing she never had been born. When she stops him from getting the Arrow during the final battle, he responds by having King Crimson punch clean through her stomach in a final attempt to kill her. However, she would survive due to Bucciarati's interception. Afterward, Diavolo would at the very least thank Trish for giving him the courage to attack Giorno Giovanna, as she revealed to her allies that Diavolo was attempting to run away, tempering his pride.
 * Foster father: As a child born from prison, the priest took care of Diavolo for several years. He was openhearted with Diavolo's decisions of becoming a sailor and even decided to build a garage for him after seeing him and a woman on a date. However, this would also cause his death, as when he was digging into the concrete, he uncovered Diavolo's mother, which was of his adopted son's doing. On that same night, the Sardinian village was burned to the ground, with the priest among the casualties.

Equipe Bucciarati

 * Giorno Giovanna: Giorno planned to take down Diavolo since the beginning due to Passione's corruption of Naples, which included an agenda of drug trafficking affecting even children. Because of this, Diavolo retaliated and made Giorno a high-priority target. The two became bitter enemies over the course of Part 5, with Diavolo having invoked Giorno's anger during their confrontation after the death of Narancia, and Giorno helping to rouse Team Bucciarati's betrayal. During the race for the Arrow, Giorno alone figured out that Diavolo was residing in one of the group's bodies, causing the Boss to realize that Giorno was his greatest threat. With Bucciarati's demise, Diavolo confirms that Giorno was in fact the more dangerous individual due to his cunning, as well as the fact that he had planned to usurp him the moment the boy entered Passione.
 * Bruno Bucciarati: Prior to meeting Giorno, Bucciarati was loyal to Diavolo, even though he was aware of the gang's involvement in the drug trafficking within Naples. Although Bucciarati initially had no power to take action, with urging from Giorno, he became determined to take the boss down as well. While this eventually led to Diavolo's killing him, Diavolo had declared his respect for Bucciarati, complimenting him on his prowess and valor.
 * Narancia Ghirga: Although not directly interacting with Narancia, he was a threat nonetheless once he turned traitor. After Chariot Requiem was activated and Doppio was shot by Mista, Diavolo retaliates by killing Narancia, whom had a radar capable of finding anyone attempting to attack Chariot Requiem.
 * Leone Abbacchio: Diavolo feared Abbacchio as he could easily find out whom Passione's Boss was with his powers. As such, Diavolo personally went back to Sardinia to intercept Abbacchio, and when given the opportunity, assassinated him while posing not only as Doppio, but also as a simple child playing soccer.
 * Guido Mista: While Diavolo lacks a connection with Mista, Mista on the other hand shares his teammates hatred and fear of the boss. Diavolo likewise regarded him as a threat just for betrayal. In the end, after the final battle with Diavolo, Mista was the last original member of Bucciarati's team before Giorno intact.
 * Pannacotta Fugo: Fugo, even with all the evidence given to him, was torn between swearing loyalty to Bucciarati or staying on Diavolo's good side. Understanding the extreme danger of betraying Passione and Diavolo, Fugo ultimately chose to remain on Diavolo's side. In a rejected story line, Fugo was also sent to kill his former friends, and if that was kept, Araki admits that Giorno would have needed to give the killing blow, which he felt would be too heartbreaking.

Other

 * Jean Pierre Polnareff: Polnareff is one of Diavolo's many enemies, though Diavolo did not have any interest in Polnareff particularly. As soon as Diavolo found out Polnareff had been investigating him, he made a personal and brutal attempt to dispose of him, but unknowingly left him alive. During their second confrontation, Diavolo did not care much that Polnareff was still alive, nor that he knew his name, but rather wanted to know immediately why Polnareff would possess an Arrow, displaying a sense of urgency on the matter of his familiar foe. Nonetheless, Diavolo would, without much effort, successfully put an end to Polnareff once more, stepping on his neck in order to check his pulse and confirm his death. However, Diavolo did not know that Chariot Requiem would save its former master by preserving his soul in the body of the turtle Coco Jumbo.
 * Squadra Esecuzioni: Diavolo not only refused to give La Squadra a territory and higher pay, but when the first signs of betrayal started showing, also killed two of their members, one of whom was sectioned into 36 individual pieces, which were then mailed individually back to the group. It should be noted that it took La Squadra two years to form a retaliation plan, which Diavolo immediately found out about and retaliated against. Diavolo disdained these assassins, but came to respect their leader, Risotto Nero to a degree, considering him a worthy opponent and granting him the dubious "honor" of a painless death if he obeyed his command of restoring his iron level during their fight.
 * Cioccolata and Secco: As immoral Diavolo was, he considered both of them complete monsters and only kept them in his organization as part of his personal guard squad due to their powerful combination and individual abilities alike. On their part, Cioccolata and Secco only obeyed Diavolo because he let them torture people and planned to overthrow him eventually.

Curiosidades

 * Apesar de nunca demonstrado, Diavolo sabe falar fluentemente.
 * Durante a batalha contra Chariot Requiem, a alma de Diavolo toma a forma de King Crimson, e ela fala e representa suas emoções completamente através dele.
 * De acordo com uma Lista Top 10 publicada no Weekly Shonen Jump em 2000, Diavolo é o segundo antagonista favorito de Araki e seu quarto personagem favorito em geral.
 * O dublador de Diavolo em jogos desenvolvidos pela Bandai Namco Entertainment, Toshiyuki Morikawa, mais tarde iria dublar Yoshikage Kira e Sheer Heart Attack no Anime da Parte 4. Enquanto, seu dublador no anime, Katsuyuki Konishi, também dubla Jonathan Joestar no filme perdido de Phantom Blood de 2007.
 * Uma das músicas da banda King Crimson "21st Century Schizoid Man" aptamente descreve a personalidade de Diavolo e de fato Vento Aureo é a primeira parte a se passar no século XXI.
 * Em outra música da banda King Crimson "The Court of the Crimson King", o "crimson king" (lit. rei carmesim/rubro) se refere ao Diabo, que é a referência do nome de Diavolo. Adicionalmente, um termo rei carmesim era comumente usado para se referir a um monarca inescrupuloso, que combina com a personalidade de Diavolo.