Rohan au Louvre (film)

"It draws the viewer into the world of the abyss... It's the ultimate in suspense. (観る者を深淵なる世界へと誘う、極上サスペンス)"

Rohan au Louvre (岸辺露伴 ルーヴルへ行く) is a live-action movie adaptation of the one-shot Rohan au Louvre, based on the Thus Spoke Kishibe Rohan TV drama series by. The English version of the film is titled Rohan at the Louvre.

It was officially announced on January 4, 2023 and released in Japanese theaters on May 26, 2023. According to Issey Takahashi, the movie functions as the ninth episode of the TV drama.

The film released digitally worldwide exclusively on Amazon Prime Video on September 22, 2023. It will also be airing in Toronto, Canada at the Japanese Canadian Cultural Centre on October 5, 2023.

Synopsis
Rohan Kishibe, a manga artist with a special ability, once heard a rumor in his youth about a Black Painting from a woman he had a crush on. It was not only the blackest, but the most evil painting in the world.

Time passes, and in the process of writing a new work, Rohan learns that the painting is held at the Louvre Museum. He thus visits France for a viewing, and for a faint yearning he once had. However, strangely enough, even the museum staff was unaware of the existence of the Black Painting, and its storage location in the database was Warehouse Z-13, an underground warehouse that should have been empty.

There, Rohan comes face-to-face with the horrifying events caused by the Black Painting...

Summary
The story begins with Rohan Kishibe, a famous manga artist, resting in the alcove of his office. He has a vision of a woman in black standing on a field of grass, which rekindles his interest in a long-forgotten subject.

Maurice Legrand's Black Painting
Some time later, Rohan visits an antique shop managed by a pair of men. The senior clerk hesitantly asks what Rohan wants to which the manga artist answers he's doing research for his work. The older man enthusiatically tries to sell him a replica of an antique Momoyama period bowl, stating that it looks just like an original and that even a manga artist can afford it. The junior clerk who was reading a catalogue at his counter recognizes Rohan as a famous manga artist and tries to warn his colleague. However, Rohan is already vexed and begins a rant. Offended, Rohan asks if the clerk really thinks he or any expert artist couldn't tell the difference between a fake and a genuine article and declares that what he needs is reality that he can use to tell his stories. Surprised, the clerks head towards the back of the shop to show him a real article, but then Rohan asks to know more about a certain fencing operation. The clerks, clearly guilty, try to shoo Rohan, but then Rohan uses a special ability to turn them into books: Heaven's Door. With Heaven's Door, Rohan Kishibe is able to read into people like books and learn about their history and their thoughts. Plus, if he writes an order on someone's page, they cannot defy the command. Rohan uses the chance to command the clerks to respect the art they sell, although he doesn't bother to call the police on their operation. Rohan then spots the catalogue the younger clerk was reading and sees a pitch black painting that will be auctioned. Rohan takes an interest in the painting and decides to participate in the auction.

The day of the auction, Rohan meets with his editor, a merry young woman named Kyoka Izumi. Izumi has facilitated Rohan's admission into the auction and reports back to Rohan, amazed that anyone can actually participate and not just rich people. She mentions that she had to reveal his identity to get an admission, Rohan being an admired artist himself and that he'll have to have three autographs ready ; this naturally annoys Rohan who doesn't want to distribute autographs. Izumi also shows Rohan the bidding paddle (which she mispronouncces as "bidding pedal") that they will use. When Izumi asks Rohan what he is interesting in the auction, Rohan shows her the catalogue of items to be auctioned off, pointing to a pitch black painting named "Noire" by an obscure French artist named Maurice Legrand. Izumi is somewhat disappointed there aren't paintings from famous artists like Van Gogh though Rohan points out it would make the news. Rohan suggests Izumi goes home, not wanting her with him, but she wants to experience the auction alongside Rohan because she is managing a website promoting Rohan's work and thus she wants to use the experience to write a research diary for him online. Rohan resigns himself to her presence and goes to the auction.

Rohan and Izumi attend the auction and see how attendants and even clerks on the phone bid by raising their paddles. When the "Noire" painting comes up, the bid starts at 200,000 yen and Rohan bids. Soon, a pair of men try to outbid Rohan and start a bidding contest. Soon, they have to bid large sums but Rohan finally tops his competitor by bidding 1,500,000 yen and acquires the painting.

Rohan and Izumi head back towards the manga artist's house. Still excited by the bidding, Izumi asks why Rohan is interested in the painting, to which Rohan answers he's interested in the black color of the painting. Back in his office, Izumi discovers that the room is filled with all sorts of items, plants, and even an aquarium housing squids. Rohan explains that these are all sources of pigments. For instance, he has a disc of red cotton whose pigment was collected from crushed cochineals, or a stick of gamboge used for yellow pigment. Rohan is looking into the compatibility between the pigments and his manuscript papers to create colored pages. He had hoped to study the black pigment of the painting by Legrand, but he is disappointed.

Rohan asks Izumi if she knows about the blackest color in the world. As she is ignorant about the subject, Rohan shows her and example of a very black color such as the feathers from a bird of paradise that nearly completely absorbs light. However, Rohan is sure that even this is not the blackest color, and he mentions a black painting created by a certain Nizaemon Yamamura, an obscure painter from 250 years ago. Incidentally, Rohan spots a spider roaming on the board of his window and sees a vision of the woman in black telling him something unheard. Izumi asks him who told him about Yamamura and Rohan answers that he doesn't remember.

Suddenly, Rohan sees a man trying to sneak into Rohan's property and opens up a gate from his window. He runs out of the office and tries to check on the iron gate, finding of the men from the auction who tried to outbid him. Thankfully, he's been turned into a book. However, there is a second man who sneaks behind Rohan and steals the Maurice Legrand painting, running into the forest bordering Rohan's house. He tears the paper behind the frame and seems disapppointed to find nothing here. However, a black liquid oozes from the back of the painting. When the man touches it, he begins to see spiders covering him. In a panic, the thief tries to take off his coat. Suddenly, the thief also hears a car approaching at high speed. Fearful, he runs off.

Moments later, Rohan and Izumi find the painting left on the ground. They notice some words written in French on the back of the canvas which Izumi translate as "This is the black seen at the Louvre. remorse". Incidentally, the second man flees after spying on them. Back into the office, the duo ponder on the meaning of the message. They make a connection between this and the black painting Rohan mentioned earlier, and thus Rohan decides to visit the Louvre museum in Paris. One of the thiefs reports back to an unknown contact, saying that he wants out of the operation and confirming that there was nothing behind the painting. Meanwhile, the second thief who had touched the black liquid finds himself run over by an unseen car, and dies in the forest.

At her office, Izumi gazes at a photography and dreams of going to Paris. Meanwhile, Rohan sees the woman in black again and tries to sketch her. He finally reminisces his youth during which he met said woman.

A Young Rohan and Nanase
When Rohan was a mere teenage aspiring mangaka, he moved into his grandmother's inn. His grandfather had passed away that year and his grandmother began to empty the house of all furnitures and unneeded items, selling some to antique dealers. At the same time, she wanted to rent some room. Apart from the one dealer visiting the grandmother, the inn was nearly empty and Rohan hoped to take advantage of the peace to focus on his drawing. One evening, Rohan surprised a woman undressed in the changing. Although he hurriedly apologized and shut the room, Rohan noted that he was going into the right changing room for men but that the signs that his grandmother had placed were confusing. Flustered by the experience, Rohan soon became attracted to that pretty woman who was residing with him and his grandmother. In the narration, Rohan adds that her name was Nanase.

One day as Rohan was sketching in the garden, he saw Nanase hanging clothes in her room and tried to sketch her. Nanase suddenly disappeared only to reappear behind Rohan, asking if he was looking for her. Wondering if he was peeping, Nanase looked at his sketchbook and asked if he was drawing manga. Upset and after fumbling his rant, Rohan explained himself and said that his editor had asked him to draw cuter girls to make a series that would sell. Although he felt insulted, Rohan felt compelled to listen to the advice of a professional. Rohan apologized to Nanase for drawing her without her consent as part of his training. Interested in Rohan, Nanase asked to see his work later.

One night, Nanase actually invited Rohan in her room go look at his drawings. Still shy, Rohan remained at the door but Nanase insisted on him coming inside. Agitated, Rohan tried to delay his viewing of his art, saying it was already late, but Nanase assured him that she didn't want to criticize but just look at his art he drew with his heart and soul. Rohan insisted, because it was unfinished work and he didn't want to show it. Nanase thus changed subject. She turned off the lights, only letting a small lamp lit. It is then that she asked if Rohan ever heard of the blackest painting in the world. She described this painting, painted with such black that it didn't reflect light and was unseeable. According to her, it was the blackest and evilest painting ever, created 250 years ago by Nizaemon Yamamura. Yamamura had used the perfect black pigment extracted from a sacred tree. Rohan asked where the painting was, and she answered that it was in the Louvre. Finally, Nanase wondered what the blackest black would reflect, and warned Rohan not to approach the painting. Suddenly, a spider came out of Nanase's hand, and she hurriedly excused herself, telling Rohan to leave and even snapping at him when he lingered. Later that night, Rohan heard Nanase seemingly leave the inn and she indeed disappeared from the house.

Rohan continued to work on his manuscript, though his mind was still preoccupied. Incidentally, Yoshio Kawadori, the antique dealer whom his grandmother had asked to organize the storage had gone missing but Rohan dismissed the issue, stating that since he had found a buyer for her stuff, the buyer would come pick up what he had bought anyway. As he finished his drawing, Rohan finally heard Nanase come back. When he barged into her room, Nanase tearfully embraced him. At that point, Rohan didn't know what was happening with Nanase, but he swore to protect her and held her in his arms. Staring to turn her into a book with Heaven's Door, Rohan suddenly showed restraint and decided not to pry further.

At this point, Nanase noticed Rohan's manuscript and saw that Rohan had drawn a beautiful girl in black. Asking if it was her, she became angry when Rohan added that the black of the drawing wasn't perfected yet. She became mad at Rohan for drawing her and stabbed the manuscript with a pair of scissors. Rohan was shocked. Nanase apologized and told him something unheard, before she left for good. Rohan asked his grandmother where Nanase went, but she actually doesn't remember anyone by this name. The grandmother changed the subject and told Rohan to give a painting in the storage to a foreign buyer who would come soon. On the radio, there were news of Kawadori found dead in a junkyard, seemingly drowned where despite the lack of water sources in the area. Rohan gave the painting to the buyer, who left in a hurry. Rohan continued his life, wondering whether Nanase really existed as she appeared as suddenly as she left. Nonetheless, Rohan continued to see her as a woman in black standing on a field of grass and telling him something he couldn't hear.

In the present, Rohan wonders why these memories resurfaced with the black painting of Maurice Legrand and is sure that it isn't mere curiosity that is leading him to the Louvre and to the blackest painting stored within.

Rohan at the Louvre
At the Louvre's Cultural Mediation Department, M. Jacques Blanc checks on his subordinate Emma Noguchi. She is to serve as the interpreter and guide to Rohan Kishibe. Blanc worries about Emma's state of mind, moreso because she is handling a prestigious visitor, but she assures him that she is up to the task. She hasn't had the time to prepare the answers to some of the questions that Izumi sent to them via email, thus Blanc tells Emma to welcome Rohan and Izumi while he handles the email himself. After Emma leaves, Blanc looks at Izumi's email and actually recognizes the name "Nizaemon Yamamura".

At the same time, Rohan and Izumi are taking a bus tour through Paris. Izumi is enjoying herself and takes pictures of Rohan for the online diary, to his annoyance. An old French lady asks Rohan where are the Champs-Elysées in French, to which Rohan tells her they are there right now in fluent French. This also impresses Izumi. They eventually meet with Emma, with whom Izumi shares her fascination of Parisian lifestyle and how she always dreamt of visiting Paris. At Rohan's insistence since he is focused on his research, Emma leads them to the Louvre instead of the hotel. At the Napoleon courtyard which serves as the main entrance to the Louvre, Izumi asks Emma to take a picture of her. On their way down to the main hall, two young men recognize Rohan and ask him for an autograph. Rohan criticizes their casual clothing when visiting the museum but still gives them autographs, one being even drawn on the back of one of the fans' jacket.

In the museum proper, Izumi and Rohan are able to admire the artworks but also the opulent interior. Rohan takes the time to admire the Mona Lisa. Izumi sees a painting reproducing a painting and inquires about it. Emma answers that artists are allowed to reproduce paintings inside the Louvre as the museum has focused on the development of art and culture. Emma adds that Maurice Legrand was actually an artist specialized in reproduction. Rohan and Izumi suspect that he may have seen the black painting and tried to reproduce it, but there is officially no Japanese painting at the Louvre. Still, there is still a possibility that the painting is in storage. For several years, the Louvre has been moving its stored items to a new storage center to protect them from flooding. During this project, the workers even rediscovered over 1,000 works of art from a 20th century collection donated to the museum resting in the basement storage, with over 100 Eastern artworks.

The conversation is interrupted by a man quoting Van Gogh's praise of Japanese artists to Rohan. Emma thus presents Ryunosuke Tatsumi to Rohan and Izumi and explains that he is one of the researchers hired by the Louvre to handle the Eastern artworks. Tatsumi says that he's seen the cover of one of Rohan's manga and immediately became a fan, explaining his eagerness to meet the manga artist. Seemingly flattered, Rohan shakes hands with Tatsumi.

As they walk through the Louvre, Tatsumi says that he was well acquainted with Maurice Legrand who was exceptional at reproduction before he died in an accident. Suddenly, they hear someone shouting in the museum. It is Jacques Blanc who is running in fear and shouting for help. Talking to some unseen entity, Jacques finally falls from a balcony down the escalier Daru, shocking everybody. Before he falls unconscious, Blanc manages to whisper the words "spider" and "black hair".

Later, out of the Louvre, Rohan and Izumi discuss the incident. Thankfully, M. Blanc is alive. They wonder why he would seemingly jump down a balcony and mention the words he whispered. Izumi makes a link with Maurice Legrand's painting whose impasto recreates the image of a spider web and of long flowing hair, though the link remains uncertain. Rohan brings up the sentence written at the back of Legrand's painting and Izumi figures out that it means that Legrand saw something remorseful at the Louvre. Meanwhile, one of Emma's colleagues informs her that M. Blanc recognized the name of Nizaemon Yamamura.

The Black Painting
Emma calls Rohan and Izumi that night so they come to the museum. She reveals that there is a painting by Nizaemon in warehouse Z-13 situated beneath the museum though it is strange since it has been abandoned for 20 years. Nonetheless, Blanc may have seen something there. Rohan asks to go see warehouse Z-13 which Emma accepts. On their way, they meet with Ryunosuke Tatsumi again, who has heard what happened and requests to come with the group. The group then meets with two firefighters, Hugo and Nicolas, who will guide them through the old and maze-like ancient corridors of the reserve. Emme explains that the Louvre always has firefighters on hand to evacuate the artworks in case of danger. As they have the keys to all doors within the Louvre, they will also open the way. The firefighters request that the group put anything that could damage artworks in a bag, from cellphones to pens.

With this done, the group descends into the depths of the Louvre. Emma receives a message from her colleague who informs her that M. Blanc heard of Nizaemon from Gaucher Bigotte, a former curator of the Louvre who worked here twenty-some years ago but disappeared. Rohan actually recognizes the man to whom he gave a painting. Even more intrigued, Rohan follows the group into dark stone tunnels, where they have to navigate with a flashlight.

The group descends a staircase into a large dark and deserted storeroom. Rohan spots something on the ground and picks it up. One of the firefighter then notices a painting laying there, which Rohan identifies as a Vermeer. Emma adds that this unknown Vermeer was found in the lost collection but that it should have been moved to the new storage center. Izumi ends up suggesting it may be fake. Tatsumi agrees that it must be fake and tells one of the firefighters to dispose of it, but Rohan stops him. The manga artist declares this painting to be the original. As a fellow artist, he feels the authenticity of the artwork and guarantees it is the genuine article. When Emma asks what went to the storage center instead, Rohan shows a paintbrush handle engraved with Maurice Legrand's name that he's found there, suggesting that Legrand forged a painting.

Tatsumi is shocked and declares that it must be impossible because all reproductions are required to be 20% bigger than the original and that Legrand wouldn't have been allowed to reproduce the hidden pieces, all the moreso since this Vermeer wasn't known to the public. Rohan insists and figures that Legrand may have been using this storage room to discreetly forge artworks. Rohan thus openly comes up with a plot in which Legrand has been part of an art forgery operation. Legrand would reproduce the lost artworks in the abandoned Z-13 storage room, hand the copies over to be moved, and then smuggle the originals overseas hidden behind the canvas of his own paintings, which would be bought for cheap. Izumi and Emma find it a bit farfetched that a lone individual without clearance would be able to do this, but Rohan suggest that he may have had inside help from people who would be free to roam around the museum, for instance, firefighters, or even a curator. Pointing his flashlight at Hugo, Nicolas and Tatsumi, Rohan all but accuses them to be art thiefs. Rohan reveals that he never trusted Tatsumi, as he clearly wasn't a fan of his work and yet took the time to follow him closely. Tatsumu plays dumb.

At this moment, Nicolas, one of the firefighters, screams in panic, pointing at something and asking why there would be a soldiers here. Nicolas collapse and when his partner Hugo comes to check on him, Nicolas has been riddled with bullet holes. Angry and believing that Rohan has something to do with Nicolas's death, Hugo tries to attack Rohan and also reveals in his rage that he was in collusion with the art thiefs in Japan. Tatsumi is definitely unmasked and asks if Rohan came to undo him, but Rohan declares that he was only after the black painting. Tatsumi adds that indeed, Maurice saw something here that drove him mad. It is at this moment that the group sees a dark shape at the end of the storage.

Suddenly, Tatsumi calls out to Maurice and struggle against an unseen attacker who strangles him. Remembering the advice against the evil painting, Rohan tells Izumi to go away. Likewise, Emma falls under the spell of the painting and she calls out to her son Pierre, expressing her regret at not having been able to prevent her child from drowning in a pond. Somehow, Emma gets soaked and she vomits great quantities of water. Rohan has to cover Emma's face and orders Izumi to evacuate her. In his dying breath, Tatsumi expresses his regret at using Legrand. Finally, the firefighter Hugo sees someone approaching him and recognizes a victim who died at a fire caused by his grandfather. Rohan thus finally understands that the absolute black reflects the past sins. Suddenly, Hugo is set on fire. Rohan figures out that the black painting comes its victim to be attacked by spectres of the past who reflect their sins and remorse. Moreover, even the sins of their ancestor can come to attack them, which explains M. Blanc's accident. Rohan imagines that Maurice Legrand must have been tormented by guilt at forging a Vermeer and the black painting in Z-13 showed him his remorse, driving him mad. In his madness, Legrand tried to reproduce the black painting as he was dying. Maurice died while being interrogated by Tatsumi who had been searching for the original Vermeer.

At is at this point that Rohan realizes that he's also being attacked by the painting. Seeing his hands turn black, Rohan becomes unnerved. He takes a good look at the painting, which turns out to be a sinister portrait of Nanase. It is then that a spectre appears in the room, a man holding an axe whose face is hidden by their long hair. Rohan recognizes Nizaemon, who rushes at him with an axe. Rohan tries to use Heaven's Door on Nizaemon but the dead are beyond Rohan's power to influence and thus Rohan is powerless to stop Nizaemon.

As Nizaemon is about to strike and Rohan approaches death, Nanase's spirit comes to Rohan's help. She holds Nizaemon back for a moment and tells Rohan to "forget everything". He understands the hint and writes on himself to erase all memories. Confused, Rohan stumbles out of the storage room. To regain his memories, Rohan had also written on himself to rub himself off the command and thus he is able to regain his memories. Still under the shock, Rohan hurriedly leaves the tunnels. Meanwhile, the fire that burnt Hugo spreads and destroys the black painting.

Out of the Louvre, Emma is still recovering from her near death experience. Izumi tries to assuage Emma's guilt over her son's passing and tries to reason that he just wanted to see her mother. Izumi reveals that she dreamt of going to Paris to somewhat walk in her deceased father's footsteps, showing how she reproduced a photo of her father in front of the Louvre. Emma embraces Izumi out of grief.

Later, Izumi and Rohan discuss the aftermath of the accident. It is said that there must have been kind of gas building up here that caused hallucinations, which Rohan leans on to let Izumi assume there was nothing supernatural. Izumi mentions that the artworks of the Louvre can be seen online for free and she comments that they will probably be never forgotten this way. As they take a last look at the Louvre, Rohan mentions a painting by Monet which was found as recently as 2016 at the Louvre which was yet not listed anywhere. Rohan comments that it seems the Louvre is a museum that even people cannot handle. Izumi offhandedly comments that the lady on the painting at the storage room was beautiful. Rohan is amazed that somehow Izumi had no regret in her heart and thus was not attacked by the painting. With that, Rohan returns to Japan.

Nizaemon's Story
Later in Japan, Rohan finds a forgotten grave. In there, he meets with Nanase spirit. She apologizes for involving Rohan in her plan to stop the evil painting. Rohan couldn't bring himself to read in Nanase at that time, but she allows him to do so in the present. Thus Rohan reads into Nanase's biography. Nanase was Nizaemon's beloved wife. Nizaemon was the heir of the Yamamura clan, a prestigious clan of painter. Nizaemon loved his wife and notably her long dark hair. He was also open-minded and loved to paint using different styles, even using Western influence. He was severely reprimanded by his father but he wouldn't reject his art of which he was so proud and thus he was cast out of the Yamamura clan. Nizaemon and Nanase began to live a humbler yet still happy life, and Nizaemon took to work on trying to perfectly depict Nanase's black hair. But, he was unsatisfied by the color black. Unfortunately, Nanase also fell ill. They sadly didn't have the resource to cure her without help. Swallowing his pride, Nizaemon begged his father to be allowed back into the clan, and his father agreed on the condition that he painted something better than he ever did. Nizaemon began to work on his masterpiece relentlessly, barely eating and sleeping. For her part, Nanase began to go to shrines to pray for the gods' help.

It is then, at the foot of a sacred tree, that she found a black sap oozing from the trunk. She collected it and showed it to Nizaemon, who immediately found the pigment to be the best black he could think of. Seeing the happiness of her husband, Nanase decided to collect the sap for him but soon began to regret it as Nizaemon was also becoming obsessed with the pigment. Moreover, Nizaemon's jealous brother denounced him to the magistrate. Officers were sent to arrest Nizaemon and during the arrest, one of them beat Nanase. Also weakened by her illness, she succumbed on the spot.

Enraged, Nizaemon freed himself, stabbed the officer who killed Nanase, and using an axe, somehow escaped arrest. Overcome by grief and rage, Nizaemon came at the sacred tree and felled it with his axe, collecting the sap within to finish his black painting. As soon as he finishd, Nizaemon succumbed next to Nanase. The sap became spider-like creatures and absorbed Nizaemon's grudge, cursing the painting. Nanase's spirit was also bound to the artwork. Since then, Nanase's portrait has been the evilest painting imaginable.

Now freed, Nanase explains that she wanted to stop Nizaemon's curse and apologizes for involving Rohan. However, he doesn't hold a grudge against her and says he treasures the memories he has of her. Nanase smiles at Rohan before disappearing. Rohan notes that Nanase's maiden name was Kishibe, making her his ancestor.

Epilogue
Back at Rohan's office, Rohan is warming up for his day of work. Izumi barges in with a new pigment source, roasted newt, but finds that Rohan has disposed of every pigment in his office as he's changed his mind. Izumi complains and then takes a peek at a sketch of Nanase. Before she can pry further, Rohan rudely throws her out of the house, giving her the roasted newt back. Cursing at him, Izumi is eagerly awaiting his new fully-colored chapter and decided to name Rohan's research diary "Rohan at the Louvre".

Rohan resumes his warm-up, but is interrupted again by a rustling noise. Looking into the alcove next to his office, Rohan finds his old manuscript featuring Nanase by an open window, intact. Puzzled and pensive, Rohan carefully puts the manuscript away and resumes his warm-up before starting to work.

Production
Filming ended in Japan in Fall 2022 and continued in Paris, France. The film was shot on location at the, the , the , the , the Bridge, and the. It is unusual for a film to be permitted to be shot at the Louvre, and this is the second Japanese film to be shot there since , which was released in 2014. Other filming locations include, a café situated on the ; the in Paris; the town of  in Fukushima Prefecture; and the Hotel New Grand in Yokohama. Rohan's Grandmother's ryokan at which Rohan meets Nanase is the Mukaitaki ryokan in the town of Aizuwakamatsu.

The soundtrack was composed by Naruyoshi Kikuchi. Kikuchi specifies that the staff for the recording of the soundtrack has been tripled compared to the TV Drama. The main theme has been reworked, with claves being added to the original music for instance. Percussion instruments were favored for the production of the soundtrack, including Javanese and Balinese, but instruments such as the shamisen were also used.

Kento Nagao personally drew some of the sketches seen on the young Rohan's sketchbook.

The Japanese painter Fukui Ouka, who specializes in western-style oil paintings, has created several works for the film.

Reception
During the first weekend of its release, the movie generated ¥314,736,080 in revenues. After a month, the movie generated ¥1,000,000,000 in revenues with an estimated minimum of 720,000 viewers.