We apologize for the downtime and slowness.
Template:Interviews3
Nisio Isin: Author of Monogatari Series, Katanagatari, etc.
Hirohiko Araki: Author of Jojoâs Bizarre Adventures.
Interviewer: MYST
Points in common between Arakiâs and Nisioâs works
Interviewer: So apparently, Araki-sensei made his debut in the same year that Nisio-san was born.
Nisio: I was born in 1981.
Araki: I made my debut in the 1981 New Yearâs issue [of Weekly Shounen Jump].
Nisio: It feels like fateâŚif you can call it that, haha.
Araki: Thatâs amazing. At 24, youâve already written so much in 4 or 5 years.
Nisio: Iâm not sure how long I can keep writing, but for now Iâll keep writing as much as I can. Iâm on my 15th book now.
Interviewer: Araki-sensei, did everything go smoothly after you debuted?
Araki: Not at all, it feels like I only started polishing my skills after I debuted. They let me debut before I had any style or originality as a manga artist. I had to learn a lot then, and it wasnât until Jojoâs Bizarre Adventures that I really got started.
Nisio: I also loved your manga before Jojo, like Mahou Shounen Biitii, Gorgeous Irene, and Baoo Raihousha. Your manga all feel like my roots, thereâs so much Iâve learned from them.
Araki: Oh yes, your novels do seem to have some points in common. Iâve started reading from Kubikiri Cycle [first book of Zaregoto Series] and havenât read your latest books, but your characters all seem modern. It might also because a lot of them are geniuses, but they all think theyâre superior and donât respect others. It was interesting how the main character tries to confront those geniuses despite feeling inferior.
Their dialogue sounds like advertising slogans. I like that. Like those lines at the beginning of each chapter. The main character keeps banging out lines like that. That was very fresh and interesting.
Nisio: Thank you. My hands are trembling. Iâm so happy that youâve read my books.
I think Jojo is a wonderful manga, and I wish I could have all of humanity read it. Itâs so good that it makes me want to recommend it to other peopleâŚsomehow it feels like I have to go out of my way to say how much I like it.
Making characters seem powerful using powerful lines
Nisio: Earlier you said that I write lines like advertising slogans, but I think thatâs partly because of your influence. Itâs more than a verbal tic, itâs a single line that encapsulates a character. A line that only that character could sayâŚ
Araki: I try to include a characterâs personal philosophy in what they say. Their unique way of thinking.
Nisio: That might why youâre different. Even in another story, no one else could say those lines. Even if somebody else used your lines, they wouldnât become famous quotes. âRoad roller!â only leaves an impact because itâs Dio who says it.
Araki: You have some great ones, too. âThereâs always someone better, but at the top theyâre all below you.â and a lot of others. Those are really good. They make you think. I think everyone likes those. They make you stop and think âthatâs trueâ.
Interviewer: Theyâre cool and hook you in, and theyâre convincing.
Araki: Lines like that make characters seem more powerful. It makes you wonder what would happen if that character was the culprit. Itâs hard to stop reading.
Nisio: Jojo had a big influence on that. The enemy characters in Jojo all have depth.
Araki: Yes, I was going for that.
Nisio: There are no throwaway characters. Especially after Stands come into the story, there are Stands that seems weak but can be strong depending on how theyâre used. Like (Stand: Bad Company. Only 10 cm tall, but 500 in number!) might just be the strongest.
Araki: Thatâs right, haha. Well for manga in the eighties, the enemies always keep getting stronger and stronger. But there has to be a limit somewhere, and it gets tremendously exhausting.
Nisio: Like when they go âthe one you just defeated was the weakest of us.â
Araki: To break through that, I tried to have characters that are strong from an alternate point of view, or who are only strong in a single aspect.
Nisio: So like âThereâs no such thing as strong or weak.â
Araki: Itâs so exhausting to write manga where the enemies keep getting stronger and stronger. Itâs like, âtheyâre already this strong, and theyâre still getting stronger!?â and every week you worry about what youâre going to do. And then you get to the height of the bubble and itâs like, what now? Itâs a very scary writing method. Itâs fine if you do it once. When the strongest enemy gets introduced, youâll get so popular that the publisher tells you not to stop. But as a writer, you canât go any further.
Nisio: I wonder who started this inflation of power. It must have been a really crazy idea at first⌠Whoever it was, using this technique is like reaching a dead end or slash-and-burn farming. I think Jojo was a revolution in that area.
Araki: It was more like an escape route than a revolution, haha. But I think thatâs how people work.
Itâs like how someone with a strong punch isnât necessarily strong.
Nisio: Someone you could beat depending on your strategy, I guess.
Interviewer: If youâre fighting Bush and he has nuclear missiles, you still might beat him with a bat. For example, Hara Tetsuo wrote Fist of the North Star so that whoever says the most powerful lines wins.
Nisio: That makes sense.
Araki: That seems like something youâd be familiar with.
Nisio: Novels are only words, after all. The main thing is dialogue. So characters that say powerful lines do become stronger.
Araki: Iâve also noticed something unique about your characters. Theyâre mentally strong somehow. Theyâre complete geniuses, but also lacking things or searching for things. Thatâs something refreshing, and it makes the storyâs world interesting.
Nisio: Thank you. I have no words. Speaking of characters, I like Part 4 of Jojoâs Bizarre Adventures because it has so many unique characters. I like Tonio the most, but itâs such an all-star cast.
Araki: Thank you. I hear that the writer Otsuichi-san [mystery/horror writer] also likes Part 4 the most. I wonder if itâs a generational thing.
The appeal of Jojo and its impact on Nisio Isin as a grade schooler
Nisio: When I read your manga for the first time, it was when Ebony Devil, that doll from Part 3, slices off a hotel workerâs face with a razor. I remember it being really scary.
Araki: That must have been tough to read as a kid.
Nisio: Of course, I didnât understand what Stands were, and that made it even scarier. I was creeped out by this weird armored warrior but thought Joutarou was really cool. I didnât understand the logic or style of it so it was completely mysterious, but I could tell that it was in a different vein from the other manga being published at the time.
Even now, Jojo hasnât fallen behind to imitators. Nowadays Shounen Jump has more manga with Stand-like abilities, but Jojo still sets itself apart. Itâs not that itâs the original, but thereâs something clearly different about it.
Why Nisio Isin became a writer
Araki: What made you decide to be a writer? How did you get started writing?
Nisio: To be honest, I originally wanted to be a manga artist. But I quickly realized that I couldnât draw. No matter how I practiced, I wouldnât get better. Then thought that since writing get printed, it doesnât matter if my handwriting is bad or anything. So in a way, Iâm writing the novelization of a manga thatâs in my head.
Araki: So you might get your novels adapted into manga?
Nisio: Thatâs true. There are many scenes in my head that I have an image of. Like someone standing in front of the sound effect âă´ă´ă´ă´ă´.â I think Kadono Kouhei-sensei said something similar. [author, mainly known for Boogiepop series]
Araki: So you start with an image and replace it with words. The desire to write feels like something that comes welling out, but I wonder how that works.
Nisio: When you read something good, it makes you want to try it. Of course, reading your manga gives me motivation. Itâs something like that.
Araki: Like âI could make something a little betterâ.
Nisio: When you see something wonderful, you canât help but want to try doing it.
Araki: Thatâs true. Drawing is like that for me, like when I see a drawing that makes me wonder how it was drawn. Itâs like a riddle I want to solve.
For example, there are manga artists who can draw lines in unbelievable directions. Normally you go from up to down or right to left, but theyâre clearly doing it differently. Like Hara Tetsuo. I donât know how he draws those lines, if he does them upside down or what.
For painting too, I wonder how someone made a color and things like that. It fires me up somehow.
Interviewer: Did you solve Haraâs riddle?
Araki:Not quite. I tried to draw beautiful smooth lines like him, but it wasnât the same.
Nisio: Iâve thought something similar when reading your manga. When I read Janken Kozou for example, I was surprised at how you could portray Rock Paper Scissors. I thought that I couldnât casually play Rock Paper Scissors anymore. To me, youâre not just a manga artist, youâre an artist.
Araki: I canât really see that, haha. Iâve always felt lacking as a person somehow, and I want to become a full person. Iâm not sure exactly what a full person is, but Iâve always wanted to become one since I was young.
Interviewer: Nisio-san, when you finished your Zaregoto Series after 9 volumes, youâve said that âafter finishing this piece of work, Iâm not a rookie anymore.â Araki-sensei, with which manga did you feel like youâve finished a job?
Araki: I donât think there is one. My publisher keeps telling me I should write something new besides Jojo, but it feels weird to start something new before finishing Jojo. So I might keep writing it.
Nisio: For your entire life?
Araki: I donât know.
Nisio: As long as there are Jojo stories, at least.
Araki: Thatâs true. But Iâm writing about human relationships, so it never ends. Until humanity dies out.
Interviewer: How about when you stopped feeling like a rookie?
Araki: That would have to be when new manga artists come out. Before I knew it, the only one whoâs been in Jump longer was Akimoto Osamu [author of Kochikame, the longest-running series in Weekly Shonen Jump, running 1976-2016], and I thought, âHuh, thereâs only Akimoto-sensei?â, so I definitely couldnât think of myself as a rookie anymore.
Interviewer: Thatâs quite some time since you debuted. [8 years?]
Araki: Yeah. I was trying to write with a youthful feeling. But then at like parties, when I looked around everyone was younger than me, and I went âWha-?â. They would say âwe canât get started until you drinkâ, and I thought âOh, this is badâ. Nisio-san, a time like that will come for you, too. Itâs a lonely feeling. It really is nice to have some elders around.
Defeating enemies without inflating power levels
Nisio: Before, I said that Part 4 was my favorite, but sometimes itâs Part 1 or Part 2âŚ
Interviewer: You like all of them, haha.
Nisio: I like how the enemies were defeated in Part 1 and Part 2, before Stands were introduced. They were mental, tactical battles, and it might just be because I like mystery books, but I love those kind of strategical tricks. Even after Stands came into the story, the mental battles were the most captivating.
Araki: Ah, yes. In shounen manga, thereâs this pattern of beating enemies using willpower. I couldnât accept it. I thought, âAre you really going to use willpower here?â. There is that amazing strength people that have during fires. That makes sense, but I still couldnât accept it. Like, âIf youâre going to do it with willpower, show it in your attitude.â I wanted some kind of logic behind it.
A long time ago, Shirato Sanpei-sensei used to write ninja manga (such as Sasuke, Ninja Bugeichou, and Kamui Gaiden), and they donât defeat enemies with ninjutsu or magic in those. They used these kind of tricks, things with logic behind them. Like digging a hole in the ground and setting off gunpowder. It made me go âwowâ. That influenced me.
Nisio: Like this thing you have to explain.
Araki: It wonât seem interesting unless thereâs some kind of reason.
Nisio: In Part 2, did you just come up with the idea for the battle with Wamuu to be on chariots?
Araki: No, I think I was inspired. In shounen manga, I like when the battles are one-on-one in some kind of arena. This arena could be a narrow clifftop, or one where you lose if you leave the arena, and itâs fun to make a lot of rules. I think thatâs where the idea for that chariot battle came from. Having some restrictions, so itâs not everything goes.
Nisio: In Jojo, the fights are one-on-one, or at most two-on-two, arenât they?
Araki: Thatâs true. If thereâs too many people, itâll become like one of those old war manga. That seems tiring to just to write, so two-on-two is the most for me.
Backgrounds in manga vs. having to describe in novels
Interviewer: As a writer, is there anything youâre jealous about Araki-sensei for?
Nisio: Iâm very jealous that unlike novels, you can draw backgrounds in manga. Itâs hard to portray backgrounds in novels.
Araki: But even if you donât write anything, the reader can imagine something.
Nisio: Drawings have incredible persuasive power. There are things that you can draw, but when you write about it, it turns into an explanation.
And then, you go âoh, I wrote an explanationâ and feel intense regret⌠It wonât be a slogan anymore. I have this obsession that once I write an explanation, itâs all over, and itâs hard to deal with. So when I have insert illustrations in my books, it makes me feel that I canât match the strengths of visual information.
Araki: I once read a story about a beautiful picture. There wasnât any description about the picture. But the readers can imagine something. If you wrote a manga with that story, you would have to draw the picture. Even if it was Da Vinciâs Mona Lisa, it would just be a copy. Itâs something that gets ruined if you draw it. But if you donât describe the picture like that story did, if you just say itâs amazing, then the reader will believe it.
Nisio: Purposefully not writing something.
Araki: I think itâs better if you donât write about it.
Nisio: Iâve used a technique of writing something thatâs impossible to visualize a few times. I think thatâs the only way to explain something that isnât there⌠You can write about things that you canât even draw.
Oh yeah, Iâve used that technique in Shin Honkaku Mahou Shoujo Risuka, which is illustrated by Nishimura Kinu-sensei. I wrote about a âjacket like a safety pin.â It was supposed to be clothing from a fantasy world, and then Nishimura-sensei ended up drawing it. I thought âoh, it got drawn.â
Araki: Thatâs impressive. Iâve also drawn a few insert illustrations. There was a character who has an arm injury throughout the book. So I drew an injured arm, but then at the end it said that the injury was on the left arm, and I had drawn it on the right arm. I thought, âdo I have to redo the whole thing?â
You really have to read carefully. Insert illustrations are hard to draw, too. Thatâs why itâs impressive. Figuring out what a jacket thatâs looks like a safety pin is likeâŚ
Nisio: When I know that there will be insert illustrations, I try to make it easier for my illustrators to draw them.
Araki: The illustrations for Zaregoto Series have an atmosphere to them too.
Nisio: Take-san is the one drawing them. I remember at first, when I was talking to my editor, I asked for them to be âJojo-ishâ, haha. That was supposed to be about the level of realism or reality in the illustrationsâŚand then they came out like this.
Araki: Itâs nice to see that the Jojo-ish part came through. When you line up the 9 volumes like this, you can really see an improvement in skill. I like these pop-style backgrounds, too.
Which writer is the biggest Jojo fan?
Araki: Nisio-san, which authors do you like?
Nisio: Iâd have to say Kadano Kouhei-sensei. Heâs famous for being a Jojo fan. Heâs the biggest Jojo fan among writers.
Nisioâs editor: Just a while ago, when I told him that you were going to see Araki-sensei, he went silent for a few seconds and coldly said, âOh, is that it soâ, haha.
Nisio: A long time ago, when I read an interview between you and Otsuichi-sensei in Yomu Jump [magazine associated with Weekly Shounen Jump], I was so jealous that he got to meet you.
Araki: Otsuichi-san was writing for Shueisha [company publishing Jump], after all.
Interviewer: Nisio-san, if you were going to write a novelization of Jojo, what would it be like?
Nisio: I would write about Part 2, or maybe Part 1. Where the enemies are vampires and perfect lifeforms.
Araki: Not violence.
Nisio: I would choose not to use Stands. That way there wouldnât be anything in common with Otsuichi-sensei is doing. [Otsuichiâs Jojo novelization is set in Part 4]
Araki: You donât want to do the same thing as him?
Nisio: I really donât to do the same thing as anyone else. If I did, it would turn into a contest with Otsuichi-sensei. What if I lose? If winning makes you the bigger Jojo fan thatâd be terrible.
Interviewer: You canât stand losing, not as an author, but as a fan?
Nisio: They might say âyou call yourself a Jojo fan, but thatâs all you can write?â or âyou donât love Jojo enoughâ, and make fun of me, haha. So if that happens Iâll say âOh, my favorite part is Part 1â to get away.
Interviewer: For Part 1 and 2, thereâs the issue of viewpoint. Whose perspective would you write from?
Nisio: Part 4 is Kouichi-kun. For Part 1, itâs Speedwagon. Part 2 wasâŚdid he have a name? That pickpocket boy at the beginningâŚah, I canât remember. This is bad.
Araki: He was there, haha.
Nisio: Otsuichi-sensei and Kadano-sensei are laughing right now, haha.
Interviewer: When did you understand how Stands worked?
Nisio: I somehow figured it out as I was reading. Like how when Stands get injured, their users also get injured. There was an explanation of what Stands were at the beginning of one of the volumes, and it all made sense after that. That was really helpful.
Araki: Itâs a good thing I wrote that, haha. Most people said they didnât understand Stands.
Nisio: I liked the battles with the Dâarby brothers. Thatâs how I learned how to play poker. I was in elementary school and didnât know the rules of poker, so I didnât know what kind of battle that was, haha. So I went to a bookstore and browsed through a poker rulebook.
Araki: Oh really? When I was writing that I assumed everybody knew how to play poker. It seemed like everybody at least knows poker.
Nisio:I was in elementary school, after all. After that I really wanted to play poker, haha. I wanted to say things like, âI bet all six chips.â
Interviewer: Youâve learned a lot from Jojo.
Nisio: Thatâs absolutely true. I want to keep learning more and more.
Araki: Thank you. I can tell how strong your feelings are.[1][Translated by Sword Translations]
Renowned artist and ageless wunderkind Hirohiko Araki (Jojo's Bizarre Adventure, Baoh, Steel Ball Run) recently gave a lecture at Tokai Junior & High School in Nagoya City, Aichi Prefecture, as part of their Saturday Program series, as transcribed/compiled by @JOJO, Japan's premier site for Jojo-related news. Due to its length this entry will be broken into 2 parts.
The lecture hall was filled to its 1,500 person capacity. There were so many people that there was a delay while people moved in and out of the hall, and the lecture began 15 minutes later than planned, at 12:45.
12:45: The Lecture Hall
After a student MC introduces Mr. Araki and his body of work, he abruptly pops up on stage, at which time the hall erupts into a deafening round of applause. Mr. Araki, quite nervous at the reception, immediately has a slip of the tongue, saying "I'm a little honored to meet all of you today." "I'm a little..no..quite messed up. I feel like I've met an entire lifetime's worth of people today." Although he claims that he is not a performer, and asks not to expect laughs, he claims "I'm just going to meander along today," scoring some unintentional laughs.
Reason For Accepting The Invitation
Araki, who marks his 25th year as a manga artist this year, used to dislike (from well over a decade ago) being told "I used to read your comics!" "I was a fan when I was young!" etc, since it stirred fears within him that perhaps he was getting old, and becoming irrelevant. But in the past 5 years or so, he has had a gradual change of heart, and has begun to enjoy and appreciate the accolades he gets, especially from older people and people in esteemed positions in society. Also, when he was younger he may have been writing manga to benefit himself and his publisher's bottom line, but now he has a slightly different point of view and wants to give back to people, especially younger people. That's when he got an invitation from Saturday Program, and, figuring it would probably just be a classroom of 30-40 people, he said "sure, I'll do it." However, he arrived today to this circus, and thought, "this wasn't what I signed up for." (audience bursts into laughter)
Motives For Drawing Manga, Family, Days of Youth
Young Araki lived with his father, an office worker, his mother, a stay-at-home mom, and younger identical twin sisters. Those sisters were quite a handful: for example, if there were 3 snacks, the sisters, upon arriving home first, would eat all 3, and then proceed to conceal any traces of evidence. Growing up, young Araki, thinking that there weren't any snacks, "would think 'man, I'm hungry' and go chew on something like a really old piece of kamaboko." (audience bursts into laughter). And when his sisters' evil doings came to light, a fight would erupt; and this would occur on a daily basis. (yet more laughter) He would often feel such a sense of exclusion and ill-will towards his sisters that he didn't want to come home. He used to find relief in spending time along in his room, reading classic manga from the 70's and his father's collection of art books, which he supposes was his motive for drawing manga. He figures that had he not started drawing manga, he "might have gotten out of hand and killed my sisters." (laughter)
Days of Submissions and Rejections
He attended a prep school through junior high and high school, but a friend complimented him on the manga he drew (apparently he drew his first manga while he was in 4th grade), which made him think that if his very first fan thought he was good, he might want to become a manga artist. So, he began to secretly draw manga when his parents were not looking. He first began submitting his work during his first year of high school; however, all of his submissions were rejected. At the same time, a rash of artists who were the same age (Yudetamago) or younger than him (Masakazu Katsura) continued to make big splashes with their debut. But Mr. Araki could not understand why he was rejected, and decided to finish off a submission on an all-nighter and go on a 4-hour trip to pay a visit to the editors in Tokyo, and to ask them for an explanation. At first he intended to visit Shogakukan, which published Shonen Sunday, but he was intimidated by the size of their building, and decided to take his submission into the smaller Shueisha building next door. It was noon when he visited, but one rookie editor (about 6'2", or 185 cm, tall) happened to be there, so he showed him his work. However, the editor, after reading the first page, promptly quipped "your white-out's leaked (you haven't fixed it)": he was criticized every time the editor flipped through each page; Mr. Araki, already exhausted from having been up all night, felt like he was going to pass out. However, after he was finished, he was told that it might be good, and was immediately told to fix it up for the Tezuka Awards in 5 days. That submission was "Buso Poker (Armed Poker)", which won was the runner-up prize at the Tezuka Awards.
The Jump Editors At The Time Were Really Scary
At the time, Mr. Torishima (Akira Toriyama's editor, and inspiration for the Dr. Slump character Dr. Mashirito) would take submissions out of their envelopes, glance at the folder, promptly go "I don't want to see this style!" and order a rewrite. Apparently, he wanted people to draw in such a way that looking at the cover was enough to make people want to read the manga. The editorial department as a whole was always on edge at the time. But he also mentioned in the latter half of his lecture that manga editors were like golf caddies; they provided objective information like "why don't you hit this way" or "you're X meters away from the green" and that he appreciated them. He also said that people who wanted to become manga artists had to get along with editors.
Drawing Manga, Araki-Style Part (1): 10 Meters
Drawing styles which are so distinctive that you can look at a person from 10 meters away and go, "oh hey, he's reading that manga" are incredible: Araki managed to make his debut, but didn't feel like he had that unique style. And so from 1981 onwards he started thinking about how he could achieve that distinctive style, something that would make people think "oh, that's him!"
Drawing Manga, Araki-Style Part (2): The World's Most Simple Drawing
(Showing a blank piece of paper) If you told your art teacher "this is a drawing of 'snow" he would be very upset at you, but in manga you could say this was "the flash from a nuclear bomb" or "my soul is barren" and that would fly. And here Mr. Araki drops a bomb: "There are people who get paid for stuff like this." (audience bursts into laughter) "It's amazing, really. You know, like....I guess I could get in trouble for mentioning names." (more laughter) [Note: probably in reference to Shaman King, which printed a blank 2-page pullout to supposedly express an "incredible move"] "And coloring the page all black, and saying "he went to hell." Sort of like in the last few chapters of Death Note." (audience goes into hysterical laughter, applause) Mr. Araki tried to patch things up by claiming that he was joking, but could not help further mentioning how much per page said-artists were probably paid for those particular pages.
Drawing Manga, Araki-Style Part (3): The Ultimate Character
Araki introduces modern abstract art such as Barnett Newman's drawing of an orange square on a piece of canvas, Agness Martin's drawing of nothing but a pencil line on white canvas etc. And then he drew the following, calling it the ultimate simple, ideal character in manga anybody could draw:
Oh no, we're gonna get sued! "I might get in trouble for displaying this in public, so." (audience bursts into laughter)
He also introduced things like the smiley face and Morizo and Kiccoro (Mr. Araki thought that Akira Toriyama had designed them), and explained that he respected these types of drawings that anybody could recognize, and that it was what he aspired for. "It's incredible. It's the ultimate style."
Drawing Manga, Araki-Style Part (4): Gauguin
Gaugin's art, while having depth, also did things like contain certain colors within certain areas, paint the ground pink and the trees blue etc. Araki loved Gauguin's art ever since he was a child, and has been deeply influenced by him. When Jojo became an OVA, one of the animators asked Araki, "What color is Jotaro?" however Araki had no such concept. He colors everything based on calculation. For example, in Volume 54 Giorno's clothes are pink, but in Volume 63 they are blue. Also, regarding the color cover illustration, he explains that placing the color blue beside pink exudes more power. He says that he gets his inspiration from 80's art, shading techniques in Western art, classical paintings and gets inspiration for his various poses from sculptures. All of this research, blended with Araki's own personality, result in Jojo's art style.
Drawing Manga, Araki-Style Part (5): Aim & Direction
(Araki shows a diagram mapping the world of manga, broken into 4 quadrants with the X-axis labeledă"Using classical methods to portray reality" and "Impressionist markings and symbolic fantasy" and the Y-axis labeled "Treating introspective themes such as inner emotions as the central focus" and "Putting weight on the plot structure. "Suspense" and "creating a sense of the world")
If you don't think about "where you stand," you won't have any sense of direction even after you become a mangaka, wandering from idea to idea, not knowing what you want to write about and ending up becoming one of those people who asks their editor, "What should I write?" In the case of Jojo, Araki is trying to pursue reality by portraying things with classical methodology, but he gives precedence to emotion and inner thought over plot structure, trying to portray the protagonists' destiny, so he ends up in the bottom-left quadrant.
Drawing Manga, Araki-Style Part (6): The Theme is "Mystery"
Araki was fascinated by mysteries ever since he was a child, fantasized about deserted islands and believed that King Kong and Nessie existed, and so writes his manga with "mystery" as the central theme. In Jojo, Araki wondered what "superpowers" really were, and if he could portray "energy" itself, which lead to Parts 1&2, and the Stands in Part 3, which were like guardians who could "destroy boulders and stuff." They would "stand" by their master and would be called "stands." Apparently Part 3 began immediately after Part 2 with no interval in between.
Drawing Manga, Araki-Style Part (7): Like an RPG or Board Game
At the time, the "pyramid (tournament) formula" (A would fight & defeat B, then fight stronger character C, and on and on) was all the craze in Shonen Jump. But, Araki wondered, how strong could they get? Wouldn't the entire system collapse as soon as you reached the top, much like the economic bubble of the 80's in Japan? It wasn't like there could be an infinite number of levels of strength. So, he decided to create an RPG/board game-style system where characters traveled to different places to fight enemies, as seen in Jojo Part 3, where the protagonists traveled across Egypt while battling enemies
Araki's lecture ended here and proceeded to a Q&A with students, which may or may not be posted here as Part 3.
13:38: Araki-sensei's Talk Ends Here
From now on the lecture will be a discussion between Araki-sensei and the students of Tokai Junior & High School. Since there were a lot of questions, they'll be summarized and presented together in a certain order.
Question for Araki-sensei! (1): "When You Were Young, What Was Your Source of Inspiration?"
"Manga, movies... I didn't have any collections; neither did I have any 'solid' objects like plastic models. I enjoyed drawing pictures. I was a boy who wanted to live in a world of fantasy with movies and novels.
(When asked what influenced his works) "After achieving success, respecting my sempai was the most important thing for me. It all started with Da Vinci - reading about such people was very important for me. I learned about the things they mastered, and through their discoveries, I found my own answer.
As for manga I read when I was a boy, the most significant one was Kajiwara Ikki/Nagayasu Takumi's Ai to Makoto (Love and Truth), the scene where the protagonist is stabbed by a knife... although the manga ended in the next issue (a January New Year's double issue), it was still a rather extraordinary experience for me. When I was in middle school, I joined the kendo club because of Tetsuya Chiba's kendo manga Ore wa Teppei (I'm Teppei)."
Question for Araki-sensei! (2): "The Model for Morioh Town, Sendai City"
- Morioh Town is a town in JoJo, while Sendai is Araki's hometown.
"Sendai, when I was a kid, was an old and historical city. Since the '80s, construction began on a new residential district. The new houses were beautiful, but strangers from who-knows-where were scary, and those personal experiences have been tied together with the town itself."
"Well, I don't think there are any homicidal maniacs, but..." (Everyone starts a roar of laughter). Of course, Araki-sensei likes his hometown very much, but he was intimidated by the rapid increase in stragers, maybe Morioh Town was made based on his "disdain" of that situation. Of course, using the real name of the city in his manga may anger people, so Araki-sensei changed the name to something else.
- Also refer to Kahoku Shinpou: Araki Hirohiko's "Buried Gold Requires Daily Expedition" and Araki Hirohiko's talk-essay "My manga are the 'outcries of my heart'"
Question for Araki-sensei! (3): "What About Love and Passion?"
Although he went a boy's school, he had a girlfriend. "There's not much to add, since it's what causes the most problems in today's relationships" (everyone starts a roar of laughter).
- By the way, Araki-sensei is married, and according to an interview from "Weekly Shounen Jump", Araki met his first love during his first year in high school, and his preference for the opposite was "a woman who is not ladylike."
Question for Araki-sensei! (4): "What Model Did You Base Your Protagonists On?"
"Eeeeh?" Araki-sensei appears worried. There was no model, but there were influences from "muscle movies" such as "Rambo" and "Terminator." Jotaro Kujo (a character from JoJo) feels like Clint Eastwood: he doesn't run, his movements are minimal and he's a silent person. "On the other hand, the Stands are fast." The personalities of protagonists' from each part are different. After drawing Part I, I wanted to do something I haven't done before. (1st Part: Serious --> 2nd Part: A crazy person)
What is the relationship between Irene of Gorgeousâ Irene and the Irene who made her appearance in the last part of "JoJo 6" (Stone Ocean Volume 17)?
"I was just having a good time, there is no deep meaning behind it, I'm sorry." (Everyone laughs).
Question for Araki-sensei! (6): "About the Ability of 'Time'"
The most powerful technique: "Time". Stopping it, returning to the past, watching the future... if there were people who can control such a thing, they'd be invincible. For a main character with powers that aren't invincible, I want to have people wonder how such a character could win. The ability to control physical things, such as gravity, is also very powerful.
From Araki Hirohiko/Shibasaki Tomoka's Osaka University of Arts, College Manga Vol. 4:
Araki: About time, when I think about it, it's incredibly powerful. You can do things like repeating the same morning over and over, stopping time while jumping, and the people who become visible only at a particular time, etc. But if I used that concept every time, someone would say: "Is JoJo only about 'time'?" So... (laughs).
Shibasaki: Is it because you're interested in the representation of time?
Araki: It's an interesting and powerful concept. To what extent is it changing? Is the other side of the earth being affected by it as well? And things like that.
Shibasaki: What is the maximum affected range when time is stopped?
Araki: All the way out into space. Speaking of which, what kind of energy would that be?
Question for Araki-sensei! (7): "Joseph Joestar"
And now the 'forbidden question': "Why, as an old man, is Joseph such a lustful man?" "Although JoJo was a story that ended naturally after Part 3, I asked myself: 'Should I draw a 4th part? There shouldn't be anymore Jojo!'" (Everyone laughs). Since I didn't know what would happen in the future, even though I wanted to keep his personality, the personality did match up with his age (Joestar is an old man in Part 4).
Question for Araki-sensei! (8): "Lineage"
When asked about the reason why he's only focusing on the story of the "Joestar family", according to Araki, going back, back, way back, all the way to the origin of the family lineage, his character's lineage gives him a feeling of pride - the wonder and the mystery that exists within the "lineage". "I put more importance on such things than others (said with a serious tone)".
Question for Araki-sensei! (9): "If You Can Describe Manga in A Single Word"
Troubled by the question, Araki replied: "My combined feeling would be 'the salvation of the heart'? I think it's very important."
Question for Araki-sensei! (10): "Western music and its influence"
Using names from Western music to name his characters and "Stands" is a "simple hobby" for Araki. It's also a way to pay his respect towards rock artists. "But the fact that nowadays there aren't many names of bands to use is becoming a problem". (Everyone starts a roar of laughs). The imitative sounds of Jojo is also influenced by music (This was said on "Weekly Shounen Jump"as well). While on the subject, according to SOUL'd OUT, their music is influenced by JoJo. So while "JoJo" is influenced by Rock, it is also influencing "Rock"!
Question for Araki-sensei! (11): "About the Change in Design"
When asked about his designs that continue to change, Araki replied that since he's not trying to draw using classical techniques, the designs won't be the same, and usually experience rapid changes. "I'm not concerned about the old drawings (assertion)." Though the readers may get confused, I wonder if they will forgive me".
- It has also being reported that in Hirohiko Araki's collection of short stories, Gorgeousâ Irene, the illustration of Irene that was drawn for Ultra Jump in 2003, was originally a character drawn in 1985 as an entirely different person. At that time, the comment from UJ PRESS was: "I can't draw in my old style anymore".
Question for Araki-sensei! (12): "You Stopped Drawing Your Self-Portrait"
Often fan letters would ask: "Please take out that character from the manga", but since the character is almost complete, I don't want to take it out, and that is all. Although "Baoh the Visitor" ended as though it will later continue, but...
Question for Araki-sensei! (13): "If you can describe JoJo in a single word"
To a question that he hates to answer, Araki-sensei's answer was: "'The enigma of human beings', it's something I wanted to draw". As a human who works with a theme that will last for an eternity, that's all. Moreover, the manga is also being drawn for people who have committed crimes, it will make them think: "How did I become like this? Is there a meaning in this existence?" It's a "eulogy of human".
Conclusion
And so the time has come, the last words from the moderator, and the falling of the curtain. The clock says it is 2:05 PM on June 24, 2006. An event of about 1 hour and 20 minutes long, but to Araki's fans, without a doubt it was a "golden personal experience." Escorted by applause heavy as thunder, Araki-sensei disappeared behind the curtain with a smile on his face.
- End -[Translated by Neuroretardant (Parts 1 and 2) and Aldo (Part 3)[2]]
"When I was young in the early 70's there was a huge amount of manga that I liked. My favorite ones being those with stories dealing about sports, horror, and even sci-fi. Therefore I was inspired by all of this to create my own stories. I'm not sure but still I consider having been inspired a lot of by the works of my elders and I reckon my work wouldn't be what it is "without them. Anyhow I'm still attached to the past of manga and there is still today influence by the authors I'd read as a teenager."
"What I've been trying to do when I started manga was to make evolve the drawing which was somehow too flat, but from the 80's on mangakas started to inspire from Michaelangelo's work. The generation of mangaka I belong to was inspired much by the artists like Michaelangelo or some French painters in order to create characters whose physical aspects was more striking."
(On Tetsuo Hara, I suppose) "The fact that our drawings look alike is very easy to explain. We started at about the same period in the early 80's and it was then too that movies starring Sylvester Stallone or Arnold Schwarzenegger started to come to Japan and all these action movies were big hits there. Actually I reckon we wanted to make manga starring macho characters, with big muscles and fighting all the time, a bit like the heroes of the action movies."
"Before the 5th part I reckon, the story was too long so I'll try to make them shorter now."
"The new generation of mangaka is about 10 years younger than me, so they've read Jojo in their childhood, and so it's normal that it has inspired them."
"What I've been trying to do when I started Jojo is to implement a powerful and invisible force which would overcome my characters during the fights. So the idea of stand came to me by thinking of shintoism, which teaches us that our ancestors are always by our side to protect us."
"It's a real pain in the ass for me trying to show the good side of some of my bad guys as it's always very hard. I'd rather go for a more stereotyped approach where I create a hero who will fundamentally be good and to make it balanced, oppose him to a truly evil being."
"About the anime, nothing is planned so far but maybe in the future the 5th part will be adapted to TV too." (!?)
"I've no experience as a prisoner myself but I've visited jails and made researches on the subject to make my scenario credible and I've no real message to pass on except maybe the condition of mangaka regarding to their editors. Every week I've to hand in 20 new pages to mine. I work simply, on Friday I imagine what's next in the story and write the scenario, then from Saturday to Tuesday I create the drawings, so normally I've two days off a week, but I mainly use them to imagine the stories of weeks to come."
"I deal with the main drawing but my assistants are the ones who deal with the details. And if I can be here today it's only because I've just finished the 6th part so I'm entitled to a few holidays. But the rest of the time I'm very busy." [3]
[Translated by IKKI]
Your thoughts about your 25th anniversary as an author?
I think that it was a very quick 25 years. But when I look back at my work...it's kind of like the stuff around the Phantom Blood era is the work of someone else. Yeah, that's what I honestly feel. So, when I read it I can kind of read it objectively; I can read it as though I was a fan.
Do you read back on your old work?
Not very much, but if there's a game or something released like now, I'll read back and think "Ohh, so I was writing this kind of stuff?" Once the Stands started coming out, I often forget about some characters. Someone will mention a guy and I'll be like, "Who was that again?" and I'll read back and say "Ohh yeah there was that guy." Kind of like that. The readers know more than me.
Next year will be the 20th anniversary of JoJo.
Well, they let me debut on the New Year's of '82 but that still felt a bit vague to me. I couldn't really imagine myself as a manga artist; it wasn't clear on what kind of manga artist I was going to be. It was like I just was incidentally awarded the Tezuka Award, it wasn't really like I was aiming to win it. So that was kind of when I began training. And...when I look at the other Jump artists manga, they all had their own distinct styles. So the period when I was thinking about what style and what kind of manga I should draw was right before JoJo. I sort of feel that I finally became a pro with JoJo; it was like everything opened up in front of my eyes.
How was "JoJo" born?
I liked movies and at the time Sylvester Stallone and Arnold Schwarzenegger were popular. They're both muscular characters and their bodies are covered in muscle, which made me think to myself "I wonder who the strongest person in the world is?" This question was basically the beginning of the idea of JoJo. Themes such as immortality, seeking life, justice and things that humans innately seek spawned from this and eventually lead to the creation of Part one. So basically stuff to do with immortality and super macho guys and how strong they can get; that was what I was pursuing. Also, I had gone on a trip to Italy about 2 years before that and you may already know but, the art in Italy kind of strives for human beauty. When I saw the original artworks, it made me want to do the same.
The origin of the name "JoJo"
I wonder if it's okay to say this..? Umm, the place I used to hold meetings with the editor was at a local family restaurant in my neighborhood called Jonathan's. We were thinking of making the name "Jonathan" Something, and you know how a name can be two S's like Steven Spielberg? I wanted something like that so I thought "Well if it's Jonathan then it'll start with J so...Joestar should be okay." But that was really adventurous for a Shonen manga because it was taboo to have a foreigner as a main character; it was that kind of era. It was a big adventure so I was really grateful to my editor at the time.
Regarding the birth of the arch nemesis, Dio
He's full of confidence, very arrogant and he's aiming to become a God, or top of the world. Because of this, I used the Italian word, 'Dio,' that is used to refer to a God, as well as the 'Dio' that plays Heavy Metal. I like Heavy Metal and Rock so I used those as a reference to make characters. They're also characters that I created to signify 'black and white' or good and evil.'
Part 1:Phantom Blood
What were your initial ideas?
Back when I started drawing part one, I liked stories that went over several generations like 'East of Eden' and the show 'Roots' that they did on TV. The lead character changes but it kinda continues; it's something like an American periodical drama or periodical novel. And I don't think it was very Jump-like in style but I thought that it might be good to go where nobody else had before.
There's also a manga that I really respect called Babel II by Yokoyama Mitsuteru which has fights that follow rules. I also wanted fights that followed rules in JoJo, so the Ripple was one of those things. Also, you can't see psychic abilities right? Like if you concentrate your mind and something breaks, you can't really see it. But it's a manga so I thought I should be able to draw it and try and make it easy for readers to know what kind of psychic powers they were, which is how I came up with the ripple. It kind of spread from that like how ripples slowly spread, no pun intended. (Slowly is 'jojo' in Japanese)
When I look at him now, I think Jonathan is too much of a good boy. If I was to draw him now, I'd probably show more of the weaknesses of his heart too.
Part 2: Battle Tendency
Was Joseph's personality affected by Part one?
One more thing that you weren't supposed to do in those days was to let your main character die. That was another forbidden act. We had a discussion as to whether that will happen first and it was eventually decided in a meeting that we'd kill the main character. Because of this, I had to drastically change the story's characters and portray events that I didn't show in part one in part two and then similarly portray events I didn't show in part two in part three. That was my plan. I had a story devised up until part three, but because the story convention required Part 2 to be different to Part 1, I created Joseph. He does share similarities to Jonathan though in that he is also a muscle type.
Was it always your plan to revive Dio in Part 3?
I really wanted to draw him being dead for awhile and then coming back to life, but if I was to do that I needed something to happen in between (Part 2). Yeah.
Part 3: Stardust Crusaders
How was the process of changing from Ripples to Stands?
I tried portraying the ripple through pictures and I also tried portraying the psychic ability of Stands with pictures too but, how should I say it... I wanted to have punches from here (away from body). I had a meeting for it where I was asked, "What are you going to do next? You can't use the Ripple anymore." But when I said, "Well, a punch comes out of here (referring to the front of the body) and breaks stuff," they'd be confused and wouldn't understand me. So I was like, how should I say this...? Well, there's a thing like a guardian spirit and...it comes out and attacks." That's how I explained what the new ability would be and nobody would understand what I was on about. I told them that I think I could create alot of characters this way; I could make like a green colored punch or a sharp thing spawn and make them fight. Unlike the ripple, I can do lots of variations. That's how I started with Stands, though I originally thought that people who read it at first wouldn't know what's going on. Stands gave me alot of trouble when it came to explaining them, but I really felt that I could keep inventing new characters and ideas this way forever. It was like I dug up a gold mine. No one else thought it was gold, but I was like "Wow, look what I dug up!"
Part 4: Diamond is Unbreakable
What were your ideas from Part 4 and onwards?
Part 3 was a story that had the shape of a role playing game. It's like a board game where you go here and there. There's a book called "Around the World in 80 Days," which I made Part 3's story with that as an influence. If that's the case, then enemies have to be types that come and attack Jotaro themselves, though they might be waiting for them too. So when I was thinking of ideas I thought of people that were willing to wait in their positions for a long time: like people that live in houses and attack when customers arrive, people with personalities like trapdoor spiders. I had a lot of these ideas left over and so I thought that I could probably use all of them within a single town. There were various incidents back then such as a serial killing incident that sent huge shockwaves across Japan. The feeling of your neighbor possibly being a serial killer was the perfect atmosphere, so I used that idea when positioning lots of Stand users around the town. That's basically how Part 4 was born and you can see how it's different from part 3. Making Part 3 different to Part 2, and making Part 4 different to part 3...is the way JoJo was made.
Up until Part 3, the setting was in an imaginary, mythical kind of world but for Part 4 I drew an everyday world so I feel more closeness to Josuke, which is why I like him the most. I found it really fun to write, it was like he became a friend of sorts. Jotaro, however, is someone that you admire, like a hero from a mythical tale. But Josuke seems more like a friend or a senior.
Josuke is supposed to be the child of a lover but...?
Yes, he is. If I could write more of Part 4, I'd like to explore that more specifically. You would probably develop some complicated ways of thinking if you were a child of a lover and Josuke was also meeting his dad for the first time in a while, so I'd like to write more in depth about that. If I had the opportunity to write that, I would really like to. Part 4 isn't really finished yet. If I decided to continue it, I could as much as I want.
Part 5: Vento Aureo
Why did you make the hero Dio's son?
Oh yes right. In part 5, he's not really a blood relative...well kind of. I find great importance in the upbringing and background of the characters. Stuff like what kind of place they were born, and what their parents were like. If I know that then it makes it easier to understand and write. That's what I do it for, so I find bloodlines very important. It might seem like a bit of a stretch, but that's how Part 5 started. During Part 4, the editor said to me, "Are you able to draw sadness?" But life is a sad thing though isn't it? He asked me if I could draw that, and initially I said that it wasn't really my style but during Part 5, I suddenly felt to urge to draw just that. Like the sadness of being ostracized by society but still having a sense of justice. That was what I tearfully wrote for Vento Aureo.
Part 6: Stone Ocean
You once said that you can't draw females.
Back then, it was an era when it was unthinkable to have a female character taking punches and in JoJo, arms can go flying if you're not careful. I felt that I wasn't able to draw that with female characters and the readers wouldn't be able to keep up. As I grew older, the difference between genders became less important, and I started to feel that I could actually draw a tough female. What I came up with was Stone Ocean, whose takes place in a prison setting.
About the end of Part Six
The last boss in JoJo has to be made incredibly strong. And I already made Dio stop time, so I figured the readers wouldn't be happy unless I thought of something even stronger. That factor had become a bubble-like situation and so I thought what would happen if you sped up time really fast, and ended up going full circle. Your brain goes strange when you think about infinity.
What are your thoughts regarding time?
It's mysterious isn't it? If you think about time, it feels mysterious and possibly the ultimate power if you could control it. My thought process involved coming up with this ultimate power and then thinking up how on earth you'd defeat it. Even while writing JoJo I myself often thought, "Oh...they're going to lose this one, they can't possibly win." But thinking about how it will be done is how I go about making this, so even now I still think about the question from Part 1, "Who is the strongest person in the world." I find that there's a great deal of romance there.
Manga Artist Hirohiko Araki
About drawing old characters.
I really find it hard being asked to draw previous characters. I wonder why that is..? I just get really tired. First, I have to try and draw the essence of my older style and then I have to fuse it with my current style, which made drawing the cover of this game really tiring. Though I did end up drawing it anyways after telling them that I can't draw older characters.
Second, artwork always changes; for example, I said before that muscular characters were really popular in the 80's but that wasn't really the case anymore in the 90's. I think it's strange to keep drawing muscular people if that's the case. So when I started on a new chapter back then I made Giorno Giovanna quite thin to be like a normal sized person. From around the time of Josuke, I decided to change from a mythical kind of person to a more ordinary size. That's the kind of way that artwork changes. Well, that's what I think. Also, I don't know about my art getting better. You could say that I was bad at the beginning though. I don't really try to keep it like my older styles; they're pictures that I've drawn in a classical kind of method, so I don't really mind if it changes.
About the game's cover
Well I first imaged it as having the ripple, but I was requested to have Dio and Jonathan fighting with the stone mask but I basically tried to bring the stone mask to the front more. The stone mask is like the game's emblem or the game's mark, so I put water and ripples over the background to lessen its impact. Usually, the main character is right at the front for package illustrations but I kind of made it the opposite of that.
About the poses.
The poses are influenced from Italian sculptures. I really like the way the bodies are twisted and it makes me want to turn them into a drawing. Also, you might not understand unless you're a person that draws, but the pelvis moves up and down and that's what I find fun. Like doing this... and stuff like if you move your wrist than you move up here. (Hand gestures) It's fun to draw while you theorize about that. Well for example, I'll show you here...If you put weight down on your right leg like this, your left shoulder drops and stuff. Or if you raise this hip, you go like this; it all moves oppositely. If you raise one hip then a shoulder goes down. If you concentrate on it you'll notice it, I found that about the human body very interesting and I really find it fun putting that into a drawing.
Also, it's not related but I actually enjoy drawing skin getting peeled. So I had alot of fun when drawing Koichi turning into a book. Not because it's grotesque but I think it's because I have to theorize what it might be like. It's strange. Also, things like what would happen if you bend a finger this way. You can make it possible by drawing. I think those are the kind of things I like, though I like drawing the poses too.
About the unique 'sound words'.
Oh, right. They're influenced from horror movies and rock music. In progressive rock and horror music, they use synthesizers and an instrument called a mellotron and sometimes I really want the tinkly kind of sound it produces for some scenes. Also stuff like "Chwween" and "Kyun Kyun Kyun!" You know how they often have noises like that in horror moves? I get the feeling of wanting those in my work. So I just write them out using letters and they naturally become the sound words I use, and I'm not really conscious of it.
Is the model of Kishibe Rohan yourself?
Everyone I meet for the first time thinks that I'll be like Rohan, so it's a bit of nuisance. I once thought about just acting like that character but that is something I aspire instead and I'm sorry if I break anyone's dreams, but I'm not really like that. Everyone comes into my house a little bit frightened. Sorry, but I'll use this to change my image now.
Do you lick spiders like Rohan?
Well, I do sometimes try eating some unusual things. If they tell me that it's edible cooking then I'll eat it, but... (Laughs)
Themes Embedded in Araki's Work
The theme of JoJo that continues for 20 years?
To not negate human beings. What I mean by that is is to have positive thinking characters that don't stress about things going wrong. They're not allowed to stress. They believe strongly in what they do. Even if its a bad guy doing bad things, those actions are very important to him and he'll use that to move one step forward. Then in response, the hero comes to defeat that. When they both step out forwards they'll then conflict. That's what I find interesting. I don't think it's interesting as a Shonen manga if the hero feels some sort of empathy for the villain. For example, with the character Yoshikage Kira, he's a serial killer but I think that he had his own proper reasons for doing so, such as the poor environment of his childhood, his relationship with his mother and his father always ignoring him. But if I write that you start to feel sorry for Kira, and so despite being such a horrible villain, when Josuke fights him, I think he'll kind of feel sorry for him. But then Kira says that he's fine being that way and moves one step up. That's what I like. That's the reason why I really like Kira. Although he may have had a bad childhood and turned into a serial killer, I always hope that he tries his best at being one. I can't really say that out loud much though. I'm secretly a fan of his. So living with a positive outlook like that is the theme of JoJo. It's a 'celebration of humanity.' To make humans positive. There may be conflicts because of that but that sort of thing is a theme.
Will that remain to be the theme?
Yes, probably. I said this before but I think that if the villains weak, it'll definitely be a boring story. They may be that way in real life but its better if its not in a manga like this. Yes...so I don't think it'll change.
A final message to the fans
JoJo's Bizarre Adventure: Phantom Blood is a piece that I created 20 years ago and it really feels nostalgic. I'm really thankful that it has been adapted like this after 20 years.I find it more special than a recent and currently serialized one being adapted because it makes me think that it really has been appreciated for 20 years. So I would really like to express my gratitude and say thank you very much. I hope you really enjoy it. I've properly checked the game myself and I've given it my guarantee.[4]
From the xxxHolic Guidebook, new edition.
Araki: My meeting with CLAMP was quite interesting. Though I don't know if it's all right to say this.
Nekoi: It's fine, please go ahead. (laughs)
Araki: By coincidence they frequent the same beauty salon as my wife. So apparently she was chatting with the beautician saying "My husband draws manga," and they told her "We have other clients who are manga artists too."
Nekoi: That's right. Then I heard that Araki-sensei's wife was there and basically it turned into a huge deal.
Araki: We live quite close so said "Why not come over sometime if you like?" and that's how it started.
Nekoi: But really, I've only met Sensei four or fives times in total up to now. And it was always the four of us as a group, so I think this is the first time we've had a one-to-one conversation. I'm really nervous.
Araki: Come to think of it, at first I believed CLAMP were male. I thought it was a man pretending to be a woman in order to draw in a girlish style. And then I heard rumours that it was several people collaborating and not just one person, and I thought, What the hell? There were too many pieces of information flying around, I couldn't make sense of it. It was pretty mysterious.
NEKOI TSUBAKI'S FASCINATION WITH ARAKI'S SLIGHTLY ALIEN WORK
Nekoi: It was really very early on that I encountered Sensei's work and thought "Wow, I love this person's manga" - with Cool Shock B.T.
Araki:: B.T.! I got into so much trouble with the editors for that one. They said right off the title was impossible, there's no way you can run a manga called "Devil Boy" in Shounen Jump, and that the main character was evil. I had to explain that it was essentially a rehash of Sherlock Holmes and in the end somehow I convinced them.
Nekoi: That's amazing, it was that difficult then. I couldn't have imagined but there was something alien about it I found as a child, I think, and that fascinated me.
Araki: Really though, the 70s were a period in the manga world where you had to develop to set yourself apart from the crowd. That was the tide, to go where no one else had gone before. I worked hard on that, so it makes me very happy to be told someone liked it.
Nekoi: I loved it!
Araki: Thank you very much! But, to think those readers back then have become what they are now... it's amazing. They even criticized my work. (laughs)
Nekoi: Please don't say things that sound so awful!
Araki: They crowded up and were like "Why did you do such a thing to Jotaro there?!"
Nekoi: But, anyone would do that if they had their favorite manga artist in front of them! You don't know if the chance will ever come again, right? So you want to run up and make them tell you everything!
THE BLACK-AND-WHITE AESTHETIC ADMIRED BY ARAKI
Araki: If I had to say what interests me the most as someone in the same line of work, it would be how you divide the work among the four of you. I've heard you don't use assistants so⌠In any case I would venture that xxxHolic is mainly drawn by Nekoi-san, is it not?
Nekoi: I wonder if that's so... perhaps that's not the case? (laughs)
Araki: It must be Nekoi-san, surely. The kimono styles, the atmosphere of the art has that feel to it... I don't suppose you can tell me?
Nekoi: No, it's quite all right, I'll answer.
Araki: Ah, you can tell! I thought this might be CLAMP's greatest secret. (laughs)
Nekoi: I'll go with the conclusion. The female characters in xxxHolic are drawn by Mokona.
Araki: Eh! Yuuko-san and Himawari-chan and everyone?!
Nekoi: That's right. I draw the male characters, the yokai, and any spirits that aren't in human shape. And animals. The covers and color pages are Mokona and I together. The overall flow is blocked out by Mokona from Ohkawa's script, after which I check it, and that's how things typically advance. If we get stuck on anything we go back to Ohkawa and ask, "I don't quite understand this part, what is it supposed to be?" and then we fix it. Once everything is settled, Satsuki, Mokona and Nekoi each draw our parts separately.
Araki: You're really systematic. How did you establish xxxHolic's global aesthetic?
Nekoi: There's a concept for the cover or opening art each time, and that's decided by Ohkawa. The story and worldview are all Ohkawa. She's like the overseeing producer.
Araki: There's something of an Art Nouveau element to it, design wise.
Nekoi: There's a Japanese-ness to it, and Chinese too.
Araki: The gothic atmosphere that permeates the work is a large part of its charm. All that flat black is great.
Nekoi: We decided not to use tones this time.
Araki: Yes, it's good to have a clear divide between black and white. That's something I can't do. I can't bring myself to color something in as a flat surface. I have to crosshatch and make it stand out in 3D. Something like a school uniform, it's frightening to color it in⌠if I bring it down to a basic aesthetic level, perhaps.
Nekoi: But if I had to choose I'd pick Tsubasa's tactile feel. (laughs)
Araki: I see. But you can also draw in a gothic style. That's amazing! All of xxxHolic has a flat, decorative feel to it, like Japanese prints or Alphonse Mucha.
Nekoi: Ah, Mokona likes Mucha.
Araki: I thought so. It comes across. And the base color of the tankobon covers is never white.
Nekoi: That's true. It's always gold or silver, and then color printed over it.
Araki: The feeling that there's an overriding concept at work is what makes it special. I think it's cool. With the JoJo series I wanted to use the classical method as a base and then introduce modern elements in the singular. For instance, drawing in a realistic style but coloring in completely impossible colors. Or completely impossible poses.
Nekoi: Impossible poses... but the fans imitate the poses? The "JoJo poses."
Araki: True, true. That's the thing, I aim for impossible but then am like, "Huh? Well, I guess it's possible after all..." (laughs)
WHERE IS REALITY? THE DAY THE KAPPA APPEARED IN TOONO
Araki: Does CLAMP ever travel for research purposes?
Nekoi: Almost never. We know that drawing from imagination can't approach the solidity that comes with research, that level of reality where people can say, "Turn the corner right there and you'll see my house..." But if you take the scenery from xxxHolic, for example, the place where Yuuko-san exists is an enclosed courtyard really. Aside from that I think depicting fantasy in a fantastical way is also a matter of technique. Well â one of our early stories did have an Indian flavour to it.
Araki: I understand. For my part, you see, I'm currently drawing a journey as my main theme. I started wondering about the psychology of someone who's been walking for three days straight. So I went and walked the Kumano pilgrimage road, which is a World Heritage site, to see what it was like.
Nekoi: Wow. And did you understand anything from it?
Araki: Yup. After three days, first of all you want to throw away everything you're carrying. I even wished I could throw away the cel phone they told me to carry in case I came across a bear. And when I saw the shrine at the end of the road, I felt thankful from the bottom of my heart. I honestly and unironically thought, "Thank god I came this far without getting hurt." It cleansed my heart, perhaps? I understood then that the road was put there in order to give people that experience.
Nekoi: That's a World Heritage site for you.
Araki: xxxHolic takes place in a magical alternate world, doesn't it. What I get hung up on is, What are those yokai-like things?! The ones shaped like young girls and the ones shaped like animals, and the monster types, are they all part of the same existence?
Nekoi: Er...the properly-formed yokai and the monster-like ayakashi are different things actually. But then, if you put them all together one can't say much other than "Well, that's the kind of world it is."
Araki: The "Stands" in JoJo can be conceptualized as a reification of hidden talent, with their source being a sort of energy that's been in the earth since ancient times. So there are no real monsters or yokai in my story. I've never really been able to get the existence of such things. I looked at Mizuki Shigeru-sensei's drawings and thought they were lovely, but when I saw something like a "bean washer" in the picture I would just think, What's up with that? I couldn't see any reason for that creature to exist. Purely for the sake of washing beans?
Nekoi: That's true. It's the sort of world where you go take a bath and there's an "akaname" in there.
Araki: Exactly. What the heck is it? Is it an enemy? An ally? What does it want? If you can't figure out that much how are you supposed to fight it! Is what I think.
Nekoi: That's a Jump-like way of looking at it. (laughs)
Araki: With that in mind, the other day I went to Toono, in Iwate. In order to gain a better understanding of yokai.
Nekoi: Waaah! Such lengths. (laughs)
Araki: "I'd like to draw yokai tooo" was what I was half-thinking. (laughs) So I went to the Kappa River there, the one that's famous for kappas, and stood on the riverbank spacing out. And as I was standing, there was this middle school-aged boy there at the same time, and he bursts out with, "Hirohiko's in the Kappa River!" Like, "Big bro, look, there's a Hirohiko in the Kappa River!"
Nekoi: *dies*
Araki: And even I for some reason thought for a split second, "Gah, I have to get out of here!" At that moment I finally understood what it must feel like to be a yokai. (laughs)
Nekoi: You understood what it feels like to be a yokai, huh... (laughs) I bet it's passed into legend by now. His brother came and said, "There's no such thing, you're lying!" And he said, "It was really there, I saw it!" And there was a huge disturbance, and years afterward you'll hear the story of the kappa Hirohiko in the river.
Araki: So there, I think that might be what yokai really are.
FIGHTIN' PRESIDENTS AND DRAMA AT HIGH NOON
Araki: If it had an Indian flavor... do you watch a lot of movies? On DVD or whatever.
Nekoi: I watch films in the usual way, because I'm always following fads. I liked "Jurassic Park".
Araki: I like stuff like that too. Like "Jaws". But recently I've really been into Michael Mann's films: "Heat", "Collateral" and so forth. I like the sense one gets that the characters are driven by fate, but they don't hesitate over their actions. They hurtle toward their destiny in a way that goes beyond considerations of good or evil. It makes me weak at the knees. They're not movies you're supposed to cry at but I get tears in my eyes anyway. I think, "Oh, you people!" Do you have anything like that?
Nekoi: I'm faddish but I did like "Independence Day".
Araki: The story's pretty astonishing in that one. In order to fight with aliens, they get into a flying saucer that was buried on earth by aliens in the past. The human strategy was like ripping off the opponent's fundoshi in sumo. The designs all came from other SF works. And on top of it all the President himself flew the saucer to fight. When I saw that I decided the party would be battling the President in Steel Ball Run.
Nekoi: Really?!
Araki: Yeah, I realized a fighting President is awesome. Was there ever anything like it?
Nekoi: It's very American. Although maybe Americans themselves don't realise it. And it was a German who made it. I think he made it with the intention that that's what Americans would like to see, and it really hit home. I like it too! (laughs)
Araki: What about Japanese films? I don't go to the theater but I watch a lot of DVDs. I saw "Sekachu" and so on.
Nekoi: Wow, you saw it?
Araki: Yes, it was good.
Nekoi: Was it!
Araki: Yes. I'm the type who cries at everything. That's right, lately I've gotten hooked on daytime soaps. Ever since "Shinju Fujin" I can't go without checking in with the latest developments. She became his lover with the aim of getting her hands on his fortune! It's awesome!
Nekoi: (laughs)
Araki: The dialogue gives one thrills down the spine. They say such dangerous and suggestive things the viewer's left panting. Like, is it all right to show that? But there they have it on television, at high noon.
Nekoi: It feels like you watch it to enjoy the names.
Araki: Exactly. A lot of manga artists seem to watch soaps, because time-wise it's just when one's getting out of bed. Morita (Masanori) sensei told me he also watches them. (laughs)
CLAMP'S MYSTERY VERSUS ROHAN KISHIBE'S SKIN: AND ONWARD, LEGEND
Araki: Many of CLAMP's mysteries were made clear to me today, so for my part this has been a meaningful hour spent. Thank you very much.
Nekoi: The pleasure's all mine, thank you very much. Though I would have liked to talk more about JoJo.
Araki: But today we're talking about xxxHolic.
Nekoi: Don't you think we should reveal more of JoJo's mysteries too, even for the sake of the reader?
Araki: Oh, I think it'll be quite enough if you say "He's so cool and looks just like Rohan Kishibe âĽ." (laughs)
Nekoi: Oh yes, that's true. He's so cool and looks just like Rohan Kishibe. *laughs* And you look younger and younger in the photos that get published these days.
Araki: That's because I'm a Ripple user. (laughs)
Nekoi: Please do become a new legend in Toono, I'd love to see it.
Araki: Leave it up to me. (laughs)[5]
Interview with Hirohiko Araki
Of course, especially since Giorno and his friends have such unfortunate fates, I had to make sure their backstories were illustrated well. To tell you the truth, I wanted to draw even more pages for them.
I get the impression you may have also wanted to draw Kakyoin's past from Stardust Crusaders?
Yes! I wanted to draw Kakyoin's as well. However, I was on the fence about whether to do it at the time. I didn't think it'd be acceptable to recount his childhood in the middle of the last battle, so I just made it into a monologue. When I think about it now, I could have spent a chapter of the series (or about 19 pages) drawing just Kakyoin's childhood, but during that era of Shonen Jump, it felt wrong not to have a battle every week. It was like some kind of Shonen manga spell was cast on me.
Since you established Giorno as Dio's son, I was expecting the story to expand on that...
I never had any intention of doing that, actually. Even during "Diamond is Unbreakable", people were speculating if Kars would show up, but this is not the type of manga series that would go in that direction, and I'm not the type if person who would write that. If that happened, to me, it'd be over. I am of the opinion that if readers ever think to themselves,"I expected that to happen!" then I've failed. There are many manga out there that would go in that direction, but if I did that, it's over.
It's a manga that doesn't go according to the reader's expectations, right?
Even as a kid, I never thought predictable manga was interesting. That's exactly it.[Translated by MetallicKaiser (JoJo's Bizarre Encyclopedia)]
čć¨ďź ăăŽć䝣ăŁăŚăäťăŽć䝣ăăăä˝ĺŽśăŤăăăăăŞĺć§ăăăŁăŚăăăăćăŁăŚăăć°ăăăžăă
éŤćŠďź ăăă§ăăăăăŽć䝣ă¨ăăąăŠăłă¸ă§ăăăĄăăăăŤăăľăłăšăŽć䝣ăŻăä˝ĺŽśăŽăăŁăŠă埡ăă§ăăă
čć¨ďź çŹçšă§ăăăăčŚăŚăăŚćĽ˝ăăăă揥ăă揥ăŤĺşăŚăăćăăăăă§ăăă
éŤćŠďź ăŠăŽć䝣ă§ăçťĺŽśă彍ĺťĺŽśăŻăăăăăăăŻăăŞăă§ăăăŠăăăć䝣ăŤă¨ăăŤăŽăźăăžă¨ăžăŁăŚĺşăŚăăćăăăăă§ăăăăäťĺăŽăŞăŤăťăźçžčĄé¤¨ĺąăŽăăźăăŻăč¸čĄĺŽśăăĄăŽćĽ˝ĺăă§ăăăŽć䝣ăŽč¸čĄĺŽśăăĄăŽă¤ăłăšăăŹăźăˇă§ăłćşă¨ăŻăŞăŤăăă¨ăăăŽăăăźăăŞăă§ăăă
čć¨ďź ăăă§ăŻăăăăăăéĄăăăžăă
ă¨ăăŹăźăťăăŹăăăăŹăźăşăťăăŹă大ăăçťĺăčŚă
čć¨ďź ăăŽçľľăŻăăăăă§ĺŽćăŞăă§ăăďźăăžă ĺĺăŁăŚćăăŽă¨ăăăăăăă§ăăâŚă
éŤćŠďź ăăŹăŻăăăăăă¨ăăăăă§ăăăéĄăĺĺăăăćăăŚăăăŽăžăžăŽăăŽă¨ăăăăăăăăŹăŽă˘ăăłăŞćăăĺşăăŚăăăăăžăăă
čć¨ďź çľľăŁăŚçĄéăŤćăăăă§ăăăăćăăă¨ćăă°ăăă¤ăžă§ăćăăŚăăăăăă§ăăăčŞĺăçľăăă¨ćăŁăă¨ăăăçľăăăŞăă§ăăăă
éŤćŠďź ăăŽć䝣ăžă§ăŻăăăăçşćłăăŞăăŁăăă§ăăăăăŹăŽä¸äťŁăăăăăăŻčăăŚăăăăă§ăă彍ĺťĺŽśăŽăăăłăŞăăăŻăćčçăŤä˝ĺăćŞĺŽćăŽăžăžăŤăăŚăăăăăžăă
čć¨ďź ăă´ăŁăłăăŻéăăžăăăďź
éŤćŠďź ăă´ăŁăłăăŻéăăžăăăăă´ăŁăłăăŻăćăăŞăăăŁăŚćăă§ăăă
ăăŤăăăĄăă渊厤ăŽä¸ă§ă大ăăçťĺăčŚă
éŤćŠďź ăăăŞăŤćĺăŞä˝ĺŽśă§ăŻăŞăăăăă彍ĺťăŞăăăăăŁăŚăăăŤăăăĄă¨ăăä˝ĺŽśă§ăă
čć¨ďź 渊厤ă§ăăăâŚăăăă§ăăăăăăăăçć´ťăčĄăŁăŚăżăăă§ăăă
éŤćŠďź ăăăŻĺĽĽăăăŽčĺă ăăăä˝ĺŽśčŞčşŤăăăăăçć´ťăăăŚăăăă§ăăăăăćĽćŹă§ăăăŞçć´ťăăŚăăäşşăŞăăŚăťă¨ăăŠăăŞăă§ăăăăăăă
čć¨ďź çľľă¨ăăŚăŻăć°´çăŽćăŽćăćšăăăă§ăăăăăŽăăăăŽć䝣ăŽä˝ĺŽśăŻăéťăŽćăćšăăăžăăăŠăç˝ăŽćăćšăăăžăă§ăăăă
ăăŹăźăăă°ăŹă´ăŁăŤăŽćäźă大ăăçťĺăčŚă
éŤćŠďź ăăŹăźăŽçăžăć éˇăŽçľľă§ăćĺžăžă§čŞĺă§ćăŁăŚăăăŽă§ăăă
čć¨ďź ăăŹăźăŻçŠşăŤĺŻžăă役ăŽćăăăăăă§ăăăăéĺ ă¨ăăăâŚăăăžăăă§ăăăăăăăă ăă§ç°čăŤĺŻžăăĺ°ćŹăŽĺżăżăăăŞăăŽăćăăăăžăă
éŤćŠďź ćăé˛ăŽä¸ă§ăă§ăă¨é犺ăĺ Ľăăăă使ăćšăăăžăă§ăăăă
čć¨ďź 犺ăć°¸é ăŤĺşăăŁăŚăăăăăŞćăăăăă§ăăăăăćăŻćąäşŹă§ăăăăă犺ăčŚăăăăăŞăăăżăăăŞă
ă´ăăăăă˘ăŤăŤăŽă´ăăăŽĺŻĺŽ¤ă大ăăçťĺăčŚă
čć¨ďź ĺäžăŽé ăŤčŹăăăŁăąăăăŁăăă§ăăăäžăă°ăUFOă ă¨ăăăăˇăźă ă¨ăă
éŤćŠďź éăŽä¸č§ĺ°ĺ¸Żă¨ăâŚ
čć¨ďź ăăă§ăăăăăăéĄăŽčŠąă§ăăăăă¨ĺăăăăŞćăă§ăă´ăăăçľľăŽăăăŤčłăĺăŁăăăă¨ăăăŽăăăŁăŚăăăăä¸ćč°ă§äťćšăăŞăăŁăăă§ăăăă´ăźăŹăłăçľľăćăăăăŤăżăăăžă§čĄăăŽăăŞďźă¨ă
éŤćŠďź ăăăä¸ćč°ăŞçľľă§ăăăăć¤ ĺăăľăă¤ăăŁăŚăă˛ă¨ă¤ăŻă´ăźăŹăłăćĽăăăâŚ
čć¨ďź ăăăăŞăăťăŠă
éŤćŠďź ă§ăăăăăăŤăćăăľăă¤ăăŁăăăă
čć¨ďź ăăďźçŹďźăé¨ĺąăŤăăăŁăŚăăçľľăŻăă´ăăăŽčŞçťĺă¨ăăă¨ăăă˛ă¨ăăŻčŞ°ăŞăă§ăăăďź
éŤćŠďź ăăăĺŽăŻăăăăăŁăŚăŞăăă§ăăçľć§ăčŹăĺ¤ăăŚăăăăăăŞăăă§ăăăă
čć¨ďź ă§ăăŞăăăăŁă¨čŚăĄăăăžăăă
éŤćŠďź ä¸ćč°ă§ăăăâŚăăăăŻăçŠăăăăă¨ăéăăăă襨çžăăŚăăăă¨ăă´ăăăćç´ă¨ăăŤć¸ăăŚăăă§ăăăŠăćŹĺ˝ăŤçŠăăăŞăŽăăŁăŚăăăŽăăăăăăăŞăăâŚăĺăé¨ĺąăŽçľľăăă¨2ćăăăă§ăăăä¸çŞăŻăăďź1888ĺš´ďźăŤćăăăçľľăŞăăŚăŽăŻăăăŁă¨ćŞăă§ăăăăăžăăăă
čć¨ďź ä˝ćăćăăăăŁăăă§ăăă
éŤćŠďź ăăăŞăă§ăăăăŞăŤăćăĺ ĽăăŚăăçľľăŞăă§ăăă
čć¨ďź ăăŁăąăăčŹăăăă¨ăăă§ăăăçľľăŻă
čć¨ďź ăăŽçľľăŽçşćłă¨ăăăăććłăŻăă¸ăżăŤă§ăăăă
éŤćŠďź ăăă§ăăă
čć¨ďź ăľă¤ăłăžă§çšćă§ăăďźçŹďź
éŤćŠďź çšćăŽăăŻăăăŻăŁăŚä¸ä¸ă風éĄăăăă§ăăăăăŽĺ˝ćăçšćăăăăŞăçťĺŽśăŁăŚăăŞăăă§ăăăă¨ăŤăăăăăŤă˝ă ăăăăăăăŁăšă ăăăăăăăă20 ä¸ç´ĺćăŽçťĺŽśăăĄăçšćăăăŁăŚăžăăăĺ°čąĄć´žăŽçťĺŽśă ăŁăŚăăăľăăŻăăŁăŚăžăăăă
čć¨ďź ăăăŻçľľă大ăăăŞăă¨éĺćă¨ă弼čĄăăżăăăŞăăŽăă§ăžăăăăă
éŤćŠďź ăă ă大ăăă¨ĺŽćăăăăŽă大ĺ¤ăŞăă§ăăăăăłăšăăăăŠăźăăłăšăŻćąşăăŚăăăŞăă§ăăăăăăŻďźçŹďźăăŞăŽă§ăăăăăŞäşşăăăŁăŚăżăăă§ăăăŠăăłăšăăăăŠăźăăłăšăćŞăăăăăăżăăŞăăăĄăăăă§ăăă
čć¨ďź 柍çťçă§ăć°´ć¨ăăăĺ çăŻčćŻăçšćă§ćăăžăăă岊ă¨ăçłçŻçą ăżăăăŞăăŽăçšćăŞăă§ăăăŠăăăăăă§ăăă
éŤćŠďź ăăăŞăă§ăăďźăć°ăă¤ăăŞăăŁăăŞăă
ăăŹăăŞăăŻăťăă¸ăźăŤăăăă¸ăźăŤăŽă˘ăăŞă¨ăăŠăťăłăłăăăéăă 大ăăçťĺăčŚă
čć¨ďź ăŞăăăăăŞď˝ă漽ăăăă ăŞăăăăăăäťäşĺ ´ă揲ăăăă§ăăăď˝ă
éŤćŠďź ďźçŹďźăăăŞăŤăăé ăŻăă˘ăăŞă¨ă ăŁăă¨ăăăĺăăăŽă§ăăăŞćăăŽäťäşĺ ´ă§ăăă
čć¨ďź ăăăă夊äşăŽéŤăă¨ăăă§çľľăćăăăă§ăăăăăŞă˘ăăŞă¨ăŁăŚă ăă§ăć§ăăžăăăăăăăŞäşşăćĽăŚăăăă§ăăŞăăăă§ăăŞăăŁăŚčŠąăŞăăăăŚăâŚăăŽćăăăăżăŽăăźăăŤăăăăŞď˝ă
äťĺăŽăŞăŤăťăźçžčĄé¤¨ĺąăŤçťĺ ´ăăă˘ăźăăŁăšăăŤă¤ăăŚăŽĺ°čąĄăŻăăăă§ăăďź
čć¨ďź 売ăăŞăăŽăŤćăçśăăŚăăăăăăŞă¤ăĄăźă¸ăăăăă§ăăăä¸ĺąăŽç˛žçĽă¨ăăăăčŞĺăăĄă ăăŤčŚăăŚăăăăŽăăăă¨ăăćăăăăŽć䝣ăŽçťĺŽśăŤăŻăăăăă¨ăăăăăăăăŁăŚăăżăăăŤčĄăŁăă´ăźăŹăłăčŞĺăŽčłăĺăŁăă´ăăă¨ăăăăăžă§ăăăŽăďźăă¨ă
éŤćŠďź ăă ăă´ăźăŹăłăŻčŞĺăŽçľľăăăă売ăăăă¨ćăŁăŚăăăźăąăăŁăłă°ăéĺă¨čăăŚăăăăă§ăăăăżăăăŤčĄăă°ćĺăŤăŞăă ăăăăăăŚăăŠăłăšăŤĺąćăăă¨ăăăă¨ăčăăŚăăăă ăă§ă売ăăŤăŞăă ăăă¨ăăăăăăŽăčăăŚăăŚâŚ
čć¨ďź ăăăăăăăăŽăăăăă§ăăă
éŤćŠďź ă ăăĺŽăŻăżăăă§ăŞăăŚăčŻăăŁăă¨ăăé˘ăăăŁăăŽăăăăăžăăăă¨ăŤăăăäşşăŤçĽăăăŚăăŞăçăăă¨ăăăŤčĄăŁăŚăä¸ććăăăăă¨ă
čć¨ďź ăăăŞăă§ăăďźďźçŹďźăă§ăăć°ăăĺ ´ćăŤčĄăŁăăăçľľăćăăăăă¨ăăăă¨ă弽ăă ăŁăăăăŽăăăăă§ăăăďź
éŤćŠďź ăăĄăăăăă§ăăăăăă§ăăźăąăăçăŞćĺă¨ăŻé˘äżăŞăćšĺăŤćľăăăŚčĄăăă ăăŠăăăăăŻăăčŞĺă§ăŻć˘ăăăăŞăă§ăăă
čć¨ďź ĺăŽäťäşăăăă¤ăčŞăăăăŚăă¨ăŻéăăŞăăŚăăăŞăăăäşăĺ¤ăăă§ăăăŠăăăăăćăŻĺ˝źăăŽĺĺ¨ăŤăăăĺć°ăĽăăăăăă§ăăăăă§ăăă´ăăăčŞĺăŽčłăĺăŁăăŽăŻăăăăžă§ăăăďźăăŁăŚćăăăćŹĺ˝ăŤä¸ćč°ă§ăăăăăăă風ăŤăŞăŁăĄăăăă§ăăăâŚă
éŤćŠďź ăď˝ăăăžăăă´ăăă¨ă´ăźăŹăłăŽĺ ´ĺăŻăŠăăšăăźăŞăźăŞăŽă§âŚăçšăŤă´ăăăŽĺ ´ĺăŻăćăŽăăăŞăăŞăă§ăăăăăżăăăŞăăăŞçść ă§ăăăă
čć¨ďź ăăăăăăăŁăčćŻăăăăă§ăăă
ăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăăŤăăŞă˘ăŞăăŁăčż˝ćąăăăăăŤččăčăăĄăăä˝ĺŽśăçťĺ ´ăăžăăăăăŽçşćłă¨ăăăŽăŻčć¨ĺ çăčŞčşŤăăăăăžă§ăăăďźăă¨ćăăă¨ăăă¨ăăăŤçąćĽăăŚăăăăăăă§ăăăăďź
čć¨ďź ăăă§ăăăă¨ăŤăăă´ăźăŹăłă¨ă´ăăăŽčŠąăŻĺäžăŽćăŤčăăăă§ăăăŠăăăăšćšăŤăăăˇăźăăăăă¨ăăăăăăŤä¸ćč°ăŞčŠąă ăŁăăă§ăăăă¤ăłăăŻăăăăŁăŚăčŞĺăŽä¸ăŤăăŁă¨ćŽăŁăŚăăŚăăăă§ăăăăăăŁăŠăŻăżăźăĺşăŚăăăă§ăăăăăăă¨ăă°ăă´ăźăŹăłăăżăăăŤčĄăŁăççąă§ăăăĺăĺŽéăŤă¤ăżăŞă˘ă¨ăć čĄăŤčĄăă¨ăăăŻăŞăăăă§ăăăĺçă§čŚăăŽă¨ăŻéăŁăŚăăăăă¨ćăăăŽăăăŁăąăăăŁăŚăă´ăźăŹăłăăżăăăŤčĄăŁăăŽăăăăăćĺăăăŁăăăăŞăăăăŞăăă¨ćăăžăăčćŻăŤăăçăćšăżăăăŞăăŽăŤăŻăăăă役éżăĺăăžăăăçľľăŽăăŻăăăŻăčŚăŚăă役éżăĺăăŚăăžăăăŠăăç´°ăăčŚăŚăăă¨ăăăăăŞăă§ăăăăăăŽăăŤăăťă˘ăŞăžăŞăăăăéŠĺ˝ăŤćăăŚăćăăăăăăăŁăăăăă§ăăăăä¸ć°ăŤă°ăĽăĽăŁă¨ćăăŚăçˇă¨ăăăă¨ćăăă§ăăăŠâŚăä¸ćč°ă§ăăă
[6]
Question: What kind of editor do you have?
Araki: Theyâre something like a cheerful partner to me. Theyâre extremely important. I absolutely could not create manga alone. Coming together and discussing with my editor is of utmost importance.
By the way, until now I worked with more than 10 editors, but the most recent one tends to not tell me his opinion on things. I get a little angry when he does that. He says that whatever I say is good, and I tell him that saying whatâs good is his job.
Question: Have you ever changed your work because of an editorâs opinion?
Araki: Of course. He gives me his tastes and preferences. For example, initially Dio was not going to be defeated in Egypt, but the Editor liked Egypt. I said, âIsnât Egypt dirty?â He said, âNot all of it.â So, we ended up going together. I really didnât want to go though haha.
ăčć¨éŁĺ彌ĺ çăăăăŽďź
çžĺ¨ăăŚăŤăăŠă¸ăŁăłăă§ăăšăăŁăźăŤăťăăźăŤăťăŠăłăăéŁčźä¸ăŽčć¨ĺ çă ăăŽĺŻä¸çĄäşăŽä˝ĺăŻăăŻăăăŚăŠăŽăăăŞç°ĺ˘ăăçăžăăŚăăăŽă§ăăăăďź ăăă§ăăăă§ăŻăčć¨ĺ çăăŠăŽăăăŤä˝ĺä˝ăăŤĺăçľăă§ăăăŽăăćăăŚăăă ăăžăăăăăŽăăăźăşăăăć§ĺłăăăŠăŽăăăŤăăŚçăžăăăăŽç§čŠąăĺ¤§ĺ Źéďź
čć¨éŁĺ彌ăŽäťäşčĄăăăŽćşćľăŻăăăĄäşăăŤăăŁă!? ââ ăžăăŻăčć¨ĺ çăŽäťäşăšăżă¤ăŤăŤă¤ăăŚćăăŚăă ăăă
čć¨ďźăžăă厜ăŁăŚĺžšĺ¤ă°ăăăăŚăăă¤ăĄăźă¸ăăăăăăăăžăăăăĺăŻčŚĺćŁăăăäźç¤žĺĄăŽăăăŞçć´ťăăăŚăžăă10ćăŤčľˇăăŚăĺ¤ăŽ11ćăăăăžă§äťäşăăŚăăăăăăŚăăăăŞăăšăĺ´ŠăăŞăăăäźăżăéąăŤ2ćĽĺăăžăăă
ââ ăăŁăąăĺžšĺ¤ăŻĺšçăč˝ăĄăžăăďź
čć¨ďźĺşćŹçăŤăŻăč˝ăĄăăă¨ćăăžăăăăŁăŚăăŚăăăŽăžăžä˝ćĽăçśăăăăŞăĺžšĺ¤ăăăăŞăŁăŚćăăă¨ăăăăă§ăăăä˝ĺš´ăçśăăŚăăăă¨ăčăăă¨čŻăăŞăăŽă§ă30ćłăéăăăăăăăăŻĺžšĺ¤ăăăŞăăăăŤăŞăăžăăăăăŽăťăăĺžă čŻăăă§ăăă
ââ ăăăŻčć¨ĺ çă ăăăăŞăäťăŽćźŤçťĺŽśăăăăăăŞăă§ăăďź
čć¨ďźăăăăżăăŞă¨ăăăăă§ăŻăŞăă§ăăăĺăĺ 蟊ăŽç§ćŹć˛ťĺ çďźăăăĄăč飞ĺşäşćĺ Źĺĺć´žĺşćăďźăčŚçżăŁăŚăăăăăľăăŤăăŚăăă ăă§ă
ââ ç§ćŹĺ çă¨ăŻăŠăăăŁăăé˘äżăŞăă§ăăďź
čć¨ďźă˘ăˇăšăżăłăăăăŚăăă¨ăăăăăăă¨ă§ăŻăŞăăĺăŤĺăç§ćŹĺ çăŽăăăăăŚăŻăľăčăăŚĺćăŤčŚçżăŁăŚăăă ăă§ăăďźçŹďźăăĄăŞăżăŤçˇ ăĺăăŽ1éąéĺăŤăăăăŁăŚăŽăç§ćŹĺ çăŽĺ˝ąéżă§ăăă ăăăăăăžă§çˇ ăĺăăç ´ăŁăăă¨ăăŞăăă§ăăă
ââ ăăŁăăă¨äťäşăăłăłăăăźăŤă§ăăŚăăă¨ăăăă¨ă§ăăăăĄăŞăżăŤä˝ćĽăŽăľă¤ăŻăŤăŻăŠăăăŁăćăăŞăă§ăăďź
čć¨ďźă¸ăŁăłăăŽĺ ´ĺăĺ°ĺˇćăŤĺ ĽăăŞăăăăăŞăăŽăéććĽăŞăă§ăăăă ăăć¨ććĽăŽĺ¤ăé ăăŚăéćăŽćźăžă§ăŤăŻçľăăăăăăă¨čăăă¨ăćĽćăŤăăźă ăčăăŚăćććĽăŤçˇ¨éč ăŤăă§ăăŻăăŚăăăŁăŚăä¸ćăăŤĺ ĽăŁăŚăçŤććĽăăć¨ććĽă§çľľăŤăăŚăăăľă¤ăŻăŤăŤăŞăăžăăă
äťăŻćĺčŞďźăŚăŤăăŠă¸ăŁăłăďźă§éŁčźăăŚăăžăăăăăźă¸ăĺĺ˛ăăŚă15ăăźă¸ăă¤éąĺăăźăšă§ćăăŚăžăă
ââ ćĺčŞăŽćšăéąĺčŞăăč˛ ć ăŻĺ°ăŞăăăŽăŞăă§ăăďź
čć¨ďźăăźă¸ć°ăéąĺčŞć䝣ăŽ19ăăźă¸ăă15ăăźă¸ăŤć¸ăŁăăă¨ăăăăžăăăŠăçˇ ăĺăăćăŤ1庌ăăăŞăăŽăŻĺŽĺżă§ăăăĺżăŤä˝čŁăă§ăăžăăăéąĺčŞăŽă¨ăăŻăçˇ ăĺăăčśăăăăăăăŤăžă揥ăŽçˇ ăĺăă§ăăăăă
ăăăăăšăăŹăšăŁăŚăăéˇăăăŁăŚăă¨ćŹĺ˝ăŤčžăăŞăŁăŚăăăă§ăăăăă¨ăăăŁăąăä˝ĺçăŤă大ĺ¤ăŤăŞăŁăŚăăžăăă
ââ ă§ăăăšăăŁăźăŤăťăăźăŤăťăŠăłăăŻăă¸ăŁăłăć˛čźćďźăłăăăŻăš4塝ăžă§ďźăŻăéąăŤ31ăăźă¸ă¨ăăéŠç°çăŞĺéă§éŁčźăăăŚăăžăăăăďź
čć¨ďźăăăŻăäźăă§ăăéăŤćă貯ăăăăăăăă§ăăăă§ăăă1ĺăŽă芹ă§ăăăžă§čŞăžăăăăŁăŚăŽăăăăă§ăăăŠă19ăăźă¸ă ă¨ăŠăăăŚăăăźă¸ăčśłăăŞăăăăă§çĄçăŤčŠ°ăčžźăăă¨ăăă¨çľľăŽčżŤĺăĺăŁăŚĺ°ăăăłăăŤăăŞăă¨ăăăŞăăŞăăă§ăăăŹăłďźăăŁăŚĺ¤§ă´ăă§čŚăăăă¨ăăăăăăăăŞăă§ăăăăăăžă§ăŽăă¸ă§ă¸ă§ăăŻăăăăăăŠăăŁăăă§ăăăăăŞăĺăŁăŚăăăă§ăă ăă硨éé¨ă¨äş¤ć¸ăăŚăăăă形ăŤăăŚăăăăžăăă
ââ ăăŽăă ăăăŽăšăăźăŞăźăŻăŠăŽăăăŤăăŚçăżă ăăŽă§ăăďź
čć¨ďźăăźăăăăŁăŠăŻăżăźăŽć§ć źă¨ăăćąşăžăŁăŚăăă¨ăăăăăćšĺăŤăăă芹ăé˛ăă§ăăăŞăăă§ăăăćąşĺŽăăăŚăăăă§ăăăćăĺăăă
çśćłăŻăăăăăŁăŠăŻăżăźăŻăăăă ăăăăăŞăăăăŞăăăăăăăŽăăăăă§ăă
ĺăčăăăŽăŻăĺĺăć´ĺçăŞăšăżăłăă ăŁăăăăäťĺăŻăĄăăŁă¨ćăăăăŤăăŚăăăăă¨ăăăăăăăă¨ă ăă§ăăăăĄăŞăăŞăćčăăŚăăă¨ăŻăăŁăŠăŻăżăźăĺăăŤäťťăăŚăăăăăăçĄçăŤăăăăă¨ăăă¨ăăăăăŞăŁăĄăăă
äžăă°çŹŹ1é¨ăŽćĺžă§ăă¸ă§ăăľăłăťă¸ă§ăźăšăżăźă掺ăăŞăă§ăăăăăŁăŚćăŁăăă ăăăŠăăăŻăăăăăŻćťăŹăăăŞăăˇăźăłă ăŁăă硨éč ă¨çĺŁăŤčŠąăĺăŁăăă§ăăăŠăćçľçăŤăŻăăăăăăŽăăăŁăŚăčŻăăăăăŞăăăăŁăŚčăăăă¨ăŤăăžăăăăăăŻçžăăćťăŤćšăŞăă ăŁăŚă
ââ čć¨ĺ çăŽä˝ĺă¨č¨ăă°ăçŹçšăŞć§ĺłăăăźăşăăăăăăă¸ă§ă¸ă§çŤăĄăăŞăŠă芹éĄăŤăŞăăžăăăăăăăŁăăăŽăŻăŠăăăçăžăăŚăăăă§ăăăăďź
čć¨ďźăăăŻăă......ăăźă¨ăăăăŽăźăŁăŚčŠąăăžăăăĺăăăăĽăźăă80嚴䝣é ăŁăŚăĺ
蟊ă¨ăĺ嚴䝣ăŽäşşăăĄăŤăăăŽăăăăžăă厜ăăăăăăăăăăŁăăăŁăăă§ăăă
ăŠăăăăľăăŤăăăăăŁăŚăăă¨ăäžăă°ăăăŁăăăłçżźăďźéŤćŠé˝ä¸ĺ çďźăăăŞăłă°ăŤăăăďźăďźčťç°ćŁçžĺ çďźăăĺćăŽćłăďźćŚčŤĺ°ĺ çďźĺĺ˛ĺ¤Ťĺ çďźă¨ăăŽçľľăŁăŚ100mĺ ăăă§ăĺăăăă§ăăăăăăŁăŚăăŽăăăäşăŞăă§ăăă
ăăăăăŽăčŞĺăŤăŻăŞăăŞăăŁăŚăă¨ăăăŁă¨ćăăŚăăŚ......ăăăăŤăŞăŁăŚăăăăăŁă¨ćŠăă§ăăăă§ăă ăăăă25ă26ćłăăăăŽćăĺćć
čĄăŤčĄăŁăă¤ăżăŞă˘ă§ĺ˝Ťĺťă¨ăčŚăŚăăŚć°ăă¤ăăăă§ăăăŠăăŞăăăăăĺ
¨é¨ăăăăŚăăăă§ăăăăăăźăşăă
ăăă§çŞçśăăăă ďźăăŁăŚă˛ăăăăŚăăăăčŞĺăŞăăŤćăăŚăżăăăăŞăŁăŚăăăăăčşćă¨ăć˛çˇăżăăăŞăăŽăçŞă芰ăăŚăăăă¨ćăŁăăă§ăăă
ââ ăçľľćăă§ăŻăŞăăăăźăşăă¨ăăé 形çžăă¨ăă§čŞĺăăăăćźĺşăăăă¨ćăŁăăăă§ăăă
čć¨ďźă¨ăŤăăăčŞĺăŞăăŽçľľăăŁăŚăŽăćăăăăŁăăă§ăă
ââ čŞĺă ăăŽăšăżă¤ăŤă揲ăăăŁăďź
čć¨ďźçšăŤĺ°ĺš´ă¸ăŁăłăă¨ăăŽăăŽé ăŻăă
ĺ˝ćăŽăă¸ăŁăłă硨éé¨ăŽé˘¨ć˝Žă§ăçäźźăăă¨ăăăŽăăăăăŞăăăăă§ăăăăăăăŻâââăŽăăŻăŞă ăăăăăŞăăăăăĄă ďźăăŁăŚăăăăăćŻćĽč¨ăăăŚăžăăďźçŹďźă
ăăŽĺ˝ćăă¸ăŁăłă硨éé¨ă§č¨ăăăäşăŻäťă§ă躍ä˝ăŤćăżă¤ăăŚăăžăăăčŞĺăŽä¸ă§ăŞăăăżăăăŤăŞăŁăŚăžăăăăăžăăă¨ăŻăăăăăšăďźăăżăăăŞă
ââ ĺ ˇä˝çăŤăŻďź
čć¨ďźäžăă°ăĺ˝ćăŽĺ°ĺš´ăžăăăŁăŚçă太ăćăăŞăăăăăŞăăŁăŚăŽăăăŁăŚăăăăćŞă ăŤćăăžăăăăç´°ăăăă¨ăăăă˘ăćŞăăă§ăăăĺˇăčžźăżăŁăŚĺ ćăăăŽăă大ĺ¤ă§ăăăďźçŹďźă
ăă¸ă§ă¸ă§çŤăĄăăŻă¤ăżăŞă˘ăŽă˘ăźăăăçăžăăďź
ââ čć¨ĺ çăŽä˝ĺă¨č¨ăă°ăçŹçšăŞć§ĺłăăăźăşăăăăăăă¸ă§ă¸ă§çŤăĄăăŞăŠă芹éĄăŤăŞăăžăăăăăăăŁăăăŽăŻăŠăăăçăžăăŚăăăă§ăăăăďź
čć¨ďźăăăŻăă......ăăźă¨ăăăăŽăźăŁăŚčŠąăăžăăăĺăăăăĽăźăă80嚴䝣é ăŁăŚăĺ 蟊ă¨ăĺ嚴䝣ăŽäşşăăĄăŤăăăŽăăăăžăă厜ăăăăăăăăăăŁăăăŁăăă§ăăă
ăŠăăăăľăăŤăăăăăŁăŚăăă¨ăäžăă°ăăăŁăăăłçżźăďźéŤćŠé˝ä¸ĺ çďźăăăŞăłă°ăŤăăăďźăďźčťç°ćŁçžĺ çďźăăĺćăŽćłăďźćŚčŤĺ°ĺ çďźĺĺ˛ĺ¤Ťĺ çďźă¨ăăŽçľľăŁăŚ100mĺ ăăă§ăĺăăăă§ăăăăăăŁăŚăăŽăăăäşăŞăă§ăăă
ăăăăăŽăčŞĺăŤăŻăŞăăŞăăŁăŚăă¨ăăăŁă¨ćăăŚăăŚ......ăăăăŤăŞăŁăŚăăăăăŁă¨ćŠăă§ăăăă§ăă ăăăă25ă26ćłăăăăŽćăĺćć čĄăŤčĄăŁăă¤ăżăŞă˘ă§ĺ˝Ťĺťă¨ăčŚăŚăăŚć°ăă¤ăăăă§ăăăŠăăŞăăăăăĺ ¨é¨ăăăăŚăăăă§ăăăăăăźăşăă
ăăă§çŞçśăăăă ďźăăŁăŚă˛ăăăăŚăăăăčŞĺăŞăăŤćăăŚăżăăăăŞăŁăŚăăăăăčşćă¨ăć˛çˇăżăăăŞăăŽăçŞă芰ăăŚăăăă¨ćăŁăăă§ăăă
ââ ăçľľćăă§ăŻăŞăăăăźăşăă¨ăăé 形çžăă¨ăă§čŞĺăăăăćźĺşăăăă¨ćăŁăăăă§ăăă
čć¨ďźă¨ăŤăăăčŞĺăŞăăŽçľľăăŁăŚăŽăćăăăăŁăăă§ăă
ââ čŞĺă ăăŽăšăżă¤ăŤă揲ăăăŁăďź
čć¨ďźçšăŤĺ°ĺš´ă¸ăŁăłăă¨ăăŽăăŽé ăŻăă
ĺ˝ćăŽăă¸ăŁăłă硨éé¨ăŽé˘¨ć˝Žă§ăçäźźăăă¨ăăăŽăăăăăŞăăăăă§ăăăăăăăŻâââăŽăăŻăŞă ăăăăăŞăăăăăĄă ďźăăŁăŚăăăăăćŻćĽč¨ăăăŚăžăăďźçŹďźă
ăăŽĺ˝ćăă¸ăŁăłă硨éé¨ă§č¨ăăăäşăŻäťă§ă躍ä˝ăŤćăżă¤ăăŚăăžăăăčŞĺăŽä¸ă§ăŞăăăżăăăŤăŞăŁăŚăžăăăăăžăăă¨ăŻăăăăăšăďźăăżăăăŞă
ââ ĺ ˇä˝çăŤăŻďź
čć¨ďźäžăă°ăĺ˝ćăŽĺ°ĺš´ăžăăăŁăŚçă太ăćăăŞăăăăăŞăăŁăŚăŽăăăŁăŚăăăăćŞă ăŤćăăžăăăăç´°ăăăă¨ăăăă˘ăćŞăăă§ăăăĺˇăčžźăżăŁăŚĺ ćăăăŽăă大ĺ¤ă§ăăăďźçŹďźă
čć¨éŁĺ彌ĺ ç硨
čć¨ĺ çăŽăă¨ăăăŁă¨çĽăăăďźăă¨ćăŁăăžăăŚăăăăăăăă¨ăă§ăăăŞăçŞăŁčžźăă 質ĺăćăăăăŚăżăžăăăĺ çăăăăăăéĄăăăžăďź
çĄäşşĺłśăŤä¸ĺă ăăăžăăăćăŁăŚăăă¨ăăăďź
迡ăăŞă......ăăăŚé¸ăśăŞăăăăăŤ2ä¸ăďźć¨Şĺąąĺ čźĺ çďźăŽçŹŹ4塝ăćăŁăŚăăăžăăčŞĺăŽĺçšăŞăă§ăăăăăăŤăŽĺĄăŤĺ ĽăŁăŚăăăăăŤ2ä¸ă輲ăăăăˇăźăłăăăăă§ăăăŠăăăăčŻăăă§ăăăă
弽ăăŞć çťăŻďź
大čąčľ°ăďźă¸ă§ăłăťăšăżăźă¸ă§ăšçŁçŁďźă¨ăăăźăăďźăă¤ăąăŤăťăăłçŁçŁďźăăŞă
大čąčľ°ăăŻăăšăăŁăźăăťăăăŻă¤ăźăłăä˝ĺşŚăćťăŁăŚăăă¨ăăă泣ăăăă§ăăăăăŽçˇć°ăăżăăŞăŽăăăŤćťăŁăŚăăă¨ăăăčŻăă§ăăăăăžăăŞăă§ăă
ăăźăăăăăăăźăăťăăťăăźăăéăăă°čŻăăŽăŤéăăŞăăăăăăă¨ăăăŤă°ăă¨ćĽăžăăăéććŚăăăŁăăăăŁăă
弽ăăŞéŁăšçŠăĺŤăăŞéŁăšçŠăŻďź
弽ăăŞăŽăŻăšăă˛ăăăŁăťăăăă˝ăźăšăĺŤăăŞăŽăŻăăľăŠăă¨ăăŤĺ ĽăŁăŚăăăăăŽçŽă§ăăăç Žăăăă˝ăźăšăŤăăŚăăăă°éŁăšăăăăă ăăŠă
äťäşä¸ăŽBGMăŻďź
CDă§ă丝ăŤć´ćĽ˝ă§ăă
äťäşä¸ăŽć°ĺ蝢ćăŻďź
ćźäźăżăŤă¸ă§ăŽăłă°ăŤčĄăăžăăă§ăăĺ¤ăŻçŠşć°ăćąăăŽă§ă¸ă ă§ă éąăŤ2ĺăăăăćĽăŤăăŁăŚéăăăŠă4ă5ăăăăăčľ°ăăžăă
ăăăă姿ĺ˘ă§ĺăăŚăă¨čşŤä˝ăŤćŞăăă§ăă躍ä˝ăĺăăăăă§ăăă
ĺŚçć䝣ăŽĺžćăŞćç§ăŻďź
ä¸çĺ˛ăăŞăăĺžćăŁăŚăăăă弽ăă§ăăă ćç§ć¸ăŤăăŁăŠăŻăżăźćăăŚčŚăăŚăžăăăďźçŹďźă
äťăćĺĄć˛ťčŤĺ çăŤäźăŁăăăŠăăăžăăďź
ăăăĽăźăŽćăŤăä¸čŠąăŤăŞăŁăăă§ăăă ăăăäťäźăăăŽăŞăăăćĺĄčłăŽĺčłăăźăăŁă§ăŻăăăŁăŚăăžăŁăŚĺ¤ąç¤źăăžăăăăŁăŚăăăłăăăă§ăăă
äťăäźăăăăżăŹăłăăăăŻ
ăăźăăĄăźăťăľăśăźăŠăłăăŤäźăăăă§ăăďźăă24 -TWENTY FOUR-ăĺ ¨é¨čŚăŚăăă§ăăďźçŹďźă
弽ăăŞčĄăŻďź
ă¤ăżăŞă˘ăŽăŤăăŞĺłśă弽ăă§ăăă ă§ăăăăčŞăă§äşşă掺ĺ°ăăăă¤ă¤ă ăŞăďźçŹďźă
ăăçăžăĺ¤ăăăŞăăăŠăŽć䝣ăŤçăžăĺ¤ăăăăďź
ăŤăăăľăłăšăăăă§ăăă輿é¨éćć䝣ăăăăŞă äťäşăŻăžăă厜ăăăă§ăăăăŞăć䝣ăŞăçľľăćăäşşă§ăăăăă§ăă çľľăćăăŞăăć ăăăă§ăăă
äťĺ°ăŽéŤć ĄçăćŹć°ăŤăăăăăăłčăăłăăŽčĄć
ââ ĺ çăŽčśŁĺłăŁăŚăŞăă§ăăďź
čć¨ďźăď˝ăă蜣ĺłăŻăŞăă§ăăă§ăć çťăŻĺĽ˝ăă§ăăăć çťé¤¨ăŤăăăčĄăăžăăăDVDăĺŤăăă¨éąăŤ4ď˝5ćŹăăă茳ăŚăăžăăçšăŤăăŠăźă弽ăă§ăăăćčżă§ăŻăăăšăăŤăďźăŻă¨ăłăăŁăłăťăżăŠăłăăŁăźăĺśä˝çˇććŽďźăčŻăăŁăăăŞăă
ââ ăăŁăąăDVDăŻĺ¤§ăăăăŠăşăăăŹăă¨ăăăăźă ăˇă˘ăżăźă¨ăă§ă茧ăŤăŞăŁăŚăăă§ăăďź
čć¨ďźăăăăăŠăŚăłçŽĄă§ăă20ĺš´ăăăăăŁă¨ä˝żăŁăŚăă¤ăă§čŚăŚăžăă
ââ ăăăŻćĺ¤ă§ăăéŤç´ăăźă ăˇă˘ăżăźă¨ăă§čŚăŚăăăăăŞĺ°čąĄăăăăžăăďźçŹďźă
čć¨ďźăŞăăŞăĺŁăăŞăăă§ăăăăă§ăăăăŠăŚăłçŽĄăŽćšă朲ćśăăŹăăăăăăăăăăŹă¤ă ă¨ćăăžăă
ââ éłćĽ˝ăă弽ăă§ăăăăă¸ă§ă¸ă§ăŽăšăżăłăĺăŞăŠăčŚăŚăăéăăăăŞăĺš ĺşăć˛ăč´ăăŚăăăŁăăăăăă§ăăă
čć¨ďźĺĽ˝ăă§ăăăäťäşä¸ăŻăăŁă¨č´ăăŚăžăăă
ââ ćčżă ă¨ăŠăăăéłćĽ˝ăďź
čć¨ďźăŤăłăăŞăźčŻăă§ăăăăăăčŻăă§ăăă
ââ ăăŻăăăžăăăŽă˘ă¤ăăŁă˘ăć çťăéłćĽ˝ăăĺžăăăŁăŚć°ćăĄăăăăă§ăăďź
čć¨ďźăŞăăăŠăć´ťăăăăŚăăăăăăŞăăăŞăéłćĽ˝ăŞăăăŻăćĺłä¸ćăŞăŽăăăžăŤĺşăŚăăăă§ăăăčŞĺăŽćŚĺżľăčśăăă¨ăăăă
ăăăăăŽăč´ăăŚăăăăç解ă§ăăćăčŞĺĺ¤ăăŞăăŞăăŞă¸ăľăłăăăŞăăŞăŁăŚćăăăăŤăăŚăžăďźçŹďźă
ââ ăăĄăăˇă§ăłăŤăăă ăăăăăăăŽăăă§ăă......ă
čć¨ďźăăĄăăˇă§ăłéčŞă弽ăăŞăă§ăăăVOGUEă¨ăNumeroă¨ăă襨ç´ăŽăŤăăłăăă¤ăăčŻăă§ăăăăă¨ăăšăăŁăźăăłăťăă¤ăźăŤă¨ăăăźăżăźăťăŞăłăăăźă°ă¨ăă弽ăăŞăăŠăă°ăŠăăĄăźăŽä˝ĺăčźăŁăŚăă¤ăăăăčŚăžăă
ă§ăčŚăŚăăăăĄăŤăäťĺš´ăŽăăĄăăˇă§ăłăŻăăă ăŞăăŁăŚăŽăăăŁăŚăĺťĺš´ă¨äťĺš´ăŻăăŁăąăăăŤăă§ďźăŹăăăźăă§ăăă
ââ ăăăăăă¸ăĽă˘ăŤă¸ăŽčĺłăŻăĺäžăŽé ăăďź
čć¨ďźăăăĺăăŽä¸äťŁăŁăŚăă茪ăçžç§äşĺ ¸ă¨ăĺ ¨ć¸ăĺż ă財ăăă§ăăăĺăçžčĄĺ ¨éă財ăŁăŚăăăŁăŚăăăŁă¨ăăăčŚăŚăăžăăă
ä¸ă§ăă´ăźăŽăŁăłă¨ăăŤă˝ă¨ăăŽçľľăä¸ćč°ă§ăä˝ăŽăăăŤăăăŞçľľăćăăă ăăăŁăŚćăŁăŚăžăăăăăŹăŞăăŤăăťăăťă´ăŁăłăă¨ăăŻĺăăăă§ăăăă§ăă彟ăăŻăčŹăă ăŁăăăăăŤĺźăčžźăžăăžăăăă
éłćĽ˝ăŞăăăăăă§ăăăŠăăăźăăŤăşăŽăă¨ă§ăăă°ăŹăăˇăăăăŻăŞăăăăăŁăŚ......ăăăŁăŚäťč´ăăŚăăăŞăăŞăă ďźďźăăŁăŚćăă§ăăďźăăăłăŻăăă¤ăă¨ăăăăłăăŤăŻăąăăăăŞăă§ăăăăăŁăăč´ăăŚăżăă¨čŻăăă§ăăăăă
ââ ćŽéăŽĺäžăčŚăăăăŞăăŽăŤăŻăăăžăčĺłăăŞăăŁăăă§ăăďźăäžăă°ă䝎é˘ăŠă¤ăăźăďźçłăćŁŽçŤ ĺ¤Şéĺ çďźă¨ăă
čć¨ďźăăăă䝎é˘ăŠă¤ăăźăăčŹă§ăăăăăŽăăăŻăŁăăč¨ăŁăŚĺ ¨çśé˘ç˝ăă¨ćăăŞăăŁăďźçŹďźăă塨人ăŽćăďźć˘śĺä¸é¨ĺ çďźĺˇĺ´ăŽăźăĺ çďźă¨ăăŤćŻăšăŚăăšăăźăŞăźăä˝ăč¨ăăăăŽăĺăăăŞăăăăŁă¨ăăăăăăăăăćŠăă§ăăăăăŞăă§ăăăăŞăŽăŤăăăăäşşć°ăăăŁăŚä¸ćč°ă ăŁăăŞăăçłă棎ĺ çăŽăăăłăŹĺŽśĺ ĽéăăŻăă¤ăăŤă§ăăăŠăăăŽăžăăăŽčŻăăŻăăăăŞăă§ăăăăăăžă ăŤă
ââ ăžăăăŻăă¤ăăăăăćăăăŚăăăă§ăăďź
čć¨ďźăžăăăŻĺ°ĺŚçăŽćăăćăăŚăžăăăšăăźăŞăźčăăŚăăłăĺ˛ăŁăŚăä˝ăăźă¸ăăŽăžăăăćăăŚăžăăă
ăăŽĺ˝ćăŽĺéăăăĺăŽçľľăč¤ăăŚăăăăă§ăăăăä¸ćăăăăŁăŚăăăăăăăăăăăăŁăŚăă彟ăŻăžăăăćăăŞăăă§ăăăŠă硨éč ăżăăăŤăăăăă¨ĺŠč¨ăăŚăăăăŽă§ăćăăăăžă彟ăŤčŚăăăăăŤăăŚăăžăăăäťă§ă彟ă¨ăŻäťăĺăăăăăžăăă
ââ ăăăăžăă厜ăťčć¨éŁĺ彌ăŽăšăżăźăăŞăă§ăăăă¨ăăă§ăĺ¨ăăŤăŻăžăăăăćăăĺéăŻăăŞăăŁăăă§ăăďź
čć¨ďźăăŞăăŁăă§ăăăĺ˝ćăŻäşşĺă§ăžăăăčŞăă§ăă¨éŚŹéšżăŤăăăăă§ăăăăă¨čŚŞă¨ĺ çăŻćăăă§ăăăăăăć䝣ă ăŁăăă§ăăăă ăăé ăăŚăăŁăŚăžăăă
ĺ˝çśćăăŚăăăäşşăăăžăăăăăăăăłăŹĺŽśĺ Ľéăă ăăé źăă§ăăăă
ââ ăăăŽăžăă厜ăŤăŞăăă¨ćăŁăăŽăŻăă¤é ă§ăăďź
čć¨ďźéŤć ĄăŽćăŤăĺă¨ĺăĺš´ăŽăă§ăăžăĺ çďźăăăłčăăłăďźăăăăĽăźăăăă§ăăăăˇă§ăăŻă§ăăăăăłă¤ăăĺăéŤć ĄçăŞăŽăŤăŁăŚă
ĺ°ćĽăăăŽăžăă厜ăŤăŞăăăăăăŞăŁăŚćăŁăŚăŻăăăăăŠăă¨ăăăăăŻçŽĺ ăŽéŤć Ąçă¨ăăŚăŽĺ埡ăăăăăăŞăă§ăăďźăă ăăăăďźăăăăŞăŽă˘ăŞďźăăŁăŚćăă§ăăďźçŹďźă
ăăă§ăăăăŻĺ埡ăŞăăăăŚăăĺ ´ĺăăăŞăăŞăźă¨ăăăăçŚăăžăăăăăă§čŞĺăăăăŤć稿ăăŚăćçľé¸čăžă§ćŽăŁăăă§ăăăŠč˝é¸ăăŚăăŠăăćŞăăŁăăŽăçĽăăăăŚă¸ăŁăłă硨éé¨ăžă§ćăĄčžźăă§......硨éč ăŤă ăăŁăŻăăŁč¨ăăăŚďźçŹďźă
ââ ĺ ˇä˝çăŤăŻďź
čć¨ďźĺşćŹçăŤĺ ¨é¨çŹĺŚă§ăăăžă§ćĽăăăăŞăă§ăăďźăă ăăăĺăăăăŻă¤ăăăŁăŚçĽăăŞăăŚăä¸čŹçăŤăžăăă§ăŻćăćĺăŽĺ¨ăăčŞăżăăăăăăŤç˝ă§ćăăă§ăăăćŽéăŻćăăĺžăŤăăŻă¤ăăŽă¤ăłăŻă§ç¸ĺăăăăă§ăăă
ă¨ăăăăĺ˝ćăŽĺăŻăăăçĽăăŞăăŁăăă§ăćĺăăăăăăăľăăŤćăăă¨ăăŚăăăă§ăăă§ăăăŠăăăŁăŚă垎ĺŚăŤăŻăżĺşăăĄăăăăăŞăă§ăăďźăăăă硨éč ăŤćăăăŚăăăăŻăżĺşăăĄăăăă§ăăăăŁăŚč¨ăă¨ăăăŻă¤ăăçĽăăăăŽăďźăăŁăŚďźçŹďźă
ă§ăćĺžăŤăăŞăăé˘ç˝ăăăç´ăăŚć°äşşčłăŤĺăăŚăżăăăăăŁăŚă
ââ ăăăăăăăĽăźăŤçšăăŁăŚăăăă§ăăďź
čć¨éŁĺ彌ăďźăăŽä¸çŠăżć䝣ďź
ââ ĺ°ĺš´ă¸ăŁăłăć䝣ăŽă芹ăäźşăăăŚăăăă§ăăďźăăžăăŻăăăĽăźä˝ă§ăăăéĺ°ĺš´ăăźăăŁăźăďź1983ĺš´ďźăŤă¤ăăŚćăăŚăă ăăăăăŽä˝ĺăŻăŠăŽăăăŤăăŚçăžăăăŽă§ăăăďź
čć¨ďźĺăăăˇăŁăźăăźăăŻăťăăźă ăşă大弽ăă§ăăăăŽéăăźă¸ă§ăłăŁăŚăăăă§ăăďźăé ăŽčŻăä¸ťäşşĺ ŹăăçĽč˝çŻçăŤćŞăăă¨ăăăăă ăăŠăăăăŻĺć ăŽăăăŽćŚăă§ăăŁăŚăćąşăăŚç§ĺŠç§ćŹ˛ăŽăăăŽćŚăă§ăŻăŞăăŁăŚăăăŽăćăăăăŁăăă§ăă
ââ ă§ăăăăŁăŚăăă¨ăŻćŞăăă¨ă§ăăăďź
čć¨ďźćŞăăă¨ă ăăŠăćŞăĺăăăăŤćŞăăă¨ăăăă§ăăĺŽăŻăăăćŁçžŠăŞăă ăŁăŚčăćšăĺ˝ćăăăĺćŞă¨ăŻăăŁă¨č¤éăŞćŚĺżľăŞăăăăŞăăŽăăăŁăŚć°ćăĄăăăŁăŚăăăăăć°ćăĄăčžźăăŚćăăžăăăĺç´ăŞĺ§ĺć˛ćŞă¨ăăăăăăăăăă¨č¨ăăăăŞăăŁăăă§ăăă
ââ äťăčŞăă§ăăăŁăăăăăŞă¨ăăăăăĺ 厚ă§ăăăă
čć¨ďźă§ăă硨éé¨ăăăŻă ăăŁăŻăăŁč¨ăăăžăăăăăăéĺ°ĺš´ăăŁăŚăżă¤ăăŤăé§çŽă ăŁăŚďźçŹďźăć ĺ˝ăăăĺłćšăăŚăăăŚăăŞăă¨ăăăŽăžăžéŁčźăŤăŞăăžăăăăŠă
ââ čŞč ăŽĺĺżăŻăŠăă ăŁăăă§ăăďź
čć¨ďźćĺăŻăăŁăąăă¨ăžăŠăŁăăăăă§ăăăŠăćĺžăŽćšăŻăăŁăăćŻćăăăăżăăă§ăăă
ââ ăăăăă¨10éąă§çľăăăăŚăăžăŁăăŽăŻăăŁăăăŞăăŁăă§ăăă
čć¨ďźăăăď˝ăĺăăăŽăăäťĺ°ä˝ăă§ăăŚăăăăťăăŁă¨ăŤăŽăŞăŽăŞă ăŁăăă§ăăďźčŚçŹďźă1éąéĺăćăăŽăŤ2éąéăăăăăăŁăŚăŚ......ăăăĄăăă˘ăˇăšăżăłăăŞăăăăŞăăăăĺ ¨é¨ďźäşşă§ćăăŚăŚăăăăă§ăăăăŚăŞăăŁăăăŠăăŞăŁăŚăăăă¨ăăă
ââ ä˝ĺçăŤă10芹ăéçă ăŁăă¨ă
čć¨ďźăăă§ăăăă¨ăŤăăăăŽĺ˝ććăŁăăŽăŻăăŠăăăă°éąĺéŁčźăŞăăŚă§ăăăŽăăŁăŚăă¨ăĺčĄćŹ1ĺĺćăăŽăŤăăăŞăŤĺ´ĺ使ăăăă§ăăăă
ă¨ăăăăăŽćăăăăĄäşăďźăăăĄăč飞ĺşäşćĺ Źĺĺć´žĺşćăďźăŞăăăŻă50塝ăăăĺşăŚăăŚăăăăŽäşşďźç§ćŹć˛ťĺ çďźăŻăä¸ä˝ăŞăăŞăă ăŁăŚćăăžăăăďźçŹďźă
ââ ăéĺ°ĺš´ăăźăăŁăźăçľäşĺžăŻăăŠăăăăăă§ăăďź
čć¨ďźăăăŤćŹĄĺä˝ăăŠăăăăăăć ĺ˝çˇ¨éč ă¨čŠąăĺăĺ§ăăžăăăăăŽçľćăăăăźăăŁăźăă§ăŻçĽçăŞćŚăăćăăăŽă§ăäťĺşŚăŻčä˝çăŞćŚăăćăăă¨ăăăă¨ăŞăăžăăăăăăăăăŞăźćĽč¨Şč ăďź1984ĺš´ďźă§ăă
ă§ăăăŽăăăŽĺćăăăăăčłćăŤăŞăăăăŞćŹăćźăŁăă......äžăă°ăăăŞăźăă§ăŻç§ĺŻçľç¤žăĺşăŚăăăă§ăăăŠăăăŽăăăŤăă¨ăźăăăăŤĺŽĺ¨ăăç§ĺŻçľç¤žăŤă¤ăăŚć¸ăăăćŹăčŞăă ăăăŚăžăăă
ăăăŚăăăŽä¸ă§4芹ĺăŽăăźă ăć¸ăăŚć°éŁčźăŽĺŻŠćťăŤĺşăăŚăéŁčźăćąşăžăŁăă¨ăăă§ćąäşŹăŤĺźăŁčśăăŚ......ă¨ăăăăć ĺ˝ăăăŤăäťĺ°ăŤĺ稿ăĺăăŤčĄăăŽăă¤ă¤ă ăăŁăŚăäşşăăăăŽăăăŤćč´ăăăŚăăŚďźçŹďźă
ăăăă ăăăéŁčźéĺ§ăŽ3ăśćăăăĺăŞăă§ăăăăă¨ăŻăăŁă¨ĺĺăă§ĺ稿ăćăăŚăžăăăăăăăźăăŁăźăăŽćăŤăç´ăăă§čŚăăă ăŽă§ă
ââ ăç´ăăăĺ¤ăăŁăăă§ăăďź
čć¨ďźăăă§ăăă10ăăźă¸ăŽç´ăăăăăăă§ăăéŁčźăŻ19ăăźă¸ăŞăŽăŤăćŻéąĺŽčłŞ30ăăźă¸ăăăćăăŚăăăŽďźčŚçŹďźăć ĺ˝ăăăăăăăé§çŽă ăăăăćăç´ăăăŁăŚă
ââ ĺ ˇä˝çăŤăŻăŠăăă?
čć¨ďźéĄăŽčĄ¨ć ă¨ăăăŞăăćŞçă ăŁăăăăćĺăŽçľľă¨ćĺžăŽçľľăéăăă§ăăăăăăăćăŻçľśĺŻžăŤćăç´ăăăăăžăăăă
ăă¨ăăăăŻăăăŽć ĺ˝ăăă ăăŽăłăăŻăŞăŞăŽăăăăăŞăăăăŠăăăăłďźăă¨ăăăćăćĺăŽăăăăŽé¨ĺăăăŞăăŤčŚăăăăćăç´ăă¨ă......ăăăă§ćăćĺăéĄăŤăăăŁăĄăăăŁăŚäşăŤăŞăă¨ăăłăĺ ¨é¨ć¸ăç´ăă§ăăă
ââ ăăăŻĺ¤§ĺ¤ă§ăăăĺĺźăăŚćŹ˛ăăăŁăŚćăŁăăă¨ăŻăŞăă§ăăďź
čć¨ďźăĺĺźăăŚăă ăăăăŁăŚăŽăŻăŞăä¸çă§ăăă
ĺ˝ćăăăăŠăăŻă¨ăłă¸ă§ăŤăşăă大人ć°ă ăŁăĺšłćžäź¸äşĺ çă§ăă19ăăźă¸ä¸¸ăžăćăç´ăă¨ăăăăăăăă¨ăăăŁăăăă§ăăăăăăĺăżăăăŞă¤ăăŻăăăŁăĄă ăă ăăăŁăŚďźçŹďźă
ăŞăăăćčżç´ăăă¤ă¤ăăć°äşşăăăăăăă§ăăăŠă俥ăăăăŞăă§ăăăăăăăăăăă¨ăčŞĺăăćĺŚăăŚăŠăăăăŽăŁăŚćăăă§ăăăŠă
ââ ă˘ăˇăšăżăłăăŻĺ ĽăăŞăăŁăăă§ăăďź
čć¨ďźăăăŞăźăăăĺ Ľăăžăăăăă ăĺčŞčşŤăă˘ăˇăšăżăłăçľé¨ăăŞăăŁăăŽă§ăăŠăć示ăăŚăăăŽăĺăăăăéăŤăŠăć示ăăŚăťăăăŽăčăăă......ăćĺăŽăăăŻăăăăăăžăä¸ćăăăăŞăăŚăšăăŹăšăŤăŞăŁăŚăžăăăă
äžăă°ăăăăŤăăżăĺĄăŁăŚăăăŁăŚé źăă¨ăăťăăŽă¨ăĺĄăŁăŚăăăăăăă§ăăďźčŚçŹďźăăăăăćăŤćăăšăăŞăŽăăĺŞăăčŤăăšăăŞăŽăăčŞĺăŽć示ăćŞăăŁăă¨ĺçăăšăăŞăŽăăă¨ăŤăăăŠăăăŚăăăŽăĺăăăŞăăŁăăăăŽăăăăŻăăăăśăă¨čŠŚčĄéŻčޤăăžăăă
ââ ă¨ăŤăăććľă§ăŞăă¨ăăăŚăăăăăŞăăŁăăăă§ăăăăăăăăă¨ăăăă§ăăŁăŚăăă˘ăˇăšăżăłăăăăăčć¨ĺ ççŹčŞăŽăăćšăŤăłăŁăăăăăŞăăŚăă¨ăăăŁăăăăăŞăă§ăăďź
čć¨ďźăăŁăă¨ćăăžăăăĺŽéăŤčăăăŽăŻç ´ĺŁăăăăăŽăŽćăćšăŤă¤ăăŚă§ăăăĺăŻăäžăă°čśç˘ăĺ˛ăăă¨ăă¨ăăç ´çăă¸ă°ă˝ăźăăşăŤăżăăăŤăăĄăă¨ăŻăžăăăăŤćăăăŚăăŞăă¨ă¤ă¤ăŞăă§ăăăăăăăăŽăéŠĺ˝ăŤćăäşşăăăă
ăăăŤă¤ăăŚăăăżăă´ĺ˛ăŁăŚăç ´çăĺăăŞăăăăăăă§ăăă丸ăăŞăăŞăăăăăăăăŁăŚč¨ăŁăăăăăŽäşşăŻĺĽăŽăžăă厜ăăăŽă¨ăăă§ăčć¨éŁĺ彌ăŤăăăăăă¨č¨ăăăŚăłăŁăăăăăăŁăŚďźçŹďźă
ââ 確ăăŤĺ˝ćďź80嚴䝣ďźăŻăăăăŞăŤçľľăŤăă ăăŁăŚăăăžăă厜ăăăŁăŚĺ¤ăăŞăăŁăă¨ćăăžăăĺ çăŻăăĄăăŁă¨ĺ ăŤé˛ăżăăăŚăăăŽăăçĽăăžăăăă
čć¨ďźă§ăăćčĄçăŞă¨ăăă§ăă˘ăˇăšăżăłăăăăăĺŚăă ăă¨ăĺ¤ăăŁăă§ăăă
ăĺćăŽćłăăŽĺĺ˛ĺ¤Ťĺ çă¨ăăăăăŁăăăťă˘ă¤ăăŽĺćĄĺ¸ĺ çă¨ăăçľľăŽä¸ćăăžăă厜ăăăŽă¨ăăă§ăăŁăŚăăäşşăŻăăăŁăąăä¸ćăŞăă§ăăăăăăăăŞăă§ăçĽăăŞăă§ăăăŠă彟ăăăĺćăŽćłăăŽçĺ稿ă¨ăćăŁăŚăăăă§ăăăăăčŚăăŚč˛°ăŁăŚăăăăăŠăăăăŽďźăă¨ăćăăŚăăăŁăăďźçŹďźă
ââ ăăŁăąăăçľľăŽä¸ćăăžăă厜ăăăŽćăćšăŤăŻčĺłăăăŁăăă§ăăďź
čć¨ďźăăăăăăăăžăăăďźăĺ˝ćăăăłăăŠăăŽĺŻşć˛˘ćŚä¸ĺ çăŽĺ稿ăăŠăăăŚăčŚăăăŚă硨éč ăŤé źăżčžźăă§ăłăăźăăăăŁăăăăžăăăăăĺžăŞăćšĺăŤăăłăčľ°ăŁăŚăăăăŚăăŠăăăŁăŚćăăŚăăăŽăăăăăć°ăŤăŞăŁăŚăăă§ăăă
ââ äťă§ăŻćĽçăăăăŹăăŤăŽćčĄĺăťčĄ¨çžĺă¨ăŽĺźăłĺŁ°ăéŤăčć¨ĺ çă§ăăăăăăĽăźç´ĺžăŻĺ埡ăžăĺ埡ăŽćĽă ă ăŁăăă§ăăă
čć¨ďźăăăäťă§ăăăŁăăç´ăăŚăăăă§ăăăç´ăăŚăăăŞăă§ăďźçŹďźă
ă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăďźčć¨éŁĺ彌ăŻĺąăăŞăďź ââ ăăăŞăźćĽč¨Şč ăăŽçľäşăăç´2ĺš´ĺžăă¤ăăŤăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăďź1986ĺš´ď˝ďźăĺ§ăžăăžăăă
čć¨ďźăăăźăăŁăźăă§ăçĽć§ăăăăăăŞăźăă§ăčä˝ăăćăăăŽă§ă揥ăŻăĺżăăăŞăă¨ăĺ˝ćăŽĺ°ĺš´ăžăăăŁăŚă埡ăäşşăďźăăąăłăŤăŽéäşşăă ăŁăăăăŞăă§ăăăĺăŻăăăăăŞăăŚăăăŁă¨ĺżăŽĺźˇăăżăăăŞăăŽăćăăăăŁăăă§ăă
ĺ˝ćăŻăăăŤçľć¸ăŽăă ä¸ă ăŁăăă§ăăžăăăăăăŞăźă§ă¤ăąă¤ăąăŞčŠąăĺ¤ăăŁăăă§ăăăăăźăăĄăłăćšĺźă¨ăă§ăăŠăăŠăćľă埡ăăŞăŁăŚăăăă§ăé ä¸ăžă§čĄăŁăăćŹĺ˝ăŤć埡ăŞăŽăăăçăŽĺźˇăăăŁăŚćŹĺ˝ăŤăăăŤăăăŽăăŁăŚé¨ĺăŤăăăçĺăăăŁăă
ĺăŻăăŽçăăăĺżăăŤăăăăăăŞăăă¨ćăŁăăă§ăăăăăŚăăăăăăăŁăŠăŻăżăźăćăăăăă¨ă
ââ ăăăăă¸ă§ă¸ă§ă§ăăŁăăăăăŁăŞă§ăăŁăăăăăăă§ăăăă§ăăăăăźăăŁăźăăŽćăăăă ăŁăăăă§ăăăŠăćŹćľăŤéăăăŽăŻĺ¤§ĺ¤ăŞăă¨ă ă¨ćăăžăăĺ˝ćăŽçˇ¨éé¨ăăăŻăăăăŁă¨ĺăăăăăăŚĺźˇăăăŞćľăăăłăăłĺşăďźăă¨ăăăăăăčŚćăŻăŞăăŁăăă§ăăăăďź
čć¨ďźăăăŻăăĄăăăăăžăăăăăă ăĺăŻăäťäşşăćăăŚăăŞăăă¨ăćăăă¨ăăăă¨ăä¸çŞĺ¤§äşăŤăăŚăăăŽă§ăăăăŻč˛ăăžăăă§ăăăăžăă厜ă¨ăăŚăŽäžĄĺ¤čŚłăăäşşć°ăă ă¨ăăă売ăä¸ăăă ă¨ăăŤç˝ŽăăŚăăă¨ĺąăăĄăăă¨ćăăă§ăăăŠăčŞĺăŽä¸ă§é˛ăăšăéăčŚăăŚăăă¨ăĺ¨ăăŤä˝ăč¨ăăăŚăć°ăŤăŞăăŞăăŞăăžăăă
ââ ă˘ăłăąăźăçľćăŤăă ăăŁăŚăăŞăăŁăăă§ăăă
čć¨ďźăăĺ˝çśă1ä˝ăĺăăăăăăăă§ăăăă§ăăăăŻçŽçăăăŞăă§ăăăăĺ ¨ă売ăăŞăăŽăŻă¤ă¤ă§ăăăŠăčŞé˘ăŤčźăŁăŚăăă°čŻăăŽăăŞăă¨ă
ăăăŤă"ăăźăăĄăłăăăŽ"ăŻăšăăźăŞăźă¨ăăŚăă°ăăŞăăăŁăŚćăŁăŚăăăă§ăăăăăăăŁăŚćăĺ°˝ăăăăžăă厜ăăăăĄăă揥ăŽä˝ĺăŽćăŤăăŻăźă夹ăŁăŚăăćăăăăăă§ăăăăăăă¤ă¤ă§ă
ââ ăăăăćĺłă§č¨ăă¨ăăă¸ă§ă¸ă§ăăŻăć°ăăé¨ăĺ§ăžăăăłăŤĺ ¨ăéăćšĺăŤăŞăŁăŚăć°éŽŽăŞé˘ç˝ăă¨ăăŻăźăăăä˝ĺă§ăăăăă¨ăăă§ăăă¸ă§ă¸ă§ăăŽä¸ťäşşĺ Źăĺ¤ăăŁăŚăăă¨ăăăĺ˝ćă¨ăăŚăŻďźäťă§ăďźďźăăŞăçăăă˘ă¤ăăŁă˘ăŻćĺăăäşĺŽăăŚăăăăŽăŞăă§ăăďź
čć¨ďźăăă§ăăăăă¨ăăłăŽćąăďźă¸ă§ăłăťăšăżă¤ăłăăăŻďźă¨ăăă˘ăĄăŞăŤăŽĺ°čŞŹăŤä¸ťäşşĺ Źă䝣ćżăăăăŚăăăŁăŚăŽăăăăăăă§ăăăéŁçśĺ¤§ć˛łăăŠăăŁăŚăăăă§ăăăăăăăăăŽă弽ăă ăŁăăă§ăăŁăŚăżăăăŁăăă§ăă
ââ ăŞăăťăŠăă§ăŻăăŁăŞăćĺăăă¸ă§ăźăšăżăźä¸ćăŤé˘ăăŁăŚăăăăŁăŠăŻăżăźă¨ăăäşĺŽă ăŁăăă§ăăă
čć¨ďźăă¸ă§ă¸ă§ăăŽć§ćłăŽä¸ăŤăĺ çĽăŽĺ ç¸ăăŁăŚăăŽăăăŁăŚă珏1é¨ă§ćťăă ăŻăăŽăăŁăŞăçžäťŁăŤčăăŁăŚăăĺąéăŻćĺăăčăăŚăžăăăčŞĺăŤăŻä˝ă貏䝝ăăŞăăŽăŤăĺ çĽăăăŽĺ ç¸ă§ĺ˝ăçăăăăŁăŚăăăăłăŻă¤ăăăŞăă§ăăăăăăăăŽăćăăăăŁăăă§ăăă
ââ éăŤăéŁčźä¸ăŤĺśçśçăžăăăăŁăŠăŻăżăźăč¨ĺŽă¨ăăăŽăŻăăăžăăăďź
čć¨ďźĺŽăŻăăšăżăłăăăăăă§ăăă珏2é¨ăçľăăç´ĺăŤăăăă波ç´ăŻçľăăăŤăăŚă珏3é¨ăŻć°ăăăŽă§čĄăăăăăŁăŚçˇ¨éč ăŤč¨ăăăŚăăăă§ć ăŚăŚă˛ăăĺşăăžăăďźçŹďźă
ăšăżăłăăŻčś č˝ĺăçŽăŤčŚăăăăăŤćăă¨ăŠăăŞăăăăŁăŚăăă˘ă¤ăăŁă˘ăŞăă§ăăăŠăćĺăŻăŞăăŞăćŚĺżľăĺăăŁăŚăăăăŞăăŚăăăăŞăă ăăăăŁăŚăăăŁăăďźčĺžăŽçŠşéăćăăăŚďźĺŽčˇéăżăăăŞăŽăĺşăŚăăŚćľăćťćăăăă§ăăăŁăŚč¨ăŁăŚăĺăăŁăŚăăăăŞăďźçŹďźă
ăăăăăăŚăăăăĄăŤçˇ ăĺăăčżăĽăăŚăăăă§ăă¨ăăăăćăăŚăăăăčŞăă§ăăăŁăăă§ăăăăăă§ăăŞăăŞăă......ăăăăăăŠăăăŁăŚăăăŁăŚăăăăăăŁăŚăŽăă珏3é¨ăŽĺ§ăžăă§ăăă
ââ ă§ăăă ăă ăčŞçĽăăăŚăăŁăŚăäťă§ăŻĺŽçŞăŽčĄ¨çžćšćłăŤăŞăŁăŚăăžăăăă
čć¨ďźăăăŞăŁăĄăăăžăăăď˝ă
ââ ăăăăăăăăŚăäźşăăăŚăăă¨ăéćăŤă硨éč ăăŽĺĺ¨ăĺşăŚăăžăăăăčć¨ĺ çăŤă¨ăŁăŚă硨éč ăă¨ăŻăăŁăăăŠăăŞĺĺ¨ăŞăŽă§ăăăăďź
čć¨ďźăçŹăăŽç¸ćšăŁăŚćăă§ăăăăă¨ăŚă大ĺă§ăăă1äşşăă羜寞ăŤăžăăăŻä˝ăăžăăăăă硨éč ă¨ăŽćĺăăŻĺ¤§äşă§ăă
ăĄăŞăżăŤăăăăžă§10人䝼ä¸ăŽçˇ¨éč ă¨äťäşăăŚăăžăăăăŠăć°äşşçˇ¨éč ă ă¨č縎ăăŚćčŚăč¨ăăŞăăă¨ăăăăă§ăăăăă ăăăăăăă¨ăăĺăăĄăăŁă¨ćăăă§ăăăăŞăă§ăčŻăăăč¨ăăŁăŚăč¨ăăŽăăăŞăăŽäťäşă ăăŁăŚă
ââ 硨éč ăŽćčŚăŤăăŁăŚä˝ĺăĺ¤ăăăŁăŚäşăŻăăăă§ăăďź
čć¨ďźăăăŻăăĄăăăăăŽäşşăŽĺĽ˝ăżăĺ ĽăŁăĄăăŁăăăăăăăă¨ăă°ăă¸ă§ă¸ă§ăŽçŹŹ3é¨ă§ăăŁăŞăĺăăŤă¨ă¸ăăăŤčĄăăăăŞăă§ăăăăăăŻă硨éč ăă¨ă¸ăă弽ăă ăŁăăăăŞăă§ăăăĺăŻăăăăăăăŞăăŚăăăă§ăăăćąăďźăăăăăĺ ´ćăŻă¤ă¤ă ăŁăăă§ăăăăăă硨éč ăăăăăä¸çˇăŤčĄăăăăŁăŚăĺăŻčĄăăăăŞăăŁăăă§ăăăŠăďźçŹďźă
ââ äťăžă§ăŽć ĺ˝çˇ¨éč ăŽä¸ă§ä¸çŞĺ°čąĄă埡ăăŁăäşşă¨č¨ăă¨ďź
čć¨ďźçăăăăăăăĺć§çă§ăăăăăăŻăĺ§ĺçăŞăŽăŻăăăăĽăźĺ˝ćăăăä¸čŠąăŤăŞăŁăŚăć¤ĺłśăăă§ăăăĺăŽăžăă厜ă¨ăăŚăŽćšĺć§ăŻăăŽäşşă¨ăŽăăă¨ăăŽä¸ă§ćąşăžăŁăŚăăŁăă¨ćăăžăă
ć¤ĺłśăăăć ĺ˝ăăăťăăŽä˝ĺŽśăăăŽä˝ĺă¨ăăčŚăă¨ĺăăăă§ăăăŠăă¸ă§ăźă¸ç§ĺąąĺ çă¨ăă厎ä¸ăăăĺ çă¨ăăăżăăŞăĄăăŁă¨ă¤ăăă§ăăăďźçŹďźă
ââ 埡çăŞä˝ĺăăćăăŽćšă°ăăă§ăăăăă ăéăŤč¨ăă¨ăăăăŞć¤ĺłśăăă ăăăăăčć¨ĺ çăŽĺăĺźăĺşăăăŽăăçĽăăžăăăă
čć¨ďźăăăăćăăŤăŻăŞăŁăŚăŞăăŁăăăăăăžăăăăďźçŹďźăă ăăć¤ĺłśăăăŤăŻćčŹăăŚăăžăăă
ă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăďźčć¨éŁĺ彌ăŻĺąăăŞăďź
ââ ăăăŞăźćĽč¨Şč ăăŽçľäşăăç´2ĺš´ĺžăă¤ăăŤăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăďź1986ĺš´ď˝ďźăĺ§ăžăăžăăă
čć¨ďźăăăźăăŁăźăă§ăçĽć§ăăăăăăŞăźăă§ăčä˝ăăćăăăŽă§ă揥ăŻăĺżăăăŞăă¨ăĺ˝ćăŽĺ°ĺš´ăžăăăŁăŚă埡ăäşşăďźăăąăłăŤăŽéäşşăă ăŁăăăăŞăă§ăăăĺăŻăăăăăŞăăŚăăăŁă¨ĺżăŽĺźˇăăżăăăŞăăŽăćăăăăŁăăă§ăă
ĺ˝ćăŻăăăŤçľć¸ăŽăă ä¸ă ăŁăăă§ăăžăăăăăăŞăźă§ă¤ăąă¤ăąăŞčŠąăĺ¤ăăŁăăă§ăăăăăźăăĄăłăćšĺźă¨ăă§ăăŠăăŠăćľă埡ăăŞăŁăŚăăăă§ăé ä¸ăžă§čĄăŁăăćŹĺ˝ăŤć埡ăŞăŽăăăçăŽĺźˇăăăŁăŚćŹĺ˝ăŤăăăŤăăăŽăăŁăŚé¨ĺăŤăăăçĺăăăŁăă
ĺăŻăăŽçăăăĺżăăŤăăăăăăŞăăă¨ćăŁăăă§ăăăăăŚăăăăăăăŁăŠăŻăżăźăćăăăăă¨ă
ââ ăăăăă¸ă§ă¸ă§ă§ăăŁăăăăăŁăŞă§ăăŁăăăăăăă§ăăăă§ăăăăăźăăŁăźăăŽćăăăă ăŁăăăă§ăăăŠăćŹćľăŤéăăăŽăŻĺ¤§ĺ¤ăŞăă¨ă ă¨ćăăžăăĺ˝ćăŽçˇ¨éé¨ăăăŻăăăăŁă¨ĺăăăăăăŚĺźˇăăăŞćľăăăłăăłĺşăďźăă¨ăăăăăăčŚćăŻăŞăăŁăăă§ăăăăďź
čć¨ďźăăăŻăăĄăăăăăžăăăăăă ăĺăŻăäťäşşăćăăŚăăŞăăă¨ăćăăă¨ăăăă¨ăä¸çŞĺ¤§äşăŤăăŚăăăŽă§ăăăăŻč˛ăăžăăă§ăăăăžăă厜ă¨ăăŚăŽäžĄĺ¤čŚłăăäşşć°ăă ă¨ăăă売ăä¸ăăă ă¨ăăŤç˝ŽăăŚăăă¨ĺąăăĄăăă¨ćăăă§ăăăŠăčŞĺăŽä¸ă§é˛ăăšăéăčŚăăŚăăă¨ăĺ¨ăăŤä˝ăč¨ăăăŚăć°ăŤăŞăăŞăăŞăăžăăă
ââ ă˘ăłăąăźăçľćăŤăă ăăŁăŚăăŞăăŁăăă§ăăă
čć¨ďźăăĺ˝çśă1ä˝ăĺăăăăăăăă§ăăăă§ăăăăŻçŽçăăăŞăă§ăăăăĺ ¨ă売ăăŞăăŽăŻă¤ă¤ă§ăăăŠăčŞé˘ăŤčźăŁăŚăăă°čŻăăŽăăŞăă¨ă
ăăăŤă"ăăźăăĄăłăăăŽ"ăŻăšăăźăŞăźă¨ăăŚăă°ăăŞăăăŁăŚćăŁăŚăăăă§ăăăăăăăŁăŚćăĺ°˝ăăăăžăă厜ăăăăĄăă揥ăŽä˝ĺăŽćăŤăăŻăźă夹ăŁăŚăăćăăăăăă§ăăăăăăă¤ă¤ă§ă
ââ ăăăăćĺłă§č¨ăă¨ăăă¸ă§ă¸ă§ăăŻăć°ăăé¨ăĺ§ăžăăăłăŤĺ ¨ăéăćšĺăŤăŞăŁăŚăć°éŽŽăŞé˘ç˝ăă¨ăăŻăźăăăä˝ĺă§ăăăăă¨ăăă§ăăă¸ă§ă¸ă§ăăŽä¸ťäşşĺ Źăĺ¤ăăŁăŚăăă¨ăăăĺ˝ćă¨ăăŚăŻďźäťă§ăďźďźăăŞăçăăă˘ă¤ăăŁă˘ăŻćĺăăäşĺŽăăŚăăăăŽăŞăă§ăăďź
čć¨ďźăăă§ăăăăă¨ăăłăŽćąăďźă¸ă§ăłăťăšăżă¤ăłăăăŻďźă¨ăăă˘ăĄăŞăŤăŽĺ°čŞŹăŤä¸ťäşşĺ Źă䝣ćżăăăăŚăăăŁăŚăŽăăăăăăă§ăăăéŁçśĺ¤§ć˛łăăŠăăŁăŚăăăă§ăăăăăăăăăŽă弽ăă ăŁăăă§ăăŁăŚăżăăăŁăăă§ăă
ââ ăŞăăťăŠăă§ăŻăăŁăŞăćĺăăă¸ă§ăźăšăżăźä¸ćăŤé˘ăăŁăŚăăăăŁăŠăŻăżăźă¨ăăäşĺŽă ăŁăăă§ăăă
čć¨ďźăă¸ă§ă¸ă§ăăŽć§ćłăŽä¸ăŤăĺ çĽăŽĺ ç¸ăăŁăŚăăŽăăăŁăŚă珏1é¨ă§ćťăă ăŻăăŽăăŁăŞăçžäťŁăŤčăăŁăŚăăĺąéăŻćĺăăčăăŚăžăăăčŞĺăŤăŻä˝ă貏䝝ăăŞăăŽăŤăĺ çĽăăăŽĺ ç¸ă§ĺ˝ăçăăăăŁăŚăăăăłăŻă¤ăăăŞăă§ăăăăăăăăŽăćăăăăŁăăă§ăăă
ââ éăŤăéŁčźä¸ăŤĺśçśçăžăăăăŁăŠăŻăżăźăč¨ĺŽă¨ăăăŽăŻăăăžăăăďź
čć¨ďźĺŽăŻăăšăżăłăăăăăă§ăăă珏2é¨ăçľăăç´ĺăŤăăăă波ç´ăŻçľăăăŤăăŚă珏3é¨ăŻć°ăăăŽă§čĄăăăăăŁăŚçˇ¨éč ăŤč¨ăăăŚăăăă§ć ăŚăŚă˛ăăĺşăăžăăďźçŹďźă
ăšăżăłăăŻčś č˝ĺăçŽăŤčŚăăăăăŤćăă¨ăŠăăŞăăăăŁăŚăăă˘ă¤ăăŁă˘ăŞăă§ăăăŠăćĺăŻăŞăăŞăćŚĺżľăĺăăŁăŚăăăăŞăăŚăăăăŞăă ăăăăŁăŚăăăŁăăďźčĺžăŽçŠşéăćăăăŚďźĺŽčˇéăżăăăŞăŽăĺşăŚăăŚćľăćťćăăăă§ăăăŁăŚč¨ăŁăŚăĺăăŁăŚăăăăŞăďźçŹďźă
ăăăăăăŚăăăăĄăŤçˇ ăĺăăčżăĽăăŚăăăă§ăă¨ăăăăćăăŚăăăăčŞăă§ăăăŁăăă§ăăăăăă§ăăŞăăŞăă......ăăăăăăŠăăăŁăŚăăăŁăŚăăăăăăŁăŚăŽăă珏3é¨ăŽĺ§ăžăă§ăăă
ââ ă§ăăă ăă ăčŞçĽăăăŚăăŁăŚăäťă§ăŻĺŽçŞăŽčĄ¨çžćšćłăŤăŞăŁăŚăăžăăăă
čć¨ďźăăăŞăŁăĄăăăžăăăď˝ă
ââ ăăăăăăăăŚăäźşăăăŚăăă¨ăéćăŤă硨éč ăăŽĺĺ¨ăĺşăŚăăžăăăăčć¨ĺ çăŤă¨ăŁăŚă硨éč ăă¨ăŻăăŁăăăŠăăŞĺĺ¨ăŞăŽă§ăăăăďź
čć¨ďźăçŹăăŽç¸ćšăŁăŚćăă§ăăăăă¨ăŚă大ĺă§ăăă1äşşăă羜寞ăŤăžăăăŻä˝ăăžăăăăă硨éč ă¨ăŽćĺăăŻĺ¤§äşă§ăă
ăĄăŞăżăŤăăăăžă§10人䝼ä¸ăŽçˇ¨éč ă¨äťäşăăŚăăžăăăăŠăć°äşşçˇ¨éč ă ă¨č縎ăăŚćčŚăč¨ăăŞăăă¨ăăăăă§ăăăăă ăăăăăăă¨ăăĺăăĄăăŁă¨ćăăă§ăăăăŞăă§ăčŻăăăč¨ăăŁăŚăč¨ăăŽăăăŞăăŽäťäşă ăăŁăŚă
ââ 硨éč ăŽćčŚăŤăăŁăŚä˝ĺăĺ¤ăăăŁăŚäşăŻăăăă§ăăďź
čć¨ďźăăăŻăăĄăăăăăŽäşşăŽĺĽ˝ăżăĺ ĽăŁăĄăăŁăăăăăăăă¨ăă°ăă¸ă§ă¸ă§ăŽçŹŹ3é¨ă§ăăŁăŞăĺăăŤă¨ă¸ăăăŤčĄăăăăŞăă§ăăăăăăŻă硨éč ăă¨ă¸ăă弽ăă ăŁăăăăŞăă§ăăăĺăŻăăăăăăăŞăăŚăăăă§ăăăćąăďźăăăăăĺ ´ćăŻă¤ă¤ă ăŁăăă§ăăăăăă硨éč ăăăăăä¸çˇăŤčĄăăăăŁăŚăĺăŻčĄăăăăŞăăŁăăă§ăăăŠăďźçŹďźă
ââ äťăžă§ăŽć ĺ˝çˇ¨éč ăŽä¸ă§ä¸çŞĺ°čąĄă埡ăăŁăäşşă¨č¨ăă¨ďź
čć¨ďźçăăăăăăăĺć§çă§ăăăăăăŻăĺ§ĺçăŞăŽăŻăăăăĽăźĺ˝ćăăăä¸čŠąăŤăŞăŁăŚăć¤ĺłśăăă§ăăăĺăŽăžăă厜ă¨ăăŚăŽćšĺć§ăŻăăŽäşşă¨ăŽăăă¨ăăŽä¸ă§ćąşăžăŁăŚăăŁăă¨ćăăžăă
ć¤ĺłśăăăć ĺ˝ăăăťăăŽä˝ĺŽśăăăŽä˝ĺă¨ăăčŚăă¨ĺăăăă§ăăăŠăă¸ă§ăźă¸ç§ĺąąĺ çă¨ăă厎ä¸ăăăĺ çă¨ăăăżăăŞăĄăăŁă¨ă¤ăăă§ăăăďźçŹďźă
ââ 埡çăŞä˝ĺăăćăăŽćšă°ăăă§ăăăăă ăéăŤč¨ăă¨ăăăăŞć¤ĺłśăăă ăăăăăčć¨ĺ çăŽĺăĺźăĺşăăăŽăăçĽăăžăăăă
čć¨ďźăăăăćăăŤăŻăŞăŁăŚăŞăăŁăăăăăăžăăăăďźçŹďźăă ăăć¤ĺłśăăăŤăŻćčŹăăŚăăžăăă
ĺşăăăă¸ă§ă¸ă§ăăŻăźăŤă
ââ ăăŚăäťăăăă¸ă§ă¸ă§ăă¨ăăă°ăĺçăŽăŻăŞă¨ă¤ăżăźăă˘ăźăăŁăšăăŤăçąççăŞăăĄăłăăăžăăăăăăăăăĺĽăŽä¸çă§ć´ťčşăăŚăăăŁăăăčĺäşşăŤăă¸ă§ă¸ă§ăăćăăăŚăăă¨ăăăă¨ăŤă¤ăăŚăŻăŠăćăăăžăăă
čć¨ďźéˇăéăăŁăŚăăă¨ăăčŞĺăŁăŚĺ¤ăăŽăăŞăŁăŚćăććăăăăă§ăăăă§ăăăăăăľăăŤč¨ăŁăŚăăăăă¨ăăĺ¤ăăŚăăăŽăžăžăăăŤčĄăă°ăăăă ăŁăŚćăăă§ăăăă ăăăăăăăăăăăăă§ăăă
ââ CDă¸ăŁăąăăăTăˇăŁăăăśă¤ăłăŞăŠăäťćĽçăŽă˘ăźăăŁăšăă¨ăŽăłăŠăăŹăźăˇă§ăłăçŠćĽľçăŤčĄăŞăăăŚăăžăăăă
CDă¸ăŁăąăăďź
ăCatwalkăăSOUL'd OUT(Sony Music Entertainment, 2006)
ăMUSIC IS THE KEY OF LIFEăăSUGIURUMN(MIDI Creative, 2000)
ăLIFE GROUND MUSICăăSUGIURUMN(MIDI Creative, 2002)
TăˇăŁăďź UNIQLO CREATIVE AWARD 2006ďźĺŽĺŁ˛ďź
čć¨ďźăăă§ăăăé źăžăăă¨ăăăăăăă¤ăĺźăĺăăĄăăăžăăăäťäşă¨ăăăăăć°ĺ蝢ćăŁăŚč¨ăăă§ăăďźăäźăżăŽćĽăŤćĽ˝ăăă§ćăăŚăžăăă
ââ äźćĽăŤăćăăŤăŞăŁăŚăăă§ăăďź
čć¨ďźčŻăć°ĺ蝢ćăŤăŞăŁăŚăžăăăăăăŤĺăăă¸ă§ă¸ă§ăăŽăă¨ăçĽăăŞăäşşéăŤčŚăŚăăăăăŽăăăă§ăăăăăăăŻä˝ă ďźăăŁăŚćăŁăŚăťăăă
ââ ăăăăŁăŚăă¸ă§ă¸ă§ăăçĽăŁăŚăăăĄăłăŤăŞăŁăäşşăĺ¤ăă¨ćăăžăăăĄăŞăżăŤăăžăăă¨ă¤ăŠăšăă§ăŻä˝ăéăŁăăăăăă§ăăăăďź
čć¨ďźĺżć§ăăéăăžăăăă¤ăŠăšăăŽĺ ´ĺăŻăăă¨čŚăćăŽĺ°čąĄăŤćŽăćăă大äşăŤăăăăăăăźăşă¨ăč˛ă¨ăć§ĺłăčăăăŽăŤăăăćéăăăăžăăă
äžăă°ćăăăă¨ăăŻăčŞĺăŽćăçşăăŚčăăăăĺŽéăŤç´ăŤćăăŚćśăăŚăćăăŚćśăăŚăćéăăăăŚăžăćăăŚăăăăŞăľăăŤăăŚä˝ăŁăŚăăăžăăăžăăăŻăăšăăźăŞăźăă§ăăŚăăăăăăŤăĄăŠăă¨ăŁăŚăăăăăŤä¸ĺăŽćľăă§ćăăŚčĄăăă§ăăăăăă¨ăŻă ăăśéăăžăăă
ââ ăăăăŤăĺźăčžźăžăăăăăŞăăăŞĺźĺăćăăžăăăă¨ăăă§ăăăă¨ăŻăžăĺĽăŽăłăŠăăŹăźăˇă§ăłă¨ăăŚăăă¸ă§ă¸ă§ăăŽă˛ăźă ăă˘ăăĄăăăăžăăăăăăă風ăŤăčŞĺăŽä˝ĺăăĺĽăŽäşşéăĺĽăŽä˝ĺăŤăăŚăăăă¨ăŤă¤ăăŚăŻăŠăŽăăăŤăčăă§ăăďź
čć¨ďźă˘ăăĄăŤăăăă˛ăźă ăŤăăă質ăŽéŤăăăŽăŤăăŚăăăăăă§ăăă大äşăŞă¨ăăăéŠĺ˝ăŤćľăăŞăăă°ă弽ăăŤăăŁăŚăăăŁăŚăăžăăžăăăçľľăĺ¤ăăŁăŚăăăăă声ĺŞă誰ă§ăăăă
ăăŽçšăă˛ăźă ăŻĺä˝ăŤăŞăĺąéăăăŁăăăăŚăăăŁăăčŻăă§ăăŚăăăă§ăăăčŞĺăŽćăăăăŁăŠăŻăżăźăŤăăăăăŽăŻăăă¤ăăžăăăŠăďźçŹďźă
ââ ćĺžăŽčłŞĺă§ăăĺ çăŻăăăăăăăă¸ă§ă¸ă§ăăćăçśăăžăă?
čć¨ďźçˇ¨éé¨ăăăăăăéăăŽćăăŁăŚč¨ăăăŚăăăă§ăăăŠăăăçĄçă§ăăăä˝ăćăăŚăăă¸ă§ă¸ă§ăăŤăŞăŁăŚăăžăăčŞĺăŽčăăŚăăăă¨ăŻă˛ă¨ă¤ăŞăŽă§ăăăăĺ¨ç¨ăŤĺăăăăŞăăă§ăăăă ăă飽ăăăăăçľăăăŞăă ăăăŞďźçŹďźă
ââ éăŤčć¨ĺ çăăžăăăćăăŤéŁ˝ăăă¨ăăăă¨ăŻăŞăăă§ăăăăďź
čć¨ďźăăŁăăč¨ăăžăăăăŠăă¤ăăŤčŹă¨ăă追犜ăçśăăăăă§ăăăăăăˇăźăŁăŚăăăŽăăŞă¨ăă掺人鏟ăŻăŞăă§äşşă掺ăăŽăă¨ăăăăŤă˝ăŻăŞăă§çľľăćăăŽăă¨ă......ăăăăăčŹăŁăŚăŞăăŞăăŞăăăăŞăă§ăăďź
éŁčĄćŠă¨ăăéŁăśăăăŤăŞăŁăŚĺ°çăçăăŞăŁăćăŤčŹăŁăŚăŞăăŞăăŽăăŞăăŁăŚćăŁăăăăŠăăžă ăăŁăąăăăăă§ăăăăăăăŤăŞăă§ăăă[7]
ăăăăďźď˝ďźĺš´ĺă çşçŤŻăŻăšăăźăă¸ă ă§ăŽĺşćĽäşă ăŁăă
ăăćĽăčć¨éŁĺ彌ĺ çăŻéăŁăŚăăăšăăźăă¸ă ăŽăˇăŁăŻăźĺŽ¤ă§ ăăăŁă˝ăăăăăăăă ăçŽćă大人ăŽĺ°ćăăăăŽăăăŁă˝ăăăĺ°žăŚă骨ăăăăŤăŻăăŚăăă čĺžăăă ăŁăăŽă§éĄăŻčŚăăŞăăŁăă
éŠăăŚăă¸ă ăŽăšăżăăăŤăăăĺăă㨠ăăăŽäşşăä˝ăăăăŞăă¨ăč¨ăŁăŚăăă âŚă ă¨ăăĺˇăăăăŞčŚçˇăčżăŁăŚăăă
ĺććăŤăä¸ĺąĽăăŤĺąĽăăăăŞăçˇäşäťśăăă¸ă ă§čľˇăăŁăŚăăă
ăšăăźăă¸ă ă§ăŻăć´čĄŁĺŽ¤ă§ä¸ĺąĽăăŤăŻăăăăăŽăćŽéă ăăăăăăçˇă厜ăă幼ăăŚăăé´ăŽăžăžă¸ă ăŤĺ Ľăă¨ăăäşäťśăĺçşă
ĺ˝çśăĺéĄăŤăŞăŁăăăăăŽçˇăŽä¸ťĺźľăă¸ă ăŻĺăĺ Ľăăă çˇăŻĺšłçśă¨č¨ăŁăŚăŽăăă
ăčŞĺăŻĺŽśăăä¸ĺşŚăĺ°é˘ăŤčśłăă¤ăăăŤăčŞčť˘čťă§ă¸ă ăŤćĽăŚăăăä¸ĺşŚăĺ°é˘ăŤčśłăă¤ăăŚăăŞăăŽă ăăăćąăăŚăăŞăăăăŁăŚăăăŽăžăžă¸ă ăŤĺ ĽăŁăŚăä˝ăŽĺéĄăăŞăăŻăă ă
ăăăŞçĄčśăŞä¸ťĺźľăĺăĺ ĽăăŚăăăŞăăăčŞĺăŽçŽćčŤăŤăŻĺˇăăăăŞăŞă˘ăŻăˇă§ăłăčżăă ăăŽă¸ă ăŽăšăżăăăăăŽć 庌ăŤĺŤć°ăăăăčć¨ăăăŻă
ăçĄčśčŚčśăŞä¸ťĺźľăŻĺăĺ ĽăăăŽăŤăćŹĺ˝ăŤčŚăăă¨ăĺăĺ ĽăăăăŞăă¨ăŻâŚăăăăä˝ăčŚăŚăäşşăŤčŠąăăŽăŻăăăăă ă¨ćăŁăă¨ăăă
ăăćąşćăăç˘ĺ ăčć¨ăăăŻăăžăă芹ăăăŤăŻăăăăŞăăăŽăçŽćăăăă¨ăŤăŞăă
ăăćĽăŽćźä¸ăăă čŞĺŽ ăŽćĺŻé§ čżăăćŠăăŚăăčć¨ăăăŽçŽăŤăĺĽĺŚăŞăăŽăéŁăłčžźăă§ăăă
ĺ°ăŞăăŞăćŠčĄč ăăĄăŽĺéăăŹăŁăŚăčŞčť˘čťă§čľ°ăŁăŚăăĺ§ĺźă ăăăăăčŞčť˘čťăŤäšăăĺźăĺ§ăčż˝ăć źĺĽ˝ă§čľ°ăŁăŚăăăă¨ăăŤĺ°ĺŚçăăăă ăăăă ăăłă°ăă˘ăźăŤăšăŤăźă姿ăŽĺ§ăăăŽĺžăŤă¸ăźăăłă¨ă¸ăŁăłăăźĺ§żăŽĺźăçśăă
ĺ§ăčć¨ăăăŽć¨ŞăéăăăăăăăŤçśăăŚăăŁăŚăăĺźăŤčŚçˇă秝ăă ăăŽéĄăčŚăŚăčć¨ăăăŻçŽăçăŁăă
é˛ĺşăăŚăăčăŽé¨ĺă ăăăçˇăă
ćă丸ĺ丝ăŽé é¨ăăăăă´ă ăŽăăăŞă濥ăăăăăŞăă¤ăŽăă質ćă§ăăăžăăŤăăŽé é¨ăŤăĄăŹăăăăăŚăăă ă¤ăžăăé˛ĺşăăŚăăčăŽé¨ĺ䝼ĺ¤ăŻĺ ¨ăćŽéă
ăăăăĺăčĄăĺ§ăŤćĽ˝ăăăŤăăĺ§ăĄăăăâââââŚăă¨čŞăăăăŚăăă ĺ§ăčŞçśăŤăăŽčŞăăăăŤăăăăŚăăă
ăăčŞçśăŤčŚăăĺ§ĺźăŽĺ§żă ä¸čŞçśăŞăŽăŻăĺźăŽé˛ĺşé¨ĺă ăăŞăŽă ă
ĺ¨ĺ˛ăŽćŠčĄč ăŽä¸ăŤăăăăďźăă¨ăăčŚçˇăéăŁăŚăăäşşăăăă ăăăă誰ä¸äşşă¨ăăŚăăăăŁďźăă¨ăŻéŠăăŚăăŞăă ĺš˝éăĺăçŠăčŚăăă¨ăăćăă§ăŻăŞăăăä˝ăĺ¤ăŞć°ăăăâŚăă¨ăăćăăŽĺ ćŻă ăŁăăăăă
ăăăŁă˝ăăăăăăăăăŽäťśăăăŁăăŽă§ă ăă˛ăăŁă¨ăăŚăăăăăŞăŤăĄăŠăçăŞă¤ăżăşăŠă ăŁăăŽă§ăŻâŚďźă ăäťŽčŁ ăăźăăŁăä˝ăăďźă ă¨ĺ¤č§çăŞć¤č¨źă芌ăżăčć¨ăăă ăŁăăăĺĽĺŚăŞéĺćăŻćśăăŞăă ďźäťŽăŤçšćŽăĄă¤ăŻă ă¨ăăŚăăç¸ĺ˝ăŞăŻăŞăŞăăŁăĺäžăéăłă§ĺşćĽăăŹăăŤă¨ăŻ ćăăŞăďź
ăăăă誰ăăŤčŠąăăŚăžăĺˇăăăăŞăŞă˘ăŻăˇă§ăłăăăăăŽăăăŞăăŞăă çľĺąă弼ăăă ăăŤčŠąăăäťăŽäşşăŤăŻčŠąăăŞăăžăžăŤăŞăŁăŚăăă
ăăăăăăćĽăăăŹăă§çłĺ澊äşăăăă
çˇč˛ăŽă´ă äşşéăčŚăă
ă¨çĺŁăŤč¨´ăăŚăăăŽăčŚăčć¨ăăăčŞĺăčŚăăŽăăçłĺăăă芹ăăŚăă¤ăăŞăŽăăăăăŞăăăăčăăă¨ăăăăŻă¤ăżăşăŠă§ăŻăŞăăćŹĺ˝ăŤăăăăăăŽă ăŁăăŽăăăăăŞăâŚă¨ăćăă¨ăăă
ĺŽéăŽă¨ăăăçšćŽĺšćăŽăĄă¤ăŻăŽăăăŞă¤ăżăşăŠă ăŁăăŽăăăăăŞăăăćŹĺ˝ăŤăăăăăăŽă ăŁăăŽăăăăăŞăăă ăăŠăăăăăăă¨ă芹ăă¨ĺˇăăăăŞĺĺżăăăăăŽă§ăăăžă芹ăăžăăă¨ćăăă¨ăŽăă¨ă ă
[8]
If you could use a Stand power, whose Stand would you choose and what would you want to do with it?
Araki: Well, which one do you choose, Shokotan? Can I call you Shokotan?
Shoko: Of course! He calls me "Shokotan"! I'm so glad. My dream is to marry Jotaro-sama and have a child with him. He'd probably say to me, "Yare Yare Daze" and spit on me. That's my dream. Sorry, the question was about stands, wasn't it.
Araki: So, Star Platinum?
Shoko: I want to receive 'ora ora' from him.
Araki:(Laugh) Hmm...I think I would choose Rohan Kishibe's Stand. I want to know what people are thinking by opening their minds.
Shoko: You work with various people, so that would be useful.
Araki: Yes, I want to discover the unknown sides to them.
Shoko: It's scary though, it seems like you are already able to use that Stand, I guess.
Araki: (Laugh) Well, yeah. And your choice is Star Platinum, right?
Shoko: I want to be beaten up by him.
Araki: I hope your dream will come true.
Shoko:(Laugh) I am a completely bizarre person.
What type of woman does Jotaro-sama like?
Araki: Type of woman? Uh, I don't think he is interested in women that much.
Shoko: I think he would say, "Yare Yare Daze," to a girl like me, right?
Araki: He definitely would. That is his charm.
Shoko: He would also say: "You are annoying."
Araki: (Laugh) That would be great.
Shoko: That's what I want! I want to have a child with him. How can i make him love me?
Araki: He might say that you're annoying, but he'd still love you, I think.
Shoko: I like it! It's tsundere. Does he prefer a girl who's neatly dressed or one with a short skirt?
Araki: Eh, he is more of a straightfoward guy. He will enjoy the time with you, though he might say that you're annoying.
Shoko: Really? Then I will do my best! I think I should go to a disco.
Is Jotaro's school cap a part of his head?
Araki: Yes, it's true.
Shoko: Is it? Why is the cap a part of his head?
Araki: Well, because he never takes off his cap.
Shoko: The cap is part of his body?
Araki: Right. When drawing Jotaro, I felt it was OK to combine him and his hair since he never takes it off.
Shoko: That's a unique idea.
Araki: Indeed. By doing so, Jotaro looks more elegant. I want readers to recognize him from the back, not just his forefront.
Shoko: So he isn't actually wearing a cap. The cap is completely part of his body.
Araki: That is right.
Shoko: Only Araki-sensei could come up with such an idea. It's me who wants to use Rohan's stand to see inside of Araki-Sensei's imagination.
There is a rumor that one scene in the 20th volume of JoJo's Bizarre Adventure predicted the 9/11 attack in New York 11 years before it actually happened. Did Boingo really predict 9/11?
Araki: Yeah, that actually surprised me. I don't know why I drew such a scene.
Shoko: You clearly wrote the word 911 and the laughing plane.
Araki: I don't even know why the plane is laughing.
Shoko: You didn't intentionally draw the scene?
Araki: Well, I don't know. I don't remember. I drew that scene as part of the story, but I don't know what it means. I learned about it recently, but I think it's just a coincidence.
Shoko:Your stand can predict the future. Your Stand predicts the future AND keeps your yourself young. (Laugh)
How can one defeat Star Platinum: The World, the most powerful stand ever?
Araki: Eh...Jotaro can be defeated only by Jotaro himself or by the child of Jotaro and Shokotan.
Shoko: You allow me to have his child? So Jotaro-sama and I have a child and he won't be invincible.
Araki: Correct.
Shoko: That's a great idea!!
Araki: Actually, it's impossible to defeat his stand at the moment. Star Platinum can halt the flow of time, so to defeat him, you need to let time flow again.
Shoko: So you would need to possess a power to control time itself? Sounds great.
What do you keep in mind when drawing pictures in color?
Araki: Well, the combination of colors is important. Like what color should be placed where.
Shoko: What is your favorite color?
Araki: My favorite color? Green...or moss green with some white. The mix of dark moss green and white is my favorite.
Shoko: But the color you actually draw with and the color that is printed are somewhat different right?
Araki: Yeah, you're right. So the important thing is not only the color itself but its adjacent colors.
Shoko: When you were a child, what were you drawing?
Araki: I was drawing things like Hakagata Mitsuru, a character from Kyojin no Hoshi. I'm a big fan of Ikki Kajiwara. I was curious how Joe Yabuki's hair looked like when we saw him from the forefront, right side and left side.
Shoko: Ordinary kids draw Joe only from the right or left sides, but you were not a normal kid.
Araki: (Laugh) Yeah.
What type of woman does Araki-Sensei like?
Araki: EH..? This question is hard to answer.
Shoko: You wife may be watching this show.
Araki: I like a woman like my wife.
Shoko: A good answer. What do you like about your wife?
Araki: As soon as you meet her, you will see that she loves gags. She will often say gags like Shokotan's giza thing (means "super").
Shoko: She uses "giza"?
Araki: When I said to her "Giza Ohayu-su" (Super good morning), she told me I was doing it wrong.
Lecture
Introduction (Starting with a joke on why he accepted the offer because he has a hard time with lectures.)
Tohoku University Version: "As someone from Morioh-cho, there was no way I could turn down an offer from the hometown university." (A wave of excitement in the audience.)
Aoyama Gakuin University Version: "My daughter is going to take the entrance exam for this school next year and if she manages to get in, I don't want people to tell her, "So... your father refused to come last year, didn't he..." So, I had to accept the offer. (The audience laughs).
âChildhood memories
"As a little boy, I liked to chase mysteries. Like the mysteries of UFOs and ghosts, I always wondered why Picasso painted such strange paintings. My curiosity got the better of me and at the age of 5, I slipped head first into a lake while looking at the fishes. My parents say I've already died one time. When my mother found me, I was drowning at the bottom of the lake. She grabbed my legs and swung me upside down to revive me."
"During the Winter in Sendai, you could see animal tracks in the snow when the morning came. As a child, I used to enjoy following these tracks. One day, while following the tracks, I fell into a 'manure pit' that was underneath the snow. I managed to turn around and grab the edge the moment I fell, which saved my life, but one more step and I would've been a goner. When I went back home, they wouldn't let me in because of the smell. Despite it being the middle of Winter, my parents sprayed me down with a hose. I felt closer to death from that than the manure pit (haha). After that terrible experience, I developed a more cautious personality. I started letting other people try new foods first, see how they react, and then eat it myself. When Plasma TVs came out, I saw as other mangaka rushed to get one and thought to myself, 'In 2 to 3 years, it'll probably be cheaper and have more features.' Several years have passed and I still watch on a CRT to this day (haha)."
Lecture
ĺé ăăăă¤ďźčŹćźăčŚćăŞăŽăŤĺźăĺăăççąăă¸ă§ăźăŻă§ďź
ćąĺ大ăăźă¸ă§ăłâŚăćççşĺşčşŤăŽĺă¨ăăŚăŻăĺ°ĺ
ăťćąĺ大ăŽăăŽäžé źăćăăăăŤăŻăăăŞăăďźĺ ´ĺ
暧ăăžăăďź
éĺŚăăźă¸ă§ăłâŚăĺ¨ăćĽĺš´ăăăĺé¨ăăăăăăŚăăăéăăă¨ăŤăŞăŁăćăŤâăĺăŽçśčŚŞĺťĺš´ćăŁăăăŞăâăŁăŚĺŤĺłč¨ăăăŞăăăăŤĺźăĺăăžăăăďźĺŽ˘ĺ¸ççŹďź
âĺäžć䝣ăŽćăĺş
ăĺăŻčŹăčż˝ăăŽă弽ăăŞĺ°ĺš´ă ăŁăăă§ăăUFOăăĺăăŽčŹă¨ĺăăăăŤăăăŤă˝ăŻăŞăă§ăăăŞĺ¤ăŞçľľăćăăă ăăăŁăŚçĺăŤćăŁăŚăăžăăă弽ĺĽĺżăćăă ďźćłăŽćăŤćą ă§éăčŚăŚăăăăĄăŤćťăŁăŚé ăăč˝ăĄă茪ăč¨ăăŤăŻĺăŻä¸ĺşŚćťăă§ăăăăă§ăăćŻčŚŞăčŚă¤ăăćăŻćą ăŽĺşăŤć˛ăă§ăŚăčśłăć´ăă§éăăžăŤăľăŁăŚçăčżăăăăă§ăă
ĺŹăŽäťĺ°ăŻćăŤăŞăă¨éŞăŽä¸ăŤĺçŠăŽčśłčˇĄăă¤ăăŚăăăăŚăĺăŠăăŽé ăŻăăă追补ăăăŽă弽ăă§ăăăăăćĽăčż˝ăŁăŚăăăĄăŤéŞăŽä¸ăŤăăŁăâčĽďźăăďźă ăâăŤč˝ăĄăŚăăžăŁăăă§ăăč˝ăĄăçŹéă¨ăŁăăŤĺ蝢ăăŚĺ°é˘ăć´ăă ăăĺ˝ăćăăăăăŠăä¸ćŠĺ
ăŻćťăŽé ĺă§ăăă厜ăŤĺ¸°ăă¨ä˝ăčăăŽă§ĺ
ĽăăŚăăăăăçĺŹăŞăŽăŤčŚŞăăăăźăšă§ć°´ăăśăŁăăăăăăăŁăĄăŽćšă§ćťăŤăăă§ăăďźçŹďźăăăăŞé
ˇăçŽăŤăăŁăŚäťĽćĽăç¨ĺżćˇąăć§ć źăŤăŞăăžăăăć°čŁ˝ĺăŻčŞ°ăăŤéŁăšăăăŚć§ĺăčŚăŚăăéŁăšăăăăŞăăăăŠăşăčĺăăŹăăĺşăćăăăăăŤéŁăłă¤ăäťăŽćźŤçťĺŽśăŽć§ĺăčŚăŞăăăâďźď˝ďźĺš´ă§ĺŽăăŞăć§č˝ăčŻăăŞăă ăăâă¨ć°ĺš´éăăăăăžă ăŤăăŠăŚăłçŽĄăčŚăŚăăžăďźçŹďźăă
âăćăăăŞăăăłăŹăŽćăćšă
ăčŹĺş§ăŽĺĺăŻăĄăăŁă¨çă
ăăăă§ăăăăćăăăŞăăăłăŹăŽćăćšăăčŚăăăŤéčŞăŤčźăăŤăŻăŠăăăăăăăăăăŽĺşćŹăč¸ăžăăŚăŞăă¨ĺ¤§ăăăăžă§ăăăŞăă¨ăăăă¨ă§ăă
ćčżăŽä¸ăŽä¸ăčŚăŚăăă¨ăćżć˛ťĺŽśăŻć¨ŠĺăĺčŞăćąăăăăžăăćĽĺž
ă¨ăă§ăă¤ăŽéăŤăéăžăżăăŤăŞăŁăŚăăăăäźćĽăŻĺŁ˛ä¸ăăŽć°ĺă ăăçŽćăăŚç°ĺ˘ç ´ĺŁă辡ăăăăăĺ´ĺč
ăŽăă¨ăčăăŞăăŁăăă¨ăć´čľ°ăăăĄă§ăăăăłăŹăĺăă§ă売ăăăăłăŹă°ăăčż˝ćąăăŚăă¨č˝ă¨ă犴ăŤä˝ĺŽśčŞčşŤăĺşç礞ăăăăăŚăăžăăžăăçăŤčŞăă§č˛°ăăăăŤăŻĺŁ˛ăăŞăăăŞăăŞăăăŠă売ăăăă¨ă ăčăăŚăă¨ééăŁăćšĺăŤčĄăŁăĄăăăŽă§ăăăŽçşăŤăăĺ°ĺłăăĺż
čŚăŞăă§ăă
ćŞéăŽĺąąăăăŁăă¨ăăŚăĺąąăŤçťăăăăŽéşďźăľăă¨ďźăžă§ăŽĺ°ĺłăăŞăă¨ăăŠăăŤćŞéăŽĺąąăăăăăĺăăăŞăăăăŞăă§ăăăéşăžă§ăăĺşćŹĺ°ĺłăăăă°ăćŞéăŽĺąąăŤçťăŁăŚăă¤ăă¤ă¨ćăŁăăćťăŁăŚăăăăžăăăšăŠăłăăŤăŞăŁăăăăăžă§ćťăă°ăăăăăăăéťéăŽĺ°ĺłăŻçľśĺŻžăŤĺż
čŚăŞăă§ăďźăă
ăçˇăŤăŻĺ°ĺłăĺż
čŚă ăčéă渥ăĺăăĺżăŽä¸ăŽăĺ°ĺłăăăŞăďźSBR珏ďźĺˇťďź
âçľľăŤă¤ăăŚď˝ăžăčŞč
ăćĺăŤĺşĺăăŽăŻçľľ
ăçľľăŤăŻĺ¤ĺ
¸çăŞăăŽăăŻăźăŤăŞăăŽăăăĄăłăżă¸ăźăăŞă˘ăŞăăŁăčż˝ăćąăăä˝ĺăŞăŠč˛ă
ăăăžăăăä¸çŞĺ¤§ĺăŞăŽăŻ15ď˝ĺ
ăăčŚăŚăâăăŽăăŁăŠă âă¨ĺăăăŽăčŻăçľľă ă¨ćăăžăăć°äşşăŽćăŤăăăŞăłă°ăŤăăăďźăăăăăăŁăăăłçżźăăăĺćăŽćłăăŞăŠăčŚăŚăăćăăžăăăćčżă§ăăăŻăłăăźăšăăŞăăăŻďźé ăăăďźĺăăăžăăă
ăăŤă˝ăŽçľľăŻĺčŚăŽä˝ĺă§ăăăăăăŤă˝ă ăŞăăŁăŚĺăăăăăăăăźăăŚăšăŻä¸¸ăďźă¤ćăă°ĺ˝ąă ăă§ăăăăźăăŚăšăŁăŚĺăăăžăăăăąăŠăłă¸ă§ăăŞăŠĺ¤ĺ
¸ăŽçťĺŽśă ăă§ăŞăăćčżă§ăŻĺăŤč˛ăĺĄăŁăŚăă ăăŽăăźăăăăťăăĽăźăăłăăăă ăŞăŹăłă¸ăĺĄăŁăŚăă ăăŞăŽăŤăăźăăăăťăăĽăźăăłăŞăă§ăăă
ăŚăŤăăŠăăłăăšăă¤ăăźăăłăăă¤ăąăŤăťă¸ăŁăŻă˝ăłăăŞăă§ăä¸çŽčŚăŚĺăăăŽăăšăźăăźăšăżăźăăĄăŁăĄăăŞć ĺă§ăăă¤ăąăŤăŁăŚĺăăăžăăăăăăăŞé˘¨ăŤăăŠăăăčŚăŚăĺăăăăśă¤ăłăčż˝ćąăăăŽăçľľă ă¨ĺăŻćăŁăŚăžăăçťĺăéŤăăă°ăăăŤčśăăăă¨ăŻăŞăăăăŠăăăžăä¸ćăŻăăžăéčŚăăăăŞăăă
âăăŁăŠăŻăżăźăŤă¤ăăŚď˝çľľăŽćŹĄăŤéŁăłčžźăă§ăăăŽăŻăăŁăŠăŻăżăź
ăăăźăăźă¨ăŻĺ¤çŹăŤćŚăäşşă§ăă䝲éăŻăăŚăćĺžăŻčŞĺä¸äşşă§ćŚăŁăŚăăäşşăŤćłŁăăăă§ăăăăĺé źăăăă¨ăăăăŁăŠăŻăăźăăźăăăŞăďźçŹďźăĺ¤äşşă¨ä¸ăŽä¸ăăçŞĺźžăăŤăăăŚă役ăŞăăäşşăŽçşăŤćŚăŁăŚăăăŽăăăźăăźăŽĺşćŹăŞăă§ăăăăŁăŠăŻĺă¨ćŞăŤĺăăŚăăŚăćŞă¨ăăăŽăŻDIOăŤăăĺčŻăŤăăćăăŚăŚćĽ˝ăăă§ăăăăšăăŹăšăă¨ăă§ăšăŤăă¨ďźçŹďźăćŞăă¤ăăŤăçčŤăăăŁăŚăĺčŻăŻăă éăăŤćŽăăăăă ăă§ăăăăŤăŻčŞč
ăĺ
ąćă§ăăé¨ĺăăăă¨ćăăćŞĺ˝šăŻç´°ăăč¨ĺŽăčăăăŽă漽ăăăŚăĺčŻăŻçŞăéăăŚä˝čŞżă調ăšăă¨ăăăŻćŹĺ˝ăŻĺĽłăŽĺă弽ăă ăăŠçˇă§ăă ăă¨ăăăăăăăŽăćłĺăăăŽăé˘ç˝ăăă§ăďźçŹďźă
ä¸ćšăĺăŽă¸ă§ăźăšăżăźĺ´ăŻćăăŽăéŁăăă§ăăćŁçžŠă¨ăĺć°ă¨ăăŻăćăćšăŤăăŁăŚăŻčŞč
ăăä˝ăčŻăĺăśăŁăŚăă ăăă¨ĺćăćăĄăžăăă§ăăäşăăĺźăçŤăŚăçşăŤăăăŽéŁăăăŽăćăăŞăăăŞăăŞăăă§ăăç˝ăĺ稿ç¨ç´ăŤéťăă¤ăłăŻă§ćźŤçťăćăăăăŤăăăŁăŠăéťă¨ç˝ăăŞăă¨äşăăĺźăçŤăĄăžăăăăă
ćŞă°ăăćăăŚăăăłăŹăŁăŚăăăŽăŻčăăă¨ćăăă§ăăä¸ăŽä¸ăŤăŻçžăăĺżăăăăăă§ăăăăçŽć¨ăŤä˝ăăăŚăăăŞăă¨ăćŁçžŠă¨ăĺă¨ăĺ¸ćă貍ăăŚăă丝人ĺ
ŹăăăŞăă¨ăćŞă ăăćăăŚăăă¨ăä¸ćçăŤăŻäşşć°ăĺşăŚçăŽčŠąéĄăŤăŞăăăçĽăăŞăăăŠăć䝣ăčś
čśăăăŤăŻäşşéăŽćŽéçăŞăăŽďźĺďźăĺż
čŚăŞăă§ăă
NGč¨ĺŽăŻăăŤă¨ăăăąăŽăłăłăă§ăćŚĺ¨ăăąăźăżă¤ă厜ăŤĺżăăă¨ăăăăăŞăšăăźăŞăźăä˝ăŁăŚăŻăăĄă§ăăćăŁăŚăăŽăĺ˝çśă ăăĺ¤ăŤéăăăŤďźéăŤéăăă¨ăăăăăŞăăŤăŞăăŁăŠăŤăŻčŞč
ăĺźăăžăăčŤăćăă¨ăăăăăćŹ çšăŻăăăăŠă羜寞ăŤä¸ťäşşĺ
ŹăŻĺ¤çŹăŤä¸ăŽä¸ăŽäşşăŽçşăŤćŚăäşşăŞăă§ăăăă
âăšăăźăŞăźăŤă¤ăăŚď˝çľľă¨ăăŁăŠăŻăżăźăčĺăăăăŽăĺăăăŚăăăŽăăšăăźăŞăźăăă¤ăłăăŻďźă¤ďźčľˇćżčť˘çľďź
ă柍çťĺŽśăŤăăŁăŚăŻâăăŁăŠăŻăżăźăăăăă°ăšăăźăŞăźăŻčŞçśăŤĺşćĽä¸ăăŁăŚăăâă¨ăăäşşăăăžăăă§ăăăšăăźăŞăźăăŞăă¨ăăŁăŠă ăă§ăŻć䝣ăčś
ăăŞăăă§ăă確ĺşă¨ăăăšăăźăŞăźăŽä¸ă§ăăŁăŠăĺăăŞăă¨ă ăăŞăă§ăă
ďźďźďźä¸ťäşşĺ ŹăăăăŞăĺ°éŁăŞçśćłăŤçŞăč˝ă¨ăăă ďźďźďźăăŽĺ°éŁăä¸ťäşşĺ ŹăŻäšăčśăăăă¨ĺŞĺăă ďźďźďźäšăčśăăăă¨ăăăăćŞĺăăŚăăăŤçľśä˝çľśĺ˝ăŤăŞă ďźďźďźćĺžăŻăăăăźă¨ăłă
ăăăŻăăăŤăăłăŹăŤéăăććă˘ăăŤăč¨ăăŚă弽ăăŞĺĽłăŽĺăŤĺ˝źć°ăăăâăăă彟ć°ăŻä¸ťäşşĺ
ŹăŽĺ
貴ă ăŁăăăżăăăŤçśćłăćŞĺăăăŚćĺžăŤăăăăźă¨ăłăăćăŁăŚăăăŽăéĺă§ăăăăŽĺ°ĺłăăĺ¤ăăăăŽăŻćŻćăăăžăăăăă ăăăăŽĺ°ĺłăçĽăŁăŚăăä¸ă§ăăăă¨ĺ¤ăăŚć°ăăč¸čĄă¨ăăŚĺşăăŽăŻčŻăă§ăă
丝人ĺ
Źăč˛ ăăă¨ăăăăăăźă¨ăłăăăăăžăăč˛ ăăŚăĺéăĺŠăăă¨ăăĺĺŤăŤä˝ăăćŽăçşăŤćťăŹă¨ăăçžăăĺżăŽçşăŤćťăă§ăăăŽăŻăć˛ăăăăŠăăăăăăăźă¨ăłăă ă¨ćăŁăŚăžăă
ăă¨ă ďźé çŽă§čŞč
ăĺźăă¤ăăăŽăĺăŽçŽć¨ăŞăă§ăăďźé çŽăčŞăžăăŞăăŁăăĺ˝çśďźé ăŤăăăžăăăăďźçŹďźă
âťă¸ăŁăłăSQăŤćăä¸ăăăć°ä˝ăŽé˛äź´ĺ¤äźăŤă¤ăăŚăăĺăŻăăéźťčĄăĺşăăă§ăăćĽăŻčąç˛ă§éźťăăăă§éźťčĄĺşăăŚăĺ¤ăŻćăăŚĺşăăŚăç§ăŻäšžçĽăăŚĺşăăŚăĺŹăŻăă§ăłăéŁăšéăăŚĺşăăŚă¨ăăćăăăăăăăć˘ăžăăŞăăŁăăćăăŞă¨ćăŁăćăŤăĄă˘ăăăăŽăäťĺăŽčŞăżĺăăŽăăżăŤăŞăŁăăă§ăăă
âăăźăăŤă¤ăăŚď˝ăăšăŚăçľąćŹăăŚăăăŽăăăźăďźä˝č
ăŽĺ˛ĺŚďź
by @JOJO(Thanks!) ăžăăăŁăŠďźä¸ťäşşĺ Źďźă¨ăšăăźăŞăźăçľăłă¤ăă
ăăăă˛ăŁăăăăŚčĄ¨çžăăçşăŤçľľăăăă
ăăšăŚăĺ
ăă§ăăăŽăä˝ĺŽśăŽĺ˛ĺŚăťäşşç茳
ă§ăăăăźăăă¸ă§ă¸ă§ă§č¨ăâäşşéčŽćâďź
ă羜寞ăŤăăŁăĄăăăăŞăăă¨ăŻčŞč
ă誏ćăăăă¨ă誏ćăăă¨âăĺăŞăăăŤč¨ăăăăăŞăâă¨čŞč
ăŻĺźăă¨ćăăăăźăăŻčĺžăŤăăăšăăăŽăăăŁăŠăŽčĄĺăéăăŚćăăăăćĺžăŽĺ°čŠă§ăĄăăŁă¨ćăă¨ăăăŽç¨ĺşŚăć°äşşăŽĺŻŠćťăăăă¨ăăźăă ăćăăŚăăäşşăĺ¤ăăăăăăăŽăŻéăăŞăă§ăăăâäżşăŻä˝ă
ăăăăă ăźăďźâă¨ăč¨ăăŞăăćŚăŁăŚăă丝人ĺ
ŹăŻăšăăźăăăăŞăăăăźăăŻčĺžăŤé ăăŽăĺľä˝ăŽĺşćŹă ă¨ćăŁăŚăžăăă[10]
Q&A Section ďźĺŚçďźă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăéŁčź20ĺ¨ĺš´ăăă§ă¨ăăăăăžăă
ďźĺ çďźăăăă¨ăăăăăžăă
ďźĺŚďź20ĺ¨ĺš´ăčżăăăăŚăŠăăŞćć ¨ăăăăăžăăăă
ďźĺ çďźčĽăč¸äşşăăăăăĽăźă¸ăˇăŁăłăŽćšăçăä¸ăăŚä¸ăăăă§ćéŁăăŞăă¨ă20ĺš´ăăŁăŚăăăŽăŤä˝ăč¨ăăăŞăăŽăŻĺŻăă ăăăŞăă§ăăă
ďźĺŚďźéŁčźăćŻăčżăŁăŚăżăŚĺ°čąĄăŤćŽăŁăŚăăăă¨ăŻďź
ďźĺ çďźč˛ă ăăăžăăăăšăżăłăăĺăăŚćăăćăĺ¨ĺ˛ăŽçăăăčŞăă äşşăŻĺăăăŞăăăă¨č¨ăăăŚăäşşć°ăĺ ¨çśĺşăŞăăŚă ăăŽćăŤä¸äşşăŽçˇ¨éč ă ăăĺłćšăăăŚăăăŚăăăă§ĺć°ăĽăăăăŚćăăăă¨ă§ăăă
ďźĺŚďźăšăăŁăźăŤăťăăźăŤăťăŠăłă§ăŻă¸ăŁă¤ăăăšăżăłăă§ăŻăŞăéçă使ăŁăŚăăžăăă
ďźĺ çďźăăăŻćł˘ç´ă¨ăăăăăŚăăă§ăăăăăă§ăăŞăŽčĄçľąă ăďźçŹďźă
ďźĺŚďźéŁčźăéąĺăăćĺăŤĺ¤ăăŁăăă¨ă§ä˝ă大ăăĺ¤ăăăžăăăă
ďźĺ çďźéąĺă ă¨ćăŤ80ććăăă°ăŞăă40ćłăčś ăăă¨ăăăä˝ĺçăŤčžăăă§ăăăăăăŤćĺăŻăăźă¸ć°ăŽĺśç´ăéąĺăă čŞçąăŞăŽă§ćăăăăă¨ă襨çžăăăăă§ăă
ďźĺŚďźĺśä˝ăŤčĄă芰ăžăăă¨ăŻăăăžăăă
ďźĺ çďźč °ăçăăŚčĄă芰ăžăăă¨ăăăăžăďźçŹďźăçć´ťăŽä¸ă§ĺ¸¸ăŤčŹăćčăăŚăăă°ă˘ă¤ăă˘ăŻćš§ăăžăăăçťĺŽśďźă´ăźăŽăŁăłďźă ăżăăăžă§čĄăŁăŚçľľăćăăŽăčŹă ăăăăăăŞčŹăăă˘ă¤ăă˘ăŻĺşăŚăăžăă
ďźĺŚďźăšăżăłăăčăăćăŻăă˘ăźăăŁăšăă¨ăŽĺĺăăč˝ĺăéŁćłăăăŽă§ăăďźăăă¨ăč˝ĺăŤăăŁăĺĺăĺžăăć˘ăăŽă§ăăďź
ďźĺ çďźă˘ă¤ăă˘ăŤăăăăăăăŽăć˘ăăŚăăŚăćăăăŞăăăăŞçŻĺ˛ă§äťăăŚăžăăďźĺ ´ĺ ççŹďź
ďźĺŚďźä¸çŞĺĽ˝ăăŞăšăżăłăăŻăŞăă§ăăă
ďźĺ çďźéăĄăźăŽăăźă´ă§ăšăăăăŽé ĺăŻďźŁďź¤ăŽăŻăźăăłĺ¸ă¨ăéăăŚăŚăăăăăŽä¸ă¨ăăŤč˝ă¨ăă¨âăăźă´ă§ăšăäžżĺŠă ăăăŞăâăŁăŚďźçŹďźă
ďźďźŤďźďźé¨ă¨ăăă°ăŠăăăŚéç°ăççžăŻćĺ躍éˇăéŤăăŁăăŽăŤĺ°ăăăŞăŁăăŽă§ăăă ďźéŹźďźăăăćĺžăŻ60ď˝ď˝ăăăăăăŞăă§ăăďźĺşˇä¸ĺăŻ55ď˝ď˝ăăăă§ă
ďźĺ çďźăăśă¤ăłä¸ăŽççąăŁăďźçŹďźăéąĺă ăăç´ăăŞăăă§ăăăćĺăŞăç´ăăăă§ăăă âťăăăŤă¤ăăŚăŻĺžăŽäźčŠąă§ăăăăŻĺşˇä¸ĺăŽĺżçăĺć ăăăŚăăŚăćĺăŻççžăćăăŚĺ¤§ăăčŚăăăă§ăăă¨ăă
ďźĺŚďźćççşăŽĺćăŻă˘ăăŤăăăăŽă§ăăăăă¨ăă°ă˘ăłă¸ă§ă岊ă¨ăă
ďźĺ çďźăăă§ăăăă˘ăłă¸ă§ă岊ăŻćžĺłśăŽăăłăăŤĺ˛Šăăă¨ăŁăŚăăă§ăăă
ďźĺŚďźăăăžă§ăŤă¤ăżăŞă˘ăă˘ăĄăŞăŤăčĺ°ăŤăŞăăžăăăăäťĺžăŽčĺ°ăŤăăăĺĺ°ă¨ăăăăžăăă
ďźĺ çďźăăŁăąćççşăŤĺ¸°ăŁăŚăăăă§ăăăé˛äź´ăŽčŞăżĺăăćăăćăŤăć éˇăŤćťăŁăŚăăć°ăăăăăžăćăăăă§ăă
ďźĺŚďźäťăžă§ăŤä˝é¨ăăăĺĽĺŚăŞăă¨ăćăăŚä¸ăăă
ďźĺ çďźă¤ăćčżăŞăă ăăŠăăšăăźăă¸ă ă§ăˇăŁăŻăźăćľ´ăłăŚăăăăăăŞă¸ăľăłăŤĺ°ťĺ°žăçăăŚăăă§ăăăăăăŻăŞăăŚăăŽäşă ă¸ă ăŽäşşăŤĺ ąĺăăăâăăŽäşşé ăăăăăăăăŞăăâă¨ăăçŽă§čŚăăăžăăďźçŹďźă
ďźďźŤďźăăăŁăŚDioăŽćçŤĺăżăăă§ăăďźçŹďźă
ďźĺ çďźăă¨ă厜ăŽčżćă§çŤăčťăŤă˛ăăăăă§ăăăăăŽçŤăŻăăă¨çŤăŁăŚăżăżăżăżăŁăŚčľ°ăŁăŚăăŁăăă§ăăăâă˘ă¤ăăä¸ćťčşŤă ăŞăâăŁăŚ ćĺżăăăŽă§ă柍çťĺŽśăŽčżŤĺ çăŤâăšă´ă¤çŤăăăăă§ăăďźâăŁăŚčŠąăăăăăĺ çăăăăćťăă§ăăŽăŤć°äťăăŞăăă§ăăăăŁăŚă ă§ă揥ăŽćĽăăăžăăăăăăăăă¤ă羜寞ăăŽçŤăŻä¸ćťčşŤăŞăă§ăăďźçŹďź
ďźKďźăăăźăŞă˘ăšBIGâŚă
ďźĺŚďźăăŽăăĄčă¨ĺä˝ăăŚăăăăăŚâŚă
ďźĺ çďźćŹĺ˝ăŤčŚăăă§ăăăăč¨ăŁăŚăăăăŠďźďźĺ ´ĺ ççŹďź
ďźĺŚďźă¸ă§ă¸ă§ă¨ăăä˝ĺăŽăăăŻăăźăłăŤăăăăŽăŻä˝ă§ăăă
ďźĺ çďźăşăăŞăčĄçľąă§ăăă
ďźKďźĺ çăă˘ăăăĽăŤăŽčĄçľąăŤĺłăăăŞăă§ăăďź
ďźĺ çďźă˘ăăăĽăŤăăď˝ăďźĺ ´ĺ ççŹďź
ďźĺŚďźćčŚăăŚăă¨ăä¸ćšăŻă¨ăŚă茪ăăăăă§ăăăŠăçĽăĺăŁăăŽăŻăŠăăăăăŁăăăŞăă§ăăăăăŻăă¸ă§ă¸ă§çŤăĄă§ăăă
ďźĺ çďźä¸ć¨ĺš´ăăăăŤăĺă§ăšă´ă¤ăŽăăăăŁăŚčăăŚăă˝ăłăłă§čŚăăŚăăăŁăŚă大éŞĺăŽĺă§ăăŁăŚăăŽăăăŞăăăăăĺ°çďźă˘ăźăšďźă˘ăźă ăżăăăŞćăă§ăăăăŤć°čĺŽćăżăăăŞćăăăăŚďźĺ ´ĺ ççŹďźăäťăžă§ăŤăŞăç°ä¸çă¨ăăăăć°ăăč¸čĄă¨ăăŚĺăŻćăăŚăăŚă ăăźăăŁăźăŽćă¨ăăŤăăăăŁăŚćĽăŚăăăŁăŚăăă§ăăă
ďźĺŚďźä¸çŞćçăŽăăăăŁăŠăŻăżăźăŻďź
ďźĺ çďźćąćšäťĺŠă§ăăćżĺ¤Şéăžă§ăŻçĽčŠąçăŞć§ăăŽäşşçŠă ăŁăăăŠăäťĺŠăŻĺéăćăăŚăăć°ăăăŚăĺćł°ă¨äťĺŠăĺăŁăŚă ĺ ´é˘ăŻćăăŚăŚăăăă漽ăăăŁăă
ďźĺŚďźäťĺ°ăŤĺ¸°ăă¨ĺż ăçŤăĄĺŻăă¨ăăăŻăăăă§ăăă
ďźĺ çďźçăżăłĺąăŤăŻĺż ăčĄăăžăăĺăä˝ăă§ăé ăŻçăżăłăŻĺçŠăăăŞăăŁăăŽăŤăăă¤ăŽăžăŤă誰ăăĺçŠăŤăăŚăăŚďźçŹďźă
ďźĺŚďźă¸ă§ă¸ă§ăŤĺ˝ąéżăĺăăŚăăčĽćăăłăŹĺŽśă¨ăăŻăŠăćăăăžăăă
ďźĺ çďźçäźźăăăăŽăŻĺ ć ăŞăŽă§ăăŠăăŠăçäźźăăŚćźŤçťçăçşĺąăăăŚăăŁăŚćŹ˛ăăă§ăăă
ďźĺŚďźĺ çăăčŚăŚĺžçśč çăŞćšăŻăăăŽă§ăăă
ďźĺ çďźĺžçśč ăŻĺ¤§äşéăăŞăăďźĺ ´ĺ ççŹďź
ďźĺŚďźăăżăŻă˘ăŞă§ăăďźçŹďźă
ďźĺ çďźĺ¤§äşéăŻăăăŁăĄă ăčŹăăŤćĽăŚăăă§ăďźĺăłççŹďź
ďźéŹźďźĺăŻĺ ¨ĺˇťćăŁăŚăžăďźçŹďźă
ďźĺŚďźéăŤĺ˝ąéżăĺăăĺ 蟊ăŽăăłăŹĺŽśăŻăŠăŞăă§ăăă
ďźĺ çďźĺ čźŠĺ ¨ĺĄăă役éżăĺăăŚăăžăăăä¸ă§ăăăăăŤďźä¸ăăŽć¨Şĺąąĺ čźĺ çăŻćć ăćăă襨çžăăăăăŞă¨ăăăăăŤďźä¸ă ăŻăľăšăăłăšă ăăă˛ăăăćăăŚăćć ă¨ăăŻăăžăćăăŞăăă§ăăăăă¨ăă塨人ăŽćăăŽć˘śĺä¸é¨ĺ çăăăŻăťăŞăăŽč¨ăĺă㎠役éżăĺăăŚăžăăăď˝ă ďźăă¨č¨ăĺăćăăŻć˘śĺä¸é¨ăŞăă§ăăă
ďźĺŚďźâĺ§čżŤçĽăâăŤăŻăăăŻăŞăăăŽă§ăăăăăăŻăŠăăăĺşăŚăăăă§ăăăďźçŹďź
ďźĺ çďźăŚăăŽĺĽĽăăăăăçŞćăăŚăăŚăĺ§čżŤçĽăă ăĺ§čżŤçĽăă ăăŁăŚč¨ăăă§ăăăďźĺ ´ĺ ççŹďź
ďźďźŤďźă¸ăŁă¤ăăŽâă˘ăăĄăŹăŠăăźăşăŽćâă漽ăăăŁăă§ăăďźçŹďź
ďźĺ çďźćă芹ăçśăă¨çˇŠćĽăĺż čŚă§ăčŞč ăăŞăŠăăŻăšăăăŚăăăŚăăććăŤçŞăč˝ă¨ăăŚăăăżăăăŞďźçŹďźă
ďźĺŚďźâďźăťďźăťďźâďźăˇăăŹă¤ďźăŽăŽăŁă°ă漽ăăăŁăă§ăă
ďźĺ çďźăăăăäźčŠąă大äşăäťĺŠă¨ĺćł°ă¨ăŽé˘äżăăăă ăăŠăä˝ć°ăŞăäźčŠąă§čŞč ăŤäť˛ăŽčŻăăäźăăăăă§ăăăăŽďźäşşăŻ 羜寞ăŤčŁĺăŁăăăăŞăăă ăŞăŁăŚăăă
ďźĺŚďźäťĺžăććă˘ăă¨ăăăăăĺ¤ăăŁăăăŽăćăăŚăżăăă¨ăăăăžăăă
ďźĺ çďźă¸ă§ă¸ă§ăŽä¸ă§ććăăăăŽăŻă§ăăăăŠăďźäşşăĺşäźăăˇăźăłăŻçšćŽăŞçśćłă§ăçŞăĺĽăăăăăăăă§ăăăăďźçŹďźă
ďźĺŚďźćĺžăŤäźĺ ´ăŽčĽăĺŚçăăĄăŤä¸č¨ăéĄăăăžăă
ďźĺ çďźĺ¤§ĺŚçăŻăăăă礞äźăŤĺşăŚčĄăăăăăăŞăă§ăăăĺşćŹĺ°ĺłăçĽăŁăŚăŚĺ¤ăăăŽăŻćťăŁăŚăăăăăăăăă§ăăăŠă çĽăăŞăă§ĺ¤ăăă¨ć´čľ°ăăăăăăŞăăă¨ăäťćĽăŻăăŽăă¨ăăăłăŹăéăăŚč¨ăăăăŁăăă§ăă
Kaneda: A while ago, there was a story called "Let's Go Hunting" and I really liked how Josuke and Jotaro teamed up. First you have Josuke who always feels like he's about to burst into a rage but he's always reliable when push comes to shove. Then there's Jotaro who can get really mad and he'll barely lose the cool expression on his face. I thought them working together went well, I love that story. It's to be expected seeing as he's a scientist, but I'm really enthralled with how Jotaro knows so much about wild animals (laugh).
Araki: Yeah, I like partnerships. When I see artists that have partnerships, I get all jealous. Though I guess there's sort of a partnership between a mangaka and an editor. I liked the partnership of Josuke and Jotaro, too. They both have a kind of "pursuer" feel to them, don't they?
Kaneda: It was so cool when Jotaro said "You've got to be the one to shoot." and then went off to let himself become a decoy.
Araki: They have a relationship where they sort of bring out each other's strengths.
Kaneda: I think that because Josuke respects Jotaro so much, he feels a lot of pride from just being with him. It's an exceedingly good relationship, even one that almost crosses a certain line (laugh).
Editor: Sounds like she's reading into it in a yaoi sort of way. I guess she's excited by that sort of thing.
Araki: Oh, I see (laugh). Maybe it's better that I didn't write that, then.
Kaneda: Yeah! If you'd written that openly, there'd be no room for imagination and that'd ruin all the fun. I don't think anything like that would happen for the whole hunting thing, but if it turned into something like "After the hunt is over, do you wanna go to a hotel?", I feel like that'd be really overdoing it! (Laugh) Also, if something like that were written in the story, there would be a lot of people that really like coupling and would say things like "the only one for Jotaro is Kakyoin!" So it would actually, it would actually narrow the scope of the story. So I really think that stopping just short of that is much better.
Araki: That kinda sounds like "Beverly Hills, 90210". This person and this person are connected, and this person is with so-and-so, that sorta thing.
Kaneda: It's good to draw all sorts of jumbled lines like that (laugh). That way it never goes to the point of actual acts, it's more desirable to be potential.
Araki: I see.
Kaneda: Really, from a boy's point of view a team play is "admirable friendship". and from a girl's point of view it's has a different kind of admiration. And we want it to end with that double meaning. Personally, I think Okuyasu and Josuke make a good partnership, too. Both are good-for-nothing-types. Truthfully, if Okuyasu were smart, he would have a top-class Stand. I think that the user not being smart strikes a good balance.
Araki: He's a lovable character, isn't he? (laugh).
Kaneda: I think Okuyasu is the best person you'd want for your friend. But in regards to partnerships, I think Johnny and Gyro in the current Part, "SBR" are the best.
Araki: That was me tracing the story of Part 1 with Zeppeli making Jonathan grow and trying to write it a bit more deeply. This time they're a bit closer in age, and I'm really enjoying writing their conversations.
Kaneda: I just love those pointless exchanges between the two. Like when Johnny used his evolved nail bullets to brush his teeth and Gyro gave that monotone response about being jealous (laugh). I remember thinking "This is how boys communicate!" when I read that.
Araki: Yeah, boys tend to have those sorts of pointless back-and-forth conversations a lot, don't they? (Laugh)
Kaneda: You really feel their friendship in those sorts of scenes. Rather than hug each other or anything, that makes them really charming to girls.
Saitou: But they have a fixed relationship, so they're kinda hard to couple, right?
Araki: Yeah, there really isn't much room there for reading too much into it, is there? I wanted to have a deeper connection of friendship between teacher and disciple than I did in Part 1.
Kaneda: It's written so richly, so they don't even need to be coupled, I guess. People have ideas about how Johnny is paralyzed in the lower half of his body, so while Gyro generally seems very cold, there are times at night when he has to care for Johnny and that sort of thing.
Araki: Yeah, I like that (laugh). Well, maybe I'll draw a scene of them in a night-time camp scene.
Kaneda: That sounds good! I hope you do (laugh)! Also, I'm hoping that Dio gets involved in their relationship somehow...... Fundamentally, Dio is a character who started out in poverty. So then, because of his desire to be successful in life, he's not afraid of anyone and he's not afraid to dirty himself to make his way to the top. Girls love that sort of thing. Fujoshi-wise, I mean in my mind, at the point in Part 6 where the character of Father Pucci that feels seriously about Dio, I've made this theory of "Dio = Princess" (laugh). Like he started out from the status of prostitute, so he dirtied his body with lots of different men, but his soul never lost its purity. And the 16 year old Pucci was attracted by that...... Early on, there's a scene where Dio and Pucci are sitting slovenly on the same bed facing different directions and having a discussion ('The Time of Heaven', "Stone Ocean" Volume 11). I simultaneously could barely believe my eyes and went mad with joy. That's the effect you must've been going for, right, Araki-sensei?
Araki: Uh... I didn't really think it would be taken that way, I don't think. Guys do that sorta thing all the time. Just sorta crashing someplace. Like when you go drinking and it gets late, so you need to stay over at somebody's place.
Kaneda: Eh, then you're saying that Father Pucci and Dio were out late drinking?! (Laugh) Um, I'm not so sure these are the types of characters who would crash at each other's place because they missed the last train for the night or something.
Araki: Now that you mention it, I think I might've had something like that in mind when I drew it (laugh). But Dio's sort of a composed character that could go either way. He could go with a man or a woman.
Kaneda: Really?! As I thought, my interpretation was correct.... (laugh). So, Dio originally liked Jonathan, right?
Araki: Ah, did he?! (Laugh)
Kaneda: Jonathan Joestar was a man that had everything he didn't, so Dio felt that he wanted to make Jonathan his. That sort of thing. He couldn't allow Jonathan's first kiss to be with Erina, so he did it to Erina himself.
Araki: Uh, it kinda sounds comedic if you're gonna go that far (Laugh).
Kaneda: No, but Dio thought about Jonathan seriously, but at the same time homosexuality was a serious crime in England during that era, so Dio had to hide his desires for such a future deep inside.
Araki: Uh, I guess that could be.
Kaneda: And those feelings he'd suppressed so long finally resulted in him taking over Jonathan's body.
Araki: I see. Well if you look at it at that angle, it gives the story a fresh feel, I suppose. (Laugh)
Kaneda: Dio, someone so dirtied, wanted to profess "I like you" to Jonathan. But he was unable to and then Erina took Jonathan, so through bitter tears at the end he took Jonathan's body. "Now we've finally become one, Jonathan." That sorta thing. If he'd had time to smooth his words over a bit more, he would have said that he wanted to be part of Jonathan's bloodline.
Araki: That kind of sounds like the movie, "Purple Noon".
Kaneda: He wanted to become Jonathan. But I think in the end, he lost track of whether he wanted to become Jonathan or he wanted Jonathan to become his. With his noble soul that harbored such sorrow, there were men showing up that loved Dio one after another. Like in Part 3, Vanilla Ice and N'Doul and those guys. Particularly in Part 3, whenever was mentioned, they talk about his almost-transparent white skin and his bewitching charm that made it hard to believe he was a man. Even Avdol felt dizzy the first time (laugh). Even Avdol, that macho guy that liked peeing outside was attracted to Dio. So he really had an aura that attracted all types of men.
Araki: Uh, I guess that's a way of looking at it, too. (Laugh)
Kaneda: ......I'm glad. If you'd said something like "There's no way there was anything like that!" and just cut me off, I don't know what I would've done.... (Laugh)
Araki: There's no way I could write that, but I'll admit that could exist as a sort of hidden meaning. He definitely had some lust somewhere.
Kaneda: Dio's confusion of not being sure himself if he wanted Jonathan's bloodline or wanted his body or wanted his heart is really juicy from a yaoi aspect.
Araki: But someone like Dio would never offer his love 100% to someone.
Kaneda: Speaking of which, he had lots of illegitimate children, didn't he? I feel bad for Ungaro being the only ugly one. (Laugh)
Araki: (Laugh)
Kaneda: So it's a bit different from the sort of love Jonathan and such have, huh?
Araki: Jonathan and the others' love is far deeper than Dio's. They didn't run purely on desire like Dio. Dio will do anything to get what he wants, but he would absolutely never pour 100% of his love into a specific person.
Kaneda: True. It doesn't sound so much like love as it does like stealing. Well, I suppose Father Pucci, pursuing the princess he would never obtain, was really the juiciest character of Part 6.
Araki: Now that you mention it, I think I really did consciously write it that way (Laugh).
Kaneda: He wanted so thoroughly to love Dio more, so when Pucci said the line "I love you as I love God", it was a real thrill. And in response to that, I'm glad Dio said "I was afraid you'd disappear". Vanilla Ice loved Dio as well, but he died spinning around in circles like that, so you wanted to have a character express their intense feelings towards Dio in a more open way, huh?
Araki: I think if Dio had lived, it could've gone a bit more in that direction. But he's dead, so all of that will just remain in the realms of imagination.
Kaneda: But there were people like this in Dio's life, so I feel vindicated.
Araki: But I don't think Dio loved Pucci.
Kaneda: I suppose so. I think for Dio, their relationship was casual. There was a sort of feeling like "You don't know anything about my life, so don't start worshipping me like a god." I guess. "I've been the object of pleasure for hundreds of men!"
Araki: He was made the object of their pleasure? (Laugh)
[Translated by Kewl0210[11]]
Araki: But that's essentially a result of the fashion aspect, so I don't think they're fundamentally an established couple. Also, their fashion is mostly drawn referencing women's fashion, so it might be because they are a bit androgynous.
Kaneda: In part 5, everyone's wearing really sexy clothes that have holes which show their skin in various places. That must be mostly because its set in Italy, right? It feels totally natural that if it's in Italia, men can be so lovey-dovey with each other.
Araki: With the enemy characters, I think that's the case. But that's totally impossible, for example, with Narancia and Abbacchio, haha. That's definitely just friendship.
P. 30
éç°: ăăăă弳ć§ăăŁăŠăĺż
ăçˇć§ăăŁăŠă弽ăăŤăŞăă¨ăăăŽăĺźăŁăăăăă§ăăăă弽ăăŤăŞăăŞăăŚăăăă弳ć§ăăŁăŠă弽ăăŤăŞăŁăŚăăă§ăă弳ć§ăăŁăŠăçˇć§ăăŁăŠă弽ăăŤăŞăăăăŤăŞăăŽăŻăĺşćŹçăŤă芹ăŤčŻă桝ăăăăă ă¨ćăăă§ăăăŠăăăăŻĺĽłć§čŞč
ă¨ăăŚăŻăăăŞăăľăźă´ăŁăšăŞăă§ăăăăă§ă,ćăăăźăă¨ç ´ăăŚăăŁăąăăă°ăźăă¨ĺşăăăăăŽăŻăăă§ăďźçŹďźăăăăŻĺĽłć§çăŤăĺŹăăäşşăŻĺŹăăăŽă§ăăă¨ă弳ć§ăăŁăŠă§č¨ăă¨ă ăSBRăăŽăăăăťăăłăă弽ăăŞăă§ăăăçˇčŁ
ăăŁăŠă§ăăă¨ăăăŻé
ĺă§ăăăăăľăŠăˇăăă塝ăăă¨ćăăžăăăŠăă
čć¨: ăăăăăăŻĺˇťăăŚăăăă ăă¸ă§ăăŁăźăăžăăžč§ŚăŁăĄăă¤ăăăăăăŁăăăă§ăăŞăă ăćăŤč˝ăĄăăˇă§ă¤ăŻăšăă˘ăă¨ăăăăă¸ăŤăľă¤ăŚăŽă°ă ăăŽăăăŞăă¨ăăăăăăă ăăă
éç°: ăăźăăŞăăťăŠăă§ăăăăăăťăăłăăŻĺĽłăŽĺă弽ăă§ăăăć¸ ă躍ä˝ăŽăžăžă§ăăŚăă ăăďźčć¨ďźçŹďźăăăăžăăďźçŹďźă
ââ Now that you've readăThe Bookă, what do you think of it?
Arakiďź The last scene really moved me. The suspense builds up over the course of the story, the resolution is really intense, and then the ending is quite sad. It's a really rich ending that differs from the usual happy ending of a lot of stories. I think it fits Morioh and Otsuichi perfectly.
Otsuichiďź âŚ"Rich ending"⌠That's nice to hear.
ââ How do you feel about your works being turned into novels?
Arakiďź I think it's perfectly fine. An author with a lot of ability turning one of my works into a novel is extremely interesting. This time in particular I was really able to to enter the world of ăThe Bookă.
ââ Enter the world of ăJoJoă?
Arakiďź Yes, I was felt like I was able to fit into the world, or perhaps pulled in is a better way to describe it. I was able to become Otsushi-san's Josuke. I haven't read many novelizations of manga, so I may be misunderstanding some authors' intent, but there are times when I think "Well, this is a bit different from the original..." ăThe Bookă, on the other hand, feels like a properly written and ripened work. How long did it take you to finish it again?
Otsuichiďź How long... probably about 5 years? I have a huge pile of rejected manuscripts. I think ultimately I ended up with over 2000 pages of rejected manuscripts. Despite that, these 5 years feel like they've gone by really fast.
ââ Writing for 5 years and 2000 rejected manuscripts. That's quite impressive.
Otsuichiďź I wasn't using the characters of ăJoJoă freely enough. In other words, it was as if the characters I was using were like puppets, which made them feel off. It made me realize that I needed to rethink my approach and so I used these manuscripts as a way to refine my strategy for writing. I thought that I would only be able to do something like this once in my life, so if I put something in the book from the manuscripts that I wasn't satisfied with, I would regret it for the rest of my life. So, I kept my head low and went 5 years without releasing anything.
Arakiďź But I think it really paid off. It's an incredible book.
Otsuichiďź I really appreciate that you drew brand new illustrations forăThe Bookă, but I'm also very happy that I can see the characters from Part 4 in your current style.
Arakiďź It's just in my nature to worry about the little details of drawings, even if it's for a novelization. Details like adding snow in the background because of the book's setting in the winter of Morioh. Or the fact that the book's original villain is someone that Josuke and the others fight, but he's not meant to give off the appearance of an evil, strong enemy. Rather, he's supposed to be like the protagonist in this small town, so his life's background is also important. The reality of that part caught my attention.
Otsuichiďź All the illustrations you drew were even greater than I expected. This illustration you drew for the first few pages that just jumps out at you, this one is fantastic.
ââ Otsuichi-sensei, what was interesting about the writing process for the novelizationďź
Otsuichiďź I tried to put into some references that only fans of ăJoJoăwould understand. That was really interesting. It felt like I was writing a doujinshi.
Arakiďź You really got a lot of use out of those references (haha). There was a feeling that you were relaxing to an extent while writing them in.
Otsuichiďź In the beginning, I was opposed to using any of them all. But, that just made the story feel like a borrowed work. When I put in references, I felt like that strange feeling went away and so I decided to use them liberally.
Arakiďź You've been saying since a long time that you wanted to turn Part 4 into a novel.
Otsuichiďź Part 3 and 5 already have novelizations, but I feel like I would've picked Part 4 even if those didn't exist. I like it, it's strange.
Arakiďź Don't you think it's because Part 4 is similar to Otsuichi's world?ăI bet there was a lot of resentful authors when ăThe Bookă released.
Otsuichiďź I think there's a lot of authors who would've produced a really interesting story if they novelized Part 4. Seeing how certain authors read and understood ăJoJoăwould be really interesting I think... You would be able to see what part of JoJo each author liked.
ââ Are the stand powers within the book (for details, go and read it!) your original creations?
Otsuichiďź Yes.
Arakiďź Stands are certainly a reflection of one's worldview. Seen from an outside perspective, someone might think that the stand is not particularly great. If the person who made it, however, thinks "This is so cool!", then that's good.
Otsuichiďź "Stands are a reflection of one's worldview...", this is a nice phrase.
ââ What is your favorite character from Part 4, Otusichi-sensei?
Otsuichiďź Yoshikage Kira. Although he's the main villain and a serial killer, his idea of wanting to live a quiet life was extremely surprising to me. I've even incorporated that kind of thinking into my own life.
Arakiďź Kira is a forward-facing character, I intended to create a sort of 'evil hero' with him. To be honest, I couldn't write this into the manga, but there's more to Kira's background. Kira's mother abused him in a way, and his father turned a blind eye to it. He felt bad for Kira so to an extent he tried to save him. It's just, if I write this into the manga he'll become a sympathetic character and it would be hard to see him as an enemy. I couldn't write that balance, or maybe it because it was a magazine for young people. But, in Otsuichi-san's story these kind of sad parts are also included, they're fairly good.
ââ From the perspective of a novelist, what is the distinguishing point of ăJoJoă?
Otsuichiďź I think that differs from person to person, but for me it's the production. In a normal manga, a thing or a character will be appear suddenly to surprise the reader. With ăJoJoă however, first the environment will be established and then the character or thing is presented. It gives off a sort of creepy and exciting feeling. I really like that method of surprising the readers, so reading ăJoJoă is pure bliss.
Arakiďź Thank you. Although, that's unintentional (haha).
ââ From the perspective of Araki-sensei, in where lies the appeal of ăThe Bookă?
Arakiďź Within ăThe Bookă there's a lot of suspense. Also, the theme of 'heritage of fate' also shows up within the book, which I think is quite good. To be able to write a new story without straying from that theme, it's to be expected from a talented a writer as Otsuichi-san.
Otsuichiďź I started to pay mind to the phrase 'blood relationships' after reading ăJoJoă. A little while back, I started to like keywords like 'father' and 'child', and began incorporating the idea of 'blood relatives' into my own works.
Arakiďź The feeling of the Part 4 characters being placed into Otsuichi's world is another good part of ăThe Bookă. Part 4 characters like Josuke and Okuyasu being written so deeply, it might even be better than the original manga they came from.
ââ Because you can put more detailed psychological descriptions of the characters within a novel, right.
Arakiďź When I was writing Part 3 and 4, my head editor told me to write a sad story. I tried to do it, but it might've been because I was too young, I was unable to do it well. All that is in the ăThe Bookă, however. It's the completed version of all the things I was aiming to do with Part 4, it's fantastic.
Otsuichiďź That's good to hear... it gives me a sigh of relief.
ââ ăThe BookăăčŞăžăăŚčć¨ĺ çăŻăăăă§ăăăďź
čć¨ďź ăŠăšăăˇăźăłăă°ăă¨ćĽăăă§ăăăăľăšăăłăšăăăŁăŚçăä¸ăăŁăŚăăăŽč§ŁćąşăăŹăźăă¨ăăŁăŚăć˛ăăăŚĺăŞăăŠăšăăăăăćççşăŤă´ăŁăăă ăäšä¸ăăăŤă´ăŁăăă ăăăăăăźă¨ăłăă¨ăŻéăŁăčąăăŞćăăăăăă§ăăă
äšä¸ďź âŚăčąăăŞćăăâŚăăă§ăăă
ââ čć¨ĺ çăŻăăčŞĺăŽăăłăŹăăăăŠă¤ăşăăăă¨ăăăŽăŻăăăă§ăăďź
čć¨ďź ĺĽăŤĺ¤§ä¸ĺ¤ŤăŞăă§ăăăćč˝ăŽăăä˝ĺŽśăăăĺ°čŞŹăŤăăŚăăăăŽăŻăăŁăăé˘ç˝ăă§ăăăçšăŤäťĺăŽăThe BookăăŻăšăă¨ĺ ĽăŁăŚăăăăă§ă
ââ ăă¸ă§ă¸ă§ăăŽä¸çăŤĺ Ľăăďź
čć¨ďź ăăă錴ćăă§ăăă§ăăăĺźăčžźăžăăăŁăŚăăăăäšä¸ăăăŽäťĺŠăŤăŞăŁăŚăăŚăăăłăŹăŽăăăŠă¤ăşăŁăŚăăžăčŞăă ăă¨ăçĄăăă誤解ăăŚăăăŽăăăăăŞăăăŠăăĄăăŁă¨ĺä˝ă¨éăăŞăźăăŁăŚćăăă¨ăăăŁăăă§ăăăă§ăăăăŽăThe BookăăŻăăŞăçćăăăŚăăžăăăăć¸ăä¸ăăăŽăŤä˝ĺš´ăăăŁăăă§ăăăŁăďź
äšä¸ďź ä˝ĺš´ăăăŁăăŽăăŞâŚăĺ¤ĺ5ĺš´ăăăă ă¨ćăăžăă大éăŽăăĺ稿ăăăăžăăçľĺąă2000ć䝼ä¸ć¸ăăăŻăăŞăă§ăăăćăčżăă¨5ĺš´ăŻă˘ăă¨ăăéă§ăăă
ââ ĺˇç5ĺš´ăăăĺ稿2000ćăŻăăăă§ăăă
äšä¸ďź ăă¸ă§ă¸ă§ăăŽăăŁăŠăŻăżăźăčŞçąăŤĺăăăŚăăŞăă¨ăăăăćă人形ăăć¸ăăŚăăŞăéĺćăăăŁă¨ă¤ăăžă¨ăŁăŚăăŚâŚăăăă§ăăăăăă¨čăăĺż čŚăăăă¨ćăŁăŚčŞĺă§ä˝ĺşŚăăăăŤăăŚä˝ćŚă硴ăŁăŚăăžăăăăăăăăă¨ăă§ăăăŽăŻä¸çăŤä¸ĺşŚăŞăăăăŞăăă¨ćăă¨ăç´ĺžă§ăăŞăĺ稿ă§ćŹăĺşăăŽăŻä¸çĺžćăăăă ăŁăăŽă§ăĺćšé˘ăŤé ăä¸ăăŚćŹăĺşăŞăçśćłăçśăăžăăă
čć¨ďź ă§ăăăăŽç˛ćăŻăăŁăă¨ćăăăăăăăŤăăăćŹăŤăŞăŁăŚăă
äšä¸ďź äťĺăŽăThe Bookăă§ăŻčć¨ĺ çăŤĺŁçľľăćżçľľăćăăŚé ăăăă§ăăăäťăŽçľľćă§4é¨ăŽăăŁăŠăčŚăăăăŽăŻăăăăăăăăă§ăă
čć¨ďź ćżçľľă§ć°ă使ăŁăăŽăćĽĺ¸¸ć§ăŞăă§ăăăĺŹăŽćççşăčĺ°ăŞăă§čćŻăŤéŞăéăăăŚăżăăăĺ°čŞŹăŞăŞă¸ăăŤăŽćľăäťĺŠăăĄă¨ćŚăăăŠăă§ăăćŞăăŚĺźˇăćľăăŁăŚăăćăăăăŞăăăçşăŽä¸ăŤăăä¸ťäşşĺ ŹăăŁăŚăăćăă§ăăĄăăă¨äşşçăŽčćŻăăăăăăŽčžşăŽăŞă˘ăŞăăŁă¨ăăŻćł¨ćăăžăăă
äšä¸ďź
ăŠăŽă¤ăŠăšăăĺăŽă¤ăĄăźă¸äťĽä¸ă§ăăăăăă¨ĺˇťé ĺŁçľľă§ćăăŚé ăăéŁăłĺşăă¤ăŠăšăăăăăăžăăă°ăăăâŚă
ââ äšä¸ĺ çăŻăăăăŠă¤ăşăŽĺˇçă§é˘ç˝ăăŁăé¨ĺăŻăŠăă§ăăďź
äšä¸ďź ăă¸ă§ă¸ă§ăăăĄăłă ăăŤĺ¤ăăăăŞăăżăćŁăă°ăăŚăżăăă§ăăăăăăăă¨ăăăé˘ç˝ăăŁăăĺäşşčŞăć¸ăăŚăăć°ĺă§ăăă
čć¨ďź ăăăăăăżçăŞé¨ĺăăăŞăăçăçăăăŚăăă ăă(çŹ)ăéŠĺşŚăŤăŞăŠăăŻăšăăŚăăćăăĺşăŚăăăă
äšä¸ďź ćĺăŻăăżçăŞé¨ĺăćé¤ăăćšĺă§ć¸ăăŚăăăă§ăăăăăăăă¨ĺăçŠçăŞéĺćăĺşăŚăăžăŁăŚăă¨ăăăăăżçăŞčŚçšăĺ Ľăăăăä¸ćč°ă¨éĺćăăŞăăŞăŁăŚăăăăăŞć°ăăăăŽă§çŠćĽľçăŤĺ Ľăăăă¨ćăăžăăă
čć¨ďź äšä¸ăăăŻäťĽĺăăă4é¨ăĺ°čŞŹăŤăăăăăŁăŚč¨ăŁăŚăăăăă
äšä¸ďź 3é¨ă¨5é¨ăŽăăăŠă¤ăşăăă§ăŤĺşçăăăŚăăă¨ăăăŽăăăăă§ăăăă§ăăăăĺşăŚăăŞăăŚă4é¨ăé¸ăă§ăăć°ăăăžăăä¸ć°ĺłă§ĺĽ˝ăăŞăă§ăă
čć¨ďź 4é¨ăäšä¸ăŻăźăŤăăŤčżăăăăăăŞăăăŞďźăăăŽăThe Bookăăĺşăăăăăšăă˛ăźćăăăä˝ĺŽśăăăăăă¨ćăăă
äšä¸ďź ĺăŻăăăăăŞä˝ĺŽśăăă4é¨ăŽĺ°čŞŹăć¸ăăăé˘ç˝ăă ăăăŞăăŁăŚćăŁăŚăăăă§ăăăć¸ăăä˝ĺŽśăăăăă¸ă§ă¸ă§ăăăŠăčŞăă§ăăăŽăăĺşăŚăăăă§é˘ç˝ăăă ăŞăă¨âŚăăăăŽä˝ĺŽśăŻăăăăă¨ăăă弽ăă ăŁăăă ăŞăă¨ăăăă¨ćăăžăă
ââ ĺä¸ăŽăšăżăłăč˝ĺ(芳細ăŻĺ°čŞŹăčŞăă§ăăăďź)ăŻäšä¸ĺ çăŽăŞăŞă¸ăăŤďź
äšä¸ďź ăăă§ăăă
čć¨ďź ăšăżăłăăŁăŚĺż ăčŞĺăŽäşşç茳ăĺ ĽăŁăŚăăăă§ăăăă ăăčăăćŹäşşăăăŞăă¨ăăăăăćăŤćăăŞăăăăăŞăăăŞăćăćŹäşşăăăăăăšă´ă¤ăăŁăŚćăŁăăŽăăăăă ăăă
äšä¸ďź ăăšăżăłăăäşşç茳ăĺć ăăŚăăăâŚăăăăăăč¨čă§ăăă
ââ äšä¸ĺ çă4é¨ă§ĺĽ˝ăăŞăăŁăŠăŻăżăźăŻčŞ°ă§ăăďź
äšä¸ďź ĺčŻĺ役ă§ăăăéŁçśćŽşäşşçŻăŽćŞĺ˝šăŞăă§ăăăă¨ăŤăăĺšłçŠăŤäşşçăçľăăăă¨č¨ăăăŽććłăčĄćçă§ăĺăŽäşşçăŤă錴ćăă ă¨ăăăăăŁăŚă
čć¨ďź ĺčŻăŻĺĺăăŞăă ăăăă¨ăŤăăăćŞăŽăăźăăźăăçŽćăăŚăăă§ăăă¤ăŻăăłăŹă§ăŻćăăŞăăŁăăăŠĺčŻăŽčćŻăăăăă§ăăăĺčŻăŽćŻčŚŞăčĺž ăżăăăŞăă¨ăăăŚăŚçśčŚŞăŻčŚăŚčŚăŹăăŞă§ăăăăăăăžăŞăăăŁăŚćăŁăŚăăăăĺčŻăăăăăžă§ćăăă¨ăăŚăăŁăŚăăăăă ăăłăŹă§ăăŁăĄăăă¨ćŞĺ˝šă¨ăăŚăŻć˛ăăă¤ăăŤăŞăăăćľăŤăăŞăăŞăăăăăăŽĺ źăĺăăŻćăăŞăăŁăăŁăŚăăăĺ°ĺš´čŞă ăăă§ăăŞăăŁăăŽăăŞăă§ăäšä¸ăăăŽĺ°čŞŹăŤăŻăăăăć˛ăăé¨ĺăăăŁăŚăăăŞăčŻăăŁăă§ăăă
ââ ĺ°čŞŹĺŽśă¨ăăçŤĺ ´ăăčŚăŚăăă¸ă§ă¸ă§ăăŽăă˘ăŻăŠăă ă¨ćăăžăăďź
äšä¸ďź ăăăŻäşşăăăăéăă¨ćăăžăăăĺăŽä¸ă§ăŻćźĺşă§ăăćŽéăŽăăłăŹăŞăăăăŞăčŚăăŚčŞč ăéŠăăĺ ´é˘ă§ăăăă¸ă§ă¸ă§ăăŻĺ°ăăă¤ĺ¨čžşăĺşăăŚăăć示ăăăăăŞăăžăŻăžăŻăăćăăăăăžăăăăăăăăăŻăŞăăăăăŞäťćăăăăă弽ăă§ăăă¸ă§ă¸ă§ăăčŞăă§ăăŚčłçŚăćăăćă§ăăă
čć¨ďź ăăăă¨ăăăăăžăăă§ăä˝ć°ăŞăăăŁăŚăă ăăŠ(çŹ)ă
ââ čć¨ĺ çăăčŚăŚăăăŽăThe BookăăŽé ĺăŻăŠăă§ăăăăďź
čć¨ďź ăăŽăThe BookăăŤăŻăăăľăšăăłăšăăăăă§ăăăăă¨ăăčĄăŽĺ ç¸ăçăŞč¨ĺŽăĺşăŚăăăă ăăŠăăăŽčžşăă¤ă¤ăŁăăăăăăĺ¤ăăŞăăŁăăŽăŻăăăăäšä¸ăăă
äšä¸ďź ĺăŻăă¸ă§ă¸ă§ăăčŞăă§ăčĄç¸ăă¨ăăč¨čăć°ăŤăăăăăŤăŞăŁăăă§ăăĺ°ăĺăăăçśăă¨ăăĺăă¨ăăăăăăăăźăŻăźăă弽ăăŤăŞăŁăŚăăŚăčŞĺăŽĺ°čŞŹă§ăăăăăŁăčĄćăŽčŠąăć¸ăăăăăŚăăžăăă
čć¨ďź ăThe BookăăŻäšä¸ăŻăźăŤăăŤ4é¨ăŽăăŁăŠăŻăżăźăĺ ĽăŁăŚăăćăăăăă¨ăăăă¤ă¤ăă§ăăăĺćł°ă¨ăäťĺŠă¨ăăŁă4é¨ăŽĺăăŁăŠăŻăżăźăăĄă桹ăćăăăŚăăŚăĺä˝ăăăăăăăăăŞăă§ăăă
ââ ĺ°čŞŹă ă¨ăĺżçćĺăăăç´°ăăĺ Ľăăăăžăăă
čć¨ďź 3é¨ă4é¨ăćăăŚăăé ăć ĺ˝çˇ¨éč ăăăć˛ăă芹ăćăăŚăăăă¨č¨ăăăăă§ăăăĺăăăăçŽćăăăă ăăŠăă§ăčĽăăŁăăăăăăăăžă§éăăŚăăŞăăŁăăă ăăŠăăăŽăThe BookăăŤăŻăăăăăăă§ăăă4é¨ĺ˝ćăŤçŽćăăŚăăăăŽăŽĺŽć形ăăăăĺŽç§ă§ăăăk
äšä¸ďź čŻăăŁăâŚăăăă¨ăăžăă
ââăăłăŹĺŽśă¨ăăčˇćĽăŤă¤ăăă¨ăćčăăăăŽăŻăă¤ăăă§ăăďź ä¸ĺŚć䝣ă弽ăă§ăăłăŹăçľľăćăăŚăăăĺéăč¤ăăŚăăăŚăăă§ăăă ăăŽăăăăă°ăăăă¨ăăăłăŹĺŽśăŤăŞăăăăŞăă¨ăŻăăăŁăŚăăžăăăăćŹĺ˝ăŤăŞăăăă¨ćăŁăŚć稿ăăŻăăăăŽăŻéŤć ĄăŤĺ ĽăŁăŚăăă§ăăăă§ăăžăĺ çăä¸ĺŚăĺćĽăăŚăăăăăłčăăłăăŽéŁčźăăŻăăăŚăăĺăĺš´ăŞăŽăŤăăă§ăăŁăŚăăäşşăăăăŽăăăăăŻăŽăăłăăăŚăăăăŞăăŞăă¨ćăŁăăă§ăăă
ĺ˝ćăŻăżăăŞăăăĽăźăćŠăăŁăăă§ăăăŠăăă䝼ä¸ăŤćĺĄć˛ťčŤĺ çă梜ĺä¸é¨ĺ çăŽĺ˝ąéżăĺăăä¸äťŁăŽăăłăŹĺŽśăĺ°é ăăŚăăŚăăăłăŹăăĄăăŁă˘ă¨ăăŚăăăăăŁăŚăăăă§ăă ĺŚć ĄăŽĺ çă茪ăŤăŻăăăłăŹăŞăăčŞăă§ăăă錏隿ăŤăŞăăăâŚăă¨ćł¨ćăăăŚăăžăăăă§ăĺ˝ćăŽăăłăŹăŻăăăăăŞĺć§ăăśă¤ăăăăŁăŚăăŚé˘ç˝ăăŁăă§ăăă
ââăĺşčşŤăŻĺŽŽĺçăŽäťĺ°ă§ăăăäťĺ°ă¨ăăĺĺ°ăăĺăă役éżăŻăăăžăăďź
ăźăăŽĺ°ĺš´ć䝣ă¨ăăăŽăŻăćŚäşăçľăăŁăŚ20ĺš´ăťăŠçľăŁăăăă§ăćŚäşăŽçŞăă¨ăăăŞăăăŠăăăžăăžăŞäźčŞŹăćŽăŁăŚăăăă§ăăăé˛çŠşĺŁăćŽăŁăŚăăžăăăăă ăľăăĺä¸çşă§ăăăăăĺčľéăé ăăăŚăăă¨ăăĺăăăŁăŚăĺŽéăăăăăăăăăăăăăŽăć˘ăăŚăă幹帍風ăŽă˛ă¨ăăăžăăăăă¨ăĺš´ăŤä¸äşşăăăăŻĺäžăćą ă§ăăźăăăăăŚăăžăăăă掺人äşäťśăăăăžăăă
ĺ˝ćăŽäťĺ°ăŻăăžă éăćŽăŁăŚăăă¨ăăăăăăšăăŞăźçăŞčŚç´ ăĺ¤ăăŁăăăăŤćăăžăă
ââ桡ć˛ă¨ăăé°ĺ˛ć°ă¨ăéŤĺşŚćéˇăŽćł˘ăćŽćăăŚăăăăăŞâŚ
äťĺ°ăŻĺąąă澡ă¨ăăŁăčŚç´ ăăłăłăăŻăăŤăžă¨ăžăŁăŚăăčĄă§ăăć°čä˝ĺŽ ĺ°ăĺşăăŁăŚĺąąăŽăťăăžă§ćźăăăăŚăăăăăľăăçşăĺşçťć´çăăăŚăăăăăăčŚăŞăăč˛ăĄăžăăăă§ăăľăăăŞăă¨ăŤăĺćăŤăĺąąăćŠăăŚăăă¨äşĄéăĺčľéăŞăŠăŽćłĺĺăĺşćżăăčĄă§ăăăŁăăă§ăă
ăăăăĺĺ°ă§ăăˇăŁăźăăăŻăťăăźă ăşăă¨ăčŞăă§ăăă¨ăĺŚăŤăŞă˘ăŞăăŁăăăăă§ăăă ăăăăłăŹăčŞăă ăă犺ćłăăăŽăŻăăă弽ăă§ăăă
ââĺäžăŽăăăŻăăŠăăŞăăłăŹă弽ăă§čŞăă§ăăžăăăďź
ĺ˝ćăŽćľčĄăăŚăăä˝ĺăŻăťă¨ăăŠčŞăă§ăăžăăăă ăăăăŤäşä¸ăăăăŤă ă¤äźăăăăŤă ă¤ĺ¤äźăăŞăŠăŻăăźăăŤă¨ăŁăŚăŽćç§ć¸ă¨ăăăăăăžă§ăčŞăżčżăăžăă横幹ĺ čźĺ çăç˝ĺä¸ĺšłĺ çăŻăăăŤăŞăŁăŚăăéç¨ă§ăăăćčăăŚăăžăăă
ă¨ăăŤć¨Şĺąąĺ çăŻä¸ťäşşĺ ŹăŽćć ăăăŠă¤ăŤćăä˝é˘¨ă§ăĺŽĺ ¨ăŤăľăšăăłăšăŤĺžšăăŚăăăŽă§ăĺăŠăĺżăŤăăťăăŽä˝ĺŽśăăăăĄă¨ăŻéăăŞăă¨ćăŁăŚăăžăăăăăźăăă¤ăŤăăŞăă§ăăăçľľăăŻăźăŤă§ăăă
ăĺ°ĺš´ă¸ăŁăłăăăŽä˝ĺă§ăŻăăăŁăąăăăŞăłă°ăŤăăăăă§ăăăăă¨ăăłăăŠăăăăľăźăăăăŽçźăăăăăŤĺăŠăăŽăăă ă¨ăčéăŽĺ°ĺš´ă¤ăľă ăăăĺ ä¸äşşĺłĺšłăă弽ăă§ăăăăăă¸ăŁăłăăăŻéąĺăćĺăăăăżăăăăżăžă§čŞăă§ăžăăăă
ăăłăŹĺŽśăăăăăŚćŹć źçăŤć稿ăăŻăăăčć¨ć°ăŻă1980ĺš´ăăćŚčŁ ăăźăŤăźăă§ăéąĺĺ°ĺš´ă¸ăŁăłăăăŽć°äşşčłăćĺĄčłăăŤćşĺ Ľé¸ăăăăłăŹĺŽśçć´ťăăšăżăźăăăă1983ĺš´ăŤăŻăéĺ°ĺš´ăăźăăŁăźăăéŁčźăăăăŤçżĺš´ăŽăăăŞăźćĽč¨Şč ăăčŠĺ¤ă¨ăŞăă揥ä¸äťŁăŽçćżä˝ĺŽśă¨ăăŚćĺž ăăăăăăŤăŞăăă ăăăăłčăăłăăăăăŁăăăłçżźăăăĺćăŽćłăăăčé壍ćç˘ăăŞăŠăŽĺ¤§ăăăä˝ăăŞăăśĺ˝ćăŽăéąĺĺ°ĺš´ă¸ăŁăłăăă§çăăŽăăăăăć°äşşăăłăŹĺŽśăťčć¨éŁĺ彌ăŻăăžăăžăŞčŠŚčĄéŻčޤăçš°ăăăăăŚăăă
ââăŻăăăŚä¸äşŹăăŚăăéąĺĺ°ĺš´ă¸ăŁăłăă硨éé¨ă訪ăăă¨ăăŽĺ°čąĄăŻăŠăă§ăăăďź
éŤć ĄĺćĽăŽç´ĺăăăăăŞăćĺĄčłăŤć稿ăăŚăăŚăé¸ĺ¤ä˝łä˝ăŻăăŁăăă§ăăăŠăăŞăăŞăĺ Ľé¸ăŤăŻă¨ăŠăăŞăăŁăăă§ăăăă§ă佳ä˝ă ă¨ä¸čĄăăăăŽé¸čŠăăčźăăŞăăŚăčŞĺăŽćŹ çšăăăăăăăŞăăă§ăăăă ăăăăăŽčžşă硨éé¨ăŽă˛ă¨ăŤăŻăŁăăă¨čăăăăŞăă¨ćăŁăŚä¸äşŹăăžăăă
ĺ˝ćăŻăžă ăćąäşŹăťäťĺ°éăŤć°ĺššçˇăééăăŚăăžăăă§ăăăçé4ă5ćéăăăăăăŚçˇ¨éé¨ăŤăăăŁăŚăăăă§ăăăĺ稿ăč˘ăăĺşăăçŹéăă硨éč ă¨ăŽĺč˛ ăĺ§ăžăăă¨ăăćăă§ăăă
ăăăŞăăăăăăăŻă¤ăăăŚăŞăă ăăă¨ćăăăžăăŚăćĺăŻăžă ăĺ稿ăăăŻă¤ăă§äżŽćŁăăăŁăŚăă¨ăçĽăăŞăăŚăćăăçˇăăŻăżĺşăŚăăăă§ăă
ăăăŻä˝ĺš´ăçľăŁăŚăăă§ăăăŠă硨éč ăăĺ稿ăăăăăăăŞăă§ćçľľă ăăčŚăŚăčŞăżăăăŞăăă¨č¨ăă ăăă¨ăăăŁăăă§ăăăä˝ćĽăĺžšĺ¤ăăŚćăăŚăăă¨ăăăŽăŤďźçŹďźă
ăăăăăŤăçśăăčŚăăăŞăăăăŞçľľăćăăŚăăăă¨ăăăă¨ăŞăă§ăăăéąĺăăłăŹčŞăŽçˇ¨éč ăŻćŻćĽăăăăăŽĺ稿ăčŞăă§ăăžăăăăä˝ĺăŽčŻăćŞăăćčŚçăŤăăăăă§ăă
ââćĺăŽéŁčźä˝ĺăéĺ°ĺš´ăăźăăŁăźăăŻăéŁčźĺčŁăŤăăăŁăŚăăĺŽéăŽéŁčźéĺ§ăžă§1ĺš´ăăăăăăŁăŚăăžăăăăăŽăăă ăŽä¸ĺŽăŞăŠăŻăăăžăăăďź ăăăĺ ¨çśăŞăăŁăă§ăăăăăŽăăă ăăăăăă¨ćăăăăŚăăžăăăăă
ăă¨ăĺ˝ćăŻă˛ă¨ăă§ćăăŚăăăŽă§ăćčĄçăŤćŻéąéŁčźăăŚăăčŞäżĄăăŞăăŚăăăŽä¸ĺŽăŽăťăă大ăăăŁăă§ăăăăŽăăăç§ćŹć˛ťĺ çăŽăăăĄăč飞ĺşäşćĺ Źĺĺć´žĺşćăăăă§ăŤ30塝ăăăĺşăŚăăžăăăăă30塝ăăŠăăăŁăŚćăăă ăăďźăă¨ćăŁăŚăăžăăăă
ââĺ˝ćăć ĺ˝çˇ¨éč ăăăŽă˘ăăă¤ăšă§ĺ°čąĄçăŞăăŽăŻăăăžăăăďź
ć ĺ˝ăăă¨ăŻăăăć çťăăăłăŹäťĽĺ¤ăŽćŹăŞăŠăŤă¤ăăŚčŠąăăăŚăăžăăăćžćž¤éžĺ˝ŚăăăŽčŠąéĄă¨ăăăăăŞăźăĄă¤ă˝ăłă¨ăŻďźăăżăăăŞăăăăăăăźăŻăŞćšĺăŤăăčĄăăă§ăăďźçŹďźă
ĺ˝ćăŽăźăăŻăăăăăă¨ăăžăŁăăçĽăăŞăăŁăăŽă§ăăăăŁăăăăŁăŚä˝ă§ăăďźăăŁăŚčăăă§ăăăăă¨ăăŞăă ăăăăŽćŹčŞăă§ăŞăăŽďźäťćĽă財ăŁăŚčŞăżăŞăăăăčŞăžăŞăăăăăŤăŞăăŞăăďźăă¨ăăŹăăˇăŁăźăăăăŚăăăăă§ăăă¨ăŤăăćŹăčŞăžăŞăăă°ă ăă ăă¨ăăé°ĺ˛ć°ăŻăăăžăăăă
ăăăăăăćŹăčŞăă ăăäťĺşŚăŻăăăć ĺ˝ăăă¨ćščŠăăăăă§ăăăăăăŻč¸čĄçăŤăŻĺŞăăŚăăăăŠăčŞč ăŤăŻĺăăŞăăă¨ăăă¨ăłăżăźăă¤ăłăĄăłăăŤĺż čŚăŞăăŽăŻä˝ăďźăă¨ăăŁăĺ 厚ă§ăăăă
ăăăăăłăŹăŽćăĄăăăăŽă¨ăăŤăăăă§ăăăŠă¤ăăŤä˝ĺăŽćščŠăŞăŠăĺŤăăŚă
ââçĺ獜äşăŽăŻăăăĺ°ĺš´ăăłăŹčŞă§ăăăéŁčźăăŻăăăŚăç´ ć´ăăăăă¨ćăŁăăă¨ăŻăăăžăăďź
ăéąĺĺ°ĺš´ă¸ăŁăłăăă¨ăăéčŞăŻăĺŽăŻçšç°ăŞé¨ĺăč˛ćżăćăŁăŚăăăă§ăăă¨ăăăăăźăăŽăăăŞĺ¤ăăŁăä˝é˘¨ăŽăăłăŹĺŽśăăăăĽăźăăăŚăăăŚăăžăăďźçŹďźăăăŽăăăŽăéąĺĺ°ĺš´ă¸ăŁăłăăăŤăŻă荸ć大äşéĺ çă寺沢ćŚä¸ĺ çăçŹçšăŞä˝ĺăćăăŚăăžăăă
ăéąĺĺ°ĺš´ă¸ăŁăłăăăŻăăăăăŤăĄă¸ăŁăźăŞä˝ĺăŻăăă¤ăéčŞăŽćąă¨ăăŚăăăă§ăăăăťăăŽä˝ĺăăżăăŞéăŁăĺć§ăăăŁăŚăăă¨ăăăăăăăăă¨ăăăç´ ć´ăăăăăăăŞăăă¨ćăăžăăă
ââéăŤă¤ăăăŁăăă¨ăŻăăăžăăăďź
ĺ˝ćăŽăéąĺĺ°ĺš´ă¸ăŁăłăăăŻăä˝ĺŽśă ăă§ăŞă硨éč ăŠăăă獜äşăăŚăăăă§ăăă硨éäźč°ăŽĺ ´ăŻăăăăăŽćčŚăćżçŞăăăŁăŚăăŚăăăŽč波ăăăăăăŁăŚéŁčźăćąşăžăăă§ăă
ă¨ăăŤăăźăăŽä˝ĺăŻăăŞăăăăĺĽĺ ¨ăŞĺ 厚ăăăŞăăŽă§ăă˛ăŠăĺŚĺŽăăăăă¨ăăăăžăăăăă¨ăă°ăéĺ°ĺš´ăăźăăŁăźăăŽă¨ăăŻăăżă¤ăăŤăŤăéĺ°ĺš´ăă¨äťăăŚăăă ăă§ăăĄă ă¨č¨ăăăžăăăăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăă§ăăĺ°ĺš´ăăłăŹă§ĺ¤ĺ˝ăŽä¸ťäşşĺ ŹăŻăăăăŞăăă¨č¨ăăăăă
ăăŽăăŁă˝ăă§ăăăăŁăăă¨ăŞăăă ăăăă˛ă¨ăžăăăŁăŚăżăăăăăŞăăăă¨čăă硨éč ăăăžăăăçšăŤăăźăăŽćĺăŽć ĺ˝ăăăŻăăĄă¸ăŁăźčŞă ăăăă¤ăăźăŞăăŽăăăăă ăăă¤ăăźăŞăăŽăăă¤ăăźčŞă§ăăŁăŚăćĺłăăŞăăăĄă¸ăŁăźčŞă§ăăăăăăăă ăă¨ăă埡ĺźăŞä¸ťĺźľăăăŚăăžăăă
ăăăŞăźćĽč¨Şč ăďźćĺşŤďź ăăăŞăźćĽč¨Şč ăďźćĺşŤďź éčąç¤ž
ââéŁčź2ä˝çŽăŽăăăŞăźćĽč¨Şč ăăăăŻăĺ¤ç¨Žĺ¤ć§ăŞăăŁăŠăŻăżăźăäşăăŽĺźˇăă獜ăĺăăăăăŤçłťăŽä˝ĺăä¸ĺżăŤćăăăŚăăžăăăľăšăăłăšăăç°çŤŻăŽç§ĺŚçčŤăžă§ăăžăăžăŞçĽćľăé§ä˝żăăŚăăŻă°ă˛ăă襨çžăăăăŚăăžăăă
ăçčă ăă ăăŽăăźăăźă ăă埡ăăăă§ăŻăŞăă ăăăă¨ćăŁăŚăăăă§ăăă貧培ăŞčä˝ăŽćăĄä¸ťă§ăăčŞčşŤăŽĺźąăăçŞăăŹăăă°ăăăźăăźăŤĺăŚăăăçĽăăŞăăă¨ăăžăçžĺŽçăŞççąă¨ăăŚăĺ 蟊ăăĄăćăăŚăă襨çžăŽăšăăăçăăŞăăă°çăćŽăăŞăăă¨ăăçśćłăăăăžăăă
ăăŠă¤ăŞăľăšăăłăšă¨ăăććłčŞä˝ăŻć¨Şĺąąĺ čźĺ çăŽĺ˝ąéżă§ăăăŠăăă¸ă§ă¸ă§ăăŽăšăżă¤ăŤăŻăăăăŚéćăăăăŽă§ăă
ââăăŽăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăăŽăšăżă¤ăŤăŻăéŁčźéĺ§ăă20ĺš´ăçľăŚăçžĺ¨ă§ăŻăéąĺĺ°ĺš´ă¸ăŁăłăăăŽä¸ťćľă¨ăŞăŁăŚăăžăă
ăăăŻăăźăăŽčŞč ă ăŁăă˛ă¨ăăĄăăä˝ĺŽśă¨ăăŚăăăĽăźăăŻăăăăăăăăăăŞăă§ăăă
ă§ăăăă¸ă§ă¸ă§ăăŽéŁčźăŽĺćăŻăăăăăăăŞăăă¨č¨ăăăŚăăŚăăăŠăăăŁăăăăăăăăăŞăăŽăăŞďźăă¨ăăăă¨ăŤčŚĺżăăŚăăăŽă§ăăĄăăŁă¨éä¸ăŽćăăăăžăăă
ăăšăăŞăźăăăŠăźăă˘ăŻăˇă§ăłăSFăŞăŠĺ¤ĺ˛ăŤăăăčŚç´ ă貪揲ăŤĺăăăă ăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăăˇăŞăźăşă2004ĺš´ăŤăŻăăžăŁăăˇăŞăźăş7ä˝çŽăŽăăšăăŁăźăŤď˝ĽăăźăŤď˝ĽăŠăłăă§ăŻăăăžăžă§ăŽăˇăŞăźăşă¨ăŻç°ăŞăĺ¤ĺă辡ăăŚăăă19ä¸ç´ăŽă˘ăĄăŞăŤĺ¤§é¸ăčĺ°ă¨ăăĺä˝ăžă§ă¨ăŻäźźăŚéăŞăä¸ç茳ă§çš°ăă˛ăăăăăĺĽćłĺ¤Šĺ¤ăŞĺéşčďźăźăăăăăďźăŻăăăŁăăăŠăă¸ĺăăăŽă ăăăă
ââćć°ä˝ăăšăăŁăźăŤď˝ĽăăźăŤď˝ĽăŠăłăă§ăŻăć˛čź1ĺăăăăŽăăźă¸ć°ăĺ¤ăăŞăăéä¸ă§ćĺčŞăŽăăŚăŤăăŠă¸ăŁăłăăăŤç§ťăăăžăăăä˝č ăŽĺ´ăăăżăŚăä˝ĺăŽĺ 厚ăŤĺ¤ĺăŻăăăžăăăďź
éąĺéŁčźă¨ăăăŽăŻăçăăăźă¸ăŽăŞăă§čľˇćżčť˘çľăŽĺŚăčŞč ăŤăżăăŚăăăŞăăă°ăŞăăŞăăă§ăăăăźă¸ăĺ¤ăă¨ă辡ćżčť˘çľă2ĺăăăä˝čŁăăăžăăžăăăăăžăăĺżçćĺăă§ăăă¨ăăĺŠçšăăăăžăăă
éąĺăŽăăăŻăă¤ăĺ°ăăăźă¸ć°ăăŞăźăăźăăŚăăžăŁăŚăăŠăăăŁăŚăăŽĺăăŤăăăăăăă¨ăăăă¨ăŤćéăăăăŁăŚăăăă§ăăă硨éč ă¨ăăŠăŽé¨ĺăăăŞăă§ăăďźăăăăăŞăé¨ĺăŻăŞăă§ăăăăă§ăăăăăžă§ăăăŞăă¨ă芹ă¨ăăŚăŻăăăžăăćŞăăăăăăăă§ĺăăŽăŻčŻăăŞăăăăăŞăŠă¨čŠąăăŚăăžăăă
ăăšăăŁăźăŤď˝ĽăăźăŤď˝ĽăŠăłăă§ăŻăăźă¸ć°ăŽĺśéăŤăăăšăăŹăšăăŞăăŞăŁăŚăçŠčŞăŽăŞăşă ăăăăŞăŁăă¨ćăăžăă
ââăăźă¸ć°ăĺ¤ăăăăŽăŻăăŠăŽăăăŞççąă§ăăďź
ăă¤ăăăăŻăŞçťé˘čĄ¨çžă¨ăçšç´°ăŞĺżçćĺăăăăăŞăăä˝ĺăćăăăă¨ćăŁăăăă§ăăă
ăă¨ă澡ĺ¤ăăŠăă24ăăăä¸é¨ä˝ăŽć çťăăăźăăťăŞăăťăśăťăŞăłă°ăă¨ăăŁăă壎大ăŞăăŞăĽăźă ăŽçŠčŞăĺ˘ăăŚăă役éżă§ăă¨ăăăŽăăăăžăăăéąĺéŁčźăŽăłăłăăŻăăŞčľˇćżčť˘çľăŽçš°ăăăăăăăŞăăŚăăăŁă¨ĺ¤§ăăŞçŠčŞăčŞăăăăŞăŁăăă§ăă
ă ăăăĺ稿ăŽć ă大ăăăăăă¨ăăăă2ăĄăźăăŤăăăăŽĺ稿ç¨ç´ă§ăăăăăă¨ćăŁăŚăăăăăă§ďźçŹďźă
ćčżăéčŞăŽé¨ć°ăć¸ăŁăŚăăăăăŤăłăăăŻăšăŽé¨ć°ăĺ˘ăăŚăăăŽăăčŞč ăŽĺ´ăăăăăăĺčĄćŹă§ăăŁăăŤčŞăżăăă¨ăăăă¨ă ă¨ćăăă§ăăă
ăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşPart7ăšăăŁăźăŤăťăăźăŤăťăŠăłă ăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşPart7 ăšăăŁăźăŤăťăăźăŤăťăŠăłă éčąç¤ž
ââ寞蹥嚴齢ăŽéŤăéčŞăŤç§ťĺăăăă¨ă§ăĺŤçć§ăŤăžă¤ăăćĺăĺ¤ĺăăŚăăžăă 40ćłăăăăŚăĺŤçć§ăŤăžă¤ăă襨çžăćăăŞăăĄăăăĄă ăăăă¨ćăŁăăă§ăăăăă¨ăă°äżłĺŞăťć çťçŁçŁăŽăŻăŞăłăăťă¤ăźăšăăŚăăăăă˘ăŻăˇă§ăłăšăżăźă¨ăăć çľăżăŤă¨ăăăăăŤć´ťĺăăŚăăžăăăźăăăżăźă˛ăăăčĽăčŞč ă ăăŤéĺŽăăŚăăăăä˝ĺă窎ĺąăŤăŞăăăăăŞăăăŞăă¨ćăŁăăă§ăăă
ăă¨ăăšăăŁăźăŤď˝ĽăăźăŤď˝ĽăŠăłăă§ăŻăăšăăźăŞăźăăçľľćăžă§ĺŤăăă¨ăăă§ăăăĺ¤ĺ ¸çăŞćšĺă¸ăăăă¨ćăŁăŚăăžăăçťĺ ´äşşçŠăŽčĄçľąăć´ĺ˛ăăă¨ăŤćťăŁăŚăăžăăăč˝ĺăăˇăłăăŤăŤăăăă¨ĺżăăăŚăăžăăăăăăăćčżăŻCGăŽĺŠç¨ăĺ˘ăăŚăăžăăăăźăăŽăăłăŹă§ăŻăăăŚä˝żăăŞăăăăŤăăăă¨ăă
ĺé˘ăŤăŻă ăăŞăç¨ĺşŚăŤĺ˛ĺŚăçăăăżăăă¨ćăŁăŚăăžăăăŠăăăŽăăăăŽĺ¤ĺăăéąĺĺ°ĺš´ă¸ăŁăłăăăĺşăççąăŞăŽăăçĽăăžăăă
ââăă¸ă§ă¸ă§ăăˇăŞăźăşăŽăăăŤăŻăčä˝ăŽćŚăăă¨ăăăăăç°çŤŻăŽäşşç茳ăăăŁăćľă¨ăä¸ťäşşĺ ŹăăĄăŽäžĄĺ¤čŚłăčĄçŞăăăĺ˛ĺŚăŽćŚăăă ă¨ćăăžăăăäťĺăăçˇăŽçžĺŚăăŤăă ăăŁă埡ćľăçťĺ ´ăăŚăăžăăă
ä˝ĺčŞä˝ăĺ¤ĺ ¸çăŞćšĺă¸ă¨ĺăăŁăŚăăžăăăăçťĺ ´ăăăăŁăŠăŻăżăźăă¨ăăăĺ¤ĺ ¸çăŞäžĄĺ¤čŚłăŤĺăăăă§ăă
çŠčŞăŽĺąéä¸ăăŠăăă§ä¸ťäşşĺ ŹăăŹăźăšăŤĺĺ ăăćĺłăčŚă¤ăăŞăăĺż čŚăăăŁăŚăăçˇăŽçžĺŚăă¨ăăĺ¤ĺ ¸çăŞäžĄĺ¤čŚłă¨ăŽćŚăăŻăăžăăŤăăŁăŚă¤ăă ăŁăăă§ăăĺ¤ĺ ¸çăŞăă ăăŠăĺ ŹćŁăŞćăăăăă§ç˛žçĽăŽćéˇăăăăă¨ăă䞥ĺ¤čŚłăŻăăăăăžăŽčŞč ăŤă¨ăŁăŚăŻć°ăăă ăăă¨ă
ăăăăăćŚăăŽăˇăłăăŤăă¨ćłéăŽăŞă˘ăŞăăŁăčż˝ćąăăăăăć´žćăŞćăĄăăă§ăŻăŞăăĺą ĺăĺăă¨ăăăăäžăŽéăăŞćąşéăćłéă§čĄ¨çžăăăă¨ćăŁăăă§ăăăăăŽćĺłă§ăăăžăćăăăăăăŞăăăŞă
ââčć¨ĺ çăŻéçă§ćĺă§ăăă芹ăŽĺąéăŤčŠ°ăžăŁăŚăăžăŁăă¨ăăŻăŠăŽăăăŤĺăćăăŚăăžăăďź 1庌ă¤ăăŁăŚăăžăŁăă˘ă¤ăă˘ăăă1庌使ăăă¨ăăăžăŤăăŁăŚăćźĺşăŽĺăĺŁăăăśăŁăŚăăžăăŞăăăăŤăăăăăŤćŠăăă¨ăŻăăăžăăăă ăçťĺ ´äşşçŠăĺăăăăă§ă芰ăĺ°ćŁăŽăăăŤăŞăăă¨ăŻăăăžăăăă
ăăŁăŠăŻăżăźăăăŁăĄăä˝ăăăă§ăăă°ă芹ăŽćľăă芰ăžăŁăŚăăăžăăă¨ĺăăŚĺăăŹăăŚăăăăăăšăŚăŽçťĺ ´äşşçŠăŤĺĺăăŞćšĺć§ăä¸ăăŚăăžăăăăăäşăăçŠčŞä¸ă§čĄçŞăăŚăăăăĄăŤĺéĄăŻč§ŁćąşăăŚăăăă§ăăćŞĺ˝šăĺ ¨ĺĄăčŞĺăćŁăăă¨ćăŁăŚăăžăăăă
ââć°ăăč˝ĺăčăăŚĺşăăŚăżăăăŠăăăăŻćŚăăŤăŻä˝żăăĽăăăŞăă¨ăăăă¨ăăăăžăăďź
ăăŽćăŻćŚăăćŠăăŤçľăăăăăăăžăăă§ăăä˝ćĽăčăăăăăŞăă¨ăŻăŞăă§ăăă
ăă ăăăăă¤ăĺăŤĺşăŚăăăăŁăŠăŻăżăźă¨äźźăŚăăŞăă¨ăăćăăžăăăă§ăăăăčŞč ăć˘čŚćăăăă ăăăăăăć°ăăé ĺăčż˝ĺ ăăŚăăăďźăăćăĺăŁăŚăŤăăăăăďźăă¨ăăĺ¤ćă迍ăăăăă§ăăăŠăăăŽćăŻăĄăăŁă¨čŚăăăăŞă
誰ăčŚăăă¨ăŽăŞăć°ăăçŠčŞăă¤ăăă ăăŞăăăăăžăăžăŞă¸ăŁăłăŤăŽčĽăăŻăŞă¨ă¤ăżăźăŤĺźˇçăŞĺ˝ąéżăä¸ăçśăăŚăăăçžĺ¨é˛čĄĺ˝˘ăăŽăăłăŹĺŽśăťčć¨éŁĺ彌ăăăžăć°ăăĺ°ĺšłăçŽćăăŚčľ°ăçśăăčć¨ć°ăŽćŞćĽäşćłĺłă¨ăčĽăä¸äťŁă¸ĺăăăĄăăťăźă¸ă¨ăŻďź
ââćčżă§ăŻăăŞă§ĺąčŚ§äźăčĄăŞăăŞăŠăć˘ĺăŽăăłăŹăŽă¤ăĄăźă¸ăŤçăžăăŞăć´ťĺăăăăŚăăžăăăăăłăŹäťĽĺ¤ăŤăŻăŠăŽăăăŞăă¨ăŤé˘ĺżăăăŁăŚăăžăăďź ăźăăŻăăšăăźăŞăźăďźăăçľľăďźăă¨ĺăăăă¨çľľăéčŚăăŞăă¨ćăŁăŚăăăăłăŹĺŽśăŞăŽă§ăéłćĽ˝ăçľľçťăŞăŠăçľľăŤĺăčžźăăăăŽăŤăŻăăăčĺłăćăŁăŚăăžăăăăăłăŹäťĽĺ¤ăŽăă¨ăăăăšăŚăăłăŹăŤéăăŚăăžăăăă
çšăŤčĺłăăăăŽăŻăçžäťŁçľľçťăă¤ăżăŞă˘ăŽăŤăăăľăłăšçľľçťă§ăăăăăŽäşşăä˝ăčăăŚăăăă ăăďźăă¨ăăă˛ă¨ăťăŠčŻăă§ăăăă´ăźăŽăŁăłăăăąăŠăłă¸ă§ăăŞăŠă čŞăżč§ŁăăŚăăăŽă漽ăăă¨ăăăăç°çŤŻăŤčľ°ăŁăççąăçŞăă¤ăăŚăăăŽă弽ăăŞăă§ăăă
ââ䝼ĺă珏äšé¨ăžă§ăŽć§ćłăăăă¨čŞăŁăŚăăăăžăăăăäťĺžăĺŻč˝ăŞéăăă¸ă§ă¸ă§ăăçśăăŚčĄăăăăŽă§ăăăăďź
ĺéĄăŻä˝ĺă§ăăăéąĺéŁčźăăćĺéŁčźăŤăŞăăžăăăăŠă40ă50ăŤăŞăŁăŚăăă¨ä˝ĺăč˝ăĄăžăăăăăčĽăăăăŻä¸ćŠĺŻăă°ć˛ťăŁăŚăăăă§ăăăŠă沝ăăŞăăŞăŁăăăăŚăăžăăăé˘çŻă¨ăăćŞăăăŚăăăăćć ˘ăăŚăăŁăŚăăă¨ăăŠăăŠăćŞĺăăŚăăăă§ăăă
ăăłăŹĺŽśăŁăŚăéˇăéăłăłăăŁăˇă§ăłăçśćăăŚăăăŞăăŚăŻăŞăăŞăăăăăă˘ăšăŞăźăă¨äźźăŚăžăăăăăă§ăŞăăŚăăăšăăŁăźăŤăťăăźăŤăťăŠăłăăŻăćăĺ´ăă˘ăĄăŞăŤĺ¤§é¸ć¨ŞćăŹăźăšăăăŚăăăăăŞéŻčŚăŤăăĄăăä˝ĺăŞăŽă§ďźçŹďźă
çšăŤă錏ăčľ°ăăăăˇăźăłăćăăŽăăăăç˛ăăăă§ăă錏ăćăăă¨ăŻăăŁă¨ă錏ăŤäšăŁăŚăăăŽă¨ĺăăăăä˝ĺăĺăăăăăăăŞăăăŞă
čŞĺčŞčşŤăăŹăźăšĺĺ č ăŽä¸äşşăŤăŞăŁăŚăăžăăăăă´ăźăŤă¸čžżăçăă¨ăťăŁă¨ăăăă§ăăăă§ăăć°ĺćéĺžăŤăŻăžă揥ăŽăŹăźăšăâŚăăăćŠăćĽćŹă¸ĺ¸°ăăăăŞăăă¨ďźçŹďźă
ââäšä¸ăăăć°ĺš´ăăăŚăă¸ă§ă¸ă§ăăŽĺ¤äźĺ°čŞŹăć¸ăăăăSOUL'd OUTăŽăăăŤéłćĽ˝çăŞćĺłă§ĺźˇă役éżăĺăăăăłăăçťĺ ´ăăăŞăŠăčć¨ăăăŽä˝ĺăŤĺ˝ąéżăĺăăă¨ĺşč¨ăăčĽăä¸äťŁăŽăŻăŞă¨ă¤ăżăźăăăžă揥ă ă¨ăăăăăŚăăžăă
čĽăä˝ĺŽśăăăŤăăč¨ăăăăŽăăăăĺŹăăăăć´ťĺăŤăŞăŁăŚăăăă§ăăă
éťă ă¨ăăłăŹăćăăŚăăă¨ăăŠăăŞăŤĺŁ˛ăăŚăăŚăăăčŞĺăŽçľľăŻăăă§ăăăŽăăŞďźăăĺ¤ăăŞăŁăŚăăăăăăŞăăăŞďźăă¨ä¸ĺŽăŤćăŁăăăć°ăăä˝ĺŽśăăăăŠăăŠăĺşăŚăăă¨ăăăăăăăŚäżşăčŚć¨ăŚăăăŚăăžăăŽăăŞďźăă¨ćăŁăăăăăă§ăăă
ăăăăćăŤă役éżăĺăăăă¨č¨ăŁăŚăăăăăŽăŻăăăăăă§ăăăč¨ăăăŞăă¨ăăŁăąăĺăăă§ăăăăăžăžă§ćăăŚăăćĺłăăăăăŞăăŞăŁăŚăăžăăžăăăă
ââćĺžăŤăăŻăŞă¨ă¤ăżăźăçŽćăăŚăăčĽăäşşăăĄă¸ĺăăŚăĄăăťăźă¸ăăéĄăăăăăžăă
ăźăčŞčşŤăŽä˝ĺăćŻăčżăŁăŚăżăă¨ăĺăŞăĺŠççŽçă§ćăăŚăăă ăă§ăŻăčĽăäşşăŤăŻĺăăăăăăŞăăăăăŞăă§ăăăăăćéˇăăŚăăčĽăäşşăăĄăŤă¨ăŁăŚăćéˇăăŞăä˝ĺăŻĺż čŚăŞăă§ăăăă ăăăăăăăŁăăçĄé§ăŤćăăăă¨ăăć°ăăăă¨ćăŁăăăăăŁăŚăżăăšăă§ăăăč¸čĄăăăłăŹâŚă¨ăăŤăăłăŹă¨ăăăĄăăŁă˘ăŻăăăăăĺŽé¨ă訹厚ăăă ăăŽĺĺŁăăăăžăăăă ăžăăăăăăĺŽé¨ăŤĺŻžăăŚăçéăŤăăăĺŻăăäşşăăăăăăăăŞăăăŠăéŠĺşŚăŤçŠşć°ăčŞăżă¤ă¤ăăăăŞăă§ăăă°ăŁăŚćŹ˛ăăă§ăăć°ăăăă¨ăăăŁăŚăăăŞăă¨ăäşşéăŽç˛žçĽăŻĺćťăăŚăăžăăžăăăăă
ĺćăťćďźć´ç§äżŽä¸é ĺçďźç°éćçž
[12]
- I would like you to tell me about Part 4 in detail. Araki-sensei, what kind of work is Part 4?
Araki: In short, the theme of Part 4 is "building a city". It's meant to take JoJo's "mythical" story that its had up until Part 3, and drop it down into everyday life. Of course it's ordinary, but at the same time extraordinary. I wanted the "reality" in Part 4 to bring the story closer to the real world. That's why a certain manga artist, whose profession I know best, and a chef of a familiar restaurant also appear in this part.
- The year is 1999, and the fact that the stage is a "town" also brings about a sense of "reality".
Araki: You get the feeling that the town of Morioh actually exists. Part 4 had to end because Kira was gone, but I really want to draw more. I want to put something else in that town, so maybe I will draw it again someday... In Part 8 and 9 (laughs).
- I would definitely want to read it. Is there anything else you tried to come up with in Part 4 regarding ârealityâ?
Araki: I would often think about the different sides of characters that aren't really shown in the manga, but not like obscure trivia or something. For example, Josuke was truly hurt by the fact that he grew up never knowing his father. However, he covers up this pain with the pompadour man who saved him as a kid. He considers that man a hero, somebody he can rely on, and a symbol of his faith in people.
[Translated by MetallicKaiser (JoJo's Bizarre Encyclopedia)][13]
Hirohiko Araki is the author of the popular series "JoJo's Bizarre Adventure", which was selected as the second best manga in the "100 Best Japanese Media Arts" in 2006, the 10th anniversary of the Japan Media Arts Festival. Hirohiko Araki has been a leading figure in the world of shĹnen manga. We interviewed him about the path he has taken to develop his unique style and the new frontier he is taking on as a manga artist with his latest work, Steel Ball Run, which marks the 20th anniversary of the series.
The manga he used to read, the place he grew up
-When did you become aware that you wanted to be a manga artist?
When I was in junior high school, I used to draw manga and pictures for fun, and my friends used to praise me for it. From then on I had a vague idea that I wanted to be a manga artist, but it was after I entered high school that I really wanted to be one and started submitting my work. Yudetamago started serializing "Kinnikuman" right after graduating from junior high school, and I thought to myself, "There are people my age who are doing it professionally, I can't just sit back and relax".
At the time, everyone was making their debut early, but even more than that, the generation of manga artists influenced by Osamu Tezuka and Ikki Kajiwara were emerging, and manga was becoming a popular media.
I was warned by my teachers and parents that if I read manga I would become stupid. But at that time, manga was interesting because there were so many different personalities clashing.
-You are originally from Sendai in Miyagi Prefecture, how do you feel has the city influenced you?
In my childhood, about 20 years after the end of the war, there were still many legends, though not so many "scars of war". There were still air-raid shelters. There were rumours of buried treasure in the old castle town. In fact, there were mountaineers who were looking for such dubious things. There was also at least one child a year who drowned in a pond, and there were also murders. In those days, Sendai was still dark, and there were many mysteries.
-The atmosphere of chaos and the waves of rapid growth are in tension with each other...
Sendai is a city of mountains and sea, all in one compact area. I grew up in a city where you could see the new residential areas spreading out and encroaching on the mountains, and the old streets being destroyed by land readjustment. But also, strangely enough, it was a city where walking in the mountains stimulated my imagination, with its ghosts and buried treasure.
When you read Sherlock Holmes in a place like that, it feels strangely real. That's why I liked reading manga and fantasizing so much.
-What kind of manga did you like to read as a child?
I read almost everything that was popular at the time. I still go back and read "Babyl II", "Kamui Den" and "Kamui Gaiden" as they were my textbooks. I was very inspired by Mitsuteru Yokoyama and Sanpei Shiratsuchi when I was becoming a professional.
In particular, Yokoyama's style is to depict the main character's emotions in a dry way, and he is completely dedicated to suspense, so I thought to myself as a child that he was different from other manga artists. So he's hard-boiled, and his drawings are cool.
In the Shonen Jump magazine, I'd have to say "Ring ni Kakero". Also "Cobra" and "Wolf of the Circuit". And when I was a kid, I also liked "Isamu: The Boy in the Wilderness" and "Kaichojin Mihei". I used to read "Jump" from cover to cover, both weekly and monthly.
In 1980, Araki's "Poker Under Arms" was selected for the Tezuka Award, a newcomer's prize in the weekly Shonen Jump magazine, and he began his career as a manga artist. The following year, "Baoh" was well praised, and he was expected to become the next generation of manga artists. However, in order to survive in the "Weekly Shonen Jump" magazine, which at that time had many big hits such as "Kinnikuman", "Captain Tsubasa", "Fist of the North Star", and "Saint Seiya", the new manga artist Hirohiko Araki had to go through many attempts and errors.
-What was your impression when you first came to Tokyo and visited the editorial office of Weekly Shonen Jump?
I think it was just before I graduated from high school. I was submitting work to the Tezuka Award, and although I got some honorable mentions, I couldn't quite get my work selected. But in that case, there was only a one-line review, so I didn't really understand my own faults. That's why I came to Tokyo to ask the editor for clarification.
At that time, the Shinkansen line between Tokyo and Sendai was not yet open. It took me four or five hours each way to get to the editorial office, and I felt like I was competing with the editor from the moment I took the manuscript out of the bag.
There were times when the editor would suddenly say to me, "Hey, you haven't corrected the errors on your manuscript". At the time, I didn't even know we do it with white ink, so the lines I drew were sticking out.
After a few years, there were times when the editor would look at the door picture without even turning the manuscript and say, "I don't want to read this". Even though I'd been up all night for days working on it (laughs).
In other words, he told me that I was supposed to draw pictures that would make people want to see the rest of the story. The editors of weekly manga magazines read a lot of manuscripts every day, so they have a good sense of what makes a work good or bad.
-It took about a year from the time you were shortlisted to the start of your first series, "Cool Shock B.T.". Did you have any anxiety during that time?
No, not at all. I was working on a lot of things in the meantime.
Also, at the time I was drawing by myself, so I didn't have the technical confidence to do a weekly series, so I was more worried about that. At the time, about 30 volumes of Osamu Akimoto's "Kochira Katsushika-ku Kameari KĹen-mae Hashutsujo" had already been published, and I thought "How could he draw 30 volumes? I wondered.
-What was the most memorable piece of advice you received from your editor at the time?
My editor and I used to talk about books other than films and comics, for example, about Shibusawa Tatsuhiko, or "What is Freemasonry? and so on. We would talk about dark things like that (laughs).
At that time, I didn't know anything about that kind of stuff, so I asked him "What's that?" and he'd say, "What, you haven't read that book? You should buy it today and read it. If you don't read it, you'll never become a professional". He put pressure on me. So there was an atmosphere that I had to read more books.
When I read a book that was recommended to me, I would critique it with my editor. We'd say things like, "This is a great book artistically, but it won't appeal to readers," or, "What do you need for entertainment? ".
That's what we'd do at the meetings, including critiques of rival works.
-There is a lot of competition for survival in shonen manga magazines, but was there anything you thought was "great" after you started working on it?
The magazine "Weekly Shonen Jump" actually has a lot of unique aspects. I mean, it allowed manga artists with unusual styles like me to make their debut (laughs). At that time, Moroboshi Daijiro and Terasawa Buichi also drew unique works in Weekly Shonen Jump.
Weekly Shonen Jump does have some major works as the mainstay of the magazine, but everyone else's work has a different personality. I think that's what's great about it.
-On the other hand, was there anything that was difficult for you?
At that time, in Weekly Shonen Jump, not only the manga artists but also the editors competed with each other. At the editorial meetings, the opinions of the editors would clash with each other, and it had to go through these difficulties that the series would be decided.
In particular, there were times when my work was severely criticised because it wasn't necessarily healthy. For example, when I was working on "Cool Shock B.T.", I was told that just because it had the word "Ma Shonen" in the title, it wasn't good enough. With "JoJo's Bizarre Adventure", they said, "You can't have a foreign main character in a shĹnen manga".
On the other hand, there were editors who thought, " We've never done this before, so why don't we give it a try? In particular, my first editor said, "We're a major magazine, so we're going to do something minor. There's no point in doing something minor in a minor magazine. It's only when you do it in a major magazine that it becomes meaningful.
-From the second manga in your career, "Baoh", you have been writing mainly about battles, in which a wide variety of characters compete with each other for strength. From suspense to bizarre scientific theories, you use a wide range of knowledge and expressions.
I thought, " Muscular heroes aren't the only ones who are strong. I thought that even if you have a weak body, if you can overcome your weaknesses, you might be able to beat the hero. Also, for practical reasons, I knew that I had to aim for the gaps in the style of my seniors' work in order to survive.
The technique of dry suspense itself was influenced by Mitsuteru Yokoyama, but the style of "Jojo" was developed in this way.
-The style of "JoJo's Bizarre Adventure" is now the mainstream of "Weekly Shonen Jump", 20 years after its serialisation.
Maybe it's because the people who were my readers are now starting to make their debut as manga artists.
But in the early days of the JoJo series, people used to say "I don't understand it", and I used to struggle with "How can I make it easier to understand?". So there's been a bit of a rapid change, it's as if a whole generation has shifted.
Mystery, horror, action and science fiction are all part of the JoJo's Bizarre Adventure series, and the seventh in the series, "Steel Ball Run", which began in 2004, sees a change of direction. Set in the Americas in the 19th century, the story is set in a different world to that of its previous adventures, but where will it take us?
-In your latest work, "Steel Ball Run", the number of pages per issue has increased and you have moved to the monthly magazine Ultra Jump. From your point of view, has the content of your work changed?
In a weekly serial, you have to show the reader the indescribable beauty of the story in a short space of pages. With more pages, there's more room to build up the story twice, and you can do detailed emotional descriptions.
When I was working on a weekly, I would always go over the page count a bit, and I would spend a lot of time trying to figure out where to cut it. I'd ask the editor, "Which parts do you not want?", "Well, there's nothing we don't want," ,"But if we don't include that much, it doesn't fit in the story," or, "It's not good to cut it here.
With "Steel Ball Run", the stress of the page limit is gone, and I think the rhythm of the story is much better.
-What was the reason for increasing the number of pages?
I wanted to create a work that combines dynamic screen expression with a delicate emotional portrayal.
Another influence was the increase in the number of spectacular stories, such as the international drama "24" and the trilogy "The Lord of the Rings". I wanted to tell bigger stories, rather than the compact, repetitive stories of weekly serials.
That's why I'd like to have a bigger frame for my manuscript, or even a two-metre sheet of paper (laughs).
I think the reason why the number of copies of magazines is decreasing these days, and the number of comics is increasing instead, is that readers want to read the books all at once.
-The portrayal of ethics has also changed as manga has moved to magazines for older readers.
When I turned forty, I thought it was time to make a work that was also about ethics. For example, Clint Eastwood, the actor and director, is not limited to being an action star. I also thought that if I limited my target audience to young readers, my work would be too shallow.
Also, with Steel Ball Run, I'm trying to go in a more classical direction, from the story to the design. We're going back to the roots of the characters' bloodlines and history, and I' m trying to keep the abilities simple. Also, the use of CGI is increasing these days, but I try not to use it in my manga, for example.
I'm trying to include philosophy to the extent that it doesn't come to the forefront, and that change may be the reason why I left Weekly Shonen Jump.
-The battles in the "JoJo" series are not so much "physical battles" but rather "philosophical battles" where the heroes' views on values clash with those of their enemies who have heretical views on life. This time, too, there's a rival who's obsessed with "male aesthetics".
The film itself is going in a classical direction, so the characters are naturally going to have classical values.
At some point in the story, the main character has to re-evaluate the meaning of his participation in the race, and the fight against the classic values of "male aesthetics" was a perfect fit. It's a classic, but the idea of spiritual growth through fair competition is rather new for today's readers.
Also, in order to keep the fight simple and the gun realistic, I wanted to use the gun to show the quietness of a samurai battle, rather than a showy shoot-out. In that sense, I think it worked well.
-You're known for your fast writing, but how do you get out of a bad situation when you're stuck on a story?
Sometimes I have to reuse an idea that I've already used once, so I have to worry about making sure that my ideas don't overlap. But in terms of the characters, it's not a puzzle.
If the characters are well-developed, they'll move around and get out of the way when the story gets stuck. I give all the characters a positive direction, so as soon as they clash with each other in the story, the problem is solved. Even the villains all think they're right.
-Are there times when you've come up with a new ability, but it's hard to use it in a fight?
When that happens, I sometimes end the fight early. But it's not something that I think about for days.
But it's not good when I feel like, "This character looks like the one who came out before". The reader has a sense of dĂŠjĂ vu, so it's like, "Do I add something new?" or "Do I just cut it?". It's a bit tough when I have to make that decision.
Hirohiko Araki is a manga artist in the making, creating new stories that no one has ever seen before, and continuing to exert a powerful influence on young creators in a variety of genres. What is Araki's vision for the future and what is his message to the younger generation?
-You've recently had an exhibition in Paris and you're working outside of the conventional image of manga, what else are you interested in?
If you ask me "Which is important for you, story or pictures?", I'd answer pictures are more important. That's why I'm very interested in music, painting and other things that can be incorporated into my work.
I'm particularly interested in contemporary painting and Italian Renaissance painting. I like people who are like, "What is he thinking? Like Gauguin, Michelangelo.
It's fun to read about them, and I like to find out why they were so unorthodox.
-You've said before that you have plans for a 9th part, will you continue with "JoJo" as long as possible?
The problem is physical strength. I've changed from a weekly to a monthly series, but when you're 40 or 50, your stamina goes down. When I was younger, I used to be able to get better after a night's sleep, but I don't anymore. If you have a bad joint or something, and you put up with it, it gets worse and worse.
Being a manga artist is similar to being an athlete in that you have to maintain your condition for a long time. "Steel Ball Run" is a work that makes you feel like you're racing across the American continent (laughs).
Especially the scenes where the horses are running are very tiring. I'm sure that drawing the horses is just as exhausting as riding them.
I feel relieved when I reach the finish line, because I am one of the participants in the race. But then there's another race in a few tens of hours... I can't wait to go back to Japan (laughs).
-Otokazu spent several years writing a novel based on the JoJo series, and bands such as SOUL'd OUT have appeared on the scene that have been strongly influenced by Araki's work in a musical sense. A new generation of creators is emerging one after another.
It makes me very happy to hear young artists say that, and it gives me a lot of energy.
When I'm working silently on a manga, no matter how successful it is, I'm always wondering if my drawings are good enough or it's not getting old. And when there's a lot of new artists coming out, I wonder if I'm going to be abandoned.
At times like that, I'm grateful when people say they've been influenced by my work. If they don't, I feel sad because I lose the meaning of what I've been doing.
-Lastly, do you have a message for young people who want to become creators?
When I look back at my own work, I think that young people won't accept it if it's just for profit. Young people who are growing up don't need work that doesn't help them grow up. Also, if you think something is "new", you should try it, even if it seems useless. Art and manga, especially manga as a medium, have a base that allows for such experimentation. Well, there may be people who don't want to cooperate with such experiments, but I want you to read the situation appropriately and do your best without getting discouraged. If we don't try new things, the human spirit will stay in stagnation.
Interviewer and writer: Shuichiro Sarashina
Photo: Manami Tazuke
(Translated by Rikki)[14],[15]
čć¨ éŁĺ彌 ă¤ăłăżăăĽăź
čć¨ éŁĺ彌
2008ĺš´
2006ĺš´ăŽćĺĺşăĄăăŁă˘č¸čĄçĽ10ĺ¨ĺš´č¨ĺżľäźçťăćĽćŹăŽăĄăăŁă˘č¸čĄ100é¸ăă§ăăăłăŹé¨é2ä˝ăŤé¸ă°ăăäşşć°ăˇăŞăźăşăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăăŽä˝č
ă§ăăăĺ°ĺš´ăăłăŹçăŽăăăăŠăłăăźă¨ăăŚčľ°ăçśăăŚăăčć¨éŁĺ彌ć°ăăăŽçŹĺľçăŞăšăżă¤ăŤăçŻăăžă§ăŽéăŽăă¨ăăˇăŞăźăş20ĺ¨ĺš´ăŽćć°ä˝ăăšăăŁăźăŤăťăăźăŤăťăŠăłăă§ććŚăăăăăłăŹĺŽśă¨ăăŚăŽć°ĺ˘ĺ°ăŤă¤ăăŚăăăăŁăă
čŞăă§ăăăăłăŹăč˛ăŁăĺĺ°
ăăłăŹĺŽśă¨ăăčˇćĽăŤă¤ăăă¨ăćčăăăăŽăŻăă¤ăăă§ăăďź
ä¸ĺŚć䝣ă弽ăă§ăăłăŹăçľľăćăăŚăăăĺéăč¤ăăŚăăăŚăăă§ăăă
ăăŽăăăăă°ăăăă¨ăăăłăŹĺŽśăŤăŞăăăăŞăă¨ăŻăăăŁăŚăăžăăăăćŹĺ˝ăŤăŞăăăă¨ćăŁăŚć稿ăăŻăăăăŽăŻéŤć ĄăŤĺ
ĽăŁăŚăăă§ăăăă§ăăžăĺ
çăä¸ĺŚăĺćĽăăŚăăăăăłčăăłăăŽéŁčźăăŻăăăŚăăĺăĺš´ăŞăŽăŤăăă§ăăŁăŚăăäşşăăăăŽăăăăăŻăŽăăłăăăŚăăăăŞăăŞăă¨ćăŁăăă§ăăă
ĺ˝ćăŻăżăăŞăăăĽăźăćŠăăŁăăă§ăăăŠăăă䝼ä¸ăŤćĺĄć˛ťčŤĺ
çă梜ĺä¸é¨ĺ
çăŽĺ˝ąéżăĺăăä¸äťŁăŽăăłăŹĺŽśăĺ°é ăăŚăăŚăăăłăŹăăĄăăŁă˘ă¨ăăŚăăăăăŁăŚăăăă§ăă ĺŚć ĄăŽĺ
çă茪ăŤăŻăăăłăŹăŞăăčŞăă§ăăă錏隿ăŤăŞăăăâŚăă¨ćł¨ćăăăŚăăžăăăă§ăĺ˝ćăŽăăłăŹăŻăăăăăŞĺć§ăăśă¤ăăăăŁăŚăăŚé˘ç˝ăăŁăă§ăăă
ăĺşčşŤăŻĺŽŽĺçăŽäťĺ°ă§ăăăäťĺ°ă¨ăăĺĺ°ăăĺăă役éżăŻăăăžăăďź
ăźăăŽĺ°ĺš´ć䝣ă¨ăăăŽăŻăćŚäşăçľăăŁăŚ20ĺš´ăťăŠçľăŁăăăă§ăćŚäşăŽçŞăă¨ăăăŞăăăŠăăăžăăžăŞäźčŞŹăćŽăŁăŚăăăă§ăăăé˛çŠşĺŁăćŽăŁăŚăăžăăăăă
ăľăăĺä¸çşă§ăăăăăĺčľéăé ăăăŚăăă¨ăăĺăăăŁăŚăĺŽéăăăăăăăăăăăăăŽăć˘ăăŚăă幹帍風ăŽă˛ă¨ăăăžăăăăă¨ăĺš´ăŤä¸äşşăăăăŻĺäžăćą ă§ăăźăăăăăŚăăžăăăă掺人äşäťśăăăăžăăă
ĺ˝ćăŽäťĺ°ăŻăăžă éăćŽăŁăŚăăă¨ăăăăăăšăăŞăźçăŞčŚç´ ăĺ¤ăăŁăăăăŤćăăžăă
桡ć˛ă¨ăăé°ĺ˛ć°ă¨ăéŤĺşŚćéˇăŽćł˘ăćŽćăăŚăăăăăŞâŚ
äťĺ°ăŻĺąąă澡ă¨ăăŁăčŚç´ ăăłăłăăŻăăŤăžă¨ăžăŁăŚăăčĄă§ăăć°čä˝ĺŽ
ĺ°ăĺşăăŁăŚĺąąăŽăťăăžă§ćźăăăăŚăăăăăľăăçşăĺşçťć´çăăăŚăăăăăăčŚăŞăăč˛ăĄăžăăăă§ăăľăăăŞăă¨ăŤăĺćăŤăĺąąăćŠăăŚăăă¨äşĄéăĺčľéăŞăŠăŽćłĺĺăĺşćżăăčĄă§ăăăŁăăă§ăă
ăăăăĺĺ°ă§ăăˇăŁăźăăăŻăťăăźă ăşăă¨ăčŞăă§ăăă¨ăĺŚăŤăŞă˘ăŞăăŁăăăăă§ăăă ăăăăłăŹăčŞăă ăă犺ćłăăăŽăŻăăă弽ăă§ăăă
ĺäžăŽăăăŻăăŠăăŞăăłăŹă弽ăă§čŞăă§ăăžăăăďź
ĺ˝ćăŽćľčĄăăŚăăä˝ĺăŻăťă¨ăăŠčŞăă§ăăžăăăă ăăăăŤäşä¸ăăăăŤă ă¤äźăăăăŤă ă¤ĺ¤äźăăŞăŠăŻăăźăăŤă¨ăŁăŚăŽćç§ć¸ă¨ăăăăăăžă§ăčŞăżčżăăžăă横幹ĺ
čźĺ
çăç˝ĺä¸ĺšłĺ
çăŻăăăŤăŞăŁăŚăăéç¨ă§ăăăćčăăŚăăžăăă
ă¨ăăŤć¨Şĺąąĺ
çăŻä¸ťäşşĺ
ŹăŽćć
ăăăŠă¤ăŤćăä˝é˘¨ă§ăĺŽĺ
¨ăŤăľăšăăłăšăŤĺžšăăŚăăăŽă§ăĺăŠăĺżăŤăăťăăŽä˝ĺŽśăăăăĄă¨ăŻéăăŞăă¨ćăŁăŚăăžăăăăăźăăă¤ăŤăăŞăă§ăăăçľľăăŻăźăŤă§ăăăăĺ°ĺš´ă¸ăŁăłăăăŽä˝ĺă§ăŻăăăŁăąăăăŞăłă°ăŤăăăăă§ăăăăă¨ăăłăăŠăăăăľăźăăăăŽçźăăăăăŤĺăŠăăŽăăă ă¨ăčéăŽĺ°ĺš´ă¤ăľă ăăăĺ
ä¸äşşĺłĺšłăă弽ăă§ăăăăăă¸ăŁăłăăăŻéąĺăćĺăăăăżăăăăżăžă§čŞăă§ăžăăăă
貧培ă§ăăăźăăźăŤĺăŚăăăçĽăăŞă
ăăłăŹĺŽśăăăăăŚćŹć źçăŤć稿ăăŻăăăčć¨ć°ăŻă1980ĺš´ăăćŚčŁ
ăăźăŤăźăă§ăéąĺĺ°ĺš´ă¸ăŁăłăăăŽć°äşşčłăćĺĄčłăăŤćşĺ
Ľé¸ăăăăłăŹĺŽśçć´ťăăšăżăźăăăă1983ĺš´ăŤăŻăéĺ°ĺš´ăăźăăŁăźăăéŁčźăăăăŤçżĺš´ăŽăăăŞăźćĽč¨Şč
ăăčŠĺ¤ă¨ăŞăă揥ä¸äťŁăŽçćżä˝ĺŽśă¨ăăŚćĺž
ăăăăăăŤăŞăăă ăăăăłčăăłăăăăăŁăăăłçżźăăăĺćăŽćłăăăčé壍ćç˘ăăŞăŠăŽĺ¤§ăăăä˝ăăŞăăśĺ˝ćăŽăéąĺĺ°ĺš´ă¸ăŁăłăăă§çăăŽăăăăăć°äşşăăłăŹĺŽśăťčć¨éŁĺ彌ăŻăăžăăžăŞčŠŚčĄéŻčޤăçš°ăăăăăŚăăă
ăŻăăăŚä¸äşŹăăŚăăéąĺĺ°ĺš´ă¸ăŁăłăă硨éé¨ă訪ăăă¨ăăŽĺ°čąĄăŻăŠăă§ăăăďź
éŤć ĄĺćĽăŽç´ĺăăăăăŞăćĺĄčłăŤć稿ăăŚăăŚăé¸ĺ¤ä˝łä˝ăŻăăŁăăă§ăăăŠăăŞăăŞăĺ
Ľé¸ăŤăŻă¨ăŠăăŞăăŁăăă§ăăăă§ă佳ä˝ă ă¨ä¸čĄăăăăŽé¸čŠăăčźăăŞăăŚăčŞĺăŽćŹ çšăăăăăăăŞăăă§ăăăă ăăăăăŽčžşă硨éé¨ăŽă˛ă¨ăŤăŻăŁăăă¨čăăăăŞăă¨ćăŁăŚä¸äşŹăăžăăă
ĺ˝ćăŻăžă ăćąäşŹăťäťĺ°éăŤć°ĺššçˇăééăăŚăăžăăă§ăăăçé4ă5ćéăăăăăăŚçˇ¨éé¨ăŤăăăŁăŚăăăă§ăăăĺ稿ăč˘ăăĺşăăçŹéăă硨éč
ă¨ăŽĺč˛ ăĺ§ăžăăă¨ăăćăă§ăăă
ăăăŞăăăăăăăŻă¤ăăăŚăŞăă ăăă¨ćăăăžăăŚăćĺăŻăžă ăĺ稿ăăăŻă¤ăă§äżŽćŁăăăŁăŚăă¨ăçĽăăŞăăŚăćăăçˇăăŻăżĺşăŚăăăă§ăă
ăăăŻä˝ĺš´ăçľăŁăŚăăă§ăăăŠă硨éč
ăăĺ稿ăăăăăăăŞăă§ćçľľă ăăčŚăŚăčŞăżăăăŞăăă¨č¨ăă ăăă¨ăăăŁăăă§ăăăä˝ćĽăĺžšĺ¤ăăŚćăăŚăăă¨ăăăŽăŤďźçŹďźă
ăăăăăŤăçśăăčŚăăăŞăăăăŞçľľăćăăŚăăăă¨ăăăă¨ăŞăă§ăăăéąĺăăłăŹčŞăŽçˇ¨éč
ăŻćŻćĽăăăăăŽĺ稿ăčŞăă§ăăžăăăăä˝ĺăŽčŻăćŞăăćčŚçăŤăăăăă§ăă
ćĺăŽéŁčźä˝ĺăéĺ°ĺš´ăăźăăŁăźăăŻăéŁčźĺčŁăŤăăăŁăŚăăĺŽéăŽéŁčźéĺ§ăžă§1ĺš´ăăăăăăŁăŚăăžăăăăăŽăăă ăŽä¸ĺŽăŞăŠăŻăăăžăăăďź
ăăăĺ
¨çśăŞăăŁăă§ăăăăăŽăăă ăăăăăă¨ćăăăăŚăăžăăăăă
ăă¨ăĺ˝ćăŻă˛ă¨ăă§ćăăŚăăăŽă§ăćčĄçăŤćŻéąéŁčźăăŚăăčŞäżĄăăŞăăŚăăăŽä¸ĺŽăŽăťăă大ăăăŁăă§ăăăăŽăăăç§ćŹć˛ťĺ
çăŽăăăĄăč飞ĺşäşćĺ
Źĺĺć´žĺşćăăăă§ăŤ30塝ăăăĺşăŚăăžăăăăă30塝ăăŠăăăŁăŚćăăă ăăďźăă¨ćăŁăŚăăžăăăă
ĺ˝ćăć
ĺ˝çˇ¨éč
ăăăŽă˘ăăă¤ăšă§ĺ°čąĄçăŞăăŽăŻăăăžăăăďź
ć
ĺ˝ăăă¨ăŻăăăć çťăăăłăŹäťĽĺ¤ăŽćŹăŞăŠăŤă¤ăăŚčŠąăăăŚăăžăăăćžćž¤éžĺ˝ŚăăăŽčŠąéĄă¨ăăăăăŞăźăĄă¤ă˝ăłă¨ăŻďźăăżăăăŞăăăăăăăźăŻăŞćšĺăŤăăčĄăăă§ăăďźçŹďźă
ĺ˝ćăŽăźăăŻăăăăăă¨ăăžăŁăăçĽăăŞăăŁăăŽă§ăăăăŁăăăăŁăŚä˝ă§ăăďźăăŁăŚčăăă§ăăăăă¨ăăŞăă ăăăăŽćŹčŞăă§ăŞăăŽďźäťćĽă財ăŁăŚčŞăżăŞăăăăčŞăžăŞăăăăăŤăŞăăŞăăďźăă¨ăăŹăăˇăŁăźăăăăŚăăăăă§ăăă¨ăŤăăćŹăčŞăžăŞăăă°ă ăă ăă¨ăăé°ĺ˛ć°ăŻăăăžăăăă
ăăăăăăćŹăčŞăă ăăäťĺşŚăŻăăăć
ĺ˝ăăă¨ćščŠăăăăă§ăăăăăăŻč¸čĄçăŤăŻĺŞăăŚăăăăŠăčŞč
ăŤăŻĺăăŞăăă¨ăăă¨ăłăżăźăă¤ăłăĄăłăăŤĺż
čŚăŞăăŽăŻä˝ăďźăă¨ăăŁăĺ
厚ă§ăăăă
ăăăăăłăŹăŽćăĄăăăăŽă¨ăăŤăăăă§ăăăŠă¤ăăŤä˝ĺăŽćščŠăŞăŠăĺŤăăŚă
çĺ獜äşăŽăŻăăăĺ°ĺš´ăăłăŹčŞă§ăăăéŁčźăăŻăăăŚăç´ ć´ăăăăă¨ćăŁăăă¨ăŻăăăžăăďź
ăéąĺĺ°ĺš´ă¸ăŁăłăăă¨ăăéčŞăŻăĺŽăŻçšç°ăŞé¨ĺăč˛ćżăćăŁăŚăăăă§ăăă¨ăăăăăźăăŽăăăŞĺ¤ăăŁăä˝é˘¨ăŽăăłăŹĺŽśăăăăĽăźăăăŚăăăŚăăžăăďźçŹďźăăăŽăăăŽăéąĺĺ°ĺš´ă¸ăŁăłăăăŤăŻă荸ć大äşéĺ
çă寺沢ćŚä¸ĺ
çăçŹçšăŞä˝ĺăćăăŚăăžăăă
ăéąĺĺ°ĺš´ă¸ăŁăłăăăŻăăăăăŤăĄă¸ăŁăźăŞä˝ĺăŻăăă¤ăéčŞăŽćąă¨ăăŚăăăă§ăăăăťăăŽä˝ĺăăżăăŞéăŁăĺć§ăăăŁăŚăăă¨ăăăăăăăăă¨ăăăç´ ć´ăăăăăăăŞăăă¨ćăăžăăă
éăŤă¤ăăăŁăăă¨ăŻăăăžăăăďź
ĺ˝ćăŽăéąĺĺ°ĺš´ă¸ăŁăłăăăŻăä˝ĺŽśă ăă§ăŞă硨éč
ăŠăăă獜äşăăŚăăăă§ăăă硨éäźč°ăŽĺ ´ăŻăăăăăŽćčŚăćżçŞăăăŁăŚăăŚăăăŽč波ăăăăăăŁăŚéŁčźăćąşăžăăă§ăă
ă¨ăăŤăăźăăŽä˝ĺăŻăăŞăăăăĺĽĺ
¨ăŞĺ
厚ăăăŞăăŽă§ăă˛ăŠăĺŚĺŽăăăăă¨ăăăăžăăăăă¨ăă°ăéĺ°ĺš´ăăźăăŁăźăăŽă¨ăăŻăăżă¤ăăŤăŤăéĺ°ĺš´ăă¨äťăăŚăăă ăă§ăăĄă ă¨č¨ăăăžăăăăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăă§ăăĺ°ĺš´ăăłăŹă§ĺ¤ĺ˝ăŽä¸ťäşşĺ
ŹăŻăăăăŞăăă¨č¨ăăăăă
ăăŽăăŁă˝ăă§ăăăăŁăăă¨ăŞăăă ăăăă˛ă¨ăžăăăŁăŚăżăăăăăŞăăăă¨čăă硨éč
ăăăžăăăçšăŤăăźăăŽćĺăŽć
ĺ˝ăăăŻăăĄă¸ăŁăźčŞă ăăăă¤ăăźăŞăăŽăăăăă ăăă¤ăăźăŞăăŽăăă¤ăăźčŞă§ăăŁăŚăćĺłăăŞăăăĄă¸ăŁăźčŞă§ăăăăăăăă ăă¨ăă埡ĺźăŞä¸ťĺźľăăăŚăăžăăă
éŁčź2ä˝çŽăŽăăăŞăźćĽč¨Şč
ăăăăŻăĺ¤ç¨Žĺ¤ć§ăŞăăŁăŠăŻăżăźăäşăăŽĺźˇăă獜ăĺăăăăăŤçłťăŽä˝ĺăä¸ĺżăŤćăăăŚăăžăăăľăšăăłăšăăç°çŤŻăŽç§ĺŚçčŤăžă§ăăžăăžăŞçĽćľăé§ä˝żăăŚăăŻă°ă˛ăă襨çžăăăăŚăăžăăă
ăăăŞăźćĽč¨Şč
ă
ăăăŞăźćĽč¨Şč
ăďźć庍ďźéčąç¤ž
ăçčă ăă ăăŽăăźăăźă ăă埡ăăăă§ăŻăŞăă ăăăă¨ćăŁăŚăăăă§ăăă貧培ăŞčä˝ăŽćăĄä¸ťă§ăăčŞčşŤăŽĺźąăăçŞăăŹăăă°ăăăźăăźăŤĺăŚăăăçĽăăŞăăă¨ăăžăçžĺŽçăŞççąă¨ăăŚăĺ
蟊ăăĄăćăăŚăă襨çžăŽăšăăăçăăŞăăă°çăćŽăăŞăăă¨ăăçśćłăăăăžăăă
ăăŠă¤ăŞăľăšăăłăšă¨ăăććłčŞä˝ăŻć¨Şĺąąĺ
čźĺ
çăŽĺ˝ąéżă§ăăăŠăăă¸ă§ă¸ă§ăăŽăšăżă¤ăŤăŻăăăăŚéćăăăăŽă§ăă
ăăŽăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăăŽăšăżă¤ăŤăŻăéŁčźéĺ§ăă20ĺš´ăçľăŚăçžĺ¨ă§ăŻăéąĺĺ°ĺš´ă¸ăŁăłăăăŽä¸ťćľă¨ăŞăŁăŚăăžăă
ăăăŻăăźăăŽčŞč
ă ăŁăă˛ă¨ăăĄăăä˝ĺŽśă¨ăăŚăăăĽăźăăŻăăăăăăăăăăŞăă§ăăă
ă§ăăăă¸ă§ă¸ă§ăăŽéŁčźăŽĺćăŻăăăăăăăŞăăă¨č¨ăăăŚăăŚăăăŠăăăŁăăăăăăăăăŞăăŽăăŞďźăă¨ăăăă¨ăŤčŚĺżăăŚăăăŽă§ăăĄăăŁă¨éä¸ăŽćăăăăžăăă
çžĺ¨é˛čĄĺ˝˘ăŽčć¨éŁĺ彌
ăăšăăŞăźăăăŠăźăă˘ăŻăˇă§ăłăSFăŞăŠĺ¤ĺ˛ăŤăăăčŚç´ ă貪揲ăŤĺăăăă ăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăăˇăŞăźăşă2004ĺš´ăŤăŻăăžăŁăăˇăŞăźăş7ä˝çŽăŽăăšăăŁăźăŤď˝ĽăăźăŤď˝ĽăŠăłăă§ăŻăăăžăžă§ăŽăˇăŞăźăşă¨ăŻç°ăŞăĺ¤ĺă辡ăăŚăăă19ä¸ç´ăŽă˘ăĄăŞăŤĺ¤§é¸ăčĺ°ă¨ăăĺä˝ăžă§ă¨ăŻäźźăŚéăŞăä¸ç茳ă§çš°ăă˛ăăăăăĺĽćłĺ¤Šĺ¤ăŞĺéşčďźăźăăăăăďźăŻăăăŁăăăŠăă¸ĺăăăŽă ăăăă
ćć°ä˝ăăšăăŁăźăŤď˝ĽăăźăŤď˝ĽăŠăłăă§ăŻăć˛čź1ĺăăăăŽăăźă¸ć°ăĺ¤ăăŞăăéä¸ă§ćĺčŞăŽăăŚăŤăăŠă¸ăŁăłăăăŤç§ťăăăžăăăä˝č
ăŽĺ´ăăăżăŚăä˝ĺăŽĺ
厚ăŤĺ¤ĺăŻăăăžăăăďź
éąĺéŁčźă¨ăăăŽăŻăçăăăźă¸ăŽăŞăă§čľˇćżčť˘çľăŽĺŚăčŞč
ăŤăżăăŚăăăŞăăă°ăŞăăŞăăă§ăăăăźă¸ăĺ¤ăă¨ă辡ćżčť˘çľă2ĺăăăä˝čŁăăăžăăžăăăăăžăăĺżçćĺăă§ăăă¨ăăĺŠçšăăăăžăăă
éąĺăŽăăăŻăă¤ăĺ°ăăăźă¸ć°ăăŞăźăăźăăŚăăžăŁăŚăăŠăăăŁăŚăăŽĺăăŤăăăăăăă¨ăăăă¨ăŤćéăăăăŁăŚăăăă§ăăă硨éč
ă¨ăăŠăŽé¨ĺăăăŞăă§ăăďźăăăăăŞăé¨ĺăŻăŞăă§ăăăăă§ăăăăăžă§ăăăŞăă¨ă芹ă¨ăăŚăŻăăăžăăćŞăăăăăăăă§ĺăăŽăŻčŻăăŞăăăăăŞăŠă¨čŠąăăŚăăžăăă
ăăšăăŁăźăŤď˝ĽăăźăŤď˝ĽăŠăłăă§ăŻăăźă¸ć°ăŽĺśéăŤăăăšăăŹăšăăŞăăŞăŁăŚăçŠčŞăŽăŞăşă ăăăăŞăŁăă¨ćăăžăă
ăăźă¸ć°ăĺ¤ăăăăŽăŻăăŠăŽăăăŞççąă§ăăďź
ăă¤ăăăăŻăŞçťé˘čĄ¨çžă¨ăçšç´°ăŞĺżçćĺăăăăăŞăăä˝ĺăćăăăă¨ćăŁăăăă§ăăă
ăă¨ă澡ĺ¤ăăŠăă24ăăăä¸é¨ä˝ăŽć çťăăăźăăťăŞăăťăśăťăŞăłă°ăă¨ăăŁăă壎大ăŞăăŞăĽăźă ăŽçŠčŞăĺ˘ăăŚăă役éżă§ăă¨ăăăŽăăăăžăăăéąĺéŁčźăŽăłăłăăŻăăŞčľˇćżčť˘çľăŽçš°ăăăăăăăŞăăŚăăăŁă¨ĺ¤§ăăŞçŠčŞăčŞăăăăŞăŁăăă§ăă
ă ăăăĺ稿ăŽć ă大ăăăăăă¨ăăăă2ăĄăźăăŤăăăăŽĺ稿ç¨ç´ă§ăăăăăă¨ćăŁăŚăăăăăă§ďźçŹďźă
ćčżăéčŞăŽé¨ć°ăć¸ăŁăŚăăăăăŤăłăăăŻăšăŽé¨ć°ăĺ˘ăăŚăăăŽăăčŞč
ăŽĺ´ăăăăăăĺčĄćŹă§ăăŁăăŤčŞăżăăă¨ăăăă¨ă ă¨ćăăă§ăăă
寞蹥嚴齢ăŽéŤăéčŞăŤç§ťĺăăăă¨ă§ăĺŤçć§ăŤăžă¤ăăćĺăĺ¤ĺăăŚăăžăă
40ćłăăăăŚăĺŤçć§ăŤăžă¤ăă襨çžăćăăŞăăĄăăăĄă ăăăă¨ćăŁăăă§ăăăăă¨ăă°äżłĺŞăťć çťçŁçŁăŽăŻăŞăłăăťă¤ăźăšăăŚăăăăă˘ăŻăˇă§ăłăšăżăźă¨ăăć çľăżăŤă¨ăăăăăŤć´ťĺăăŚăăžăăăźăăăżăźă˛ăăăčĽăčŞč
ă ăăŤéĺŽăăŚăăăăä˝ĺă窎ĺąăŤăŞăăăăăŞăăăŞăă¨ćăŁăăă§ăăă
ăă¨ăăšăăŁăźăŤď˝ĽăăźăŤď˝ĽăŠăłăă§ăŻăăšăăźăŞăźăăçľľćăžă§ĺŤăăă¨ăăă§ăăăĺ¤ĺ
¸çăŞćšĺă¸ăăăă¨ćăŁăŚăăžăăçťĺ ´äşşçŠăŽčĄçľąăć´ĺ˛ăăă¨ăŤćťăŁăŚăăžăăăč˝ĺăăˇăłăăŤăŤăăăă¨ĺżăăăŚăăžăăăăăăăćčżăŻCGăŽĺŠç¨ăĺ˘ăăŚăăžăăăăźăăŽăăłăŹă§ăŻăăăŚä˝żăăŞăăăăŤăăăă¨ăă
ĺé˘ăŤăŻă ăăŞăç¨ĺşŚăŤĺ˛ĺŚăçăăăżăăă¨ćăŁăŚăăžăăăŠăăăŽăăăăŽĺ¤ĺăăéąĺĺ°ĺš´ă¸ăŁăłăăăĺşăççąăŞăŽăăçĽăăžăăă
ăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşPart7 ăšăăŁăźăŤăťăăźăŤăťăŠăłă
ăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşPart7 ăšăăŁăźăŤăťăăźăŤăťăŠăłăéčąç¤ž
ăă¸ă§ă¸ă§ăăˇăŞăźăşăŽăăăŤăŻăčä˝ăŽćŚăăă¨ăăăăăç°çŤŻăŽäşşç茳ăăăŁăćľă¨ă丝人ĺ
ŹăăĄăŽäžĄĺ¤čŚłăčĄçŞăăăĺ˛ĺŚăŽćŚăăă ă¨ćăăžăăăäťĺăăçˇăŽçžĺŚăăŤăă ăăŁă埡ćľăçťĺ ´ăăŚăăžăăă
ä˝ĺčŞä˝ăĺ¤ĺ
¸çăŞćšĺă¸ă¨ĺăăŁăŚăăžăăăăçťĺ ´ăăăăŁăŠăŻăżăźăă¨ăăăĺ¤ĺ
¸çăŞäžĄĺ¤čŚłăŤĺăăăă§ăă
çŠčŞăŽĺąéä¸ăăŠăăă§ä¸ťäşşĺ
ŹăăŹăźăšăŤĺĺ ăăćĺłăčŚă¤ăăŞăăĺż
čŚăăăŁăŚăăçˇăŽçžĺŚăă¨ăăĺ¤ĺ
¸çăŞäžĄĺ¤čŚłă¨ăŽćŚăăŻăăžăăŤăăŁăŚă¤ăă ăŁăăă§ăăĺ¤ĺ
¸çăŞăă ăăŠăĺ
ŹćŁăŞćăăăăă§ç˛žçĽăŽćéˇăăăăă¨ăă䞥ĺ¤čŚłăŻăăăăăžăŽčŞč
ăŤă¨ăŁăŚăŻć°ăăă ăăă¨ă
ăăăăăćŚăăŽăˇăłăăŤăă¨ćłéăŽăŞă˘ăŞăăŁăčż˝ćąăăăăăć´žćăŞćăĄăăă§ăŻăŞăăĺą
ĺăĺăă¨ăăăăäžăŽéăăŞćąşéăćłéă§čĄ¨çžăăăă¨ćăŁăăă§ăăăăăŽćĺłă§ăăăžăćăăăăăăŞăăăŞă
čć¨ĺ
çăŻéçă§ćĺă§ăăă芹ăŽĺąéăŤčŠ°ăžăŁăŚăăžăŁăă¨ăăŻăŠăŽăăăŤĺăćăăŚăăžăăďź
1庌ă¤ăăŁăŚăăžăŁăă˘ă¤ăă˘ăăă1庌使ăăă¨ăăăžăŤăăŁăŚăćźĺşăŽĺăĺŁăăăśăŁăŚăăžăăŞăăăăŤăăăăăŤćŠăăă¨ăŻăăăžăăăă ăçťĺ ´äşşçŠăĺăăăăă§ă芰ăĺ°ćŁăŽăăăŤăŞăăă¨ăŻăăăžăăăă
ăăŁăŠăŻăżăźăăăŁăĄăä˝ăăăă§ăăă°ă芹ăŽćľăă芰ăžăŁăŚăăăžăăă¨ĺăăŚĺăăŹăăŚăăăăăăšăŚăŽçťĺ ´äşşçŠăŤĺĺăăŞćšĺć§ăä¸ăăŚăăžăăăăăäşăăçŠčŞä¸ă§čĄçŞăăŚăăăăĄăŤĺéĄăŻč§ŁćąşăăŚăăăă§ăăćŞĺ˝šăĺ
¨ĺĄăčŞĺăćŁăăă¨ćăŁăŚăăžăăăă
ć°ăăč˝ĺăčăăŚĺşăăŚăżăăăŠăăăăŻćŚăăŤăŻä˝żăăĽăăăŞăă¨ăăăă¨ăăăăžăăďź
ăăŽćăŻćŚăăćŠăăŤçľăăăăăăăžăăă§ăăä˝ćĽăčăăăăăŞăă¨ăŻăŞăă§ăăă
ăă ăăăăă¤ăĺăŤĺşăŚăăăăŁăŠăŻăżăźă¨äźźăŚăăŞăă¨ăăćăăžăăăă§ăăăăčŞč
ăć˘čŚćăăăă ăăăăăăć°ăăé
ĺăčż˝ĺ ăăŚăăăďźăăćăĺăŁăŚăŤăăăăăďźăă¨ăăĺ¤ćă迍ăăăăă§ăăăŠăăăŽćăŻăĄăăŁă¨čŚăăăăŞă
čć¨éŁĺ彌ăŽćŞćĽäşćłĺł
誰ăčŚăăă¨ăŽăŞăć°ăăçŠčŞăă¤ăăă ăăŞăăăăăžăăžăŞă¸ăŁăłăŤăŽčĽăăŻăŞă¨ă¤ăżăźăŤĺźˇçăŞĺ˝ąéżăä¸ăçśăăŚăăăçžĺ¨é˛čĄĺ˝˘ăăŽăăłăŹĺŽśăťčć¨éŁĺ彌ăăăžăć°ăăĺ°ĺšłăçŽćăăŚčľ°ăçśăăčć¨ć°ăŽćŞćĽäşćłĺłă¨ăčĽăä¸äťŁă¸ĺăăăĄăăťăźă¸ă¨ăŻďź
ćčżă§ăŻăăŞă§ĺąčŚ§äźăčĄăŞăăŞăŠăć˘ĺăŽăăłăŹăŽă¤ăĄăźă¸ăŤçăžăăŞăć´ťĺăăăăŚăăžăăăăăłăŹäťĽĺ¤ăŤăŻăŠăŽăăăŞăă¨ăŤé˘ĺżăăăŁăŚăăžăăďź
ăźăăŻăăšăăźăŞăźăďźăăçľľăďźăă¨ĺăăăă¨çľľăéčŚăăŞăă¨ćăŁăŚăăăăłăŹĺŽśăŞăŽă§ăéłćĽ˝ăçľľçťăŞăŠăçľľăŤĺăčžźăăăăŽăŤăŻăăăčĺłăćăŁăŚăăžăăăăăłăŹäťĽĺ¤ăŽăă¨ăăăăšăŚăăłăŹăŤéăăŚăăžăăăă
çšăŤčĺłăăăăŽăŻăçžäťŁçľľçťăă¤ăżăŞă˘ăŽăŤăăăľăłăšçľľçťă§ăăăăăŽäşşăä˝ăčăăŚăăăă ăăďźăă¨ăăă˛ă¨ăťăŠčŻăă§ăăăă´ăźăŽăŁăłăăăąăŠăłă¸ă§ăăŞăŠă
čŞăżč§ŁăăŚăăăŽă漽ăăă¨ăăăăç°çŤŻăŤčľ°ăŁăççąăçŞăă¤ăăŚăăăŽă弽ăăŞăă§ăăă
䝼ĺă珏äšé¨ăžă§ăŽć§ćłăăăă¨čŞăŁăŚăăăăžăăăăäťĺžăĺŻč˝ăŞéăăă¸ă§ă¸ă§ăăçśăăŚčĄăăăăŽă§ăăăăďź
ĺéĄăŻä˝ĺă§ăăăéąĺéŁčźăăćĺéŁčźăŤăŞăăžăăăăŠă40ă50ăŤăŞăŁăŚăăă¨ä˝ĺăč˝ăĄăžăăăăăčĽăăăăŻä¸ćŠĺŻăă°ć˛ťăŁăŚăăăă§ăăăŠă沝ăăŞăăŞăŁăăăăŚăăžăăăé˘çŻă¨ăăćŞăăăŚăăăăćć
˘ăăŚăăŁăŚăăă¨ăăŠăăŠăćŞĺăăŚăăăă§ăăă
ăăłăŹĺŽśăŁăŚăéˇăéăłăłăăŁăˇă§ăłăçśćăăŚăăăŞăăŚăŻăŞăăŞăăăăăă˘ăšăŞăźăă¨äźźăŚăžăăăăăă§ăŞăăŚăăăšăăŁăźăŤăťăăźăŤăťăŠăłăăŻăćăĺ´ăă˘ăĄăŞăŤĺ¤§é¸ć¨ŞćăŹăźăšăăăŚăăăăăŞéŻčŚăŤăăĄăăä˝ĺăŞăŽă§ďźçŹďźă
çšăŤă錏ăčľ°ăăăăˇăźăłăćăăŽăăăăç˛ăăăă§ăă錏ăćăăă¨ăŻăăŁă¨ă錏ăŤäšăŁăŚăăăŽă¨ĺăăăăä˝ĺăĺăăăăăăăŞăăăŞă
čŞĺčŞčşŤăăŹăźăšĺĺ č
ăŽä¸äşşăŤăŞăŁăŚăăžăăăăă´ăźăŤă¸čžżăçăă¨ăťăŁă¨ăăăă§ăăăă§ăăć°ĺćéĺžăŤăŻăžă揥ăŽăŹăźăšăâŚăăăćŠăćĽćŹă¸ĺ¸°ăăăăŞăăă¨ďźçŹďźă
äšä¸ăăăć°ĺš´ăăăŚăă¸ă§ă¸ă§ăăŽĺ¤äźĺ°čŞŹăć¸ăăăăSOUL'd OUTăŽăăăŤéłćĽ˝çăŞćĺłă§ĺźˇă役éżăĺăăăăłăăçťĺ ´ăăăŞăŠăčć¨ăăăŽä˝ĺăŤĺ˝ąéżăĺăăă¨ĺşč¨ăăčĽăä¸äťŁăŽăŻăŞă¨ă¤ăżăźăăăžă揥ă
ă¨ăăăăăŚăăžăă
čĽăä˝ĺŽśăăăŤăăč¨ăăăăŽăăăăĺŹăăăăć´ťĺăŤăŞăŁăŚăăăă§ăăă
éťă
ă¨ăăłăŹăćăăŚăăă¨ăăŠăăŞăŤĺŁ˛ăăŚăăŚăăăčŞĺăŽçľľăŻăăă§ăăăŽăăŞďźăăĺ¤ăăŞăŁăŚăăăăăăŞăăăŞďźăă¨ä¸ĺŽăŤćăŁăăăć°ăăä˝ĺŽśăăăăŠăăŠăĺşăŚăăă¨ăăăăăăăŚäżşăčŚć¨ăŚăăăŚăăžăăŽăăŞďźăă¨ćăŁăăăăăă§ăăă
ăăăăćăŤă役éżăĺăăăă¨č¨ăŁăŚăăăăăŽăŻăăăăăă§ăăăč¨ăăăŞăă¨ăăŁăąăĺăăă§ăăăăăžăžă§ćăăŚăăćĺłăăăăăŞăăŞăŁăŚăăžăăžăăăă
ćĺžăŤăăŻăŞă¨ă¤ăżăźăçŽćăăŚăăčĽăäşşăăĄă¸ĺăăŚăĄăăťăźă¸ăăéĄăăăăăžăă
ăźăčŞčşŤăŽä˝ĺăćŻăčżăŁăŚăżăă¨ăĺăŞăĺŠççŽçă§ćăăŚăăă ăă§ăŻăčĽăäşşăŤăŻĺăăăăăăŞăăăăăŞăă§ăăăăăćéˇăăŚăăčĽăäşşăăĄăŤă¨ăŁăŚăćéˇăăŞăä˝ĺăŻĺż
čŚăŞăă§ăăăă ăăăăăăăŁăăçĄé§ăŤćăăăă¨ăăć°ăăăă¨ćăŁăăăăăŁăŚăżăăšăă§ăăăč¸čĄăăăłăŹâŚă¨ăăŤăăłăŹă¨ăăăĄăăŁă˘ăŻăăăăăĺŽé¨ă訹厚ăăă ăăŽĺĺŁăăăăžăăăă ăžăăăăăăĺŽé¨ăŤĺŻžăăŚăçéăŤăăăĺŻăăäşşăăăăăăăăŞăăăŠăéŠĺşŚăŤçŠşć°ăčŞăżă¤ă¤ăăăăŞăă§ăăă°ăŁăŚćŹ˛ăăă§ăăć°ăăăă¨ăăăŁăŚăăăŞăă¨ăäşşéăŽç˛žçĽăŻĺćťăăŚăăžăăžăăăăă
ĺćăťćďźć´ç§äżŽä¸é
ĺçďźç°éćçž
[16]
čć¨ďźăăŽć çťăŻä˝ă¨č¨ăŁăŚăăăă¤ă˘ăłăă¨ăăĺŽčˇç˛žéăŽĺĺ¨ăăăăçšĺž´çă§ăăăăćŹĺ˝ăŤé˘ç˝ăăŁăăĺăăăăă¨ăăăăăŞăăŚăăăăčŞçśă§çăçăăăŚăăăăăăŻă¤ăçŁçŁăŽĺşćźăŽăăăă¨ăăă ă¨ćăăăžăăăă
ăŻă¤ăďźăăăă¨ăďźĺăŻĺ çăŽćźŤçťăčŞăă§ăăăŽć çťăŤçťĺ ´ăăăăă¤ă˘ăłăăŻăă¸ă§ă¸ă§ăăŽăăšăżăłăăă¨ăłăłăťăăăäźźăŚăăăă¨ćăăžăăăäşşéăŽĺ躍ă§ăăăăăŠăłăšăă¨ăăŞăăäşşéăŽćć ăŤĺĺżăăăăăăéăăŚăăă¨ćăăžăăă
čć¨ďźďźĺăďźčŚĺăăăă¨ćăăăŽăăăšăżăłăăă§ăăăŞăŽă§ĺŽčˇç˛žéă¨ăăŚăŽăăă¤ă˘ăłăă¨ăŻĺ°ă ćĺłăć§čłŞăç°ăŞăăăăăăžăăăă
ăŻă¤ăďźăăă§ăăăćżĺ¤ŞéăŻ17ćłă§ăăăăŠă¤ăŠăŽćšăĺš´ä¸ă§ăĺäžăă大人ă¸ćéˇăăďźăŽďźăŞĺš´é˝˘ă§ăăă¨ăŚă¤ăăŞăćăăä¸ĺŽćăďźăăŚăăŚăč¤éăŞĺżĺ˘ăŤăăăžăăăăăăŁăă¨ăăăăčąďźăăăă¨ăăďźćąăăăă¤ă˘ăłăăŻčąĄĺž´ăăŚăăăŽă§ăŻăŞăăă¨ćăŁăŚăăžăă
čć¨ďźăăăăŠă¤ăŠăŽčŁăŽć°ćăĄă䝣ĺźăăŚăăăăăŞăăă¨ćăăžăăăă
ăŻă¤ăďźäžăă°ăłăźăŤăżăźĺ¤ŤäşşăŻčĄ¨é˘ä¸ăŻĺˇéă§ăŻăźăŤăŞĺ°čąĄăăăăžăăăĺżăŽä¸ă§ăŻćăăăäşăčăăŚăăžăăăăăďźĺĽłăŽăăă¤ă˘ăłăă´ăźăŤăăłăťă˘ăłăăźă襨ć ă§äťŁĺźăăŚăăžăăăŠă¤ăŠăŽĺ ´ĺăŻćăăćăăćăŻăăă¤ă˘ăłăă姿ăĺ¤ăăăăăăŁăŠăŻăżăźăŽĺ é˘ăăăă¤ă˘ăłăăăĄăćźăăŚăăăăŽă§ăäşé˘ć§ăčŚăăă漽ăăă§ćźĺşă§ăăžăăăă
čć¨ďźăăă§ăăăăăăŻć çťćľăŤăďźçăŞĺşćźćšćłă ăŁăăăăăăŞăă
čć¨ďźćăčŚĺ´ăăçšă¨ăăăŽăŻăăăŻăăăă¤ă˘ăłăăŽăˇăźăłďźăăă¨ăĺĽăŽă¨ăăă ăŁăăăăžăăďź
ăŻă¤ăďźĺŽéăŤćŽĺ˝ąăăŚăăćăŤăŻďźăŽĺăŤăŻăăă¤ă˘ăłăăŻăăŞă訳ă§ăăă ăăďźăŽĺ ăŤăăăšăăźăŤăă¤ăăŚăăăăăă¤ă˘ăłă ă¨ćăŁăŚčŠąăăăăŚăăăă¨ăăćźćďźăŤčŚĺ´ăăžăăăăăăŽć ĺăŻä¸čŚăăăŞă錏隿ăăďźăŞăăŽăŤčŚăăžăăĺŽéăŤCGăĺ ăăŁăŚăŻăăăŚăăăă ăăŽďźăŞçťăŤăŞăăŽă§ăăăŽä˝ä¸ăŻĺ°ă čžăăăŽăăăăžăăăăăĄăăăăă¤ă˘ăłăăćăăŽă大ĺ¤ă§ăăăćŹĺ˝ăŤčŚĺ´ăăăŽăŻCGă˘ăăĄăźăżăźă§ăďźçŹďźă
čć¨ďźăŞăăťăŠă
ăŻă¤ăďźă§ăăç§ăŽçŤĺ ´ăŻĺ çăŤćŻăšăŚăŻăăăŤćĽ˝ă ă¨ćăăžăăć示ăĺşăă°ăĺŽä˝ćĽăŻäťăŽäşşăăăŁăŚăăăžăăĺ çăŽĺ ´ĺăŻăăčŞĺă§ă˘ă¤ăă˘ăĺşăăŚăčăăçľľăćăăŞăăă°ăŞăăŞăă
čć¨ďźăăăŞăă¨ăŞăă§ăăďźçŹďźăďźăŻĺ ¨ăŚćąşĺŽăăŞăăă°ăăăŞăăă大ĺ¤ă ă¨ćăăžăăăăăăäťĺăŽăăŠă¤ăŠăŽĺéşăăŻăšăąăźăŤďźăĺŽĺŽďźăŽďźä¸çă§ăăăăďźăăăăžă§ăă˘ăăŚăăťă˘ăťăăźă¤ăăŞăŠăŽä˝ĺă§ćŽăŁăŚăăă˘ăăăăźă ăŞé°ĺ˛ć°ă¨ăŻďźéăăŞä¸ç茳ă§ăăăŠć¸ćăăŻăăăžăăăďź
ăŻă¤ăďźďźăŞăšăąăźăŤă§ăŻăăăžăăăăăŽä˝ĺăŻçŞă芰ăăŚč¨ăă°ăăĄăăŞăźăšăăźăŞă ă¨ăăăăăŚăăžăăăăăŻăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăăŤăďźăăă¨ăăăăăăŞăă¨ćăăžăăćăăăŚăăä¸çăŻćŽéă§ăŻăŞăăăăăăžăăăăä˝ä¸äťŁăŤăăăăăăĄăăŞăźăćăăŚăăä˝ĺăă¨ăăçšăçšăŤăăăă¨ă
čć¨ďźăăăŻç˘şăăŤă
ăŻă¤ăďźăăŠă¤ăŠăă§č¨ăă°čŞĺăŻďźă ă¨ćăŁăŚăăĺ°ĺĽłăĺéşăŤĺşăăăč˛ăăŞäşşăăăă¤ă˘ăłăăĺłćšăŤă¤ăăčŞĺčŞčşŤăŽçšďźăŞăăĄăăŞăźăďźăä¸ăăŚăăă¨ăăçŠčŞă
čć¨ďźĺă弽ăă ăŁăăŽăŻăăŠă¤ăŠăé ă使ăăďźăăăăăŞăăĺąéşăäšăčśăăŚăăă¨ăăăăă˘ăŤä¸ăŽçťĺ ´äşşçŠăăăăăĺŽăŤäşşéçăŞă¨ăăăăă¨ăłăźăŤăżăźĺ¤ŤäşşăčŞĺăŽăăă¤ă˘ăłăăăăˇăă¨ĺŠăăăŠăăăŽĺžćąăăăăăăăăăă˘ăăŚăăťă˘ăťăăźă¤ăăŽé°ĺ˛ć°ăćăăžăăă
ăŻă¤ăďźăăăŻă¨ăŚăčĺłćˇąăčŚçšă§ăăďźăăŽć çťăŤĺşăŚăăăăŁăŠăŻăżăźăŻĺ ¨ĺĄă100ďź ćŞă§ăĺă§ăăŞăă¨ćăăžăă
ââăäşäşşăŽĺşäźăăŻăă¤ă ăŁăăă§ăăďź čć¨ă確ăďźďźďźďźĺš´ă ăŁăă¨ćăăžăăĺ˝ćăĺ¤äşşĺĺąĺäźăă¨ăăăˇăŞăźăşăćăăŚăžăăŚăăăăŤçťĺ ´ăăŚăăă ăăăăŤăä¸ćšçăŤĺćăăăŚăăă ăăăă§ăă
庡ăčć¨ăăăŻăĺ˝ćă¨ĺ°čąĄăćŹĺ˝ăŤĺ¤ăăăŞăă§ăăă
ââ庡ăăăćăăă¨ćăŁăççąăŻä˝ă ăŁăăă§ăăăă čć¨ăçŠčŞăćăćăŤăĺăŻçťĺ ´äşşçŠăŽăĺćŠăă大äşăŤăăăă§ăăăŞăăăŻăľăźăŤăŞăŁăăŽăăăăŽäşşăŽĺäžć䝣ăŤăžă§éĄăŁăŚăĺçšăçĽăăăăă§ăăä¸çăŤăŻăăŠăăăŚăăăŞăă¨ăăăăŽăďźăă¨çšăŤĺźˇăćăŁăŚăăžăă柍çťăŤç¸ĺżăăăĺ¤äşşăăăăăă§ăăăćĽćŹăŤăŻăŞăăŞăăăžăăă礞äźă¨ăçľçšă¨ăăčŞĺă貍ăăă¨ăéŁăăç°ĺ˘ăŞăă§ăăăăăăăăŞä¸ă§ăăăăăŁăă夹礟ă¨ăăăĺă¨ăăŚăŻč¤ăč¨čăŞăă§ăăă庡ĺ çăŻăžăăŤăĺ¤äşşăă ăŁăăă§ăăăŤăăŻăšăćŞăăćăă§ăăăďźçŹďźă
ââ庡ăăăŽĺĺ¨ăçĽăŁăăăăŁăăăŻä˝ă§ăăďź čć¨ăĺäžăŽé ăŤăăăăˇăźăă¨ăăăŞăŞăăźĺăăăăŹăă§čŚłăŚăŻăăăă§ăăăăăăäťćăăăŽă庡ĺ çă ăŁăă¨ăăăŽăč俣ĺŽăăăć¸ăăăčć¸ă庡ăăăŽčŞäźăčŞăă§çĽăŁăăă§ăă
庡ăč俣ĺăăăĺăŽă¨ăăăŤăăŚĺćăăŚăžăăăă
čć¨ăĺăŽä¸ă§ăĺ¤äşşăăŽĺż čŚćĄäťśăŻăăăŹăŞăăăă¨ăŞăă§ăăďźď˝ďźĺš´ă ăĺ¤ăăŁăăă¨ăăăŚçŽçŤăŁăŚăăăăăŻăä¸çşĺąăă§ăăăŞăă§ăăăăä¸çăăŹăăŤč˛Ťăăă¨ăćŹĺ˝ăŤéŁăăăă¨ă ă¨ćăăăăăăăăăé ĺăŞăă§ăă
庡ă大ĺ¤ĺ¤ąç¤źăŞăă§ăăăĺăŻĺ˝ćăčć¨ăăăŽä˝ĺă芳ăăăŻčŞăă§ăăŞăăŁăăă§ăăăăăŽĺžăĺćăăăŁăăăŤč˛ă 調ăšăăăŚăăă ăăŚăäťĺăŽĺŻžčŤăŤčć¨ăăăćĺăăăŚăăă ăăăŽăŻăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăă¨ăăéˇçˇ¨ăˇăŞăźăşăŤăŻĺ¤§ăăŞĺéĄăĺăă§ăăă¨ćăŁăŚăăć šćŹçăŞä¸ç茳ă¨ăăăăăă税ăŽéťç¤şé˛ăćăăăă§ăăăăšăŚăčŞăžăăŚăăă ăăăăă§ăŻăŞăăă§ăăăăă¸ă§ă¸ă§ăăŤăŻăăšăżăłăăă¨ăăĺĺ¨ăĺşăŚăăăăăăăăăŞăĺäşşăă¨ăćŞäşşăăĺşăŚăăăăťăťăťăťăťăťä¸ťäşşĺ Źăăĺă¨ćŞăŽďźäşşăçŤăŚăŚăăžăăăďź
čć¨ăăăă§ăăă
庡ăĺă¨ćŞăŽčŚĺŽăăăăăăăăăčś ăăĺ˘ĺ°ăŤčžżăçăăŽăďźăăă¨ăĺăăăăŤĺŻžçŤăçš°ăčżăăŽăďźăăăčžşăéčŚăŞĺéĄă ă¨ćăăă§ăă
čć¨ăăăăă庡ĺ çă¨ĺ ąéă ă¨ćăăăŽăăăžăăčŹăçĽăăăăă¨ăăć°ćăĄăăăăă¨ă§ăăăăăˇăźăăăăŽăă¨ăăĺäžăŽé ăăăčŹăăçĽăăăăć§ć źă§ăăă大人ăŤăŞăă¨ăčŹăăŽčłŞăĺ°ăĺ¤ăăŁăŚăăŚăăă¨ăă°ăĺă¨ćŞăŽĺ˘ççˇăŻăŠăăŤăăăă ăăďźăă¨ăăŁăăăŽăăčŹăăŤăŞăŁăăăăăăăăăăăŽăăć°¸äš ăŤč§ŁăăŞăăžăžăŞăŽăăăăăžăăăăćăăŚăăăăăă§ăăčś č˝ĺă¨ăăč¨čă ăă§ăŻçäťăăăăŞăăçŠççăŤčŞŹćă§ăăŞăé ĺăŁăŚăăăăăŞăă§ăăďźăăăčŞč ăŤĺ ˇä˝çăŤç¤şăăăă¨ćăŁăăŽăăăšăżăłăăă¨ăăçľľăŤăă襨çžăŤăŞăŁăăă§ăăăă䝼ĺ¤ă§ăŻăĺ ăăçľľă§ćăăăă§ăăăĺă¨ćŞă¨ăăăŽăăăŠăăăăĺă§ăăŠăăžă§ăćŞă¨ăăĺéĄăăăŞăăŚăç˝ăăăă°ĺż ăéťăăăăă¨ăăăäşĺ ć§ăăĺĺ¨ăăŚăăă¨ăăăă¨ăćăăăăăăŞăăă§ăă
庡ă大äşăŞăă¨ăčăăăăă ăăŠăăăŞăăŽä¸ç茳ăŽä¸ă§ăĺăćŞăŤĺŻžăăĺŽçžŠăăŞăă¨ăăăă¨ă§ăăďźăăăăăŞăă§ăăăăĺ¸ć°ç¤žäźăŽĺşćŹăŤăźăŤăŻăăăăŤăăăăă§ăăăďź
čć¨ăăŻăăăăăŻăăźăšăŤăăăžăă
ââăă¨ăă°ćŞăăä˝ăăŽăăŁăăă§ĺăŤĺ¤ćăăăăă¨ăăăăžăăďź čć¨ăčŁčżăăŤăŞăăă¨ăŻăăžăăăŞăă§ăăăăŻăç˝ă¨éťă¨ă§ăćć§ăŤăăăăŞăă§ăăăă
庡ăăă ĺăŻăčć¨ăăăćăăŚăăăăŽăŻĺ¸ć°ç¤žäźăŽăŤăźăŤăŽć ă§ăŻčŞăăŞăăčś čśçăŞĺă¨ćŞăćăăă¨ăŤăŞăăăăăŞăăăă¨ćăŁăăăăăă ăăĺ°ćĽçăŤéťç¤şé˛çăŞĺă¨ćŞăŤĺ°éăăăăĺžăŞăăăăăŞăăăă¨ăăăďźçŹďźăäťăŻăăă¨ăăăăăżă¤ăăŽĺćŞăĺĺ¨ăăŚăăă¨ćăăă ăăŠăćçľçăŞăăăä¸ă¤čś čśçăŞă¨ăăăŤčć¨ăăăăăăăăăăŞăă¨ĺăŻčăăăăăĄăăăä˝ĺăć˛čźăăéčŞăŽćĺăăăăăăăăŞăăăŠăďźçŹďźăćŹäşşăŻăŠăăžă§čăăŚăăăŽăçĽăăăăŁăăă§ăă
čć¨ăăăăŻă襨çžăă¨ăăćĺłă§ăă§ăăăăďźčŹăčż˝ćąăăŚăăă¨ăăćĺłă§ăŻăäťăŻăžă ăăŻăŁăăăăçăăăŞăăŽăăăăăŞăăă¨ăăčăăčłăăŞă掾éă§ăă
庡ăăă¨ăă°ăăăŞăăčăăăšăăźăŞăźăŽä¸ă§ăĺ ăăăćéăăçľľă¨ăăŚćăăă¨ăăăăžăăăďźăăăŻćéă¨ă犺éăŤé˘ăăŚăć°ăăćŚĺżľăçăżĺşăăă¨ăăŚăăăăăăŞăăŽăăă¨ćăŁăăă§ăă
čć¨ăăŞăăťăŠ
庡ăçčŤçŠçĺŚăăăŁăŚăăäşşéă§ăăăăŹăăŤăŽăťă¨ăăŠăçľśćăăŚăăăă§ăăăă¤ăžăčĄă芰ăžăŁăŚăăăăă¨ăă°ăăźăăłă°ă彟ăŻĺŽĺ ¨ăŤčĄă芰ăžăŁăŚăă ăă ăĺŽćçăćĺŚçăŤăŞăăăăĺžăŞăăŞăŁăăă˘ă¤ăłăˇăĽăżă¤ăłăćĺžăŻĺŽć厜ăŤăŞăŁăŚăăžăŁăăă¤ăžăäťăŽćĺ 獯ăŤä˝ç˝ŽăăçčŤçŠçĺŚă§ăŻăä˝ă解ăăŞăăă¨ăă解ăŁăăă§ăăăžăăŤĺŽĺŽăŽć§é ăăŽăăŽă犜漾ăŽăăšăăŞăźă ă¨ăăăă¨ă§ăăäžăŽăŞăŚă ççćăŽä¸ťčŚĺššé¨ăŽăťă¨ăăŠăăçčŤçŠçĺŚč ăĺťč ăççŠĺŚč ă§ăăăŽä¸çă§ăŻçŠśăă¤ăăŽăă¤ăăźăŞéŁä¸ă ăŁăăăăăăăăćąĺ¤§ăŽăăăăŻăŠăšăŽć縞ă ăŁăäşşéăçľĺąăĺŽćăŤčľ°ăăăăŞăăŞăŁăăă§ăăéĺĺźĺăăăăăăŁăŚăă¨ăŻč§ŁăăăŠĺŽéăăŽćŁä˝ăăä˝ăŞăŽăăăŁăŚăă¨ăŻč§ŁăăŞăăĺťĺŚăççŠĺŚăŽä¸çăĺć§ăŤăçĺ˝ăăŽćŁä˝ăŻăăăžă çŞă芰ăăăăŚăŞăăăăă䝼ä¸ăäżşăăĄăŻä˝ăă§ăăŞăăăŁăŚăă¨ă彟çăŻćăçĽăŁăŚăçľćăăăžăăžăăăŤăăŁăăŞăŚă ççćă¨ăăă¤ăŤăľăĺŽćăŤĺ ĽăŁăŚăăžăŁăă彟ăăŽăčĄă芰ăžăăăŤă¤ăčžźăă§ăŞăŚă ăŻăăŁă¨ăăăă解湺çă塎ăĺşăăăăăăăăăä¸çăŤăăăăăčć¨ăăăŻăŠăăăăăćšă§ă˘ăăăźăăăŚăăăŽăăťăťăťăťăťăťăăăŞăă¨čŠąăé˘ç˝ăăŞăŁăŚăăăă ăăŠăďźçŹďźă
čć¨ăäşşéăŽćčăŽéçă¨ăăăăĺ°éçšăăăăžăăăďźăăŽĺ ăçľľă§ćăăăă¨ăăć°ćăĄăŻăăăžăă
庡ăă¤ăžăă誏ćă§ăăŞăä˝ăăăă¸ăĽă˘ăŤĺăăăăă§ăăăăăăăŤćĺž ăăăă§ăăăăă ăăăăžă§ăăă¨ć˘ĺăŽčŞč ăŻé˘ăăăăăăăŞăăă§ăăć°ăăŞčŞč ăŻĺ ăăăăăăăŞăăć°ăăĺąéă¨ăăŚăŻĺ¤§ĺ¤ăŞăšăăźă§ăăďźçŹďźăăă ă大ăăŤćĺž ăăžăăăăŞăăŽĺžćĽăŽçąççăŞăăĄăłăăăăă°ćłĺăçľśăăăăšăżăłăăă揥ăă揥ăŤçťĺ ´ăăăăăăŁăŚăăăăă¨ă§ăăă
čć¨ăçľľă§ćă大ĺćă¨ăăŚăčŞč ăŤč§ŁăăăăäźăăăŞăă¨ăăăŞăă¨ćăăă§ăă
庡ăăăăŻăăăŽĺăéŁăăăă¨ă§ăăăŠăă
čć¨ăăă¤ăŚăĺăŽć ĺ˝çˇ¨éč ăŤăăĄă¸ăŁăźčŞă§ăă¤ăăźăŞăă¨ăăăăă¨č¨ăăăăă¨ăăăăă§ăăăă¤ăăźăŞéčŞă§ăă¤ăăźăŞăă¨ăăăŁăŚăé˘ç˝ăăŞăăăăŠăăĄă¸ăŁăźăŞéčŞă§ăă¤ăăźăŞăăŽăćăăăé˘ç˝ăăă¨ăăă ăăĄă¸ăŁăźăŞéčŞă§ăăăăăŤăŻăăă¤ăăźăŞăă¨ă解ăăăăčŞč ăŤäźăăăă¨ăă¤ăćăŁăŚăăŚă
庡ăăăăŻăé常ăŤĺ¤§ĺăŞăă¨ă§ăăăă
čć¨ăăă ăăă¨ăă°ăĺă¨ćŞăŽĺ˘ççˇăă¨ăăĺŽĺŽăŽçŠśćĽľăŻăŠăă ăă¨ăăăčŹăăčż˝ćąăăŚä˝ĺăćăăŚăăăăăă§ăăăŠăăăăŻăçăăăćąăăŚăăăă¨ăăăŽă¨ăŻéăă¨ćăăă§ăă
庡ăćąăăŚăăŞăďź
čć¨ăăçăă示ăăă¨ăăăăăŻăçľľă§čŞč ăŤăăŞăă¨ăäźăăă°ăăăă¨ăăăŽăăŞďźăăĄăăäźăăă¨ăăăă¨ăŻăčžťč¤ăăŠăăă§ĺăŁăŚăăŞăă¨ăăĄăŞăă§ăăçčŤçăŤăăăăă¨çŞăŁčžźăžăăĄăăăžăăăă§ăăçăăăćąăăăŽăŻăăăŽĺéăŽĺ°é厜ăŤăäťťăăăăăă§ăăăă¨ăă°ăčś ă˛ăçčŤăă¨ăăäťĺžçşĺąăăŚăçăăă解ăăă§ăăăăďź
庡ăăăźăăťăťăťăťăťăťăčś ă˛ăçčŤăăŻăăžăă¤ăłăăă ă¨ćăăžăďźçŹďźăçčŤçŠçĺŚăçľśćçăŤčĄă芰ăžăŁăŚăăăăăăăăéŁăłčśăăŚăä¸ă¤ăŻĺŽćăŤăăăăăä¸ă¤ăŻćąć´çăŞĺĄćşăŤčžżăçăăă¨ăăăŽăăăăžăăăă¨ăă°ă¤ăłăĺ˛ĺŚăŤĺşăĽăĺŽĺŽăŽč§ŁćăŽäťćšăŻĺŽĺŽçčŤçŠçĺŚč ăŽçŤĺ ´ăăĺ¤ćăăă°ă¨ăŚăç´ĺžă§ăăăăăăăŞăăă§ăăăćçľçăŤăăźăăłă°ă¨ĺăçľčŤăŤčžżăçăăŽăé˘ç˝ăăăŞăŤă輿ć´ććăŤăŞăăĺĄćşăăćąć´ććăŻćăŁăŚăăăăă
čć¨ă輿ć´ĺŚă¨ćąć´ĺŚăçľąĺăăăă誏ćă§ăăăă¨ăăăăăăăăžăăăă
庡ă輿ć´ĺŚăŻăĺşăăă¨ăăéăăăčŚĺŽăăăăă§ăăăăă§ăčŚĺŽăŽäťćšăăăăăééăŁăŚăăĺ ´ĺăăăăăčĄă芰ăžăăăă§ăăăăăăçžčąĄăçčŤçŠçĺŚă§č¨źćăăăăšăă ă¨čăăăăăăĄăŞăă ăčŚăăŞăăă訟ćă§ăăŞăă ăă§ăĺŽăŻĺ éăăéĽăăŤéăăăŽăăă§ăŤĺĺ¨ăăŚăăŚăă¨ăŁăăŤĺŽĺŽăŽćăŚăžă§ĺąăăŚăăĺŻč˝ć§ăŻĺĺăŤăăăĺăŽĺ ´ĺăŻăăăç´ćă§ăăăŁăŚăăăă¨ăăăăăăĄăăĺŽĺŽăăćéăă ă¨äťŽĺŽďźĺăŽčăă§ăŻăçĄéăďźăăĺ ´ĺăŤăčś éŤéăăĺ˝ăŚăŻăăŚăăă ăăŞăă ăăŠă
čć¨ă確ăăŤăçľľă§ćăăŚăăă¨ăç´ćă§č§Łăăă¨ăăăăžăăčś č˝ĺă訟ćăăăă¨ăŻă§ăăŞăăŚăăçľľă§ćăăă°ăăăăŻĺĺ¨ăăăăăŞć°ăăăăă§ăăăĺ¤äşşĺĺąĺäźăăŤčŠąăćťăăă§ăăăăăăŤçťĺ ´ăăäşşăŻăçăăăç´ćĺăăŤĺŞăăŚăăă¨ćăăă§ăăăăă¤ăŽä¸ăăć°ăăć䝣ăéćăăŚăăăŽăŻĺ¤äşşă§ĺĺąă§ăăăééăăŞăăç´ćĺăăăăäşşă§ăăăăă
"You know, near my house there is this traffic light which turns red even during parts of the day where cars are nowhere to be seen. It didn't really bother me before and if there was no one around I would just go ahead and pass anyway. However, lately I've began to see it as bad conduct, so I've decided to stop and wait until it turns green."
As soon as I finished saying this, I started getting bombarded with a flurry of comments such as "Oh c'mon nobody does that anymore!" and "You are giving me a headache! What, are you trying to play goody two shoes now?!" and even, "You are a hypocrite! You just want someone to see you so he can write about it on 2chan!" Ugh. There it is. The "Season of Aggression" has arrived. If you get attacked for saying or doing something bad there's nothing wrong with that, but I did no such thing. I mean, I didn't even pass the red light. See, this is the "Season of Aggression", that period of time when people get angry at me for reasons that I fail to comprehend. And when it inexorably presents itself again, even in arguments where I could easily counter, I just end up being assailed and suffer even more. Because of this, the only thing that I can do is sit and wait until it passes again, just like people affected by pollen allergies; on hold, until the cause of their nuisance flies away. In these circumstances, the saying, "The best defense is a good offense" does not work.
JoJo's Bizarre Adventure has finally reached its sixth protagonist, Jolyne Cujoh, and she too is in the middle of this "Season of Aggression". Ever since she was little, she's lived in Florida, and with Jotaro being very busy in Morioh, she grew up without the presence of a father figure. Jolyne has certainly inherited the tough and cool headed side of her family, but she slowly but surely went towards a path of restlessness. Her mother just scolds her. She falls in love with a guy whose affection she blindly trusts. He represents the love and affection that she never got from his father. But it's precisely this sentiment that will drag Jolyne into a crazy world. Will she be able to free herself from it like "unraveling a string"? And will she mature as a person? This is the lay out that I had in mind when writing Stone Ocean and its protagonist.
Some time ago, in the 1980s, the impulse of trying a new creative adventure made me draw "Gorgeous Irene," a short story which had a woman as a protagonist. But in that time period I just, don't know, kinda felt something was off...I perceived a weird atmosphere telling me that a female protagonist wouldn't go well in my works, and so I scrapped the idea of turning it into an actual series. Almost 15 years have passed since then, and I'm convinced that, in some way, the times have changed. Today we live in an era in which, even if a girl takes a punch, or her finger goes flying, or she gets pushed down a building, you can still have a really strong atmosphere. The responsibility is all on her dad's shoulders, Jotaro Kujo. He is the one who initially comes to save his daughter, but ultimately ends up getting saved by her. This, in turn, favors the internal growth of the girl. It seems to me that putting yourself out there by inserting a character like this into a manga really pays off. We can be men and women, but the blood relations and the sentiments which derive from them are elements which we all inherit.
What does "Stone Ocean" mean? "Stone" is the will of Jolyne, while "Ocean" symbolizes women altogether. This Stone Ocean can also refer to the image of the prison in which the story is set. After having decided to draw Stone Ocean, I wanted to collect some material and went to visit a prison in Florida. It was divided into 4 sections: juvenile detention, female detention, young male detention and death row convicts detention that I could only enter after I was granted a permit. In America, there are also "private" prisons in which a penalty discount becomes the equivalent of a commercial enterprise.
I could enter three sections, but not the male detention one because it was deemed too dangerous, I was only able to see the kitchen and the model prisoners working there. In any case, it wasn't a huge prison like the one where Jolyne Cujoh was incarcerated, rather it was a very high tech one and in some way reminded me of Roppongi Hills. (Big urban complex in Roppongi, a Tokyo district) At the entrance I was patted down to check what I was carrying with me and possible metal objects. Then I took an elevator, walked, took another elevator, walked again, then another elevator in repetition. At every passage a heavy metal door with an electronic lock would be opened and closed, then another, and another, and so on. On the way, I was escorted by some guards of average rank. Doors can't speak, but it was like they were telling me that I couldn't leave that place anymore, even if I willed it. I'm not sure if it was claustrophobia, but I was very nervous, I felt like I was in a state of hyperventilation and my breathing was ragged. Some prisoners, no matter how many times I told them I was from Tokyo, wanted me to gift them a Bible in Korean. Furthermore, there was a woman with a massive body structure who looked just like the boss from a movie, seated next to her was instead a girl with a slim figure, probably her henchman, through which she asked me how old I was. I would later heartily describe my feelings to the warden, that I was really anxious to the point of suffocation. He replied "It's the same for me every day. I always feel relieved when I can finally get out and go back home.â Writing this sixth part, I keep questioning myself with concern over Jolyne Cujoh. If I was in the same situation, I think that after just 3 hours of being put in I'd probably already feel destroyed. My impression is that, between all the previous JoJo protagonists, she is the toughest one and that I desire for her to be happy the most. Especially because, as if that wasn't enough, she is right in the middle of the âSeason of Aggressionâ.
(Translator Note: 2chan or 2channel is a gigantic Japanese forum, in which millions of posts regarding a huge variety of topics are uploaded on a daily basis, these posts are left uncontrolled and go under almost no censorship.)
Jolyne Cujoh, our protagonist, felt a deep void in her heart too because she was missing the paternal love that brought her to befriend the shady guy that caused her to be imprisoned, after causing a car accident. But whatâs important is the progress she makes because of that, because of the actions she has to do to save her father she becomes the strong woman she is. If we look at this story as a telling of the protagonistâs growth, her story had ended. So know what should I do for the accomplishment of this manga? In other words, I donât have anything more to draw. Itâs over. âJojoâs Bizarre Adventureâ has reached its summit.
This is âStone Oceanâ.
The end.
But this is not right, not at all, it feels wrong. The fact that Iâm feeling accomplished should not be a good thing.
Itâs like a red light is in front of me, what should I do?
This is what I was thinking then, until I had an idea.
Go back to the origins! Isnât this how Renaissance happened in Italy, going back to Greeks and Romans concepts in classic art? The French painter Gauguin also built a whole new painting going back the origins that Tahiti represented for him.
ăăŽăă¨ăăăŽăłăĄăłăăŻĺŽăăăă¨ăăžăăăăžăăă
ăăŽăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşPart6 ăšăăźăłăŞăźăˇăŁăł ăă§ăšăżăłăč˝ĺă¨ăăŚăŻďźä˝č čŞčşŤăŽćčŚă¨ăăŚăŻďźââăăŁăăćăăăŁăćăĺ˝ćăăŁăŚăă˘ă¤ăă˘çăŤçŠśćĽľăŤéăăŚăăžăŁăăŽăăŞďźă¨ĺľä˝çăŞćşčśłćăĺłăăŁăŚăăžăŁăăŽă§ăă
ăćéăăăăŠăăŠăäşşéăŽćčŚăăéăăŞăŁăŚčĄăŁăŚăçĄéăŤăčăăăéăăŽçĄéăŤââčżăĽăăŚčĄăăââăă䝼ä¸ăŽăšăżăłăč˝ĺăŁăŚăăăŞăă ăăăĺăăŽăŞăăŚăăăăŞăăŞăă˘ă¤ăă˘ăŻçŠśćĽľă¸éăăăăăćăŁăŚăăžăŁăăŽă§ăă
ăćşčśłćăă¨ăăéććăă¨ăăćčŚăŻăăăŁăăĺąéşăŞé ĺăŽćčŚăŞăŽă§ăŻďźă¨ĺ¸¸ćĽé ćăŁăŚăăŚăă¤ăžăăĺ ¨ăŚOKăăĄăăŁăŚăăăä˝ăăăăŞăăăă¨ăăçść ăŻäşşéă¨ăăŚă柍çťĺŽśă¨ăăŚăăăăăăŻç¤žäźăććăŽçşĺąă¨ăăŚăç§ĺŚă¨ăăŚăĺ˛ĺŚă¨ăăŚăăč¸čĄă¨ăăŚăăăŁă¨ă¤ăă¤äşăŤéăăŞăă
çăĺ°˝ăăććăăăăăŻéăçľăăŁăăăăăăŽă¸ă§ăźăăäşşéăŻăăŁă¨ä˝ăăéćăăăćşčśłăăăăăŤčĄĺăăăŽă ăăăăŠăćşčśłăăăăăŽăă¨ăŠăăăďźăăăăăŽăšăăźăłăŞăźăˇăŁăłăćăçľăăŁăćăŽççžăăćčŚă§ăăă
ä¸ťäşşĺ ŹăŽçŠşćĄĺžĺŤăŻăćąăăçśčŚŞăăăŽćć ăŽçŠşčăăĺżăŽĺşăŤăăŁăŚăăăççąă交éäşć ăĺźă辡ăăăćçăăăžăăă
ăăăŚăéăŤçśăĺŠăăčĄĺă§ăă˛ă¨ăăŽĺĽłć§ă¨ăăŚćéˇăăŚčĄăăä¸ťäşşĺ ŹăŽćéˇçŠčŞă¨ăăŚăŻéćăăŚăăžăŁăăăăŽăă¨ăŠăăăďźâŚćźŤçťĺśä˝çăŤăăăćăŁăŚăăžăăžăăă
ă¤ăžăćăäşăŻăăăŞăăŞăçľăăŁăăŞăăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăăŻăă犜漾ăŤéăăŚăăžăŁăăŞăăăăăăŽăăšăăźăłăŞăźăˇăŁăłăă§ăăââ䝼ä¸ăâŚâŚâŚâŚâŚâŚâŚâŚâŚâŚăăăăăŁăąăă¤ă ăŞăăăăŻăŞăăăăăŹăźăăŞăŽăăăăăŞăăăăŞăă¤ăă¤ăéććă¨ăćăäşăăăčŞä˝ăă¤ăă¤ăăăŞă辤俥ĺˇăçšćť ăăžăăăăŠăăăăďźćŹĺ˝ăŠăăăăďźăăăă ďźăăăćăăžăăă
ĺçšăŤčżăăăă¤ăżăŞă˘ăŽăŤăăăľăłăšăŻĺ¤äťŁăŽăŞăˇăŁăăăźăć䝣ăŽćŚĺżľăŤčżăŁăăă辡ăăŁăăă ăăăŠăłăšăŽçťĺŽśăŽă´ăźăŽăŁăłăŻăăżăăă¨ăăĺĺ§ăŤčżăŁăŚć°ăăçľľçťăçăżă ăăăă ă
ăŠăšăăŽăăšăťăăăçĽçśăŽăšăżăłăč˝ĺăăăăŤăăŻăźă˘ăăăăăăăăăăăăăăćéăä¸ťäşşĺ ŹăăĄăčĄçľąăĺŽĺŽä¸ĺ¨ăăŚĺĺ§ăŤčżăăăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăŻââââçžäťŁććăć¨ăŚăŚčŞçśăŤčżăăă
ăăăĺ˝ćăçľäşç´ĺăŤĺ¤ć´ăăŚćăăăăăšăăźăłăŞăźăˇăŁăłăăŽăŠăšăă§ăăăăä¸çžăăăšăżăŤă¸ă¤ăŽćčŚăĺşăăă犺ćĄĺžĺŤăŽč¨ćśăŻĺĽăŽăăŽă ăăćă¨ć ăŻćŽăŁăŚć°¸é ăŽăăŽă¨ăŞăăăăŁă¨ćéˇăăŚčĄăă§ăăăă
ăăăŚââââ
ă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăŽćŹĄăŽçŹŹ7é¨ăŽä¸ťäşşĺ ŹăŻăčŞçśă¨éăăčŞçśăăĺŚăă§ćéˇăăŚčĄăä¸ťäşşĺ ŹăŤăăăăăżă¤ăăŤăŻăăšăăŁăźăŤăťăăźăŤăťăŠăłďźäťŽďźăăďź
ăăćăăŞăăăĺ˝ćăăăŽçŹŹ6é¨ăćăçľăăžăăăćŹćĽăŞăăăăăăŁăäşăŻč¨ăŁăăć¸ăăăăăšăäşă§ăŻăŞăăŽăăăăăŞăăă§ăä˝č ćŹäşşăŽăă¨ăăă§ăăăăăăăăăăă¨ăăă§ăă
Interviewer: I'm so nervous today....
Araki: Oh, don't worry. I not here to make anyone nervous today, my goal is to be healing others: Really, please don't be nervous.
I: Thank You!
A: Oh no, Thank you.
Part 1: Hirohiko Araki, Road to becoming a Mangaka
I: Well my first question is, what kind of 22 year old were you, and what was your life like after graduating from high school?
A: Um... Well, it was the 70's. The mangakas at that time were a generation after people like Tezuka-sensei, Akatsuka-sensei, and Fujiko-sensei. And it was a time when the genre of manga really diversified. Not only manga, but music too, like jazz crossing over to rock music. I spent my teen during a time when everything was fusing together, so I kind of caught the momentum of that, and then Yudetamago-sensei, who was the same age as me debuted when we were about 16 or 17. Then I realized that I can't be wasting time. Of course I studied too, but as a student, I also was really interested in art, like manga, music, film, and fine arts. I really aspired foreign countries as well.
I: How old were you when you became interested in such things?
A: Well, from around high school, or maybe even middle school... Then I dreamed of being a mangaka or have a job relating to that.
I: So, you actually read Yudetamago-sensei's works?
A: Read it, and, well, there were many mangakas, and I couldn't do anything about that, but I felt like I had to something myself.
I: Interesting, so that was your turning point in life?
A: Probably... It may overlap with some questions later but can I keep going on?
I: Yes! Please, go ahead.
A: Well, how should I put it... You know how you learn from your elders? Back then was a time when doing the same thing as your elder was really looked down at. You had to do something different. If there were several paths that your elder paved, it was like finding somewhere in between that no one else has gone before. Kind of like that.
I: So it was about doing something different?
A: Well, you had to kind of make sure not to mimic anyone, yeah. It wasn't necessarily about going your own way, but learning from your elders and not stepping in their footsteps. You were looked down if you ever stepped in it. People would say âyou're just doing the same thing, just coping!â or something, and look at you with scornful eyes.
I: What did people actually say towards your works?
A: Like, âThis looks looks that,â or âthats story development is identical to so-and-so,â
I: At times like that, where did you get inspiration to paved your own way?
A: Um... so, I had influences from my favorite mangakas, but also came up with my own things, or added on to it. Draw an area that hasn't been explored by others... and like that, for example, I now think theres a theory, and following a âtheory of hitâ makes you feel like you have to do something that sells. I didn't think of that at all, so I guess I was pure in a sense, yeah.
I: Not a manga only for the sake of selling?
A: Its about drawing something that's never been drawn.
I: Interesting. This gets a little personal, but going to art school, I really understand what you mean. You take a class with a teacher and you get drawn towards your teachers style, but are punished if you fully adopt that style.
A: Yeah, its pretty much like that, but more intense with a strong 70's feel to it
Part 2: What it feels like after becoming a Mangaka
I: So, what was it like to actually become a mangaka?
A: Well, I was worried sick and couldn't sleep during earlier works, and even when starting JoJo. I wasn't sure if it was alright.
I: And did you have a strong support, someone backing you up?
A: Ahh, yeah. In my case, I based my works on works of art from the past that I felt sure, and things that were done by people I was sure about, so even if someone saids something bad or negative, I always was able to feel sure. And the told me that I had to be bold if I wanted a serialized series. Failing a serialized series is losing to yourself, so I think it works out well for an optimistic person.
I: Do you think most mangakas are optimists?
A: I think people who can keep doing it are like that. More like someone confident than an optimist. Many of them have absolute confidence in themselves. Many seems like they go beyond narcissism. So, you don't want to cripple their pride, you have to nurture it. They're probably simpletons. Out in the real world, you have to be careful not to be scolded for that.
Part 3: Araki's Manga-ism
I: Manga has really infiltrated our society nowadays, what does âmangaâ mean to you?
A: Like I said earlier, its about the beauty of the art and training your âeyes for judging beauty.â Its kind of like a training. Um... I'm drawing and sometimes fall into meditation, and skip time. Kind of like that.
I: How do you feel about other mangas and works?
A: Well, yeah, I like some of them, but I'd also like to recognize those I'm not sure whats fun or interesting about them. Maybe not recognizing them, but try to think while I read them. Not only in manga but also in films, the kind of story that I don't feel interesting is when the protagonist doesn't have a reason to progress. For example, there are some that are negative towards fighting, and I personally think thats a no-no. So, if theres going to be war, it should be like âYeah! I love war!â Thats an extreme example, but fighting in war while denying war I'd say is negative story-wise. If the is a âzero,â the denial makes it a ânegative.â But fighting for one's own satisfaction, or fighting war to save one's mother, that kind of elements that makes the story âpositiveâ is really interesting. The kinds of film fit in that. And because they fit in, I analyze from there. So, if you like ânegative,â and gather a lot of ânegative,â you start compiling those kinds of movies, but there are many perspectives, so there's not really a right or wrong direction. Its up to your own preference.
I: So the kind of things you're not interested are things that are negative.
A: Yeah. I can't get psyched watching or writing things like that.
Part 4: Relaxing, Araki style
I: You have been doing manga for a long time. I've heard in other interviews that you never miss an due date, and we see you as always being on schedule. Do you ever have trouble coming up with new ideas?
A: Its not really about the lack of ideas, but the scariest thing is the lack of the will to draw. Lack of idea is really losing the will to create. If you're willing to write, you will get ideas, so you shouldn't be afraid of the lack of ideas. Just keep putting things out there, and save nothing. Feeling like you don't care is the worst thing.
I: Have you ever felt like that?
A: Well, yeah, I start feeling like that when I get exhausted.
I: And how do you cope with that?
A: Um, in my case, I go discipline myself a little. Nothing serious, but go out on a walk to shrines, like that. I don't go out in waterfalls but that takes away my worries. It kind of weird, but going on a walk or a bicycle trip alone, discipline through a little exercise.
I: Not only use your mind, but also your body...
A: I exhaust myself, and theres many things. Like carrying a heavy load, and you start to realize what's really necessary. I start to think I don't need a cell phone because its heavy and I wanted to toss it, and I had no signal anyways... but I feel really healed by an iPod for some reason.
I: Why is that?
A: Somehow music is really good. So I really only need water, raincoat, and an iPod. I went to a place called Kumano Kodo once. It saids Kumano (Kuma = bear in Japanese) so I figured there will be bears in this place, so someone told me to take my cell phone. I took it, but didn't get any service... Then my feet starts to hurt, and I really started getting sick of all my luggage. I brought some bread with me but I ate it. And I started to realize that those things are not necessary. You don't need it to survive.
I: What do you feel like when you're out training at places like that.
A: Empty, and then I come back from that and start working again.
Part 5: Other Dreams
I: Your art works has been featured in fashion, a science magazine cover, and now in the Louvre. What is the meaning of working on projects besides manga?
A: Um, its the drawing... if theres story and drawing, I guess I'm better at drawing . I don't know, I'm a mangaka, so I have to draw, or otherwise people won't think me as an mangaka. There are mangakas famous for their story, but I'm more on the drawing side, so I want to draw the ultimate picture, something really good.
I: Do you not have enough time at the moment to do that?
A: You know, like the Louvre and the science magazine, especially the science magazine, theres more to that one, but I tend to think all of them as one. Physics, literature, there all the same in a sense that they are searching for the truth. Its nothing alien. So, the person who asked me the science magazine project felt the same way too. He thought that I can illustrate his scientific theory.
I: Was there anything else you were asked to do?
A: Something weird? Is there any thing weird? Maybe the CD cover? The t-shirt designs? I guess the Cell project was the weirdest, but that doctor's medical theory and my philosophy of stands were the same, so he asked me to draw. That way of thinking makes me happy, happy because its kind of like DaVinci. That really is a theory that no one can understand, borderline crazy. No one who sees those sentences agrees to the theory. It might be wrong. And if you write something wrong, someone is going t object later. So that project was a little risky.
I: What do you wish to do next, do you have any requests?
A: Umm... yeah, I probably want to do a series of pictures.
I: You mean like a CD cover?
A: Um, something like the "The Dancing Girl of Izu"
I: Oh!
A: The "The Dancing Girl of Izu" was a little different too. They asked me to draw the cover of "The Dancing Girl of Izu," and I couldn't believe it. They just asked me to do a work based on a famous literature.
I: So, did you choose that?
A: Yeah, but only from the Shyeisha-Bunko series.
I: Why the "The Dancing Girl of Izu."
A: I kind of wanted to draw the emptiness of youth.
Part 6: Message to 22 year olds today
A: I think people's actions should be based on their âeyes to judge beauty.â How to judge what's beautiful. Are your own actions beautiful, or not. And by beautiful, I don't simply mean the appearance of something, but does something fit in, can you understand it. I think studying is for training your âeyes to judge beauty.â For example, whether its physics, sociology, or literature, its a way to find out how the pieces fit together nicely, and the study of medicine is the way to discover a theory to cure beautifully. And as you layer those theories together, you are able to judge things, and if you know how judge you will be able to make a decision. I want young people to train their âeyesâ so they can judge things, theories, and themselves, and I don't want them to study only as a way to become rich or for a high academic record. I think having such evil or not is important. It may sound fancy, but being something like a hero for the good is really important.
ăčć¨éŁĺ彌ĂNEWTRALă
珏äşććĽćä¸äťŁăŤĺźˇă役éżăĺăźăăäşşçŠăŤĺŻžăăŚăăăŽčŚćŠăăćĺă¸ăŽčťčˇĄăăăăŚäťĺžăŤćăćŞćĽăŤă¤ăăŚăĺžšĺşă¤ăłăżăăĽăźăăžăăă
ĺľĺĺˇăŽă˛ăšăăŻăăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăăŽčč ă柍çťĺŽśăŽčć¨éŁĺ彌ĺ çă柍çťăŽć ăŤćăăăăCDă¸ăŁăąăăăăăĄăăˇă§ăłăăśă¤ăłăŞăŠĺš ĺşăć´ťčşăăżăăŚăăčć¨ĺ çăŽâćľĺâăŤčżŤăăžăă
珏ä¸é¨ă柍çťĺŽśă¸ăŽćŠăż
ďźďźďźNEWTRALăŻăĺ°ćĽăŤćĺž ăä¸ĺŽăćąăă礞äźăŤĺşăĺăŽĺŚçăŤĺăăăăŽăŞăŽă§ăăăčć¨ĺ çăčŞčşŤăŻăŠăŽăăăŞĺŚççć´ťăéăăăŚăăŁăăăăžăăăďź
ĺăĺŚçă ăŁăăŽăďźďźĺš´äťŁăŁăŚăăććă ăŁăăă§ăăăăăăŁăŚă柍çťĺŽśăŽćĺĄć˛ťčŤĺ
çă辤ĺĄä¸äşĺ¤Ťĺ
çăč¤ĺä¸äşéĺ
çăăĄăŽćŹĄăŽä¸äťŁă§ăč˛ăăŞă¸ăŁăłăŤăŤăăăŁăŚćźŤçťăĺşăŚăăććăŞăă§ăăăéłćĽ˝ă§ăăăăăŻăŤă¸ăŁăşăăŻăăšăŞăźăăźăăăă ă¨ăăăăăăăľăăŤč˛ăăŞăăŽăčĺăăŚăăć䝣ă§ăă¨ăŤăăč¸čĄçăŞćźŤçťăéłćĽ˝ăć çťăçžčĄă¨ăăŽĺ˘ăăăăăăŁăăă§ăăăăăăŞă¨ăăŤä¸ĺŚć䝣ăéŤć Ąć䝣ăéăŁăŚăăăăŽă§ăăŞăăŚč¨ăăă ăăăŞăăăŽĺ˘ăăżăăăŞăŽăŤäšăŁăŚăăŁăŚăăăă§ăăăăâŚăăăĄăăĺ埡ăăăăă ăăŠăä¸ĺŚçăăăăă柍çťĺŽśăŤăŞăăăă¨ăăăăăăäťäşăŤĺ°ąăăăăŞăŁăŚćăŁăŚăăă§ăăăă
éŤć ĄçăŽćăŤăĺăĺš´ăŽăă§ăăžăĺ çăďźďźćłăďźďźćłăă§ăăăĽăźăăăă§ăăăă§ăăăăăăăŞăă¨ăăŚăăăŞăăăŁăŚăăăŽă¨ăăĄăăŁă¨çŚăŁăăŁăŚăăăă ăŽăăăŞăă¨ăăăŚăĺ ´ĺăăăŞăăă ăăŁăŚăăčŞĺăĺăćăăŚăăăŞăăĄăăăăŞăăă ăŞăăă¨ăăćăă§ăăăă
ďźďźďźăŠăŽć§ăŤăăŚĺăéăăŚăăŁăăŽă§ăăăăďź
äžăă°ĺ 蟊ăăĺŚăśăă¨ăŁăŚăăăăăŞăă§ăăăă§ăĺ 蟊ăăĺŚăă ăă¨ăăăŽăžăžăăă¨ăăăăŽăăăăăŞăăăć䝣ăŞăăă§ăăăăăăăăăŽĺ çăŤăăŁăăă ăăă¨ăăăăăăăŽăŻăăăăăăăăăăŞăăăăăŁăŚăéăäşăăăăŞăăăăăŞăăŁăŚăăăăăăăĺ 蟊ăçŻăăŚăăéăăăă¤ăăăŁăă¨ăăăăééăŽčŞ°ăćŠăăŚăŞăăăăŞă¨ăăăć˘ăăŁăŚăăăŽďźă
ăăŽăžăăžăăăăŞăăŁăŚăăăŽăăŞăăăăăă風ăŞćăă§ăăăăăăăăčŞĺăŽéăăŁăŚăăăăăăŞăăă§ăăăăĺ 蟊ăĺŚăłăŞăăăăăăăŚĺ 蟊ăč¸ăă ă¨ăăăŻč¸ăžăŞăăăżăăăŞă弽ăăŞćźŤçťĺŽśăăéăŽĺ˝ąéżăĺăă¤ă¤ăăčŞĺăŞăăŽăăŽăĺşăăŚăăă¨ăăĺ ăăŚăăă¨ăăăžă ăăŽé¨ĺćăăŚăŞăăŞăŁăŚăăăŽăăăŁăăăăăć¸ăă¨ăă
ă§ăĺ 蟊ăĺŚăśăŤăăŚăăăăăăăăăăăťăŞăŞăźăăżăăăŞăŽăčż˝ăăă¨ăăă¨ăăŠăăăŚă売ăăŚăă¨ăăăăăŁăŚăăŞăăĄăăăăŞăćăăăăăăăŞăă§ăăă ăăăăăăŽăćľčĄăŁăŚăăăĺăĺ Ľăăăăă¨ăăăăăăăŽăŻĺ ¨çśčăăŚăŞăăŁăă§ăăăăăăă ăăăŞăăç´ç˛ă ăŁăăăăăăŞăă§ăăă
ďźďźďźăŞăăťăŠăčŞĺă大ĺŚă§ĺ çăŽććĽăĺăăă¨ăĺ çăŤćăăŁăŚăćšăŤăăŁăĄăăăăăŞăă§ăăăŠăăăăŤäšăă¨ăéăŤăžăĺŠăăăŚăăżăăăŞăŽăŻăăăžăăă
ăăăăăăăăŞćăăăăăŽăăăŁă¨ä˝ăăťăťăťďźďźĺš´äťŁăŽĺźˇăćăă§ăăă
ďźďźďźă§ăŻăĺżľéĄăŽćźŤçťĺŽśăŤăŞăçşăĺ ˇä˝çăŤăŠăŽăăăŞĺŞĺăăăăăă§ăăďź
ă¨ăŤăăä˝ă§ăčŚăăčŞăă ăăăŚăĺăăŁăă§ăăďź ăďźĺš´ă§ć çťăďźďźďźćŹčŚăăă¨ăćąşăăŚăčŞăĺŁăăšăăźăŞăźć§ćăä˝ĺŽśăăăŽäşăžă§ĺ ¨é¨ĺćăăăă¨ăăďźďźďźćŹă¤ăŁăŚăăăăŞăć䝣ă ăă大ĺ¤ăŞăă§ăăďź ĺ ¨é¨ăć çťé¤¨ă§čŚăăăă ăăă
ăă¨ăĺ˝ćäťĺ°ăŤä˝ăă§ăăă§ăăăŠăć稿ă ă¨ćčŚăčăăŤăăăă§ăăăăăĽă˘ăłăšăŁăŚăăăăéťčŠąă¨ăćç´ăŤăŞăăăăăăŞăăŁăă§ăăăăăă ă§ăç´ćĽćčŚăčăăăăŚăăăăăéťčťă§ćąäşŹăžă§ä˝ĺćăŁăŚčĄăăžăăăăăžă ć°ĺššçˇéăŁăŚăŞăăŁăăăăçéďźćéăăăăă§ăăďźçŹďź
ďźďźďźăăăŚćźŤçťĺŽśă¨ăăŚăăăĽăźăăăăăă§ăăăăăăĽăźĺ˝ćăŽčžăăŁăäşăăĺŹăăăŁăäşăćăăŚăăă ăăžăăďź
ăăŁăąăăčŞăăŚăăăăžă§ăčžăăăăăŞăă§ăăăăăăĄăăăčŞĺăŻčŞäżĄăćăŁăŚăăŁăŚăăă ăăŠăăăă§ăăăăă§ăăăă ăăăŁăŚă誰ăăŤč¨ăŁăŚăăăăŞăă¨čžăă¨ăăăăä˝ăčŻăăŽăćŞăăŽăăăăăăžă§ăăăĄăăŁă¨čžăăŁăăăăăăŞăă§ăăă
ăăă§ăĺŹăăăŁăäşăŻćčżăŽčŠąăŤăŞăăă§ăăăŠăăăăĽăźä˝ăăé˘ç˝ăă§ăăăŁăŚăçšăŤčĽăäşşăŤč¨ăăăăŽăĺŹăăă§ăăăăăăćăăăŽă大ä˝25ĺš´ĺă§ăăăă彟ăăçăžăăĺăŤćăăçŠăčŻăă¨č¨ăăăă¨ăăăăźďźăăă§čŻăăŁăăă ďźăă¨ćĺăăžăăă
珏äşé¨ăčć¨ĺ çăŽă珏äşććĽćă
ďźďźďźç§éNEWTRALăŻăĺ°ćĽăŤä¸ĺŽăćĺž ă交éŻăăŚăă˘ă¤ă˘ă¤ăăćć ăćąăăŚăăĺš´é ăă珏äşććĽćăă¨ĺźăă§ăăăŽă§ăăăčć¨ĺ çăŻăăăăă珏äşććĽćăăŽçľé¨ăŻăăăžăăăďź
äžăă°ăăŽăĺćăŽä˝ĺă¨ăăăă¸ă§ă¸ă§ăăĺ§ăăćăă大ä¸ĺ¤ŤăŞăŽăăŞď˝ăŁăŚăă⌠ä¸ĺŽă§ç ăăŞăă¨ăăăăăžăăăă
ďźďźďźăăă埡ăćŻăăăăăăŽăŻä˝ă ăŁăăŽă§ăăăăďź
ĺăŽĺ ´ĺăŻăăŁăąăăéĺťăŽä˝ĺă¨ăč¸čĄä˝ĺă¨ăăŤăăăŽäşşăŽä˝ĺăŻçľśĺŻžăŤčŻăăăŁăŚăă確ăăŞăăŽăăăŁăŚăăăăăăŽăăĄăăă¨čśłăăăăŤăăŚăăăăćŞĺŁč¨ăăăŚăăć˛čŚłçăŞäşăč¨ăăăŚăăăăăă§ăăăă ăăŁăŚăăć°ćăĄăŻăăăžăăăă
ďźďźďźăă¤ăŚăŽĺäşşéăŤćŻăăăăăŽă§ăăă
ăăă§ăăăăă¨ăŞăă ăăăŞăăĺłĺ¤ŞăăŞăă¨ăéŁčźăŻăă°ăăăŁăŚč¨ăăăăă§ăăăéŁčźă夹ćăăăŁăŚăăăŽăŻăä¸ĺŽăŤâŚčŞĺăŤč˛ ăăăă¨ăŞăă§ăăăă éŁčźăçśăăŚăäşşăŤăŻă漽茳çă¨ăăăăčŞäżĄĺŽśăŞäşşăĺ¤ăă§ăăăčŞĺăŤçľśĺŻžçăŞčŞäżĄăćăŁăŚăăčŞćăâŚăčś ăăŚăăăăŞé°ĺ˛ć°ăŽäşşăĺ¤ăă§ăăăăă§ăăăăăăăŽăŁăŚĺż čŚăŞăă§ăăăă ăăăăăŽäşşăăĄăŽĺ¤Šçăă¸ăćăŁăăă ăăŞăă§ăă䟸ă°ăăŚăăăŞăă¨ďźçŹďźăăăĺŠăăăŞăăăăŤçŤăĄĺăăŞăăăăăŞăăă ăăăă礞äźăŤĺşăă¨ăă
珏ä¸é¨ăčć¨éŁĺ彌ăŽă柍çťčŤă
ďźďźďźčć¨ĺ çă柍çťăćăéăăŠăŽć§ăŞäşăčăăŚĺăçľăă§ăăžăăďź
äžăă°ăăăăăŠăăăăăăăăă ăăăă¨ćă柍çťăăăăăŞăăŤčŞăăăă§ăăăčŞăăăŁăŚăăăăăăăăŞăă ăăăŞăźăăŁăŚčăăŞăăčŞăăŁăŚăăăă ăăăăăăă¨ăćăăă¨ăăŚăăăăŞăŁăăŽăăăŁăŚć¨çăăćăăăŻăąăăăăŞăăăćé¤ăăŻăăăăŞăăŁăŚăăăăăăăăćăăŻăăăžăă
柍çťăŤéăăć çťă¨ăă§ăăĺăăăăăăăăŞăăŞăăŁăŚćăăăŽăŻăä¸ťäşşĺ ŹăŤăĺĺăăŞĺćŠăăăŞăăăŽăŞăă§ăăăäžăă°ćŚäşć çťă§ăăćŚäşăŻăăĄă ă¨ăĺŚĺŽăăŞăăĺŤă ĺŤă ăŁăŚăăăŞăăćŚă芹ăŁăŚăčŞĺçăŤăŻăăĄăŞăă§ăăă
ăăăă芹ăăăšăăźăŞăźçăŤăăă¤ăăšăăŁăŚĺăŻč¨ăŁăŚăăă§ăăăŠăä˝ĺăŽăšăżăźăăăźăă ă¨ăăăăăĺŤă ăăŁăŚăăĺćŠă§ăă¤ăăšăŤăŞăăă§ăăă ăăăăăŽăŻčŚăŚăŚăăćăăŚăŚăçăăŞăăă§ăăăăăăăăŞčŚćšăăăăăăăŠăŁăĄăăăă¨ăăŁăŚăăăŽăŻăŞăăă§ăăăčŞĺăŽĺĽ˝ăżăŁăŚăăăăăă ĺăŻĺĺăăŞăăŠăšăŽčŚç´ ăăťăăăă§ăăăă
ă ăăŠćĽľçŤŻăŞčŠąăäżşăŻćŚäşă弽ăă ăďźăă¨ăăăăćŻăăăĺŠăăăăăŤčĄăăă ďźăă¨ăăăăăăăăŠăšăŽčŚç´ ăŤăăăăŽăăăšăăźăŞăźăŤçăčžźăćšă羜寞ăăăăăăŞăă¨ĺăŻćăŁăŚăăŚăăăăăŁăŚä˝ăŁăŚăăăžăăă
ďźďźďźăăăăŁăćĺłă§ăčć¨ĺ çăŻăäşşéčłćăă¨ăăăŽăăăźăăŤăä˝ĺăćăăŚăăăŽă§ăăăăďź
ăăă§ăăăćĺăŤćĺżčĄ¨ç¤şăăăŞăă¨ä˝ĺăŤčżˇăăçăžăăŚăăžăăŽă§ăäşşéčłćăŁăŚăăăŽăŻăç°ĄĺăŤč¨ăă°ăĺĺăăŤçăăăăă¨ăăăă äşşéăĺŚĺŽăăĺăăăăžăćăăŞăă¨ăăćĺłăŞăă§ăă珏ĺé¨ăćŻćăćšćłďźďźďźčć¨ĺ çăŻăçžĺ¨ăžă§éˇăćééŁčźăăăŚăăžăăăă˘ă¤ăă˘ăŤĺ°ăŁăăăăäşăŻăăăžăăďź
ă˘ă¤ăă˘ăŁăŚăçĄăăŞăă¨ăăăăŞăăă§ăăăĺľä˝ć揲ăçĄăăŞăăŁăŚăăăă¨ăăă˘ă¤ăă˘ăçĄăăŞăăŁăŚăăăă¨ăŞăă§ăăă ăăăćăăăă¨ćăŁăŚăăăăă°ăă˘ă¤ăă˘ăŁăŚĺşăŚăăăăăăă˘ă¤ăă˘ăçĄăăŞăăăâŚăă¨ăćăăŚăĄăăăăŞăăă§ăăăăŠăăŠăĺşăă貯éăă¨ăăŞăăăżăăăŞă
ä¸çŞă¤ăă¤ăŽăŻăăŠăźă§ăăăăăŞăăŁăŚćăăă¨ăŞăă§ăăăç˛ăăăŞăăŞăă¨ăăăăćŹĺ˝ăŻăăŁă¨ăăă§ăŹăźăă¨ăăăŞăăăăăŞăăŽăŤăăăăăŞăăă§ăăăăâŚăă¨ăăćăŁăĄăăćăăăăă¤ăă¤ăă§ăăă
ďźďźďźäťăžă§ăŤăăăăçľé¨ăŻăăăžăăăďź
ăăăźăŞăăăç˛ăăŚăăă¨ăăăăćăăŤăŞăŁăăăăăă§ăăăă
ďźďźďźă§ăŻăăăŽăăăŞćăŻăŠăŽć§ăŤăăŚĺŻžĺŚăăŚăăăŽă§ăăăăďź
ĺăŽĺ ´ĺăŻăĄăăŁă¨ä˝ă使ăăăăŞć čĄăŤčĄăŁăăăăăă§ăăăăçĽç¤žĺˇĄăă¨ăăĺéăćŠăăăă ă¨ăăăăăăŁăć§ăŞâŚäżŽćĽă§ăăăďźçŹďźä¸äşşăŤăŞăŁăŚčŚă¤ăăŞăăăŚăä˝ă使ăŁăŚăăă¨ăă迡ăăĺăăăă§ăăďźä¸ćč°ăŞăă ăăŠă
ďźďźďźĺŽéăŤăăăăĺ ´ćăŤäżŽčĄăŤčĄăŁăŚăăćăŻăăŠăŽć§ăŞäşăčăăŚăăžăăďź
éăčˇçŠăćăŁăŚćŠăăŚăä˝ăç˛ăăăăă¨ăč˛ă ăăăŁăŚăăăă§ăăăăä˝ăĺż čŚăăăŁăŚăăăŽăăăăŽćăăăŁăŚăăăă§ăăă
ďźďźďźăăŽćăŻä˝ăĺż čŚă ă¨ćăăžăăăďź
ćşĺ¸ŻéťčŠąăŻćĺăŤć¨ăŚăăăŞăăžăăăăĺăŤăçéĺ¤éăŁăŚćăŤčĄăŁăă¨ăăŤăăçéăŁăŚăăăăăă ăăăçăĺşăă ăăăă¨ăăäşă§ă硨éăŽäşşăŤăă羜寞ăŤćşĺ¸ŻéťčŠąăćăŁăŚčĄăŁăŚä¸ăăďźăăŁăŚč¨ăăăăăćăŁăŚčĄăŁăăă§ăăăŠăçéĺ¤éăŻĺĺ¤ă ăŁăăă§ăăâŚďźçŹďźéăčˇçŠăćăŁăŚăăă¨čśłă¨ăăçăăŞăŁăŚăăăăăä¸čŚăŞčˇçŠăăăŠăăŞăĄăăŁă¨ăăăăŽă§ăăćŹĺ˝ăŤĺŤăŤăŞăŁăŚăăăă§ăăăă ăăăăłă¨ăăćăŁăŚčĄăŁăăă§ăăăŠăéä¸ă§ăăŁăă¨éŁăšăĄăăăžăăăďźçŹďź
ăăăăćăăŤăŞăŁăă¨ăăŤăăăăăŻčŚăăŞăăŞăăă¨ăćăăă§ăăăçăăăăăŤăŻčŚăăŞăçŠăçľć§ăăăžăăăă ăăŠăiPodăŻä˝ăăăăçăăăăă§ăăďźăăŞăăăăéłćĽ˝ăŻčŻăăă§ăăăźăăŞăŽă§ăăăŽćĺż čŚă ăŁăăŽăŻăć°´ă¨é¨ĺ ˇă¨iPodă§ăăăďźçŹďź
珏äşé¨ 柍çťäťĽĺ¤ă§ăŽć´ťĺ
ďźďźďźčć¨ĺ çăŻăăăĄăăˇă§ăłćĽçăç§ĺŚéčŞăŽčĄ¨ç´çăć§ă ăŞĺéă§ăć´ťčşăăăŚăăžăăă柍çťäťĽĺ¤ăŽć´ťĺăăăć瞊ă¨ăăăŽăŻä˝ă§ăăăăďź
ç§ĺŚă¨ăçŠçĺŚăćĺŚă¨ăăăă˛ă¨ă¤ă¨čăăăăăćăăăăă§ăăăăŞăăăăăçĺŽăčż˝ăă¨ăăćĺłă§ăŻăă ăăç§ĺŚéčŞăŽčĄ¨ç´ăćăäşăĺĽăŤç°čłŞăŞăăŽă§ăŻăŞăăă§ăăăăăCellăăŽčĄ¨ç´ăăăăŁăăăŻčŤćăć¸ăăćšăăĺăŽçľľăŞăăăŽçčŤă襨çžă§ăăăăăŁăŚăäžé źăăŚăăăă¨ăăćăăŞăă§ăăăăăăăčăćšăŻăăŹăŞăăŤăăťăăťă´ăŁăłăăżăăă§ĺŹăăăŞă¨ćăăžăăă
ďźďźďźă§ăŻăäťĺžăŽäťäşă§ăăăŞăăŽăććăăŚăăăăă¨ăăŁăĺąćăŻä˝ăăăăžăăďź
ăŞăă ăăăŞăăăŁăąă柍çťĺŽśă ăăçľľăćăăŞăă¨ăă¨ăăăŽăĺăŤăŻăăăă§ăăăăšăăźăŞăźă¨çľľăăăŁăăăĺăŻçľľăŽćŻéăŽćšăä¸ăŞăŽăăŞăăŁăŚăăăă 䝼ĺăćĺŚä˝ĺăŽĺä˝ăŽăŤăăźçľľăćăăŚăă ăăăăŁăŚäžé źăăăŚăăäźčąăŽč¸ĺăďźéčąç¤žć庍ďźăćăăăă§ăăčŞĺă§é¸ăă§ăăŞăăăăăäźčąăŽč¸ĺăăŽćă¤ăéćĽăŽĺăăćăăăăŁăăă§ăăăăăźăăă ăăçľľă ăăŽăˇăŞăźăşă¨ăăćăăăă§ăăăă犜漾ăŻăăăăŁăąăä¸ćăŽćŹĺ˝ăŤčŻăçľľăćăăăă§ăă
珏ĺ é¨ă礞äźăŤĺşăäşşéă¸ăĄăăťăźă¸
ĺăŻă寊çžçźăă§äşşăŻčĄĺăăšăă ă¨ćăŁăŚăăăă§ăăăăçžăăăăŠăĺ¤ćăăăďźăăŁăŚăăăăčŞĺăčĄăŁăŚăăčĄĺăŻçžăăăŽăăăăă§ăŞăăŽăă ăçžăăăăŁăŚăăăŽăŻăĺăŤĺ¤čŚă¨ăăŽĺéĄăăăŞăăŚăăăŁăă錴ćăă§ăăăăŠăăăç´ĺžă§ăăăăŽăăŠăăă¨ăăăă¨ăŞăă ă¨ćăăă§ăăă ĺ埡ăŁăŚăăăŽă寊çžçźăăĺšăăăăŽăăŽă ă¨ćăăă§ăă
äžăă°ăçŠçă§ă礞äźĺŚă§ăćĺŚă§ăăăăŁăăăăćšćłăć˘ăăăăŽăăŽă ăăĺťĺŚă¨ăăăçžăă沝ăăăăŠăăďźăă¨ăăăŽăć˘ăćąăăŚăăçčŤă ă¨ćăăă§ăă ăăă§ăăăŽçčŤăçŠăżéăŞăă¨ĺ¤ćă§ăăăăăŤăŞăăăĺ¤ćă§ăăă°ăćąşćăă§ăăă¨ćăăă§ăăăă
ă ăăçăăăŤăŻăăăăăçčŤă ă¨ăăčŞĺăŽčĄĺă ă¨ăăçŠäşăĺ¤ćăăăăăŽă寊çžçźăă磨ăăăăŤĺ埡ăăŚăťăăă§ăăăéŤĺĺ ĽăéŤĺŚć´ăçŽćăăŚĺ埡ăăŚćŹ˛ăăăŞăăă§ăăăăéŞćŞăŞăăăăĺżăçĄăăăŠăăăŁăŚăăăŽăéčŚă ă¨ćăăă§ďźçŹďźăŞăăçśşéşäşăăăăăŞăăăŠăćŁçžŠăŽĺłćšăăżăăăŞăă¨ăŻăăăă大ĺăŞăă§ăăăă
fin[20]
On November 21st, at Tokyo University's 60th Komaba Festival, was Araki Sensei's wife. We went to see Mrs. Asami Araki's public talk "JoJo and Asami Araki's Bizarre Life"!
With only 300 tickets being distributed, the ticket sales began at 10 A.M. and were immediately sold out. With 200 fans creating a line that extended all the way to the entrance of the emergency stairway, the mangaka's wife's lecture seemed to be the climax of the festival. At 1:30 P.M., all seats were completely filled and spectators began to line up around the outer circumference of the venue. In the Maninonrei (banners of thanks for the full house) Classroom, being greeted with a warm applause, the program director, Mr. Hiroki Terai announced the entry of Arakiâs wife: Mrs. Asami Araki (Chami).
- This report was done with the permission of Mrs. Araki. This was done through my notes and recollection of the event, and there may be parts with errors. If itâs clear there was a mistake, or there are any questions, please submit a form or e-mail me about the issue.
Reason for holding this lecture
Mrs. Chami did not get an invitation from the Tokyo University JoJo Research Society, but rather, the program director, Mr. Terai, was a friend from her student days. She heard about the offer through a mutual friend of their's. (in addition, the 2007 Cell Front Cover drawn by Araki was related to the Tokyo University Cranial Nerves Group, as well as author Kang Sang-jung and Mr. KenichirĹ Mogi having relations to the school.) Since the lecture was to be in front of a large crowd, Mrs. Chami refused many times, but knowing that the fans would be enthusiastic to have her speak, Araki Sensei insisted, âWhat if you try once?â, and so the decision was made. Incidentally, she informed us that Araki would have stomach problems from nervousness if he had shown up.
Where is Araki right now?
- We were told Araki was 100% not at the meeting hall.
He couldnât come, but yesterday he went to a Shinto Shrine to pray for his wife and he joked, âIâll scatter flyers around the university!â (Wouldnât Araki putting out flyers in person cause an uproar?!). Now, as for where Araki Sensei was now, Mrs. Chami said, âProbably on a walk.â
Beginning of Romance with Araki
About 20 years ago, when Mrs. Chami was attending a friendâs marriage interview, sitting across from her was a man, Araki Sensei. After that moment, Mrs. Chami said she immediately clicked with him (however, it seemed like Araki wasnât thinking about love at all). In that moment, she got Araki Senseiâs number and their friendship began. 3 months later, they were married. Certainly the marriage had a âSpeed â Aâ rating.
Arakiâs First Date
Araki would frequently go to a Gym Pool. He was carrying his swimsuit to the pool when he got asked out by telephone. When she arrived, (with a Mona Lisa smile) Araki said, âIâll be swimming back and forth in the 25 meter line a few times, so just play around hereâ and left her alone. She was looking at the training schedule in silence while Araki continued to swim. When he gave her a sidelong glance, she appeared to be doing the flutter kick by herself⌠(it sounds like a manga, but itâs a true story).
Arakiâs ding-dong dash!?
About 10 years into their marriage, Mrs. Chami tells us, âI felt like I was living with a first-year middle schooler.â This childish, simple-minded troublemaker, how many ding-dong dashes he was doing! (The respectable adult! The popular Jump writer!) But, the people in the neighborhood loved Araki, and the older people would call out to him as if he was a boy. Strange folkâŚ
Arakiâs fear of strangers
Back then, Araki was extremely shy. For example, when Mrs. Chamiâs friend came over, he opened the door just halfway. When he looked, he said âAh! A stranger!â and immediately closed the door without even coming out. But, at the 2003 Paris Exhibition âJOJO IN PARISâ, when he was thinking that no one from Japan would come, the successive chiefs of Shueisha arrived. Since then, his shyness has begun to be cured. Nowadays, heâll invite about 20 mangaka over for a party. Incidentally, when Mrs. Chami sees the mangaka arrive to the party, time and time again she thinks âMangaka are a little weird, arenât they?...â (haha)
In Arakiâs house
Mrs. Chami tells us that she's friends with his assistant. âShe loves candy and sweet foods, I remember the type well, I would ask things like âWhat happened to X Chocolate?â and talk about things like womenâs fashion (interrupting?) He would imitate us and when he wanted to say something like âBe quiet!â, he would say âYour antenna is too wideâ to be more polite (haha).
A video letter from Masanori Morita!
We get a screening of a video letter from one of Arakiâs mangaka friends, the author of ăROOKIESă Masanori Morita! At the party in Arakiâs house, he drew a picture of Jotaro and before Araki was able to comprehend what he was doing, he drew 2 or 3 more. When they were drinking alcohol together, he was worrying about whether to sit next to Araki or Mrs. Chami and finally he said âHey!â and sat next to Mrs. Chami. He said to Mrs. Chami, âBeautiful as everâ, âI hope your happyâ and to Araki Sensei, âI respect you a lotâ, âYou were so mellow and easy to approachâ and so on. At the end of the video letter, he shrewdly inserted an advertisement for the Rookies DVD and Besharigurashi Volume 9. (Looking at the video was super interesting! The playful Morita Sensei drew a large laugh from the crowd.)
Arakiâs height, has he gotten taller?
At this yearâs first Ultra Jump party, Araki met with ăHigh School! Kimengumiăâs Shinzawa Sensei for the first time again in 20 years. For some reason, he asked âAraki Sensei, your height, have you gotten taller?â Araki was petrified for about 10 seconds and then said, âNo, itâs unacceptable.â (It was a surreal spectacleâŚ)
Araki and music
According to Mrs. Chami, music is super important to Arakiâs writing. For example, when thereâs a battle scene, Rock, when thereâs a scene with horses running, country music, and so on. He does the job of putting on music that fits the scene. Conversely, when the house is silent, it seems to be very much so. By the way, the music that was playing at the entrance of this event was chosen by Araki (the name of the song wasnât revealed?). Initially, the JoJo Research Society were preparing to play Perfumeâs âChocolate Discoâ.
Arakiâs workspace
A few years back, Mrs. Chami entered Arakiâs work area to bring some tea, and when she opened the door, Araki exclaimed in a strange voice, âDohyaaaaaa!!â During this, his brush extended out from his manuscripts greatly and he was writing as if he was possessed by some spirit. She said she was scared and trembling, so she shut the door and went back to where she was.
JoJoâs Bizarre Hyakunin Isshu
Famous lines from JoJo were organized into a JoJo-themed card version of Ogura Hyakunin Isshu titled âJoJoâs Bizarre Hyakunin Isshuâ (the following year, the sequal went on sale). While he was messing around in the house, he came across a single card that he couldnât stop laughing at. Furthermore, (about this line) he said, âI donât remember writing this!?â (Before, at the Jump SQ Interview, he said âI write carelessly, itâs really irresponsible, hahaâ). As for whether he has heard about the JoJo "Hanafuda", Mrs. Chami said âProbably.â Does Araki have a chance of winning at them!?
The Louvre
When the Louvre Art Museum was picked as the theme of âRohan at the Louvreâ, the family stayed there for 2 days. The arrangements near the Louvre allowed them to enter on a day where it was normally closed, and so they were able to see the Mona Lisa up to a centimeter close, and even got the opportunity to touch the Nike of Samothrace statue a little bit. After âRohan at the Louvreâ goes on sale in France in January of next year, a fully monochrome version will be published a few times in Ultra Jump Magazine. After that, a fully-colored version will be made into a comic, and there are plans to sell it in Japan!!
- Speaking of the Louvre and the Mona Lisa, thereâs a joke going around the Internet right now of the classic Mona Lisa painting and a picture of Hijikata ToshizĹ being compared with a picture of Araki Sensei. Both Araki and Mrs. Chami seem to be aware of it (haha).
Is drawing manga fun?
From what Mrs. Chami has seen, it appears as if Araki draws a diary. For example, heâll use the things they talk about in the morning in his manga, and even if she tells him something completely unrelated, heâll ask again, âWhat? What was that?â It looks like characters that resemble their friends appear in the manga, but when that character eventually gets his head blown off with a bat or something, she canât tell them (haha). When Mrs. Chami asked Araki âIs drawing manga fun?â, he replied with, âYup, itâs fun.â
Please teach us how to learn Ripple!
Mrs. Chami says, âI donât fully understand Rippleâ (haha), but Araki seems to say, âYou canât live long unless you lighten your hip joint.â Also, Araki puts on sunscreen often. He doesnât like the beach, but he enjoys places like mountains, forests, etc. He lives life avoiding the sun as much as possible. (Is he a vampire as we thought!?)
Is Mrs. Chami a model for his work?
According to Araki, Mrs. Chami is something like the president (like Steel Ball Runâs main villain, haha). Will she also kill someone in such terrible ways!? (haha)
What would he have done if he didnât become a mangaka?
As for this question, Araki has said he wouldâve became a make-up artist (with a specialty in mannequins). (An enigma of a manâŚ)
What extracurricular activities did Mrs. Chami do in her school days?
(She seemed to be surprised that someone wanted to know this) Tea Ceremony Club. (As expected of Chami).
About the âPressure Festivalâ!
(Note: âPressure Festivalâ is a line that first appeared in SBR Vol. 13 that was shocking and had people wondering where it came from. [haha] Araki: âMy wife attacked me for it, âPressure Festival, Pressure Festivalâ she said.â [Roar of laughter from the crowd] From: http://kajipon.sakura.ne.jp/art/jojo-tohoku.html)
Regarding this line, Mrs. Chami told us, the original âPressure Festivalâ appeared to be a Pro Wrestling move where the wrestler would hurl his body as an attack over and over again. Back then, when Araki was a prankster, he would make her stand at the entrance and take one! When someone said they wanted to see what this looked like, she replied with a single word: âImpossible!â
Are there any plans for things such as writing about her life with Araki after this?
She said since she wasn't a celebrity, âThere are no plans.â Is this lecture the first and the last?
An extremely rare video! âAraki Hirohikoâs Cooking Classâ
This video was a great surprise! It was a cooking class from Araki Sensei himself! The video was simply Araki cooking by himself. It began with Araki saying, âAnd now, I will cookâ which drew out a great laughter from the crowd. The menu was âblack sweet-and-sour pork with broccoliâ and âshrimp and Japanese scallops with linguiniâ. Iâll present the most interesting lines from the notes I took. (Of course, I didnât take notes on the whole recipe), ⢠âAs for the heat⌠medium? Then, adjust the heat.â ⢠âCook the pork entirely. Itâs dangerous raw.â ⢠âRaise it until it gets to a color that feels tastyâŚâ ⢠âHot⌠HotâŚâ ⢠âSmells like garlic⌠Rub it in oil!â (He said this twice.) ⢠âEeeeeeeggg!â ⢠âItâs done. Phew. Dojyaaan!â The food looked like it smelled and tasted delicious! Mrs. Chami told us that in regards to cooking, âWeeell⌠I do it occasionally.â (Is Mrs. Chami also an expert cook!? [haha])
Present Corner
Mrs. Chami brought JoJo goods as presents from Arakiâs house. The Medicos Avdol Super Action Statue was for âthe person who called themselves the president of the schoolâ (-> What a woman!). The Kakyoin Super Action Statue was for âthe person who came the farthestâ (-> All the way from Aomori!). An assortment of figures (later these would be compiled into a collection called âJoJoâs Bizarre Stand Collectionâ) was for the person with the same initial as Araki Sensei, H and A. The Jotaro figure (previously a gift prize) was for the person who âhas decided to read JoJo because of this lecture.â The SBR Glass (originally a gift for UJ readers) was for âsomeone who has a pet named Iggy.â Each of the respective people were given their presents.
Chamiâs Pose
Finally, Mrs. Chami decided to introduce surprise guests from the âJoJo Posing Schoolâ, the well-known Mr. Kajipon, the Demon Teacher! A year after the âTokyo University JoJo Posing Class March 2007â, Tokyo University continued to have the JoJo Posing lessons. Mrs. Chami was the one who decided that âJoJo Posingâ would be perfect to bring to the lecture when she saw the advertisement posters for it. The Demon Teacherâs demonic teaching (with a kendo sword in hand) was strict, saying âIâm sorry, but you canât do itâ and correcting students if they messed up even once. It makes your joints scream! (haha). However, when the Demon Teacher and Mrs. Chami pulled of âW JoJo Posesâ without fail, it caused quite a stir in the venue (at any rate, the Demon Teacherâs presence was incredible!). When a pose was done, the crowd immediately broke into applause! The Demon Teacher and Mrs. Chami revealed their passing conditions, all of which had to be done in a short amount of time: LV1 (JoJo Volume 4 Front Cover, Jonathanâs Pose), LV2 (JoJo Volume 8 Front Cover, Josephâs Pose), LV3 (Risottoâs Pose), LV4 ([Pointing Finger Pose] and say Yare Yare Daze). The crowd all rose up. (Incidentally, Risotto wears flowing, striped sweatpants, and that day, Mrs. Chami was also wearing flowing, striped pants. Coincidence!? Or maybe notâŚ)
After about one and half hours, the presentation reached the end. About 5 or 6 friends of Mrs. Chami came out and handed her bouquets of flowers. At 2:55 P.M., being sent off by a thunderous applause, Mrs. Chami Araki left the venue. (Later I was told that âSouthern Sea Candiesâ author Mrs. Shizu also slipped out during this time!) It was Di Molto fun! Mrs. Chami, Program Director Mr. Terai, members of the JoJo Research Society, and everyone else, from the bottom of my heart, âYou have my thanks.â (Ringo)
Bonus
The right side of the classroom was decorated with flowers from Araki to his wife! To their side, flowers from Shinnosuke (SOULâd OUT) were also placed. After the end of the lecture, I took a picture of the center of the flowers. A bizarre scene.
11ć21ćĽďźĺďźăćąäşŹĺ¤§ĺŚăŽĺŚĺçĽçŹŹ60ĺăé§ĺ ´çĽăă§čĄăăăăčć¨ĺ çăŽĺĽĽć§ăť
čć¨éşťçžăăăŤăăăăźăŻăŠă¤ăăčć¨éşťçžăŽă¸ă§ă¸ă§ă¨ĺĽĺŚăŞçć´ťă(é˘éŁč¨äşďźăŤčĄăŁăŚăăžăăăďź
ĺ Ľĺ ´ć´çĺ¸300ćăŻăć10ćăŽé ĺ¸éĺ§ă¨ĺćăŤĺ ¨ăŚçĄăăŞăăçŤăĄčŚăŽ200äşşăé常é掾ĺŁăăăăăă¨čĄĺăä˝ăăŞăŠă柍çťĺŽśăŽĺĽĽć§ăŽčŹćźă¨ăŻćăăŞăçăä¸ăăă
ăăăŚă13ć30ĺăĺ ¨ăŚăŽĺ¸ăĺăžăăçŤăĄčŚăŽćšăăşăŠăŞă¨ĺ¤ĺ¨ăĺăĺ˛ăăćşĺĄĺžĄç¤źăăŽć厤ăŤă渊ăăććă§čżăăăăŚăé˛čĄĺ˝šăŽĺŻşäşĺşć¨šăăă¨ăăăăŚčć¨ĺ¤Ťäşşăťčć¨éşťçžăăďźăăŁăăăďźăçťĺ ´ă
âťăŹăăźăă§ăŻčć¨ĺ¤ŤäşşăăăăŁăăăăă§çľąä¸ăăŚăăžăăăžăăç§ăŽăĄă˘ć¸ăă¨č¨ćśăé źăăŤä˝ćăăŚăăăăăééăŁăŚăăçŽćăăăăăăăăžăăăăăćăăăŤééăŁăŚăăăăä˝ăĺéĄăăçŽćăŞăŠăăăăžăăăăăćć°ă§ăăć稿ăăŠăźă ăăĄăźăŤăŤăŚăçĽăăä¸ăăă
ďźčŹćźăĺźăĺăăççąďź
ăăšăżăź
ăäťĺăŽčŹćźăŻăăćąäşŹĺ¤§ĺŚă¸ă§ă¸ă§ç 犜äźăăăç´ăŤäžé źăé ăăăŽă§ăŻăŞăăé˛čĄĺ˝šăŽĺŻşäşăăďźăĺ°ä¸ďźďźăťăłăăŽćĽă ăďźă¨ăăăŁăăăăŽĺŚçć䝣ăăăŽĺäşşă¨ăăăăžăăžĺäşşĺ壍ă ăŁăäşăăăŁăăă ăŁăăăăďźăăăŤă2007ĺš´ăŽCell襨ç´ăăćąĺ¤§čłçĽçľă°ăŤăźăă¨ăŽç¸ăăăćŠăĺăăŽĺ§ĺ°ä¸ăăăčć¨ĺĽä¸éăăăăćąĺ¤§ă¨çšăăăŽăăćšă¨ăăç¸ăďźăă¨ăŻăăă大ĺ˘ăŽĺă§ăŽčŹćźă¨ăăäşă§ăăăŁăăăă¨ăăŚăä˝ĺşŚăä˝ĺşŚăćăŁăăăĺ¨ăăŽçąćă¨ăčć¨ĺ çăŽăďźĺăăăĺşăŚăżăă°ďźăă¨ăăä¸ćźăďźçŞăćžăďźďźă§ăäžé źăĺăăăă¨ăćąşćăăăă¨ăă
ăăĄăŞăżăŤĺ˝ăŽčć¨ĺ çăŻăăďźçˇĺźľă§ďźčé ¸ăä¸ăăŁăŚăăăă¨č¨ăŁăŚćăŁăăăăă
ďźčć¨ĺ çăŻäťăăŠăă§ä˝ăďźďź
ăăâťčć¨éŁĺ彌ĺ çăŻďźďźďźďź äźĺ ´ăŤćĽăăăžăăăăă¨ăăĺçĽăŽéăăčć¨ĺ çăŻćĽăăăŚăăŞăăăć¨ćĽçĽç¤žă§ćăă§ăăăŚăăăăŤĺčŤă§ăăćąĺ¤§ă§ăăŠăžăăŚăăăăă¨č¨ăŁăŚăăăă¨ăďźćŹĺ˝ăŤčć¨ĺ çćŹäşşăćĽăŚăăŠé ăăăă大é¨ăăŤăŞăďźďźďźăăăăŚăäťăčć¨ĺ çăŻä˝ĺŚă§ä˝ăăăăŚăăăŽăă¨ăăă¨ăăăŁăăăć°ăăăăăśăćŁćŠăă
ďźčć¨ĺ çă¨ăŽéŚ´ăĺăďź
ă20ĺš´ăăăĺăăăŁăăăăŽăĺäşşăăŽăčŚĺăăŤăäťă桝ăă¨ăăŚĺĺ¸ăăéăĺăăăŽäťă桝ăă§ĺĺ¸ăăŚăăçˇć§ăŽ1äşşăăčć¨ĺ çă ăŁăăăăă§ăăŁăăăć°ăăăăăăă¨ćĽăăăă§ďźăăăčć¨ĺ çăŻăä˝ă¨ăćăăŞăăŁăăăăăďźăăăŽĺ ´ă§čć¨ĺ çăŽéťčŠąçŞĺˇăă˛ăăăă交éăăšăżăźăăăăăŚăďźăśćă§çľĺŠă¨ăăăăžăăŤăăšăăźăďźďźĄďźčś ăšă´ă¤ďźăçľĺŠăŤčłăŁăă¨ăă
ďźčć¨ĺ çă¨ăŽĺăăźăďź
ăăďźčć¨ĺ çăéăŁăŚăăďźă¸ă ăŽăăźăŤăăăŞăă§ăčć¨ĺ çăăăć°´çćĺă§ââăŽăăźăŤă¸ăă¨éťčŠąă§čŞăăăćĺŽăăăăăźăŤăŤčĄăă¨ăďźă˘ăăŞăśăŽăťăťăăżă§ďźčć¨ĺ çăŻăĺăŻ25ăĄăźăăŤăä˝ĺžĺžŠăăăŚăăăăăăŽčžşă§éăă§ăŚăă¨č¨ăŁăŚăăŽăžăžćžç˝Žă1äşşéťă ă¨ăăŹăźăăłă°ăĄăăĽăźăăăŞăăŚćłłăçśăăčć¨ĺ çă横çŽăŤăăăŁăăăăŻ1äşşă§ăăżčśłăăăŁăŚăăăăăŞâŚăďźćźŤçťăżăăă ăăĺŽčŠąăďź
ďźčć¨ĺ çăăăłăăłăăăˇăĽďźďźďź
ăçľĺŠăăŚ10ĺš´ăăăăŽéăŽčć¨ĺ çăŻăăăŁăăăć°ăăăä¸ĺŚä¸ĺš´ăŽçˇăŽĺă¨ćŽăăăŚăćăăăă¨ăŤăăĺäžăŁă˝ăăçĄéŞć°ăŞăăăăĺ丝ă§ăăŞăă¨ăăłăăłăăăˇăĽăžă§ăăŚăăă¨ăďźďźăă大人ăďźă¸ăŁăłăăŽäşşć°ä˝ĺŽśăďźďźăă§ăăčżćăŽäşşăăĄăăăčć¨ĺ çăŻă¨ăŚăăăăăăăăŚăăŚăčżćăŽčäşşăăćŻĺăŽăăăŤčŚŞăă声ăćăăăăăăăŚăăă¨ăăä¸ćč°ăŞäşşă âŚă
ďźčć¨ĺ çăŽäşşčŚçĽăďź
ă䝼ĺăŽčć¨ĺ çăŻăäşşčŚçĽăăăăŞăćżăăăäžăă°ăăŁăăăăŽĺäşşăćĽăŚăăăă˘ăĺĺă ăéăăŚăăăăĺăŽçĽăăŞăäşşă ďźăă¨ăăăŽăžăžăă˘ăçˇ ăăŚĺşăŚăăŞăăťăŠă ăŁăă¨ăăă§ăă2003ĺš´ăŽăăŞĺĺąăJOJO IN PARISăă§ăćĽćŹăăăŻčŞ°ăćĽăŞăă ăăă¨ćăŁăŚăăăăéčąç¤žăŽć´äťŁć ĺ˝ăŽćšă ăćĽăŚăă ăăŁăŚăăăŽé ăăăäşşčŚçĽăăăăŞăç´ăŁăŚăăăăăăäťă§ăŻĺŽśăŤćźŤçťĺŽśă20äşşăăăćăăŚăăźăăŁăéăăă¨ăăăăťăŠă ăăĄăŞăżăŤăăźăăŁăŤćĽăăă柍çťĺŽśăăéăčŚăŚăăăŁăăăăŻă柍çťĺŽśăŁăŚăĄăăŁă¨ĺ¤ăăŁăŚăăŞăźăă¨ćšăăŚćăŁăăăăŞďźçŹďźă
ďźĺŽśă§ăŽčć¨ĺ çďź
ăăăŁăăăć°ăăăžăă§ăOLăŽĺéă茪ĺăăăčĺăçăçŠă大弽ăă§ă税éĄăăăčŚăăŚăăŚăăââăŽăă§ăłăŹăźăăŠăăăďźăă¨čăăŚăăăăăžăă弳ć§ăŽăăĄăăˇă§ăłăŽčŠąéĄďźĺŁĺşăďźďźăăăăŞăŠăăăŚăŤăľă¤ďźăăŁăŚč¨ăăăăăăăă˘ăłăăăĺşăă¨ăďźçŹďźă
ďźé˘éŁďź
čć¨éŁĺ彌ă¤ăłăżăăĽăźăčć¨éŁĺ彌ăŽćăćŞćĽďźNEWTRALďźăŽăĺ人幼ć´ć¸âčć¨éŁĺ彌âăăăă
ăćčżćăŁăăă¨ă
ăéŁăšăăŞăăŁăŚč¨ăŁăŚăăăăčĺă厜ćăŤéŁăšăăăćă é ć´ăŁăŚč¨ăă°ăăăăă ăăŠăăŞăăčŁĺăăăćăăĺŤă
ďźćŁŽç°ăžăăŽăĺ çăăăŽăăăŞăŹăżăźďźďź
ăăăă§ăĺéăŽćźŤçťĺŽśăŽ1äşşă¨ăăŚăăROOKIESăďźăŤăźăăźăşďźăŽćŁŽç°ăžăăŽăĺ çăăăŽăăăŞăŹăżăźăä¸ć ďźă棎ç°ĺ çăŻăčć¨é¸ă§ăŽăăźăăŁă§ăćżĺ¤ŞéăŽă¤ăŠăšăăćăăéăç´ĺžă§ăăĺžă§ďźď˝ďźććăç´ăăŚéăŁăăă¨ăăä¸çˇăŤăé ă飲ăă éăčć¨ĺ çă¨ăăŁăăăăŽăŠăĄăăŽéŁăŤĺş§ăăă§ćŠăă ćŤăă¨ă¤ăďźă¨ăăŁăăăăŽéŁăŤĺş§ăŁăăă¨ăăžăăăăŁăăăăŤăç¸ĺ¤ăăăăçžăăăăć°éŁăăĺŹăăăăčć¨ĺ çăŤăă¨ăŚăĺ°ćŹăăŚăžăăă丸ăăŞăŁăăĺăŁă¤ăăăăăŞăŁăăăŞăŠăčŞăŁăă
ăăžăăăăăŞăŹăżăźăŽćĺžă§ăŻăăĄăăŁăăăŤăźăăźăşăŽDVD[AA]ăăăăšăăăćŽăăă9塝[AA]ăŽĺŽŁäźăĺ ĽăŁăŚăăăďźčś ăŤăĄăŠçŽçˇă ăŁăăŽăé˘ç˝ăăďźăăčśçŽăŞćŁŽç°ĺ çăŤäźĺ ´ĺ¤§ççŹăďź
ďźăčć¨ĺ çăčăéŤăăŞăăžăăăďźăďź
ăäťĺš´ĺăăŤăŚăŤă¸ăŁăłăŽăăźăăŁă§ăčć¨ĺ çăăăăă¤ăšăŻăźăŤ!ĺĽé˘çľăăŽć°ć˛˘ĺ çă¨ăĺŽăŤ20ĺš´ăśăăŤăäźăăăéăăŞăăć°ć˛˘ĺ çăăăčć¨ĺ çăčăéŤăăŞăăžăăăďźăă¨čăăăčć¨ĺ çăŻ10ç§ăťăŠçĄŹç´ăăŚăăžăŁăĺžăčć¨ĺ çăăăăăăŞăŁăŚăŞăă§ăăăŠăă¨čżçăăăă¨ăăäşăăăŁăăăăŞăďźăˇăĽăźăŤăŞĺ ćŻă âŚďź
ďźčć¨ĺ çă¨éłćĽ˝ďź
ăăăŁăăăăŤăăă¨ăčć¨ĺ çăŽĺˇçăŤăŻăéłćĽ˝ăăă¨ăŚăéčŚă§ăäžăă°ăăăŤăˇăźăłăŞăăăăŻă錏ă§čľ°ăăˇăźăłăŻăŤăłăăŞăźăŞăŠăĺ ´é˘ăŤĺżăăéłćĽ˝ăćăăŚäťäşăăăăŚăăă¨ăăéăŤăçĄéłăăŞăăăŁă˝ăŠăăăăăĄăŞăżăŤäťĺăŽčŹćźăăĺ Ľĺ ´ăŽéăŤćľăăBGMăăčć¨ĺ çăŽé¸ć˛ăŤăăăăŽă ăŁăă¨ăďźć˛ăŽĺĺăŻăăă§ăŻćăăăăďźďźăăĄăŞăżăŤă¸ă§ă¸ă§ç ăĺ˝ĺç¨ćăăŚăăBGMăŻăPerfumeăŽăăă§ăłăŹă¤ăăťăăŁăšăłăă
ďźčć¨ĺ çăŽäťäşé˘¨ćŻďź
ăć°ĺš´ĺăŤăăăŁăăăăäťäşĺ ´ăŤăčśăćăŁăŚăă˘ăéăăă¨ăăăčć¨ĺ çăăăăăŁă˘ăĄăĄâââďźďźăăżăăăŞĺĽĺŁ°ăä¸ăăŞăăăĺ稿ăăçă大ăăăŻăżĺşăăăžăă§ä˝ăăŤĺăćăăăăăăŤĺˇçăăăŚăăŚăăăŁăăăăŻćăăŚéăăŚăăăŽăžăžăă˘ăéăăŚćťăŁăăă¨ăăŁăäşăăăŁăăăăŞă
ďźă¸ă§ă¸ă§ăŽĺĽĺŚăŞçžäşşä¸éŚďź
ăă¸ă§ă¸ă§ăŽĺăźăŞăă§ć§ćăăăăăă¸ă§ă¸ă§ăŽĺĽĺŚăŞçžäşşä¸éŚăďźçżĺš´ăŤăŻăăăĽăźă¨ăăçşĺŁ˛ďźăăčć¨ĺŽśă§éăă éăčć¨ĺ çăŻçŹăŁăŚăăžăŁăŚďźćăćăĺăăŞăăŁăăăăăăăăăďźăăăŞĺ°čŠăďźăć¸ăăčŚăăăŞăăă¨ăďźďźďźäťĽĺăă¸ăŁăłăSQăŽă¤ăłăżăăĽăźă§ăăčăăŚćăăŚăŞăăă§ăăăăčś ăăĺ ć¸ă§ăăďźçŹďźăďźăăĄăŞăżăŤă¸ă§ă¸ă§čąćăŻăăăŁăăăć°ăăăăśăăăăă¨ăŽäşăčć¨ĺ çăŤĺćŠăŻăăăŽăăďźďź
ďźăŤăźă´ăŤă§ăŽäşďź
ăăŤăźă´ăŤçžčĄé¤¨ăăăźăă¨ăăä˝ĺă岸螺é˛äź´ ăŤăźă´ăŤă¸čĄăăďźăăŚăŤă¸ăŁăłăžă¤ăăă§ĺ稿ďźč¤čŁ˝ďźăĺąç¤şăăăďźăŽĺˇçăŤéăăăŤăźă´ăŤăŤăŻ2ćĽéă厜ćă§ćťĺ¨ăăŤăźă´ăŤĺ´ăŽč¨ăăă§äźé¤¨ćĽăŤĺ Ľĺ ´ă§ăăă˘ăăŞăśă1cmĺă§čŚăăăăăľă˘ăăŠăąăŽăăąăăŽçłĺăŤč¨ąĺŻăĺăŁăä¸ă§ăĄăăŁă¨ă ă觌ăăăŚč˛°ăŁăăă§ăăă¨ăăăŞăăăăŽă岸螺é˛äź´ ăŤăźă´ăŤă¸čĄăăăŻăćĽĺš´1ćăŤăăŠăłăšă§çşĺŁ˛ăăăĺžăăŚăŤă¸ăŁăłćŹčŞă§ä˝ĺăăŤĺăăŚă˘ăăŻăć˛čźăăăăăŽĺžăăăŤăŤăŠăźă§ăłăăăŻăšĺăăăĺ˝ĺ ă§ă貊売ăăăäşĺŽă¨ăŽäşďźďź
âťăŤăźă´ăŤă¨č¨ăă°ăă˘ăăŞăśăă ăăăăăă§ăăżăŤăăăŚăăăäžăŽăă˘ăăŞăśăăăĺćšćłä¸ăăăĺ§ăžăčć¨ĺ çăŽéć´çťĺďźGoogleăŽçťĺć¤ç´˘ă§ăĺ¤ć°ăăăďźăŻăčć¨ĺ çăăăŁăăăăăĺăă ăăăŞďźçŹďźă
ďźă柍çťăćăăŚćĽ˝ăăă§ăăăďźăďź
ăăăŁăăăăăčŚăŚăčć¨ĺ çăŻăćĽč¨ăćăăŚăăăăăăăŞăăăă¨čŚăăă¨ăăäžăă°ăćč¨ăŁăŚăäźčŠąă柍çťăŽä¸ă§ä˝żăăăŚăăăăčć¨ĺ çăŤé˘äżăŽăŞă芹ă§ăăä˝ďźä˝ďźă¨čăăŚăăăăăžăă柍çťăŽä¸ă§ăĺäşşăŤäźźăăăŁăŠăăçťĺ ´ăăäşăăăŁăăăă ăăăăŽăăŁăŠăŻéŚăăăă¨éŁăă§ćťäşĄăăăŁăăăĺäşşăŤăŻč¨ăăŞăăŁăă¨ăďźçŹďźăăăŁăăăăă柍çťćăăŚăŚćĽ˝ăăă§ăăăďźăă¨čăăă¨ăăăčć¨ĺ çăŻăăăăă漽ăăăă¨çăăă¨ăă
ďźă質ĺă波ç´ăŽçżĺžćłăćăăŚä¸ăăďźďź
ăăăŁăăăă波ç´ăăăăăăăŞăăďźçŹďźăă§ăčć¨ĺ çăŻăăčĄé˘çŻăćăăăăăŞăă¨éˇçăă§ăăŞăăă¨č¨ăŁăŚăăăăăŞăăžăăčć¨ĺ çăŻćĽçźăć˘ăăĺĄăăă澡ăăăŻĺąąă棎ă弽ăăŞăŠăăŞăăšăćĽĺ ăéżăăçć´ťăăăăŚăăă¨ăăďźăăŻăĺ¸čĄéŹźăŞăŽăăďźďźďź
ďźă質ĺăăăŁăăăăä˝ĺăŽă˘ăăŤăŤďźďź
ăčć¨ĺ çăŤăăă¨ăăăŁăăăăŻă大羹é ăďźăăšăăŁăźăŤăťăăźăŤăťăŠăłăăŽăŠăšăăšçăŞăăŁăŠďźăŞăă ăăăŞďźçŹďźăăăăăăăŁă¨ćăăă掺ăăćšăăăďźďźďźçŹďź
ďźă質ĺăăă柍çťĺŽśăŤăŞăŁăŚăăŞăăŁăăďźďź
ăăăŽčłŞĺăŤăčć¨ĺ çăŻăăăĄăźăăŁăăă˘ăźăăŁăšăďźăăăăłĺ°éďźăăă¨ăŽĺçă ăŁăăăăŞăďźčŹă âŚďź
ďźă質ĺăăăŁăăăăŽĺŚçć䝣ăŽé¨ć´ťĺăŻďźďź
ăďźçĽăăăăă§ăăďźă¨éŠăă¤ă¤ďźăčśéé¨ăăăăŁăă ăăŤă
ďźă質ĺăăĺ§čżŤçĽăăăŤă¤ăăŚďźďź
ďźĺŚďźâĺ§čżŤçĽăâďźâťăSBRă 13塝ă§çťĺ ´ďźăŤăŻăăăŻăŞăăăŽă§ăăăăăăŻăŠăăăĺşăŚăăăă§ăăăďźçŹďź
ďźĺ çďźăŚăăŽĺĽĽăăăăăçŞćăăŚăăŚăĺ§čżŤçĽăă ăĺ§čżŤçĽăă ăăŁăŚč¨ăăă§ăăăďźĺ ´ĺ ççŹďź
ďźćąĺ大ĺŚčŹćźăă¸ă§ă¸ă§çŤăĄć厤 with čć¨ĺ çăăăďź
ăăăŽäťśăŤă¤ăăŚăăăŁăăăć°ăăăŞăŞă¸ăăŤăŽăĺ§čżŤçĽăăăŻăä˝ĺ˝ăăăŽăăăŞăăăŹăšćă§ăĺ ¨čşŤă§ä˝ĺăă˘ăżăăŻăăăăăŞćăăăăćăčć¨ĺ çăă¤ăżăşăŠăăéăŻăçé˘ăŤçŤăăăŚéŁăăăăäşăďźďźăăă˛ăăŽĺ ´ă§čŚăăŚćŹ˛ăăă¨ăăăŞăŻă¨ăšăăŤăŻăä¸č¨ăăçĄçă§ăďźă
ďźäťĺžĺˇçăŞăŠăŽć´ťĺăŽäşĺŽăŻďźďź
ăč¸č˝äşşă§ăŻçĄăăŽă§ăäşĺŽçĄăă§ăăăčŹćźăăăăćĺă§ćĺžďź
ďźćżăŹă˘ć ĺďźăčć¨éŁĺ彌ăŽăćçć厤ăďź
ăăăă§ă°ăŹăźăăŞăľăăŠă¤ăşć ĺďźăăăăŻčć¨ĺ çăŤăăćçć厤ďźă柍çťĺŽśăťčć¨ĺ çăďźäşşă§čŞżçăăć§ĺăăăăŞă§ç´ăăăăŽă§ăăŽăŁăăăăăźăăŻăăăăăćçăăžăăă¨ăăčć¨ĺ çăŽăťăŞăăŤäźĺ ´ççŹăăĄăăĽăźăŻăăéťé ˘čąă¨ăăăăłăŞăźăŽćˇťăçŠăă¨ăăă¨ăă¨ăăżăč˛ăŽăŞăłă°ă¤ăďźăăšăżďźăăé˘ç˝ăăŁăăťăŞăăăĄă˘ć¸ăăăç´šäťăăă¨ďźăăăăŤăŹăˇăăžă§ăŻăĄă˘ăăŞăăŁăďźă
ăçŤăŻâŚä¸çŤďźăĺžă§čŞżçŻăăă
ăčąčăŻăĄăăă¨çŤăéăăçăŻă¤ăă¤ă§ăă
ăçžĺłăăă ăŞăă¨ćăăč˛ăžă§ćăăă
ăăă¤ăăăă¤ăă
ăăăłăăŻăŽéŚăăăăŞă¤ăŤăŤâŚăăăă¤ăăďźăďźăăŽăťăŞăăŻ2ĺč¨ăďź
ăăçăă§ă§ââââďźă
ăĺŽćăăžăăăăăźăă
ăăŠă¸ăŁă˘ă˘ď˝ď˝ď˝ăłďźă
ăćçăŻă¨ăăŹăăłăŁďźăŤăăăăăă ăŁăăăĄăŞăżăŤăăŁăăăć°ăăćçăŻăăăžăźăŤăăŚăăăăă¨ăăďźăăŁăăăăăăçžĺłăăăăďźďźďźçŹďźďź
ďźăăŹăźăłăăłăźăăźďź
ăăăă§ăăŁăăăăăăčć¨ĺŽśăŤăăŁăă¸ă§ă¸ă§ă°ăăşăŽăăŹăźăłăăăĄăăŁăłăš čś ĺĺŻĺăă˘ă´ăăĽăŤăăă大羹é ă¨ĺźă°ăăäşăŽăăćšăďźâăŞăă¨ĺĽłć§ďźďźăăčąäşŹé˘ĺ ¸ćăăăä¸çŞé ăăăćĽăćšăďźâé棎ăăďźďźăăăăŁăŽăĽă˘čŠ°ăĺăăăďźĺžă§čăă芹ă ă¨ăă¸ă§ă¸ă§ăŽĺĽĺŚăŞăšăżăłăăłăŹăŻăˇă§ăłăă ăŁă樥ć§ďźăăčć¨ĺ çă¨ĺăă¤ăăˇăŁăŤHăťAăŽćšăăćżĺ¤ŞéăăŁăŽăĽă˘ďźäťĽĺăăŠă¤ăşćŻĺă§ăăŁăçŠďźăăäťĺăŽčŹćźăăăŁăăăŤă¸ă§ă¸ă§ăčŞăăă¨ăăćšăăăSBRăă°ăŠăšďźUJčŞč ăăŹăźăłăăŽĺďźăăă¤ăŽăźă¨ăăăăăă食ăŁăŚăăćšăăŤăăăăăăăŹăźăłăăăăă
ďźăăăŁăçŤăĄăďź
ăćĺžăŤăăŁăăăăćĺž ăăăľăăŠă¤ăşă˛ăšăă¨ăăŚăăă¸ă§ă¸ă§çŤăĄć厤ăă§ăăŞăăżăŽăăŤă¸ăăłăăă¨éŹźćĺŽăăăçťĺ ´ďźăăćąĺ¤§ă¸ă§ă¸ă§çŤăĄăďź2007ĺš´3ćďźäťĽćĽăŽăćąĺ¤§ă§ăŽă¸ă§ă¸ă§çŤăĄăćąşčĄăăăäşăŤă
ăĺçĽăăšăżăźă§ăăăăăŞăă¸ă§ă¸ă§çŤăĄăăćąşăăŚăăăăŁăăăă ăŁăăă鏟ćĺŽăŽéŹźćĺ°ďźćăŤăŻä˝żăčžźăžăă獚ĺďźďźăŻĺłăăăăćŽĺżľăŞăăĺşćĽăŚăŞăă§ăăăă¨ăăźăşăçŻćŁăăăŚăăžăä¸ĺšăăć˛éł´ăä¸ăăé˘çŻďźďźçŹďźăăăăă鏟ćĺŽă¨ăăŁăăăăŽăă¸ă§ă¸ă§çŤăĄăăŻăăăăŞćąşăžăŁăŚăăŚăä¸ćä¸ĺă§äźĺ ´ăăŠăăăďźéŹźćĺŽăŽĺĺ¨ćăă¨ăŤăăĺăăăďźďźăăăźăşăćąşăžăă¨äźĺ ´ăăăŻĺ˛ăăă°ăăăŽććďźă鏟ćĺŽăăăĺć źăăĺşăŚăçăćéăŞăăăăLV1ďźă¸ă§ă¸ă§4塝襨ç´ăŽă¸ă§ăăľăłďźăLV2ăă¸ă§ă¸ă§8塝襨ç´ăŽă¸ă§ăťăăăLV3ăăŞăžăăçŤăĄăăLV4ăďźćăăăăźăşă§ďźăăăăă ăăă2äşşă§ćąşăăäźĺ ´ăŻĺ¤§çăä¸ăăă ăŁăăďźăĄăŞăżăŤăŞăžăăăćăăŚăăăăăŞăˇăăˇăăŽăšăŚă§ăăăăłăăăĺ˝ćăăŁăăăăćăăŚăăăăăăĺśçśďźďźăăă¨ăâŚďź
ăăăăŚčŹćźăŻăç´1ćéĺă§ĺ ¨ăŚăŽĺ 厚ăçľäşăćĺžăŤčŚŞăăćšă ăăăďźăďźćă¨ćąăăăăŞăăťăŠăŽčąćăć渥ăăă14ć55ĺăä¸éˇăŽććă§éăăăŞăăăăăŁăăăăă¨čć¨éşťçžăăăŻäźĺ ´ăĺžăŤăăăŽă ăŁăăďźĺžă§čăă芹ă ă¨ăĺŽăŻăăŁăă茳茧ăŤćĽăŚăăĺ澡ăăŁăłăăŁăźăşăŽăăăĄăăďźďźďźăăăăŽéăŤäźĺ ´ăćăĺşăăŚăăăăăăďź
ăăăŁăťă˘ăźăŤă漽ăăăŁăăďźăăăŁăăăăé˛čĄĺ˝šăŽĺŻşäşăăăă¸ă§ă¸ă§ç ăŽçăăăăăŽäťé˘äżč ăŽćšă ăŤăĺżăăăćčŹăăăăžăăďźăŞăłă´ăŠďź
ăăŞăăąă
čć¨éşťçž ăăćą
čć¨éŁĺ彌
ăŠăăăźăŠăłăăłăăĽăăąăźăˇă§ăł ăă
ăć厤ăŽĺłĺăŤéŁžăăăŚăăăčć¨ĺ çăă弼ć§ăŤéăăăčąďźăăăŽć¨ŞăŤăŻâShinnosukeâăăďźSOULâd OUTďźăăăŽčąă罎ăăăŚăăŚăčŹćźçľäşĺžăčąăä¸ĺżăŤĺçăćŽăă¨ăăăĺĽĺŚăŞĺ ćŻăčŚăăăă
ăć°ĺăłăăăŚă¤ăŤăšăŽĺ˝ąéżă§ăç§ăăĄăŻçć´ťăăłăăłăĺ¤ăăçśćłăăăăăŚăăžăăăăăăăăăžçžĺ¨ăăłăăăŽĺ˝ąéżăŻăăăćĺłă§ĺăžăŁăŚăăăăăŞăăžă 桹ĺťăŞçśćłă§ăăăăăŞăăŠăăŤăćăăăăä¸ćč°ăŞçśćłăŤăăăžăă
ăçśćłăŤăăăăŚĺăăă¨ćăŁăŚăăäťăăŠăćăăŚăăăăăăăŽĺ ăŽçśćłăčŞăăžăăă
ăăăă§ăăŽč¨äşă§ăŻăéĺťăä¸çťć Ąć°čăăŤć˛čźăăăăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăăŽä˝č ăťčć¨éŁĺ彌ăăăŽă¤ăłăżăăĽăźăăăăăŽçśćłăäšăĺăăăłăăć˘ăŁăŚăăăă¨ćăăžăă
ĺćč ăŻčŞĺăŤčŞäżĄăćăŚăŞă19ćł ăç§ăăĄăä¸çťć Ąć°čă硨éé¨ă§ăŻ2010ĺš´ăŤăä¸çťć ĄăăăŚăă19ćłăŽçˇć§ă¨ăăŁăăăŤăăłăŹĺŽśăťčć¨ăăăŤă¤ăłăżăăĽăźăăăžăăăäźçťăăăŽăŻĺ˝ć19ćłăŽçˇć§čŞčşŤă彟ăŻä¸çťć Ąăă˛ăăăăăŽäşşăŤéăăăäťă10䝣ă20䝣ăŤĺ ąéăăćŠăżă§ăăăăčŞĺăŤčŞäżĄăćăŚăŞăăă¨ăăŤćŠăă§ăăžăăăčć¨ăăăŞăăăŽćŠăżăŤăăłăăä¸ăăŚăăăăŽă§ăŻă¨ă彟ăćăŁăăăăă¤ăłăżăăĽăźăŤčłăăžăăă
ă
ăă¨ăăăŽă彟ăä¸çťć ĄăŤăŞăŁăăŽăŻĺ°ĺŚć Ą2ĺš´çăŽĺŹăççąăŻăçä¸ĺ°˝ăŞăă¨ăĺ¤ăăŁăăăăă ăăă§ăăéĺäźăçĺŹăŽăăŠă˝ăłçˇ´çżăéłćĽ˝ăŽććĽă县éĄâŚăĺŚć ĄăŽčĄäşăĺ埡ăŤĺŻžăăŚăćŹĺ˝ăŤĺż čŚăŞăŽăăă¨çĺăŤćăŁăŚăăăăă§ăăăăăŞăă¨ăăĺżăŻĺŚć Ąăăé˘ăăŚăăăçťć ĄćăŤč šçă輲ăăăăŤăŞăŁăŚä¸çťć ĄăŤčłăăžăăăăăŽĺš´é˝˘ăĺ°ĺŚć Ą2ĺš´çăä¸çťć ĄăŤăŞăŁăăă¨ăŻĺžćăăŚăăŞăăăŽăŽăćŠăăăĺŚć ĄăŤéŠĺżă§ăăŞăčŞĺăŻăăăŽĺ ăçăăŤăăăŽă§ăŻăă¨ćŠăă§ăăăăă§ăăăăăŞă¨ăăŤĺĽ˝ăă§čŞăă§ăăăŽăčć¨éŁĺ彌ăăăŽäťŁčĄ¨ä˝ăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăďźäťĽä¸ăăă¸ă§ă¸ă§ăďźăčć¨ăăăŤăčŞĺăŤčŞäżĄăćăŚăŞăăăĺ°ćĽă¸ăŽä¸ĺŽăăăăă¨ăăćŠăżăçç´ăŤăśă¤ăăŚăżăžăăă
ĺćăĺăăčć¨éŁĺ彌ăăďźĺˇŚăťćŽĺ˝ąďźĺ ¨ĺ˝ä¸çťć Ąć°čç¤žďź ââç§ăŻĺ°ĺŚć Ą2ĺš´çăăä¸çťć ĄăăăŚăăžăăăăăžăŻăăŞăźăšăŻăźăŤăŤă漽ăăéăăŚăăžăăăĺ°ćĽă¸ăŽä¸ĺŽăŻćăăžăăăăăŽĺ ăŽăă¨ăăăŠăčăăŚăăŁăăăăăŽă§ăăăăă
ăç§ăŽčŠąăăăă°ăç§ăŻăăłăŹĺŽśă¨ăăŚă˛ă¨ăă§ăăłăŹăćăăŚăăžăăăăăăă¨ăĺ¤çŹăŤčăăă°ăŞăăŞăă¨ăăăĺż ăăăăă§ăăăă¨ăă°čŞäżĄăćăŁăŚćăăăšăăźăŞăźă§ăăčŞč ăŤĺăăăăăăŞăăă¨ăăăăžăăăăăŞă¨ăăŻăăŞăă§ăŞăŽă ăăăä¸ăŽä¸ăŽäşşăŻä˝ăčăăŚăăăă ăăăă¨čŞäżĄă夹ăăăç§ăŻă˛ă¨ăă ăă¨ăăĺ¤çŹćăăăăŤĺźˇăžăăă¨ăăăăžăăăăăăă¨ăăŻă夊ćă¨ĺźă°ăăĺ äşşăăĄăŽçăćšă姿ĺ˘ăŤĺć°ăĽăăăăăă¨ăăăăžăă
ăă´ăźăŽăŁăłă¨ăăăăŠăłăšäşşçťĺŽśăç§ăŻĺăŠăăŽăăăă弽ăă§ăăăă´ăźăŽăŁăłăŽăŞăă§ă¨ăăŤĺĽ˝ăăŞă¨ăă˝ăźăă¨ăăă°ăçľľăćăăăă ăăŤăăŠăłăšăăăżăăă¸ăžă§čĄăŁăăă¨ă§ăăĺ°çăŽčŁĺ´ă¨č¨ăŁăŚăăăăăăŞĺ ´ćă¸ăŞăčĄăŁăăŽăăă¤ăĄăźă¸ă§ćăăăŁăŚăăăăĺçăčŚăŚćăăăŁăŚăăăăă§ăăăăăăăăăžă§ăă ăăŁăŚćăăăăă¨ăăŁăŚăăăŞăăăăçľľă売ăăă¨ăăäżč¨źăŻăăăžăăăă§ăăăăăă確ĺşăăćĺżăčŞĺăŽäżĄĺżľăŤć˛żăŁăčĄĺăčŚčăăăă¨ăç§ăŻăăăĺąăžăăăăă§ăă
ăăăłăŹĺŽśăŻăăŞăăĺ¤çŹăćăăăăŽă§ăăăă ăăăăăčŞĺă俥ăăăă¨ăăć°ćăĄă大ĺă§ăăčŞĺăŽă˘ă¤ăă˘ăčŞč ăŤăŚăąăăăŠăăăŻćăăŚăăă¨ăăŤăŻăžăŁăăăăăăžăăăăă¨ăăŠăăŞăŤćĺăŞăăłăŹĺŽśă§ăăŁăŚă羜寞çăŞç˘şäżĄăŻćăŚăŞăă¨ćăăă§ăăç§ăăăă§ăăăăłăŹĺŽśă¨ăăŚăăăĽăźăăŚ30嚴䝼ä¸ăçľăĄăžăăăăäťă§ă確俥ăŻćăŚăžăăăăăă§ăčŞĺă俥ăăŚăăłăŹăćăçśăăăă¨ăăăăčŞĺăŽä˝żĺ˝ă ă¨ćăŁăŚăăžăă
čć¨éŁĺ彌ăăďźćŽĺ˝ąăťĺ ¨ĺ˝ä¸çťć Ąć°čç¤žďź ââăăŽăčŞäżĄăăćă¤ăăăŤăŻăăŠăăăăăăăŽă§ăăăăă
ă俎ćĽăăăăă§ăăčŞäżĄăćă¤ăăăŽäżŽćĽă§ăăç§ăŻăăžă§ăä˝ĺăä˝çžăżăăă¨ăćŻćĽăăăăćăăŚăăžăăă ăăăăăăăžăăăłăćĄăŁăăă¨ăăŞăäşşă§ăŻçľśĺŻžăŤćăăŞăçˇăĺźăăžăăăăăŻéçăŽç´ ćŻăăŤăéăăăăăăŞăăă¨ćăăžăăăăźă ăŠăłă ăŁăŚăćĽăŤćăŚăăăăŤăŞăăăŽă§ăŻăŞăă§ăăăă襨çŤăŁăŚăŻĺşăŚăăŞăĺŞĺăŽçŠăżéăăčŞäżĄăŤă¤ăŞăăŁăŚăăăă ă¨ćăăžăă
ăăă¸ă§ă¸ă§ăăćăĺăŤăŻăçĽč˝ćŚăăăźăăŤăăăéĺ°ĺš´ăăźăăŁăźăăă犜漾ăŽčä˝ăăăźăăŤăăăăăŞăźćĽč¨Şč ăă¨ăăä˝ĺăćăăŚăăžăăăăžčŞăżčżăăŚăżăă¨çľľăăšăăźăŞăźăĺŽĺŽăăŚăăžăăăăăăŽ2ä˝ĺăăŞăăă°ăăă¸ă§ă¸ă§ăăŤčĄăă¤ăăă¨ăŻăŞăăŁăă¨ćăăă§ăă
ââăăăă¨ăăăăăžăăăďź2011ĺš´1ć1ćĽĺˇăä¸çťć Ąć°čăć˛čźăăä¸é¨çˇ¨éďź [23]
珏ďźĺ ăćççşăă¨äťĺ°ĺ¸ă¨ăŽé˘äżăŻďź 2011.2.14
čăć: ăăŽăç§ăŽĺşçŹĺˇă¤ăłăżăăĽăźăă§ăŻă äťĺ°ăĺşçŹĺˇăŤăăăăŽăăčĺäşşăŤĺşćźăăă ăăă¨ă§ă ĺ¤ăăŽćšăŤĺşçŹĺˇăăŻăăă¨ăăäťĺ°ăŽé ĺă çĽăŁăŚăăă ăăăă¨čăăŚăăžăă äťćĽăŻăäťĺ°ĺ¸ĺşčşŤăŽăăłăŹĺŽśă§ ăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăďźäťĽä¸ăă¸ă§ă¸ă§ăďźăŽ ä˝č ăťčć¨éŁĺ彌ăăăŤĺşćźăăă ăăžăăă ăŠăăăăăăăéĄăăăžăă
čć¨ăă: ăăĄăăăăăăăăăéĄăăăžăă
čăć: ćŠéă§ăăăĺ çăŽä˝ĺăŤăŻăăăĽăźĺ˝ćăă äťĺ°ăŤç¸ăŽăăĺ°ĺăäşşĺăŞăŠăć°ĺ¤ăçťĺ ´ăăŚăăă ç§ăăĄäťĺ°ĺ¸ć°ăŻĺ¤§ĺ¤ĺŹăăćăŁăŚăăžăă çšăŤăă¸ă§ă¸ă§ă珏ĺé¨ăăă¤ă¤ă˘ăłăăŻç ăăŞăă硨ă§ăŻă ăćççşăă¨ăăćĽćŹăŽćśçŠşé˝ĺ¸ăčĺ°ă¨ăŞăŁăŚăăžăăă ĺŽéăŤäťĺ°ăŤăăĺ°ĺăăĺşăŞăŠăçťĺ ´ăăŚăăă ăăĄăłăŽçăăăăăäťĺ°ĺ¸ăăă¸ă§ă¸ă§ăä˝ĺ㎠ăčĺ°ăăŽä¸ă¤ă¨ăćăăăŚăăăăă§ăă ăăă§ăžăăŻćççşă¨äťĺ°ă¨ăŽé˘éŁăŤă¤ă㌠ćăăŚăăă ăăžăăă
čć¨ăă: äťĺ°ăŻčŞĺăçăžăč˛ăŁăčĄăŞăŽă§ă ăŞăăżćˇąăă¨ăăăăćăăăăăă§ăăă ä˝ĺä¸ăŽćśçŠşăŽčĄă¨ăŻăăă čŞĺăŽä˝é¨ăä¸ćˇăăŤăăŚä˝ĺăŤćăăă¨ăŻĺşćŹă§ăăă ä˝ăăăŞă˘ăŞăăŁăĺşăăŽă§ă
čăć: 珏ĺé¨ăŽä¸ťčŚäşşçŠăŽä¸äşşă¨ăăŚçťĺ ´ăăăăłăŹĺŽśăŽ ă岸螺é˛äź´ăăŻăčŞč ăăĺ ç㨠ĺä¸čŚăăăăăăăăăăă§ăăă ăăŻăä˝ĺă§ăăŞă˘ăŞăăŁăéčŚăăŚăăăă¨ă窺ăăžăă
čć¨ăă: é˛äź´ăŻĺčŞčşŤă§ăŻăŞăă§ăă(çŹ)ă ăă ăăŞă˘ăŞăăŁăŻćŹ˛ăăă§ăăă ăăăŤă珏ĺé¨ă§ăŻćŽşäşşéŹźăĺşăŚăăžăăŽă§ă äťĺ°ăăăŽčĺ°ă¨ăăăŽăŻăăăăŤăŠăăăŞă¨ćăă ĺ¸ć°ăŽçăăăŤăŞăăšăă迡ćăăăăăŞăăă㍠ăćççşăă¨ăăćśçŠşăŽčĄăä˝ăăăŚăăă ăăă ă¨ăă揥珏ă§ăă
čăć: ćčżă§ăŻăäťĺ°ĺ¸ăçŠé¨ăŤăŞăăžăăŚă ć çťĺăăăăäťĺ°ĺ¸ĺ¨ä˝ăŽä˝ĺŽśăťäźĺ嚸太éăă㎠ăă´ăźăŤăăłăšăŠăłăăźăăŽä˝ä¸ă§ă äťĺ°ĺşčşŤăŽéŚç¸ăć掺ăăăć䝣ă§ăă ăĄăŞăżăŤć掺ăˇăźăłćŽĺ˝ąćăŤăŻă ă¨ăăšăăŠă¨ăăŚăăăăăŽĺ¸ć°ăŽçăăăă ĺĺăăă ăăăŽă§ă äťă ăŁăăăăăăăĺżé ăăăăŞăăŚă 大ä¸ĺ¤Ťăăăăăžăăăă
čć¨ăă: éŁčźćďźćł¨ďźçŹŹĺé¨ăŽéŁčźăŻ1992ĺš´ď˝1995ĺš´ďźăŻ Sĺ¸ă¨ăăăŽăäťĺ°ĺ¸ă§ă ćççşăŻăăŽéĺ¤ăŽčĄă¨ăăč¨ĺŽă§ă äťĺ°ĺ¸ăăŽăăŽăčĺ°ă§ăŻăŞăăŁăăă§ăă
čăć: čżĺš´ă§ăŻăăăŽćççşăäşşĺŁăĺ˘ăăŚă Sĺ¸ăćçĺşăăŤćć źăăăăă§ăăă
čć¨ăă: ăăăSĺ¸ĺ ăŤĺăčžźăžăă形ă§ĺ佾ăăăăă§ă(çŹ)ă
čăć: ćççşăŽĺ°ĺ˝˘çăŞă˘ăăŤă¨ăăŚăŻă 岊ćçăŽĺŽŽĺ¤ĺ¸ă§ăŻăŞăăăă¨ăă芹ăăăĄăłăŽé㧠ăăăŚăăăăă§ăă
čć¨ăă: ĺ°ççăŤă¤ăĄăźă¸ăăăŽăŻă厎ĺçăŽćžĺłśăŽĺă ćąćžĺłśĺ¸ăŽăăăă§ăă ăă ăăăăăżăŚăłă¨ăăŚăŽčĄăŽă¤ăĄăźă¸ăŻă ĺ˝ćéçşăé˛ăă§ăăćłĺ¸ďźćł¨ďźćĺ63ĺš´ăăäťĺ°ĺ¸ćłĺşďź ă厎ĺéĺşéś´ăśč°ˇăăĽăźăżăŚăłăŞăŠăĺčăŤăăŚăăžăăă
čăć: ăŞăăťăŠă ăăăăĺ˝ćăŽăăĽăźăżăŚăłéçşăŽć§ĺă ä˝ĺăŤĺć ăăăŚăăăă§ăăă
čć¨ăă: ĺ˝ćăŻćąĺĺŚé˘éŤć ĄćŚ´ăśĺ˛Ąć ĄčăŤéĺŚăăŚăăžăăăă ćŻćĽăŽăăăŤé˘¨ćŻăĺ¤ăăŁăŚăăăă§ăăă ăăé衯ăćĽăŤăăźăłďźă¨ă§ăăăăăŚă ăăŽĺ¤ĺăăˇă§ăăăłă°ă§ăăăă ăăăŞä˝é¨ăăăăăăŻĺć ăăăŚăăăăăăăŞăă
čăć: ĺ çăäťĺ°ăŤăä˝ăă ăŁăé ăŽäťĺ°ăŻă ćĽćŹăŽçľć¸ćéˇăŤĺăăăŚčĄă 大ăă姿ăĺ¤ăăŚăăć䝣ăŽçăŁĺŞä¸ă ăŁăă¨ćăăžăăă ăăŽä¸ćšă§ăăžă ćŚĺžăŽé˘ĺ˝ąăćŽăăăă㪠ăăšăăŞă˘ăšăŞă¨ăăăăăŁăă¨äźşăăžăăă
čć¨ăă: ăăăžăăăăăăŽăĺşçŹĺˇăŤăŻé˘äżăŞăă§ăăăŠďźçŹďźă ĺäžăŽé ăŤĺ°ćžĺłśăä¸ĺšłčĄć˛źăŽăăă㧠ăăéăă§ăăăă§ăă ăăăŤăŻé˛çŠşĺŁčˇĄăżăăăŞćăăăŁăŚă ä˝ăżäťăăŚăăćšăăăžăăă ăăŽćšăŻăĺŽăŻćľŽćľŞč ă§ăŻăŞăă ć大éćăĄă§ăăăŽč˛ĄçŁăé ăăăŚăăă¨ăă ĺčľéăŽĺăăăŁăăă§ăăă
čăć: ĺ çăčŞčşŤăć˘ăăŤčĄăăăăŽă§ăăďź
čć¨ăă: ĺ˝çśčĄăăžăăăďź ăžăăĺ芹ă ăŁăă¨ćăăžăăďźçŹďźă ăăăĺŚăŞăŞă˘ăŞăăŁăăăŁăŚăĺäžĺżăŤ ĺŽéăŤä˝ăăăăŽă§ăŻăŞăăă¨ćăăăăăăăă§ăă ćŹĺ˝ăŤă ăăŽćšăŤăçĽçăŞé°ĺ˛ć°ăăăŁăŚă čąčŞă§ăăăšăŁăăăăŚăä¸ä˝ä˝č ăŞăă ďźăżăăăŞďźçŹďźă
čăć: ăă¸ă§ă¸ă§ăăŽä˝ä¸ăŤĺşăŚăăăăăăăăŞâŚ
čć¨ăă: ăăăăăä¸ć¨ăŚäşşă ăăŠăéĺťăŤä˝ăăăŁăăă ăăăŞă ă¨ăăé°ĺ˛ć°ăăăŁăŚăĺčľéăŽčŠąăă ăžăăăĺă§ăăŞăăŁăŚćăăăăăâŚ
珏ďźĺ ĺăăŚčŚăăč¨čăŻăăŠăăăăăďźďź ĺäžć䝣ăŽćăĺş 2011.2.15
čăć: ăăăŞăăšăăŞă˘ăšăŞé°ĺ˛ć°ăćźăŁăŚăăä¸ćšă§ă ăŠăăŠăĺŽ ĺ°éçşăé˛ăă¨ăă ăĄăăăŠć䝣ăŽĺ¤ăăçŽă ăŁăăŽăăăăăžăăă ĺäžăŽé ăŤĺşçŹĺˇă§éă°ăăăă¨ăŻăăăžăăăă
čć¨ăă: çśăčĽćăŽçăžăă§ăĺšźĺ°ăŽé ăŻčĽćĺşăŤä˝ăă§ăăžăăă 厎ĺĺĺćăŽĺă§ă ăăŽĺĺćăăžăăăšăăŞă˘ăšăŞăă§ăăăŠďźçŹďźă ăăŁă¨ăĺĄăŽĺăăăŻăŠăăŞăŁăŚăăăă ăăďź ă¨ćăăŞăăč˛ăĄăžăăă
čăć: ăăăăçăçŤăĄăăăă¸ă§ă¸ă§ă㯠çăžăăăšăăăŚçăžăăăăăŞć°ăăăžăă ăĄăŞăżăŤĺŽŽĺĺĺćăŻă ćżĺŽĺ Źăé ĺą ĺžăŤéăăăčĽćĺ补ăŤĺťşăŚăăăŚăăă ĺ ăŤăŻĺşçŹĺˇăăĺć°´ăăć°´ăćľăăŚăăžăă
čć¨ăă: ĺşçŹĺˇăŻĺ˝ćä˝ăă§ăăă¨ăăăăăčżăăŁăăŽă§ă ăăéăłăŤčĄăŁăŚăăžăăăă ćŻĺš´ďźćďźćĽăŤă˘ăŚéŁăăŽč§ŁçŚćĽăŤăŻă çśăŤéŁăăăăŚä¸çˇăŤč´éˇăăŻăăŚéŁăăŤăăŁăŚăăžăăăă
čăć: ĺ çăč´éˇăăŻăăŚĺˇăŤĺ ĽăŁăŚăăă¨ăăăŻă ćłĺăéŁăă§ăăăĺşçŹĺˇăŻĺšźăé ăă 躍čżăŞĺĺ¨ă ăŁăăă§ăăă
čć¨ăă: ĺŽăŻĺäžăŽćăŤăćĺăŤčŚăăč¨čă ăăŠăăăăăăŞăă§ăďźçŹďźă äťăŻĺşçŹĺˇăŤĺŻžăăŚă çăăăăăăŞă¤ăĄăźă¸ăăăŞăă¨ćăăžăăă ĺ˝ćăŻçŹăŽćťä˝ă¨ăćľăăŚăăăă¨ăăăŁăŚă ĺ¨ăăŽĺ¤§äşşăăĄăă ăăŠăăăăăŤăŞăăăăĺˇăŤčĄăćăŻć°ăă¤ăăŞăă ă¨č¨ăčăăăăăŚăăăżăăă ćăŻăăăăĺąéşăŤĺŻžăăŚă ĺ°ĺăŽăĺš´ĺŻăăăĄăŽçŽé ăăăăŁăăă§ăăă
čăć: ĺäžăĺăăŚčŚăăč¨čă¨ăăŚăŻă ăăŞăăˇă§ăăăłă°ăŞč¨čă§ăăă
čć¨ăă: ĺˇă§ăŠăăăŁăŚéăśăăćăăŚăăăŚăăăŽă ă¨ćăăžăă ĺˇéăłăŻčŞĺˇąč˛Źäťťă ăăăčŞĺčŞčşŤă§ć°ăäťăăŞă㨠ăăĄăŞăă ăăă¨ăăăă¨ă§ă
čăć: ĺ˝ćăŻăžă ć°´éŁäşć ă§äşĄăăŞăćšăĺ°ăŞăăŞăć䝣ă§ăăăă
čć¨ăă: ä˝ăäşć ăăăă¨äťă ă¨ăăčĄćżă貏ăăăăăĄă§ăăă ĺ˝ćăŽĺˇéăłăŞăŠăŻčŞĺˇąč˛Źäťťă§ăăăă ăă¨ăĺč˛çćľĺăťăłăżăźăă§ăăĺăŤăŻ ăăŽčžşă河ĺŁăŽéä¸ăŽăăăă§ćłłăă ăă ăăŁăłăăăăăăăžăăă ăăă¨ç§ăŤăŻăăŁă¨ä¸ćľă§čç ŽäźăĺŽçŞă§ăăăă
čăć: ćççşçˇ¨ăŤăŻĺşăŚăăžăăăă ĺ çăčç ŽäźăŻăăăăăŚăăžăăăă
čć¨ăă: ăăĄăăă§ăăďźăăŻăçśăŤéŁăăăăŚäşĺŁć¸č°ˇă 弼ć°ĺˇăŞăŠă¸čĄăŁăŚăăŁăŚăăžăăă
çśăŻă˘ăŚéŁăă ăă§ăŞăă éćăĄăăăŽăçŠăăŞăŠăăăŁăŚăăžăăăŽă§ă
čăć: ĺşçŹĺˇăŽčżăăŤăä˝ăžăăŽćšăŻă çŠçć°ćăŽčĄăćľăăŚăăăăăăăŞăă§ăăă ăăŽĺşçŹĺˇăăźă ăăźă¸ă§äťĺš´ĺćăăăŚăăă ăă 大嚴寺幹ăŽăľăă¨ă§ăăăăă¤ăăăăăăŚăăćšă ĺŹăŤăŞăă¨çŠăăŤčĄăăăă§ăăă 䝼ĺ弼ć°ĺˇă§čç ŽäźăŽäźçťă§ăä¸čŠąăŤăŞăŁăćšă ć¸ćľéŁăăăăŽăăŤéćăăăŚăăžăăăă
čć¨ăă: ăăŽăăŻéŁăăă§ăăăă ĺă税éĄă§ă厎ĺçă§éŁăšăăăăŽăŤă ăéŁăŽçŚĺłśçă§ăŻćŻăćăŁăŚăăăăŽăăăăăă§ăăă ăă¨ăäťĺ°ăŽäşşăŻćąäşŹăŤčĄăŁăŚăă čç ŽäźăŽčŠąéĄă§çăä¸ăăăžăăăă ăčç ŽäźăăŚăďźă ă河ĺă§ăăăă ăăăăŁăŚă ă§ăăćąäşŹăŽäşşă¨čŠąăă¨ăăăăŁăŚăăźăăăĽăźăŽăă¨ďźă ă¨čăăăžăăă ăăăéăéăăčç Žäźă§ăŻç Žăăă ăă 河ĺă§čăŻçźăăŞăăăď˝ăăżăăăŞďźçŹďźă
čăć: äťĺ°ĺşčşŤč ĺ壍ă ă¨čç ŽäźăŁăŚč¨ăă ă㧠ăăĺăăĺăăăăăžăăăă
čć¨ăă: ăăăŞăă§ăăăăăď˝čç ŽäźăŻăăă§ăăăă ăăăăŞäşşă¨ăłăăĽăăąăźăˇă§ăłă§ăăăă 河ĺă§ĺŽśćăŽčźŞă¨ă確čŞă§ăăăăăŚă
čăć:ăčç Žäźăă¨čăă¨ăăăăă ăă§äťĺ°ăŽăă¨ă ćăĺşăăăăć éˇăŤĺ¸°ăŁăŚăăăŞă ă¨ĺŽćă§ăăăăăžăăăă
čć¨ăă: ăăăăăäťé ăăžă ăăŁăŚăăžăăă
čăć: çčśćŠăŽä¸ćľăĺşçŹĺˇă§ăŽčç ŽäźăŽčĺ°ă¨ăŞăŁăŚăăŚă ĺŚçăăăä¸ĺżă§ăăă夊ć°ăŽčŻăćĽăŻ ćăăĺ ´ćă¨ăăăăăăŚăăăăă§ăă ăăăăĺŻăăŞăŁăŚăăăŽă§ă ăăä¸çŤăŤăŞăŁăŚăăŚăăăăă§ăăă ă¤ăĺ ćĽăăăăăčŚăăăăŽçąłăśč˘ăŽć˛łĺ㧠ăăŁăŚăăžăăă
čć¨ăă: ăăăŞăă§ăăăäťăŽĺŚçăăăŻăăźăăăĽăźă§ăăďź
čăć: ăĄă¤ăłăŻăăŻăčç Žă ă¨ćăăžăă
čć¨ăă: ă§ăăăăăăăŁă(çŹ)ă
珏ďźĺ ĺşçŹĺşˇä¸ĺăŽçąćĽăŻďź 2011.2.16
čăć: ăă¸ă§ă¸ă§ă珏ĺé¨ăŤăŻăčŞăé¨ă¨ăăŚăĺşçŹĺşˇä¸ăĺ ă¨ăăăăŁăŠăŻăżăźăéčŚäşşçŠă¨ăăŚçťĺ ´ăăžăă ăăăăăăŁăŠăŻăżăźăŤăĺşçŹăă¨ĺäťăăăă ĺ çăŽćĺłăŻăĺşçŹĺˇăäťĺ°ăŽăˇăłăăŤă¨ă㌠čăăăăŚăŽăă¨ăŞăŽă§ăăăăďź
čć¨ăă: ăăŁăąăăĺşçŹĺˇăăĺşăăŞăăăăŤăŻ ăăăŞăăăăŞăă§ăăďź ćççşăŻäťĺ°ĺ¸ă§ăŻăŞăă§ăăă ăă¨ăĺŽĺš¸ăăăŽĺ¤§ăăăć˛ăăăăžăăă ĺşçŹĺşˇä¸ĺăŻäťĺ°ăŽăˇăłăăŤăťĺşçŹĺˇăăă ăăăăăŞăă§ăăă
čăć: ăăăă¨ăăăăăžăă äťĺ°ĺ¸ăŤä˝ăăă¸ă§ă¸ă§ăăăĄăłăŤă¨ăŁăŚă ă¨ăŚăĺŹăă芹ă§ăă 䝼ĺĺşçŹĺˇć˛żăăŤă河獼ăăŽé ĺăĺ¸ć°ăŽĺŻäťă§ĺťşçŤăăă ă¨ăăäźçťăăăŁăăăă§ăăă ăă¸ă§ă¸ă§ăăăĄăłă ăŁăăĺşçŹĺşˇä¸ĺăŽé ĺă ĺťşăŚăăă¨ćăă§ăăăăă ă§ăŻăäťĺ°ăé˘ăăäťăćăăăćăĺ ´ćăă äťă§ăăăçŤăĄĺŻăĺ ´ćăŞăŠăŻăăăžăăďź
čć¨ăă: ĺ°ĺš´ć䝣ăŤéăă ĺ°ćžĺłśăŽćšăŤăŻäťă§ăčĄăăžăăă ćăăăăăžăĺ¤ăăŁăŚăăŞăă§ăăăă ä¸ĺ ľčĄć˛źĺ¨čžşăĺ Źĺĺşĺă¨ăăŚčŞçśăćŽăăăŚăăăăăŚă ăăă§ăăă ăă¨ĺ°ĺ棎ćĺ ŹĺăćąĺčŹç§ĺ¤§ĺŚĺ´ăŽçćłăŽćžă¨ăă
čăć: ćăăăĺ ´ćă訪ăăŚčśłăéă°ăăăŽă§ăăăăďź
čć¨ăă: ćŹĺ˝ăŤăăăăŽčžşă§éăă§ăăăŽă§ă ăăă§ăăăăăăă¨ăćŞăăă¨ă ăăăăŞćăĺşăăăăžăă
čăć: ăĺçŠăŽčśłčˇĄăčż˝ăŁăŚăăăă訪ăćŠăăŽă 弽ăăŞĺ°ĺš´ć䝣ă ăŁăăă¨ăăă芹ăäźşăăžăăă
čć¨ăă: ĺ ç¨ăŽĺčľéć˘ăă§ăŻăŞăăŽă§ăăă ăăăăŞăăŽă追补ăăăŽă弽ăă§ăäťă§ăĺçŠăŽčśłčˇĄă¨ăă ăăăčĺłăăăăžăă
čăć: äťĺš´ăŻçăŽé¤ă¨ăŞăăăŠăŽĺŽăä¸ä˝ă§ă äşşéăžă§ăăçăéăăŚăăăăă§ăăăçăŽčśłčˇĄăŞăŠăâŚ
čć¨ăă: äťĺ°ă§ăçăéăăŚćĽăăă§ăăďź ć°´ćşăăŽăă°ă¨ăăŤçŞă§ĺźăŁćťăă补ăăăă¨ă čçăăăŁă¨ăăžăăă ăăťăă¨ăŤăăăăŤĺą ăăă ăéăŁăăă ăăŁăŚă
čăć: ă¨ăăă§ăäťĺš´(注ďź2011ĺš´)ă§ăăăĽăźăă30ĺ¨ĺš´ă¨äźşăŁăŚăăžăă 1987ĺš´ăŽăă¸ă§ă¸ă§ăéŁčźéĺ§ăăăŻ24ĺš´ăçľăĄă ăăŽéăŤćĽćŹăĺă塝ă礞äźć ĺ˘ă 大ăăĺ¤ĺăăă¨ćăăžăă éŁčźă§äťĺ°ăé˘ăăăăŚăăă ćă¨ćŻăšăŚçžĺ¨ăŽäťĺ°ăăŠăă茧ăŤăŞăăžăăă
čć¨ăă: ăăă§ăăăćăŽĺžĄĺąćˇăŽăăăŞĺťşçŠă çĄăăŞăŁăĄăăăžăăăă ăăă¨ăăăĺŤčśĺşăçĄăăŞăŁăŚăăžăŁăŚ ăĄăăŁă¨ĺŻăăă§ăă čĄčŞä˝ăŻăăăăŤăŞăŁăŚăä˝ăżăăăăŞăŁăă¨ăŻćăăžăăă
čăć: ćŚĺžăŽé˘ĺ˝ąăćŽăăăăšăăŞă˘ăšăŞé°ĺ˛ć°ăŻă ĺ¸čĄĺ°ć´ĺăé˛ăă§ăŞăăŞăŁăŚăăžăŁăăăăăăžăăă
čć¨ăă: ă§ăăăăŁăăżăŻăˇăźăŽé蝢ćăăă芹ăăăŚăăžăăăă ć¨ćĽéŞăéăĺăŤçžăăă¨ăăăŚăă ăˇă čăŁăŚăăăăă§ăăă ăăăĺ¸ĺ ă§ĺşăŚăăăăă§ăăă ăăăăčŞçśă躍čżăŤćăăăăăă¨ăŻ ç´ ć´ăăăăŞă¨ćăăžăă
čăć: ĺäžăŽé ăŽăăŠăăăăăăćľăăŚćĽăŚăăć䝣ă éŤĺşŚçľć¸ćéˇćăŽĺ ŹĺŽłĺéĄăŞăŠăçľăŚă čŞçśç°ĺ˘ă大ĺăŤăăŞăăă°ă¨ăăćčăŽéŤăžăăăă čŞçśă¨ăŽĺ ąçăĺ垊ăă¤ă¤ăăă¨ăăćăă§ăăăăă
čć¨ăă: ăăčăăă¨äťĺ°ăŻăăŽčĄăŽčŚć¨Ąăăăăă§ăăăă
čăć: ăłăłăăŻăă§ăĄăăăŠčŻăčĄăŽăľă¤ăşăŞăŽăăăăăžăăă
čć¨ăă: ăăă§ăăăćŠăăŚĺăăŤăăŚăă éťčťăăăšă使ăăŤăăŚăăăĄăăăŠčŻăčˇé˘ă§ ăŠăă¸čĄăăŤăăŚă秝ĺăăăăă
čăć: čťăŻé蝢ăŞăăăŞăăŽă§ăăă
čć¨ăă: ăŞăăｼｼｼăăŞăăŁăă§ăăă
čăć: ăăŻăăćŠăăŚčż˝čˇĄăăăăăăŽăă弽ăă¨ăăăă¨ă§ă
čć¨ăă čć¨ăă: 追补ăŻćĽ˝ăăă§ăăď˝ďźçŹďź ă§ăćŹĺ˝ăŤäťĺ°ăŻä˝ăżăăăé˝ĺ¸čŚć¨Ąă ă¨ćăăžăăă ćąäşŹă ă¨ĺşăăăŚă
čăć: ăłăăăŻăšăŽćăčżăăŽăłăĄăłăă§ćčŚăăăŽă§ăăă ĺ çăäťĺ°ă§éŁčźăĺ§ăăé ăŻă ăłăăźăä¸ć40ĺăăăŞăŠăäťĺ°ăŤä˝ăżăŞăă éŁčźăăăŤăŻĺ¤§ĺ¤ă ă¨ăăăă¨ă§ ćąäşŹăŤĺźčśăăăăăăă§ăăă
čć¨ăă: ĺ˝ćăŻăžă ćąĺć°ĺššçˇăééăăŚăăŞăăŚă ćąäşŹăžă§éťčťă§4ćéăŻăăăŁăăă§ăă ĺŽ é ăˇăšăă ăăăŁă¨ăŻăăăłă¤ăăăŽĺŽ ćĽäžżă ă§ăăăăăăŽćć㧠éąĺčŞă§éŁčźăăăŽăŻĺ¤§ĺ¤ă ăŁăăă§ă ăăčĄăăăăăăŞăçśćłă§ăăă
čăć: äťă§ăŻă¤ăłăżăźăăăăŞăŠé俥ćčĄăćŽĺăă ăžăăăăăčŞçśç°ĺ˘ă躍čżăŤăăä˝ăżăăăăŞăŁăŚă éăŤăäťă ăŁăăäťĺ°ăŤä˝ăżăŞăăéŁčźăăŚăăăăŞă ă¨ćăăă¨ăăăăžăăďź
čć¨ăă: ăăăžăăăäťĺ°ăŤä˝ăżăŞăăéŁčźă§ăăăăăă§ăăăă
čăć: ĺ ăťăŠăŽäźĺ嚸太éăăăĺ§ăăäťĺ°ăŤăä˝ăžă㎠人ć°ä˝ĺŽśăŽćšăĺ¤ăăăă§ăă
čć¨ăă: ĺ°čŞŹĺŽśăŽćšăŻăťăźĺéĄăŞăă¨ćăăžăăă ăăłăŹăăă¸ăżăŤă§ćăăŚăăă°ă¤ăłăżăźăăăăăăă° éăăžăăăŠăĺăŻăăă§ăŻăŞăăŽă§âŚă 誰ăăçĺ稿ă確ĺŽăŤçˇ¨éé¨ăŤĺąăăŞăă¨ăăăŞăăă§ăă
čăć: ă岸螺é˛äź´ăăŻćççşă§éŁčźă§ăăŚăăĺ çăéŁčźä¸ăŤ äťĺ°ăŤä˝ăăă¨ăŻăăŻăĺłăăăŽă§ăăăăâŚ
čć¨ăă: äťäşé˘äżăĺäşşé˘äżă¨ăăŁăçć´ťĺşç¤ăäťăŻćąäşŹăŤăăăŽă§ă éŁăăă§ăăăăâŚă ă˘ăˇăšăżăłăăăăăĄăăćąäşŹăŤä˝ăă§ăžăăăă
珏ďźĺ čĄă¨čŞçśă¨ăĺ ąĺăăäťĺ°ăŽé ĺ 2011.2.17
čăć: ĺ çăŻĺĺ°ăć ăăăŚăăăăăăŞčĄă ă茧ăŤăŞăŁăŚăăă¨ćăăžăăă äťăŽäťĺ°ăŽčĄăŽé ĺăŻăŠăŽăăăŤćăăăăžăăă
čć¨ăă: ăăăăăčĄă¨čŞçśăĺ ąĺăăŚăăćăăŻăăă§ăăăă ĺťşçŠă¨ć¨šć¨ă¨ăă ĺŽăŻăăăăé˝ĺ¸ăŁăŚăăăžăăŞăă¨ćăăžăăă é˘ćąă ă¨çŽąć šăŞăŠăŤăŻăăŽăăăŞé°ĺ˛ć°ă ăăăăăăăŞăă§ăăăĺĽčĺ°çăŞčŚç´ ăăăŁăŚ ăžăéăăžăă ćĽĺ¸¸çć´ťăŽä¸ăŤćşśăčžźăă čŞçśă¨ăăćĺłă§ăŻă éčéăĺŽçŚ 寺éăŽăąă¤ă丌ć¨ăŽé˘¨ćŻăŞăŠăŻă ăžăăŤäťĺ°ă蹥垴ăăé ĺçăŞă¨ăăă ă¨ćăăžăă
čăć: äťĺ°é§ ăŤéăçŤăŁăŚéčéăăŽăąă¤ă丌ć¨ăčŚăă¨ă äťĺ°ăŤĺ¸°ăŁăŚăăăŞă¨ăăćăăăăăă
čć¨ăă: ăăăăăăăă¨ăäťĺ°ăŤăŻă ăŞăźăăŁăŞăčŞčť˘čťăĺ¤ćŹă¨ăă蜣ĺłă¨ăăăă ăăŁă¨ăăă˘ăăŻăŤăă ăăŁăŚăăäşşăĺŽăŻçľć§ăăŚă ăăăăĺşăăăăžăăă ăŞăźăăŁăŞă ă¨ăăŽă ăăăăă¨ăă čŞčť˘čťă ă¨ăăˇăŻăă¤ăă°ăăăăă¨ăă ćŽéăŽčĄä¸ăŤăăăăăă ăăŁăĺĺăćąăŁăŚăă ăĺşăăăăă§ăăă ä¸ă¤ăŽčĄăŤăăăăăăăăăăŞăă ăăăŽăĺşă ăăčĄă¨ăăăŽăŻăćąäşŹă§ăăăžăčŚăăăŞăăăăăăŞăă
čăć: čŞčť˘čťăŽčŠąăă§ăžăăăă ĺşçŹĺˇăŻĺ çăéăă§ăăăăčĽćĺşăăăŻă ĺˇć˛żăăčŞčť˘čťă§ć˛łĺŁăŽéä¸ăžă§čĄăăăăăŤăŞăŁăŚăăžăă 䝼ĺăăŽĺćă§ăăˇăŻăă¤ăă°ăăăŽĺąąĺŁăă㍠ăä¸čŠąăŤăŞăăžăăă
čć¨ăă: ĺăäťĺ°ăŤăăćăăăăŁă¨ăăăŁăŚăăăŽăŻă ăăăă§ăăă ăă¨č˛ĺąąé河沿ăăŤăăľă¤ăŻăŞăłă°ăăźăăăăăžăăăďź
čăć: ăăă2010ĺš´ăŤăŻăćľˇĺ˛¸ĺ ŹĺăŤăťăłăżăźăăŚăšăă§ăăŚă ăăă§čŞčť˘čťăŽč˛¸ăĺşăăčĄăŁăŚăăžăă ĺ¨čžşăć´ĺăăăĺ¤ăăŽäşşăăĄă 漽ăăăăăăŤăŞăŁăŚăăžăă
čć¨ăă: çć´ťĺĺ ăŤăăăăćľˇć°´ćľ´ĺ ´ăăšăăźĺ ´ăăăčĄăŁăŚă ăăăă§ăăăćŹĺ˝ăŤă ćąäşŹă ă¨ăăšăăźăŤčĄăăŤăăŚăä¸ćłăĺćă ăŁăăăăŚă ăăăăă ăă§é˘ĺă§âŚ ć çťăŤčĄăăŤăăĺ ´ćăŤăăŁăŚăŻ ďźď˝ďźćéăăăŁăăăăžăăăă
čăć: äťĺ°ĺ¸ĺ ä¸ĺżé¨ăăćłă岳ăŽăšăăźĺ ´ă 桹沟ăŽćľˇć°´ćľ´ĺ ´ăĺşçŹĺˇä¸ćľăŽčç Žäźă渊ćłă ă ăăăăŠăă¸ă30ĺĺĺ ă§čĄăăžăăăă
čć¨ăă: ăăăŞăă§ăăă ăă¨ăćčżăŻčĄăćŠăăŚăăäşşă ăăăśăăăĄăăˇă§ăăăŤăŤăŞăŁăăăăŞć°ăâŚă
čăć: ĺ çăäťĺ°ăŤăăăăé ăŻă ăăžăăăĄăăˇă§ăăăŤăŞă¤ăĄăźă¸ăâŚďź
čć¨ăă: ăăăŞăăăćăŻĺĽłăŽĺăăăăžăăăăăŞăă¨ă⌠č¨ăăăŚăžăăăăďźçŹďźă äťă§ăŻĺ ¨çśăăăŞăă¨ăŞăă§ăăă
čăć: ĺ çăŽĺŚçć䝣ăŤăŻăç§ćăŽĺŚć ĄăćľčĄăŁăćă ăŁă㨠ćăăžăăăĺ˝ćăŻăŹăŻăŠăłăçăăăŚăăžăăăă
čć¨ăă: ĺăŻăŹăŻăŠăłć´žă§ăăăăéŤć Ąă§ăŻç§ćă§ăăăă ćăé¸ăśăŽăăăŽăăĄé˘ĺăŤăŞăŁăŚ ăżăăŞăŹăŻăŠăłăŤăŞăŁăŚăăďźçŹďźă
čăć: ăă¸ă§ă¸ă§ăăŽçťĺ ´äşşçŠăŻăăżăŞăăăŹăŻăŠăłă ăŚăăăŠăźă ăżăăăŤăŞăŁăŚăăŚăĺ çăŽăŹăŻăŠăłăŤĺŻžăă ćăĺ Ľăăç¸ĺ˝ăăăŽă§ăŻă¨ćăŁăŚăăžăăă
čć¨ăă: ăŹăŻăŠăłăăăŁăąăć źĺĽ˝ăăă§ăăă ĺŽăŻăăăłăŹăŽăăĄăăˇă§ăłă¨ăăŚä¸çŞć źĺĽ˝ăăăŽăŻ ăŹăŻăŠăłă§ăăăŻăăźăşăă¨ăăăăăăăăŽăŻ 羜寞ăŹăŻăŠăłă ăŁăăăă§ăăă ăăă§ăŹăŻăŠăłăŤăăăźăŤĺăăăăăŁăŚăăăŽăăžă ć źĺĽ˝ăăăă§ăăăă ăăăçˇăŽçžĺŚă¨ăăŚăŽăăłăŹăŽéťéćšç¨ĺźă¨ăăăă ĺ¤ĺăéŤĺĺĽăăăŽĺ˝ąéżăăă ă¨ćăăžăăăŠă
珏ďźĺ ăăłăŹă¨çžĺŽä¸çă¨ăŽé˘ăă 2011.2.18
čăć: čżĺš´ă§ăŻăăă¸ă§ă¸ă§č¸äşşăă¨ăăăăăżăŹăłăăăă çąĺżăŞăăĄăłăŤăăăă¸ă§ă¸ă§çŤăĄăăŞăŠăŽă ăźă´ăĄăłăă 芹éĄăŤăŞăŁăŚăăžăă ăăłăŹă¨ăăăăŁăŻăˇă§ăłăă äťăžă§ă¨éăŁă形ă§çžĺŽă¸ăŽĺ˝ąéżăĺăă§ăăă¨ćăăžăăă ăăăăăăĄăłăĺ çăŽä˝ĺă解éăăŚçăä¸ăăŁăŚăă çśćłăŤă¤ăăŚăŻăŠăă茧ăŤăŞăŁăŚăăžăăďź
čć¨ăă: ăă¸ă§ă¸ă§çŤăĄăăŤă¤ăăŚăŻăčŞĺă§ăăłăŁăăăăŚăăŚă ä¸ăŽä¸ăŽăťăăĺ¤ăăŁăăă ăŞă¨ćăăžăăďźçŹďźă ăă¨ăă¨ăă¸ă§ă¸ă§ăăŽçťĺ ´äşşçŠăŽăăźăşăŻă ăăĄăłăżă¸ăźć§ăĺşăăăăŤăă㌠çžĺŽăŤăŻăăăăŞăăăźăşăĺăĺ ĽăăŚćźĺşăăŚăăăă§ăă ĺŽéăŽäşşéăŽé˘çŻăŽĺŻĺçŻĺ˛ăŻăăăžă§ă¨ăăă¨ăăăă ăăăŤéçăčś ăăă¨ăăăžă§ćťăŁăŚčĄ¨çžăăŚăăžăăă ăăăĺŽéăŤăăŁăŚăăăă§ăăă⌠ĺçă§ăżăă¨ăăĄăăă¨ĺçžăăŚăăăă§ăăďź äşşéăŽä˝ăé˛ĺăăăŽăăŞďź
čăć: ĺ ¨ăăŽäşćłĺ¤ă ăŁăăŽă§ăăăăă
čć¨ăă: äşćłĺ¤ă¨ăăăçäźźăăŚćŹ˛ăăăŞăă¨ăăăăăă ăăăăçäźźăăăăăŞă襨çžăŤăăŚăăăŽăŤă ăăăŤçžĺŽăŤč¸ăżčžźăă§ăăă¨ăă⌠ăŞăăăăăŽçşćłăăăăŚéŠăă§ăăă
čăć: éŠăăăă¨ăćăăžăăăĺ çăŤă¨ăŁăŚăŻăăă ĺŹăăăă¨ă ăŁăăŽă§ăăăăă
čć¨ăă: ĺŹăăâŚă¨ăăă(çŹ)ă ăăă弽ăăŞăăăŤćĽ˝ăăă§ăăăăă°âŚ ă¨ćăŁăŚăžăăďźçŹďźă
čăć: ćčżă§ăŻĺ çă塝ăčžźăžăăŚăä¸çˇăŤăăźă¸ăłă°ăăă ăă¨ăăăăăă§ăăă
čć¨ăă: ă ăŁăŚăăŁăŚăă ăăăŁăŚč¨ăăăăăďźçŹďźă
čăć: äťćĽăŻăăăăăăă˛ĺ çă¨ä¸çˇăŤ ăă¸ă§ă¸ă§çŤăĄăăăăăă¨ćăŁăŚăăžăăă
čć¨ăă: ăăăăžăăâŚăŁăŚăçžĺŽăŤăŻă§ăăŞăăă ăăďźçŹďźă
čăć: ç§ăä¸ĺŚçć䝣ăŤĺ çăŽä˝ĺăŤč§Śăăă¨ăăŻă ăăŁă¨ç´ćĽçăŤăçšĺž´çăŞăťăŞăăŞăŠă ĺéĺ壍ă§çäźźăăăă¨ăăč¨ćśăăăăžăăă čżĺš´ăŽăăăăçăä¸ăăăŻă ă¤ăłăżăźăăăăŤăă役éżă大ăăăŽă§ăŻă¨ăćăăžăă
čć¨ăă: 確ăăŤăăăăăăăŞăă§ăăă
čăć: ă¤ăłăżăźăăăăéăăŚčŚçĽăăŹäşşĺ壍ăçľăłă¤ăăŚ ĺ ąćăăăăĺ ąćăăăă¨ăăć䝣ăŞăŽă§ăŻă¨ćăăžăăă ăăăăĺ¤ĺăĺŽéăŤćăăăăăă¨ăŻăăăžăăďź
čć¨ăă: ćăŻĺŁăłăă¨ăăŁăŚăçŻĺ˛ăŻéĺŽçă§ăăăă çžäťŁă ă¨ăă¤ăłăżăźăăăăŤăăäşćłăŽă§ăăŞă ĺąéăăăă¨ćăăžăăă ăăéăŤćăă§ăă⌠ăăŽăä˝ĺăŤăŻäşşéăŽćŹĺżăçĄćčăŤă§ăžăăăă äžăă°ĺćŻăŞćăćšăăăŚăăă¨ăăăśăčŞč ăŽćšăŻ čŚćăă¨ćăăžăăăăăăăăăă 㨠ĺ˘ĺš ăăăăăăăŽăăăăăŞăă§ăăăă
čăć: ăăăăć䝣ă ăăăăăăăčŞ ĺŽăăćąăăăă ă¨ăăăă¨ăŞăŽă§ăăăăă
čć¨ăă: ăăă§ăăăä¸čŚćăăăăăŞăăăŠăčŞ ĺŽăŤćăăŚăŞă㨠ăăăăă¨ăŤăŞăŁăŚç˘şĺŽăŤĺšăăŚăăâŚ
čăć: 䝼ĺĺ çăćąĺ大ĺŚă§ă売ăăăăłăŹăă¨ăăăăźă㧠čŹćźăăăăăă§ăăăăăŽă¨ăăă ă売ăăăăăăŤăăă ăăçăŁăŚćăă¨ăăăŽă§ăŻăŞăăŚă ăŠăăŞăŤčŻăä˝ĺă§ăçľćçăŤĺŁ˛ăăŞăă¨ăčŞč ㍠ĺąăăŞăăăă ăăŞăă ă¨ăă芹ăăăăŚăăăăă§ăăă
čć¨ăă: ăăă§ăăăă売ăăăăă¨ă ăăçăŁăä˝ĺă¨ă čŞč ăŤĺąăăăăăŤçľćçăŤă売ăăăä˝ĺă¨ăŽéăăŻă čŞč ăŽćšăŻčŚćăă§ăăăă ăžăăăăă¨ăŻĺĽăŤăăăăă§ăŽçşč¨ăŞăŠă§ăăăă粞çĽăŻ ăăăŻăŁăăă¨čŚćăăăŚăăžăăŽă§ăŻăŞăă§ăăăăă ă¤ăłăżăźăăăăŽć¸ăčžźăżăŽĺ 厚ăăă ăăăŽäşşăăăăŞăă¨ćăăăă
čăć: ĺ çčŞčşŤăŻăăă¤ăłăżăźăăăă§ăă§ăăŻăăăžăăă
čć¨ăă: ćăăăăăŞăăăăăăžăăăăŞăă§ă(çŹ)ă
čăć: ăŞăăšăéżăăăăăăă¨ăă
čć¨ăă: ä¸çˇăçťăăŚăăăăă¨ăăăăăăă岸螺é˛äź´ă ă§ăŻăŞăă§ăăăĺłăŤäšăŁăăă¨ăč¨ăăăăŞăŽă§ čŞéăŽăăăŤďźçŹďźă
čăć: 岸螺é˛äź´ăŻăăăłăŹăŤé˘ăăŚăŻĺćŞăŽĺ¤ćĺşćşă čś ăăăăŽăăăĺˇçĺżăăăăĄăăŁă¨ăăăăăŞé˘ă čŚĺăăăăžăăăăăŻăăăăăé˘ăŤăŻ ĺ çăŽćłăĺ Ľăăĺć ăăăŚăăăăăŤćăăŚăăžăăžăă
čć¨ăă: ăăăăé¨ĺăăăăžăăăé˛äź´ăŻć§ăă§ăăă ăšăźăăźăăłăŹĺŽśă¨ăăŚăŽă ăă ĺ°ăă ăăä˝ĺă¨ăč¸čĄăŤĺŻžă㌠çćŻă§ăŞăăă¨ă¸ăŽćăăŞăŠă襨çžăăŚăăžăăă
čăć: ăăăžă§ă漾獯ăŞĺ˝˘ă§ăŽčĄ¨çžă ă¨ćăăžăăă ç硨ă岸螺é˛äź´ăŻĺăăŞăăă§ăŻăé˛äź´ăĺć㧠ă¤ăżăŞă˘ăŤčĄăăćäźăŽćşć厤ăŤć˝ĺ ĽăăŚăżăŚ ä˝é¨ăŽéčŚć§ăčŞăăˇăźăłăăăăžăăă ăăĄăłă¨ăăŚăŻăăăăăă¨ăăăŤĺŽéăŽĺ çăŽĺ§żă éăăăăŞăă¨ćăăžăă
čć¨ăă: ăăŽčžşăŻç˘şăăŤĺŽćăĺć ăăŚăăăăăăăžăăă äťă ă¨ăăăă§čŞżăšăă°ăťă¨ă㊠ăăăăăăŽăŽć ĺ ąăŻĺăăć䝣ă ă¨ćăăžăăă ĺčŞčşŤăŻăăŻăĺŽéăŤä˝é¨ăăä¸ă§ćăăăă§ăăă äžăă°ă¤ăżăŞă˘ćçăŽçľľăćăćă ĺĽăŤéŁăšăŞăăŚăĺçăčŚăăăăŚćăăžăăă ă§ăăĺă ăŁăăăăŽćçăŽĺăăĺ ăă ăă ĺŽéăŤĺłăăă確ăăăä¸ă§ćăăăă§ăă ăăŽčžşăŻăé˛äź´ăŤăĺć ăăăŚăăăăŞă
珏ďźĺ 澡ĺ¤ăŽăăłăŹäşć 2011.2.19
čăć: 亏é˝ĺ˝éăăłăŹăăĽăźă¸ă˘ă ă§ăŻăăăăłăŹăťăăźăăť ăŤăźă´ăŤâçžčĄé¤¨ăŤčżˇăčžźăă ďźäşşăŽä˝ĺŽśăăĄâă ă¨ăăçšĺĽĺąă§ăă岸螺é˛äź´ ăŤăźă´ăŤăŤčĄăăă¨ăă ĺąç¤şăĺ ŹéăăăŚăăžăăă ďźćł¨ďź2010ĺš´11ć5ćĽď˝12ć3ćĽăžă§éĺŹďź ăžăă2009ĺš´ăŤăŤăźă´ăŤçžčĄé¤¨ăŽäźçťĺąă§ă ćĽćŹăŽăăłăŹĺŽśă¨ăăŚăŤăźă´ăŤĺ˛ä¸ĺă¨ăŞă ä˝ĺĺąç¤şăăăăă¨äźşăŁăŚăăžăă ăĄăŞăżăŤäťĺĺčĄăăŚăăăšăżăăă§ăăă éčłăăăăăŤăŤăźă´ăŤçžčĄé¤¨ăŤčĄăŁăč ăăăăžăă
čć¨ăă: ćŹĺ˝ă§ăăďźăăăă¨ăăăăăžăă
čăć: ăăŽćăŻăăŠăłăšă§ă大ĺ¤ĺĽ˝čŠă§ăăŁă㨠䟺ăŁăŚăăžăăăäťăăăłăŹăćĽćŹăŽčŞă çžäťŁă˘ăźăă¨ăăŚćľˇĺ¤ă§čŠäžĄăăăć䝣ă ă¨ćăăžăă ç§ăăĄăĺŚçć䝣ăŻăăŠăĄăăă¨ăă㨠ăăłăŹăŤĺŻžăăă¤ăĄăźă¸ăŻčŻăăŞăăŚă ĺŚć ĄăŽĺ çă严茪ăŞăŠăă㯠ăăăłăŹă°ăăčŚăŚăăŞăă§ĺ埡ăăŞăăă ă¨ăăăăăŞć䝣ă ăŁăă¨ćăăžăăă ăăŽć䝣ăŤĺ çăăăłăŹĺŽśăĺżăăă¨ćăăă ĺćŠăŻä˝ă ăŁăăŽă§ăăăăďź
čć¨ăă: 70嚴䝣ă¨ăăăć䝣ăŽé˘¨ăă§ăăăăăăăăćŹĺ˝ăŤ ăăăăŞăăłăŹăĺşăŚăăć䝣ă ăŁăăă§ăă SFăăăă°ć䝣ĺăăăăă ăă˛ă˛ă˛ăŽéŹźĺ¤ŞéăăżăăăŞĺŚćŞăăłăŹă 漳ĺłăăăĺ çăŽăăăŞćŞĺĽăăłăŹă¨ăă ă¨ăŤăăăăăăăŞä˝ĺăä¸ć°ăŤĺşăŚăăććă§ă ăăŽă¨ăăŤăŽăźăă¨ăŤăăăăăăŁăă
čăć: ä¸ă¤ăŽăĄăăŁă˘ă¨ăăŚăŽă¨ăăŤăŽăźă ăăăŻăšă ăŁăăŽă§ăăăăă
čć¨ăă: ă¨ăăăăăăć°ăăć䝣ăŽĺ§ăžăă¨ăăćă ăăăăăŞăăč¸čĄă§ăăă¨ăŤăăľăłăšă¨ăăăă ä¸ă¤ăŽéťéć䝣ăŽĺ§ăžăă¨ăăăă äťăăćăă°ăăăŞćăăăăžăă
čăć: ăăăŤĺ˝ăŚăăăŚăăžăŁăŚă
čć¨ăă: ăăăĺ˝ăŚăăăŚăăăâŚăťăă¨ă ăăłăŹĺŽśăŤăŞăăăăŚăăăăăŞăăŁăă§ăăă
čăć: ăăłăŹĺŽśăŤăŞăăăă ăă§ăŞăăäťă§ăŻă˘ăźăăŁăšă ă¨ăăŚăŤăźă´ăŤçžčĄé¤¨ăŤĺąç¤şăăăăžă§ăŤăŞăăăžăăă
čć¨ăă: ăăăăžă ăžă ă§ăăăŠďźçŹďźâŚă§ăăă ĺ˝ćăŻăăăłčăăłăăćăăăă§ăăžăĺ çăă ĺă¨ĺăĺš´ăŞăŽăŤéŤć Ąçă§ăăăăăŤăŞăŁăŚăăă¨ăă ć䝣ă§ăăăĺăŞăăćŽéăŤĺŚć ĄéăŁăŚăăćă§ă ăăăŁăĺăĺš´ă§ăăăăăŽăăłăŹĺŽśăŞăă ďźăăŁăŚă ăăŽćăŻçŚăăžăăăă ăăăĺŚć ĄăŤčĄăŁăŚăăĺ ´ĺăăăăŞăďźăă¨ďźçŹďźă ăăăăĺăăăłăŹćăăŚăćŠăć稿ă¨ăăăŞă㨠ăăăŤăŞăăŞăăă¨ćăăžăăă
čăć: ăăăăçŹĺŚă§ăšăżăźăăăăŚâŚ
čć¨ăă: ăăă§ăăăćŹĺ˝ăŻă˘ăˇăšăżăłăă¨ăăăĄăŁă¨ ăăăăăŁăă§ăăăăăŽĺăŤçŹăçŤăĄăăŚăăžăŁăŚâŚ äşĺćłăŽă¨ăăŤăăăĽăźăăăŚăăă ăăăă§ăă
čăć: ĺ ăťăŠçłăä¸ăăžăăăăăŤăäťă§ăŻăăłăŹă澡ĺ¤ă§ă čŠäžĄăăăć䝣ă§ăăăăăăĽăźăăăŚăă ăăăžă§ăŽăăłăŹăĺă塝ăç°ĺ˘ăŽĺ¤ĺ㯠ăŠăŽăăăŤćăăăăžăăďź
čć¨ăă: ăăłăŹăŤăŻăäžăă°ăšăăźăŞăźăé˘ç˝ăă¨ăă çťăăăžăă¨ăăăăśă¤ăłăç´ ć´ăăăă¨ăăŁăă ăăăăăŞčŚç´ ăăćăçŤă¤çˇĺč¸čĄçăŞé ĺă ăăă¨ćăăžăă ă§ăăăăŽăăĄăŽăŠăăä¸ă¤ă ăă§ăćçŤăă㨠ćăăă§ăă芹ăé˘ç˝ăăŞăăŚăăçťăăăžă㨠ăăă§ăăă¨ăăŚćăçŤăŁăăăăăă§ăăă ćŽéă ăŁăăăăŽăšăăźăŞăźă ă¨ĺšźç¨ă ăŞă ă¨ăăăăŽă§ă売ăăĄăăăă§ăă 売ăăă¨ăăăăč¸čĄă¨ăăŚćăçŤă¤ăă§ăăă éăŤăçťăăăăŻĺäžăćăăăŽďźă¨ăăä˝ĺă§ăă ă¨ăŤăăăšăăźăŞăźăé˘ç˝ăăŁăăă ăăăăŞé ĺăăăăă§ăăă ă§ăăĺăŤăŻç解ă§ăăŞăăăŽăăăăžăă(çŹ)ă
čăć: ăăăŻăăăă¨ćéăĺăăăăŽăŻäťă§ăăăăžăăďź
čć¨ăă: ăăăŻăăăăăăăăăžăă čĽăäşşăăĄăŻăăăă§ăăă ă§ăéăŤăçťăăăžăăŞăăăăšăăźăŞăźăé˘ç˝ăă ăăăăŞăăăŠĺŁ˛ăăăă¨ăăä˝ĺăăăăžăăă
čăć: ćąĺ大ĺŚă§ăŽčŹćźćăŤăăšăăźăŞăźăŻ 辡ćżčť˘çľăé常ăŤĺ¤§äşă¨ăă芹ăăăăŚăăăăă§ăăă
čć¨ăă: ăăăăĺŽĺ ¨ăŤĺ¤ăăŚăăăăłăŹă§ăă ăăŞăăăĄăłăăăăă¨ă⌠ăăăŻăăă§ăăăăă§ăăăŠăă
čăć: ăăăăćăŽĺşăă¨ăăăŽăăăłăŹăŽć㤠é ĺăăăăăžăăăăä¸ćšă§ă澡ĺ¤ă§ăŻ ăăłăŹăŻăŠăŽăăăŤĺăć˘ăăăăŚăăăŽă§ăăăăă
čć¨ăă: ăăŠăłăšăŽăăłăŹăŻăăăłăăťăăˇăăă¨ăăăŽă§ăăă ăăŽćăćšăŻăăĄăă¨ăŻćăăăŤéăăžăă äžăă°ăćĽćŹă§ăŻăžă襨ç´ăŤä¸ťäşşĺ Źăćăăă§ăăă ăĄă¤ăłăŽăăŁăŠăŻăżăźăăăźăłďźă¨ă ăăăăăŤăźă´ăŤăŽăšăżăăăŻčĄ¨ç´ăŤăăŁăŠăŻăżăźă ćăăŚăăăăŞă¨ăăăă§ăă ăŤăźă´ăŤçžčĄé¤¨ăŻäşşçŠăŽčćŻă¨ăăŚćăăŚăăăŽăŤă čćŻăŽăŤăźă´ăŤăăĄă¤ăłă§ćăăŚăăăŁăŚă 確ăăŤăăŠăłăšăŽăăłăăťăăˇăăčŚăŚăăă¨ă 襨ç´ăŽăĄă¤ăłăčćŻăŞăă§ăăă
čăć: ä¸ťäşşĺ ŹăŻăŠăăŞăŁăŚăăžăăŽă§ăăďź
čć¨ăă: ä¸ťäşşĺ ŹăŻčćŻăŽăŠăăăŤă ăď˝ăčŚăă¨ĺ°ăăĺăŁăŚăăăă¨ăă ĺťşçŠăŽä¸ăéŁăă§ăăéŁčĄćŠăŤ ăĄăăŁă¨äšăŁăŚăăăă¨ăă é蝢ăăŚăăčťăŽć縌ĺ¸ăăăĄăăŁă¨ čŚăăŚăăăă¨ă(çŹ)ă ăăăăçťăćăăŚăăăŁăŚč¨ăăăžăăă éăŤăćĽćŹăŽĺ ´ĺăŻçľśĺŻžăŤăăĄăăˇă§ăłéčŞăŽ 襨ç´ăŽć§ăŤä¸ťäşşĺ ŹăĺăŤăŹăźăłďźă¨ĺşăŚăăă ăăăŻăžăă§éăăžăăă
čăć: ćŁĺ寞ăŽäžĄĺ¤čŚłăŞăŽă§ăăă
čć¨ăă: ăăăă ăăăăćĽćŹăŻăăăăăăćšăŞăă§ăăăŁăŚ 誏ćăăŚćăăăă§ăă(çŹ)ă ăŞăăŞăĺăăŁăŚăăăăŞăăŁăă§ăăă ăćĽćŹäşşăŽăăłăŹĺŽśăŤäžé źăăăă ăăă ćĽćŹăŽăăłăŹăŽćšćłčŤă§ăăăăŚä¸ăăă㨠誏ĺžăăžăăă
čăć: ĺ çăăăăĽăźăăăĺ˝ćăŽéąĺĺ°ĺš´ă¸ăŁăłăă§ăŻă 10mé˘ăăŚăčŚăŚă誰ăä˝č ăŞăŽăĺăăçťăćăă ă¨ăăăŽăĺşćŹă ăŁăăăă§ăăă
čć¨ăă: ăăăăăă§ăă
čăć: ă§ăăăă¨ăŻéă§ăĺăăŽäşşăŻä¸çŽă§čŞ°ăćăăăŽă ĺăăăŞăăŚăăăăă¨ă
čć¨ăă: ăžăĺ ¨ä˝çăŞă ăźăăćăăŚăăăă¨ăăćăă§ăăă ăăŞăăŞăăŤăźă´ăŤçžčĄé¤¨ăăŠăćăăžăăăăżăăăŞă ăăăžă§ăăŤăźă´ăŤăăĄă¤ăłă¨ăăčăćšă§ăăă
čăć: ăă¸ă§ă¸ă§ăăŽä˝č ă¨ăăăăăăă˘ăźăăŁăšăă¨ăă ä˝ç˝ŽăĽăă ăŁăăŽăăăăăžăăăă
珏ďźĺ äťĺžăŽäťĺ°ĺ¸ă¨ă¸ă§ă¸ă§ä˝ĺă¨ăŽé˘ăăăŻďź 2011.2.20
čăć: 確ăăŤćŹ§çąłă§ăŻăăăłăŹăă˘ăăĄăŻĺäžăŽăăŽă§ă 大人ăčŚăăăŽă§ăŻăŞăă¨ăăĺşĺăă ăŻăŁăăăŞăăăŚăăăăă§ăăă ćă ăăĄăłăŻăčć¨ĺ çăéăŤä¸çăŤčŞăăă㌠ăŤăźă´ăŤçžčĄé¤¨ăŤĺąç¤şăăăăă¨ăăăă¨ă§ ĺŹăăćăŁăŚăăžăăăĺ çăŤă¨ăŁăŚăŻă ăăłăŹĺŽśăŽçŤĺ ´ă¨ă˘ăźăăŁăšăăŽçŤĺ ´ă§ čč¤ăăăŁăăŽă§ăăăăă
čć¨ăă: čč¤ă¨ăăăăăăăăéăăăŻăŁăăă¨ćăăžăăăă
čăć: 亏é˝ăŽĺąčŚ§äźă§ăŻăă¨ăźăăăăŽä˝ĺŽśăă㨠ä¸çˇăŤĺąç¤şăăăŚăăžăăăăăŽä˝ĺŽśăăăăĄă¨ăŽ 交ćľăŻăăăžăăďź
čć¨ăă: ăăŽććĽćĽăăăŚăăăăăłăŠăťăăťă°ăŹăˇăźăăăŤăŻ ăäźăăăžăăă
čăć: ćĽćŹčŞč¨łăĺşçăăăéăŤć¨čŚăŽĺ¸Żă ć¸ăăăăăă§ăăă ĺ çăŽä˝ĺă¨ç¸éăăă¨ăăăŻăăăŽă§ăăăăďź
čć¨ăă: ăăăéăăžăăăčŞăżĺłă¨ăĺ ¨çśéăăă§ăăă
čăć: ăăĄăłăŽćšăéĺśăăăŚăăăľă¤ă㧠級äťăăăŚăăžăăăăĺ çăŽăăĄăłăŞăă°ă ăăăŻăăă§ă˛ă¨ă¤ăŽĺŽćăăăĺĽĺŚăŞä¸çăŽăă㍠ăżăăăăă§ăăă
čć¨ăă: ăăă§ăăăçťăăăŽăăăä¸ćăă§ăă
čăć: ăăăŻăăłăŹă¨ăăăăăçľľçťă¨ăăŚă
čć¨ăă: ăăăăŞăăăăăă大人ăăčśă¨ă ăé ă飲ăżăŞăăăăŁăăéčłăăăăăŞă¤ăĄăźă¸ă§ă ćĽćŹăŽăăłăŹăżăăăŤéťčťăŽä¸ă¨ăă§ăăźăă¨čŞă ćăă§ăŻăŞăă§ăăă
čăć: ă˘ăźăă¨ăăŚéčłăăăăăŞă¤ăĄăźă¸ă§ăăă
čć¨ăă: ăŻă¤ăłçćăŤéčłăăŞăăăăăłăźăăżăăăŞďźçŹďźă ăăăăŻéąćŤăŽĺĺžăŻăăă茳ăŞăă ăăŁăăéăăăăăŞăăżăăăŞćăă§ă
čăć: ćĽćŹă§ăăăăŞăăłăŹćĺăăăă°é˘ç˝ăă§ăăă ĺ çăŽçťéăŞăŠăŻăăăăăăăăă漽ăăżćšă ă§ăăă¨ćăăžăă
čć¨ăă: ăăăăčŚç´ ăĺ°ăăă¤ĺăĺ Ľăăăă¨ăŻćăăžăăă ă§ăăéťčťăŽä¸ă§čŞăăŁăŚăăăˇăăĽă¨ăźăˇă§ăłă ăžă大ĺăŞăă ăăă
čăć: 厜ăŤĺ¸°ăăžă§ĺž ăĄăăăŞă漽ăăżă¨ăăăŽă ăăăžăăăă
čć¨ăă: ăăăăăăćĽéąăŠăăŞăăă ăăŞăď˝ăăŁăŚă ĺăĺäžăŽă¨ăăŻăĺ°ĺš´ă¸ăŁăłăăŻćŹĺ˝ăŻ çŤććĽçşĺŁ˛ăŞăŽăŤăäťĺ°é§ ă ăăŻććăŽĺ¤ćšăŤ 財ăăăă§ăăďźăăä¸ĺťăćŠăčŞăżăăăŚ é§ ăžă§č˛ˇăăŤčĄăŁăŚăžăăă ăăăăăŽăŻĺż čŚă§ăăăă
čăć: ăŻăŻăŻăŻćă¨ăăăžăăăçśăăăŠăăŞăăă ăăă ă¨ăă漽ăăżăçć´ťăŽä¸ăŤăăăŽăŻĺ¤§äşă§ăăăă ăăŽćĺłă§ăăłăŹăŽĺ˝šĺ˛ăŻă大ăăă¨ćăăžăă
čć¨ăă: ăăă ă¨ĺŹăăă§ăăăŠăă
čăć: ăăăăŚčŠąăäźşăŁăŚăăă¨ăĺ çăŽă˘ă¤ăăłăăŁăăŁăŻ ăăŞăäťĺ°ă§çăžăč˛ăŁăăă¨ăŤčľˇĺ ăăé¨ĺă ăăŞăăăăăăŤćăăžăăăăăŽăć´ťčşă ăă¸ă§ă¸ă§ăä˝ĺăçĽăŁăŚăăäťĺ°ĺ¸ć°ăŻĺ¤ăăŚăă ĺŽéăŤăĺşčşŤăäťĺ°ă ă¨ăăăă¨ăŻăăăžă çĽăăăŚăăŞăăăăŞć°ăăăžăă
čć¨ăă: ăăăăăăăŞăă§ăăăĺčŞčşŤăăžăäťĺ°ă ă˘ăăźăŤăăŚăăŞăăŁăăăďźçŹďźă
čăć: ăăžăăžăăžăăăŽćŠäźăçĄăăŁăăăă§ăăăăă
čć¨ăă: ä¸ťäşşĺ Źăć ăăăăšăăźăŞăźăĺ¤ăăŽă§ă ĺčŞčşŤăăŠăăăŤĺŽä˝ăăŚăăă¤ăĄăźă¸ă ăŞăăŽăăăăăŞă⌠ăă¸ă§ă¸ă§ăă§ćĽćŹăčĺ°ă¨ăăŚăăăŽăŻă 珏ĺé¨ăŽćççşăˇăŞăźăşă ăă ăă
čăć: ă§ăă珏ĺé¨ă§ĺ¤§ăăăăĄăłĺą¤ăĺşăăŁăă¨ćăăžăă
čć¨ăă: äťĺşŚăŻăăŁă¨ăăŽčžşăă˘ăăźăŤăăžăăă ćççşăčĺ°ăŤăăŚăăăŽăŻăăă¸ă§ă¸ă§ăăŽä˝č ă äťĺ°ĺ¸ĺşčşŤă ăăă ăďźăŁăŚďźçŹďźă
čăć: ăă˛ăéĄăăăžăă
čć¨ăă: ă§ăăă掺人鏟ă¨ăĺşăŚăă芹ă§ăăăă äťĺ°ĺ¸ć°ăŽćšăćăăŽă§ăŻăŞăăă¨ăăĺżé ă 埡ăăă§ăăćŹĺ˝ăŤäťĺ°ăŽäşşăăĄăŤ ă迡ćăăăăăăăăŞăăăă
čăć: äťĺš´(âťćł¨2010ĺš´)ăŻĺ¸ĺ ă§ăäşäťśăăăă äťĺ°ăĺ ¨ĺ˝çăŤćł¨çŽăăăććăăăăžăăăă čŁĺ¤ĺĄĺśĺşŚăĺ§ăžăčŞĺăŽä˝ăă§ăăă¨ăăă§ăă ăăăăäşäťśă躍čżăŤćăăć䝣ăŤćŽĺżľăŞăă ăŞăă¤ă¤ăăăăăăăžăăă
čć¨ăă: ăăăĄăč飞ĺşäşćĺ Źĺĺć´žĺşćăăŽăă㍠čĄăŤă¨ăŁăŚčŻăă¤ăĄăźă¸ăăăăăăŞä˝ĺă§ăăă° čŻăăŽă§ăăăăăĺăŽä˝ĺăŽă¤ăĄăźă¸ă ă¨ă ăĄăăŁă¨âŚďźçŹďźă ăăăžă大ă çăŤäťĺ°ăăăăăčĺ°ă¨ăăăŽăŻ ć°ăĺźăăžăă
čăć: ă¨ăăă§ă䝼ĺĺ çăŤă¨ăłăăă°ăŽăăśă¤ăłă ăéĄăăăăă¨ăăăăžăăăăĺ çăŤćă㌠ăăă ăăăăŽăŻĺ¤§äşşć°ă§ ăăŁă¨ăăéăŤăŞăăŞăŁăŚăăžăăžăăŚă
čć¨ăă: ĺŹăăă§ăăăă¨ăłăăă°ă§ĺ°ăăŻäťĺ°ĺ¸ăŤ 貢çŽă§ăăăŽăăŞă
čăć: 大ĺ¤čŠąéĄă¨ăŞăŁăăŽă§ăăăă¨ăłăăăŻăŽĺśä˝ćć° čŞä˝ăăăăťăŠĺ¤ăăŻăŞăăŚăăăŁă¨ăăé㍠ăłăŹăŻăżăźă˘ă¤ăă ăŤăŞăŁăŚăăžăŁăăżăăă§ăă
čć¨ăă: ĺ¸ć°ăŽçăăăŤĺăă§ăăă ăăăŞăă äťĺžăé ĺźľăăžăă
čăć: ăă¸ă§ă¸ă§ăăăĄăłăŽçăăăŻăäťĺ°ă čĺ°ĺˇĄç¤źă¨ăăŚč¨ŞăăćšăăăăŁăăăăăă§ăăă ăžăäťĺ°ĺ¸ă§ăŽăă¸ă§ă¸ă§çŤăĄăă大ĺ¤çăä¸ăăŁă㨠䟺ăŁăŚăăăžăăŽă§ăăă˛ăäťĺ°ă§ăă¸ă§ă¸ă§ăă ăŞă˘ăŤăŤćăăŚăăăăăă¨ćăăžăă ăĄăŞăżăŤäťĺ°ĺ¸ă§ăŻă彍ĺťăŽăăăžăĄăĽăăäşćĽăă čĄăŁăŚăăŚăĺ¸ăŽăˇăłăăŤă§ăăĺŽçŚ 寺éă㎠ăąă¤ă丌ć¨ăŽä¸ăŞăŠăŤăăăăĄăłăŤăŻăă¸ă§ă¸ă§ă㎠ä¸ç茳ăćăăăă彍ĺťăăăăžăăă
čć¨ăă: ăăăăăăžăă(çŹ)ă
čăć: çąĺżăŞăăĄăłăŽćšă§ăăăăăă¸ă§ă¸ă§ăă¨ăŻ ĺ ¨ăé˘äżăăŞăăŚăăćťăăăĺ ĽăŁă彍ĺťăčŚăŚ ĺă°ăăă¨ćăăžăăăĺŽéăŤăă¸ă§ă¸ă§ăă ă˘ăăźăă¨ăăä˝ĺăäťĺ°ĺ¸ă§éčłă§ăăăăĺ ¨ĺ˝ăă ăăĄăłăŽćšăăăăăäťĺ°ĺ¸ă訪ăăŚăăăă¨ćăăžăă ăĄăŞăżăŤăäťĺ°ĺ¸ĺ˝šćăŤăăă¸ă§ă¸ă§ăăŽçąĺżăŞ ăăĄăłăăăŚă ä˝ĺăŤçťĺ ´ăăă¨ăă˝ăźăă ĺćăŞăŠă塥ăăŤăźăăč¨ĺŽăăŚăäťĺ°ĺ¸ă¨ăăŚă ăťăźăŤăšăă¤ăłăăă¤ăăăă¨ăăäźçťăăăăžăăă
čć¨ăă: ăăăăăŞăćăĺ¤ă(çŹ)ăă§ă夢ăŽăăăŞčŠąă¨ăăŚăŻă ăŞăă ăă漽ăăăă§ăăă
čăć: ĺŽéăŤéčĺşčąäşŹé˘ăŤăăéľäžżĺąăŞăŠăăăĄăłăŽćšă 訪ăăŚăăéľäžżĺąăŞăŽăŤăăŁăąăçˇč˛ă ďźăă¨ăă芹ă ăăŁăăăă§ăăćŽéăŽéľäžżĺąă ăă§ăŞăă čĄăŽăăăăŞă¨ăăăŤăă¸ă§ă¸ă§ăăŻăźăŤăă čŚĺşăçąĺżăŞăăĄăłăŽćšăăăăăă§ăă
珏ďźĺ äťĺ°ĺşčşŤč ăŻăă¤ăžă§ăčĽăďźďź 2011.2.21
čăć: ăă¸ă§ă¸ă§çŤăĄăăăăă§ăăăăăŁăŻăˇă§ăłăŽä¸ç㍠ă¨ăŠăžăăăä˝ĺăŽé ĺăçžĺŽä¸çăŤäžľéŁăăŚă㌠ăăă¨ăăăă¨ă ă¨ćăăžăă ăžăă2010ĺš´ăŽNHKćăŽăăŹăăăŠăĺ°čŞŹă§ ăă˛ă˛ă˛ăŽĺĽłćżăă大ăăăăăŚă ă˘ăăŤă¨ăŞăŁăć°´ć¨ăăăĺ çăŽć éˇăŤ ăăăăăŽčŚłĺ 厢ăćźăĺŻăăăăăŤăŞăŁăăăă§ăă ăăŹăćžć ĺăŻăăăĄăłăŽćšă訪ăăăăăă ăŁăăŽăă ćžć ĺžăŤăŻäşşĺŁăŽć°ĺăŽä¸čŹăŽčŚłĺ 厢ă訪ăăăă㍠ăŞăŁăăăă§ăçľć¸ĺšćă¨ăăŚă大ăăŞĺšćăăăŁăă¨ă
čć¨ăă: ć°´ć¨ĺ çăčŞčşŤăăăç´ ć´ăăăă§ăăăăă
čăć: ăăŁăăă§ăăăăäťĺžăŻä˝ăäťĺ°ĺ¸ă§ăă ăăă¸ă§ă¸ă§ăăŽä˝č ăťčć¨éŁĺ彌ăŽăŤăźăăŻăăăŤăăă ăżăăăŞäźçťăŞăŠă§ăăăă¨ćăăžăă
čć¨ăă: ăăăé常ăŤĺ ć ăŞăă§ăăâŚć縎ăăŚăăžăăžăă
čăć: ăĺăăă¨ćăăžăăăäťĺ°ĺ¸ăŻčŞçśç°ĺ˘ăŤćľăžă㌠ăăăăŽăŽăćŁç´ăŞă¨ăăĺ ¨ĺ˝ăăăŠăŁă¨äşşă ćźăĺŻăă茳ĺ ĺ°ă¨ăăăăăăăŠăĄăăă¨ăăă° ĺŽéăŤćŽăăăŚăżăŚă ăăăŞăă¨ćăĺĺ°ćă ă¨ćăăžăă
čć¨ăă: ăăă§ăăă
čăć: ă§ăăăăäťĺ°ăŽčŻăăPRăăä¸ă§ăăŻă ăäşşăăăŤăŽăŤăŞăă¨ćăăžăă äťĺ°ăŽčŻăăçĽăŁăŚăăă ăă ĺŽéăŤä˝ăă§ăżăŚăăă ăăŚă ăăăćŹĺ˝ăŤç´ ć´ăăăă§ăăă ă¨ćăŁăŚăăă ăăăăŤăŻăăăă§ćŽăăäşşăăĄčŞčşŤă ăăă¨ăăă ă¨ĺŽćăăŚăăăă¨ăŻĺćă§ăăă ăăŽä¸ă§äşşă¨äşşă¨ăŽă¤ăŞăăăŤăăŁăŚ é ĺăçşäżĄăăŚăăăă¨ă大ĺă ă¨ćăăžăă ăă¸ă§ă¸ă§ăăăĄăłĺ壍ăŤăŻé常ăŤĺşăçľăăă㨠ćăăžăăăăäťĺ°ĺ¸ăŽĺ°ĺćŻčăé ĺăŽçşäżĄă¨ăă 茳çšăăăăă˛ĺ çăŽăĺĺăăăă ăăă°ă ă¨ćăŁăŚăăăžăă ăć°´ć¨ăăăăăźăăăŞă㏠ăčć¨éŁĺ彌ăă¸ă§ă¸ă§ăăăźăăă§ăă¨ăă
čć¨ăă: ćŹĺ˝ăŤĺ¤˘ăżăăăŞčŠąă§ăăă äťĺ°ĺ¸ăŽăăăŤĺĺă§ăăăă¨ăăăŁăă ăăăăăä˝ăă§ăăă°ă¨ćăŁăŚăăžăă
čăć: ăăăă¨ăăăăăžăă çĺ˝ç§ĺŚç 犜č ăŽçŹč¤ĺ ĺŠăăăă ă˘ăĄăŞăŤăŽĺťĺŚççŠĺŚčŞăcellăăŽčĄ¨ç´ç¨ă¤ăŠăšăă ĺ çăŤăŞăŻă¨ăšăăăăăăăŤă ăŞă˘ăŤăżă¤ă ă§ăă¸ă§ă¸ă§ăăčŞăă§č˛ăŁăä¸äťŁăă ä˝ĺăăĺăă役éżăăăłăŹäťĽĺ¤ăŽăăŁăźăŤăă§ă ăŠăăŠăçžăć䝣ăŤăŞăŁăŚăăă¨ćăăžăă ăžăăć°ăăŞčĽăčŞč ăĺ˘ăăŚăăăăă§ăăă
čć¨ăă: ăăăĺŹăăă§ăăă ăăăăăĺš ĺşăä¸äťŁăŤć¸ĄăŁăŚčŞăă§ăăă ăăă ăăă§ăăｼｼｼ水ć¨ĺ çăŽăăăŤă
čăć: ăăŻăéˇăéŁčźăăăŚăăăăăăă ăăăăćĺłă§ăĺşăă˘ăăźăŤă§ăăă¨ćăăžăăŽă§ äťĺžăćŤć°¸ăăć´ťčşăéĄăŁăŚăăăžăă
čć¨ăă: ć°´ć¨ĺ çăŻăăăă90ćłăŤăŞăăăžăăă ăăă§ăăŞăç´ ć´ăăăă§ăăăă
čăć: 䝼ĺĺ çăŻăéąĺčŞéŁčźă§ăŻé常ăŤä˝ĺăćśčăăăŽă§ă éŁčźăŻ50ćłăăăăéçăă¨ăăăăăŞăă¨ă ăăŁăăăŁăŚăăžăăăçžĺ¨ăŻćĺčŞă§ăŽéŁčźă¨ăŞăă éąĺčŞăăăŻăăăăăč˛ ć ăć¸ăŁăă¨ćăăžăăă äťĺžăŻăŠăŽăăăăžă§ă§ăăă大ä¸ĺ¤Ťă¨ ćăăăăŚăăžăăă
čć¨ăă: ăăâŚăăă°ăŁăăăŻăćŹĺ˝ăŤĺăăăŞăă§ăăă ă§ăăăă¨10ĺš´ăŻćä˝ă§ăăăăăă§ăăă
čăć: ĺ çăŻ1960ĺš´çăžăă¨äźşăŁăŚăăžăăă ăăăăŚă芹ăäźşăŁăŚăăŞăăă ćŁç´ăŤçłăä¸ăăžăăă¨ăŚăăăăŻčŚăăžăăă ĺă§ăŻăă¸ă§ă¸ă§ăăŽçťĺ ´äşşçŠăăĄă¨ĺăă ă波ç´ä˝żăăă§ăă¨ăă 弼ć§ă波ç´ăŽä˝żăćă§ăăčŞĺŽ ă§ă波ç´ăă ćľ´ăłăŚăăă¨ăâŚ
čć¨ăă: ăăćłç¸ĺżă§ăăďźçŹďźă ă波ç´ăăăăŞăăŚâŚäťĺ°ăŽäşşăŻă çăăčĽăăăă ă¨ćăăžăăďźçŹďźă
čăć: ĺ çăŤéăăäťĺ°ĺşčşŤč ăŻčĽăčŚăăäşşăĺ¤ăă¨ă
čć¨ăă: ăăăăčŞçśç°ĺ˘ăć°ĺă¨ăăăçąłăéŁăšçŠă¨ă⌠ăăăăčŚç´ ăăăăăă
čăć: ă§ăŻĺ çăăăŽăžăžĺ¤ăăăăăă¨ç§ăăĄäťĺ°ĺ¸ć°ăă ăă¤ăžă§ăčĽă ăăăă¸ă§ă¸ă§ăă漽ăăăă¨ă ă§ăăžăăă
čć¨ăă: ă§ăăăăŽäťäşăŻćŹĺ˝ăŤĺąăŞăăă§ăăă 沚ćă§ăăžăăăăă ćĺĄĺ çăŻ60ćłă§äşĄăăŞăăăŚăăžăăă
čăć: ĺľä˝ăŤă¨ăăŤăŽăźă注ăčžźăă§ăăžăăă ăŞăŽă§ăăăăă
čć¨ăă: ăŠăăăŚăçĄçăăŚăăžăăŽăăăăăŞăă§ăăă čĽăćă¨ăŻéăŁăŚăăĺžšĺ¤ă§ăăŞăăŽăŤă ćăăŚăăă¨ăăăă¨ćăŁăŚăăžăă¨ăă
čăć: ćăăŚăăă¨ă˘ăăŹăăŞăłăĺşăŚ ç˛ăăćăăăăŞăăŞăŁăŚăăžăŁăăăăăŽă§ăăăăă
čć¨ăă: éä¸ăăŚăăăăăăŁă¨ăăéăŤćéăéŁăłăžăăăă ć°ăĽăăăä˝ćéăĺă姿ĺ˘ă§ćăçśăăŚăăŚă č °ăăăâŚďźčŚçŹďźă
čăć: ăžăă§ăăŁă˘ăăăŽăšăżăłăăăăłă°ăŻăŞă ăžăłă ăŽćťćăŤăăŁăăżăăăŤăćéăćśăéŁăłă č °ăŽçăżă ăăćŽăă ç§ăăĄăă波ç´ăă使ăăăŽă§ăăăă ĺ çăŤçĺ˝ă¨ăăŤăŽăźăéăăăă§ăă(çŹ)ă
čć¨ăă: ăăăă¨ăăăăăžăă ăă¤ă§ăă¨ăăŤăŽăźăŻćŹ˛ăăă§ăăŽă§(çŹ)ă ă§ăäťćĽăŻăçăăăăĺ ć°ăŽă¨ăăŤăŽăźă ăăăăăăă ăăć°ăăăžăăă
珏ďźĺ čć¨ĺ çăăăŽăĄăăťăźă¸ 2011.2.22
čăć: ă§ăŻćć°ä˝ăŽčŠąăăäźşăăăžăă ĺ ćĽ(2010ĺš´11ć)ă珏ďźé¨ăSBRăăŽçŹŹ22塝ă çşĺŁ˛ăăăžăăăăăŽä¸ă§ă ćă čĄćżćŠé˘ă§ĺăčˇĺĄăŤă¨ăŁăŚ é常ăŤĺ°čąĄçăŞă¨ăă˝ăźăăăăăžăăă ăăŽä¸ăŽä¸ĺš¸ăăŠăăčŞĺăăĄăŽä˝ăĺ°ĺă¨ăŻ ĺĽăŽä¸çă¸čż˝ăăăă¨ăă羜大ăŞč˝ĺăĺžă ă˘ăĄăŞăŤĺ¤§çľąé ăăä¸çä¸ăŽăăšăŚăŽäşşéă 嚸ăăŤăŞăăă¨ăŻăăăăŞăăŽă§ă čŞĺăŻćĺ˝ĺżăŤĺşăĽăăŚăăăŽč˝ĺă使ăŁăŚ ćŁăăčĄăăăăŚăăă¨ä¸ťĺźľăăăˇăźăłăăăăžăă čĄćżčˇĺĄă¨ăăŚăŻăăăĺ¤ăăŽĺ¸ć°ă嚸ăă ćăăăăăăăŞć˝çăčĄăăă¨ăčăăŞăăă ä¸ćšă§ăăšăŚăŽĺ¸ć°ăŤă¨ăŁăŚćşčśłăŽăăć˝ç㯠éŁăăă¨ăăă¸ăŹăłăăăăă ăăŻăăăŽĺ¤§çľąé ăŽä¸ťĺźľăŤă čŻăăăăă¨ăăăăăăăăŤćăăŚăăžăăžăăă
čć¨ăă: äşăćăŁăŚăăăćšăăăă¨ćăăžăăăŠă ăăŽă´ăĄăŹăłăżă¤ăłĺ¤§çľąé ăŻăćŞĺ˝šă§ăăăăďźçŹďźă ĺčăŤăăŞăă§ďźçŹďźăă§ăăĺŽăŻăăćĺłă§ăŻ ăăŽä¸ťĺźľăćŁăăă¨ăăćŞĺ˝šăŤăăăăŁăăă§ăă
čăć: ăăă§ăăăăĺŽéăăšăăźăŞăźä¸ă§ăŻä¸ťäşşĺ Źă ăăŽăˇăźăłă§ăăăďźééăŁăŚăăăŽăŻĺďźă ăżăăăŞćăă§âŚ
čć¨ăă: ăăăăăćşăăŚăăžăă
čăć: ĺ çăăćŞĺ˝šăă¨č¨ăăăăŽă§ăăŽăťăŞăă çăŤĺăăŚăăžăŁăŚăŻăăĄăŞăă§ăăăăă ăŞăźăăźăˇăăă¨ăăŚăŻăăăŞăŽăăŞăă¨ăćăăžăăă
čć¨ăă: ăăăçžĺŽä¸çă§ăŻăăă ă¨ćăăžăăă ĺčŞčşŤăăăŽĺ¤§çľąé ăŽăăăŞăŞăźăăźăˇăăăŽćšăă ćŹĺ˝ăŻĺĽ˝ăă§ăă
čăć: ä¸ăŤçŤă¤ăăŽă¨ăăŚăŻăăăŻăăăăăčŚćă čč˛ ăĺż čŚăăăă¨ă
čć¨ăă: ăăăĺ ¨ĺĄăŤă¨ăŁăŚăŽĺš¸ăăçĄçăŞăăăăŻăăŠăă㍠čŚçšă罎ăăŚčăăŞăăă°ăăăŞăă§ăăăăăă çľĺąçŠäşăŤăăăŚçľśĺŻžçăŤćŁăăă¨ăćŞăăă¨ăŁăŚ ăăăŞăŤăŞăă¨ćăăžăăă ăăăăă ăăăăă ă¨ăăçˇĺźăăéčŚă ăă ćżć˛ťăŻăăŽăăăŽäťäşă§ăăăăăă ăăă§ăčŚćăćăŁăŚćąşăăăăăŤăŻăăă çŞăé˛ăă§ăăăšăă ă¨ćăăžăă ăĄăăŁă¨ä˝ăč¨ăăăăăăă§ĺżăćăăăă ĺč¨ć¤ĺăăăăăăă¨ăŻčŻăăŞăăŞă¨ćăăžăă
čăć: ăăăăćĺłă§ăŻăă´ăĄăŹăłăżă¤ăłĺ¤§çľąé ăŻă ćżć˛ťĺŽśă¨ăăŚăŻďźŻďźŤă§ăăăă ăăăăŽăžăžčĄăăăăŞăă
čć¨ăă: ćŞĺ˝šă§ăăăŠăďźçŹďźă
čăć: ä¸ćšă§çžĺŽä¸çăŻăăăăăăŞäžĄĺ¤čŚłăăśă¤ăăĺă ćŹĺ˝ăŤéŁăăć䝣ă§ăă äťăŽćżć˛ťăŤă´ăĄăŹăłăżă¤ăłĺ¤§çľąé ăŽăăăŞç˛žçĽă ćąăăăă¨ăĺłăăăăăăăžăăăă ăăă§ăĺŻăŁăŚçŤă¤ăšă俥忾ăŻĺż čŚă§ăŻăŞăă ă¨ćăăžăă大羹é ăŻăćĺ˝ĺżă ăă¨č¨ăŁăŚăăžăăă ç§ăăĄä¸ĺ¸ć°ă¨ăăŚćăŁăŚăăăšă俥忾ă¨ăăŚăŻă ĺ çăŽä˝ĺăŽăăźăăŤă¤ăŞăă芹ăă¨ćăăžăăă ćšăăŚăčăăăăă ăăžăăăă
čć¨ăă: ćĺ˝ĺżă¨ăžă§ăŻăăăŞăăŚăă ăăŻă厜ćăĺŽăăă¨ăăćć ăă ăăăăŻčŞĺăçăžăăć éˇăäťćŽăăăŚăăĺ°ĺ ă¸ăŽćłăăŞăŠăŤçšăăé¨ĺă ă¨ćăăžăă
čăć: ăă¸ă§ă¸ă§ăăăäşşéčłćăăăăźăă¨ăăŚăă ă¨ăăăăçąç¸ă§ăăăăăŻăĺ çăŽäťĺ°ă¸ăŽćłăă ăăăăćĽăŚăăăă§ăăă
čć¨ăă: ăăăŽčžşăâŚčŞĺă¨ăăŚăŻăăăăăăŤă㌠揲ăăăŞăă§ăăăăăăăăŤăăăăăŞäşşăŤăŻ ä¸ăŤçŤăŁăŚćŹ˛ăăăŞăă¨ćăăžăăă
čăć: äťĺ°ĺ¸ĺ˝šćčˇĺĄăŻčŞĺăŽä˝ăčĄăćăć°ćăĄăŻ ăăĄăăćăŁăŚăăă¨ćăăžăăăăăŽä¸ă§ăă㍠čŚćăćăŁăŚäťäşăŤč¨ăžăŞăăă°ăăăžăăăă
čć¨ăă: ăăă§ăăăĺłăăć䝣ă§ăăăă 風ĺ˝ăăăŻĺźˇăăŞăăăăăăžăăăă
čăć: ăăăŻăăŻăăăă¸ă§ă¸ă§ăăćăăĺ¸čˇĺĄă¨ăăŚăŻă ä˝ĺă§ćăăăŚăăăăăŞăăćŁçžŠăăŽčźăăŽä¸ăŤăă ăéťéăŽç˛žçĽăăăĺčăŤăăăă¨ćăăžăă
čć¨ăă: ăă¸ă§ă¸ă§ăä˝ĺăŽä¸ă§ăŽćŚăă ă¨ă ćĺžăžă§ĺăĄćŽăăŽăŻă ĺ¤ĺä¸äşşäşäşşăăăăăăăŞăä¸çă§ăăă ăžăçžĺŽăç¸ĺ˝ĺłăăć䝣ă§ăăăé ĺźľăŁăŚăă ăăă
čăć: ăăăă¨ăăăăăžăă
čăć: ăăŚăĺşçŹĺˇă§ăŻďźŽďź°ďźŻĺŁä˝ăç´20ĺš´ćŻă㍠貸ăăăźăă垊洝ăăăăă ĺ¸ć°ĺŁä˝ăä¸ĺżă¨ăŞăŁăŚäźćĽă大ĺŚăŞăŠă¨ ćľĺä¸ćć¸ ćć´ťĺăŞăŠăčĄăŁăăă¨ă ĺ¸ć°ăŽçăăăăăăăăŞć´ťĺăčĄăŁăŚăăžăă ćĺžăŤăĺ çăăĺşçŹĺˇăŤé˘ăăć´ťĺăčĄăŁăŚăă çăăă¸ĺżć´ăŽăĄăăťăźă¸ăăăă ăăžăăă
čć¨ăă: ĺşçŹĺˇă ăă§ăŞăăăăăăčŞçśç°ĺ˘ăĺŽăŁăŚăăä¸ă§ă ăăăăăŽć䝣ăŻčĄćżă ăă§ä˝ăăăăăŁăŚăăăă¨ăŻ ä¸ĺŻč˝ă ă¨ćăăžăă ćăŻăäžăă°çĽç¤žăŽč˝ăĄčćé¤ăŞăŠă čżéŁăŤä˝ăäşşăăĄăčŞçśăŤăăŁăŚăăžăăăăă ĺ ăťăŠćĺ˝ĺżăŽčŠąăăăăžăăăă ăăăžă§ăăăŞăăŚă ĺ¸ć°ăčŞĺăŽä˝ăčĄă大ĺăŤćăć°ćăĄăăă ăăŠăłăăŁă˘ć´ťĺăŞăŠăčĄăăă¨ăŻ ă¨ăŚă大ĺăŞăă¨ă ă¨ćăăžăă ăăăăć´ťĺăăăăŚăăćšăĺşçŹĺˇăŤ ăăăăăăăŁăăăăă¨ăŻă ç´ ć´ăăăăă¨ă ă¨ćăăžăă
čăć: ĺ¸ć°ä¸äşşă˛ă¨ăăăăăăĺ°ĺăćăăć°ćăĄăćăŁăŚă éŁćşăăŚăăăă°ĺşçŹĺˇă ăă§ăŞăäťĺ°ĺ¸ă ăăăŤç´ ć´ăăăčĄăŤăŞăăžăăăă
čć¨ăă: ăăă§ăăă 誰ăä¸äşşăŽĺă§ä˝ă¨ăăŞăăăŽă§ăŻăŞăă¨ćăăžăăăă ăăŽăăăŤăăăżăăŞă§čç Žäźăăăăă㌠䝲čŻăăŞăŁăăăäťăĺăăĺşăăŁăŚăăă° ăăă§ăăăăä˝ăăă漽ăăă(çŹ)ă
čăć: čç ŽäźăŻăłăăĽăăąăźăˇă§ăłă桹ăăăăă ăă§ăŞăă ĺşçŹĺˇăăăăăăĺŽăŁăŚăăăă¨ăŤă¤ăŞăăăžăăă
čć¨ăă: ăăăăŁăć´ťĺăăăăŤĺşăăŁăŚăăăă¨ă éĄăŁăŚăăžăăĺăăăŽăăăŤä˝ăă§ăăăă¨ă ăăăžăăăĺĺăăăă¨ćăăžăă
čăć: ăăăă¨ăăăăăžăă ĺ çăŽĺşçŹĺşˇä¸ĺăŤăăăăăćłăăŤč˛ ăăŞăăăăŤă ç§ăăĄăăăăăé ĺźľăăăă¨ćăăžăă äťćĽăŻăĺżăăă¨ăăćŹĺ˝ăŤăăăă¨ăăăăăžăăă
珏10ĺ ăăźă芹 2011.2.23
čăć: äťĺăŻăăăă¤ăżăŞă˘ăłăŹăšăăŠăłăă˘ăŤ ăăŁăŞăźăŹă ăă¤ăłăżăăĽăźäźĺ ´ă¨ăăŚăĺăăăžăăă ăăĄăăŽăĺşăăăŻăă茧ăăă ăăŚăăăăăŤă ĺşçŹĺˇă¨äťĺ°ĺ¸čĄĺ°ăčŚä¸ăă ç´ ć´ăăăćŻč˛ăćăăžăă
čć¨ăă:ăăă§ăăă ăăŽĺ ´ćăŤăăăŞç´ ćľăŞă¤ăżăŞă˘ăłăŹăšăăŠăłă ăăăŞăăŚăĺăäťĺ°ăŤăăé ăŤăŻ čăăăăŞăăŁăăă¨ăăă
čăć: ăăŽăăąăźăˇă§ăłăç´ ć´ăăăăŽă§ăăă ăăĄăăŽăĺşăŤäźşăŁăççąăŻăăä¸ă¤ăăăžăă ăă¸ă§ă¸ă§ă珏ĺé¨ăăćççşăă¨ăăćĽćŹăŽćśçŠşé˝ĺ¸ă čĺ°ă¨ăăăăă¤ă¤ă˘ăłăăŻç ăăŞăă硨ă§ă ä¸ťäşşĺ ŹăćąćšäťĺŠăă¨čŚŞĺăŽăčšćĺćł°ăăă ă¤ăżăŞă˘ćçĺşăăăŠăľăŤăăŁăźăă訪ăăă¨ăă ă¨ăă˝ăźăăăăăžăă
čć¨ăă: ăšăżăłă使ăăŽăˇă§ăăťăăăŞăăăăăšăżăłă㧠ćçăéŁăšăäşşăĺĽĺşˇăŞçść ăŤç´ăăŚăăžăă¨ăăăĺşă
čăć: ç§ă大弽ăăŞă¨ăă˝ăźăă§ăăă¸ă§ă¸ă§ăăăĄăłăŞăă° ăăăŞăĺşăçžĺŽăŤăăŁă羜寞čĄăăăă ă¨ăăăĺşă§ăăăĺŽăŻăăŽăĺşăŽăˇă§ăçŽéťăăăă ăšăżăłă使ăă§ăŻăăăžăăăăć§ă ăŞéŁćă ćăĽăăăăăŚăăŚăăăĄăăŤĺăăăăŚăă ăă ăŞăŠăăˇă§ăčŞăăä˝ăăăŚăăăă§ăă
čć¨ăă: ăăăŞăăăżăăăŤćçăŤăšăżăłăăăăźăŤăťă¸ăŁă ă ăĺ ĽăŁăŚăăăăă
čăć: ĺ çăčŠăăăçźç˛žç˛ĺ´ăŞăŠăŽççśăŻăăăžăăăă ă§ăäťćĽăŻăéŁäşăĺŹăä¸ăăŁăŚăăă ăćéăăŞă㌠大ĺ¤ćŽĺżľă§ăăｼｼｼ ă¨ăăă§ăăă¸ă§ă¸ă§ă珏äşé¨ăéťéăŽé˘¨ă硨㧠ă¤ăżăŞă˘ăčĺ°ă¨ăăä˝ĺăćăăăŚăăăă¨ăăăă ĺ çăŻă¤ăżăŞă˘ă大ĺ¤ă弽ăăŞăŽă§ăŻăŞăă㨠ćăŁăŚăăăžăăă
čć¨ăă: ĺŽăŻćąäşŹăŤčĄăŁăŚăăĄă°ăčĄćăĺăăăŽăŻă ăăšăżăŞăă§ăă ăăăŞăŤçžĺłăăéŁăšçŠăăăŁăăŽăăźďźăŁăŚă ćŹĺ˝ăŤĺ§ĺçăŞčĄćă§ăăă ĺăäťĺ°ăŤăăé ăŻă äťăŽăăăŞă¤ăżăŞă˘ăłăŹăšăăŠăłăŻăŞăăŁăăă§ăăă ăăăŞç´ ćľăŞă¤ăżăŞă˘ăłăŹăšăăŠăłăăăă¨ăăăŽăŻă ĺ˝ćăăčăăă夢ăżăăă§ăă
čăć: ăăĄăăŽçŽéťăˇă§ăăŻĺ ćĽTBSăć çąĺ¤§é¸ăăŤĺşćźăăă äťĺ°ăŽă¤ăżăŞă˘ćççă§ăŻćł¨çŽăŽăĺşă§ăăăăă ćąäşŹăăčśłăéă°ăăă厢ăăăăăăăăă§ăă ăĄăŞăżăŤăăĺşăŽăĄăăĽăźăăă厢ăăăŽĺĽ˝ăżăŤĺżă㌠ăˇă§ăă¨ç¸čŤăăŚćąşăăă¨ăăăŽăĺşćŹă§ăă
čć¨ăă: ĺăăăăŞăă§ăăă ăžăăăăă¸ă§ă¸ă§ăăŽćšăĺžăăă ăŁăăăăŚâŚ
čăć: ăĺşăŻéĺşăăŚéăăŞăďźĺ¨ĺš´ă çžĺ¨ăŽĺ ´ćăŤç§ťčť˘ăăăŚăăăŻă4ĺš´ĺ¨ĺš´ă¨ăŽăă¨ă§ăă
čć¨ăă: ăăăŁăăăăăŠăľăŤăăŁăźăăŽăŞăźăăłăĺ ă§ăăďźçŹďźă ă¨ăăă§ăăŽăżăŤăăéŚăăç´ ć´ăăăă§ăăă ĺăŻéŁćăŽéŚăăć´ťăăăŚăăćçă弽ăăŞăă§ăăă
çŽéťăˇă§ă: ç´ ă¤ă˘ăŽă˘ă¤ăšăŻăŞăźă ăăĽăŹă桝ăă ć´ăăˇăŽăżăŤăă§ăă ăăŽä¸ăŤăăŤăă¸ăŁăźăăťăŹăă¸ăŁăźăă ćŻăăăăŚăăžăă
čć¨ăă: ćŹĺ˝ăŤăăŤăă¸ăŁăźăăťăŹăă¸ăŁăźăăŽéŚăｼｼｼăăăă ăă¨ăăŽç´ ă¤ă˘ăŽçăżăｼｼｼçžĺłăăă§ăăď˝ă
čăć: ăă˛äťĺşŚäťĺ°ăŤăčśăăŤăŞăéăŤăŻăăĄăă§éŁäşă ĺŹăä¸ăăŁăŚăăă ăăă°ă¨ćăăžăă ăˇăźăşăłăŤăŞăŁăăă¸ăă¨(éçŁ)ćçăăĺ§ăă§ăă
čć¨ăă: ă¸ăă¨ă¨ăăŁăŚăăäžăă°ćľˇĺ´ă§ă¨ăăéă¨é幹㧠ç˛ăăéă¨ă§ăŻă潎風ă¨ăéŁăšăé¤ăŽéăăăăă§ăăă ĺłăéăăăăă§ăăă ăăăŞčŠąăčăă¨ăăăŽéăăć˘ăŁăŚăżăăă§ăăă
čăć: ă§ăŻäťĺşŚăăăĄăăŽăĺşăŽăˇă§ă㍠澡ĺ´ăŽéă¨ĺąąĺ´ăŽéăĺăĺŻăăŚăăă ăăŚâŚ
čć¨ăă: äşç¨ŽéĄĺşăăŚăăă ăăŚăäťĺşŚă㲠éŁăšćŻăšăăăă§ăăďźçŹďźă ă§ăăăĄăăŽăăśăźăăăăă ăăă ä˝ă ăĺ ć°ăĺşăŚăăžăăăďź
čăć: ăˇă§ăăĺ çăăăśăźăăĺŹăä¸ăăŁăŚ ĺ ć°ăĺşăăăă§ăďź ăăŁăąăăšăżăłă使ăă ăŁăăă§ăă(çŹ)ă
çŽéťăˇă§ă: ăăăă¨ăăăăăžă(çŹ)ă[24] [25]
Hiromu Arakawa has always read the works of Hirohiko Araki since her childhood. In 2011, Araki is approaching thirty years of his career. From the appeal of their works to the surprising common points between the hymn to humanity and the principle of equivalence, here is the interview of the century between two people on the front line in the world of shonen manga!
JoJo's Bizarre Adventure, the manga that gives you courage
Arakawa: I read your manga since Baoh the Visitor. And of course, I love reading JoJo's Bizarre Adventure since the first part. I am honored to meet you today!
Araki: Wow! I am very happy that you have been reading me for so long. Thank you so much!
Arakawa: While I was in elementary school, my older sisters used to buy Shonen Jump. In our barn, I specifically found the issue with the first chapter of JoJo's Bizarre Adventure. I went to read it in a dark barn where some agricultural equipment were stored, and I was completely captivated.
Araki: The perfect atmosphere (laughs).
Arakawa: It was twice as scary. But I was still really into it (laughs)! I was still a kid at the time, and I imitated the Ripple and said things like "I want a Stand like this!" (laughs). Knowing that I was going to meet you, I wondered what made JoJo's Bizarre Adventure so appealing to me. And I told myself that it is the fact that it gives me courage.
Araki: That's also the appeal of Fullmetal Alchemist (referred to as Fullmetal from here on), isn't it? When I read it, it made me reflect on the origins of humanity. Through the system of alchemy, we go as far as researching the mechanisms of nature and the human world. I was thinking "Whoa!".
Arakawa: Oh, thank you very much! When I thought about the origins of mankind, it was important not to ignore the question "What are courage and pride?". The protagonists of JoJo's Bizarre Adventure, allies and enemies alike, are all proud and live a hard life. I find them admirable. Especially Iggy... Making me cry with a dog who chews gum...! The scene where Lisa Lisa puts her cigarette upside down also immediately comes to mind. I also appreciate Stroheim's determination. I really love all the characters.
Araki: Hahaha (laughs). It's because half of his body is made up of cybernetics prostheses. He wouldn't be out of place in the Fullmetal universe. Personally, I like Armstrong in Fullmetal. I appreciate the characters who let their passion run wild while keeping their seriousness. The scene where he and Sig were staring at each other and made poses was really funny. Conversely, the scene where Al is deteriorated is quite intense. His blood seal could disappear at any time... I was anxious thinking about that.
Arakawa: Yes, he should have covered it (laughs}.
Was the name "Elric" a risk?! The Shonen Manga World of the 70s-80s
Arakawa: Speaking of what makes JoJo's Bizarre Adventure so appealing, I think it's the unique dialogue. I let the JoJo's Bizarre Hyakunin Isshu (ă¸ă§ă¸ă§ăŽĺĽĺŚăŞçžäşşä¸éŚ JoJo no KimyĹ na Hyakunin Isshu) CD play at my work place, and I had assistants who could recite it by heart without even having read the manga.
Araki: That's amazing (laughs). I created the dialogue by thinking about their motivations, reasons, and "why are they fighting", but I haven't thought so far as making this line popular or making the readers cry. So I'm happy to hear you say that.
Arakawa: I would unconsciously say lines from JoJo's Bizarre Adventure in my everyday life. Perhaps more than you think, Araki-sensei, it's probably become ingrained in your readers' blood. That's how powerful the spirit of the words are in your work.
Araki: However, since there are horror elements in my manga, I purposely used vulgar language... I felt that I shouldn't only depict the beautiful parts. "Black and white", "Good and evil", "Beauty and ugliness". I try to keep opposites like these in mind as I draw, so I don't shy away from the ugly parts of human nature.
Arakawa: I see.
Araki: But you know, it wasn't until about ten years after the start of the series that I was recognized in this way. At the time, I was told that it would be difficult to set a story in a foreign country with a foreign main character. Such a manga was in danger of being questioned at any time by the magazine's editorial team. I guess I was a bit cocky at the time. I wanted to challenge the rules and jinxes of shonen manga. As long as I respected the principles of Shonen Jump, which are "Friendship", "Effort", and "Victory", why not include Western characters?
Arakawa: Besides, the story begins with Aztec people.
Araki: It's so confusing (laughs)!
Arakawa: Nooo, for an occult lover like me, I couldn't get enough of it.
Araki: At the time, I was told that a bizarre long-running drama series would not be a hit in the manga world. That's why it was a miracle that an editor appreciated my universe, encouraged me, and allowed JoJo's Bizarre Adventure to get serialized. For that reason, choosing the name "Elric" in Fullmetal would have been dangerous at the time (laughs).
Arakawa: Hahaha, "rejected" (laughs).
Araki: Was it easily decided?
Arakawa: I think it was accepted because Enix (currently Square Enix) is a game company. In fact, we were expecting readers who are used to RPGs, so we thought a name with a fantasy flavor would be good.
Araki: Is that so? The times have changed, huh?
Note: Incomplete interview.
ăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăăŻĺć°ăăăă柍çť
čĺˇ: čć¨ĺ
çăŽä˝ĺăŻăăăŞăźćĽč¨Şč
ăăăčŞăžăăŚăăă ăăŚăăžăăăăĄăăăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşă(䝼ä¸:ăă¸ă§ă¸ă§ă)ă珏ďźé¨ăăăăŁă¨ćčŞăăŚăăžăăŚăäťćĽăŻăäźăă§ăăŚĺ
ć ă§ăăăŠăăăăăăăéĄăăăžăďź
čć¨: ăăăďźăăăăŞćăăčŞăă§ăă ăăŁăŚăăă¨ăŻăĺŹăăă§ăăăăăăă¨ăăăăăžăďźă
čĺˇ: ĺ°ĺŚçăŽé ăĺ§ăăĺ°ĺš´ă¸ăŁăłăăă財ăŁăŚăăžăăŚăç´ĺąăŤçŠăă§ăăŁăăŽăä˝ć°ăŞăćăŤĺăŁăăŽăăăĄăăăŠăă¸ă§ă¸ă§ă珏ďźčŠąăŽć˛čźĺˇă ăŁăăă§ăă螲ćŠĺ
ˇăŞăŠăĺ
ĽăăŚăăăčćăé¨ĺąă§ĺ¤˘ä¸ăŤăŞăŁăŚčŞăżăžăăă
čć¨: ăăăŻă ăźăćşçšă (çŹ)ă
čĺˇ: ćăĺĺ˘ă§ăăăăăăăăăăŞăăăăăŞăďźăă¨ăăçśćłă§ăă(çŹ)ăĺ˝ćăŻĺäžă ăŁăăŽă§ă波ç´ćłăăăăăăăăăăăŞăšăżăłă揲ăăăźďźăă¨é¨ăă ă(çŹ)ăăăăŚäťĺăäźăăăăŤăăăŁăŚăćšăăŚăç§ăŤă¨ăŁăŚăŽăă¸ă§ă¸ă§ăăŽé
ĺă¨ăŻăăčăăŚăżăăŽă§ăăăăăŻăĺć°ăăăăă¨ăăă§ăŻăŞăăă¨ă
čć¨: ăéźăŽéŹéčĄĺ¸Ťă(䝼ä¸ďźăéźă)ăăăăé
ĺă§ăăăăčŞăă§ăăă¨ăäşşéăŽć šćşăŤă¤ăăŚčăăăăăăžăăéŹéčĄăŽăˇăšăă ăéăăŚăčŞçśçăäşşéçăŽäťçľăżăžă§čż˝ćąăăŚăăăăăăďźăăŁăŚćăăžăăă
čĺˇ: ăăăăăăă¨ăăăăăžăďźăăăŽăäşşéăŽć šćşăčăăćăĺć°ăčŞăăŁăŚä˝ă ăăďźăă¨ăăé¨ĺăŻĺ¤ăăŞăă¨ćăăă§ăăăăă¸ăăă¨ăă¸ă§ă¸ă§ăăŽçťĺ ´äşşçŠăŻćľăĺłćšăăżăăŞčŞăăăăŁăŚăć¸ĺ˝ăŤçăăŚăăăăăăŁăąăăă ă¨ćăăžăăçšăŤă¤ăŽăźăŻâŚâŚăăŽăăŹă ăăŻăăŁăŻăăŁăăŁăŚăă¤ăăŤćłŁăăăăă¨ăŻâŚâŚďźăăă¨ăăŞăľăŞăľăŽéăç
čăŽăˇăźăłăă°ăă¨ăăăăăˇăĽăăăă¤ă ăŽăăŹăŽăŞăăăăă§ăăăćŹĺ˝ăăŠăŽăăŁăŠă大弽ăă§ăă
čć¨: ăŻăŻăŻ(çŹ)ăăˇăĽăăăă¤ă ăŻăă躍ä˝ĺĺăćŠć˘°é§ăżăăăŞăăŽă ăăăăăéźăăŽä¸çăŤăăŚăéĺćăŞăă§ăăăĺăŻăéźăă§ăŻă˘ăźă ăšăăăłă°ăăăă§ăăăăăăăăçé˘çŽă§ăăă¤ă¤čśŁĺłăŤčľ°ăäşşăŻĺĽ˝ăă§ăăçšăŤăˇă°ă¨ä¸çˇăŤă ăăă¨ăăźăşăă¨ăăˇăźăłăŻćĽ˝ăăăéăŤăă˘ăŤăăăăăăŤăŞăăˇăźăłăŻčžăă§ăăä˝ăăŽćĺăŤčĄĺ°ăćśăăăâŚâŚă¨ćăă¨ăăŠăăŠăăĄăăŁăŚă
čĺˇ: ăŤăăźăă¨ăăŁăŚčŠąă§ăăă(çŹ)ă
ăă¨ăŤăŞăăŻăăŻĺąéş!?â70ăâ80嚴䝣ăŽĺ°ĺš´ćźŤçťç
čĺˇ:ăă¸ă§ă¸ă§ăăŽé
ĺă¨ăăă°ăăă˛ă¨ă¤ăçŹçšăŽăťăŞăĺăăăăă¨ćăăžăăăă¸ă§ă¸ă§ăŽĺĽĺŚăŞçžäşşä¸éŚăăŽďźŁďź¤ăäťäşĺ ´ă§ćľăăăăăăă§ăăăŠăăă¸ă§ă¸ă§ăăčŞăă ăă¨ăçĄăă˘ăˇăšăżăłăăăăžă§ăŞăăćĺąă§ăăă¨ăăă
čć¨: ăăăŻăăă(çŹ)ăĺăŻăăŞăćŚăăŽăăă¨ăăĺćŠăççąăĽăăŻćčăăŚăăă§ăăăăăŽăťăŞăăćľčĄăăăăă¨ăăčŞč
ă泣ăăăăă¨ăăăăŽčžşăăŻăăžăčăăŚăăŞăăă§ăăă ăăăăăč¨ăŁăŚăăă ăăă¨ĺŹăăă§ăăă
čĺˇ: ćĽĺ¸¸çć´ťă§ăçĄćčăŽăăĄăŤăă¸ă§ă¸ă§ăăŽăťăŞăăĺşăăă¨ăăăăă§ăăăăăśăčć¨ĺ
çăćăŁăŚăăăŁăăă䝼ä¸ăŤăčŞč
ăŽčĄčăŤăŞăŁăŚăăăă ă¨ćăăžăăăăă ă埡ăč¨éă县ăŁăä˝ĺăŞăă ăŞăă¨ă
čć¨: ăă ăăăŠăźčŚç´ ăăăä˝ĺăŞăŽă§ăăăăŚćąăč¨čă使ăŁăŚâŚâŚçžăăé¨ĺă°ăăćăăŚăĄăăăĄăŁăŚćăăŻăăăžăăăăç˝ă¨éťăăĺă¨ćŞăăçžă¨éăă¨ăăŁă寞漾çăŞăăŽăé ăŤç˝Žăă¤ă¤ćăăŚăăăŽă§ăäşşéăŽă˛ăšăŞé¨ĺăéżăăăŤč¸ăżčžźăăăă¨ă
čĺˇ: ăŞăăťăŠă
čć¨: ă§ăăăăăăăŚčŞăăŚăăăăăŽăŻéŁčźéĺ§ăă10ĺš´ăăăçľăŁăŚăăăăăŞăăăŞăăĺ˝ćăŻĺ¤ĺ˝ăčĺ°ă§ă丝人ĺ
Źăĺ¤ĺ˝äşşă¨ăăč¨ĺŽăŻéŁăăă¨č¨ăăăŚăăŚă硨éäźçťćŽľéă§č˝ă¨ăăăĄăăăă§ăăăăăĺ˝ćăŻĺăçćć°ă ăŁăăă§ăăăăăăăăĺ°ĺš´ćźŤçťăŽăŤăźăŤăă¸ăłăŻăšăŤććŚăăăă¨ăăćăăăăăžăăăăă¸ăŁăłăăăŽĺşćŹĺĺă§ăăăĺć
ăťĺŞĺăťĺĺŠăăăĺŽăŁăŚăăă°ă横ćĺă§ăăăăăăŞăăă¨ă
čĺˇ: ăăăăçŠčŞăŽĺ
ĽăĺŁăŻă˘ăšăăŤă§ăăăă
čć¨: ăăăăŤăăă(çŹ)ďź
čĺˇ: ăăăăç§ăŽăăăŞăŞăŤăŤă弽ăăŤăŻăăăăăžăăŞăă§ăăăăŠăă
čć¨: ćŞĺĽçłťăŽĺ¤§ć˛łăăŠăăăĺ˝ćăŽćźŤçťçă§ăŻăăăăăŞăă¨č¨ăăăŚăăăă§ăăăăžăăžăăăăăä¸ç茳ă弽ăăŞçˇ¨éč
ăĺžćźăăăăŚăăăŚâŚâŚăă¸ă§ă¸ă§ăăéŁčźăăăŚăăăăăŽăŻĺĽčˇĄă ă¨ćăăžăăăă ăăăéźăăŽăă¨ăŤăŞăăŻăă¨ăăăăźăăłă°ăŻăĺ˝ćă ăŁăăăăŞăăăąăłă§ăăă(çŹ)ă
čĺˇ: ăŻăŻăŻăăăă (çŹ)ă
čć¨: ăăŽčžşăăŻăăăŞăćąşăžăŁăăă§ăăďź
čĺˇ: ă¨ăăăŻăš(çžăťăšăŻăŚă§ă˘ăťă¨ăăăŻăš)ăŻă˛ăźă äźç¤žăŞăŽă§ăăăŽçšăŻăšă ăźăşă ăŁăă¨ćăăžăăăăăăŤć
ŁăăčŞč
ăćłĺŽăăŚăăžăăăăăăăĄăłăżă¸ăźăŽéŚăăăăăăźăăłă°ăăăăŽăăŞă¨ă
čć¨: ăăăŞăă§ăăăć䝣ăŻĺ¤ăăŁăăă ăŞăă[26]
We're holding a summer sale full of many great deals.
The highlight of this year's sale is a collaboration between JoJo's Bizarre Adventure and Amazon.co.jp!
This special interview with Hirohiko Araki also features Rohan Kishibe as the mascot.
What kind of music does Araki discuss?
Read more to find out.
"You want me to listen to music? But, I refuse!"
âRohan Kishibe
When do you usually listen to music? What's your daily music routine?
Araki: At work. With family.
What influence has music had on your work?
Araki: You can't work unless you have music.
What's the first piece of music that you bought?
Araki: It was Close to the Edge by Yes.
What's your favorite movie score?
Araki: For a Few Dollars More. The music was composed by Ennio Morricone. It's nothing less than a masterpiece.
Also, the theme for The Great Escape. It always gets me fired up.
What are your top 5 albums and why?"
Araki:
- "Close to the Edge" (Yes): Perfection.
- "Late for the Sky" (Jackson Browne): Tear shedding.
- "Hysteria" (Def Leppard): Exciting.
- "Physical Graffiti" (Led Zeppelin): Explosive.
- "Beyond The Missouri Sky" (Charlie Haden & Pat Metheny): Superb.
What are your favorite album cover designs and why?"
- "Close to the Edge" (Yes): The design of the logo and the hand-drawn (not CG) green gradient.
- "Borboletta" (Santana): The jewel-like butterflies.
- "Blind Faith" (Blind Faith): Too erotic.
- "Breakfast in America" (Supertramp): The huge food-like city.
- "Undercurrent" (Bill Evans & Jim Hall):
If you were the organizer of an "ARAKI MUSIC FESTIVAL" where you could book all your favorite artists, who would you invite?
Araki: Prince, Pat Metheny, Olivia Newton-John and Led Zeppelin.
Do you listen to any younger artists these days? If so, are there any artists that you would recommend?
Araki: Lady Gaga and Brad Paisley.
What songs would you recommend to get over this heat wave?
Araki: Lee Ritenour's "Gentle Thoughts".
Lastly, could you give a message to our customers at Amazon.co.jp, including a highlight of Part 8 that's currently being serialized?
Araki: JoJo Part 8 returns to the nostalgic town of Morioh. Please enjoy this modern rendition.
äťĺš´ăăĺžăŞĺĺăćşčźăŽăľăăźăťăźăŤăéĺŹă
äťĺăŽăťăźăŤăŽçŽçăŻăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăă¨Amazon.co.jpăŽăłăŠăäźçťďź
岸螺é˛äź´ăă¤ăĄăźă¸ăăŁăŠăŻăżăźăŤčżăăčć¨éŁĺ彌ĺ
çăŽçšĺĽă¤ăłăżăăĽăźăć˛čźă
čć¨ĺ
çăčŞăăéłćĽ˝çć´ťă¨ăŻďź
ĺż
čŞă§ăă
ăăźăăŤéłćĽ˝ăč´ăăŞă ă¨ďźăă ăćăă
ďźĺ˛¸čžşé˛äź´ďź
ćŽćŽľăăŠăăŞă¨ăăŤéłćĽ˝ăč´ăăăžăăăĺ çăŽćŽćŽľăŽéłćĽ˝çć´ťăŤă¤ăăŚćăăŚăă ăăă
čć¨ĺ çďźäťäşä¸ăăŞăăćă§ăă
éłćĽ˝ăĺ çăŽä˝ĺăŤä¸ăă役éżăŤă¤ăăŚćăăŚä¸ăăă
čć¨ĺ çďźäťäşä¸ăŤéłćĽ˝ăăŞăă¨ăăĄă§ăăă
ĺăăŚč˛ˇăŁăéłćĽ˝ä˝ĺăćăăŚăă ăăă
čć¨ĺ çďźă¤ă¨ăšăŽăĺąćŠăă§ăă
ćă弽ăăŞć çťéłćĽ˝ăćăăŚăă ăăă
čć¨ĺ çďźăĺ¤ćĽăŽăŹăłăăłăăă¨ăłăăŞăťă˘ăŞăłăźăăŤăăć˛ă§ăăăă䝼ĺ¤ăăăăŞăĺć˛ă§ăăäťăŤăŻă大čąčľ°ăăŽăăźăăă¨ăŤăăçăăžăă
ĺ çăŽç术ăăšăă˘ăŤăă 5ä˝ĺă¨ăăăŽççąăćăăŚä¸ăăă
čć¨ĺ
çďź
ăĺąćŠăďźă¤ă¨ăšďźďźĺŽç§
ăăŹă¤ăăťăăŠăźăťăśăťăšăŤă¤ăďźă¸ăŁăŻă˝ăłăťăăŠăŚăłďźďźćłŁăă
ăăăšăăŞă˘ăďźăăăťăŹăăźăďźďźçăă
ăăăŁă¸ăŤăŤăťă°ăŠăăŁăăŁăďźăŹăăăťăă§ăăăŞăłďźďźĺˇ¨ĺźž
ăăă¨ăłăăťăśăťăăşăŞăźăšăŤă¤ăďźăăŁăźăŞăźăťăă¤ăăłďźăăăăťăĄăťăăźďźďźćĽľä¸
ĺ çăă弽ăăŞă¸ăŁăąăăăăśă¤ăłăŽä˝ĺă¨ăăŽççąăćăăŚăă ăăă
čć¨ĺ
çďź
ăĺąćŠăďźă¤ă¨ăšďźďźă¨ăŤăăăă´ăŽăăśă¤ăłă¨ăăăŚććăăŽďźCGăăăŞăďźçˇč˛ăŽă°ăŠăăźăˇă§ăł
ăä¸ćťčśăďźăľăłăżăďźďźĺŽçłăŽăăăŞčśă
ăăăŠă¤ăłăăťăă§ă¤ăšăďźăăŠă¤ăłăăťăă§ă¤ăšďźďźă¨ăăăă
ăăăŹăăŻăăĄăšăăťă¤ăłăťă˘ăĄăŞăŤăďźăšăźăăźăăŠăłăďźďźéŁăšçŠăŽăăăŞĺ¤§é˝äź
ăă˘ăłăăźăŤăŹăłăăďźăăŤăťă¨ă´ăĄăłăšďźă¸ă ăťăăźăŤďźďźçžăăăăĺç
čć¨ĺ çă丝ĺŹč ăŤăŞăŁăŚă弽ăăŞă˘ăźăăŁăšăăăăăăłă°ă§ăăâARAKI MUSIC FESTIVALâăéĺŹăăă¨ăăăă誰ăĺźăłăăă§ăăďź
čć¨ĺ çďźăăŞăłăšăăăăăťăĄăťăăźăăŞăŞăă˘ăťăăĽăźăăłăťă¸ă§ăłăăŹăăăťăă§ăăăŞăłă
ćčżăŽčĽćă˘ăźăăŁăšăăč´ăăăžăăďźăăăăăăăăŽă˘ăźăăŁăšăăăăžăăăăćăăŚăă ăăă
čć¨ĺ çďźăŹăăŁăźăťăŹăŹăăăŠăăăťăă¤ăşăŞăźă
ăăŽçćăäšăčśăăăăăŽăĺ§ăăŽćĽ˝ć˛ăćăăŚăă ăăă
čć¨ĺ çďźăŞăźăťăŞăăăźăŽăă¸ă§ăłăăŤăťă˝ăŚăăă
ćĺžăŤăçžĺ¨Amazon.co.jpăă茧ăŤăŞăŁăŚăăă厢ć§ă¸ăçžĺ¨éŁčźä¸ăŽçŹŹ8é¨ăŽčŚăŠăăăŞăŠăăĄăăťăźă¸ăé ăăžăăďź
čć¨ĺ çďźăă¸ă§ă¸ă§ă珏8é¨ăćăăăŽćççşăŤĺ¸°éăçžäťŁçˇ¨ăă漽ăăżăă ăăă
čć¨éŁĺ彌ă¨ĺ˛¸čžşé˛äź´ăŻă°ăă弽ăă ăŁăďźďź
âăŻăăăŤăăSPURăăăäźçťăŽĺ 厚ăčăăćăŽć°ćăĄăćăăŚăă ăăă
čć¨éŁĺ彌ć°ďź(䝼ä¸ăčć¨ďźćŹç§°çĽ)ďźăăă§ăăăăžăäźçťăŽĺ 厚ăăă°ăăăŽčˇäşşă¨ĺˇĽćżăŤă¤ăăŚăăăăŤăăŽăĽăăăŤă¤ăăŚăŽăăłăŹăćăăŚăťăăă¨ăăäžé źă ăŁăăŽă§ăăăăăŻä˝ă ăăďźăă¨ćăăžăăăă
âä˝ă ăăă¨ăăă¨ďź
čć¨ďźćŽéă ă¨čˇäşşă塼ćżăç´šäťăăăăłăŹă§ăăăăăă¨ăăă§ăăăăŞé˘¨ăŤčˇäşşăăăĺăăŚăăăă ăă¨ăăăăăăăăŽăSPUR硨éé¨ăă°ăăă揲ăăăŁăăă ă¨ćăăă§ăăăă§ăăăĺ°ăăăłăŹăŽăăŁăŠăŻăżăźă¨čĺăăăă¨ćăŁăăă§ăăăšăăźăŞăźăăăă°çťĺ ´ăăăŽăŻčŞ°ă§ăčŻăă¨ăăćăă§ăŻăŞăăŚăă¸ă§ă¸ă§ă¨čĺăăăăŞă¨ă
âă¸ă§ă¸ă§ă¨čĺă¨ăăăŽăŻăăSPURăăăäžé źăŻăăŁăăă§ăăďź
čć¨ďźăăăăăăăŻăăăžăăă§ăăăăăăă§ăĺźăĺăăăăăŤăŻăăăăăä˝ĺăćăăăăŞă¨ćĺăŤćăăžăăăă§ăéŁăăăăŞă¨ăćăăžăăăăŠă
âăšăăźăŞăźăŽä¸ťäşşĺ ŹăŤçŹŹďźé¨ăŤçťĺ ´ăă夊ć柍çťĺŽśăťĺ˛¸čžşé˛äź´ăćăŁăŚăăžăăăăďź
čć¨ďźăăăăăé˛äź´ăăšăăźăŞăźăŽä¸ăŤăĄăăă¨äšăăŚăă°ăăăç´šäťăăŚăăăŁăŚăă風ăŤăăăăŁăă
âäťĺăŽăăłăŹăŽăżă¤ăăŤăă岸螺é˛äź´ ă°ăăă¸čĄăăă§ăăă䝼ĺăŽăŤăźă´ăŤçžčĄé¤¨ă¨ăŽăăă¸ă§ăŻăä˝ĺă岸螺é˛äź´ ăŤăźă´ăŤă¸čĄăăă¨ăŽé˘éŁć§ăŻăăăžăăďź
čć¨ďźćĺăŻăŞăăŁăăă§ăăă§ăé˛äź´ă ăŁăăă°ăăăŤčĄăŁăŚăăăăăŁăŚăăăăŞćăă§ăăă
âăă¸ă§ă¸ă§ăŽď˝ă珏ďźé¨ăŽăŻăŠă¤ăăăŻăšăŽăˇăźăłă§ăé˛äź´ăŻă°ăăăŽćč¨ăăăŚăăžăăăďź
čć¨ďźăăăŞăă§ăăăăă§ăăăŽăă¨ăŻććăăăăžă§ĺčŞčşŤăŻĺżăăŚăăžăă(çŹ)ăăăăăăăăăă°ăăŚăăŞăăăŁăŚă
âă¨ăăăă¨ăŻăé˛äź´ăŻă°ăă弽ăă¨ăăăăŁăŠăŻăżăźč¨ĺŽă ăŁă訳ă§ăŻăŞăăă§ăăďź
čć¨ďźăăă§ăăă確ăăŤé˛äź´ăŻă°ăăăŽćč¨ăăăŚăăžăăăăŠăăăĄăăˇă§ăłăŻăŠăăŠăăŽăăŠăłăă弽ăă§ă¨ăă風ăŤč¨ĺŽăćąşăăŚăă訳ă§ăŻăŞăă§ăăăă ăăäťĺăă°ăăă ăăé˛äź´ă¨ăăăă¨ă§ăŻăŞăăŚăăšăăźăŞăźçăŤé˛äź´ăŞăă§ăďź
âăŞăăťăŠă§ăăă
čć¨ďźé˛äź´ăŻăăŞăŽăŤăźă´ăŤăŤăčĄăŁăăĺăăăăżăăăŞćăă§ăăă
âäťĺăŻčć¨ĺ çčŞčşŤăăăŁăŹăłăă§ăăćĽćĽăăă°ăăăŽčˇäşşăŤĺćăăăăăă§ăăăä¸çŞĺ°čąĄăŤćŽăŁăăă¨ăŻăŞăă§ăăďź
čć¨ďźăď˝ăŞăă§ăăăăăšăżăăăŽăăćčă§ăăăďź ăăăŻćŹĺ˝ăŤăăăăŁăăăăŁăąăčˇäşşă¨ăăăăĺăăŚăăäşşăăĄĺ ¨ĺĄăăăŠă¤ăăćăŁăŚäťäşăăăŚăăăă ăŞă¨ćăăžăăăăăăăăŞăăŠăłăăăăăăăŠăĺăăăŽäşşăăĄăŤă¨ăŁăŚă°ăăă§ĺăă¨ăăăă¨ăŻć§ăăŞăă ăăă§ăăăżăăŞă°ăăăä¸çŞčŻăă¨č¨ăŁăŚăžăăăă
âčć¨ĺ çčŞčşŤăć´ćăŻă¨ăŚă弽ăă¨äźşăŁăăă§ăăă°ăăăŻăŠăŽç¨ĺşŚăćăĄă§ăăďź
čć¨ďźé´ă¨ăéă¨ăăăăăŁăăăŽăĺ¤ăă§ăăăćĽăăăăŞăăćăŻăăžăćăŁăŚăăžăăă§ăăă
âă§ăŻăăŠăăŞăăĄăăˇă§ăłăă弽ăă§ăăďź
čć¨ďźčŞĺă§ăŻçăŞăăă§ăăăŠăăŞăăä¸čŻăŞćăă弽ăăŞăă§ăă
čć¨ďźăăă§ăăăĺäşşçăŤăŻä¸ĺăăăŻăăăăăŽă弽ăă§ăăă
čć¨ĺ çăŽăăłăŹçŹçšăŽ"ăăŽčĄ¨çž"ăŽçç¸ă¨ăŻďź
âäťĺăŽăăłăŹăŽä¸ă§ăŻăé˛äź´ăé訳ăŽĺĽłć§ăă°ăăăŽćăçăŚăăžăăăăăăŻčć¨ĺ çăŽă˘ă¤ăăŁă˘ă§ăăďź
čć¨ďźăăăăă°ăăăŽä˝ĺăćăă¨ăăăă¨ă ăŁăăă§ăăăšăŚă°ăăăŤĺžšăăăă¨ăăăăççąă§ăăăăă¤ăŻăăłăŹăŤĺşăŚăăäşşçŠĺ ¨ĺĄăă°ăăăçăŚăăă§ăăăăăăŻĺăŽă˘ă¤ăăŁă˘ă§ăăăăăăžăăăăă風ăŤčŚăăŞăăă§ăăăŠă
âăăăŞăă§ăăďźďź
čć¨ďźăăăŞăă§ăăăă§ăăăă¤ăŻć´ćăŽč˛ăä¸é¨ĺ¤ăăăăŚăăăŁăŚăăăă§ăă
â確ăăŤč˛ăéăŁăŚăžăăăăć°ăă¤ăăžăăă
čć¨ďźĺ ăŽč˛ăŽăžăžă ă¨ăçľľçăŤčŻăăăă¨ăé č˛ăŽćăăăŠăăăŚăç´ĺžăăăŞăăă§ăăăăčśč˛ă ăă§ăžă¨ăžăŁăŚăă¨ăăĄăăŁă¨ĺŤă ăŞăă¨ăćăŁăŚăăžăă
âăăăăăŞăźăăźăŤĺŻžăăŚăă°ăăăăNGăŻĺşăŞăăŁăăă§ăăďź
čć¨ďźč˛ăŤé˘ăăŚăŻăăăžăăă§ăăăăă§ăćŹĺ˝ăŤăéĄăăăăŚăăăŽăăłăăçˇč˛ăŤăăăŚăă ăăď˝ăă¨ăăăăŞćăă§ăăăăăăŞăă¨çľľăć˛ăăă§ăăăăăłăŹă¨ăăŚăčć¨éŁĺ彌ăŽä˝ĺă¨ăăŚéăă¨ćăăă§ăăăďź
âăŞăăťăŠă§ăăăăăłăŹăŽćĺžăăăăŽăăă°ăŻăšăżăłăă ăŁăăă ......ăă¨ăăăŞăă§ăăăăăăĄăłă¨ăăŚăŻăăăŽăăă°ăŽăšăżăłăĺăŻä˝ă ăŁăăă ăăďź ă¨ăăăć°ăŤăŞăŁăăă§ăăă
čć¨ďźç˘şăăŤďź 確ăăŤăăă§ăăăăšăżăłăĺăď˝ăčăăŚăŞăăŁăăŞăăä˝ăčŻăă ăăďźďź éłćĽ˝ăŁă˝ăăăŽă§ä˝ă......ăăăă°ăŤé˘éŁăăć˛ăŻçĽăăŞăăŞă(çŹ)ăăăăăăăă¤ăŻĺć掾éăŽăšăăźăŞăźă§ăŻăăăă°ă§ăŻăŞăăŚč˛Ąĺ¸ă ăŁăăă§ăăă
âăăăŞăă§ăăďźďź
čć¨ďźăŻăăă§ăă°ăăăă貥ĺ¸ă§ăŻăŞăăŚăăăŻăŤăăŚăăă¨ĺźˇăăéĄăăăăăă§ă(çŹ)ă
âć¸ăăŞăăăăăăŞăă§ăăăăăŽčŠąăŻ(çŹ)ă
čć¨ďźă§ăçľćçăŤăŻăăă°ăŽćšă芹ă¨ăăŚăŻăăăŁăă§ăăă
âăăăăăăçĽćŻăĄăăăŽĺ˝˘čŚăŽăăă°ă¨ăăăă¨ăŻă岸螺é˛äź´ ăŤăźă´ăŤă¸čĄăăă§ĺé ăŤăăŠăă¨çťĺ ´ăăăăăŽăçĽćŻăĄăăă§ăăăďź
čć¨ďźăăŽă¨ăăă§ăă渊ćłĺŽżăçľĺśăăŚăăăçĽćŻăĄăăă§ăăăăć˘ăŤćťăă§ăăă§ăăăă岸螺é˛äź´ ăŤăźă´ăŤă¸čĄăăăŻăé˛äź´ă17ćłăŽă¨ăăŽčŠąă§ăăăăă
âäťĺăăăăĄăĄăźăĄăăă¨ăăăŹăăĄăĄăăă¨ăăăŽăŁăłăăă¨ăăăăăŞčĄ¨çžăăăŁăăăăă¸ă§ă¸ă§ăŽď˝ăă§ăŻăăŞăăżăŽăăŞăŠăŞăŠăŞăŠăŞăŠăŞăŠăŞăŠăăăçĄé§çĄé§çĄé§çĄé§çĄé§çĄé§ăăăăăŠăŠăŠăŠăŠăŠăŠăăăăşăăĽăĽăĽăĽăłăăă¨ăăŁăčć¨ĺ çăŽăăłăŹçŹçšăŽăăŽčĄ¨çžăŻăăŠăăăă¤ăłăšăăŹăźăˇă§ăłăĺăăŚăăăă§ăăăăďź
čć¨ďźăăăŻäťäşä¸ăă˘ă¤ăăŁă˘ăčăăă¨ăăăăă¤ăéłćĽ˝ăč´ăăŚăăăă§ăăăăŽăăŞă§ăăăăă¨ăŻăŞăşă ă§ăăćăăŚăăă¨ăăŁăŚăăźă ăŽăŞăşă ăăăăă§ăăăăă§ćĺžăŤăăăăăă˘ăź!!ăăŁăŚăŽă°ăăăăăăăăćăă§ăăăăăă§ăăăŞéłćĽ˝ăăăă¨ăăşăăĽăĽăĽăĽăłăďźăă¨ăă
âăă¨ăăŁăŠăŻăżăźăçŞçśčąšĺ¤ăăŚăăžăăăżăźăłăăăăăăžăăăă
čć¨ďźăăă§ăăă大人ăăă¨ćăŁăŚăăäşşăĺŽăŻčż˝ăă¤ăăăăŚäşşăĺ¤ăăă¨ăăćăăŚăăŚćĽ˝ăăă§ăăăć§ć źăžă§ĺ´ŠĺŁăăŚăăćăă¨ăă
âčć¨ĺ çăŽä¸ă§ä¸çŞĺĽ˝ăăŞăăŁăŠăŻăżăźăŻčŞ°ă§ăăďź
čć¨ďźăăžăžă§ćăăä¸ă§ă§ăăďź
âăŻăă
čć¨ďźăď˝ăéăĄăźăăŁăŚăăŁăŠăŻăżăźă§ăăăăăăăŞă¨ăăăăăĺ°éăç´°ăăăăŽăćžăŁăŚăăăšăżăłăă使ăăă§ăăăéăĄăźăăŻčŻăă§ăăăźăăă¨ăĄăăŁă¨é ăčŻăăŞăăăăŞă¨ăăăçăăăžăăăăä¸ťäşşĺ Źă§ăŻäťĺŠăŁăŚăŽă弽ăăŞăă§ăăăŠă
âăăăăé˛äź´ă¨ĺă珏4é¨ăŽăăŁăŠăŻăżăźă§ăăă
čć¨ďźăăă§ăăăćŽćŽľăă¸ă§ă¸ă§ăŽď˝ăăŁăŚçĽčŠąçăŤćăăŚăăăă§ăăă§ă珏4é¨ăŻăéŁăŽäşşăăŁăŚćăăăăăă§ăăă躍čżăŞäşşăŁăŚćăăăăŽä¸ă§ăăéăĄăźăă§ăăč˝ĺăčŻăă§ăăăźăăăăŻćłĽćŁăăăŞăă§ăăăăăč˝ăĄăŚăăăŽăćžăŁăŚăă ăă ăăćŞăăă¨ăŻăăŚăŞăăă§ăă
âă§ăŻĺ°ă芹ăăćťăăŚăčć¨ĺ çăŤă¨ăŁăŚăăčŻăăăĄăăˇă§ăłăăŠăłăăă¨ăŻăŠăăăăăŠăłăă ă¨ćăăžăăďź
čć¨ďźăžăĺ質ă羜寞ă§ăăăăçĺżĺ°ăčŻăăŚăčŞĺˇąä¸ťĺźľăăăăăă§ăăŚĺ°čąĄăŤćŽăăă¤ă§ăăéŁăăă§ăăăăă§ăă°ăăăŤăŻăăăăăă¨ćăăžăă
âăŞăăťăŠă§ăăă
čć¨ďźă ăăăăăăăŞă寸ć˘ăăŞăă§ăăăăăăčŻăăăĄăăˇă§ăłă ă¨ćăăžăăĺăŻä¸čŻăŁă˝ăăăĄăăˇă§ăłăĺ ĽăŁăŚăăŽăăŽă弽ăă§ăŻăăăžăăăćăăŁăăä¸čŻă§ăŻăŞăăă§ăăăăăăăŤä¸ĺăăĺż čŚăŞăă§ăăă ăăă°ăăăăŻăăă¨ăăă¤ăżăŞă˘ăŽăăĄăăˇă§ăłăŻăăăăă¨ăăăăăăăă§ăăăžăăŤĺŻ¸ć˘ăă§ăăă
âăăăăžăăăă§ăŻćĺžăŽčłŞĺă§ăăé˛äź´ăŻăăŞăŽăŤăźă´ăŤăŤčĄăŁăŚăăăŁăŹăłăă§ăŽă°ăăăŤăčĄăŁăŚăäťĺć°ĺŽżăŤăčĄăăžăăă揥ăŻăŠăăŤčĄăăă§ăăăăďź
čć¨ďźćŹĄăŻĺŻĺŁŤĺąąă¨ăčŻăă§ăă(çŹ)ă ă ăŁăŚNYă¨ăčĄăăŞăăăăăŞăă§ăăďź ăŠăăă ăŁăăé˛äź´ă羜寞ăŤčĄăăŞăăăăŞăăăă˘ăăŻăŞă¨ăăăŤčĄăăăăă§ăăă
GUCCI Ă HIROHIKO ARAKI Ă SPUR ă岸螺é˛äź´ ć°ĺŽżă¸čĄăăĺą äźćďź2011ĺš´9ć17ćĽ(ĺ)ď˝10ćĽ6ćĽ(ć¨) äźĺ ´ďźă°ăăć°ĺŽż ä˝ćďźćąäşŹé˝ć°ĺŽżĺşć°ĺŽż3-26-11[27]
柍çťĺŽś čć¨éŁĺ彌ăă
ă¨ă - ĺšłć23ĺš´11ć5ćĽ
ă¨ăă - 弼çśĺćłĺžäşĺćďźä¸ĺ¤Žĺşďź
ă¤ăłăżăăĽă˘ăź - äźĺ ąĺşĺ ąĺ§ĺĄäźĺŻĺ§ĺĄéˇă輿岥ćŻ
äťĺăŽăăăăăăŻďźćźŤçťĺŽśăŽčć¨éŁĺ彌ăăă§ăă 䝣襨ä˝ă§ăăăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăăŻďźďźďźďźďźĺš´ăăéŁčźăéĺ§ăăďźçžĺ¨ďźçŹŹďźé¨ăéŁčźä¸ă§ăăćčżă§ăŻďźăăŞăŽăŤăźă´ăŤçžčĄé¤¨ăăăŽäžé źă§ăŤăźă´ăŤçžčĄé¤¨ăŤä˝ĺăĺąç¤şăăăďźăăĄăăˇă§ăłčŞă§ă¤ăżăŞă˘ăŽăăŠăłăăăGUCCIăă¨ăłăŠăăŹăźăˇă§ăłăăăŚĺçťĺąăéăă¨ăăŁăăăŤăăŞć´ťčşăăăăŚăăžăă çŹçšăŽçťé˘¨ă¨ĺ°čŠăžăăă§çąççăŞăăĄăłăćă¤čć¨ĺ çăŤďźéˇćéŁčźăŽç§č¨Łăĺśä˝čŁčŠąçăăăăăŁăŚăžăăăžăăă
âĺ§ăăŤĺăŠăăŽé ăŽă芹ăăčăăăăăŽă§ăăďźćźŤçťăćăĺ§ăăăŽăŻăă¤ăăăăă§ăăă
čć¨ăăăčżćăŽçľľçťć厤ăŤéăŁăŚăăăă¨ăăăŁăŚďźĺăŠăăŽé ăăçľľăćăăŚăăŚďźĺ°ĺŚçăŽé ăŤăŻćźŤçťăŽăŞăŞă¸ăăŤä˝ĺăćăăŚăăžăăă
âĺ°ĺŚçăŽé ăăăŞăŞă¸ăăŤä˝ĺă¨ăŻéŠăă§ăăă
čć¨ăăăĺ¨ăăŽĺéăçďźćźŤçťăćăăŚăăŚďźăăĺç´ă§ćŹăä˝ăŁăăăăŚăăžăăăĺăĺăŠăăŽé ăŻďźćźŤçťăçăä¸ăăŁăŚăăŚďźć䝣ă¨ăăŚďźćźŤçťćŹă財ăăŤćŹĺąăŤčľ°ăă¨ăăçąçăăăŁăăă§ăă
â柍çťĺŽśăŤăŞăăă¨ăŤă¤ăăŚďźă厜ćăŽĺĺżăŻăŠăă§ăăăă
čć¨ăăăĺ˝ćăŻďźćźŤçťăŤĺŻžăăă¤ăĄăźă¸ăăăžăăăăăăžăăă§ăăăŽă§ďźĺŽśćăŻĺ寞ăăŚăžăăăă茪ăŤé ăăŚĺ˘¨ćąă使ăŁăŚćźŤçťăćăăŚăăžăăă
âăăăŽćźŤçťă¨ăăŚăć´ťčşăăăŚăăçžĺ¨ăďźćă§ćăăŚăăŁăăăăă§ăăă
čć¨ăăăĺăŻăă˝ăłăłăŻä˝żăăďźĺ ¨ăŚććăă§ăăč˛ăĺĄăă¨ăăćă§ĺĄăŁăŚăăžăăăăăăă¨ďźäťäşă§ĺŠăćăŽĺłćă°ăă使ăăă¨ăŤăŞăăžăăŽă§ďźä˝ăŽăăŠăłăšăă¨ăăăăŤďźăă˘ăéăăă¨ăăŞăŠďźćĽĺ¸¸ă§ăŻĺşćĽăéă塌ćă使ăăăăŤĺżćăăŚăăžăă
âéŁčźăçśăăŚăăŚä¸çŞĺ¤§ĺ¤ăŞăă¨ăŻä˝ă§ăăă
čć¨ăăăăśăăŞăă¨ăăăă¨ă§ăăăăăčŞĺă俥ăăŚăăŞăă¨ďźăŠăăăŚăăśăăŚăăžăăă§ăăçŽć¨ăč¨ĺŽăăŚăăŚăďźčżˇăăă¨ăŻăăăžăăčŞč ăŽĺéżăăŞăă¨čăăăŞăăžăăăă
âçˇ ăĺăăĺŽăă¨ăăăŽă大ĺ¤ă§ăŻăŞăă§ăăăăă
čć¨ăăăéŁčźăćă¤ćźŤçťĺŽśă¨ăăă¨ďźĺŻăăăŞăďźă風ĺăŤĺ ĽăăŞăă¨ăăăăăŞă¤ăĄăźă¸ăăăăăăăăžăăăďźĺăŻčĽăé ăăčŚĺćŁăăçć´ťăăŚăăžăăĺžšĺ¤ăăăăăăŞăă¨ăăžăăŞăă§ăăăçˇ ĺăç ´ăŁăăă¨ăä¸ĺşŚăăăăžăăă
âäťăžă§ăăŁă¨çˇ ĺăĺłĺŽăăăŚăăă¨ăăăŽăŻăăăă§ăăă
čć¨ăăăĺăŻćŹĄăŽçˇ ĺă§ăŻăŞăďźćŹĄăŽćŹĄăŽçˇ ĺăžă§čăăŚä˝ĺăćăăŚăăžăăăă´ăŁăłăăç术ăăăăŚă˘ăăŞăśăćăçśăăăăăŤďźçľľăŻçĄéăŤćăĺ ăăŚćăăăŽă§ďźçľăăăŠăăăŻčŞĺă§ćąşăăăă¨ăŤăŞăăžăăéŁčźăŽĺ ´ĺăŤăŻďźćŹĄă ĺăŽçˇ ĺăŽăă¨ăčăăŚďźćăĺ ăăăŽăŻăăăžă§ăŤăăăă¨ćąşăăăăă§ăă
âéŁčźăćăă¨ăăŻďźăŠăăžă§ăšăăźăŞăźăčăăŚćăĺ§ăăăă§ăăă
čć¨ăăăăšăăźăŞăźăŻďźăŠăšăăčăăŚăăç¨ĺşŚă§ăăéä¸ăŽăšăăźăŞăźăŻďźéŁčźăçśăăŚčĄăăăĄăŤďźć䝣ăŤĺăăăŚĺ¤ăăŚăăăă¨ăăăăžăăă
âć§ă ăŞă˘ă¤ăăŁă˘ăŻăŠăŽăăăŤăăŚčăăăŽă§ăăă
čć¨ăăăćşăŽä¸ă§čăă¤ăăŚčăăăă¨ăĺ¤ăă§ăăăăă¨ăŻďźçťéăç§ĺŚéčŞçăčŚăŚďźäžăă°ďźććăŽĺăăĺĺăŽçľľăčŚăŚă˛ăăăăă¨ăăăăžăă
â䝣襨ä˝ăŽăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăďźďźäťĽä¸ďźăă¸ă§ă¸ă§ăă¨č¨ăăžăăďźăŤăžă¤ăăă芹ăŤă¤ăăŚăĺ°ăăăžăăă¸ă§ă¸ă§ăŻďźĺ°čąĄçăŞĺ°čŠăĺ¤ăďźĺ°čŠăçžäşşä¸éŚăŤăăăăŽăçşĺŁ˛ăăăŚăăžăăăŠăŽăăăŤăăŚĺ°čŠăćăäťăăă§ăăăăă
čć¨ăăfont>ĺ°čŠăŻčŞçśăŤďźă§ăăăăłăĺ˛ăăăăŚăăă¨ăăŤďźăăŽăłăă§ăăĺ°ăçťĺ ´äşşçŠăŤĺăăăăă¨ćăă¨ďźčŞçśăŤĺ°čŠăĺşăŚćĽăăă§ăăçžäşşä¸éŚă§ĺ°čŠăčŚăŚďźăăăŞĺ°čŠăăŁăăăŞăŁăŚćăă¨ăăăăăžăăăčŞĺă§ĺżăăŚăăďźçŹďźăçžäşşä¸éŚăé ăă§ăďźçŹďźă
âă¸ă§ă¸ă§ăŽçŹŹďźé¨ăĺ§ăžăŁăŚăăďźďźĺš´ăŤăŞăăă¨ăăŚăăžăăďźă¸ă§ă¸ă§ăŽä¸ă§ďźä¸çŞćăĺ ĽăăŽăăăŽăŻçŹŹä˝é¨ă§ăăďź
čć¨ăăăăăŽćăŤďźăăăăćăăŚăăé¨ăćăĺ Ľăăăăă¨ăăăžăăďźăăŽä¸ă§ăçšăŤçŹŹďźé¨ăŤćăĺ Ľăăăăăžăăă
â珏ďźé¨ă§ăŻćĽĺ¸¸ăŤć˝ăććăćăăŚăăžăăăă
čć¨ăăăăăă§ăăďźçŹŹďźé¨ăžă§ăŻďźçĽčŠąçăŞăăŽăčż˝ăŁăŚćĽăăă§ăăďźçŹŹďźé¨ă§ăŻďźčĄăŽéŁăŤä˝ăă§ăăäşşă¨ăăŁăćĽĺ¸¸ăćăăŽăăăă¨ćăŁăăă§ăă
âăăŽçŹŹďźé¨ăŤăŻďźă岸螺é˛äź´ăďźăăăšăťăăŻăďźă¨ăă柍çťĺŽśăŽăăŁăŠăŻăżăźăĺşăŚăăžăă珏ďźé¨ăŽč¨ĺŽăĺ çăŽĺşčşŤĺ°ăŽäťĺ°ĺ¸ă§ăăďźĺă柍çťĺŽśă¨ăăăă¨ăăăŁăŚďźé˛äź´ăŻčć¨ĺ çčŞčşŤăă˘ăăŤăŤăăŚăăăă§ăăăăă
čć¨ăăăăăăŻăăčăăă質ĺă§ăăďźăăă§ăŻăăăžăăă珏ďźé¨ăŤé˛äź´ăččăéŁăšăăˇăźăłăăăăăăŠďźĺăŻččăéŁăšăăăăŞăă§ăăďźçŹďźăăă ďźé˛äź´ăŻĺăŤă¨ăŁăŚć§ăăŽĺĺ¨ăŞăă§ăă
âăăăŞăă§ăăăĺăŻé˛äź´ăŻĺ çăŽă¤ăĄăźă¸ăŤčżăă¨ćăŁăŚăăžăăăŽă§ďźăăŽă¤ăłăżăăĽăźăăéĄăăăă¨ăăďźăă ăćăăăďźçŹŹďźé¨ăŤĺşăŚăăé˛äź´ăŽĺĺ°čŠďźă¨č¨ăăăŞăăĺżé ăăŚăăžăăďźçŹďźă
čć¨ăăăăŻăŻďźçŹďźă
âé˛äź´ăŻďźă¸ă§ă¸ă§äťĽĺ¤ăŤăďźă岸螺é˛äź´ ăŤăźă´ăŤă¸čĄăăďźăŤăźă´ăŤçžčĄé¤¨ăŽăăă¸ă§ăŻăä˝ĺďźăćčżăŽĺĽłć§éčŞďźăSPURăďźă§ăŽă岸螺é˛äź´ ă°ăăă¸čĄăăă¨ăăŁăä˝ĺăŤăĺşăŚăăăă¨ăăăăă¨ďźçšăŤćăĺ ĽăăŽĺźˇăăăŁăŠăŻăżăźăŞăă§ăăă
čć¨ăăăăăă§ăăăé˛äź´ăŻďźĺŽćăăăŚăăŚä˝żăăăăăăŁăŠă ăăă¨ăăăăžăăç´°ăăă¨ăăăžă§ăăŁăŠăŻăżăźăč¨ĺŽăăăŚăăă¨ä˝żăăăăăă§ăăăŤăźă´ăŤăăăźăăŤä˝ĺăćăăăăŤäžé źăăăă¨ăăďźćçľçăŤăăăăé˛äź´ăŤčĄăăăŚăżăăăăă¨ćăăžăăă
âăŤăźă´ăŤçžčĄé¤¨ă§ăŽä˝ĺĺąç¤şăďźă¤ăżăŞă˘ăŽăăŠăłăGUCCIă¨ăŽăłăŠăăŹăźăˇă§ăłăŤă¤ăăŚăŻăŠăŽăăăŞććłăăćăĄă§ăăă
čć¨ăăăăŤăźă´ăŤçžčĄé¤¨ăăă˘ăźăçăŞčŠäžĄăĺăăăă¨ăŻăăĄăăĺ ć ăŞăă¨ă§ăăďźĺăŻďźă˘ăźăă¨ćźŤçťăăăžăéăŁăăăăŤăŻčăăŚăăžăăă柍çťăŤăŻçľľă¨ăšăăźăŞăźăăăă¨ăăŚďźĺ ă ĺăŻçľľăćăćšăŤéăă罎ăăŚăăăă§ăăGUCCIă¨ăŽăłăŠăăŹăźăˇă§ăłăŤă¤ăăŚăŻďźĺăŻĺćăĺ źăăŚăăă¤ăżăŞă˘ăŤčĄăŁăŚăăžăăăŽă§ďźéĺ˝çăŞăăŽăćăăžăăă
âäťćĽăĺ ¨čşŤďźGUCCIăŤčşŤăĺ ăă§ćĽăăăăŽăă¨ćăăžăăďźçŹďźă
čć¨ăăăďźçŹďźăé˛äź´ăŽĺąčŚ§äźăŽéĺŹăăăć°ĺŽżăŽGUCCIă§ďźĺăŽçĽäşşăéĺ財ăçŠăăăŚăăăŽăčŚăăŽă§ďźăçĄé§éŁăăăĄăé§çŽă ăăăăŁăŚćł¨ćăăŚăăďźăçĄé§éŁăăăăăăžăăăăă¨GUCCIăŽăšăżăăăŤč¨ăăăăăăă§ăďźçŹďźă
âă¸ă§ă¸ă§ăŽçŹŹďźé¨ă§ăŻćŞĺžłĺźčˇĺŁŤăçťĺ ´ăăžăăăäťĺžďźćŻéă¨ăćŁçžŠăŽĺłćšă§ăăĺźčˇĺŁŤăćăăŚăăă ăăăăŽă§ăăďźçŹďźă
čć¨ăăăćŁçžŠă漾獯ăŤăŞăă¨ćŞăŤăŞăă¨ćăăă§ăăăăăăă¨ďźćŁçžŠăŽĺłćšăŽĺźčˇĺŁŤăćăăŚăďźçľĺąďźćŞăŤăŞăŁăŚăăžăăăăăăžăăďźçŹďźăăă¨ďźćŞăŽćšăďźćăăŽă漽ăŞăă§ăďźçŹďźă
âă¨ăăă§ďźĺ çăŽăéĄăŻéĺă¨ăčĽăčŚăăžăăďźăŠăŽăăăŤčĽăăçśćăăăŚăăăă§ăăă
čć¨ăăăćčżďźăăčăăă質ĺă§ăďźçŹďźăćąäşŹăŽć°´éć°´ă§éĄăć´ăŁăŚďźć´éĄćă使ăŁăŚăŞăăăăă§ăăă
âćłĺžçăŞăă¨ăäźşăă¨ďźăčŞĺăŽä˝ĺăĺćăŤä˝żăăăă¨ăăŁăčä˝ć¨ŠäžľĺŽłăŽăăŠăăŤăŤéăŁăăă¨ăŻăăăžăăă
čć¨ăăăçšăŤăŞăă§ăăăé˛éިăŤćăĺăĺćăŤä˝żăăăăĺŤă§ăăďźĺşćŹçăŤăŻĺ°ĺąĺĽç´ăçľăă§ăăéčąç¤žăŤăäťťăăăŚăăžăăčä˝ć¨Šă¨ăăăŽăŻďźăăç¨ĺşŚăŻćĺă¨ăăăďźçăŽăăŽăŞăŽăăŞă¨ăćăŁăŚăăžăă
âčć¨ĺ çă¨éčąç¤žďźĺşç礞ďźă¨ăŽĺĽç´ăăăŠăăŤăŤăŞăŁăăă¨ăŻăăăžăăăă
čć¨ăăăéčąç¤žă¨ăŻďźăăăĽăźăŽă¨ăăăĺ°ĺąĺĽç´ăăăŚăăă ăăŚăăžăăŚďźăăăžă§ďźăăăăă¨ăŻä¸ĺşŚăăăăžăăăă
âăăăŚăăŞăăăĄăŤăăŁăăĺĽç´ć¸ă確čŞăăŚăăă¨ăăăăăăăžăăďźçŹďźăĺăŽĺ¨ăăŤăŻĺ çăŽćźŤçťăŽçąĺżăŞăăĄăłăŽĺźčˇĺŁŤăăăăŽă§ďźĺ çăŤä˝ăăăŁăă¨ăăŤăŻďźçă§éŚłăĺăăĺżăĽăăă§ăďźçŹďźă
čć¨ăăăăăăăžăăďźçŹďźăăăŽă¨ăăŻďźăŠăăăăăăăéĄăăăžăă
âćŹćĽăŻćăéŁăăăăăžăăă[28]
"Why did you choose Fugo as the subject for the novel?"
When it came to the subject matter, anything was allowed. I figured I could do basically anything within the "JoJo" universe. That said, writing a novel about Fugo was just really convenient for me. There were other candidates, but this was a story I just had to write.
"What were the other candidates?"
For example, where exactly did Stroheim die in Stalingrad? (laughs) The thought always entertained me, though I wonder if it's something readers would enjoy as well.
This other idea is a bit odd, but instead of directly competing with Araki-sensei, I wanted to try a "Futaro Yamada" style JoJo story. For Part 5, perhaps you could call it "Italian Ninja Scrolls".
"Much like the villains in JoJo, the ones in Purple Haze Feedback have a very powerful presence."
Araki-sensei drew the characters and Stands, but it gave me the most peculiar feeling. After seeing his material, I couldn't help thinking, "Did I write this?" That is, even though I had come up with the characters and Stands myself, I got a sense that they weren't really mine at all... I suppose this is the power of the original work. The novel also goes into further detail on their visuals, but I was surprised and delighted by how well Araki-sensei picked up on them.
ďźčć¨éŁĺ彌ć°ă質çĺżçďź ââăă¸ă§ă¸ă§ă25ĺ¨ĺš´ă¨ăăăă¨ă§ăăăé¨ăéăăăă¨ăŤä˝ĺă¸ăŽĺŻžăăčăăăăŤĺ¤ĺăŻăăăžăăăďźăăžăăăĺšžă¤ăŤăŞăŁăŚăăčĽăăă¨ăćĺă§ăăăăă¸ă§ă¸ă§ăăŻä˝ĺ¨ĺš´ăžă§ĺˇçăăŚăăăăăă¨ăăăă¨ă¨ăčĽăăäżă¤ç§č¨Łăăăă°ćăăŚăă ăăă
čć¨ăćčżăŽčłŞĺăăłăăźăŻăłăŻă˝ăŹďźčĽăăäżă¤ç§č¨Łďźă§ăďźçŹďźăăăăăăăŞăăă§ăăăŠăä¸ĺżćąäşŹé˝ăŽć°´éć°´ă§ćŻćĽéĄăć´ăŁăŚăăăăăă§ăă¨ăăŤä˝ăăăŚăăžăăăăă¨ăé¨ăă¨ăŤĺ¤ăăă¨ăăăŽăŻăžăăăă¸ă§ă¸ă§ăăŽĺŽżĺ˝ăŞăŽăăŞă¨ă珏ä¸é¨ă§ä¸ťäşşĺ ŹăćťăŞăăă¨ăăĺąéăŤăŞăŁăŚăăžăăžăăăŽă§ăă˝ăŹăăă县ĺ˝ă§ăăăăă¸ă§ă¸ă§ăăŽăšăăźăŞăźăŽăăă¤ăžă§ćăăă¨ăăăŽăŻăžăâŚâŚăăžäźçťä¸ăŽăă¸ă§ă¸ă§ăŞăŞăłăăăăă°ăăăŚăăă ăăŚăăăžăăŽă§ăăăăä¸çć¸ĺ˝ăăă¨ăăăăăă ăă§ăăăăăă¨ăăăăăžăă
ââ袍ç˝ĺ°ă§ăăäťĺ°ăťćąĺă§ĺçťĺąăéăăă¨ă¸ăŽćăăčăăăŚăă ăăăăăă˛ă¨ă¤ăĺżĺž ăĄăŤăăŚăăäťĺ°ăťćąĺăŽăăĄăłăŽćšă ă¸ăĄăăťăźă¸ăăéĄăăăžăă
čć¨ăăăŻăäťĺ°ă¨ăăăŽăŻăĺ°ĺš´ć䝣ăŤč˛ăŚăŚăăă ăăĺĺ°ă¨ăčŞçśă¨ăăăă¨ăŻćĺăâŚâŚăăŽćŻĺ常éˇă¨ăă¤ăżăŞă˘ăŤčĄăŁăć´ĺ˛ä¸ăŽĺ 蟊ăăăăŁăăăăžăăŽă§ăçšćŽăŞăăăăç°ĺ˘ăŤč˛ăŁăăŁăŚăăăă¨ă¸ăŽćčŹă¨ăăăăăăăăć°ćăĄăăăăžăăäťĺ°ă§ĺçťĺąăéăăŞăăŚăăăŽăŻăćŹĺ˝ăŤčăăŚăăăŞăăŁăăă¨ăŞăŽă§ăăăăĺ ć ăŞăă¨ă ă¨ăăă¨ăĺťĺš´ĺšłćłăŽä¸çéşçŁăŽă¤ăŠăšăăćăăăŚăăă ăăăŽă§ăăăăăăŻĺ˛ŠćççĽäşăŽéĺ˘ççĽäşăăăŽäžé źă§ăăăŽćšăŻăăłăŹăăĄăłă§ăĺ風ăŽââčŚăăăŤĺšłĺŽć䝣ăŽčĄŁčŁ ăçăăŚăăŁăŠăŻăżăźăć¸ăăŚăă ăăă¨ăăäžé źă§ăć°ĺ˘ĺ°ăéăăăăŞďźăă¨ăăćăăăăžăă澡ĺ¤ăŽă°ăăăŽăăŠăłăăŤĺ埡ăăăŚăăă ăăăăăŞçľľă°ăăăăćăăŚăăŞăăŁăăŽă§ăăŞăăĺťĺš´ăăăăăĺ風ăŞçľľăŤçŽčŚăăăăŞăă¨ăăć°ćăĄăăăăžăăă¨ăŤăăĺżăŽć éˇă§ăăŽă§ăăŞăă ăăăŞăâŚâŚĺçă¨ăĺ ć°ă¨ăăçć§ăŤăăăăăăŽăä¸ăăăă¨ćăŁăŚăăžăăăăăă¨ăăăăăžăă
ââĺ Źéăăăĺçťă§ăĺžĺŤă¨ăăŁăăăŤăăăŽăăăăŁăŠăăŁă ăŁăăŽăŤăŻăä˝ăćĺłăăăăăŞăŽă§ăăăăďź
čć¨ăă¨ăăŤăŞăăă§ăăăŠăăăăŁăŠăăŁăăăŽăšăźăäźźĺăăăă¨ăăăăăăă¨ă§ăďźçŹďźăăă¨ă¤ăżăŞă˘ăŤé˘äżăăăžăăŽă§ââăžăă¸ă§ăŤăă§ăăăăŁăăă§ăăăŠă鍪ăŽč˛ăéťăŤăăŚăłăłăăŠăšăă¨ăăčăăŚăăăăŁăŠăăŁăă¨ăăŤă¤ăżăŞă˘ă¨ăăă ăă§ă桹ăćĺłăŻăŞăă§ăďźçŹďźă
ďźâťäťĽä¸ăăăăçľçąă§ĺŻăăăăăăĄăłăăăŽčłŞĺďź
ââ25ĺš´ăéŁčźăçśăăăăç§č¨ŁăŻä˝ă§ăăďź
čć¨ăĺ 蟊ăŽç§ćŹć˛ťĺ çăăĺăć°äşşăŽă¨ăăŤăčŚĺćŁăăçć´ťăăŞăăŁăŚăăă¨ăă芹ăăčăăăžăăŚăăăŽă¨ăăŽă¤ăĄăźă¸ă¨ăăăŽăăăăłăŹĺŽśăŻĺžšĺ¤ăăŚăăăăăŤăŞăŁăŚçˇ ăĺăăŤčż˝ăăăŚăăă¨ăăă¤ăĄăźă¸ăăăŁăăŽă§ăăăăŠăăăăăăďźç§ćŹć˛ťĺ çăżăăăŤďźăăăŞăăăăăŞăăă ăŞă¨ćăŁăŚăăă䝼ćĽĺžšĺ¤ă¨ăăăŞăăšăăăŞăăăăŤăăăŚăăă ăăžăăăčŚĺćŁăăçć´ťăŞăŽăăŞââăăłăŹĺŽśăŻăăăăŞăă¨ăăăŞăăŽăăŞăă¨ĺăŻćăŁăŚăăžăďźçŹďźă25ĺ¨ĺš´ă¨ăăăŽăŻăťăă¨ĺśçśă§ăéăăăăŁăăŽăăŞăă¨ćăŁăŚăăžăă
ââăăĄă°ăćăĺ ĽăăŽăăăăăŤăŻăăăžăăďź
čć¨ăçŠčŞăŽä¸ăŽăăăŤă§ăăďźăăăă§ăăăâŚâŚĺăăăĄă°ă弽ăăŞăšăżăłăăâăăźă´ă§ăšăâă¨ăăăéăéăăŚăăăă¤ăăăŚăă˘ăŹăăăŽăăă弽ăă§ďźçŹďźă彟ăŽăšăżăłăăăăĄă°ă弽ăă ăăŠâŚâŚăăăŤă ăŁăăăăŁăŞă¨ćżĺ¤Şéă¨ăăăăăčžşăăăĄă°ăćăĺşćˇąăă§ăă
ââäťĺĺçťĺąăéĺŹăăăăă§ăăăăăłăŹĺŽśčć¨éŁĺ彌ă¨ăăŚăŽă¤ăăŽĺ¤˘ăŻăŞăă§ăăďź
čć¨ăă¤ăăŽĺ¤˘ăăŞăŤăăăăłăŹĺŽśăŻăăłăŹăćăăŚăăăăăăłăŹĺŽśă ă¨ćăăŽă§ăäťĺçć§ăŽĺăŤĺşăŚăăăŽăŻçšĺĽăŞăă¨ă§ăăăŁăąăäťäşĺ ´ăŤćťăŁăŚăăłăŹăćăăŚăăăăă§ăăăăăăăä˝ĺă§ăăă°ăăŞăăăăăŞă¨ăćŹĺ˝ăŤăăćăăžăă [29]
Interviewer: âJoJolionâ has been a bit more erotic in comparison to previous arcs but is this a conscious decision? Is there a motive behind this shift?
Araki: I wanted to draw something that I had never drawn before. Therefore, itâs probably the first time bust shots have made an appearance. As for the art, I want to draw a looser style. Instead of having a constant focus on intense fights, I think the readers also enjoy the off-beat interactions as well. Up until now I was pursuing the element of fear but I also want to incorporate a sense of relatability and looser aspects.
Interviewer: How have you specifically actualized these ideas?
Araki: For example, I have increased the number of white panels. I try not to draw everything to perfection but rather with a little more openness. I could illustrate as dark as I did previously but I intentionally included more white elements so the reader could pass through a section without being heavily invested in a facetious scene.
Interviewer: I do really enjoy how the art throughout the âJoJoâ series has constantly evolved.
Araki: Rather than trying to change, I try to avoid illustrating old, already existing art. However, I do realize there are characters like Koichi Hirose or Tamami Kobayashi whose heights have gradually shrunk and thatâs not great... haha.
Interviewer: Like, Funny Valentine from part 7 was the opposite as he steadily grew.
Araki: Ha, Thatâs okay because he was working out! (laughs) In reality, the characters constantly move through their lines and poses and they just happen naturally like the flow of nature.
Interviewer: Regarding the dialogue, itâs really amazing because the lines are so memorable that they even publish books such as âFamous quotes from JoJoâs Bizarre Adventureâ
Araki: Itâs amazing isnât it! Haha! When I see my work being accepted by the younger generations, I feel glad to have been drawing all this time.
ăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăéŁčź25ĺ¨ĺš´ čć¨éŁĺ彌ć°ăšăăˇăŁăŤă¤ăłăżăăĽăź
čąĺ˝ăăŤăźăăŤăăă¸ă§ăźăšăżăźĺŽśă塥ăć°ĺĽăŞçŠčŞăćăăăăłăŹăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăă1987ĺš´1ć1ćĽçşčĄăŽăéąĺĺ°ĺš´ă¸ăŁăłăăă§éŁčźăéĺ§ăăäťĺš´ă§25ĺ¨ĺš´ăčżăă大河ä˝ĺă ăĺčĄćŹăŻăˇăŞăźăşă§ăă§ăŤ100塝ăčś
ăăăăŽç´Żč¨çşčĄé¨ć°ăŻ8000ä¸é¨ăä¸ĺăŁăŚăăă
éŁčź25ĺ¨ĺš´ăŤĺ˝ăăäťĺš´ăŻăNTTăăłă˘ăăăłăŠăă˘ăăŤăŽăšăăźăăăŠăłăL-06D JOJOăă1ä¸5000ĺ°éĺŽă§8ćăŤçşĺŁ˛ăăăäşç´ĺăäťăĺžăăăŤçľäşăăĺşăçśĺşăăăźă˝ăłăŞăŠăŽăłăłăăă§ăăăłăŠăăšăăăŻăŞăŠăćăăăăŁăłăăźăłăĺąéăăăă°ăăşăŽĺŁ˛ăä¸ăă䟸ăłăŚăăă
ăžăă10ćăăăŻĺăŽăăŹăă˘ăăĄăćžééĺ§ăçžĺ¨ăŻ1é¨ăŽăăăĄăłăă ăăŠăăăăčĺ°ăŤăä¸ťäşşĺ ŹăŽă¸ă§ăăľăłăťă¸ă§ăźăšăżăźă¨ăăŁăŞăťăăŠăłăăźăŽćéˇă¨ĺŻžćąşăŽçŠčŞăćăăăŚăăă7ď˝8ćăŤăŻä˝č ăŽčć¨éŁĺ彌ć°ăŽĺşčşŤĺ°ă§ăăäťĺ°ĺ¸ă§ĺăŽĺçťĺąăéĺŹăăăŽăčć¨éŁĺ彌ĺçťĺą ă¸ă§ă¸ă§ĺąăăŻçžĺ¨ă棎ă˘ăźăăťăłăżăźăŽăŁăŠăŞăźďźćąäşŹăťĺ ćŹć¨ăăŤăşďźă§éĺŹăăăŚăăăăăĄăă大ăăŤçăä¸ăăăčŚăăŚăăďź11ć4ćĽăžă§éĺŹďźă
çžĺ¨çşĺŁ˛ä¸ăŽăćĽçľăăŹăłăăŁ11ćĺˇăă§ăŻăăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăăŽ25ĺš´éăŽčťčˇĄăčż˝ăçšéăć˛čźăăŚăăăăăă§ăŻăćŹčŞăŤć˛čźăăăčć¨ć°ăŽçšĺĽă¤ăłăżăăĽăźăŽăăźă芹ăç´šäťăăăă
ăă¨ăăłăŽćąăăŽăăăŞĺ¤§ć˛łä˝ĺăćăăăăŁă
硨éé¨ďźčć¨ĺ çăŽăăłăŹĺŽśă¨ăăŚăŽăăŁăŞă˘ăŻăăćŚčŁ ăăźăŤăźăă§ăăăĽăźăăăéĺ°ĺš´ăăźăăŁăźăăăăŞăźćĽč¨Şč ăă¨ăăŁăéŁčźä˝ĺăçşčĄ¨ăăăăă§ăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăăŽéŁčźăŤă¤ăŞăăăăă§ăăăĺćăŽä˝ĺăäťćŻăčżăŁăŚăżăŚăăăă§ăăă
čć¨éŁĺ彌ć°ďźäťĽä¸ăčć¨ć°ďźďźăăłăŹăŤăŻăšăăźăŞăźă¨çľľăŽĺ¤§ăă2ă¤ăŽčŚç´ ăăăăă§ăăăĺ˝ĺăăćčăăŚăăăŽăŻăăăăžă§čŞăă ăă¨ăăŞăć°ăăăšăăźăŞăźăä˝ăăă¨ăăăă¨ăĺ˝ćăŽăéąĺĺ°ĺš´ă¸ăŁăłăă硨éé¨ăŽćšéăä˝ăăăăă犺ć°ăăăŁăŚăăçéăŽăšăăźă柍çťăŞăăćăăŚăăăăăăŤăăăăă¨ăăăăăŞďźçŹďźă
ăšăăźăŞăźă¨ăăŚăŻăăă¨ăăłăŽćąăăŽăăăŞĺ¤§ć˛łăăŠăăăĺäžăŽćăă弽ăă§čŞăă§ăăăăˇăŁăźăăăŻăťăăźă ăşăăăăŠăźç硨éăăčŞĺăŞăăŤăăăĺćăăŚä˝ăăžăăăăšăăźăŞăźăçśżĺŻăŤçľăżçŤăŚăăăŚăä˝ăăăŽäźçˇăăăŁăŚăŞăăŤĺăăŁăŚăăă¨ăăăăăŞăăćŚčŁ ăăźăŤăźăăŽć䝣ăăăăšăăźăŞăźăŤăă ăăŁăŚăăăăĺéşçăŤä˝ăŁăŚăăćăăŻăăăžăăă
ăă çľľăŽćšăăăăăă ďźăă¨ćăăăŽăŤăŞăăŞăăăŠăçăăŞăăŁăăä¸ćľăŽăăłăŹĺŽśăăăŁăŚăä¸çŽčŚăŚăăăŽäşşă ă¨ĺăăçľľăćăăă§ăăăăĄă°ăŚă¤ăĺ çăăăăćĺĄć˛ťčŤĺ çăăăăäťăŽäşşăăăă§ăăŞăçľľă¨ăăăŽă羜寞çăŤăăŁăŚăčŞĺăăăăăăăŽă確çŤă§ăăăŽăăăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăăćăăžă§ăŻčżˇăŁăŚăăăă§ăăă
硨éé¨ďźăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăăŽéŁčźăĺ§ăžăĺăĺăăŚă¨ăźăăăć čĄăŤčĄăăăăăă§ăăăăăă§ăçľľăŽé˘ă§éçźăăé¨ĺăŻăăăžăăă
čć¨ć°ďźăăăćĽćŹă§ăă¨ăźăăăăŽč¸čĄä˝ĺăŻĺçăŞăŠă§čŚăŚăăăă§ăăăŠăĺŽçŠăŤăŻĺçă§ăŻäźăăăŞăă˘ă¤ăă˘ăăăŁăąăĺ ĽăŁăŚăăăăăăăćĺăăăă§ăăăăéčŞăŞăŠăŽĺçă§čŚăăŽă¨ăŻĺ ¨ăéăă¤ăłăăăăăăŁăăçšăŤă¤ăżăŞă˘ă§čŚăĺŽćçťăăăŹăšăłçťă¨ăăăŽăŻăĺçă§čŚăă¨ĺ¤ĺ ¸ä˝ĺă¨ăăćăăŞăăŁăăăŠăĺŽéăŤčŚăă¨ćŹć°ă ăăä˝ăăăĺ§ĺăăăŚăăžăŁăŚăăăŽčžşăăĺŚăă§ăăă°ăčŞĺăŽçľľăŽéăéăăăŽăăŞă¨ćăăžăăă
硨éé¨ďźăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăăŻăä¸ťäşşĺ ŹăŽĺŽśçłťĺłăŤéčŚăŞćĺłăćăăăä˝ĺă§ăăéŁčźăĺ§ăžăŁăă¨ăăŤă珏1é¨ď˝çŹŹ3é¨ăžă§ăŽć§ćłăăăŁăă¨ăăăă¨ă§ăăă
čć¨ć°ďźčŞ°ăŤăč¨ăăŞăăŁăă§ăăăŠăĺżăŽä¸ăŤăŻăăăžăăăăă¸ăŁăłăăŻéŁčźăŽäşşć°ăĺşăŞăăă°ăăçľăăĺłăăä¸çă§ăăăŠăéĺżăŻćăŁăŚăăžăăăăăăăăăă¨ăăłăŽćąăăŽăăăŤăä¸äťŁăĺ¤ăăŁăŚăă芹ăć ¸ăŤă§ăăăăăăŞă¨ăăă¨ăĺ ă ăăŠăźä˝ĺă弽ăăŞăŽă§ăăăăăčŚç´ ăĺ ĽăăăăŁăăăăłăŹĺŽśăŁăŚăäžăă°ăăŚăŤăăŠăăłă¨ăŹăĄăŠăćŚăăăăăŠăŁăĄă埡ăăăă¨ăăŁă犜漾ăŽé¸ćăăăčăăăă§ăăăŠăăăă¨ĺăăăăŤăä¸çŞćăăă¨ăŁăŚä˝ăăčăăăăĺ çĽăŽäťŁăăăŽć¨ăżă§čĽ˛ăăăăă¨ăăŞă¨ăčŞĺăŤăŻăžăŁăă躍ăŤčŚăăăŞăăŽăŤăĺŞăăăăŞăăăŠčŞĺăčż˝ăŁăŚăăăżăăăŞă
ăăă波ç´ăĺ¤ăăăŞăăăăšăżăłăăăçăžăăăăŁăăăŽä¸č¨
硨éé¨ďźăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăăŽçŹŹ1é¨ăŻčĺ°ăă¤ăŽăŞăšă§ăä¸ťäşşĺ Źăă¤ăŽăŞăšč˛´ćĺşčşŤă¨ăĺ˝ćăŽăéąĺĺ°ĺš´ă¸ăŁăłăăă¨ăăŚăŻăăăŞăç°č˛ăŽä˝ĺă§ăăă
čć¨ć°ďźăăă§ăăăăžăăĺ˝ćăŻĺ¤ĺ˝äşşăŽä¸ťäşşĺ ŹăŻĺşćŹçăŤNGă ăŁăăă§ăăćĽćŹäşşăĺ¤ĺ˝ăŤčĄăăšăăźăŞăźăŻčŻăăă§ăăă§ăăĺ¤ĺ˝ăčĺ°ăŤăăŚĺ¤ĺ˝äşşăć´ťčşăăăăłăŹă¨ăăăŽăŻăćĽćŹăŽĺ°ĺš´ăăłăŹă§ăŻă羜寞ăŤĺăăŞăăăăăŁăŚăćšă ăăč¨ăăăăăăăă§ăăăăĄăăŻäşşă¨éăăă¨ăăăăăăăă§ăăăăăă¨ăćĽćŹäşşăĺ¤ĺ˝ăŤčĄăăŽăä˝ăăăă¨ăăăăăŞăăă¨ăăĺäşşçăŞçĺăăăŁăŚďźçŹďźăĺ˝ćăŽć ĺ˝çˇ¨éč ăŽć¤ĺłśčŻäťăăďźçžăťéčąç¤žć°ć¸çˇ¨éé¨é¨éˇďźăăĺžćźăăăŚăăăžăăăăä˝ĺă¨ăăŚăŻăăă¸ă§ă¸ă§ăă¨ăăĺĺăĺäžă§ăčŚăăăăăăăăăŤăĺĺăŽé ćĺăăJăă¨ăJăă§ĺăăăăă¨ăăăăăăă¨ĺˇĽĺ¤ŤăŻăăŚăăăă§ăăăŠăă
硨éé¨ďźă¸ă§ă¸ă§ăŻçŹŹ1é¨ă珏2é¨ă¨é˛ăă§ăăă珏3é¨ăŽăăšăżăźăăšăăŻăŤăťă¤ăăźăšăă§ĺăăŚăăšăżăłăăă¨ăăĺĺ¨ăçťĺ ´ăăžăăăăăăŻăăŽăăăçşćă ăŁăă¨ćăăžăă
čć¨ć°ďźăăăžă§ăŻăă波ç´ăă¨ăă形ă§čś č˝ĺă襨çžăăŚăăăŽă§ăăăăăăĄăăŁă¨ĺŽćçăŤç¸ćăĺŠăăŤčĄăăżăăăŞăăăăăăăłăŹçăŞçľľăä˝ăăăăŁăăă¨ăăŤăŽăźăçľľăŤăăăăŽăĺşăŚăăŚç¸ćăçŠä˝ăĺŁăăŤčĄăăăăŽă¨ăĺŽčˇéă¨ăăĺşăŚăăćăăăăăŞă¨ăăăŽăťăăăăłăŹă¨ăăŚčŞč ăŤäźăăăă§ăăăăăăăžă§ăŽăăăŤăčś č˝ĺč ăä˝ăĺżľăăŚçŠä˝ăăăăŞăăăźăłă¨ĺ˛ăăăăăăšăżăłăăĺŽéăŤĺăăă¨ă§ăç¸ćă¨ăŽăăŞăăŞăăăăăŞčˇé˘ćă襨çžă§ăăăăăŁă¨ăăć ĺ˝çˇ¨éăŽć¤ĺłśăăăăăăă波ç´ăĺ¤ăăăŞăă¨ăč¨ăĺ§ăăŚăăăŽăăŹăăˇăŁăźă§čăăă¨ăăăŽăăăăžăăăŠăďźçŹďźă
硨éé¨ďźçŹŹ3é¨ă§ăŻăćĽćŹäşşăŽä¸ťäşşĺ
Źăă¨ă¸ăăăçŽćăć
ăŽăŞăă§ćľă¨ćŚăă¨ăă形ĺźăĺăăăŚăăžăă珏3é¨ăŽéŁčźăŻ1989ĺš´ăŽăăăŤçăŁçăăŽććăŤĺ§ăžăăžăăăăăăăăć䝣čćŻăćčăăŚä˝ĺăŤçšăčžźăă§ăăžăăă
čć¨ć°ďźăăăŤć䝣ăŽçľć¸ăŁăŚä¸ă調ĺă§ăăŠăăŠăä¸ăăăăăăŞăă§ăăăăăăŁăŚăăłăŹä˝ăăŤă役éżăăăŁăă¨ćăăžăăĺ˝ćăŽć źéçłťăŽăăłăŹăŻăăźăăĄăłăĺśă§ćľă¨ćŚăŁăŚăăŁăŚăé çšăĺăăă¨ćăŁăăăăăŤéŤăé çšăçžăăăă¨ăăä˝ĺă°ăăă ăŁăăă§ăăăăăčŞăă§ăăă¨ăĺç´ăŤăăăŽĺžăăŠăăăăă ăăăă¨ĺăŻćăŁăăă§ăă羜寞ăŤç ´çśťăăăăăă¨ăăăŽăăźăăĄăłăćšĺźăăăă°čŞč ăŤĺăăăăă¨ă硨éé¨ăăăŻč¨ăăăăă§ăăăĺăŻăăăăăŞăăŁăă
ăăă§ăăă¸ă§ă¸ă§ăă§ăŻăăŠăă¸čĄăŁăŚăĺăăăăŞćľăçťĺ ´ăăŚăĺşăŚăăćľăŻĺźąăăŚăćŚăĺ ´ćăĺ¤ăăŁăŚăăă¨ăăăăăŞăăăăăćšĺźăŤăăžăăă珏3é¨ă§ăŻăćçľçăŤăŻĺźˇćľăŽăăŁăŞă¨ćŚăăăă§ăăăŠăăăăăćšĺźă§ăăŽĺ ´ăăŽĺ ´ăŽăľăšăăłăšăčŞč ăŤćĽ˝ăăă§ăăăăăăŤăăăŁăŞăŽéĄăŻćĺžăŽćŚăăžă§ăˇăŤă¨ăăăŤăăŚăăăăŚčŚăăŞăăăăŤăăăă§ăăăčŚăăĄăăă¨čŞč ăŻé çšďźăăŁăŞďźăć°ăŤăŞăŁăŚăăžăăăă珏3é¨ăŽéä¸ă§ć䝤ăĺşăăăŁăŞăćăćăŞăŠăŻăăăăć°ă使ăăžăăăă
硨éé¨ďźçŹŹ3é¨ă§ăăŁăŞă¨ăăâć埡ăŽćľâăĺăăĺžăŤĺ§ăžăŁăă珏4é¨ăŽăăă¤ă¤ă˘ăłăăŻç ăăŞăăă§ăŻăĺăăŚćĽćŹďźäťĺ°ĺ¸ăă˘ăăŤăŽăMçSĺ¸ćççşăďźăŤčĺ°ăĺ¤ăăçťĺ ´ăăćľăŽĺźˇăăăŞăťăăăăăžăăăăăźăăĄăłăćšĺźăŽăăłăŹă§ăăăăăăŁăŞăă埡ăćľăçťĺ ´ăăăă¨ăăă§ăăăăăăăăăŞăăŁăăăăăăăă¸ă§ă¸ă§ăăˇăŞăźăşăŽéŁčźă25ĺš´éăçśăă大ăăŞčŚĺ ă ă¨ćăăŽă§ăăă
čć¨ć°ďźăăăŻăăăăăăăŞăă§ăăăăăźăăĄăłăćšĺźăŽĺ ´ĺăŻĺăŤćŚăŁăćľăăă埡ăćľăŽă˘ă¤ăă˘ăĺşăăŞăă¨ăăăŞăăă§ăăăŠăăă¸ă§ă¸ă§ăăŽĺ ´ĺăŻéä¸ăŤĺşăŚăăćľăŻĺźąăăŚăăăăă§ăăč ĺăŻăŞăăŚăăă ĺćŻăŞă ăă§ăăăăă§ăăăĺźąă弴ă§ăä˝ăăăŁăŠăă§ăăŚăăă°ăăăŽă¨ăăŽăľăšăăłăšăćăăŚă埡ćľă¨ăăŚčŚăăăăăă§ăăăă
ćŞĺ
ăŞăăŽăćŁčŤăăćăăă桹ăăšăăźăŞăź
硨éé¨ďźăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăăŽăăźăăŻăäşşéčłćăă¨ăăăľăăŤčĄ¨çžăăăŚăăžăă
čć¨ć°ďźăăăŻăäşşéăŽććăćéˇăăăšăŚăŽĺéĄă解湺ăăă¨ăăăă¨ăçĽć§ăŻĺŽăŁăŚăăăăăăăăŞăăăŠăçĽć§ăĺŠăăŤćĽăŚăăăă¨ăăäťăžă§č˛ ăăŚăăăŽăŤćĽăŤć埡ăŽĺŁăçžăăŚăăăă§ç¸ćăĺăăăăăŞăă¨ăăăă¨ă§ăăăăă¨ăčŚăăżăçĽć§ăćăŁăŚăăăă¨ăăčăćšăĺŤăŞăă§ăăčŞĺăăĄă§č§ŁćąşăăăăăŤçĽć§ăŻăăăă ăăă¨ăăćčă§ăäşşéä¸ĺżä¸ťçžŠă¨ăăăăăŤăăľăłăšăŽé°ĺ˛ć°ăăăŁăăăăăŞă¨ăăă
ăĄăăŁă¨ćšĺ¤ăŤăŞăăăăăăŞăăăŠăä¸ťäşşĺ ŹăćŚäşăŤčĄăăŽăĺŤă ăŁăŚč¨ăăŞăăăçľĺąćŚăŁăŚăăăăłăŹăăăăă§ăăĺăŻăăăăăćŚăăăăŞăă¨ăč¨ăăŞăăćŚăĺżçăĺăăăŞăăă§ăăăĄăăă¨ĺżăćąşăăŚăăćŚăăă¨ćăăăďźçŹďźăă ăăăăă¸ă§ă¸ă§ăăŽĺ ´ĺăŻăćľăĺ ¨ăćŠăžăăŤćŚăăćăă§ćĽăăă§ăăăčŞĺăćŁăăăŁăŚäżĄăăŚăăăă§ăă
硨éé¨ďźăăă§ăăăăă¸ă§ă¸ă§ăăŤăŻćŁçžŠă¨ćŞĺ ăŽăăŁăŠăŻăżăźăăăăăă§ăăăŠăăăăăăčŞĺăŽéăé˛ăă§ăăă¨ăăćăăăăžăă
čć¨ć°ďźăăăăăĺ ¨ĺĄĺĺăăčŚăăăŤćŚăäşşăăĄăćŠăă§ăăăăăłăŹăŻé˘ç˝ăăŞăă¨ćăăă§ăăăćŁçžŠăćŞĺ ăă严ćšă¨ăćéŤăŽĺăćăŁăŚăćéŤăŽăłăłăăŁăˇă§ăłă§ćŚăăăăă ăăćăăŚăăŚăăăä¸ťäşşĺ Źăăăč˛ ăăăăŞăă¨ćăă¨ăăăăăă§ăăăă
硨éé¨ďźă¸ă§ă¸ă§ăăă˘ăŤčŠąăčăă¨ăăă¸ă§ă¸ă§ăă§ćăăăćŞĺ ăŤĺŻžăăŚćăŤĺ ąćăăčŚăăă¨ăăäşşăăăžăăă
čć¨ć°ďźçŹŹ1é¨ăŽé ăŻç˝ă¨éťă¨ăăăăĺćŞăŻćŁĺ寞ăŽăăŽă¨ăăŚćăăŚăăăă§ăăăŠăăăŁăąăĺš´ăĺăŁăŚăăă¨ćŞăŤăŻćŞăŽççąăăăă¨ăăĺ´é˘ăăăăć°ăŤăŞăŁăŚăăăäžăă°ă珏7é¨ăŽăăšăăŁăźăŤăťăăźăŤăťăŠăłăăŤçťĺ ´ăăăăĄăăźăťă´ăĄăŹăłăżă¤ăłĺ¤§çľąé ăŻăćĺ˝ĺżăŻăăăăăăă§ăăăăĺ˝ăĺŽăăăăŤäşşăç ç˛ăŤăăăă¨ăĺăăŞăçšă¨ăăĺäşşăăčŚăă¨ăăăćŞăă§ăăčŞĺăŽĺ˝ăćăĺżăŻăăăăŚăĺ˝ă¨ăăĺä˝ă§čŚăă¨ăă´ăĄăŹăłăżă¤ăłĺ¤§çľąé ăŽăăŁăŚăăăă¨ăŻćŁăăă¨ćăăăćŁăăă¨äżĄăăŚčĄĺăăäşşăŻĺźˇăă¨ćăăăăăăăćŞĺ ăŽćŁčŤăă¨ăăăăäşşçŠăĺĽăŽč§ĺşŚăăăčŚăăććłăŻă珏6é¨ăŽăăšăăźăłăŞăźăˇăŁăłăăŤçťĺ ´ăăă¨ăłăŞăłăťăăăçĽçśăćăăŚăăă¨ăăćčăăŚăăžăăăă
硨éé¨ďźçŹŹ6é¨ă珏7é¨ăčŞăă§ăćŞĺ ăŻćŹĺ˝ăŤćŞĺ ăŞăŽăăă¨čăĺşăăŚăăžă珏1é¨ăăăˇăŞăźăşăčŞăżčżăă¨ăăăăăăă¸ă§ăźăšăżăźĺŽśăŻćŹĺ˝ăŤćŁçžŠăŞăŽăăă¨çĺăćăŁăă¨ăăă¸ă§ă¸ă§ăăă˘ăăăžăăă
čć¨ć°ďźăăă§ăăăçľĺąăäşşăŁăŚä˝ă ăăă¨čăăă¨ăăŤăçăžăăŚăăŚĺŽśćăä˝ăŁăŚăăžăćťăă§ăăă¨ăăăă¨ăŻăăăä¸ćăăăćŁçžŠă¨ăćŞă¨ăăŞăăŽăăăăăŞăăăăŁăąăçăćŽăŁăŚăăăŽä˝ăăŞăŽăăăăăŞăăçšăŤăăšăăŁăźăŤăťăăźăŤăťăŠăłăă§ăŻăă¸ă§ăźăšăżăźĺŽśă¨ăŻăăŁăăä˝ăăŞă¨čăăŚăăžăăžăăăă
ăă¸ă§ă¸ă§çŤăĄăăŻăăă§ăăŞăăŻăăŞăă§ăăďźçŹďź
硨éé¨ďźĺ ăťăŠăŽçľľăŽčŠąă§ăăăă¤ăżăŞă˘ăŽč¸čĄăĺŽéăŤčŚăŚăăăŞă役éżăĺăăă¨ăăăă¨ă§ăăăăă¸ă§ă¸ă§çŤăĄăă¨ĺźă°ăăçšćŽăŞăăźă¸ăłă°ăŻćĺłçăŤéçşăăăŚăăăŽă§ăăă
čć¨ć°ďźăăłăŹăŽçľľăŁăŚăă çŤăŁăŚăăă¨ă¤ăžăăŞăăăŠăăĄăăŁă¨ă˛ăăŁăăăăă¨ăăăéćĽĺ¸¸çăŞăăĄăłăżă¸ăźćăçăžăăŚăăăă§ăăăăšăăźăŞăźăŤăăăŞă˘ăŞăăŁăźăŽä¸ăŽăăĄăłăżă¸ăźă¨ăăăăăăăăăłăŹçă§ăăăă§ăăăăăăźă¸ăłă°ăŻă¤ăżăŞă˘çžčĄăăăăĺčăŤăŞăă¨ćăŁăăŽă§ăăăŽčžşăçľľăŤăăăă¨ăçšăŤăă¤ăżăŞă˘ăčĺ°ăŤăă珏5é¨ăŽăéťéăŽé˘¨ăă§ăŻăćčăăŚăăźă¸ăłă°ăéçşăăŚăăć°ăăăăă§ăăăă¸ă§ă¸ă§çŤăĄăăŻćŹćĽăäşşăă§ăăŞăăăźăşăčăăŚăăăŽăŤăăăăăżăăŞăăăŁăŚăăă¨ăăăăăăăŻăŞăăžăăăăä˝č ă¨ăăŚăŻĺŽĺ ¨ăŤäşćłĺ¤ă§ăă
硨éé¨ďźă¤ăżăŞă˘č¸čĄăŽäťăŤĺ˝ąéżăĺăăŚăăăăŽăŻăăăžăăă
čć¨ć°ďźäťăŽć çťăŽăăšăżăźăŻĺçă°ăăă§ăăăŠăćăŽăăŞăŚăăć çťăŽăăšăżăźăŻă¤ăŠăšăă ăŁăăă§ăăăăăšăżăźăăŹăăŻăăŞăŠăćăăăăăťăăźăŻć°ă¨ăăSFăăăĄăłăżă¸ăźä˝ĺăŽćżçľľă§ćĺăŞăăŠăłăŻăťăăŠăźăăżć°ă¨ăăĺäžăŽé ăă彟ăăŽă¤ăŠăšăăčŚăŚăăŚăé常ăŤăŻăŻăŻăŻăăçľľă ăŁăăă§ăăăăăă¸ă§ă¸ă§ăăŽčĄ¨ç´ăŞăŠăćăă¨ăăŻăăăŽăŻăŻăŻăŻćăĺżăăŞăăăăŤä¸ćçľľă¨ăăŚăŽă¤ăłăăŻăă大ĺăŤăăŚăăžăăăă¸ă§ăźăşăă¨ăăă007ăăŽăăšăżăźăčŚăă¨ăăŽăăăä˝ăĺ§ăžăăă ăăă¨ăăćăăă¸ă§ă¸ă§ă§ăĺşăăăă
硨éé¨ďźăă¸ă§ă¸ă§ăăŽčĄ¨ç´ă§ăŻăä¸ťäşşĺ ŹăŽéŤŞăé鍪ă ăŁăăăéă ăŁăăăćăŽč˛ăăăśă¤ăłăăăăăĺ¤ăăăžăăăăăăä¸ćçľľă¨ăăŚăŽĺ°čąĄă埡ăăŚăăă¨ćăăžăă
čć¨ć°ďźăăă§ăăăăă¸ă§ă¸ă§ăăŁăŚĺşĺŽăŽč˛ăăŞăă§ăăăăăă¸ă§ă¸ă§ăăŻăăăžă§ăăŹăă˘ăăĄăŤăŞăŁăŚăăŞăăŁăăŽă§ăč˛ăăăă¨čŞçąăŤä˝żăăăă§ăăçľľăćăăŚăăă¨ä˝ăäťăžă§ăŤăŞăć°éŽŽăŞćăăăăĄăźăŁă¨é ăŽä¸ăŤéăŁăŚćĽăă¨ăăăăăă§ăăăç´Ťă¨ăăă¨ăĄăŠăŤăă°ăŞăźăłăĺĄăŁăă¨ăăăŞăŠăźăŁăăčŻăč˛ă ă¨ăćăŁăŚăăćżĺ¤Şéăăăă§ăă°ăăčĄăăăăżăăăŞďźçŹďźăăă¨ăĺăŽä¸ă§çĄćľăŽçľăżĺăăă¨ăăăŽăŻăăćĄč˛ăă¨ăé犺ăŽč˛ăă§ăăăăăăă¨ăăçľľă§ăŻă使ăăžăă
ăăăă¸ă§ă¸ă§äťĽĺ¤ăŻćăăžăăăďźčć¨ć°ďź
硨éé¨ďźć¨ĺš´ăăăăŚăŤăăŠă¸ăŁăłăăă§éŁčźăăšăżăźăăăć°ä˝ăă¸ă§ă¸ă§ăŞăŞăłăă§ăăăăžă čŹăŽĺ¤ăĺąéă§ăăăäťăžă§ăŽä˝ĺăŻăä¸ťäşşĺ Źăä˝č ă§ăăăăăăăăăăŁăŠăŻăżăźăŽčşŤä¸ć¸ăăŻăŁăăăăăŁăăăă§čŠąăĺąéăăăŚăăžăăăăă¸ă§ă¸ă§ăŞăŞăłă§ăŻăä¸ťäşşĺ ŹăŽç´ ć§ăăćăăăăŚăăžăăă
čć¨ć°ďźăă¸ă§ă¸ă§ăŞăŞăłăăŽä¸ťäşşĺ ŹăŻăčŞĺć˘ăăăăŚăă掾éă§ăăăăăăćăăŚăăăăĄăŤă厜糝ă¨ăăçăžăăŚăăćĺłăżăăăŞăăŽăčŚăăŚăăă¨ăăăŽăăŞă¨ćăŁăŚăăžăăă¸ă§ă¸ă§ăŽçŹŹ1ď˝3é¨ă§ăŻĺ çĽăŽć䝣ăŽĺ ç¸ăä¸äťŁăčś ăăŚä¸ťäşşĺ ŹăŤéăăăăŁăŚăăă¨ăăćăăćăăăăă§ăăăă¸ă§ă¸ă§ăŞăŞăłă§ăŻăäžăă°čŚŞă罪ăçŻăăăĺäžăăăăĺăçśăă§ăăžăăŽăă茪ăŽćăăŻĺăŤăŠă役éżăăăŽăă¨ăăŁăăä¸ç¨ŽăŽĺŞăăżăăăŞăŽăäšăčśăăăŤăŻăŠăăăăăăăăćăăŚăăăăăăăăŻé常ăŤćăăă¨ăŽăăăŞć°ăăăăăăĽăźăšçŞçľăčŚăŚăăŚćčżăŽç¤žäźäşäťśăŞăŠăçŽăŤăăă¨ăăăăăćăăćăăăă§ăăăă
硨éé¨ďźăă¸ă§ă¸ă§ăŞăŞăłăăŽăŻăŠă¤ăăăŻăšăŻăĺ çăŽä¸ă§ăŻăăčŚăăŚăăăă§ăăă
čć¨ć°ďźăăăžăčŚăăŞăă§ăăăăăăžă§ăŻăăŠăšăăšă¨ćĺăŽăăŁăŠăŻăżăźă¨ăăéä¸ăŻăŠăé˛ăă§ăćĺžăŻăăăŤčžżăçăă¨ăăăľăăŤčŠąăĺąéăăŚăăăă§ăăăŠăăă¸ă§ă¸ă§ăŞăŞăłăăŻăĄăăŁă¨éăăă§ăăăă¸ă§ă¸ă§ăŞăŞăłăăŽčĺ°ă珏4é¨ăŽăăă¤ă¤ă˘ăłăăŻç ăăŞăăă¨ĺăSĺ¸ćççşă¨ăăăă¨ă§ă珏4é¨ăŽä¸ťäşşĺ Źă ăŁăăćąćšĺŽśăăŽčŁăŤä˝ăăăăŞă¨ăăćăăŻăăăžăăăŠăă
硨éé¨ďźć°ăăçŠčŞăŽćăćšăŤĺ¸¸ăŤăăŁăŹăłă¸ăă姿ĺ˘ăŻăă¸ă§ă¸ă§ăŽéŁčźăĺ§ăžăŁă25ĺš´ĺă¨ĺ¤ăăăŞăăŽă§ăăă
čć¨ć°ďźăăăŻăăăĽăźăăă¨ăăŤçˇ¨éé¨ăăĺˇăčžźăžăăžăăăăăăăăăăŽăŻăăăžăăăă
硨éé¨ďźćĺăčć¨ĺ çăăéąĺĺ°ĺš´ă¸ăŁăłăă硨éé¨ăŤä˝ĺăŽćăĄčžźăżăăăă¨ăăŻăçľć§ăĺłăăăă¨ăč¨ăăăăăă§ăăă
čć¨ć°ďźă¸ăŁăłăăŽäşşăăĄăŻăé ć ŽăăŞăăă§ăăăăăăăăăä˝ĺăŻčŚăăăŞăăă¨ăč¨ăăă§ăăďźçŹďźăĺăŻăăăŞăăăăŻă¤ăćăăŚăă ăăăă¨č¨ăăăŚăăăăăăăŽăăăŚăăăä¸çŞćĺă§ăĺäžă§ăă§ăăăă ăăăă¨ĺłăăč¨ăăăžăăăăˇă§ăăŻă§ăăăăăăŤäťĺ°ăŤĺ¸°ăăăăŁăŚćăŁăďźçŹďźă
硨éé¨ďźäťĺš´ăŻéŁčź25ĺ¨ĺš´ăčżăăŚăă°ăăă¨ăŽăłăŠăăŹăźăˇă§ăłăŞăŠăĺ¤ćšé˘ăŽć´ťčşăçŽçŤăĄăžăăäťĺžăäžăă°ăăŠăźć çťăŽăˇăăŞăŞĺśä˝ăżăăăŞăă¨ăŞăŠăčć¨ĺ çăŽĺăçşćŽă§ăăĺéăăăă¨ćăăŽă§ăăă
čć¨ć°ďźăăăă§ăĺăŻăăłăŹĺŽśăŞăŽă§ăăăłăŹăŽä¸ă§ăăšăŚă襨çžăăăă§ăăăă¤ăŠăšăăćäžăăă¨ăăŁăăłăŠăăŻăăăăăăăžăăăăăăăăăŻăżĺşăăă¨ăŻăŞăă§ăă
硨éé¨ďźăžăăäťăŻăăăĺŞä˝ăŽäťăŤéťĺć¸çąăŞăŠăĺşăŚăăŚăăăłăŹéčŞăĺŤăăŚç´ĺŞä˝ăŽç˝ŽăăăŚăăçśćłăĺ¤ăăŁăŚăăŚăăžăă
čć¨ć°ďźĺăćăăŽăŻăăă¸ăżăŤăŁăŚĺŚĺŽăăšăăă¨ă§ăŻăŞăăăŠăăă¸ăżăŤä˝ĺăŻă˘ăăă°ăŤćťăăŞăăă§ăăăăä¸ćšă§ăç´ăŤćăăă¤ăŠăšăăăăłăŹăŻç°ĄĺăŤăă¸ăżăŤăŤĺ¤ćă§ăăăă ăŁăăăă˘ăăă°ă§ćăăŚăăăťăăćĺŠăăŞă¨ĺăŻčăăŚăăŚăç´ă¸ăŽăă ăăăŻć¨ăŚăăăŞăă§ăăăäťĺăăčć¨éŁĺ彌ĺçťĺą ă¸ă§ă¸ă§ĺąăăăăăăŚăăă ăăŚăăăă§ăăăŠăăăăŻăă¸ăżăŤă§ćăăŚăăăă§ăăŞăăŁăă ăăăŞă¨ćăăžăăăăăăă˘ăăă°ăŤĺŻžăăăă ăăă¨ăăăŽăŻăă¨ăźăăăă§ăŞă˘ăŤăŽč¸čĄä˝ĺăăĺăăčĄćăăăăăĺä˝é¨ăżăăăŞăăŽăĺ°ăŞăăăăăă¨ćăăžăăă
硨éé¨ďźćĺžăŤăčć¨ĺ çăŽä¸ă§äťĺžă¸ă§ă¸ă§äťĽĺ¤ăŽć°ăăŞä˝ĺăćăă¨ăăćšĺć§ăŻăăăžăăă
čć¨ć°ďźă¸ă§ă¸ă§äťĽĺ¤ăŻăăšăăłăŞăä˝ĺăăăă§ăăăăăć°ăăŞä˝ĺăŻăŞăă§ăăăăăŽ25ĺš´ăŽéăŤăăä˝ăăăăĄăăŁă¨ć°ăăăŽćăăŚăżăăăă¨č¨ăăăăă¨ăăăăă§ăăăŠăăăăżăžăăăă¸ă§ă¸ă§äťĽĺ¤ăŻćăăžăăăă¨ăč¨ăŁăŚăăăŽă§ăă§ăăăă§čŻăăŁăăŽă ă¨ćăăžăăăšăăźă柍çťă¨ăćăăŚăăăăĄăăŁă¨ăă°ăăŁăďźçŹďźă揥ăŽ25ĺš´ăăăăŁă¨ć°ăăŞĺĽĺŚăŞĺéşăćăăŚăăă¨ćăăžăă
ćąĺ大ĺŚăťčć¨ĺ çčŹçžŠăŹă ĺ ¨ä˝ĺ Źé 890views 5favs 2013-10-15 21:00:33 ćąĺ大ĺŚ106ĺ¨ĺš´č¨ĺżľăăăźă ăŤăăłă°ăăźăäťĺ°ăťăăăź čć¨éŁĺ彌ăŽä¸çăŤç§ĺŚă¨ăŚăźă˘ă˘ăŻăŠăăžă§čżŤăăăŽăďźď˝ćąĺ大ĺŚăŻćăéăăéăĺăćăăďźď˝
H25ĺš´10ć12ćĽăŤćąĺ大ĺŚă§čĄăăăčć¨ĺ
çăŽčŹćźäźăŤčĄăŁăŚăăžăăă
ăăźăăŻVRďźäťŽćłçŠşéďźARďźćĄĺźľçžĺŽďźSRďźäťŁćżçžĺŽďźăăăă䝎ćłă¨çžĺŽăŽčĺă
䝎ćłăŽăăŽă§ăăăšăżăłăăŽă´ăŁă¸ă§ăłăŻćăăăŚçžĺŽăŤĺŻč˝ă¨ăŞăăŽăďźă¨ăăăăźăăĺ
ăŤčć¨ĺ
çăŽčŹçžŠă¨ăăăŤăăŁăšăŤăăˇă§ăłăčĄăăăžăăă
čć¨ĺ
çăŻéťăăšăźăăŤăă§ăăŻăŽăăŻăżă¤ăă˘ă¤ăăŞăźăŽăşăăłă§ĺŁä¸ăŤçťĺ ´ă
ç¸ĺ¤ăăăčĽă
ăăăčă¤ăă¤ăăŞćł˘ç´ăŽéäşşçść
ă§ăăă
ăčŞčşŤć°ăăăŞăă§ĺźă°ăăăŽăĺăăăŞăďźçŹďźă
ćŽćŽľăăžăćşĺ¸ŻăŞăŠă使ç¨ăăăARăMRăĺăăăŞăă¨čŠąăăŚăăžăăă
čć¨ĺ çăŽăăźăăŻăă¸ă§ă¸ă§ăŽăçŽăŤčŚăăŞăăăŽăçľľăŤăăćŚĺżľă çŽăŤčŚăăŞăăăăŠăăăăăăŽăć¸ăă ă¤ăžăăšăżăłăă¨ăŻăčś č˝ĺăăŽčĄ¨çžă§ăăă¨ăăăă¨ă
ă柍çťĺŽśăŤăŞăăăŁăăă ăçśăăăŻäťă§č¨ăă¨ăăăŽJTčˇĺĄă§ăăćŹäşşăŻçŠä˝ăă弽ăăŞäşşă ăŁăă äžăă°ćľˇăŤčĄăă5ćłăŽé çĄéŞć°ăŤăă¨ăăă財ăŁăŚăă¨ăă ăŁăŚăżăăăă¨ăăăŽĺ˝˘ăŤć¨ăĺăă ăăŚć°´ăŤćľŽăăšăăăăŞäşşă ăćŻăăăŻçé˘çŽăŞäşşă§ăčć¨ĺ çăăŹăăăťăă§ăăăŞăłďźLed ZeppelinďźăčăăŚăăăăăă¨ăă˘ăźăăĄăŤăă¨ăčăăŞăăďźăă¨č¨ăăăăŞäşşă ăćŻăăăŻčć¨ĺ çăŤĺ¤ăçťéă柍çťă財ăŁăŚăăăŚăăăăăăŁăăăŤčć¨ĺ°ĺš´ăŻćźŤçťăŤčĺłăćă¤ăăăŤăŞăă
ĺ°ĺŚçăŽé ăĺäşşă¨ĺ ąăŤćźŤçťăć¸ăĺ§ăăă ĺäşşăŽä¸äşşăŻçľľăŻćăăŞăăăžăă§çˇ¨éč ăŽăăăŤăłăĄăłăăăăäşşă§ă8ćłăŽé ăŤç ˝ăăŽć§ĺłă§çľľăćăăŚăżă㨠ăăăŽć§ĺłăä¸ćăăăăŞăăă ă¨č¤ăăŚăăăŚăčć¨ĺ°ĺš´ćé 夊ă ăăŽĺäşşăŻćĽćŹă¨ă˘ăĄăŞăŤăŽăăźăăźăŽéăăć°´ć¨ĺ çă¨ćĽłĺłĺ çăŽćăăććăăŽéăăŞăŠăčĺŻăăĺäžă§ăčć¨ĺ°ĺš´ăŻĺăă§ăăăčăăŞăăčĺŻĺă䟸ă°ăăŚăăŁăăăŽă¨ćăăăă ăăćĽăĺäşşăŻä¸ťäşşĺ Źăăăč彚ăć źĺĽ˝čŻăć¸ăăčć¨ĺ°ĺš´ăŽćźŤçťăăé˘ç˝ăďźăă¨č¤ăăčć¨ĺ°ĺš´ăŻćźŤçťĺŽśăŤăŞăăă¨ăćąşćăăă
čć¨ĺ°ĺš´ăŻä¸ĺŚçăŤăŞăă ĺ°âä¸ĺŚć Ąă¸éăčć¨ĺ°ĺš´ăăăăŽéĺŚčˇŻăŤăŻĺż ăăćăĺ 蟊ăăăăăăăŚăăŚă掴ăăăăăŤăă˘ă˛ăăăăăăćĺăŞéăăăăăăăŤăă˘ă˛ăăźăăăĺĺ¨ăăă čć¨ĺ°ĺš´ăŻăăŽé ăĄă°ăŚă¤ăĺ çăŽăäżşăŻéĺšłăăčŞăă§ć§ăăĺŁéé¨ăŤĺ ĽăŁăŚăăă ăŤăă˘ă˛ăăźăăŤăŻăă¤ăăŽăăăŤăăăăăä¸čŻéă4ď˝5äşşâŚăçŽăĺăăăŞăăăăŤéăćăăăă¨ăăăăä¸čŻéăŻĺźąĺ¸ĺ°ăŞčć¨ĺ°ĺš´ăŤçŽăäťăăă č ăăăďźăŤăă˘ă˛ăăăďźăăŽăžăžă§ăŻăăŁă¨çĄäşă§ăŻăăăăŞăďź čć¨ĺ°ĺš´ăčŚćăćąşăăćăä¸äşşăŽä¸čŻăč¨ăŁăă ăăăăłă¤ăĺŁéé¨ă ă ăŠăăăä¸čŻăăĄăŽçĽăĺăăĺŁéé¨ăŤĺą ăăăă ăčć¨ĺ°ĺš´ăŻăăŽĺ ´ă§č§Łćžăă掴ăăăăă¨ăŻçĄăăŁăă ĺ°ĺš´ăŻćăâŚ
çŽăŤčŚăăŞăä˝ăăŤĺŠăăŚč˛°ăŁăďźçŽăŤčŚăăŞăä˝ăăăăă§ăăĺĺ¨ăăăăďź
ăăăŚéŤć ĄçăŤăŞăŁăăŁăăăŤćźŤçťĺŽśăăă§ăăžăăă16ćłă§ăăăĽăźă
ăăăŤč§ŚçşăăăăăăŤć稿ăćăĄčžźăżăéĺ§ăăă
ăčŞĺçŹčŞăŽä¸çăĺăćăăŞăăŚăŻâŚăăŽăžăžăŠăăŠă罎ăăŚčĄăăăăâŚă
ăăăăĽăźăťčŞĺçŹčŞăŽä¸çă¨ăĺŻčŚĺăă
ăăă§čć¨ĺ çăŻăăă¤ăăŽćźŤçťăŽăŤăăăçľľçťăŽĺăăćăĄĺşăăŚčŞŹćă
ăžă大ĺĺ ć´ĺ çăŽă獼夢ăăăăŠă¸ăŞăŽĺŁăăăŻăłăŤăăă ăăŽćĺăŤăăăăé¨ĺăăŽć¸ăčžźăżăŽçˇťĺŻăăŤă¤ăăŚčŞŹćăçŠä˝ăŻĺŁăăĺăŤć§ă ăŞçŠă§çľăżçŤăŚăăăŚăăăăăĺŁăăăă¨ăŤăăŁăŚĺ°ăăŞé¨ĺă¸ă¨ĺ˝˘ăĺ¤ăăă¨ăăçŹçšăŽčĄ¨çžăŤćéăĺăăă
čŞĺčŞčşŤă弽ăă ăŁă柍çťă¨ăăŚăăăăŤ2ä¸ăăăăľăšăąă 塨人ăŽćăŽćśăăéç
ăăŞăăăĺşăăŞăăăăăăŤĺ ąéăăäşćăŻä˝ăďź ăăăŻçŤăĺşăăăăăăźăŤăćśăăăăăćăŤĺż ăăăŤăźăŤăăĺĺ¨ăăă¨ăăăă¨ă ăă¨čŞŹćă
čŞĺçŹčŞăŽä¸çâŚăăăŻčś č˝ĺă¨ăăăçŽăŤčŚăăŞăăăŽăă形ăŤăăă㨠ăăŽĺ˝˘ăŤăăăŤăŻăăŤăźăŤăăĺż čŚă ă¨ćăăă¨ăŽăă¨
ăăă§čć¨ĺ çăćĽćŹçťĺŽśăŽçˇćšĺ çłăŽăćžĺłśăă¨ă˘ăăŽăçĄčŽăăç´šäťă çľľçťăŻçŽă§čŚăăăŽăăăŽăžăžĺĺŽăăăă¨ăďźçťĺŽśăŻçŽă§čŚăä¸ă§ăčŞĺăŽćăăăćć ăăçľľçăŤäšăăŚăăăŽă§ăŻçĄăă ăăăďź ćŹĄăŤă˘ăźăăĄăŤăăŽčé˘ăç´šäťă éłćĽ˝ĺŽśăŻçŽăŤčŚăăŞăăéłăăčé˘ăŤć¸ăăă¨ăŤăăŁăŚčĄ¨çžăăŚăăă ăĺăŽĺéăŽéłćĽ˝ĺŽśďźĺä˝ćăăďźďźăč¨ăŁăŚăăăăăŠăćŹĺ˝ăŤçžăăéłćĽ˝ăŻçžăăčé˘ăŤăŞăăăă§ăă çťĺŽśăćć ăçľľçăŤäšăăăăăŤăéłćĽ˝ĺŽśăçŽăŤčŚăăŞăéłăçžăăčé˘ăŤăăăăăŤ
ăçŽăŤčŚăăŞăăŞăŤăăŻç˘şăăŤăăăăĄăăŤăăăă¨ăĺşćĽăăă
ăăăăăăĺŻčŚĺăă¨ăă襨çžăŤçšăăăŽă§ăŻçĄăăâŚâŚâŚ
ăčć¨éŁĺ彌ăŽă¤ăă¸ăăźăˇă§ăłăăăçŤăŚăăĺŻčŚĺăăŞăăŽăăĄă
čć¨ĺ çć°ăăçŽăŤčŚăăŞăăăŽă形ăŤăăăĺŻčŚĺăăŤăŻć§ă ăŞăăŠăă芰ăžăŁăŚăăă¨ăŽăă¨ă äžăă°ĺĺč¨ĺˇčĄ¨ă漽čă ăăăăŻă˘ăĄăŞăŤĺ¤§çľąé é¸ćăŽĺ˘ĺĺł ăăăăŻă¨ăŚăăľăšăăłăšçă§ćšăăăăăŽăăăăďźčć¨ĺ çăŻăăłăăłăľăšăăłăšçă¨ăă襨çžă使ăŁăŚăăžăăďź ĺ¤Şé˝ăŽéťçščŚłć¸Źă§ăéťçšăŽĺ¤§ăăăŤăăŁăŚäşşéăŽćŹ˛ćăçŻç˝Şĺ˘ĺ çăŤçšăăă¨ăăăă¨ăŚăăľăšăăłăšç
ăŻăăžăäşşéăŽăă¤ăŞăŞăşă ă襨ăŤăăçŠă çľĺŠĺźĺ ´ăŽć śäşčĄ¨ăŻăăă ăă§ĺ ¨ă辤ăŽäťäşşăŞäşäşşăŽăäťăžă§ăŽäşşçăĺŁéčŚăăăĺŻčŚĺă ăăăăŁăçŠăŤă¨ăŚăčĺłăăă
ă波ç´âŚăăăŚăšăżăłăăŽčŞçç§čŠąă
20ćłă§ćźŤçťĺŽśă¨ăăŚăăăĽăźăăčŞĺăŽä˝é˘¨ă確çŤăăŞăăžăž5ĺš´ăťăŠçľéă ăăă§čŞĺčŞčşŤăćăŁăŚăăăčś č˝ĺăŤçŹčŞăŽăŤăźăŤăăä˝ăĺşăăă¨ćăçŤă¤ă çŁĺă波ăćăŽćşăăăăăăăłăăĺžăŚčĄ¨çžăăăŽăă波ç´ăăŽĺ˝˘ă ăŁăă
ăăă§čć¨ĺ çăŻćĺăŞăĄăĄăżăĄăăăŽăă§ăăŞăă波ç´ăˇăźăłăç´šäť ăĺăŻăăă§čś č˝ĺăŽăĺŻčŚĺăăăăăă¨ăĺşćĽăăă§ăă ă¤ăăŤçŹčŞăŽä¸çă¨čŚăăŞăăčś č˝ĺăăŽĺŻčŚĺă襨çžăăăă¨ăĺşćĽăčć¨ĺ çă ăăăéŁčź2ĺš´ăéă硨éăăä¸č¨
ă波ç´ăăăă ďźăăă§ćł˘ç´ăăăă¨ć¸ăăăăăŞăăă2ćčŚăăčć¨ĺ çďź
ă3é¨ăŽä¸ťäşşĺ ŹăŻć°ăăăŽăăăăă
čć¨ĺ çăŻĺ°ăŁăăçŹčŞăŽčĄ¨çžă波ç´ăăŻčś č˝ĺăŽĺŻčŚĺă§ăăŁăăŻăă ăăăć°ăă形ăŤăăăŤăŻăŠăăăăăăăă ăăâŚâŚâŚ
ăăă§ćăă¤ăăăŽă波ç´ăŽăćŹäşşĺăăăăśă¤ăłĺăă¤ăžăăšăżăłăă¨ăăŚăŽčĄ¨çžă ăŁăă 硨éăŻăăąăŁă¨ăăŞăăŞăâŚăă¨ćç´ăăăźăăéŁčźăŽććăŻčżŤăŁăŚăăă 3é¨ăŻćĺ¤ăŞăă¨ăŤĺĺżăŽčăçść ă§éŁčźăéĺ§ăăăăŽă§ăăă
ăăšăżăłăăŽăŤăźăŤăă¨ăäžĺ¤ă
ăăă§ä¸é˘ăŤć¸ăăăăăŞăăăŽçťĺ ´ă ăšăżăłăăŽăŤăźăŤă芳細ăŤć¸ăăăŚăăăăŤăźăŤăŻäťĽä¸ăŽéă
ďźďźăšăżăłăăŻă˛ă¨ă1ä˝ďź1č˝ĺďź ďźďźăšăżăłăăĺˇă¤ăă°ćŹäşşăĺˇă¤ă ďźďźăšăżăłăăŻă¨ăăŤăŽăźă§ăăăăŻăźă§ăăďźĺżăŽăăŻăźďź ďźďźăšăżăłăăŻă¨ăăŤăŽăźăŞăŽă§çŠčłŞăŤĺŽżăŁăăăă ďźďźăšăżăłăăŻçŠçăŽćłĺăŤĺžăŁăŚĺă ďźďźăšăżăłăăăŻăźăŻčˇé˘ăŽäşäšăŤĺćŻäžăăďźç䞥交ćďź ďźďźăšăżăłăăŻçŠçăŽćłĺăăĄăăŁă¨ă ăčś ăă
䝼ä¸ăčć¨ĺ çăŽčăăăăšăżăłăăŤăźăŤăă§ăăăĺşćŹăŻăăăŤĺăŁăŚăăă ăă éŁčźăăăŚăăä¸ă§äžĺ¤ăçşçăăăă¨ăăăă¨ăŽăă¨ă
ăžă3é¨ăŽăĺŞăăŽăăźăă ăăăŻćŹä˝ă¨čˇé˘ăé˘ăăŚăčŻăăćŹä˝ăŤĺ˝ąéżăçĄăăăăăăé čˇé˘čŞçŤĺăšăżăłă
ăăăŚăăă¨ăŤăťăăŹăłăšăŽăăźăăźĺ ĺźăŽăéă弪ăă襨çž
ăăăŽä˝ăäžĺ¤ăă¨ăăă¨ăă¸ă§ă¸ă§ä¸çăŽä¸ăŤăŻĺşćŹçăŤăĺš˝éăă¨č¨ăăăŽăĺĺ¨ăăŞăă¨čŞŹćă éăăăă¨ăăăă¨ăŻăĺš˝éăŽĺĺ¨ăčŞăăŚăăžăăă¨ăŤçšăăâŚ
čć¨ĺ çă4é¨ăŽăććŹé´çžăăćăăăăăŞăăăĺşăă ăĺš˝éăŻĺą ăŞăăă¨č¨ăăžăăăé´çžăĄăăăŻăăžăăăă彟弳ăŻăăŻăăăŤăźăŤéĺăŞăă§ăăă ăă彟弳ăŻčŞçąăŤĺăăŞăăĺ°ç¸éăă¨ăă形ăŤăŞăŁăŚăăžăăă ăéâŚĺš˝éăčŞçąăŤĺăćăŁăŚăăžăŁăăăăăăŻăŞăă§ăĺşćĽăŚăăžăăăŤăźăŤăçĄăăŞăŁăŚăăžăăă ăăăĄăăŁă¨ăŤăźăŤéĺă§ĺşăŚăă彟弳ăŤăŻĺśç´ăä¸ăăăăăăăăäžĺ¤ăă¨ăăŚăŽĺĺ¨ăŞăă§ăă
ă¸ă§ă¸ă§ăŽä¸çăŽĺš˝éďźéďźă¨ăăçŠăŻäťč ăŤĺš˛ć¸ăăĺăćăăŞăĺĺ¨ăŽăżč¨ąăăăă é´çžăďźćść¸Źă§ăă5é¨ăŽäşăŤĺ ĽăŁăăăŤăăŹăďźăŻčŠąăăăă ăăă訹ăăăŞăăäžĺ¤ă 彟ăăä˝ăćăŁăăăĺăăăăçŠčłŞăŤĺš˛ć¸ăăăă¨ăŻăŞăăă¨ăă誏ćă§ăăă
ăăă˛ă¨ă¤ăăšăżăłăăŤăźăŤăŽăăšăżăłăăŻçŠçăŽćłĺăăĄăăŁă¨ă ăčś
ăăăăŤă¤ăăŚčŞŹćă
ă¸ă§ă¸ă§ăŽăăšéăŻăćéćä˝çłťăă§ćăčś
ăăžăă
çŠçăŽćăćŠăăăŽăăĺ
ăŽéăăă§ăăăăăăčś
ăăăŽăăćăčś
ăăă
ă ăăăăšăżăłăăŻçŠçăŽćłĺăăĄăăŁă¨ă ăčś
ăăăă¨ăă誏ćă§ăăă
ăăŁă¨ăăăăăŽăăŞăăăç¨ćăăŚăăăŽă§ăăăćéăçĄăăžă¨ăăŤĺ
Ľăčć¨ĺ
ç
ăä¸ăŽä¸ăŤăŻçŽăŤčŚăăŞăăăŽăăăăăăăŁăŚăăăăăšăżăłăă¨ăăŚćăăăă
ă¨ăŽăă¨ă§ăăă
ććăŽä¸éĺ ´ăăčć¨ĺ çă ćĺžăŤĺşĺ ĽăĺŁăä¸çŹĺăăăăŞăăŞăăăăˇăźăłăăăŁăăăăŚăčśçŽă§ĺŻćăăăç´ ćľăŞčŹçžŠă§ăăă
The characters have been recreated so well, they may look cooler than they are in the manga. (Laugh) There's a psychological level to the battles here. I like how they've made it something more than just a fighting game.
The town of Morioh appears in Parts 4 and 8, but they're in parallel worlds, so they aren't linked in time or space. The two Josukes would never meet each other normally. With this game, though, it becomes possible. At first I was bit taken aback. But then the bizarre nature to it all really got me interested. It's very entertaining. I would never allow something like this in the manga, but since this is a game, it's cool. Same thing with Jotaro fighting Dio Brando. The way the characters look is so different over the parts, though, that normally if you lined them all up they'd look very out of place with each other. But this game fixes all that, and I think that's one of its strengths.
Personally, I play a lot of horror action/adventure games. I like exploring a lot, not just fighting. I like puzzle games too. And I like sports and racing games too, as you might have figured from my inclusions of F-MEGA and Oh! That's a Baseball! in part 3. Lately games have been getting really "real." I still like cheap-looking games like F-MEGA.
Lately, though, I haven't really played any fighting games or shooting games. When I get excited during battles, my Adrenalin pumps up. I want games to heal me. That's why I play horror games. Horror heals me. (Laugh) Even in this game, the punch animations are just too fast for me. I'd rather watch them in slow motion.
I wish I had a technique that girls liked. (Laugh) Or, I wish I could appear as a side character, who says "Do your best!" and offers up an energy drink or something.
People who started reading JoJo when they were young have now become adults and are contributing to this project. I'm really amazed. And moved that we can work together to let the next generation read JoJo. I was so surprised when I heard they were going to make an anime. For 20 years, I've thought about how unsuited JoJo was for TV. (Laugh) It ended up being a lot bigger than I imagined it would. I'm so glad the fans enjoyed it.
People say my gallery showing in Florence was a success, but I don't have any strong feelings about that personally. But one thing I did notice is that whenever I go to Italy, I always hear people talking about Japanese manga. Dragon Ball, Naruto, and Yu Gi Oh are all very popular. And whenever people talk about Japanese manga they always talk about Japanese soccer. I suppose Captain Tsubasa has had a lot of influence over there. Whenever you mention Japan in Italy, it's either Naruto or Nagamoto (soccer player).
I listen to country and Western music a lot. It's like American "enka" music. I like the pure, "human" sound of the vocals.
As for movies, I mainly watch suspense and horror. Recently I saw "Life of Pi" and "Gangster Squad." They were very good. There look to be a lot of good horror movies coming out in 2013, including the Evil Dead remake, so I'm excited.
From here on out, in JoJolion, I plan to focus on the Higashikata family in more detail. But it won't be linked to Part 4 in any way. People keep asking me when Rohan Kishibe will appear, so let me answer that question: he won't. (Laugh) That is absolutely set in stone. Another weird mangaka might appear, though.
Q. What is manga to you?
A. Like how food is a blessing from the sky and earth, I think manga is a blessing from society. I'm receiving ideas and inspiration from Japan.
Q. Who do you respect?
A. Many people... Shirato Sanpei and Fujiko Fujio I've respected since long ago. Recently, I've really thought about how amazing pro mangaka who came before me are. Like how they've polished themselves so much, how much work they were able to handle... it'd be impossible in the present day. They were always so pure about how they faced their work. They weren't drawing manga because they wanted to become someone great. they just wanted to draw. That's what's so amazing.
Q. What's the most important thing in the world to you?
A. A lot is important to me... hmm. The most important thing would be my breathing technique, I suppose. (LOL) If my breathing gets bad, my stomach starts to hurt. So every morning, I use a special breathing technique. I store up breath around my ribs. It trains my inner muscles and connects me with the universe. It's pretty deep.
JoJoâs Bizarre Adventure X Assassination Classroom Hirohiko Araki & Yusei Matsui
Dream talk session
A chance meeting between Yusei Matsui, author of the popular Weekly Jump manga "Assassination Classroom", and Hirohiko Araki, who has built a unique world within his "JoJo's Bizarre Adventure". During this relaxed discussion, they raise the curtain on their work methods.
Even though I look like this, I'm an outdoors type of guy (laughs). -Araki
Thank you for coming today! Matsui-sensei ate Araki-sensei's cod roe spaghetti and chicken soup. Can you give us an impression?
Matsui: Really, I'm overwhelmed by being able to eat the food an artist I look up to made. The chicken soup had a really gentle flavour and I felt it was very invigorating. The spaghetti was good too!
Araki-sensei, you said you like to cook as a divergence from your work. Are making food and making manga similar in any way?
Araki: Well, not really (laughs). However, I make both manga and food in gratitude of many things, so I guess they spring from the same source.
You just ate together. Do you do anything special to keep up your health, and what are your favorite foods?
Matsui: I just eat stuff I buy at the convenience store. I take nutritional supplements and go out to eat some proper food every now and then, so I really donât fuss over my health much yet.
Araki: I donât eat anything after 6pm. I eat whatever I like in the morning and afternoon, but I donât eat anything in the evening. If you eat while working in the evenings, youâll definitely get fat. If you get fat, you wonât want to move and youâll fall into a downwards spiral, so Iâm careful about my health.
Matsui: Youâre still very slim. Do you exercise regularly?
Araki: I do.
Matsui: When did you start?
Araki: I think that when people hit their 40s, theyâll want to take up running because theyâre tense about their health. I used to like diving and mountaineering, so from there I started running. I actually like exercising. Even though I look like this, Iâm an outdoors type of guy (laughs).
Matsui: I didnât mind exercise before I started Assassination Classroom, but as soon as the serialisation started, my will to exercise disappeared. Moreover, I feel like muscles get in the way when Iâm just sitting and letting my mind work at full force, so it canât be helped. To draw manga you just need your head and hands. Anything else is unnecessary. Although I do think I should keep up my stamina while doing a serialisation, so itâd be bad if I kept going like this.
Mangaka can take a break whenever they want, but they donât get any holidays. âMatsui'
Photo caption: Jojo has moved to Ultra Jump since Steel Ball Run. Araki-sensei is currently working on Jojolion, but he says the current amount of pages matches his personal rhythm better.
How do you two gather data and materials?
Matsui: Iâve been relying on the internet a lot recently.
Araki: For me itâs still books. However, I have to buy them at a physical bookstore, or it wonât work. I want to choose a book from a bookstore that I like.
Matsui: Where do you buy them normally?
Araki: In Shinjuku or Aoyama. If I go there Iâll know whatâs popular, or what the staff recommends. I want to see those things. If I look online Iâll just see the things I like. Without realising Iâll only look for the things I like, so bookstores and CD shops in which I can see what others recommend are an indispensable source of information for me.
Iâd like to ask about your weekly schedules and how you work. Araki-sensei, has your work pace changed since you moved from Weekly Jump to Ultra Jump?
Araki: Weekly Jump was 19 pages per week, but that rhythm didnât work for me. I really wanted to draw 21 pages per week. Since Iâve gone to Ultra Jump itâs become 45 pages per month. This matches my natural work rhythm better, so I can draw comfortably every month.
Matsui: Thatâs unusual! For me, 19 pages per week is a bit too much. Bringing that to 21 pages even⌠doesnât it become a bit demanding? (laughs)
Araki: Thatâs true. But for Jojo I want the decisive panels to be big, so the page count goes up anyway.
Matsui: Thatâs typical of Jojo. If you put in âgogogogoâ leading up to the decisive panelsâŚ. Youâd have 21 pages very quickly.
Araki: Perhaps, yes. But what do you do when your name* ends at 17 pages? (*t/n: A name is a manga manuscript)
Matsui: Itâs not that hard to increase the amount. If Iâm 2 pages short Iâll consult with my editor. Heâll generally say something like âletâs add these elementsâ, and when I incorporate those it usually turns out fine. Thatâs the easiest way.
Araki: I see.
Matsui: On the other hand, itâs much harder to take things out of the material Iâve already got. I take care not to waste too much time on that. Iâve already got my hands full just trying to get it done every week. How did you manage when you worked weekly?
Araki: On Sunday Iâd do the name. On Monday I got that checked by my editor, and from Tuesday to Thursday Iâd draw with the assistants. On Thursday weâd also discuss the next chapter. Friday and Saturday were my days off.
Matsui: What an ideal week. For veterans like you or Akimoto-sensei* itâs okay, but thereâs no one of my age that can pull that off.
- 1⌠Akimoto Osamu, the creator of Weekly Jumpâs longest running manga, Kochikame. Heâs looked up to by other mangaka for thoroughly keeping to his schedule and never missing a deadline in over 40 years of serialisation.
Photo caption: Matsui-sensei is giving his all for Assassination Classroom. He doesnât have time to take a holiday at this point.
Araki: What does your weekly schedule look like?
Matsui: 3 days for the name, 2 days for the sketches. Finishing up with the assistants also takes 2 days. Recently Iâve changed this to 4 days for the name, 1 day for the sketches and 2 days for finishing up with the assistants. There isnât a day where I can take the whole day off. However, I think the 4 days I take for the name do include breaks of some kind. Mangaka can take a break whenever they want, but they donât get any holidays. If you have some free time, you have to use every spare moment to make your story more interesting. Itâs hard to take a proper holiday. In that sense, you veterans are good at relaxing. The better you get at work, the better you get at play.
Araki: Fujiko A-sensei* is amazing. I think itâs something personal, that exceeds technique, which brings forth that sort of appeal to a manga.
- 2âŚA veteran mangaka famous for works such as Pro Golfer Saru and The Laughing Salaryman. Also famous for associating with a wide variety of people, such as the actress Rie Miyazawa and the singer Inoshita Yousui.
Matsui: In my own generation there arenât that many people that can relax like that. Myself especially, I canât even say I have a hobby of any kind. That unrelenting energy and willpower, staying active as a mangaka until your 60sâŚ. I canât imagine it. Last year was Jojoâs 25th year, but you donât draw it thinking âI should keep goingâ or anything do you?
Araki: I donât.
Matsui: Your body moves naturally?
Araki: No. But 30 years pass in no time at all, you know. And I have examples like A-sensei and Akimoto-sensei.
Matsui: To me, youâre a great example as well!
Araki: Thank you. Iâm already 53, but I think I should try to keep going until Iâm about 60. I think you should take it easy and focus on making your current work interesting!
Next, Iâd like to hear about your works. Iâd like to talk about Jojoâs Bizarre Adventure first. How was it when your serialisation first started a quarter century ago?
Araki: When I debuted in the 80âs, Jump was full of people that emitted this intense power. I debuted amongst that, so in order to survive I had to emit a power strong enough to stand up to them. In other words, I had to show my own style. When I started Jojo, I think I finally managed to show something like that. I finally found my own direction. In the 7â8 years before that, I kept wandering, struggling to find my originality, my colour. Those were my twenties.
Matsui: But from our point of view, the works you made before that, like âMagic Boy B.T.â and âBaohâ, are pretty distinct as well! No matter how you look at it, itâs Araki-ism.
Araki: Back then, I used to draw while looking at Shirato-senseiâs* works. I moved my pen, wondering what to do.
- 1âŚOne of the pioneers of the ânarrative comicâ genre of manga in the 1960âs. He gained fame with his ninja works such as âSasukeâ, and managed to draw adults to manga with the philosophical elements of âThe Legend of Kamuiâ.
Matsui: I get that. To me, you were my Shirato-sensei. When I was young, I tried really hard to get rid of your influence. I think Iâve finally managed to shed all of it recently.
Araki: âHidingâ those things means youâve finally found your own sense of direction. You can clearly draw whatever it is that you want to draw. You canât have any doubts there.
Matsui: Thatâs right. But I think itâs too late to escape things I already know. For instance, if an enemy is slowly following someone and itâd be good to put in âgogogogogoâ, I think to myself âIf you put it in, you loseâ, but I still end up putting it in. Itâs like that. I mean to put in something original, but then when I look back at it later I often think âThis was influenced by that workâ.
Araki: For me, itâs the main charactersâ thick eyebrows. It took me 10 years to get those thick boyâs magazine-style eyebrows back to thin eyebrows. Truth be told, I just canât do it because thin eyebrows gross me out. Maybe itâs just bias, but without realising, this influence became deeply ingrained within me.
Matsui: Jotaro had some pretty thick ones too.
Araki: Yes. A supporting character like Kakyoin can have thin eyebrows, but for a main character like Jotaro I just canât make them thin.
Matsui: Back then, there was that kind of formula where characters with thin eyebrows had weak emotions, so they were supporting characters.
Araki: But when youâre trying to follow your own path, you should break away from those formulas.
Matsui: Thatâs true! By the way, how old were you when you started Jojo?
Araki: I was about 26-27. You see, people who were at the top like Yudetamago-sensei* and Takahashi Youichi-sensei*already found their style in their teens. So I was really fretting. At the time it gave me a serious complex.
- 2âŚA famous manga duo known for the superhuman pro wrestling comic âKinnikumanâ. You can still read new episodes of Kinnikuman in Weekly Playboy Webcomic!
- 3âŚThe mangaka of the immortal soccer manga âCaptain Tsubasaâ. His works gave rise to an immense soccer boom amongst primary school kids, and has influenced many J-leaguers and world-famous soccer players.
Matsui: Nowadays people are quite premature. I was quite late as well, debuting at 25, so I was pretty frantic until I became 30.
I think that even amongst all those other manga, Jojo is a particularly ambitious work. â Matsui.
Araki: Have you ever had your manuscript rejected by an editor before?
Matsui: Actually, itâs only been small comments like adjusting the dialogue in one panel. I havenât really had any rejection, so I can say Iâve been allowed to draw freely. Whatâs rejection like?
Araki: I was once made to redraw all 19 pages! Thatâs how it was back then. New mangaka all had to undergo this kind of baptism. If you said âI only have two days left, do I really have to redraw everything?â they just replied with âKurumada-sensei* does it tooâ.
- 4âŚKurumada Masami-sensei of âKojirou of the Fuumaâ and âSaint Seiyaâ fame. One of Weekly Jumpâs top runners, churning out hit series since the 70âs.
Matsui: Thatâs unfair! In those 2 precious days you could have thought of some valuable topics.
Araki: However, if I look back at it, my drawings were really kind of unstable. The faces on the first and last page are a little different.
Matsui: Couldnât you have tried getting really angry to see if your editor would give in? (laughs)
Everyone bursts out laughing.
Araki: I tried to protest, but it was futile. Even my popular seniors redrew their work if the editor demanded it. A beginner like me had no margin to object, so I resigned to redrawing.
Matsui: Back then they had that style of training where rookies were burdened both mentally and physically.
Araki: Thatâs right. Something like the Showa* style. In any case, it was ridiculous! (laughs) (*t/n: Showa is the historical period lasting from 1926 to 1986)
Matsui: I think that these days the editors donât need to test them that much, since there are a lot of people who will draw without complaining or fighting. Even though itâs the same Weekly Jump, it really changes with the times.
Araki: Though I think the passion to bring interesting manga to the readers hasnât changed.
Matsui: Thatâs right. I agree!
Matsui-sensei, you think that Jojo is the greatest masterpiece in history when it comes to drawing grotesque things. But what do you think is so greatly grotesque about Jojo?
Matsui: A lot of the grotesque things are in plain view, and itâs not as if these things can just be healed again. Thatâs impossible in other manga!
Araki: Thatâs why I got a lot of rejections. I couldnât show erotica either. Even if I used stands to portray things, it was all rejected.
Matsui: I think they allowed a lot more than in other works though.
Araki: Well, there were many unprecedented things in Jojo, so the hurdle was pretty low. Still, there were a lot of topics that got rejected.
Matsui: Wow! Iâm really curious!! But Iâm sure theyâre kind of embarrassing to say.
Araki: Yes (laughs).
Matsui: I think that even amongst all those other manga, Jojo is a particularly ambitious work. Iâm really interested in the things you thought up that were too ambitious for your editor to understand. I wanted to see those things. Itâs a real pityâŚâŚ Ah, I also get the feeling that youâre alternating between drawing Jojo in a small and a large world setting. Were you aiming for that?
Araki: Maybe I was, yes. Thank you for noticing. When youâve drawn a small world for a long time, donât you feel like travelling? Iâm just repeating that process.
Matsui: So Morioh, which also appears in Jojolion, is an example of that too?
Photo caption: In Sendai, which stood model for Morioh, there have been many collaborations, like celebrating Jojo's 25th anniversary with an exhibition last year.
Araki: Yes. I used my hometown of Sendai in Miyagi prefecture as a model for Morioh. I made it into a fictional place because I thought they might complain, but they were really happy I used it. I thought âThe times sure have changedâ.
Matsui: I was actually pretty surprised you drew such a familiar world for your manga.
Araki: Someone told me âI was surprised to see you do something Japaneseâ. Is it that surprising?
Matsui: Yes. Even when Morioh first appeared in part 4, it still had something foreign.
Araki: But in my personal life I donât really get out of the neighbourhood I live in. Before I drew part 5 I went to Italy every year though. Recently I havenât gone out of the country for anything non-work related.
Jojo is currently up to part 8, but what has been the main cause for you to continue for over 25 years?
Araki: Itâs accidental. I didnât plan for it to be like this, nor did I expect it. I donât even know what will happen next year.
Last time you said you wanted to continue drawing until you were 60, but what part is Jojo up to by then?
Araki: Iâm really not thinking about that! Iâm just giving Jojolion my all right now. Weâll know when we get there, wonât we (laughs).
Matsui: That reminds meâŚ.. you like zombie movies and horror-type things donât you?
Araki: I love all zombie movies, from the masterpieces to the absolutely terrible ones.
Matsui: I really donât have a hobby, so Iâd like to have one. I donât really like gaming either. If I had to say anything, itâd probably just be eating good food.
Araki: You donât watch horror movies?
Matsui: I watch some every now and then, but I canât say I watch them all or anything. Iâm the type of person who decides what to use from a small number of good and bad movies, rather than learn from watching a lot of them.
Araki: Ah, I seeâŚ.. I thought you must be a horror movie fan too though.
Matsui: Well, itâs true that I love horror movies. Jojo is like horror movies in that at a glance, it seems to be in a genre that people would avoid, but is loved by everyone anyway and does really well.
Araki: Youâre too kind. But itâs good to be perverse too! Itâs fine to be perverse as long as you keep it limited. If you get serious about it no one will like you.
Matsui: Yes. If it doesnât have some kind of charm about it, people wonât like it in the end. Even the most inhumane character should have some kind of charm point. In that sense, donât you think zombies are super charming?
Araki: Exactly! Zombie movies are really great. I think thereâs something wrong with people who say âI canât watch zombie movies because theyâre scaryâ, even though they havenât watched any (laughs). But Iâll go on forever if we keep talking about zombie movies, so letâs end it here.
Everyone bursts out laughing.
Araki: Weâd need 2 hours if we had this conversation, so letâs talk about zombie movies another time.
As long as the starting point is controversial, itâs fine to be moral afterwards. -Matsui
Photo caption: Korosensei has many tentacles. The gap between his striking appearance and his personality as a humorous, ideal teacher has been reflected in the story since its beginning.
Araki-sensei, Iâd like to hear your thoughts on Assassination Classroom.
Araki: It deals with a pretty risky theme, so if it was handled wrong thereâd be a lot of complaints. Within that theme youâve managed to draw about things like school life and friendship, while still keeping morality in mind. It thought that was splendid.
Matsui: I always take great care in making sure no one will copy the actions in my work. For that reason I also needed to create a teacher that isnât human. The students also use fake knives for their assassinations, so Iâm really careful.
Araki: I see. But that edge is what makes it charming. The title, âAssassination Classroomâ, is pretty controversial too.
Matsui: Itâs just that though. I make the start controversial and then play it safe on the rest.
Araki: But having âassassinationâ as a theme is still pretty controversial.
Matsui: Thank you! That reminds me. In Jojo, people would slip in the bath and look up at the ceilingâŚ...at which point the battle starts. I donât think thereâs anyone else but you who could turn such an every-day scene into a dramatic, tense battle.
Araki: Thatâs thanks to working for Weekly Jump all those years. You simply have to draw battles. Thatâs a very unique working culture, isnât it? But itâs also a curse thatâs quite hard to get rid of.
Matsui: It makes me want to see you draw something that isnât about battles. What would it be like if you drew a genuine story manga?
Araki: Wouldnât that be pretty boring? (laughs) In the end, I think battles are the foundation of manga. Thereâs a main character, a villain and friends. I think my themes are pretty conventional, such as âGood and Evilâ or âConflictâ. But even if you make it romance or gags, isnât everything a battle in the end? Whether youâre deciding to have curry or ramen for lunch; every choice you make is a form of battle.
Matsui: I see! Iâm also pretty conscious of what kinds of characters would appeal to kids these days. The kids niche might change and all. Maybe I dealt with it the wrong way, but when I drew this pretty bad character getting beaten up, some people still disapproved of that, even though I got a lot of votes*. (*t/n: The popularity of manga in WJ is decided by a system of voting through a survey card that is attached in the magazine every week. You pick your three favourite manga of that week and send it in.)
Araki: So you should have let them reconcile.
Matsui: No matter how bad the character is, if you just beat them up itâll end up leaving a bad taste.
Araki: In Jojo theyâre just beyond recovery though. When I think âI donât need these guys anymoreâ.
Everyone bursts out laughing.
Matsui: âThey put me through all that, so I can have my revengeâ, right? Iâm jealous that your unique worldview is so accepted by the readers.
I think Assassination Classroomâs story will progress rapidly from here on out, but will we be seeing any new characters?
Photo caption: The students keep developing through their time with Korosensei. The story will expand even further in the second semester!!
Matsui: I had a very solid structure for the first semester. Introducing the characters, introducing the world setting. By now I think everyone will remember the studentsâ names and faces, so I want to gradually expand the story through the second semester. Iâm thinking I could show the kids using their assassination skills in the outside world a bit more.
We look forward to future developments! Finally, if you could give each other some words of encouragement, as well as a message to the Jump Live readers?
Matsui: I couldnât say everything because I was so nervous, but since middle school, Jojo has been part of my youth. I canât put it all in one word, but if I must say something itâsâŚ.. I love it!!
Araki: I donât get many chances to meet artists from the new generation, so I was really glad to be able to do this. Iâm honoured to have been asked for this and Iâm grateful we were able to have such a deep conversation. This time it was a video and a discussion, but next time Iâd like to draw manga too. Thank you for everything today.
Matsui: Aw, youâve said everything already.
Everyone bursts out laughing.
Matsui: Assassination Classroom is contributing to Jump Live in various ways, like mini-games and special drawings. Korosensei has a pretty simple form, so itâs easy to make him appear in all sorts of things. Iâd like to have him use that light footwork and appear in Jump Live again sometime, so please keep supporting us!
And just like that, this bizarre special discussion comes to an end! Look forward to Araki-sensei and Matsui-senseiâs further activities![32]
ăć掺ć厤ăăŽćžäşĺŞĺžĺ çăăăăăăăŽčć¨éŁĺ彌ĺ çă¨éé ă 芹éĄăŻăćžäşĺ ç
ăĺçšă ă¨čŞăăă¸ă§ă¸ă§ăă¸ă¨ç§ťăŁăŚăăă
ăă¸ă§ă¸ă§ăăĺ§ăăăžă§ăŽďźď˝ďźĺš´ăăŽä˝é˘¨ăăăŁă¨ć˘ăćąăăŚăăžăăă
ďźčć¨ďź
ââäťĺşŚăŻăďźäşşăŽä˝ĺăŤă¤ăăŚäźşăăăă¨ćăăžăăăžăăŻăă¸ă§ă¸ă§ăŽĺĽĺŚĺĺä¸ăŞ
ĺéşăă§ăăăç´ĺăŤéŁčźăăšăżăźăăăé ăŻăŠăăŞćăă§ăăăďź
čć¨ďźĺăăăăĽăźăă1980嚴䝣ăŽĺ°ĺš´ă¸ăŁ ăłăăŻăăăăââçŻďźăă¨ăăă
埡çăŞĺ ăćžă¤ĺ 蟊éăă˛ăăăĺăŁăŚăăŚă
ăăŽä¸ăăăĽăźăăăăŠăçăćŽăŁăŚăăăŤăŻĺ¨ĺ˛ăŤč˛ ăăŞă埡ăĺ ăă¤ăžăăŻ
ä˝é˘¨ăĺşăăŚăăăŞăă¨ăăăŞăăŁăăă ăăă
ăă¸ă§ă¸ă§ăăéŁčźăăćăăăŁă¨ăăăăăăŽăĺşăăć°ăăăăčŞĺăŽćšĺć§
ăĺăăŁăŚăăă§ăăăăăžă§ăŽďźď˝ďźĺš´ăŻăčŞĺă ăăŽĺć§ăč˛ăć˘ăăŚă
ăăçśăă迡辰ăăŚăăăăźăăăăŞ20䝣ă§ăăă
ćžäşďźăăŽĺăŤćăăăŚăăăéĺ°ĺš´ăăź ăăŁăźăăăăăŞăźćĽč¨Şč ăăă
ĺăăăčŚăăč˛ăăăăăŞăăŚăžăăďźăŠăčŚăŚăčć¨ă¤ăşă ăăăŞăă§ăăă
čć¨ďźăăŽčžşăŽä˝ĺăŻăç˝ĺĺ çďźâťďźďźăŽä˝ĺ ă ă¨ăăăăăăŽăĺ埡ăăŞăă
ćăăŚăăăŠăăăŚăăăă迡ăăŞăăăăăłăĺăăăŚăăăă ăăă
âť1.1960嚴䝣ăăĺçťăă¨ăăăăłăŹă¸ăŁăłăŤă 確çŤăăăăă¤ăŞăă˘ăŽďźäşşă
ăăľăšăąăçăŽĺżč ăăŽă§äşşć°ăĺăăăăŤă 㤠äźăăŻăăŽĺ˛ĺŚçĺ 厚ă§ăć°ĺ¤ăăŽĺ¤§
äşşčŞč ăăăłăŹă¸ă¨ĺźăčžźăă ă
ćžäşďźĺăăăžăăĺăŤă¨ăŁăŚăŻčć¨ĺ çăăčć¨ĺ çăŤă¨ăŁăŚăŽç˝ĺĺ çă ăŁăă
ă§ăăăă¨ăŤăăčĽăé ăŻčć¨ĺ çăŽĺ˝ąéżĺăćśăăŽăŤĺż ćťă§ă
ćčżăăăăăăăŽĺ˝ąéżăćśăăăăăŤăŞăŁăŚăăăăŞă¨ćăŁăŚăăăă§ăăă
čć¨ďźă é ăăă¨ăăäşăŻăéăŤčŞĺăŽćšĺć§ăćăăăăăŽăăăăăŞăăŚăă
ăăĺşćĽăăă ăăăăăăŤčżˇăăăăŁăăăăĄăŞăă ăŞă
ćžäşďźăăă§ăăăă§ăäťăăçĽăŁăŚăăžăŁăăăŽăăăŻéăăăăŞăă¨ăăăă
äžăă°ăĺžă ăŤćľă迍ăŁăŚăăćăă´ă´ă´ă´ă´ă ă¨ăăă°ăăăă¨ăăăŽăčŚăŚ
ăăžăă¨ăĺ Ľăăăč˛ ăă ăă¨ćăŁăŚăĺ ĽăăŚăăžăăăăăăćăăŞăă§ăăă
ăŞăŞă¸ăăŤă§ĺ Ľăăă¤ăăăăĺžăăčŚăăăăł ăŹăŽĺ˝ąéżăĺăăŚăăŞď˝ă
ă¨ăăäşăçľć§ăăăžăă
čć¨ďźĺăŻăď˝ăä¸ťäşşĺ ŹăŽĺ¤ŞăçćŻăĺ°ĺš´čŞă˝ă太ăçćŻăvăç´°ăçćŻăŤăăăŽăŤ10ĺš´
ăăăŁăăćŹĺ˝ăŤć°ćăĄćŞăăŚĺşćĽăŞăăă ăăĺ ĺ ĽčŚłă¨ăăăăçĽăăçĽăăăŤ
桹ăĺˇăčžźăžăăŚăă役éżăŁăŚăăăă ăăă
ćžäşďźćżĺ¤ŞéăăăŁăă太ăăŁăă§ăăăă
čć¨ďźćżĺ¤Şéă太ăăŁăăč彚ă§ăăčąäşŹé˘ăŽçćŻăŞăç´°ăă§ăăăăŠăăăăä¸ťäşşĺ ŹăŽ
ćżĺ¤ŞéăŤăăăŽăŻăăŞăăŞăĺşćĽăŞăăŚă
ćžäşďźĺ˝ćă ă¨ăçćŻčăăăŁăŠăŁăŚć ăčăăŚč彚ă¨ăăĺ Źĺźăăăăžăăăăăă
čć¨ďźă§ăăä˝ăăĺăćăćăŻăăŽĺ Źĺźăăĺ¤ăăŞăă¨ăăăŞăăă ăă
ćžäşďźă§ăăăăźăăĄăŞăżăŤăă¸ă§ă¸ă§ăăŻăä˝ćłăŽé ăăéŁčźăĺ§ăăăăăă§ăăďź
čć¨ďź26ă27ćłä˝ăăă§ăăăăăăčľ°ăŁăŚăăă§ăăžăĺ çďźâťďźďźăéŤćŠé˝ä¸ĺ
çďźâťďźďźăŞăăŚă10䝣ă§ăăŽä˝é˘¨ăĺşćĽăŚăăăăăăăăçŚăŁăăăĺăŤă¨ăŁăŚăŻ
ĺ˝ćăăăăłăłăăŹăăŻăšă§ăăă
âťďźâŚčś äşşăăăŹăšăăłăŹăăăłčăăłăă§ăWJăŽć´ĺ˛ăŤĺăćŽăăăłăŹĺŽśăłăłăă
ăăăłčă ăłăăŻăçžĺ¨ăăéąĺăăŹă¤ăăźă web comicăă§ćć°ă¨ăă˝ăźăăéŁčźä¸
âťďźâŚä¸ć˝ăŽăľăăŤăźăăłăŹăăăŁăăăłçżźăăć ăăăăłăŹĺŽśăä˝ĺăŻĺ ¨ĺ˝ăŽĺ°ĺŚç
ăŤăľăăŤăź ăăźă ă塝ă辡ăăăĺ¤ăăŽďźŞăŞăźăŹăźăăä¸ç ăŽćĺăľăăŤăźé¸ćăŤ
ĺ¤ĺ¤§ăŞă役éżăä¸ăăă
ćžäşďźćčżăŽäşşăćŠçă§ăăăăäżşăăăăĽăźă25ćłă¨é ăăŁăăŽă§ă30ăžă§ăŻ
ăăłăĺż ćťă§ăăă
ăă¸ă§ă¸ă§ăăŻä¸Śăżĺą ăăăłăŹăŽä¸ă§ăăçšăŤéĺżçăŞä˝ĺă§ăăăăăďźćžäşďź
čć¨ďźăăăžă§çˇ¨éč ăŤĺ¤§ăăéŁăăŁăăăăäşăŻăăăžăăďź
ćžäşďźăăłăďźăłăăŽăťăŞăă¨ăç´°ăăććă ăă§ăăă
ăăžăăăăéŁăăŁăäşăăŞăăŽă§ăčŞçąăŤćăăăŚăăăŁăŚăă¨č¨ăŁăćšă
ăăăżăŞăăćăă§ăăăŠăă§ăăăăăăŻďź
čć¨ďź19ăăźă¸ăĺ ¨é¨ćăç´ăă¨ăăăăžăăăďźćăŻăăă ăŁăăă
ć°äşşăăłăŹĺŽśăŻçăăăć´ç¤źă ăŁăăă
ăĺžďźćĽăăăŞăăŽăŤăĺ ¨é¨ćăç´ăăă§ăăďźăăŁăŚč¨ăă¨ă
ăčťç°ĺ çďźâťďźďźăăăŁăŚăăăăŁăŚč¨ăăăŚă
âťďźâŚă風éăŽĺ°ćŹĄéăăăčé壍ćç˘ăă§çĽăăăčťç°ćŁçžĺ çă70嚴䝣ăă
ăăăä˝ăéŁçşăăŚăăăăŽăăăăŠăłăăźăŽďźäşşă
ćžäşďźăăçä¸ĺ°˝ăăăŞăă§ăăďźăăŽč˛´éăŞ2ćĽă§ĺ¤§ĺăŞăăżăčăăăăăăăă
ăŞăăŽăŤă
čć¨ďźă§ăăăăăŁăąăčŚčżăă¨çľľăăĄăăŁă¨ä¸ĺŽĺŽă§ăćĺăŽăăźă¸ă¨ćĺžăŽăăźă¸ă§
ăéĄăăĄăăŁă¨éăŁăŚăăăăăă§ăăă
ćžäşďźä¸ĺşŚăăŹăŚăżăŚăç¸ćăćăăăć§ĺăčŚăŚăżăăăăăăăăŞăă§ăăďź(çŹ)
ĺ ¨ĺĄďźďźççŹďź
čć¨ďźćľćăŻăăŚăżăăăŠăăăĄă ăŁăăäşşć°ä˝ĺŽśăŽĺ 蟊ćšă§ăăă硨éăŽăăŤăŽä¸ĺŁ°
ă§ćăç´ăĺčŤăăä˝ĺ°ăźăăŞăă ăăăć°äşşăŽĺăŞăăăă ăă茳忾ăăŚ
ćăç´ăăžăăăă
ćžäşďźĺ˝ćăŻă粞çĽă ăăăăŞăăčä˝çăŤăč˛ čˇăăăăŚć°äşşăéăăăăăšăżă¤ăŤ
ă ăŁăăă§ăăă
čć¨ďźăăă§ăăăćĺăŽăšăżă¤ăŤă¨ăăăăă¨ăŤăăă ăăŁă°ăŁăăăŞăă§ăă!!(çŹ)
ćžäşďźćčżăŻăąăłăŤăăăçšăŤćĺĽăč¨ăă桥ă ă¨ćăäşşăĺ¤ăă¨ćăăă§ă芌硴ă
ä¸ăăĺż čŚăŞăăă§ăăăăăĺăă§ăć䝣ăĺ¤ăăă¨ă ăăśĺ¤ăăăžăăă
čć¨ďźă§ăăé˘ç˝ăăăłăŹăčŞč ăŤĺąăăăă ďźăă¨ăăć çąăŻĺ¤ăăăŞăă¨ćăăžăă
ćžäşďźăăă§ăăăăăăăŻĺćă§ăďź
ââćžäşĺ çăŻăă°ăă¤ăăŽăćăăä˝ĺă§ăŻăă¸ă§ ă¸ă§ăăĺ˛ä¸ćéŤăŽĺä˝ă ăă¨
ăčăă ăăă§ăăăćžäşĺ çăčăăăă¸ă§ă¸ă§ăăŽĺ˛ä¸ćéŤăŞă°ăăăŁăŚä˝ă§ăăă
ăďź
ćžäşďźăăŁăąăç´ćĽćĺăŽĺ¤ăă§ăăăă¨ăŤăă沝çä¸ĺŻč˝ăŞă¨ăăă
ăžăçĄçă§ăăďźäťăŽćźŤçťăăă
čć¨ďźă ăăăăăŁăăNGăăăăă§ăăăă¨ăăăăĄă ăă
ăšăżăłăăéăăŚăăŁăŚăĺ ¨é¨ăăĄă ăŁăă
ćžäşďźč¨ąăăăŚăăçŻĺ˛ăŻăäťăŽä˝ĺăŤćŻăšăŚăăŞăăăŤă¤ă¨ćăăă§ăăăŠă
čć¨ďźăăăă¸ă§ă¸ă§ăăŻĺäžăăŞăăąăźăšăĺ¤ăăăăăăŁăăăăźăăŤä˝ăă§ăăă
ăăăăŞăăăăăă§ăăăăŤăŞăŁăăăżăçľć§ăăŁăŚă
ćžäşďźăăďź čś ć°ăŤăŞă!! ă§ăăăĄăăŁă¨č¨ă ăŞăă¤ăă°ăŁăăăŞăă§ăăăă
čć¨ďźăŻă(çŹ)ă
ćžäşďźăă¸ă§ă¸ă§ăăŻä¸Śăżĺą ăăăłăŹăŽä¸ă§ăăçšăŤéĺżçăŞä˝ĺă§ăăăăă
čć¨ăăăŽčăăăéĺżçăăăŚçˇ¨éč ăŤç解ăăăŞăăŁăă˘ăăŁăŚĺăčĺł
ăăăžăăăăăŻčŚăăăŁăă§ăăăćŽĺżľâŚâŚă
ăăă㨠ăă¸ă§ă¸ă§ăăŁăŚĺé¨ăă¨ăŤçăä¸çă¨ĺşăä¸çă交äşăŤćăăŚăć°
ăăăžăăăă˘ăŹăŁăŚçăŁăŚăăă§ăăďź
čć¨ďźăăăăçĽăăŞăă§ăăăć°äťăăŚé ă ăŚăăăăă¨ăăăăăžăăăăŁă¨
çăä¸çăćăăŚăăă¨ăć ăŤĺşăăăŞăŁăăăăăăăŞă㧠ăăă
ăăŽçš°ăčżăă§ăăă
ćžäşďźăă¸ă§ă¸ă§ăŞăŞ ăłăăŤăĺşăŚăăćç çşăŻăăăŽäťŁčĄ¨ă¨ăăăă
čć¨ďźăăă§ăăăćççşăŻăčŞĺăŽçăžăć éˇăŽĺŽŽĺçäťĺ°ĺ¸ăă˘ăăŤăŤăăăă§ă
ăă§ăăăăăĺ°ĺ ăăăŻăŹăźă ăćĽăăăăăŞă ăă¨ćăŁăŚćśçŠşăŽĺĺ°ăŤăăăŽăŤă
ăăăĺăă§ăăă ăăŚăăć䝣ăŻĺ¤ăăŁăăŞăă¨ćăăžăăă
ćžäşďźčć¨ăăăăăăŞčşŤčżăŞä¸çăćăă¨ăŻă ćŁç´éŠăăžăăăă
čć¨ďźăćĺ¤ă¨ĺ風ăŞäşăăăăă§ăăăă¨ăč¨ ăăăžăăăćĺ¤ă§ăăďź
ćžäşďźăŻăă4é¨ă§ćççşăĺçťĺ ´ăăćăăă¨ăăĺ¤ĺ˝ăŁă˝ăăćŽăŁăŚăăŽă§ă
čć¨ďźă§ăç§çć´ťă§ăŻăćŹĺ˝ăŤä˝ăă§ăăă¨ăŞă˘ăăăťă¨ăăŠĺşăŞăăă§ăăă
ďźé¨ăćăĺă¨ăăŻćŻĺš´ă¤ăżăŞă˘ăŤčĄăŁăăăăŚăžăăăăŠă
ćčżă§ăŻăäťäşäťĽĺ¤ă§ăŻćľˇĺ¤ăŤčĄăäşăŻăťă¨ăăŠăŞăă§ăăă
ââçžĺ¨ăă¸ă§ă¸ă§ăăŻĺ Ťé¨ăă§éŁčźä¸ă§ăăă25嚴䝼ä¸çśăăŚăăă
ä¸çŞăŽčŚĺ ăŻä˝ă§ăăďź
čć¨ďźĺśçśă§ăăăăăăŞăŤăŞăă¨ăŻčăăŞăăŁăăăäşćłăăăŚăăŞăă§ăăă
äťă§ăăćĽĺš´ăŽäşăăĺăăăŞăă§ăă
ââĺĺ60ćłä˝ăžă§ăŻćăçśăăăă¨ăăŁăăăŁăŚăăž ăăăăăăŽé ăă¸ă§ă¸ă§ă
ăŻä˝é¨ăžă§čĄăŁăŚăžăăďź
čć¨ďźăăăŞăŽĺ ¨çśčăăŚăŞăďźäťăŻăă¸ă§ă¸ă§ăŞăŞăłăăŤĺ ¨ĺćçă§ăăăăžăă
ăăŽćăŤăŞăŁăŚăżăă°ăăăăăăăŞăă§ăăă(çŹ)ă
ďźé¨ăćăĺă¨ăăŻćŻĺš´ă¤ăżăŞă˘ăŤčĄăŁăăăăŚăžăăăăŠă
ćčżă§ăŻăäťäşäťĽĺ¤ă§ăŻćľˇĺ¤ăŤčĄăäşăŻăťă¨ăăŠăŞăă§ăăă
ââçžĺ¨ăă¸ă§ă¸ă§ăăŻĺ Ťé¨ăă§éŁčźä¸ă§ăăă25嚴䝼ä¸çśăăŚăăă
ä¸çŞăŽčŚĺ ăŻä˝ă§ăăďź
čć¨ďźĺśçśă§ăăăăăăŞăŤăŞăă¨ăŻčăăŞăăŁăăăäşćłăăăŚăăŞăă§ăăăäť
ă§ăăćĽĺš´ăŽäşăăĺăăăŞăă§ăă
ââĺĺ60ćłä˝ăžă§ăŻćăçśăăăă¨ăăŁăăăŁăŚăăž ăăăăăăŽé ăă¸ă§ă¸ă§ă
ăŻä˝é¨ăžă§čĄăŁăŚăžăăďź
čć¨ďźăăăŞăŽĺ ¨çśčăăŚăŞăďźäťăŻăă¸ă§ă¸ă§ăŞăŞăłăăŤĺ ¨ĺćçă§ăăăăžăă
ăăŽćăŤăŞăŁăŚăżăă°ăăăăăăăŞăă§ăăă(çŹ)ă
ăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăăŽčć¨éŁĺ彌ĺ çă¨ăć掺 ć厤ăăŽćžäşĺŞĺžĺ çăŤăă
夢寞čŤďźčć¨ĺ çăćăăŚăăžăŹăžăłăć çťăŽčŠąăăăć掺ć帍ăăŽčŠąăžă§ăă
çś˛çž ăăćçľĺ!!ăžăłăć çťăŻăăă§ăăďźďźčć¨ďź
ćžäşďźăăăăă°ăăžăłăć çťă¨ăăăŠăźăăŽâŚâŚă弽ăăŞăă§ăăăďź
čć¨ďźăžăłăć çťăŻăĺä˝ăăăă ăăŞăăăä˝ĺăžă§ĺ ¨é¨ĺĽ˝ăă§ăăă
ćžäşďźĺăăăŠăźăŤçĄčśŁĺłăŞăă§ă蜣ĺłă揲ăăăă§ăăăă˛ăźă ăăăžă弽ăăă
ăŞăăăčžăăăŚăçžĺłăăăăŽéŁăšăăŽä˝ă§ăăăă
čć¨ďźăăŠăźć çťăŻčŚăŞăăŽďź
ćžäşďźăĄăăăĄăăăŻčŚăăă§ăăăŠă獯ăă獯ăžă§ĺ ¨é¨čŚăă¨ăăŁăćăăŤăŻăŞă
ăŞăăă§ăăăć çťăčŚăŚăăăăăăăŽä˝ĺăčŚăŚĺ埡ăăă¨ăăăăăŻă
é§ä˝ă§ăĺä˝ă§ăăćŹĺ˝ăŤć°ĺ°ăŞăăăŽăŽçŤŻăŁăăăăăă使ăăăŞăă¨ăăă˘ă
ăćžăŁăŚăăăżă¤ăăŞăă§ă
čć¨ďźăăăăăăŞăă âŚâŚăĺăăăŠăźć çťăăĄăłăŽĺăăăăăă ăăŠăŞă
ćžäşďźăăŠăźć çťă弽ăăŞăŽăŻééăăŞăăă§ăăăŠăă
ăă¸ă§ă¸ă§ăăŻăăŠăźć çťă¨ăăä¸čŚăăă¨ćŹé ăăăăăŞă¸ăŁăłăŤăŤĺąăăŚ
ăăŞăăăăżăăŞăŤćăăăăăŽä¸ă§ăŻćéŤăŹăăŤăŽć縞ăćŞă ăŤćŽăçśăăŚăăă
ćŹĺ˝ăŤç´ ć´ăăăă§ăăă
čć¨ďźăăăăăă§ăăăźăă§ăăćŞčśŁĺłăŻă¤ă¤ăďź ćŞčśŁĺłăä¸ćŚĺ¸ĺăăŚăă塎ă
ĺşăă°ăăżăăŞĺ¤§ä¸ĺ¤ŤăŞăă ăăă¸ăŤăŞăŁăŚćŞčśŁĺłăăăŁăăĺŤăăăĄăăăăăă
ćžäşďźăăŁăąăăćçľçăŤăŻĺŻćăăăŞăă¨ĺŤăăăĄăăă§ăăăăăźă ăŠăăŞăŤ
ćŞčśŁĺłă ăŁăăăćŽčééăŞăăŁăŠăŻăżăźă§ăăŠăăĺŻćăăăŞăă¨ăăăžăă
ăăăăăŽćĺłă§č¨ăŁăăăăžăłăăŞăăŚĺŻćăăŽĺĄăăăŞăă§ăăďź
čć¨ďźăăăăďź ăăŁăąăăžăłăć çťăŻăă㧠ăăă čŚăŚăăăŞăăŽăŤăăžăłă
ć çťăćăăăăăĄă ăăŁăŚč¨ăäşşăŻăäşşéçăŤăăĄă ă¨ćăă(çŹ) ăžăłăć çť
ăŽčŠąăĺ§ăăă¨ć˘ăžăăŞăăŞăăăăăăçľăăăŤăăăă
ĺ ¨ĺĄďźďźççŹďź
čć¨ďźăăŽčŠąăăăă ăŁăăăďźćéăŻĺż čŚă ăăăăăžăłăć çťăŽčŠąăŻăăžă
ĺĽăŽćŠäźăŤă¨ăăäşă§ă
ĺăŽä¸ă¤ă ăăăŹăŁăŚăăă°ĺžăŻçéă§ăăďźćžäşďź
čć¨ĺ çăŤăŻăăć掺ć厤ăăă茧ăŤăŞăŁăććłăăčăăăăăŽă§ăăă
čć¨ďźćŹĺ˝ăŻĺąăŞăăăźăăĺăä¸ăăŚăăŚăăăżăăă¨ăŻăŹăźă ă ăăăŤăŞă
ăăăŞćă ăăŠă ăăŽä¸ă§ăçéăŽä˝ĺä˝ăăćčăăŚăĺŚĺçć´ťă¨ăĺć ă¨ă
ăćăăŚăăçšăç´ ć´ăăăă¨ćăăžăăă
ćžäşďźčŚăäşşăăăăăăŞăăăă常ăŤć°ăé ăŁăŚăžăăăăăăăŁăŚăäşşéĺă§ăŻ
ăŞăĺ çăčăăĺż čŚăăăŁăăă§ăăçĺžéăć掺ăŤä˝żăăŽăçäźźăă¤ăă§ăă
ăăăăć°ăŻä˝żăŁăŚăăžăăă
čć¨ďźăŞăç¨ăă§ăăăăŽăŽăŞăŽăŞăŞă¨ăăé ĺăŞăă§ăăăă
ăć掺ć厤ăăŁăŚč¨ăăżă¤ăăŤăăăŹăăŁăŚăăăăŞăă
ćžäşďźăăă ăă§ăăăćĺăŽăšăżăźăăăăˇăĽă ăăăŹăŁăŚăăăŚăĺžăŻçĄéŁăŤă
čć¨ă§ăă掺ăăăŁăŚăăăăźăăŻăăŹăŁăŚăăă
ćžäşďźăăăă¨ăăăăăžăďźăăč¨ăă°ăă¸ă§ă¸ă§ăăŽä˝ä¸ă§ă風ĺă§ăăšăŁăćăŤ
夊äşăčŚä¸ăăăâŚâŚă¨ăăćăăăăăŤăĺ§ăžăŁăăăăăăăŞăă§ăăă
ăăŽčşŤčżăŞĺşćĽäşăăăăŠăă¨ăšăăźăćă§çˇĺźľćăăľăăćŚăăŤäťä¸ăăăă
ăŽăŻčć¨ăăăăăăŞăăŽăăŞď˝ă¨ćăăžăă
čć¨ďźăăăŻéˇĺš´ďźˇďźŞă§ćăăŚăăč¨çˇ´ăŽčłçŠă§ăăă羜寞ăŤăăăŤăŤăăŞăă¨ăăĄ
ă ăăăăăăçŹçšăŞćĺă ăăăă§ăăăăŽĺŞç¸ăćăĺşăăŽă大ĺ¤ăŞăă ă
ćžäşďźéăŤčć¨ăăăŽăăăŤăăŽăăăŞăä˝ĺăčŚăŚăżăăă§ăă
ç´ç˛ăŤă桥ă ă¨ăăçŠčŞăćăăăăŠăăŞăă§ăăăďź
čć¨ďźăăăăŤăăăăŻă¤ăžăăŞăăăăăŞăăŽďź(çŹ)ăăŁăąăćŚăăŻĺşćŹăŞăŽăăŞ
ă¨ćăăăŠăă丝人ăăăŚćŞĺ˝šăăăŚă䝲éăăăŚă ĺăŻăăăŁăąăăĺă¨ćŞă
ăăćŚăăăŁăŚćŽéçăŞăăźăă ă¨ćăă ććăŤăăŚăăŽăŁă°ăŤăăŚăăĺ ¨ăŚă
ä¸ĺżăăăŤăăăŞăă§ăăďź ćźăăŻăăŻăŤăŹăźă¨ăŠăźăĄăłăŽăŠăŁăĄăŤăăăă¨ăă
ĺ ¨ăŚăŽé¸ćăŻăăăŤăŽç¨ŽăŞăă§ăăă
ćžäşďźăŞăç¨ăźăĺžăäťăŽĺäžéăŽä¸ă§é ĺçăŞăăŁăŠăŁăŚăŠăăŞă ăăăŁăŚč¨ăăŽăŻă
ăă¤ăčăăŚăžăăăĺäžăŽăăźăşăĺ¤ăăŁăŚăăŽăăăăăŞăăŞă
čŞĺăŽăăćšăä¸ćă ăŁăăŽăăçľć§ćŞăćăăŽăăŁăŠăăłăăłăăłăăćăŤă
缨čŞä˝ăŻčŻăăćšăä¸ćă ăŁăăŽăăçľć§ćŞăćăăŽăăŁăŠăăłăăłăăłăăć
ăŤă缨čŞä˝ăŻčŻăăŁăăă§ăăăä¸é¨ăŤćĺŚćă示ăäşşăăăŚă
čć¨ďźćŹĺ˝ăŻäť˛ç´ăăăăŞăă¨ăăăŞăăŁăăă ăă
ćžäşďźăłăăłăăłăŤăăăžăăžă ă¨ăăăŁăąăĺžĺłăćŞăăă§ăăă
ăŠăăŞăŤćŞă弴ă§ăă
čć¨ďźăă¸ă§ă¸ă§ăăŽĺ ´ĺăŻĺ辡ä¸č˝ăŤăŞăăăŠăăăăăăăăŞăăă¨ćăŁăăă
ĺ ¨ĺĄďźďźççŹďź
ćžäşďźăăăă ăăăăçŽăŤĺăăăăăă ăăăăăŁăĄăäťčżăăăŚăăă ăăă
ăŁăŚäşă§ăăăă
čć¨ăăăçŻăăçŹčŞăŽä¸ç茳ăăčŞč ăŤĺăĺ ĽăăăăŚăăŚçž¨ăžăăă§ăă
ăć掺ć厤ăăăäťĺžăŠăăŠăçŠčŞăé˛ăă§čĄăă¨ćăăžăăăć°ăăŁăŠă¨ăă
ĺşăăăăžăăďź
ćžäşďźăăăžă§ăŽä¸ĺŚćăŻĺşç¤ĺşăăăăŁăŠăç´šäťăăŚăä¸çăç´šäťăăŚăçĺžéăŽ
ĺĺă¨éĄă大ä˝čŚăăŚăăăŁăćăŞăŽă§ăĺ¤äźăżă¨ďźĺŚćăăăŻĺ°ăăă¤ĺąé
ăăŚčĄăăăă§ăăăĺ¤ăŽä¸çă§ă躍ăŤă¤ăăć掺ăŽćčĄăăăăĄăăŁă¨ä˝żăăăă
čŚăăăăăăŞď˝ă¨ćăăžăă
ďźäťĺžăŽĺąéă漽ăăżăŤăăŚăăžăďź ăăă§ăŻćĺžăăäşăăŤĺżć´ăŽä¸č¨ă¨ă¸ăŁăłă
LIVEčŞč ă¸ăŽä¸č¨ăăéĄăăăžăă
ćžäşďźçˇĺźľăăŚăăžăŁăŚĺ ¨çśčŞăĺ°˝ăăăŞăăŁăăă§ăăăŠăăă¸ă§ă¸ă§ăăŻćŹĺ˝ăŤ
ä¸ĺŚçăăăŽéćĽă ăŁăăă§ăăä¸č¨ă§ăŻč¨ăăŞăăă§ăăăŠă埡ăăŚč¨ăăŞăâŚ
⌠ćăăŚăžă!!
čć¨ďźć°ăăä¸äťŁăŽä˝ĺŽśăăăŤăäźăă§ăăćŠäźăŻćť ĺ¤ăŤăŞăăŽă§ăäťćĽăŻă¨ăŚăĺŹ
ăăăŁăă§ăăăăăăŚĺźăă§é ăăăŽăăăăĺ ć ă ăă桹ă芹ăăăăŚé ăăŚ
ăă¨ăŚăăăăăăăŁăă§ăăăäťĺăŻĺçťćŽĺ˝ąă¨ĺŻžčŤă§ăăăă
揥ĺăŻăăłăŹă§ăćăăŚăžă!!
čć¨ďźć°ăăä¸äťŁăŽä˝ĺŽśăăăŤăäźăă§ăăćŠäźăŻćť ĺ¤ăŤăŞăăŽă§ăäťćĽăŻă¨ăŚă
ĺŹăăăŁăă§ăăăăăăŚĺźăă§é ăăăŽăăăăĺ ć ă ăă桹ă芹ăăăăŚ
é ăăŚăă¨ăŚăăăăăăăŁăă§ăăăäťĺăŻĺçťćŽĺ˝ąă¨ĺŻžčŤă§ăăăă
揥ĺăŻăăłăŹă§ăăăă˛ĺĺ ăăăŚé ăăă°ă¨ćăŁăŚăăžăă
äťćĽăŻăăăă¨ăăăăăžăăă
ćžäşďźăăźăă ăăăčć¨ăăăč¨ăăăŚăăžăŁăăă§ăăăŠă
ĺ ¨ĺĄďźďźççŹďź
ćžäşďźăăŽă¸ăŁăłăLIVEĺ ă§ăŻăăć掺ć厤ăăăăă˛ăźă ăćăăăăă¤ăŠăšăçă
ć§ă ăŞĺ˝˘ă§ĺĺ ăăăŚăăăŁăŚăăžăă掺ăăăăźăŻăăŠăŤă ăĺç´ăŞăŽă§ă
č˛ăăŞĺ ´ćăŤĺşăŚčĄăăăăăă§ăăăă
ăăŽăăăăŻăźăŻăŽčť˝ăăăăăăŚăäťĺžă¨ăă¸ăŁăłăLIVEăŤéĄăĺşăăŚ
čĄăăăă¨ć ăăžăăŽă§ăăŠăăăăăăăéĄăăăžăďź
âč¸čĄăŽé˝ăăăŁăŹăłăă§ă§ĺĺąăéĺŹăăăžăăă柍çťăčś ăăŚăă˘ăźăă§ăăă
ăă¨ăŚăä¸ćč°ăŞćăăĺčŞă§ăăăćĽćŹäşşă ăăŠăŤăăľăłăšăŽçťĺŽśăŽććłă¨ăăĺ埡ăăŚăĺăĺ ĽăăŚćăăŚăăă§ăăăŽăăăăăŞăăă§ăăăŽăăăăăŞăă¨ćăăžăăăă§ăă柍çťĺŽśăŽäťäşă¨ăăăŽăŻăăă柍çťăćăăŚăéčŞăŤčźăăŚé ăăŚăăăă売ăă¨ăăăă¨ăăăăŻăăŁăąăčś ăăĄăăăăŞăă
âă¤ăżăŞă˘ăŻăčć¨ăăăŤĺ¤§ăăŞĺ˝ąéżăä¸ăăŚăăžăăă
ăč˛ăĽăăăçľăżĺăăăăˇă§ăăŻăĺăăžăăăăă˛ă¤ăŽäşşăăĄăŽćčŚăăçˇć§ăŞăŽăŤă¨ăăă¨ăăăă弳ć§çăŞé´ă¨ă幼ăăŚăćăă§ăçľăżĺăăăç°ć§ă ăŁăăăăżăłăăŤăă˝ăŞă ăŁăăăĺŽĺ ¨ăăłă¨ăăăăăăŞăăă§ăăă
ăăă20ĺ䝼ä¸ćĽăŚăăžăă弽ăăŞčĄăŻăăźăăăăăŞăăăŞăšăćă澸éăă䝼ĺăŽăăźăĺ¸ĺ˝ăŽćĺă弽ăăŞăă§ăăĺ¤çĽćă¨ăăćĽćŹäşşăŤčżăć°ăăăŚă
柍çťăŽăă¨ă ă
âăă¸ă§ă¸ă§ăăŻăăăŠă´ăłăăźăŤăăčé壍ćç˘ăăĺćăŽćłăăŞăŠäşşć°ä˝ăĺą ä¸Śăś87ĺš´ăŤéŁčźăĺ§ăžăă25ĺš´ăčś ăăžăăăçćłăŽăăŁăăăŻă ăĺ䝣硨éč ăŽĺ˝ąéżăăăă大ăăăăăĄă¸ăŁăźčŞă§ăă¤ăăźăăăăăă¨ăăäşşă§ăäşşăŽćăăŚăŞăă¨ăăăăăăŞăăăăĄă ăă¨ăăć¸ć˛˘éžĺ˝ŚăčŞăăăă¨ăă âăżăăżăăăćć§ăäżăŚăăŽăŻăŞăă§ăăă ă柍çťăŽăă¨ă°ăăčăăŚăăăăăăŞăäşşéé˘äżăŽăăăăżăä¸ä¸é˘äżăŤăç¸ăŻăŞăăă10䝣ă20䝣ăŽĺăčĺłăćăŁăŚăăăăŽăăăă°ăčŞĺăŽćčŚăŤăŞăăăŽăăčŚăăăăŤăăŚăăžăăă˛ăźă ă¨ăăćčżă ă¨ăăăžăĄăăăă
âçťĺ ´äşşçŠăŤĺ¤ĺ˝ăăĽăźă¸ăˇăŁăłăŽĺăă¤ăăăŞăŠăć´ćĽ˝ăŽĺ˝ąéżă大ăăă§ăăăăă¤ăéłćĽ˝ăč´ăăŚĺˇçăăăăŽă§ăăă
ăăăžč´ăăŚăăăŽăŻăăăăăăłăŻăăŽăăĽăźă˘ăŤăă ăCDĺşăŽĺşĺĄăç´çă§ć¸ăăăĄăăťăźă¸ăéčŚăăŚăăăŽçąăă§č˛ˇăăăăăăŽćščŠăŻăăčăăŚă
âăăăă§ăŻăăčŞčşŤăŽčĽă ăăăé˝ĺ¸äźčŞŹĺăăŚăăžăăăćŻćĽăĺˇć°´ăˇăŁăŻăźăćľ´ăłăăă¨ăă ăăăăžăčăăăă¨ăŞăăă ăăŠă躍éˇăä˝éăăăăăĽăźĺ˝ćăăăăžăĺ¤ăăŁăŚăăžăăăďźĺˇć°´ăˇăŁăŻăźăŻďźćăŻăăĺżčăŤćŞăăăăŁăŚă
ă
泣ăăŞăăćă
âćĽă ăŽăšăąă¸ăĽăźăŤăŻă ăéąäźďźćĽă§éĺăŻäźăżăéąĺăŽé ăŽăžăžăć10ćăŤčľˇăăŚ11ćăŤäťäşăĺ§ăăăĺ¤12ćăŤäťäşăçľăăŚăĺĺďźćăďźćăŤĺŻăă ăćźăŤďźăďźćéăäźćŠăĺăŁăŚćŻćĽă¸ă ăŤčĄăă姿ĺ˘ă䟸ă°ăăŞăă¨č °çăč ąéçăŤăŞăăŽă§ăă¸ă ă§ăŻćŻćĽďźăăčľ°ăŁăŚăžăă
âčŻéşăŞč˛ăĽăăăŤé ăăăăăăĄăłăĺ¤ăă§ăă ăăĺ°é˘ăăăłăŻăŤĺĄăŁăŚăăăăă¨ćăăŚăăăăŽăŻă´ăźăŽăŁăłăŽä˝ĺă§ăăăĺŽéăŽč˛ă¨éăŁăŚăăăăă ăă¨ăĺ°ĺŚçăŽé ăăăăŁăŚăžăăă
âçŠčŞăŽçľćŤăŻăĺăăŁăŚčăăŚăăŞăăăă§ăăă ăă§ăăéąĺăŽćźŤçťĺŽśăŻĺ ¨ĺĄăăă§ăăăćĽéąăŠăăŞăăĺăăăŞăăčŞč ăŤăăŁăŚăšăăźăŞăźăĺ¤ăăăăă
âäźçˇăăŠăĺĺăăďź ăăăŁăŠăŻăżăźăăčŞçśăŤçĺ°ăăăäşşéă¨ä¸çˇă§ćŞćĽăŻäşć¸Źă§ăăŞăăä˝č ăăăŁăŠăŻăżăźăŽĺăăăłăłăăăźăŤăăšăă§ăŻăŞăă羜寞ăăă¨ăăăăŞăăăă ăăăŁăŠăŻăżăźăăăăă¨č¨ăŁăăťăŞăăŤăä˝ăŚăăăă¤ăŞăă ăă¨ćăăă¨ăăăă
âăă¸ă§ă¸ă§ăă§ăŻă丝čŚăŞçťĺ ´äşşçŠăćťăŹĺ ´é˘ăĺ¤ăă§ăă ăăăŁă¤ă泣ăăŞăăćăăŚăžăăćťăŹĺ ´é˘ăŻćŹĺ˝ăŤă¤ăăăăăăăăŻăăŞăăŞăă¨ă
âéŁčźä¸ăŽçŹŹďźé¨ăă¸ă§ă¸ă§ăŞăŞăłăăŻč˘Ťç˝ĺ°ăčĺ°ă§ăč¨ćśĺŞĺ¤ąăŽĺ°ĺš´ăä¸ťäşşĺ Źă§ăăćąćĽćŹĺ¤§éç˝ă§ćĽĺ¸¸ăćăĄĺăăăćĽćŹäşşăăšăŚăŽć ăéĄăŤăčŚăăžăă ăăăăŻăĺśçśăŞăŽăăŞăçşćłă¨ăăŚăŻăďźč¨ćśĺŞĺ¤ąăŽć ĺ ąé¨ĺĄăä¸ťäşşĺ ŹăŽďźć çťăăăźăłăťă˘ă¤ăăłăăŁăăŁăźăă¨ăăč¨ćśĺŞĺ¤ąăŽĺ°ĺš´ăćľăçăăă¨ăăăŽăŻéç˝ĺăŤćąşăăŚăăăŽă§ă
âéç˝ĺ˝ćĽăŻă ăćąäşŹăŽĺŽśăŤăăžăăăĺćĽăŤăďźçŹŹďźé¨ďźăšăăŁăźăŤăťăăźăŤăťăŠăłăŽĺ稿ăćăçľăăŚăăŽă§ăăăćĽéąăăăŁăŚăăé ă ăŁăă
âăŞă袍ç˝ĺ°ăčĺ°ăŤďź ăďźäťĺ°ăă˘ăăŤă§ăăďźćççşăčĺ°ăŤăăă¨ćąşăăŚăăšăăźăŞăźăŽćăĄĺăăăăăŚăăă觌ăăŞăăăăŤăăăŞăăŁăă âčĺ°ăĺ¤ăăăă¨ăŻćăăŞăăŁăăŽă§ăăă ăć°ăŻä˝żăŁăăăă§ă觌ăăŞăăŽăŻçľśĺŻžăăăăăŞăă¨ćăŁăŚăăăŽćăćšăŤăŞăŁăă âăĺşčşŤăŻäťĺ°ă§ăă ăçśćšăŽčŚŞćăŽĺŽśăŻć´Ľćł˘ă§ćľăăăăćťăă č ăŻăăŞăăŁă ăăŠă âéç˝ă§ăä˝ăăĺ¤ăăăžăăăă ă柍çťĺŽśăŤă¤ăăŚćšăăŚčăăăä˝ăă§ăăăčăăăăăăŁăąă柍çťćăăŽă柍çťĺŽśăăŞă¨ă袍ç˝ĺ°ăŤĺŻžăăć 庌ă¨ăăăăćăçśăăăă¨ăăăăšăăă¨ăăŞăă¨ă âä˝ĺă§ăĺ ć°ăä¸ăăă ăăăă柍çťă ăŁăăăçľľćăă ăŁăăăăăŽăă¤ăăäşşăŽçŽçăŞăă ăăăŞăă¨ćăăžăă[35]
Since Dio was made to be the âUltimate Evilâ, the contrasting Jonathan ended up becoming an extremely pure character. If I made Jonathan now, I could probably add a little bit more flavor to him but at the time I was quite young. Regarding his name, there really isnât a deep meaning to it. I thought that since the main character is a foreigner, I should make a name thatâs easy to remember for readers. Like the name âSteven Spielbergâ, I wanted to go with a name that rhymed and left a strong impression: Jonathan Joestar. Now itâs quite accepted, but at the time there werenât many manga that had a foreigner as the protagonist, so there was a bit of unfamiliarity or strange feeling regarding the character. Even I thought that this might not end up being popular, but I also had the feeling that I wanted this kind of thing to be appreciated and recognized.
Dio was developed in the same way as Cool Shock BTâs protagonist, B.T. More deeply than BT, heâs a character that represents the dark side of humansâ jealously and hungry spirit. At the time I was drawing Dio, I might have also been influenced by my own mind. There wasnât anything that particularly made me angry, but, for example, during regular life I would suddenly begin to think dark things. I saw things from the same point of view as Dio, and began to do things like view humans as if they were insects. That kind of a thing was happening in my mind around that time.Hirohiko Araki & Ryosuke Kabashima
Q: You chose the name "Jonathan Joestar" because your meetings were held at the family restaurant "Jonathan's", right?
'Araki : What? Jonathan's? (Laughs)
Kabashima: Didn't you want to make the name "JoJo"?
Araki: I wanted to have an alliterative name like Steven Spielberg, so the acronym would look like J.J. or S.S. But the family restaurant we had our first meeting at was Denny's. It wasn't until later that we started going to Jonathan's.
Q: No no, you've mentioned it was Jonathan's elsewhere (laughs). You stated, "Because it was at Jonathan's."
Araki: Ohh, that was more of a "Sure, Let's go with that" type of answer. (laughs)
Kabashima: It's better for these things to be interesting, right? (laughs). Araki-san likes legends. He thinks it's better for it to be interesting than for it be a fact. That's likely the root of this.
Araki: Legends are a requirement for the horror genre.
Q: Then the name "Jonathan" is...?
Araki: It was just to make the J.J. alliteration. I didn't really take it from anywhere in particular.
Kabashima: It seems the origin of Jonathan has also become something like an urban legend, but it was definitely a Denny's at first, and then we switched to having meetings at Jonathan's somewhere during the middle of serialization. It was convenient because it was close to Araki-san's workplace at the time.
Hiroshi Sekiya
Sekiya: Another point is that Araki-sensei said, "I want a woman to be the main protagonist."
Q: This is for Part 5, right? You don't mean Jolyne from Part 6, but Giorno as a woman?
Sekiya: Around the time he brought it up, Giornoâs name hadnât been decided yet. Itâs not an issue these days, but back then my impression was that a female lead in a shonen manga would have been very tough to sell. During that era of Weekly Shonen Jump, it simply wasnât the time. Thus, during my meeting with sensei, we spoke about this and that, and in the end, the protagonist ended up not being a woman. However, Giornoâs stand has the ability to create life, right? Women give birth to life, so I think this concept was probably left over from the idea of having a female protagonist.
Q: Giorno is an elegant and somewhat androgynous character. Is the initial idea of having him be a woman related to that?
Sekiya: Giornoâs real name, Haruno Shiobana, is also very feminine, right? Sensei may have been thinking of having the story unfold with Giorno being revealed to be a woman. Now that I think about it, he used to joke around with ideas, saying things like: "What about if it was a woman who looked like a man? Wonder if that would work?" (laughs)
Hideto Azuma
Q: Part 6 had the first female protagonist. Was this Araki-senseiâs idea?
Azuma: Thatâs right. As a shonen magazine editor, I politely asked him to make the protagonist a boy, but he refused in 3 seconds (laughs). The readers of Weekly Shonen Jump wouldn't accept a female lead, which is why I wanted him to change it, but he just replied, "That's exactly why we're doing it".
Looking back at the series' popularity at the time, I still believe that a male protagonist would have been better. However, considering the long history of the "JoJo" series, I also think that it was overwhelmingly beneficial that the Part 6 lead was female. I get the impression that Araki-sensei is the type of person who wonât repeat the same thing twice. He is the type of artist who constantly takes on new challenges, so maybe he instinctively knew he'd lose the motivation to draw if he chose a male protagonist just for notorietyâs sake.
It was around then that strong female leads had also begun appearing in films, so perhaps he thought the time was right. If he really cared about gaining popularity, he could have just made the protagonist something like a "miniature" version of Jotaro from Part 3. He wouldn't do that though, he's the type of artist who has to continue fighting.
Q: From an editorâs point of view, what type of artist did Araki-sensei seem like at the time?
Azuma: He could construct both the characters and the story firmly in his head and always met deadlines, making him very easy to work with and highly valued by the editorial department. I suppose I was chosen to be Araki-sensei's editor because the higher-ups thought that our hobbies were similar, rather than my suitability as a manga editor. Much like Araki-sensei, I also love music and films, and I know pretty much all of the music that he listens to. I think the editorial department considered it important that Araki-sensei was able to work comfortably. I had the privilege of working for him for two-and-a-half years, but at that point only about 5 of my ideas were used (lol).
ă éĺ°ĺš´ăăźăăŁăźă ăćăăŚăăé ăăăă ăŁăăă ăăŠă 珏1é¨ă珏2é¨ăŽĺ˝ćăŤçŽćăăŚăăăŽăŻĺ°ĺš´ćźŤçťă¸ăŽă˘ăłăăŁăŚăăăă ĺć ¡ ĺŞĺ¡ ĺĺŠăŁăŚăăă éąĺĺ°ĺš´ă¸ăŁăłăă ďź äťĽä¸ă WJďź ăŽä¸çăŤććŚăăŚéćăăŚăăăăŁăŚăăçćć°ăŞć°ćăĄăăăăžăăă
珏2é¨ăŽä¸ťäşşĺ ŹăŽă¸ă§ăťăă¨ăăĺĺăŻă ă¸ă§ăăľăłă¨ĺăăă ă¸ă§ă¸ă§ă ăŤăŞăă°ăăăŁăŚăă¨ă ăă§ă ăăă桹ăćĺłăŻăŞăĺł1ă3ăŞăă§ăă ă調ĺč ăŽć§ć źăŻă ççé˘çŽă ăŁăă¸ă§ăăľăłă¨ĺŻžćŻăăăăăă§ăăă
çŠčŞă§çŽćăăăŽăŻă 誰ăăăĄă°ă埡ăăŽăă ă ăŠăăăäşşéăćăăŽăă ăćăăă¨ă ćľăă 犜漾çĺ˝ä˝ă ă¨ăăč¨ĺŽăŻă ăžăăŤăăă§ăăă éŁçŠéŁéăŽé çšă
ĺ˝ćăŻă ă¨ăŤăăčŞĺăŽä˝é˘¨ăä˝ăăŞăăă 11ăăă¨ćăŁăŚăăžăăă ĺăŽĺ 蟊ăŽćšă 1970嚴䝣ăŽćĺăŞä˝ĺŽśăăăŻă çăăăčŞĺăŽä˝é˘¨ăćăŁăŚăăăă§ăă ăăăŤăŻä˝ă大äşăŞćĺłăăăăă ăăă¨ćăŁăŚăăžăăă ă ăăčŞĺăŽćźŤçťăŽäşşć°ăăŞăăăă¨ăăŁăŚă ăăŠăźăćăăŚăăăŽăŤă ćĽăŤăšăăźă柍çťăăŠăăłăĄćźŤçťăćăăăăŤăŞăŁăĄăăăĄă ăăă ă¨ă ă ăăăŻçŞă芰ăăŚăăăŞăăăăĄăŞăă ăă ăăŹăŚăŻăăăŞăă ă¨ćăăăăŤăŞăŁăăă§ăăăăŻčŞĺă§čŞĺăčż˝ăčžźăăă¨ăŤăŞăăăŠă äťă§ăçśăăŚăăžăăă čĄă芰ăžăŁăăçľăăăăăăăŞăă ⌠ă§ăéăŻĺż ăéăăă¨ćăă°ăăă§ăă
珏3é¨ăŻă 珏1é¨ă¨çŹŹ2é¨ăŽä¸ťäşşĺ Źăĺ¤ĺ˝äşşă§çśăă
ăŽă§ă ćĽćŹäşşăŤăŞăŁăăŁăŚăăŽăŻăăăăŞă ă§ăĺăăĺ ´ćăŻă¨ă¸ăăă ăă 䝲éăĺ¤ĺ˝äşşăĺ¤ăăŁăăă§ăăďź çŹďź ă ä¸ťäşşĺ ŹăŽĺĺăŻă ćżă ăŽĺăŤăŻă ĺăçśăă ă¨ăăćĺłăăăŁăŚă ćŹĺ˝ăŻă ăăă- ă¨ăăčŞăżćšă ăjăăăŠăăŠă寺ăŽĺĺă¨ăă§ă ăăăă ăăAă¨čŞăžăăăă¨ăăăŁăăŽă§ă ăăăŤćąşăăžăăă ă 犺ćĄă ăŽćšăŻă 珏3é¨ăĺ§ăžăćăŤéĺăŤĺćăŤčĄăŁăăă¨ăăăŁăŚă éĺĺšĺşăŽĺˇć¨Šă ăŁăă ĺćĄăć°ăăă§ăăă ăăă§ă ă¸ă§ă¸ă§=犺ćĄćżĺ¤Şéă ă¨ăăžăăă
Onoâs first encounter with Jojoâs came in middle school, when Part 3 of the manga -- Stardust Crusaders -- was running. It wasnât until he went off to college, however, that he realized just how powerful Jojoâs truly was.
âI had a lot of free time as a college student, and I ended up getting totally sucked into Jojoâs, to the point where I spent what little money I had on the whole series up that point. And then during the course of my going to school, as I read it over and over again, I realized everything I needed to live my life was in that comic.â
A big part of that realization was the rather adult nature of Jojoâs, which mixes horror and suspense elements in a bid to live up to the Bizarre part of its title, and, at least according to Ono, became even more satisfying when viewed through the eyes of an adult.
âAs I started to understand the little subtleties and quirks of life, as I experienced doubt, confusion and frustration and accumulated life experience, I found more and more things in Jojoâs that resonated and stayed with me,â Ono said.
Ultimately, Jojoâs was part of the reason he decided to enter the world of broadcasting, and part of how he found success. Ono found himself frustrated with weak communication skills, unable to get others interested in what he had to offer professionally, and floundering in general. It was during this period of his life that he encountered Jojoâs again, discovered a love for radio, and met common friends who would shape the rest of his life.
âThe people I work with, my closest friends and acquaintances who I see on a daily basis, are all huge Jojoâs fans. In a way, reading Jojoâs pointed the way forward during the time of my life when I most felt frustrated and unsure of what to do next.â An inspiring story, but how did he feel about getting the chance to play Jotaro Kujo, one of the most iconic characters in manga and anime history?
âWell, Jotaroâs a representative character of the series, and from the part that I think most people are aware of in general, so I felt a lot of pressure at first, followed by more pressure, culminating in⌠really, it was just all pressure.â
There were also a few questions asked about the audition process for the Jojoâs Bizarre Adventure: All Star Battle video game, which Ono also played Jotaro in. As is often the case in these kinds of situations, the audition process for the Stardust Crusaders TV series was completely separate from that of the game, and Ono found himself having to re-audition for Jotaro all the way from square one. It all ended up working out in the end, though.
âJotaro is a character whoâs cool and collected and on the verge of boiling over all at the same time. He takes those two contradictory elements and makes them work together at a high level,â Ono said. âHeâs a guy whoâs cool on the surface, but deep down inside heâs white-hot.â[36]
ăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéş ăšăżăźăăšăăŻăŤăťă¤ăăźăšă / http://jojo-animation.com/
â ăçăăŚăăä¸ă§čŞĺăŤĺż čŚăŞčŚç´ ăĺ ¨ăŚăăŽä˝ĺăŤĺ ĽăŁăŚăă
âă˘ăăĄďźă˘ăăĄďźďźäťĽä¸ăAAďź ăžăăă¸ă§ă¸ă§ăŤĺăăŚĺşäźăŁăăŽăŻăă¤ă§ăăăăďź
âĺ°é大čźăăďźäťĽä¸ăĺ°éďź ĺ°ĺŚçăŽćă珏3é¨ăăăŁăŚăăčžşăăćĺăŽéé ă ăŁăă¨ćăăžăăăăŽăă¨ăŻĺ¤§ĺŚă¸ĺ ĽăŁăŚä¸äşŹăăŚăăă珏5é¨ăéŁčźăăŚăăčžşăă§ăă 大ĺŚć䝣ăŞăŽă§ă¨ăŤăăćéăŤä˝čŁăăăăăă§ăăăăăăăăăăŚăăŞăăŞăăŽăéă§ĺ ¨ĺˇťč˛ˇăăžăăďźçŹďźă大ĺŚçć´ťăéăăŞăăăçăăŚăăä¸ă§čŞĺăŤĺż čŚăŞčŚç´ ăĺ ¨ăŚăăŽä˝ĺăŤĺ ĽăŁăŚăăăă¨ćăŁăŚä˝ĺăčŞăżčżăăŚăžăăă
âAA ĺ°ĺŚć Ąă§ăŽĺşäźăăăă大ĺŚăžă§ăŻéă犺ăăă§ăăă
âĺ°é ĺ°ăä¸ĺŚçăŽććăŻăăľăšăăłăščŚç´ ăăăŠăźčŚç´ ăĺ ĽăŁăŚăăćĺéăăĺĽĺŚăŞăä˝ĺăă¸ăŁăłăăŽä¸ă§ă大人ăłăä˝ĺă ăŁăăŽă§ăăăăžă§ăŻčĄăăŞăăŁăăă§ăă大ĺŚć䝣ăŤăăăăŞäşşçăŽćŠĺžŽăăăăĺ§ăăŚăčŞĺăăăŁăŚăăăă¨ăŤçĺăćąăăăăéăŤčżˇăŁăăćŤćăăăă¨äşşççľé¨ăĺ¤ăăŞăă°ăŞăăťăŠăă¸ă§ă¸ă§ăăĺăă¨ăăăŽăéżăăăŽăăŠăăŠăĺ˘ăăŚăăŁăŚăăăăŻăăăăăăă¨ăă§ăăŞăăă°ăăăä˝ĺăčŚéăăŚăăăŽă§ăŻăŞăăă¨ăăăŁă¨ăăă§ć°ăĽăăăă§ăăăăă
âAA ăăŽčžşăă§ăăčŞčşŤăŤčť˘ćŠă訪ăăă¨ăăăă¨ă§ăăďź
âĺ°é ä¸ĺŚăéŤć Ąć䝣ăŻčŞĺăĺ°ćĽä˝ăŤăŞăăăăăăăŁăĄăćąşăăŚăäşşăŻăŞăăŞăăăŞăă¨ćăăžăăčŞĺăă大ĺŚăŤčĄăŁăŚćžéăŽăă¨ăĺ埡ăăŚćžéćĽçăŤăŞăă¨ăŞăé˘ăăăăăăŁăŚăăăă¨ăăćąşăăŚăăžăăă§ăăă
âAA ćĽćŹĺ¤§ĺŚč¸čĄĺŚé¨ăŤé˛ĺŚăăăŚăăžăă
âĺ°é ăăă§ăăăă ăĺ ĽăŁăŚăăăčŞĺăŻäşşă¨ăŽăłăăĽăăąăźăˇă§ăłăčŚćă ăă¨ăăăă¨ăŤć°ăĽăăăă§ăăĺăŻćžéĺŚç§ăťăăŹăĺśä˝ăłăźăšăŤăăăŽă§ăăăăăŹăăä˝ăă¨ăŞăă¨ăăŽăăăĺ¤ăăŽăšăżăăăăă¨ăłăăĽăăąăźăˇă§ăłăĺż čŚă ăăäźçťăćźĺşă§ăă¨ăăăŤĺ¤ăăŽäşşăŤć示ăĺşăăŞăă¨ăăăŞăăă¤ăžăčŞĺăŤčĺłăćăŁăŚăăăŁăŚăăăăăăă¨ăäźăăŞăă¨ăăăŞăăă§ăăĺăŤăŻăăăĺ ¨ăă§ăăŞăăŁăă ăăŹăĺśä˝ăŤé˘ăăĺ埡ăăăŚăŞăăŁăăăăă 弽ăăŞă ăă§ćžéĺŚç§ăŤĺ ĽăŁăăŽă§ăăăă§ćŤćăăŚăăžăŁăŚăăăă§ăăŠă¸ăŞĺśä˝ăŤčĄăăă§ăă ăŠă¸ăŞăŻ2äşşăăă°çŞçľä˝ăăĄăăăăăłăŹăă˘ăăĄăăăăăăľăăŤăŤăăŁăźăăăă弽ăă ăŁăăŽă§ăăăăăäťäşăŤăăăăŞăă¨ćăĺ§ăăăă§ăăă¸ă§ă¸ă§ăŤč§ŚăăăŽăŻăăŽććăŞăă§ăăă äžăă°ă珏3é¨ăŽăă¤ăŁăźăŤăťăŞăăťăăŠăźăăĽăłďźéĺ˝ăŽčťčźŞďźćŚăŽăťăŞăăăéăă¨ăăăăŽăŻčŞĺă§ĺăéăăăŽă ăă¨ăăč¨čăăăăćéăĺăăžăăă
âAA ĺşăăč¨čă§ăă
âĺ°é ĺŽăŻăăŽćăŽäť˛éăŻäťă§ăăăăéŁçľĄăĺăŁăăăăžăăăçžĺ ´ă§äźăŁăăăăăăă§ăăă ă˘ăăĄăŽĺśä˝ăšăżăăăăăŤăăăăäťăŠă¤ăżăźăăŁăŚăĺă ăĄăăăžăă茪ĺă§ăăćŚĺă§ăăĺĺ¨ă§ăăăăăŻĺ¤§ĺŚć䝣ăéăŤčżˇăŁăŚăăćăŽčŞĺăă¸ă§ă¸ă§ăŤĺşäźăŁăŚĺ¤ăăŁăăăăăă ă¨ćăăă§ăă
âAA ă¸ă§ă¸ă§ăŤĺ°ăăăŚăäťăŽĺ°éăăăĺäşşăăĄăăăăăă§ăăă
âĺ°é ĺăŽĺ¨ăăŽäşşă茪ĺă¨ăăŚäťă§ăäťăĺăäşşăŁăŚăżăăŞă¸ă§ă¸ă§ĺĽ˝ăă§ďźçŹďźăăłăăĽăăąăźăˇă§ăłăäşşă¨ĺăă¨ăăăă¨ăŤćŤćăăćăăăă¸ă§ă¸ă§ă¨ăăä˝ĺăäşşçăŽćéăŤăŞăăă¨ăăăă¨ăăŻăăžăŁăŚăăć°ăăăžăă
âAA ăăăăŁăĺ°éăăčŞčşŤăŽäşşçăŽćéăŤăŞăăăăŞĺ¤§ăăŞä˝ĺăŤăä¸ťäşşĺ Źă¨ăăŚé˘ăăăă¨ăăăă¨ăćąşăžăŁăćăŽăć°ćăĄă¨ăăăŽăŻăŠăăăŁăăăŽă ăŁăăŽă§ăăăăă
âĺ°é 珏3é¨ăŻă¸ă§ă¸ă§ă䝣襨ăăăăăŞă蹥垴çăŞé¨ă ă¨ćăăžăăä¸čŹçăŤăä¸çŞčŞçĽĺşŚăéŤăăăźăăŤăŞăŁăŚăăă¨ćăăŽă§ăăăŽä¸ťäşşĺ ŹăťçŠşćĄćżĺ¤Şéăćźăăă¨ăăăŽăŻăćĺăŻăăŹăăˇăŁăźăăăăŤăăŹăăˇăŁăźâŚâŚćŹĺ˝ăŤăăŹăăˇăŁăźă§ăăă
â ăăŻăźăŤă§ăŞăăă§ăăăăŞă
âă˘ăăĄďźă˘ăăĄďźďźäťĽä¸ăAAďź PS3ăăăŤă˛ăźă ăŽăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşăŞăźăŤăšăżăźăăăŤďźäťĽä¸ăASBďźăă§ćżĺ¤Şéăĺ°éăăăŻćźăăăăŚăăžăăăäťĺăŻăŞăźăăŁăˇă§ăłăĺăăăăŚăăăŽćąşĺŽă ăŁăăŽă§ăăďź
âĺ°é大čźăăďźäťĽä¸ăĺ°éďź ASBă¨ăŻăžăéăŁăć çľăżă§ăćšăăŚă˘ăăĄăŻăŞăźăăŁăˇă§ăłăăăă¨ăăăă¨ăŤăŞăŁăŚăćŹĺ˝ăŤăźăăăăŽăŞăźăăŁăˇă§ăłă§ăăă
âAA ăŞăźăăŁăˇă§ăłĺăăăăŚăASBăŤçśăăŚĺăłćąşĺŽăŽçĽăăăĺăăăăă§ăăă
âĺ°é ăăă§čŚćăćąşăžăăžăăăASBă§ăăăăŚăăăŁăćăŤăăăăăăŹăăˇăŁăźăŻćăăŚăăžăăăă˘ăăĄăŽçžĺ ´ă§ăăćŹĺ˝ăŤă¸ă§ă¸ă§ćăç¸čŁăăŚăăä˝ĺă§ăăăăăăăŹăă˘ăăĄç珏3é¨ăŻçŹŹ1ăť2é¨ăăăéăăĺźăçśăă§ăăä˝ĺă§ăă 珏1ăť2é¨ăŽăăŁăšăăăăăšăżăăăăă¨čŠąăăăŚăăăŽäşşéăĺăçśăă§ćĽăăăŽăäťĺşŚăŻçŹŹ3é¨ă§čŞĺăćźăăăăă§ăă
âAA ăăŹăă˘ăăĄç珏1ăť2é¨ăă珏3é¨ăĺăçśăă§ăăă
âĺ°é ăŻăăăăăŻăăćżĺ¤ŞéăŽăćżăăŽĺă§ăăăăćżăăăăŞăă¨ăčŚćăăžăăă
âAA ćżĺ¤Şéă¨ăăăăŁăŠăŻăżăźăćźăăăŤĺ˝ăăŁăŚăŻăŠăăăă˘ăăăźăăăăăăŽă§ăăăăă
âĺ°é ćżĺ¤ŞéăŻĺˇéăă¨çąăăŽä¸ĄćšăćăŁăŚăăäşşă§ăăç¸ĺăăă˘ăăéŤă揥ĺ ă§ä¸ĄçŤăăăŚăăăćĺăŻăăă严çŤăăăă¨ăăăŹăăˇăŁăźăŤăŞăŁăŚăăžăăăćčĄă§ăăăăăăă¨ăăŚăăăŽăăçĽăăžăăă ăăăäťăŻăăŻăźăŤă§ăŻăăăăŞăďźăă¨ăăćăăŤčłăăžăăăă ăăăăŽä˝ĺăŽćżĺ¤ŞéăŻçąăăăăăăçąăčŚăăăăçĽăăžăăăćżĺ¤ŞéăŻčĄ¨é˘çăŤăŻăŻăźăŤăŞăă ăăŠăćŹčłŞçăŤăŻçľśĺŻžçąăçˇă ă¨ćăŁăŚăăžăă
â ăăăšăăăăŻăŠă¤ăăăŻăšăçąéăŽĺźăçŽăŻăăŞă
âă˘ăăĄďźă˘ăăĄďźďźäťĽä¸ăAAďź äťä˝ăŻĺé˛ăŽćéăćă¤ăă¨ăăă芹ăäźşăăžăăă
âĺ°é大čźăăďźäťĽä¸ăĺ°éďź ćă¤ăă§ăďźçŹďźă
âAA ćăăăăŤăăŞăĽăźă ă§č¨ăžăăŚăăăă§ăăďź
âĺ°é ăăăŞăă§ăăĺé˛ăŽĺăŽćĽăŻĺŽĺ ¨ăŤăé ăćă¤ăăăŤăăŚăžăăćčżăŻă¸ă§ă¸ă§ăŽăăăŤăťăźćé çść ă§ăă¨ăŤăă声ăăăšăăłăłăăŁăˇă§ăłă§ĺşăăăăăŤă¨ăăăă¨ăĺžšĺşăăŚăăžăă
âAA ăăăžăăćźćăăăăŚăăžăă
âĺ°é ăżăăŞăăă§ăăăăŁăšăăăăŻăżăăŞăăšăăăĺ ¨ă声éăĺźăăŞăăă§ăăĺ ¨é¨ćŹçŞă¨ăăć°ćăĄă§ăăä¸éĺ獯ăŻçľśĺŻžă§ăăŞăăŞă¨ĺăčŚćăăŚăăŁăŚăăžăă
âAA éłéżçŁçŁăŽĺ˛ŠćľŞďźçžĺďźăăăăăŽăăŁăŹăŻăˇă§ăłăŻăŠăŽăăăŞăăăĄă§ăăďź
âĺ°é ăă¤ăăăăŻă§ăďźăĺ°ăŁăăĺä˝čŚăŚăă ăăďźăă¨ăĺ°ăŁăă声埾ăŁăŚăă ăăďźăăŻćĺăŤč¨ăăăŚăăžăďźçŹďźă ăăăŚĺ˝šč ă¸ăŽă˘ăăăźăă¨ăăŚćčŻăŽăŻăźăăé¸ăă§ă羜寞ăŤăăŽçąéăĺˇăžăăŞăăăăŤé˛ăŁăŚăăăăă§ăăăăšăăăăŻăŠă¤ăăăŻăšăŞăŽă§ă
âAA ăăšăăăăŻăŠă¤ăăăŻăšă§ăăă
âĺ°é ăăĄăăăăăăŽčĄ¨çžăŻăăăăŚăťăăăă¨ăăŁăăă¨ăŻăăăžăăă¨ăŤăăĺźăçŽăŻăăŞăă§ăăŠăăŠăçąéăčśłăăŚăĺˇăăŞăăăĄăŤçľśĺŻžăŤé˛ăăăă 岊澪ăăăŽăăŁăŹăŻăˇă§ăłăŻăăăćŠăăă§ăăă岊澪ăăăŽĺ蝢ăŽéăăŻăĺăăŽčăăŚăăçąéăĺşăćăŤăăăăăăăăăĺˇăăŞăăăĄăŤăăŁăăă¨ăăŁăŹăŻăˇă§ăłăăŚé˛ăăăŁăŚăăăăäżĄé źćăŻăăłăăŞăă§ăăă
âAA ăă°ăăăă˘ăăŹăłçžĺ ´ă§ăă
âĺ°é ç´°ăăăăŁăŹăŻăˇă§ăłă§ăŻăăăă大äşăŤă¨ăă大ăăăăăăŻĺ¤§ăăăăăă§č¨ăŁăŚăă ăăă¨ăăă?ăăăăŞăăăŽăăăă¨ă大äşăŤăăŚăăžăăăăăŚăçŹăăçľśăăŞăăčŻăçžĺ ´ă§ăăă
â ăăăŁăŠăŻăżăźăŤäźźăéăćăŁăăăŁăšăăăĄ
âAA ăžăăŤăăŽăłăłăăăźăˇă§ăłăćçŤăăăăă¨ăŽă§ăăăăŁăšăéŁă¨ăč¨ăăžăă
âĺ°é ăăă§ăăăăăŁăšăăŻăăăăăŁăŠăŻăżăźăŤĺłăăăă¨ăăăăäźźăăéăăćăŁăäşşăăĄăăăŁăšăăŁăłă°ăăăŚăăć°ăăăŚăăžăă ä¸ĺŽ ĺĽĺ¤ŞăăăŻçąăăăăăçąăă§ăďźçŹďźăçłĺĄéćăăăăă大ăă声ĺşăăăăŞăăăŚč¨ăăă§ăăăăŠčŞĺăä¸çŞĺŁ°ĺşăăŚăăăă§ăăďźçŹďźăăăŽăăăçžĺ ´ăĺźăŁĺźľăŁăŚăăŁăŚăăăŚăăăăăăă¸ă§ăťăăŁă˝ăă§ăăĺšłĺˇĺ¤§čźăăăĺ°ćžăăăćŹĺ˝ăŤäźźăŚăăăŞă¨ćčżćăŁăŚăăžăă
â ăăăŞăŠăŞăŠăăŻăăžăé˛ĺăăŚăă
âă˘ăăĄďźă˘ăăĄďźďźäťĽä¸ăAAďź ćŹä˝ă§č¨ăă°ăćżĺ¤ŞéăŽăăŞăŠăŞăŠăăć°ăŤăŞăă¨ăăă§ăăäťĺžä˝żăćŠäźăĺ˘ăăŚăăăă¨ăŤăŞăă¨ćăăŽă§ăăăĺ°éăăăĺŻăăŤçˇ´çżăăăăăăŚăăăŽă§ăăăăă
âĺ°é大čźăăďźäťĽä¸ăĺ°éďź ăăŞăŠăŞăŠăăŤé˘ăăŚăŻăăŁă¨čŠŚčĄéŻčޤăăŞăăč˛ăŚăŚăăăŻăźăă§ăăăăžăé˛ĺăăăŚăăžăăĺăăŽé ăŽčŠąć°ă§ăŻăžă 稟ĺćéăéˇăăŞăăă§ăăă芹ć°ăé˛ăă¨ĺ ąăŤăŠăăŠă䟸ăłăŚăăŚăăžăă ĺăĺžă ăŤćŠăéăéˇăă§ăăăăăŤăŞăŁăŚăăŚăĺăéăăăă¨ăŤăăăćŠăéăăŞăŁăŚăăžăă
âAA ăăăŻćĽ˝ăăżă§ăă
âĺ°é ćżĺ¤ŞéăŻä¸čŚăŻĺŽćăăăăăŁăŠăŻăżăźă§ăăăăžă éŤć Ąçă§ăăć ăăăŚăăä¸ă§ăšăżăłăăĺ¤ĺăăăŚăăă¨ăăăŽăŻčŞĺăŤĺŻžăăććŚă§ăăăăă§ăă ĺŽăŻĺĺŽďźćŚäşşďźăăăŤăăŞăŠăŞăŠăăŽéăă¨ćŠăă严çŤăăăăŽăéŁăăă§ăăă¨ăă芹ăăăăčŞĺăŽăăćšăŤăăŚăăăăăăŞăăă¨č¨ăŁăŚăăăăă§ăăăăč¨ăŁăŚăăăăă¨ăćŹĺ˝ăŤĺŹăăăŁăă§ăăă ăăă§ăăă漽ăŤăŞăăžăăăăžăćăăă§ăăăŠăăăă¤ăăŻćăç¸ćďźDIOďźă§ăăăďźçŹďźă
âAA ăŠă¤ăăŤăăăŽă˘ăăă¤ăšă§ăăďźçŹďźă
âĺ°é 珏2芹čŚăă¨ăăăăžăăăăăŞăŠăŞăŠăăăăŞăăŚăăăŞăŠăŠăŠăźăăăŞăŠă˘ăďźăă¨č¨ăă¨ăăăăăăžăăĺăäťĺă˘ăăŹăłăăăŁăŚĺăăŚć°ăĽăăăă§ăăăăŽăăżăźăłăăăăă ă¨ă čĺą ăăŚăăŚä¸çŞćăăŽăŻăŤăźăăłăŻăźăŻăŤéĽăăă¨ă§ăăă ăăăăŽćă ă§ä¸çŞăŽăăŞăŠăŞăŠăăĺşăă¨ăăć°ćăĄă§ă¨ĺăçľăă§ăăžăă
âAA ăăăă¨ăăăăăžăăćĺžăŤćĽ˝ăăżăŤăăŚăăăăĄăłăăžăă¸ă§ă¸ă§ăŤĺăăŚč§Śăăă¨ăăćšăŤăă˛ăĄăăťăźă¸ăăéĄăăăžăă
âĺ°é ăăăăăŽă¸ă§ă¸ă§ăćăăäşşăăĄăăăŽä˝ĺăŤăšăżăăăăăŁăšăă¨ăăŚé˘ăăŁăŚćă注ăă§ăăžăăăžăĺä˝ăăăăŁă¨ĺĽ˝ăă§ăăŚăăăă¸ă§ă¸ă§ăăĄăłăŽăżăŞăăăŽćăă˛ăă˛ăă¨ćăăŚăăžăă ăă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéş ăšăżăźăăšăăŻăŤăťă¤ăăźăšăăŻçŹŹ1ăť2é¨ă§ĺźăçśăăăăéťéăŽéăăĺăă¨ăŁăŚă揥ăŤäźăăŚăăă¨ăăăăžăăăăćżăă彚ĺ˛ăć ăŁăŚăăă¨ćăăžăăĺžćĽăŽăăĄăłăŽćšă ăăăăŚć°ăăă¸ă§ă¸ă§ăŤč§Śăă弽ăă ă¨ćăŁăŚăăăăăĄăłăŽăżăŞăăăä¸çˇăŤăć ăăăŚăăă ăăăăŞă¨ćăŁăŚăžăăăŠăăŠăă¸ă§ă¸ă§ćă桹ăăŚăăăžăăăăăăăăăéĄăăăžăă
(C)čć¨éŁĺ彌ďźLUCKY LAND COMMUNICATIONS/éčąç¤žăťă¸ă§ă¸ă§ăŽĺĽĺŚăŞĺéşSC製ä˝ĺ§ĺĄäź[37]
ANN: What is the difference between your role as director and Kenichi Suzuki's role as "series director," as far as how things are managed?
Naokatsu Tsuda: The best way to think of it is not as co-directors, but one as the executive director and one as the actual director.
So he's in more of a producer position and you are the creative director?
We're both creative, but I have final say in everything.
How were you approached about directing a JoJo's television series and what was your reaction?
So, the story starts off with me being an employee at our production company, David Production. My previous work was directing Inu X Boku Secret Service and our Vice President, a man by the name of Kajita, asked me, "You like JoJo?" And I said "Yes!" And he said, "Okay, you're directing JoJo." That's it! Very easy.
When looking at the material, did you feel that there was much adaptation that needed to be made for language and references, since it is over twenty years old, or did you feel that it was timeless and you didn't have to change much?
The main adaptation needed for a modern audience would be in the visuals. If you look at the original JoJo's Bizarre Adventure, the lines are very detailed and I question if a modern viewer would be able to relate to these details. Also, we do need to simplify the lines for animation. So simplifying the lines was something we definitely prioritized. But the JoJo's graphic novels, over the years, have become something of an internet meme, or at least they are the source of a lot of internet memes. One thing we can do today that wouldn't have been possible 20 years ago is pick up on already established memes and see how we can pull those into the anime. Many parts of the series are already finished, so we are in a unique position today where we can do a wholesale retrospective on them. Also, modern audiences have a preference for higher-paced dialogue, so that's also different today from how it would've been adapted back then.
That's very interesting to hear about the meme culture of JoJo's. So you were aware of that stuff going in and you consciously said, "Oh we have to get this right, we have to make this feel classic for fans of the manga?"
Yes, in fact that was fully intended. We wanted to make a show where a fan could watch the animated episode and then go back to the graphic novel and see that their idea of JoJo was faithfully animated. We wanted to make something that could be shared as a new source of fan memes, and something where everyone's idea of JoJo could come to life through it.
One of my favorite things about JoJo's is the incredible sound design and music work on this show, both the soundtrack and the use of sound effects visually is very powerful. I feel like viewers can listen to this show and understand the story almost as well as seeing it. What was your philosophy going into the music and sound effects for the series?
The written words that show up in JoJo's is something that we call a "word effect." This comes directly from the manga, where if you look directly at the panel, the written sound effects are an integral part of the layout. Usually, when you animate a graphic novel, all those sound effects would be taken out, but that also changes the visual layout of the panel in translation to the screen. Now when you look at streaming culture today in Japan, especially when you look at websites such as Niconico, all the users just paste up their text reactions as part of the video stream, and that's part of the actual fan culture. My takeaway from that was younger audiences of today don't actually have any problem seeing written sound effects onscreen. So rather than changing the original manga layout, we wanted to incorporate that into the anime as well and use word effects in choice places for favorite lines and favorite sounds, perhaps sound effects that the viewer might want to shout out along with the show. So it's just thinking about things backwards and then making them work out. I don't think you actually need to be able to read the text, because it's more of a visual element than a language thing.
For the music, I really wanted to incorporate film-style music rather than something that resembled a variety show. When you use music in film, it's often set to a specific character or emotion or scene. In the first two parts of Jojo's, the music is really set to the scene and only once in a while is it set to the emotions of the moment. Part 1 takes place in 19th century England, which isn't exactly a place anyone has first-hand experience living through. So we used the music to establish a sense of history and location and period that we can relate to. Then we skip over to Part 2, which takes place in Art Deco America. So we had to establish something more stylish and pop in tone there. Since there's a graphic visual difference between Part 1 and Part 2, we wanted the audience to be transported 50 years forward through the music as well as the visuals.
What was the process for choosing the ending theme songs like "Roundabout" and "Walk Like an Egyptian?" Is this a tradition that you want to continue in future parts?
Well, those came from the author of the original graphic novel, Hirohiko Araki. They're all songs that he was listening to back when he was drawing the individual parts. Mr. Araki only listens to Western music because he doesn't understand English, so none of the lyrics come across to him as language, but as pure sound. So we got a list of these songs that he was listening to back when he was writing each part, and we chose songs for the closing animation based on which ones Warner was able to secure the rights for. It was up to Warner to actually do the negotiating. So if there is an anime production of the next part, we'll probably go by the same process. Traditionally, JoJo's Bizarre Adventure has been a gateway to learn about Western music for Japanese readers. For American fans, a lot of the music and names featured in JoJo's are more an acknowledgement of familiar artists, but this is also cause for Warner to be engaged in a lot of negotiations to secure those rights.
Yes, the names of these characters are changed in the official subtitles for American viewers. Vanilla Ice becomes Cool Ice, Oingo Boingo becomes Zenyatta Mondatta, and so on. The fans always know the real names, so they see that and sort of laugh at it. They feel like "what, are they afraid of lawyers?" How do you feel about American audiences being given changed names?
Well, I do think someone may have tried to err on the sensitive side of things in translation. When you look at characters like Oingo and Boingo, if the musical artist of the same name wasn't happy with the idea of being depicted as such comical characters, perhaps erring on the sensitive side might have been the right decision.
On that note, where did the Oingo Boingo Brothers song come from? It was a very fun surprise!
Part 3, Stardust Crusaders, is split into two halves for television airing. At the time, the music producer at Warner, Mr. Oomori, had asked if there was any scene-specific music that I wanted to have in the series. You might be familiar with a specific practice in Japanese animation where episode one and episode three are very important for a show's production. If episode one doesn't execute well, a lot of viewers will write off the show and never watch it. And you also need to have a new development or twist take place in episode three, or more established viewers will abandon the show. It's not such an issue with episode four onwards, but that's the unfortunately reality of the industry right now. The Oingo Boingo episode in question is actually episode three of Stardust Crusaders' second half, so we knew we had to make it stand out. Boingo is an enemy who uses manga as their gimmick, so for the ending we thought this could be the first and only instance of a character song. I thought it would be something that the viewers would be very happy to see. So I went to producer Oomori, he greenlit it, and the Oingo Boingo Brothers happened.
And the Hol Horse Boingo Combo as well! Now do you have a favorite Joestar or a favorite character? Not just in the three parts that are animated, but from any of it?
Well, since I just finished working on Stardust Crusaders, I'm most sympathetic to Jotaro. In part 4, my favorite is still Jotaro. As a high school reader of the manga, my favorite Joestar was⌠well, it's actually questionable if he's from the Joestar family, but he's the main character from part 5, Giorno Giovanna. He's actually Dio's child, but he inherits a very large portion of the Joestar family spirit.
You mentioned that the manga's art could be difficult to adapt to animation. What were your thoughts on adapting the manga's striking color design in a way that wouldn't be too overwhelming?
One thing that makes anime different is that once you establish the color setting, you can't change it, whereas there's no set color for a lot of things in the JoJo's graphic novel. Once we established the color setting inside the anime, we knew there might be a lot of fans who would object to the choice of colors. As a JoJo fan myself, I do really understand the kinds of things they would object to. So we decided on scene-specific coloring, so that the "set color" could still change depending on the specifics of the scene. Since the graphic novel doesn't actually have set colors for a lot of things, I think that was one way to take advantage of its style, while creating something that would be acceptable to fans.
One last question: JoJo's is filled with great moments of elation, and it must be exciting for the voice cast to do that sort of thing. What was the most powerful moment for you, vocally?
There's far too many to mention, but if I were to choose one, it would be the final episode of Stardust Crusaders, where Jotaro and Dio are having their showdown, and it is the battle of ORAORA and MUDAMUDA.
I knew the story, so I knew it was coming, but I was still surprised when Dio shouted "ROAD ROLLER!"
I'm very happy to hear that.[38]
See Interview Archive
References
- â https://swordtranslations.wordpress.com/2018/10/18/nisio-isin-and-araki-hirohiko-interview-2006/
- â http://comipress.com/article/2006/06/30/387
- â https://web.archive.org/web/20160410201028/http://ls57tiger.freepgs.com/jojo/phpBB3/viewtopic.php?f=2&t=616
- â Phantom Blood PS2 Araki Interview (2006)
- â http://petronia.livejournal.com/493401.html
- â http://web.archive.org/web/20070320080425/http:/www.orsay3.com/special/index.html#
- â https://web.archive.org/web/20090326101840/http://manganohi.com:80/interview/4/4953.html
- â http://jajatom.moo.jp/kyoufu/2007sp_2/05.html
- â https://www.youtube.com/watch?v=dTh1woTmDqs
- â http://kajipon.sakura.ne.jp/art/jojo-tohoku.html
- â https://web.archive.org/web/20180624052955/http://ls57tiger.freepgs.com/jojo/phpBB3/viewtopic.php?f=2&t=6796
- â http://web.archive.org/web/20071217212728/http:/plaza.bunka.go.jp/museum/meister/manga/vol3/index.php
- â January 2008 Issue of Jump SQ magazine - Thus Spoke Kishibe Rohan Interview
- â https://www.buymeacoffee.com/rikki/interview-hirohiko-araki
- â https://www.buymeacoffee.com/rikki/interview-hirohiko-araki-2of2
- â http://archive.j-mediaarts.jp/interview/2008/araki_hirohiko/
- â http://www.webdice.jp/dice/detail/5268/
- â https://twitter.com/macchalion/status/834153287771422720
- â https://web.archive.org/web/20160410193400/http://ls57tiger.freepgs.com/jojo/phpBB3/viewtopic.php?f=2&t=2627&p=43043&hilit=interview
- â https://web.archive.org/web/20090423051453/http://www.newtral.info/article/helloWork/interview2
- â http://atmarkjojo.org/archives/1950.html
- â http://wba.sakura.ne.jp/report/komabasai60/
- â https://news.yahoo.co.jp/byline/ishiishiko/20201023-00204204/
- â http://www.hirosegawa-net.com/interview/new/18_01.html
- â https://www.hirosegawa-net.com/?p=3447
- â http://web.archive.org/web/20130110030214/http://www.ganganonline.com/special/hagane/index.html
- â http://www.houyhnhnm.jp/culture/feature/gucci-araki-hirohiko.html
- â http://www.kanto-ba.org/series/113/
- â https://www.famitsu.com/news/201207/05017581.html
- â https://xtrend.nikkei.com/atcl/trn/pickup/20121009/1044420/
- â http://www.gamefaqs.com/boards/676176-jojos-bizarre-adventure-all-star-battle/67151860
- â http://ls57tiger.freepgs.com/jojo/phpBB3/viewtopic.php?f=28&t=6459&hilit=interview
- â https://www.ptt.cc/bbs/NEURO/M.1380014866.A.9C8.html
- â https://imgur.com/a/pP4gt
- â https://satoryuh.hatenablog.com/entry/jojo_01
- â http://otakuusamagazine.com/Anime/News1/Anime-Anime-Interviews-Daisuke-Ono-JoJos-Jotaro-Ku-5729.aspx
- â http://animeanime.jp/article/2014/04/12/18269.html
- â http://www.animenewsnetwork.com/feature/2015-07-16/interview-jojo-bizarre-adventure-director-naokatsu-tsuda/.90413
