Template:Interviews/pt-br

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Sem tradução
Programa de TV
ComentĂĄrio
Publicado em 25 de Maio de 1981
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MangĂĄ
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Tradução incompleta
Revista
Entrevista
Publicado em Maio de 1986
đŸ‘€ Hirohiko Araki
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Entrevista faltando
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Entrevista
Publicado em 1989
đŸ‘€ Hirohiko Araki

TBA

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Revista
Entrevista
Publicado em Maio de 1992

“

I know nothing about China

Araki: This is kind of embarrassing, but the only book of yours I have read is Bokkou. But, you know, it still made me feel we have a few things in common. There tends to be some sort of disconnect between the beginning and the ending when writers simply write guided by their feelings, but everything about your writing advances logically. I’m thinking we’re alike here.

Sakemi: I don’t actually follow a logical thread, but since I write about various historical events, it’s only natural for my writings to move along in a logical manner. Truth be told, I don’t actually have an elaborate plan.

Araki: So you have been researching China for a while?

Sakemi: Well, no, I actually don’t know anything about China. I’m making it up as I’m writing, so it’s a little embarrassing.

Araki: I see. There are a lot of manga artists who do this too, you know. A lot of lies written about kenpou, for example.

Sakemi: But it’s still a little scary to write something you have no idea about. If someone in the know or someone who’s worked in China told me my stuff is wrong, I’d be done for. It hasn’t happened so far, but I feel like it might happen in the future.

Araki: Although you could say that it is fictional history in a way.

Sakemi: Everything I write is made up by me. Still, I don’t invent weapons and don’t randomly destroy existing countries either. I have my limits.

Araki: Still, when historical figures do show up, you already know when they’re going to die. You need to have them die as they should.

Sakemi: It’s all right, Bokkou barely features historical figures.

Araki: Oh, I see. As soon as I saw kanji I totally thought they were real people.

Sakemi: Basically it’s like this: imagine someone makes a movie, finds a wasteland and places their sets there. That’s what it’s like. The fortress is also something I made up myself.

Araki: I have seen it serialised in Big Comic. Do you think the art style suits the story?

Sakemi: It’s more like, I had no idea what the clothing of the time was like, so now that I’ve seen it, I felt like I learnt something new.

Araki: Interesting (laughs)

Sakemi: We do know what kind of clothes nobles used to wear, since we have illustrations, but we have no idea what common people wore or what they ate. There are no castle walls left either, so I stumbled onto a lot of problems.

Araki: Not even ancient ruins?

Sakemi: There are a lot, but it’s kind of difficult to find something from 2500 years ago. Those in Egypt or Greece were preserved because they were built from stone, but in China’s case, they were easily destroyed because they were apparently made of hardened clay. This is why you can say my novel lies in this matter.

Araki: I didn’t think for a moment it was a lie.

Sakemi: That’s why I’d really, really hate for a China expert to read it. I also write science fiction, so it’s not like I only focus on China.


Betraying reader expectations in an interesting way

Sakemi: I noticed Jojo’s Bizarre Adventure features combat sport. Do you practice it?

Araki: I never have. I have done some kendou though.

Sakemi: Have you seen it live perhaps?

Araki: I haven’t, but I do watch it on TV. I don’t really feel like drawing combat sport. I believe we are similar in this respect — tactics and strategy are more interesting. That’s why, to be completely honest, I hate pro wrestling and anything of the sort.

Sakemi: Pro wrestling actually has a very similar concept: you have to draw out enough of your opponent’s strength and then finish them off. Basically, if an unknown fighter attacks you, you can’t defeat them unless you bring out their special technique. You should defeat a wrestler after you have witnessed their strength several times. I think it’s the same in manga. To put it clearly, it’s better to kill a dangerous guy immediately, but once you have witnessed how threatening the enemy is, you turn the tables in one move. This is a must.

Araki: One-shot kills definitely wouldn’t fit among Jump’s traditional long battles (laughs)

Sakemi: This would have been a problem for UWF during Maeda Akira’s time. You can actually defeat a weak guy in about one minute. But defeating him after he has displayed his technique is much better. Unfortunately, this kind of thing is called match fixing nowadays.

Araki: There’s a 50-50 in this case.

Sakemi: That’s exactly it. A while ago, during a boxing match between Trevor Berbick and UWF international Takada Nobuhiko, instead of letting Berbick show off his crazy punches and then defeat him, Takada just started kicking him all of a sudden and Berbick ran away.

Araki: That’s also a fighting style.

Sakemi: Berbick’s punch is over 300 kgs heavy, so receiving one of those would have been the end. He kept kicking before that. It’s correct in fighting, but wrong in pro wrestling. It was important to show how dangerous Berbick was, stagger on his feet, then turn the tables. That’s why “Cement” are mostly boring.

Araki: What are “Cement”?

Sakemi: Games played in earnest. I’d say it’s not that good when it comes to pro wrestling and I think we can say the same thing about manga. Even in Jojo’s Bizarre Adventure losing a battle to win the war happens quite often. There are all kinds of enemies, like the guy who can only move through mirrors or the stand that attacks in dreams, so it’s fun to see every week how they’re going to be defeated.

Araki: Before I start drawing, I usually have a broad idea about the direction of the fight, but I may change my mind halfway through.

Sakemi: I can usually tell what’s going to happen in a manga, but not in your case, like how an enemy is going to be defeated and so on.

Araki: Some people hate that.

Sakemi: No, it’s great. You betray the readers’ imagination and expectations, and in an interesting way on top of that.

Araki: That is why “Bokkou” impressed me.

Sakemi: That’s because my characters get defeated after their strength is revealed.


Excitement, every single week

Araki: I said earlier that we have something in common. That something is “psychological battles”. It’s interesting to see this in all your novels. We’re kind of similar here.

Sakemi: I know you since you received the Tezuka Prize for Poker Under Arms; it really showed off your talents and style. Those poker tricks made me think you like gambling. Am I right?

Araki: Yes, well, I usually do it. I win most of the time. I’m the kind of man who stops while he’s still winning.

Sakemi: Did you also gamble abroad?

Araki: I did. There was this Grand Casino in Egypt, so I went there alone.

Sakemi: How did it go?

Araki: I won. I got all my souvenir money back through gambling.

Sakemi: Was it card games?

Araki: Exactly. I had to move pretty fast.

Sakemi: As I thought, you’d rather have a human for a partner than a machine, even in gambling.

Araki: That’s right. Even when it comes to roulette, a professional dealer, will definitely have the skill to enter your favoured number. When your partner is a pro, it feels like they can see behind your every move, several moves ahead. It’s a great psychological battle.

Sakemi: And yet you can’t really win.

Araki: You can’t stop as long as it’s profitable. You keep thinking you’re going to play just a bit more. I, for one, stop playing after I win, since the fun of gambling are tactics anyway. I think these psychological battles are also one of the fun points of my manga.

Sakemi: This is why I find your fights between strong characters really interesting. It’s rather impossible for an amateur to capture those psychological battles in games like shougi or go, even when people wave their fans or make a good move. On the other hand, the fights between powerful people in sumou, for example, are easy to follow. That is why it’s popular.

Araki: What about pro wrestling?

Sakemi: Well, organisations have their own rules and plans, so there won’t be matches between the strongest people, but the psychological part is insane.

Araki: Pro wrestling is quite profound, huh.

Sakemi: It’s too profound, really, I actually feel sorry for the people who talk about match fixing or clean matches. I think, for example, there are “fixed” manga and “clean” manga too. Same with novels.

Araki: I agree.

Sakemi: Attacking after you draw out your opponent’s power to the utmost, since you do have to show it off, like in your manga: you have the enemy display their power, like in pro wrestling, meaning more suspense for the readers, then have them punctually defeated. You aren’t afraid of showing all your ideas.

Araki: There are also times when I test myself. I don’t know how to defeat the enemy, so I momentarily make them strong and drive the characters into a corner.

Sakemi: I don’t do that too often, since I end up not knowing how to save my characters. I just can’t have them fight in situations that end up too disadvantageous. In that respect, you have the enemies defeated right on time. It’s a good thing. You don’t mind showing your ideas one after another. Jojo’s Bizarre Adventure has had dozens of defeated enemies, but it was great every single time.

Araki: I had to come up with about thirty different stands, since you need to make every new weekly chapter fun and exciting. The story will obviously have its ups and downs, but it will stop being enjoyable if it keeps having downs, even if they’re necessary for the story itself.

Sakemi: This is why the way you construct your ideas is great; “hamon” is one of them.

Araki: I came up with it while thinking about ways to reach your body limits, like to what extent you can transform. There’s been scientific research conducted about this “air” people have, this aura that would show up if scanned with infrared. There are also other strange ideas, like energy coming from the universe and so on. I figured all these have one thing in common and came up with the concept named “ki”, or more like “hamon”, to make it easy to understand for the readers.

Sakemi: Is it the same for stands?

Araki: Let’s say they’re more similar to guardian spirits. Anyway, I named them “stands” because they stand by your (bed)side. I ran out of ideas soon though.

Sakemi: No, no, it’s better than putting them off.

Araki: You wouldn’t be able to survive in Jump if you did that. You must have highlight scenes every week, since everyone only knows about what’s coming next the following week.

Sakemi: It’s also because manga requires a degree of perfection more than novels, right?

Araki: Well yes, I’d say you need constant excitement every single week.


It’s easy to simply focus on the story

Sakemi: The good thing about manga is that developing characters is the most important part. They gradually grow when you give them new skills, new particularities and so on.

Araki: Yes, definitely. If you don’t build up your characters, the manga will not be able to stand by itself either. I rack my brain every week to find something that appeals to the readers. The biggest problem is coming up with stories that highlight the characters’ best parts.

Sakemi: Novels are different. It’s more about writing people than characters.

Araki: Isn’t this the same thing?

Sakemi: It’s not. You basically can’t write over-the-top people when you’re told to write people. I think that’s stupid, but apparently this is how things work in the novel industry. It doesn’t matter anymore when it comes to my generation, and to put it bluntly, I think you’re better at this.

Araki: Is this how it really works? What I can say is that in the manga industry you need more than just a coherent story. It’s easy to simply focus on the story, but it’s difficult to include certain episodes necessary for the characters and make the story coherent too. My head just goes numb after I send my weekly chapters.

Sakemi: When it comes to novels, there are writers who don’t really want to use all their ideas, and the stinggier ones even consider putting them aside for other short stories. I’m the type who writes everything I have in mind, so my mind goes back to zero when I’m done writing. I have to wait for new ideas to pop up. But that’s just the way it is. Basically, it’s natural for professionals to use one idea in one short story in mystery novels; there are a lot of calculated people. I think that if you have three ideas, then you should just use all three. That is why I’m still soft.

Araki: I am the same. Still soft.

Sakemi: I’ve only been around for about two years. I’m still inexperienced.

Araki: I think you’re great. Bokkou was the first novel I truly found interesting in quite a while. I think you have a distinct image of your novels in your head that might be suited for manga or movies too.

Sakemi: I’ve been told they are easy to turn into drawings. But you’d need a budget the like The Silk Road’s for a good movie.

Araki: If Bokkou were turned into a movie, I have a feeling it would rival Seven Samurai.

Sakemi: It never even crossed my mind, but I have been told this quite a lot.

Araki: It feels rather daring and impressive. I wish Kurosawa Akira at the height of his career directed it.

Sakemi: I’m not sure Kurosawa Akira would like to repeat himself. He wouldn’t do the same movie twice and that’s something I love about him. He’s an amazing person, wanting to do new things at his age.

Araki: There really hasn’t been another auteur to follow in his steps in the Japanese film industry.

Sakemi: Movies have been really boring lately. However, Kurosawa Akira not only understands the true meaning of entertainment, but he has also used strange experimental techniques. Doing only experimental things from a young age and being known as a rather strange fellow is not particularly pleasant. (laughs)

Araki: Yes, it’s about doing strange things besides having a grasp of true entertainment.

”
[Translated by Dijeh][1]

“
ăƒ•ăƒŹăƒƒă‚·ăƒ„ćŻŸè«‡

è’æœšéŁ›ć‘‚ćœŠvs.é…’èŠ‹èłąäž€ æŒ«ç”»ă‚‚ć°èȘŹă‚‚ăƒ—ăƒ­ăƒŹă‚čæ”ă«æă“ă†ă˜ă‚ƒăȘいか

ă€ŒćŸŒćźźć°èȘŹă€ă€Œćąšæ”»ă€ç­‰ă€æ–°éźźăȘæŻćčă‚ă”ă‚Œă‚‹äœœć“ă‚’æŹĄă€…ă«ç™șèĄšă™ă‚‹é…’èŠ‹æ°ăšă€ ă€Žé€±ćˆŠć°‘ćčŽă‚žăƒŁăƒłăƒ—ă€èȘŒă«ă€Œă‚žăƒ§ă‚žăƒ§ăźć„‡ćŠ™ăȘ憒é™șă€ă‚’é€ŁèŒ‰äž­ăźè’æœšæ°ă€ 氏èȘŹç•ŒăšæŒ«ç”»ç•Œăźæ°—é‹­ăŒ (物èȘž) ăźé­…ćŠ›ă‚’ç†±è«–ă€‚ ă”ăŸă‚Šă«ç›žé€šăšă‚‹ă‚łă‚łăƒ­ăŻăƒ»ăƒ»ăƒ»ăƒ»ăƒ»ăƒ»ćžžă«ć…šćŠ›æŠ•çƒïŒ

â—äž­ć›œăźă“ăšăŻć…šç„¶çŸ„ă‚‰ăȘい

è’æœšă€€æ„ăšă‹ă—ăȘăŒă‚‰é…’èŠ‹ă•ă‚“ăźäœœć“ăŻă€Žćąšæ”»ă€ă—ă‹èȘ­ă‚“でいăȘいんですけど、ăȘにか私ず慱通ç‚čがあるようăȘæ°—ăŒă™ă‚‹ă‚“ă§ă™ă€‚æ„Ÿæƒ…ăźăŠă‚‚ă‚€ăăŸăŸă«æ›žăă€ă„ăŁăŠă„ăäșșăšă„ă†ăźăŻă€æœ€ćˆăšæœ€ćŸŒă§ă‚ăŸă‚Šé–ąäż‚ăȘă‹ăŁăŸă‚Šă—ăŸă™ă‘ă©ă€é…’èŠ‹ă•ă‚“ăźăŻç†è«–çš„ă«ç‰©äș‹ăŒé€Čă‚“ă§ă„ăăŸă™ă‚ˆă­ă€‚ăă†ă„ă†ăšă“ă‚ăŒäŒŒăŠă„ă‚‹ă‹ăȘべ。

é…’èŠ‹ă€€è«–ç†çš„ă«æ›žă„ăŠă‚‹ă€ă‚‚ă‚ŠăŻăȘă„ă§ă™ă‘ă©ă€ă„ă‚ă‚†ă‚‹æ­ŽćČă«ă€ă„ăŠæ›žăă‚ă‘ă ă‹ă‚‰ă€èł‡æ–™ăŻăĄă‚ƒă‚“ăšé›†ă‚ăȘきゃいけăȘいずいうこずで。でも、緻毆ăȘèšˆçź—ăȘんどăȘいんですよ、漟は。

è’æœšă€€ă‚„ăŻă‚Šă€æ˜”ă‹ă‚‰äž­ć›œăźă“ăšă‚’èȘżăčどいたんですか。

é…’èŠ‹ă€€ă„ă‚„ă€äž­ć›œăźă“ăšăŻć…šç„¶çŸ„ă‚‰ăȘă„ă‚“ă§ă™ă€‚ă€ăăŁăŠæ›žă„ăŠă„ă‚‹ă‹ă‚‰ă€ăĄă‚‡ăŁăšæ„ăšă‹ă—ă„ă€‚

è’æœšă€€ăă†ăȘă‚“ă§ă™ă‹ă€‚ă§ă‚‚ă€æŒ«ç”»ă«ă‚‚ăă†ă„ă†äșșăŒă„ăŁă±ă„ă„ăŸă™ă‚ˆă€‚æ‹łæł•ă«ă—ăŸăŁăŠă€ă†ăă°ă‹ă‚Šæ›žă„ăŠăŸă™ă‹ă‚‰ă€‚

é…’èŠ‹ă€€ă§ă‚‚ă€çŸ„ă‚‰ăȘă„ăźă«æ›žăăšă„ă†ăźăŻăĄă‚‡ăŁăšæ€–ă„ă§ă™ă­ă€‚è­˜è€…ăźæŒ‡æ‘˜ăšă‹ă€äž­ć›œă«äž€ćčŽăȘă‚Šäœă‚“ă äŒšç€Ÿć“Ąăšă‹ă«ă€ă“ă‚“ăȘこべăȘă„ă‚ˆăšă‹èš€ă‚ă‚ŒăŸă‚‰ă€ă‚‚ă†ăă‚Œă§ă‚ąă‚Šăƒˆă˜ă‚ƒăȘă„ă§ă™ă‹ă€‚ä»Šăźăšă“ă‚ăŻăȘă„ă§ă™ă‘ă©ă€ä»ŠćŸŒă€ă‚ă‚Šăă†ă§ă™ă­ă€‚

è’æœšă€€ăšă„ăŁăŠă‚‚ă€ă‚ă‚‹çš‹ćșŠăŻć‰”äœœă™ă‚‹æ­ŽćČみたいăȘもぼもあるわけだから。

é…’èŠ‹ă€€ćƒ•ăŻăżă‚“ăȘă€ăă‚Šç‰©ă§ă™ă‚ˆă€‚ă ă‘ă©ă€ć…šç„¶ć­˜ćœšă—ăȘいようăȘæ­Šć™šă‚’æ›žă„ăŸă‚Šă—ăŠăŻă„ă‘ăȘă„ă—ă€ćźŸćœšăźć›œă‚’ć‹æ‰‹ă«æ»…ăŒă—ăŠă‚‚ă‚ˆăăȘいし。そぼ繋ćșŠăźćˆ¶çŽ„ăŒă‚ă‚‹ă ă‘ă§ă™ă‚ˆă€‚

è’æœšă€€ă§ă‚‚ă€æ­ŽćČ侊ぼäșș物をć‡șă™ăšăăŻă€ă‚‚ă†ă„ă€æ­»ă‚“ă ăźă‹ă‚ă‹ăŁăŠă„ăŸă™ă‚ˆă­ă€‚ăă†ă„ă†ć ŽćˆăŻă€ăĄă‚ƒă‚“ăšăă“ă§æ­»ăȘăȘきゃいけăȘい。

é…’èŠ‹ă€€ć€§äžˆć€«ă€ă€Žćąšæ”»ă€ă«ăŻæ­ŽćČ侊ぼäșș物はほずんどć‡șどこăȘいから。

è’æœšă€€ăă†ăȘă‚“ă§ă™ă‹ă€‚ă„ă‚„ă€ćƒ•ăŻăŠăŁăă‚ŠæŒąć­—ăŒć‡șăŠăă‚‹ăšă‚‚ă†ă€ćźŸéš›ă«ă„ăŸäșșかべ。

é…’èŠ‹ă€€èŠă™ă‚‹ă«ă€æ˜ ç”»ă‚’ă€ăă‚‹ăšăă«è’ă‚Œćœ°ă‚’èŠ‹ă€ă‘ăŠă€ăă“ă«ă‚»ăƒƒăƒˆă‚’ă€ăăŁăŠăšă„ă†æ„Ÿă˜ăȘんです。柎もè‡Șćˆ†ă§è€ƒăˆăŠă€ăăŁăŸă‚‚ăźă§ă™ă—ă€‚ è’æœšă€€ăƒ“ăƒƒă‚°ă‚łăƒŸăƒƒă‚Żă§æŒ«ç”»ă«ăȘăŁăŠă„ăŸă™ă‘ă©ă€ă‚ă‚ŒăŻé…’èŠ‹ă•ă‚“ăźæƒłćƒé€šă‚Šăźç””ă«ăȘっどいるんですか。

é…’èŠ‹ă€€ăšă„ă†ă‚ˆă‚Šă€ćƒ•ăŻă‚ăźé ƒăźæœèŁ…ă‚‚ć…šç„¶çŸ„ă‚‰ăȘいから、ああ、こんăȘæœç€ăŠă„ă‚‹ăźă‹ăšă‹ă­ă€‚

è’æœšă€€ăă†ăȘんですか。(笑)

é…’èŠ‹ă€€èČŽæ—ăźæœăȘă‚“ă‹ăŻă‚ă‹ă‚‹ă‚“ă§ă™ă­ă€ăĄă‚ƒă‚“ăšç””ăŒæź‹ăŁăŠă„ă‚‹ă‹ă‚‰ă€‚ă§ă‚‚ă€ćș¶æ°‘ăŒă©ă‚“ăȘæœă‚’ç€ăŠă„ăŸăšă‹ă€äœ•ă‚’éŁŸăčどいたかăȘă‚“ăŠă„ă†ăźăŻă€ć…šç„¶ă‚ă‹ă‚‰ăȘă„ă‚ă‘ă§ă™ă‚ˆă€‚ćŸŽă«ă—ăŠă‚‚ă€ă‚ăźé ƒăźćŸŽćŁăŻæź‹ăŁăŠă„ăȘă„ă§ă™ă‹ă‚‰ă€é›Łă—ă„ć•éĄŒă‚’ă„ăŁă±ă„ăŻă‚‰ă‚“ă§ă„ă‚‹ă‚“ă§ă—ă‚‡ă†ă­ă€‚

è’æœšă€€éșè·ĄăżăŸă„ăźăŻă‚ăŸă‚ŠăȘいんですか。

é…’èŠ‹ă€€ă„ăŁă±ă„ă‚ă‚‹ă‚“ă§ă™ă‘ă©ă€ă•ă™ăŒă«ăƒ‹äș”〇〇ćčŽć‰ăšăȘるべちょっべ難しい。スゾプトべかゼăƒȘă‚·ăƒŁăŻçŸłă§ă€ăăŁăŠă‚ă‚‹ă‹ă‚‰ăĄă‚ƒă‚“ăšæź‹ăŁăŠă„ă‚‹ă‘ă©ă€äž­ć›œăźăŻć©ă‘ă°ćŁŠă‚Œă‚‹ă‚“ă§ă™ă­ă€‚ă‚ă‚Œă€ćœŸă‚’ć›șă‚ăŠă€ăăŁăŠă„ă‚‹ă‚‰ă—ă„ă‹ă‚‰ă€‚ă ă‹ă‚‰ă€ăă†ă„ă†æ„ć‘łă§ă€æœŹćœ“ăŻă‚ăźć°èȘŹăŻă†ăăŒæ›žă„おあるんですけど。

è’æœšă€€ă§ă‚‚ă€ć…šç„¶ă†ăă ăšæ€ă‚ăȘかったăȘ。

é…’èŠ‹ă€€ă ă‹ă‚‰ă€ă©ă†ă‚‚äž­ć›œç‰©ăźă‚šă‚­ă‚čăƒ‘ăƒŒćœă ăšèŠ‹ă‚‰ă‚ŒăŠă—ăŸă„ăŒăĄă§ă€‚ćƒ•ăŻć«Œă ć«Œă ăšèš€ăŁăŠă„ă‚‹ă‚“ă§ă™ă‘ă©ă€‚ïŒłïŒŠă‚‚æ›žă„ăŠă„ăŸă™ă—ă€ćˆ„ă«äž­ć›œç‰©ă«ă“ă ă‚ăŁăŠæ›žă„ăŠă„ă‚‹ă‚ă‘ă˜ă‚ƒăȘいんですよ。


●èȘ­è€…ăźæƒłćƒă‚’ăŠă‚‚ă—ă‚ăèŁćˆ‡ă‚‹

é…’èŠ‹ă€€ă‚žăƒŁăƒłăƒ—ă§é€ŁèŒ‰ă—ăŠă„ă‚‹ă€Žă‚žăƒ§ă‚žăƒ§ăźć„‡ćŠ™ăȘ憒é™șă€ă§ă‚‚æ Œé—˜æŠ€ăŒć‡șăŠăăŸă™ă­ă€‚è’æœšă•ă‚“è‡Șèș«ă€æ Œé—˜æŠ€ăŻă‘っこうやっおいるんですか。

è’æœšă€€ć…šç„¶ă‚„ăŁăŠă„ăŸă›ă‚“ă€‚ć‰Łé“ă‚’ă‚„ăŁăŠă„ăŸă“ăšăŻă‚ă‚‹ă‚“ă§ă™ă‘ă©ă€‚

é…’èŠ‹ă€€èŠ‹ă‚‹æ–čă‚‚ïŒŸ

è’æœšă€€ăȘいですね。テレビでやっどいる繋ćșŠăȘă‚‰èŠ‹ă‚‹ă‚“ă§ă™ă‘ă©ă€‚ăă‚Œă«ă€æ Œé—˜æŠ€ă‚’æ›žă„ăŠă„ă‚‹ăšă„ă†æ„Ÿă˜ăŻă‚ăŸă‚ŠăȘă„ă‚“ă§ă™ă€‚é…’èŠ‹ă•ă‚“ă‚‚ăă†ă ăšæ€ă„ăŸă™ăŒă€äșșé–“ăźé§†ă‘ćŒ•ăăšă„ă†ă‚“ă§ă™ă‹ă€ăăźèŸșがおもしろいわけで。だから、プロレă‚čăšă‹ă€ăŻăŁăă‚Šèš€ăŁăŠć«Œă„ă§ă™ă­ă€‚

é…’èŠ‹ă€€è’æœšă•ă‚“ăŻăă†ăŠăŁă—ă‚ƒă‚‹ă‘ă©ă€ćźŸăŻă€ăƒ—ăƒ­ăƒŹă‚čも搌じăȘんですね。プロレă‚čă ăšç›žæ‰‹ăźć€–äșșăȘりăȘんăȘă‚ŠăźćŠ›ă‚’ă€ććˆ†ćŒ•ăć‡șしおからやっ぀けăȘきゃいけăȘă„ăšă„ă†ăźăŒă‚ă‚‹ă‚ă‘ă§ă™ă‚ˆă€‚ă‚ˆă†ă™ă‚‹ă«ă€æœȘçŸ„ăźæ Œé—˜ćź¶ăŒè„Čæ„ă—ăŸć Žćˆă€ç›žæ‰‹ăźæŒăĄæŠ€ă‚’ć‡șさăȘいうづに怒しおはいけăȘă„ă‚ă‘ă§ă™ă€‚ć‘ă“ă†ăźćŒ·ă•ă‚’äœ•ć›žă‹èŠłćźąăŠă‚ˆăłăƒŹă‚čăƒ©ăƒŒă«èŠ‹ă›ă€ă‘ăŸćŸŒă§ć€’ă™ăčきăȘă‚“ă§ă™ă­ă€‚æŒ«ç”»ă§ă‚‚ćŒă˜ă ăšæ€ă†ă‚“ă§ă™ă€‚ăŻăŁăă‚Šèš€ăŁăŠă€ć±é™șăȘă‚„ă€ă ăŁăŸă‚‰ă™ăæźșă—ăĄă‚ƒăˆă°ă„ă„ă‚“ă ă‘ă©ă€ă‚„ăŁă±ă‚Šă€ç›žæ‰‹ăźć‡„ć‘łă‚’èŠ‹ă›ă€ă‘ăŸćŸŒă§äž€ç™șé€†è»ąă™ă‚‹ă€‚ă“ă‚ŒăŻç”¶ćŻŸă«ćż…èŠăȘこべです。

è’æœšă€€äž€æ’ƒćż…æźșだったら、ゾャンプみたいăȘé•·ă„æˆŠă„ăŻă§ăăȘい。(笑)

é…’èŠ‹ă€€ăăźèŸșă§ă€ć‰ç”°æ—„æ˜ŽăŒă„ăŸé ƒăźïŒ”ïŒ·ïŒŠăȘă‚“ă‹ăŻæ‚©ă‚€ă‚ă‘ă§ă™ă­ă€‚ćŒ±ă„ă‚„ăŁă ăŁăŸă‚‰äž€ćˆ†ă§ć€’ă›ă‚‹ă‚“ă§ă™ă‚ˆă€æœŹćœ“ăŻă­ă€‚ă§ă‚‚ă€ç›žæ‰‹ăźă™ă”ă„æŠ€ă‚’èŠ‹ă›ăŸćŸŒă§ă€ă•ă‚‰ă«ć€’ă•ăȘければいけăȘă„ă€‚ăă‚ŒăŒć…«ç™Ÿé•·ă ăšèš€ă‚ă‚ŒăŠă„ă‚‹çŸçŠ¶ăŒă‚ă‚‹ă‹ă‚‰æ‚©ă‚€ă‚ă‘ă§ă™ă€‚

è’æœšă€€ăă‚Œă§ćˆ†èŁ‚ă—ăŸă‚Šă™ă‚‹ă‚“ă§ă™ă­ă€‚

é…’èŠ‹ă€€ăă†ă„ă†ă“ăšă§ă™ă‚ˆă€‚ă“ăźć‰ă§ă‚‚ă€ăƒœă‚Żă‚·ăƒłă‚ŻăźăƒˆăƒŒăƒŹăƒăƒŒăƒ»ăƒăƒŒăƒ“ăƒ„ă‚ŻăšïŒ”ïŒ·ïŒŠă‚€ăƒłă‚żăƒŒăźé«˜ç”°ć»¶ćœŠăŒă‚„ăŁăŸăšăă€æœŹćœ“ăŻăƒăƒŒăƒ“ăƒƒă‚Żăźăƒ‘ăƒłăƒăźć‡„ă•ă‚’ć­˜ćˆ†ă«èŠ‹ă›ă€ă‘ăŸäžŠă§ć€’ă™ăčăă ăŁăŸăźă«ă€é«˜ç”°ăŻă„ăăȘă‚Šă‚„ăŁăĄă‚ƒăŁăŸă‚‚ăźă ă‹ă‚‰ă€ăƒăƒŒăƒ“ăƒƒă‚ŻăŻé€ƒă’ăĄă‚ƒăŁăŸă€‚

è’æœšă€€ăă‚Œă‚‚æˆŠă„ăźæ–čæł•ă ăšă€‚

é…’èŠ‹ă€€ăƒăƒŒăƒ“ăƒƒă‚Żăźăƒ‘ăƒłăƒăŻäž‰ă€‡ă€‡ă‚­ăƒ­ä»„äžŠăźăƒ‘ăƒłăƒăšă„ă†ă‚“ă ă‹ă‚‰ă€ăă‚“ăȘă‚‚ăźć—ă‘ăŸă‚‰ç”‚ă‚ă‚Šă§ă™ă‹ă‚‰ă€‚ăăźć‰ă«ă‚Źăƒłă‚Źăƒłă«èčŽă‚ŠăŸăăŁăŸă€‚æ Œé—˜è€…ăšă—ăŠăŻæ­Łă—ă„ă‚“ă§ă™ă­ă€‚ă§ă‚‚ă€ăƒ—ăƒ­ăƒŹă‚čでは間違いăȘă‚“ă§ă™ă€‚ăƒăƒŒăƒ“ăƒƒă‚Żăźè„…ćšă‚’ć­˜ćˆ†ă«èŠ‹ă›ă€ă‘ăŠăƒ•ăƒ©ăƒ•ăƒ©ă«ăȘăŁăŠă‹ă‚‰é€†è»ąă—ăȘきゃいけăȘă„ă‚“ă§ă™ă€‚ă ă‹ă‚‰ă€ă‚»ăƒĄăƒłăƒˆăŻă€ăŸă‚‰ăȘă„ć ŽćˆăŒć€šă„ă€‚

è’æœšă€€ă‚»ăƒĄăƒłăƒˆăšă„ă†ăšïŒŸ

é…’èŠ‹ă€€ă‚Źăƒăƒłă‚łăšă‹èš€ă„ăŸă™ă‘ă©ă€çœŸć‰Łć‹èȠぼこべです。プロレă‚čăšă—ăŠăŻăĄă‚ˆăŁăšăŸăšă„ăšæ€ă†ă€‚ăăźæ„ć‘łă§ăŻă€æŒ«ç”»ă‚‚ăă†ă ăšæ€ă†ă‚“ă§ă™ă‚ˆă€‚ă€Žă‚žăƒ§ă‚žăƒ§ăźć„‡ćŠ™ăȘ憒é™șă€ă§ă‚‚ă€è‚‰ă‚’ćˆ‡ă‚‰ă›ăŠéȘšă‚’æ–­ă€ăšă„ă†ć‹ăĄæ–čăŒć€šă„ă§ă™ă‚ˆă­ă€‚éĄăźäž­ă§ă—ă‹ć‹•ă‘ăȘいや぀ずか、怹た䞭でè„Čっどくるă‚čタンドべか、いろいろăȘç›žæ‰‹ăŒć‡șăŠăă‚‹ă‚ă‘ă§ă™ă‘ă©ă€ă©ă†ă‚„ăŁăŠć€’ă™ăźă‹ăšæŻŽé€±æ„œă—ăżă§ă™ă€‚

è’æœšă€€æ›žăć‰ă«ă€äž€ćżœă€ă“ă‚“ăȘæ„Ÿă˜ă‹ăȘăšă„ă†ăźăŻă‚ă‚‹ă‚“ă§ă™ă‘ă©ă€æ›žă„ăŠă„ăŠă€ă“ă†ă‚„ăŁăŠć€’ă—ăŸă‚‰ă ă‚ăȘんじゃăȘă„ă‹ăšă‹æ€ă†ă‚“ă§ă™ă­ă€‚

é…’èŠ‹ă€€ă”ă€ă†ă€æŒ«ç”»ă ăšă ă„ăŸă„ć…ˆăŒèŠ‹ăˆă‚‹ă‚“ă§ă™ă‘ă©ă€è’æœšă•ă‚“ăźăŻć…ˆăŒèŠ‹ăˆăȘă„ă€‚ă©ă†ă‚„ăŁăŠć€’ă™ă‚“ă ă‚ă†ăšă€‚

è’æœšă€€ăă“ăŒć«Œă„ăȘäșșもいるんですけどね。

é…’èŠ‹ă€€ă„ă‚„ă€ă“ă‚ŒăŻă™ă”ă„ă“ăšă§ă™ă‚ˆă€‚èȘ­è€…ăźæƒłćƒăšă‹æœŸćŸ…ă‚’èŁćˆ‡ă‚Šă€ă„けど、ăȘăŠă‹ă€ăŠă‚‚ă—ă‚ăèŁćˆ‡ă‚‹ăšă„ă†ăźăŒæ­Łă—ă„ć§żăšæ€ă„ăŸă™ă­ă€‚

è’æœšă€€ăăźæ„ć‘łă§ă€Žćąšæ”»ă€ăŻæ„Ÿćżƒă—ăŸă—ăŸă€‚

é…’èŠ‹ă€€ćƒ•ă‚‚ă€ăă„ă€ăŒć‡„ă„ă‚„ă€ă ăšă„ă†ăźă‚’èŠ‹ă›ăŠă‹ă‚‰ć€’ă•ăȘきゃいけăȘいですから。


â—æŻŽé€±æŻŽé€±ă€ćż…æ­»

è’æœšă€€ă•ăŁăă€é…’èŠ‹ă•ă‚“ăšäŒŒăŠă„ă‚‹ăšèš€ă„ăŸă—ăŸă‘ă©ă€ă‚„ăŁă±ă‚Šćżƒç†æˆŠăȘă‚“ă§ă™ă­ă€‚ă“ă‚ŒăŒăŠă‚‚ă—ă‚ă„ă€‚é…’èŠ‹ă•ă‚“ăźć°èȘŹă‚‚みんăȘăă†ă§ă™ă­ă€‚ăă†ă„ă†ăšă“ă‚ăŒă€ăĄă‚‡ăŁăšäŒŒăŠă„ă‚‹ăȘăšæ€ăŁăŸă‚“ă§ă™ă€‚

é…’èŠ‹ă€€ćƒ•ăŻă€è’æœšă•ă‚“ăźă“ăšăŻæ‰‹ćĄšèłžă‚’ăŠć–ă‚Šă«ăȘăŁăŸă€Žæ­ŠèŁ…ăƒăƒŒă‚«ăƒŒă€ă‹ă‚‰çŸ„ăŁăŠă„ă‚‹ă‚“ă§ă™ă€‚ă‚ă‚Œă«è’æœšă•ă‚“ăźèł‡èłȘべいうぼはć‡șăŠă„ăŸă™ă­ă€‚ăƒăƒŒă‚«ăƒŒăźăƒˆăƒȘăƒƒă‚Żăšă‹ă€ă‚„ăŁă±ă‚Šă‚źăƒŁăƒłăƒ–ăƒ«ć„œăă§ă—ă‚‡ă†ă€‚

è’æœšă€€ăŸă‚ă€ć€§æŠ”ă‚„ă‚ŠăŸă™ă€‚ç§ăŻă€ă‚ăŸă‚ŠèȠけăȘă„ă§ă™ă‚ˆă€‚ć‹ăŁăŠă„ă‚‹ăšă“ă‚ă§ă‚„ă‚ă‚‹ă“ăšăŒă§ăă‚‹ç”·ăȘんです。

é…’èŠ‹ă€€ć€–ć›œă§ă‚‚ă‚„ă‚‹ă‚“ă§ă™ă‹ă€‚

è’æœšă€€ă‚„ă‚ŠăŸă™ă­ă€‚ă‚šă‚·ăƒ—ćœă§ă‚‚ă‚°ăƒ©ăƒłă‚«ă‚žăƒŽăšă„ă†ăźăŒă‚ă‚‹ă‚“ă§ă™ăŒă€äž€äșșでäč—ă‚ŠèŸŒăżăŸă—ăŸă‹ă‚‰ă€‚

é…’èŠ‹ă€€ă§ă€ć‹èČ ăŻïŒŸ

è’æœšă€€ć‹ăĄăŸă—ăŸă‚ˆă€‚ăŠćœŸç”Łä»ŁăŻć…šéƒšă‚źăƒŁăƒłăƒ–ăƒ«ă§ć–ă‚ŠăŸă—ăŸă‹ă‚‰ă€‚

é…’èŠ‹ă€€ćŠ›ăƒŒăƒ‰ă‚ČăƒŒăƒ ă§ă™ă‹ïŒŸ

è’æœšă€€ăă†ă§ă™ă­ă€‚ă‚ă‚“ăŸă‚Šæ™‚é–“ăŒă‹ă‹ă‚‹ăźăŻă ă‚ă§ă™ă­ă€‚

é…’èŠ‹ă€€ă‚„ăŁă±ă‚Šă€ă‚źăƒŁăƒłăƒ–ăƒ«ă§ă‚‚æ©Ÿæą°ç›žæ‰‹ă˜ă‚ƒăȘくど、äșșé–“ç›žæ‰‹ăŒć„œăă§ă—ă‚ˆă†ă€‚

è’æœšă€€ăă†ă§ă™ă­ă€‚ăŸăšăˆă°ăƒ«ăƒŒăƒŹăƒƒăƒˆă«ă—ăŠă‚‚ă€ć‘ă“ă†ăźăƒ‡ă‚ŁăƒŒăƒ©ăƒŒăŻăƒ—ăƒ­ăƒ•ă‚§ăƒƒă‚·ăƒ§ăƒŠăƒ«ă ă‹ă‚‰ă€ăĄă‚ƒă‚“ăšè‡Șćˆ†ăźć„œăăȘç•Șć·ă«ć…„ă‚Œă‚‰ă‚Œă‚‹è…•ăŒă‚ă‚‹ă‚“ă§ă™ă€‚ăă†ă„ă†ăƒ—ăƒ­ă‚’ç›žæ‰‹ă«ă€èŁăźèŁăźèŁăă‚‰ă„ă‹ă‚‰èŠ‹ăŠă„ăă‚“ă§ă™ă­ă€‚ă™ă”ă„ćżƒç†æˆŠăȘんですよ。

é…’èŠ‹ă€€ăă‚Œă§ă‚‚ă€ăȘかăȘか拝どăȘい。

è’æœšă€€ć„ČかるべやめăȘă„ă‹ă‚‰ă€‚ă‚‚ă†ăĄă‚‡ăŁăšăšæ€ă†ă‚“ă§ă™ă­ă€‚ă§ă‚‚ă€ćƒ•ăŻć‹ăŁăŠă„ă‚‹ăšă“ă‚ă§ă‚„ă‚ă‚‰ă‚ŒăŸă™ă€‚ă‚źăƒŁăƒłăƒ–ăƒ«ăźæ„œă—ă•ăŻé§†ă‘ćŒ•ăă§ă™ă‹ă‚‰ă€‚ăŒăăźæŒ«ç”»ăźéąç™œă•ăźăČăšă€ă‚‚ćżƒç†æˆŠă«ă‚ă‚‹ăšæ€ăŁăŠă„ăŸă™ă€‚

é…’èŠ‹ă€€ăăźæ„ć‘łă§ă€ćƒ•ăšă—ăŠăŻă€ćźŸćŠ›è€…ćŒćŁ«ăźæˆŠă„ăšă„ă†ăźă«ă™ă”ăèˆˆć‘łăŒă‚ă‚‹ă‚“ă§ă™ă€‚ă§ă‚‚ă€ć°†æŁ‹ăšă‹çąăźćźŸćŠ›è€…ăšă„ă†ăźăŻç™Ÿæ‰‹ă‹äșŒç™Ÿæ‰‹èȘ­ăżăȘăŒă‚‰æ‰‡ć­ă‚’ă‚ăŠă„ă§ă„ă‚‹ă‚ă‘ă§ă€çŽ äșșăŒăăźćżƒç†æˆŠă‚’æăăšă„ă†ăźăŻă»ăšă‚“ă©äžćŻèƒœă§ă™ă‚ˆă­ă€‚ăăźç‚č、盾æ’ČăŻäž€ć Žæ‰€ă‹ă‘ăŠćźŸćŠ›è€…ćŒćŁ«ăźæˆŠă„ăŒèŠ‹ă‚‰ă‚Œă‚‹ă€‚ă ă‹ă‚‰äșșæ°—ăŒă‚ă‚‹ă‚ă‘ă§ă™ă­ă€‚

è’æœšă€€ăƒ—ăƒ­ăƒŹă‚čはどうăȘんですか。

é…’èŠ‹ă€€ăŸă‚ă€ć›Łäœ“ăźæ€æƒ‘ăȘă©ăŒă‚ăŁăŠă€ćœăƒƒăƒ—ćŒćŁ«ăźæˆŠă„ăŻăŸăšăȘă„ă§ă™ă‘ă©ă€ćżƒç†æˆŠăšă„ă†éąă§ăŻă™ă”ă„ă€‚

è’æœšă€€ć„„æ·±ă„ă‚“ă ăȘァ、プロレă‚čは。

é…’èŠ‹ă€€ć„„æ·±ă™ăŽăŠă€ă»ă‚“ăšă€ć…«ç™Ÿé•·ăšă‹çœŸć‰Łăšă‹èš€ăŁăŠă„ă‚‹æź”éšŽăźäșșăŸăĄăŒćŻć“€ç›žă ăšćƒ•ăŻæ€ă„ăŸă™ă‚ˆă€‚ć°èȘŹă‚‚æŒ«ç”»ă‚‚äž€ç·’ă§ă€çœŸć‰ŁæŒ«ç”»ăšć…«ç™Ÿé•·æŒ«ç”»ăŒă‚ă‚‹ăšæ€ă†ă‚“ă§ă™ă€‚

è’æœšă€€ăă†ă§ă™ă­ă€‚

é…’èŠ‹ă€€ç›žæ‰‹ăźćŠ›ă‚’æ„”é™ă«ćŒ•ăć‡șă—ăŠăŠă„ăŠă‹ă‚‰ă‹ă‹ăŁăŠă„ăă€‚ç›žæ‰‹ăźćŠ›ă‚’èŠ‹ă›ăŠăŠă‹ăȘきゃいけăȘă„ă‚ă‘ă§ă™ă‚ˆă€‚è’æœšă•ă‚“ăźæŒ«ç”»ă§ă‚‚ăƒ—ăƒ­ăƒŹă‚čçš„ă«ç›žæ‰‹ăźæŠ€ă‚’èȘ­è€…ă«èŠ‹ă›ćˆ‡ăŁăŸäžŠă§ă€ă©ă†ă™ă‚‹ă‚“ă ă‚ă†ă€ă©ă†ă™ă‚‹ă‚“ă ă‚ă†ăšæ€ă‚ă›ăŠăŠă„ăŠă€ăĄă‚ƒă‚“ăšăăŁăĄă‚Šć€’ă—ăŠă—ăŸă†ăšă„ă†ăźăŒă„ă„ă‚“ă§ă™ă€‚ă‚ąă‚€ăƒ‡ă‚ąă‚’ć‡șă—æƒœă—ăżă—ăŠă„ăȘい。

è’æœšă€€ăȘにか、è‡Șćˆ†ă‚’è©Šç·Žă«é™„ă‚Œă‚‹ăšăăŒă‚ă‚‹ă‚“ă§ă™ă‚ˆă€‚æœ€ćˆăŻă©ă†ă‚„ăŁăŠć€’ă™ă‹ă‚ă‹ă‚‰ăȘă„ăŸăŸă€ăšă«ă‹ăćŒ·ăă—ăĄă‚ƒăŁăŠèżœă„èŸŒă‚€ă‚“ă§ă™ă­ă€‚

é…’èŠ‹ă€€ćƒ•ăŒăă‚Œă‚’ă‚„ă‚‹ăšă€ćŠ©ă‘æ–čがわからăȘくăȘăŁăĄă‚ƒă†ăźă§ă€ă‚ăŸă‚Šă‚„ă‚‰ăȘă„ă‚“ă§ă™ă€‚ă‚ăŸă‚Šă«äžćˆ©ăȘçŠ¶æłă§æˆŠă†ăšă„ă†ăźăŻă€ă‚„ăŁă±ă‚Šă€‚ăăźç‚čă€è’æœšă•ă‚“ăŻăĄă‚ƒă‚“ăšăăŁăĄă‚Šć€’ă—ăŠă—ăŸă†ă€‚ăă“ăŒă„ă„ă‚“ă§ă™ă‚ˆă€‚ă€ăŽă‹ă‚‰ă€ăŽăžăšă‚ąă‚€ăƒ‡ă‚ąă‚’ć‡șă—æƒœă—ăżă—ăȘă„ă€‚ă€Žă‚žăƒ§ă‚žăƒ§ăźć„‡ćŠ™ăȘ憒é™șă€ă§ă‚‚ă€ă‚‚ă†ćäœ•äșșă‚‚ć€’ă—ăŠăŸă™ă‘ă©ăżă‚“ăȘすごかった。

è’æœšă€€ă‚čă‚żăƒłăƒ‰ă ă‘ă§äž‰ćé€šă‚Šèż‘ăè€ƒăˆăŠă„ă‚‹ă‚“ă§ă™ă­ă€‚ă‚„ăŁă±ă‚Šă€æŒ«ç”»ă§ăŻăăźé€±ăźăŠæ„œă—ăżăŒăăĄă‚“ăšăȘă„ăšă ă‚ă§ă™ă‹ă‚‰ă€‚ă©ă†ă—ăŠă‚‚è©±ăšă„ă†ăźăŻć±±ă‚ă‚Šè°·ă‚ă‚Šă§æ”ă‚ŒăŠă„ăă‘ă©ă€è°·ăźăšă“ă‚ăŒăšăŁăšç¶šă„ăŠă—ăŸă†ă‚ˆă†ăȘè©±ă ăšă€ă‚čăƒˆăƒŒăƒȘăƒŒăšă—ăŠăŻćż…ç„¶æ€§ăŒă‚ăŁăŠă‚‚ă€ăăźé€±ăšă—ăŠăŻăŠă‚‚ă—ă‚ăăȘいですから。

é…’èŠ‹ă€€ăăźæ„ć‘łă§ă€è’æœšă•ă‚“ăźă‚ąă‚€ăƒ‡ă‚ąæ§‹æˆăšă„ă†ăźăŻă™ă”ă„ă§ă™ă­ă€‚ă‚ąă‚€ăƒ‡ă‚ąăźăČăšă€ă«ă€ŒæłąçŽ‹ă€ăŒă‚ă‚ŠăŸă™ă­ă€‚

è’æœšă€€è‚‰äœ“ăźé™ç•ŒăżăŸă„ăȘă‚‚ăźă‚’èżœæ±‚ă—ăŠè€ƒăˆăŸă“ăšăŒă‚ă‚‹ă‚“ă§ă™ă‚ˆă€‚ă©ă“ăŸă§ć€‰èș«ă§ăă‚‹ă‹ăšă‹ă€‚ăă—ăŸă‚‰ă€è”€ć€–ç·šă§ć†™ă—ăŸă‚‰ă‚ȘăƒŒăƒ©ăŒć†™ăŁăŠă„ăŸăšă‹ă­ă€ç§‘ć­Šçš„ă«ă€Œæ°—ă€ăźç ”ç©¶ăŒă•ă‚ŒăŠă„ă‚‹ă‚ă‘ă§ă™ă€‚ă‚ăšă€ćź‡ćź™ă‹ă‚‰ă‚šăƒăƒ«ă‚źăƒŒăŒæ„ăŠă„ă‚‹ăšă‹ă€ă„ă‚ă„ă‚äžæ€è­°ăȘこべがある。こういうぼは慹郹、ăČăšă€ć…±é€šă—ăŠă„ă‚‹äœ•ă‹ăŒă‚ă‚‹ă‚“ă˜ă‚ƒăȘいかべか。そんăȘごうにç™șæƒłă—ăŠă„ăă‚“ă§ă™ă€‚ăă‚Œă§ă€èȘ­è€…ă«ă‚ă‹ă‚Šă‚„ă™ă„ă‚ˆă†ă«ă€ć…ƒæ°—ăźă€Œæ°—ă€ăšă‹ă€ŒæłąçŽ‹ă€ă ăšă‹ćć‰ă‚’ă€ă‘ă‚‹ă‚“ă§ă™ă­ă€‚

é…’èŠ‹ă€€ă€Œă‚čタンド」もそうですか。

è’æœšă€€ćźˆè­·éœŠă˜ă‚ƒăĄă‚‡ăŁăšă‚ă‚Œă ăȘă‚ăšă‹ă€‚ăă‚Œă§ă€ăšă«ă‹ăă€æž•ć…ƒă«ç«‹ă€ă‹ă‚‰ă‚čć€•ăƒłăƒ‰ăšćä»˜ă‘ăŸă‚“ă§ă™ă­ă€‚ă§ă‚‚ă€ăă‚ăă‚ă‚ąă‚Łăƒ‡ă‚ąă‚‚äœżă„ćˆ‡ăŁăŸăšă„ă†ă€‚

é…’èŠ‹ă€€ă„ă‚„ă€ă‚ąă‚€ăƒ‡ă‚ąă‚’ć…ˆć»¶ă°ă—ăšă‹ă‚„ăŁăĄă‚ƒă ă‚ă ăšæ€ă„ăŸă™ă­ă€‚

è’æœšă€€ă‚žăƒŁăƒłăƒ—ă§ăă‚Œă‚’ă‚„ăŁăŸă‚‰ç”Ÿăæź‹ă‚ŒăȘă„ă€‚æŻŽé€±ă€ăăźé€±ăźèŠ‹ă›ć Žă‚’ă€ăă‚‰ăȘきゃいけăȘいわけですから。みんăȘă€æ„é€±ăźă“ăšă—ă‹ă‚ă‹ă‚‰ăȘい。

é…’èŠ‹ă€€ć°èȘŹă‚ˆă‚Šă‚‚æŒ«ç”»ăźæ–čăźćźŒæˆćșŠăŒé«˜ă„ăšă„ă†ăźă‚‚ăă“ă«ç†ç”±ăŒă‚ă‚‹ă‚“ă§ă—ă‚‡ă†ă­ă€‚

è’æœšă€€ăŸă‚ă€æŻŽé€±æŻŽé€±ă€ćż…æ­»ă§ă‚ă‚‹ă“ăšăŻé–“é•ă„ă‚ă‚ŠăŸă›ă‚“ă‘ă©ă€‚


●ă‚čăƒˆăƒŒăƒȘăƒŒă‚’èżœă†ă ă‘ăȘら簡捘

é…’èŠ‹ă€€æŒ«ç”»ă§ă„ă„ăźăŻă€ă‚­ăƒŁăƒ©ă‚Żć€•ăƒŒă‚’ç«‹ăŠă‚‹ăšă„ă†ăźăŒäž€ç•Șă ăšă„ă†ă“ăšă§ă™ă‚ˆă€‚æŒăĄæŠ€ăšă‹ć€‹æ€§ă‚’ăŒă‚“ăŒă‚“æă„ăŠă€ă‚­ăƒŁăƒ©ă‚Żć€•ăƒŒă‚’ç«‹ăŠă‚‰ă‚Œă‚‹ă€‚

è’æœšă€€çąșă‹ă«ă€ă‚­ăƒŁăƒ©ă‚Żć€•ăƒŒăŒç«‹ăŸăȘă‘ă‚Œă°ă€æŒ«ç”»ăŻæˆç«‹ă—ăŸă›ă‚“ă€‚èȘ­è€…ă«ă©ă†ă‚ąăƒ”ăƒŒăƒ«ă™ă‚‹ăźă‹ă€æŻŽé€±ă‚ăŸăŸă‚’æ‚©ăŸă™ăšă“ă‚ă§ă™ă€‚ă‚­ăƒŁăƒ©ă‚Żă‚żăƒŒăźé­…ćŠ›ă‚’ăČăă ă™ăŸă‚ă«ă€ă©ă‚“ăȘă‚šăƒ”ă‚œăƒŒăƒ‰ă‚’æăăźă‹ă€ăă‚ŒăŒäž€ç•Ș敏題ăȘんです。

é…’èŠ‹ă€€ć°èȘŹăŻé•ă†ă‚“ă§ă™ă‚ˆă€‚ă‚­ăƒŁăƒ©ă‚Żć€•ăƒŒă‚’ç«‹ăŠă‚‹ă‚ˆă‚Šäșșé–“ă‚’æ›žă‘ăšă„ă†ă‚“ă§ă™ă€‚

è’æœšă€€ćŒă˜ă“ăšă˜ă‚ƒăȘいんですか。

é…’èŠ‹ă€€é•ă†ă‚ˆă†ă§ă™ă€‚èŠă™ă‚‹ă«ă€çȘæ‹ć­ă‚‚ăȘいäșșé–“ă‚’æ›žă„ăŠăŻă„ă‘ăȘいんですよ、äșșé–“ă‚’æ›žă‘ăšă„ă‚ă‚ŒăŸć Žćˆă€‚ćƒ•ă‹ă‚‰èŠ‹ă‚Œă°ă€ă”ă–ă‘ă‚‹ăȘăšă„ă†ă“ăšă§ă™ă‘ă©ă€äœ•ă‹ć°èȘŹç•Œăšă„ă†ăźăŻăă†ă„ă†ä»•ç”„ăżă«ăȘăŁăŠă„ă‚‹ăżăŸă„ă§ă­ă€‚ćƒ•ăźäž–ä»Łă«ăȘるべ、もうそんăȘぼは閱係ăȘăăŠă€ăŻăŁăă‚Šèš€ăŁăŠă€è’æœšă•ă‚“ăźă»ă†ăŒäžŠă ăšæ€ăŁăŠă„ă‚‹ă‚“ă§ă™ă€‚

è’æœšă€€ăă†ă§ă—ă‚‡ă†ă‹ă­ă€‚ăŸă ă€èš€ăˆă‚‹ă“ăšăŻă€æŒ«ç”»ăźäž–ç•Œă§ăŻă€ă˜ă€ăŸă‚’ă‚ă‚ă›ăŸă ă‘ăźă‚čăƒˆăƒŒăƒȘăƒŒăŻé€šç”šă—ăȘい。ă‚čăƒˆăƒŒăƒȘâ€”ă‚’èżœă†ă ă‘ăȘら簡捘ăȘă‚“ă§ă™ă€‚ă§ă‚‚ă€ă‚­ăƒŁăƒ©ă‚Żć€•ăƒŒă«ăšăŁăŠćż…èŠăȘă‚šăƒ”ă‚œăƒŒăƒ‰ă‚’ć…„ă‚ŒăŠă€ăă‚Œă§ăȘăŠă‹ă€ă€ă€ă˜ă€ăŸă‚’ćˆă‚ă›ă‚‹ăšăȘă‚‹ăšă€ă“ă‚ŒăŻé›Łă—ă„ă€‚æŻŽé€±ă€äœœć“ăŒă‚ăŒă‚‹ăšă€é ­ăźäž­ăŻă‚«ăƒ©ăƒƒăƒă§ă™ă­ă€‚

é…’èŠ‹ă€€ć°èȘŹćź¶ăźăȘă‹ă«ăŻă€ă‚ąă‚€ăƒ‡ă‚ąă‚’ć‡șă—æƒœă—ăżă—ăŠă€ă“ăźă‚ąă‚€ăƒ‡ă‚ąăŻă“ăźçŸ­ç·šă«ăšăŁăŠăŠă“ă†ăšă‹ă€ăă†ă„ă†ă‚±ăƒăă•ă„äșșăŒă„ă‚‹ă‚“ă§ă™ă‚ˆă€‚ćƒ•ăŻă€ä»Šè€ƒăˆăŠă„ă‚‹ă“ăšăŻă™ăčăŠæ›žăăšă„ă†æ–čé‡ă ă‹ă‚‰ă€æ›žăç”‚ă‚ă‚‹ăšă‚Œăƒ­ă«ăȘăŁăĄă‚ƒă†ă‚“ă§ă™ă€‚ă§ă€ă†ăŸăæ”źă‹ă‚“ă§ăă‚‹ăźă‚’ăŸăŸćŸ…ăŁăŠă„ăȘきゃăȘらăȘい。でも、そういうもぼăȘんじゃăȘă„ă§ă™ă‹ă­ă€‚èŠă™ă‚‹ă«ă€æŽšç†ć°èȘŹă ăšäž€ă€ăźçŸ­ç·šă«äž€ă€ăźă‚ąă‚€ăƒ‡ă‚ąăšă‹ă€ăƒ—ăƒ­ăȘă‚‰ćœ“ă‚Šć‰ă‹ă‚‚ă—ă‚ŒăȘă„ă‘ă©ă€ă‚ă–ăšă„ă“ăšă‚’è€ƒăˆăŸă‚Šă™ă‚‹äșșăŒć€šă„ă‚“ă§ă™ă­ă€‚ăă‚“ăȘă“ăšă‚’ă›ăšă«ă€äž‰ă€æ€ă„ă€ă„ăŸă‚‰äž‰ă€ć…„ă‚Œă‚Œă°ă„ă„ă˜ă‚ƒăȘă„ă‹ăšă€ćƒ•ăŻæ€ă†ă‚“ă§ă™ă€‚ă ă‹ă‚‰ă€ăŸă ć›șăŸăŁăŠă„ăȘいんです。

è’æœšă€€ćƒ•ă‚‚ćŒă˜ă§ă™ă‚ˆă€‚ć›șăŸăŁăŠă„ăȘい。

é…’èŠ‹ă€€ćƒ•ăŻăŸă äșŒćčŽăĄă‚‡ă„ă§ă™ă‹ă‚‰ă€‚ăƒăƒƒăšć‡șă§ă™ă­ă€ăŸă ă€‚

è’æœšă€€ă™ă”ă„ă§ă™ă‚ˆă€‚ă€Žćąšæ”»ă€ă‚’èȘ­ă‚“で、äč…ă—ă¶ă‚Šă«ć°èȘŹă‚’ăŠă‚‚ă—ă‚ă„ăšæ€ă„ăŸă—ăŸă‚‚ă‚“ă€‚ćƒ•ă€æ€ă†ă‚“ă§ă™ă‘ă©ă€é…’èŠ‹ă•ă‚“ăźäœœć“ăŻă‚€ăƒĄăƒŒă‚žăŒăŻăŁăă‚Šă—ăŠă„ă‚‹ă‹ă‚‰ă€æŒ«ç”»ăšă‹æ˜ ç”»ă«ć‘ă„ăŠă„ă‚‹ă‚“ă˜ă‚ƒăȘいですか。

é…’èŠ‹ă€€ç””ă«ă—ă‚„ă™ă„ăšăŻèš€ă‚ă‚ŒăŸă™ă­ă€‚ă§ă‚‚ă€Žæ•Šç…Œă€ăă‚‰ă„ăźăŠé‡‘ă‚’ă‹ă‘ăȘă„ăšæ˜ ç”»ă«ăȘらăȘいでしょう。

è’æœšă€€ă€Žćąšæ”»ă€ă‚’æ˜ ç”»ćŒ–ă—ăŸă‚‰ă€ŽäžƒäșșăźäŸă€ă«ćŒčæ•”ă™ă‚‹ă‚“ă˜ă‚ƒăȘă„ă‹ăšă„ă†æ„Ÿă˜ăŒă—ăŸă—ăŸă‘ă©ă€‚

é…’èŠ‹ă€€ćƒ•ăŻć…šç„¶ćż”é ­ă«ăȘă‹ăŁăŸă‘ă©ă€ă‚ˆăăă†èš€ă‚ă‚ŒăŸă™ă­ă€‚

è’æœšă€€ă‹ăȘりć€Șă„æ„Ÿă˜ăŒă‚ă‚‹ă—ă€ăƒ‰ăƒŒăƒłăšă„ă†æ„Ÿă˜ăŒă‚ă‚‹ă—ă€‚ć…ƒæ°—ăȘé ƒăźé»’æŸ€æ˜Žç›ŁçŁă«æ’źăŁăŠă‚‚ă‚‰ă„ăŸă„ă§ă™ă­ă€‚

é…’èŠ‹ă€€é»’æŸ€æ˜Žç›ŁçŁă«ă—ăŠă‚‚ă€ćŒă˜æ‰‹æł•ă«ç”¶ćŻŸćź‰äœă—ăŸă›ă‚“ă‚ˆă­ă€‚ćŒă˜æ˜ ç”»ăŻć…šç„¶ă€ăă‚‰ăȘい。そういうç‚čăŒć€§ć„œăă§ă™ă­ă€‚ă‚ăźăŠćčŽă§ă€ăŸă æ–°ă—ă„ă“ăšă‚’ă—ăŸă„ăźă‹ăšă„ă†ă‚ˆă†ăȘă€ć‡„ăŸă˜ă„äșșé–“ă ăšæ€ă„ăŸă™ă­ă€‚

è’æœšă€€æ—„æœŹăźæ˜ ç”»ă§ă‚ă‚Œă ă‘ăźæ˜ ç”»äœœćź¶ăšă„ă†ăźăŻă€ăăźćŸŒă€ă„ăŸă›ă‚“ă‚ˆă€‚

é…’èŠ‹ă€€ă‚‚ăŁăšă‚‚ă€æœ€èż‘ăźăŻă€ăŸă‚‰ăȘă„ă€‚ă§ă‚‚ă€é»’æŸ€ç›ŁçŁăŻă€ă‚šăƒłć€•ăƒŒăƒ†ă‚€ăƒĄăƒłăƒˆăŒă‚ă‹ăŁăŸäžŠă§ă€ă‚ă‚ă„ă†ă‚ă‘ăźă‚ă‹ă‚‰ă‚“ćźŸéš“çš„ăȘă“ăšă‚‚ă‚„ăŁăŠă„ă‚‹ăšă„ă†ă“ăšă§èš±ă›ă‚‹ă‚ă‘ă§ă™ă€‚è‹„æ‰‹ăźăšăă‹ă‚‰ćźŸéš“çš„ăȘこずばかりやっお、抙に怉ăȘè©•äŸĄăŒă‚ă‚‹ăšă„ă†ăźăŻăĄă‚‡ăŁăšæ°—ă«ć…„ă‚‰ăȘいです。(笑)

è’æœšă€€ă‚šăƒłă‚żăƒŒăƒ†ă‚€ăƒĄăƒłăƒˆă‚’ă—ăŁă‹ă‚ŠæŠŒă•ăˆăŸäžŠă§ă€ć€‰ăȘă“ăšă‚’ă‚„ăŁăŠăă‚Œăšèš€ă„ăŸă„ă§ă™ă­ă€‚
”

1 VJUMP - 1993-02 Cover.png
Tradução incompleta
Revista
Entrevista
Publicado em 21 de Fevereiro de 1993
đŸ‘€ Hirohiko Araki
📜
MangĂĄ
OVA
Jogo

“

It feels like an entirely new type of road game!

Manga Artist: Hirohiko Araki
I'm currently supervising the OVA for JoJo, which will be released this summer! It's very good, so I hope you look forward to it!

It was like reading from the manga again...
I didn't read the instruction manual at first, so I was a bit lost on what I had to do. (laughs) Later I learned that there was a spirit level and that I could talk during battles. Once you get the hang of it, you'll be able to form your own strategies. It was very interesting to learn and I felt smart after figuring it out. It seems like the person who made this game was quite familiar with my work. Even though I forgot a few lines myself. (laughs) It's like reading straight from the manga while playing.

↓ Araki-sensei's workplace inside a luxurious apartment located in the residential district of Setagaya City.

When Jotaro and Kakyoin attack with their "Ora Ora Ora!", it was really great seeing their final hit in action. (laughs) The fists on the screen made it feel like I was getting beat up. The graphics for Kakyoin's Emerald Splash were also done beautifully. That one came out effortlessly and it makes me happy whenever I see it being used. I wish the picture could've been a little bigger for that scene. Can't I just blow up the top half of the screen? (laughs)

→ When I tried talking to the opponents during battle, I thought it was a bit weird that they kept saying "I ignored your words." (laughs)

  • Favorite Stand User: (Ally) Jotaro Kujo "Star Platinum"; (Foe) Pretty much all of them.
  • Favorite Quote: I wrote all the dialogue myself, so I guess all of it. (laughs)
  • Comment: I think Polnareff's appearance was pretty funny. Those who are just starting the game should keep a close eye out for him!
”
[Translated by Morganstedmanms (JoJo's Bizarre Encyclopedia)]

“
æ–°æ„ŸèŠšăźăƒ­ăƒŒăƒ‰ă‚ČăƒŒăƒ ăŁăŠæ„Ÿă˜ă ă­ïŒ

æœŹă‚’èȘ­ăżèż”ă—ăŠă„ă‚‹ă‚ˆă†ăȘ雰ć›Čæ°—ă§ă—ăŸ

ă€€æœ€ćˆă€ć–èȘŹèȘ­ăŸăȘă„ă§ć§‹ă‚ăĄă‚ƒăŁăŸă‚“ă§ă€æ“äœœăŒă‚ă‹ă‚“ăȘăăŠă€æˆžæƒ‘ă„ăŒă‚ă‚ŠăŸă—ăŸă­ă€‚(笑)çČŸç„žăƒŹăƒ™ăƒ«ăŒă‚ă‚‹ăšă‹ă€ă‚»ăƒȘăƒ•ă§æˆŠă†ăźăŒă‚ă‚‹ă‚“ă ă€ăšă„ă†ăźăŻă‚ăšă§ă‚ă‹ă‚ŠăŸă—ăŸă€‚

ă€€ă„ă‚ă„ă‚ă‚ă‹ăŁăŠăăŸă‚‰ă€ä»ŠćșŠăŻè‡Șćˆ†ă§äœœæˆŠă‚’ăŸăŠă‚‰ă‚Œă‚‹ă‚ˆă†ă«ăȘăŁăŠăă‚‹ă‚“ă§ă™ă‚ˆă€‚èŠšăˆăŠăă‚‹ăšăŠă‚‚ă—ă‚ă„ă§ă™ă‚ˆă€‚çŸ„çš„ăȘæ„Ÿă˜ăŒă™ă‚‹ă‚“ă§ă™ă‚ˆă­ă€‚

ă€€äœœăŁăŸäșșăŒćŽŸäœœă‚’ă‹ăȘりèȘ­ăżèŸŒă‚“ă§ă„ă‚‹ăżăŸă„ă§ă™ă­ă€‚ćƒ•ăŒă€ă‚ă€ćż˜ă‚ŒăŠăŸăŁăŠă‚»ăƒȘフがけっこうć‡șどきたりしど。(笑)ă‚ČăƒŒăƒ ă‚’ă‚„ă‚ŠăȘăŒă‚‰ă€æœŹă‚’èȘ­ăżèż”ă—ăŠă„ă‚‹ă‚ˆă†ăȘæ„Ÿă˜ăŒă‚ă‚ŠăŸă—ăŸă­ăƒŒă€‚

ă€€æ‰żć€ȘéƒŽă‚„èŠ±äșŹé™ąăŒă€Œă‚Șラă‚Șラă‚Șăƒ©ïŒă€ăŁăŠæ”»æ’ƒă™ă‚‹ăšăă«ă€æœ€ćŸŒăźäž€ç™șăŒă‚ąăƒƒăƒ—ă§æ„ă‚‹ăźăŒă„ă„ă‚“ă§ă™ă‚ˆă€‚(笑)æ‹łă ă‘ă€‚ă‚ă‚ŒăŻă€ă‚„ăŁă€ă‘ăŸæ„Ÿă˜ăŒă—ăŸă™ă­ă€‚

ă€€èŠ±äșŹé™ąăźă‚šăƒĄăƒ©ăƒ«ăƒ‰ă‚čăƒ—ăƒ©ăƒƒă‚·ăƒ„ăźă‚°ăƒ©ăƒ•ă‚Łăƒƒă‚ŻăŻăă‚Œă„ă§ă™ă‚ˆă€‚ăƒ•ăƒŻăƒŒăƒƒăšć‡șăŠăă‚‹ă‚„ă€ă€‚ă“ă‚ŒăŒć‡șă‚‹ăšćŹ‰ă—ă„ă‚“ă§ă™ă‚ˆă­ă€‚ăăźć Žéąă ă‘ă€ă‚‚ă†ăĄă‚‡ăŁăšç”»éąă‚’ć€§ăăă—ăŠă»ă—ă„ăȘăšæ€ăŁăŸă‚Šă—ăŠă€‚ăƒ‰ăƒŒăƒłăšç”»éąăźäžŠćŠćˆ†äœżăˆăŸă›ă‚“ă‹ă­ăƒŒă€‚(笑)

ă“ăźć€ă«ç™șćŁČäșˆćźšăźă€Žă‚žăƒ§ă‚žăƒ§ă€ăźăƒ“ăƒ‡ă‚Șă‚ąăƒ‹ăƒĄă‚’ăŸă ă„ăŸç›Łäżźäž­ïŒăšăŠă‚‚ć‡șæ„ăŒă„ă„ăźă§ă€ăœăČèŠ‹ăŠäž‹ă•ă„ă­ïŒ

è’æœšć…ˆç”Ÿăźä»•äș‹ć ŽăŻă€äž–ç”°è°·ćŒșăźäœćź…èĄ—ă«ă‚ă‚‹é«˜çŽšăƒžăƒłă‚·ăƒ§ăƒłïŒ

ă€Œæ•”ă«ă‚»ăƒȘăƒ•ă§æ”»æ’ƒă™ă‚‹ăšăâ€èš€è‘‰ă‚’ç„ĄèŠ–ă—ăŸâ€ăŁăŠć‡șるぼがおかしかったですね。(笑)

ă€Œă‚­ăƒŁăƒ©ă‚Żă‚żăƒŒăŒăăŁăă‚Šă§ă™ă‚ˆă­ă€‚äž»äșș慬だけじゃăȘăă€ă›ă“ă„ă‚­ăƒŁăƒ©ă‚Żă‚żăƒŒăŸă§ăŒäŒŒăŠă„ăŠăłăŁăă‚Šă—ăŸăȘ」

â—ăŠæ°—ă«ć…„ă‚Šă‚čă‚żăƒłăƒ‰äœżă„

 (摳æ–č)ç©șæĄæ‰żć€ȘéƒŽă€€æ˜Ÿăźç™œé‡‘ă€€(æ•”)いちおう慹郹

â—ć„œăăȘć°è©ž

 è‡Șćˆ†ă§æ›žă„ăŸă‚‚ăźă§ă™ă‹ă‚‰ă€ă‚‚ăĄă‚‰ă‚“ć…šéƒšă§ă™ă­(笑)

â—äž€èš€ă‚łăƒĄăƒłăƒˆ

ă€€ăƒăƒ«ăƒŠăƒŹăƒ•ăźç™»ć Žă‚·ăƒŒăƒłăŻçŹ‘ăˆăŸă—ăŸă€‚ă“ă‚Œă‹ă‚‰ă‚ČăƒŒăƒ ă‚’ć§‹ă‚ă‚‹äșșăŻæłšç›źïŒ

”

JoJo Jump Novel.jpg
Revista
Entrevista
Publicado em 1 de Abril de 1993

“

The Strange World of Ohken & Araki Hirohiko

THE SHOCKING BIZARRE TALK (Ohtsuki Kenji VS Araki Hirohiko)

Two men with unique abilities meet in the faint light of a candle
 One is Araki Hirohiko. The other Ohtsuki Kenji. The shocking bizarre talk starts now


Ohtsuki: The first time I read Jojo I just thought “Woow, this inspires me, I’ve got to do this too, I really have to~”. I’m a musician, I have a band, but I also write books. I figured that if I was going to write for a magazine, I would have to focus, so I shut myself in the house and wrote and wrote for four days, but in the end
! I just couldn’t do it. I play in a band, act in movies, show up on TV. I do all kinds of things, but I feel most at home with my band. It was too hard for me to write a story.

Araki: But, you see, this is precisely that wall you hit at some point. You may think it’s hard, but you will enjoy it so much once you go beyond it.

Ohtsuki: Then I happened to read Jojo at that moment and went “hmmm”.

Araki: You see, I actually take a lot of hints from songs and the like.

Ohtsuki: I was just thinking that Dio’s name, for example, comes from Ronnie James Dio, or that Jojo is the Jojo in “Get Back”.

Araki: That’s right. There are a lot of examples. This horror element of rock music got to me ever since I was a child. I started listening to it in the 70s. Before that, album covers usually featured the artist, but then in the 1970s all kinds of demonic stuff started appearing on the jackets, like in the case of Marc Bolan or King Crimson. The titles were also something along the lines of “Highway to Hell”, and I can’t tell exactly why, but there was something about them that instinctively appealed to me. I guess I bought the albums more for the cover than for the actual music.

Ohtsuki: Same here, I also bought them for the covers.

Araki: You may call it the fascination of evil, or the fascination of the devil. It spoke to me.

Ohtsuki: Which side are you on when you write Jojo? The bad guys, right?

Araki: Ah, well, I generally get attached to everyone when I’m writing, but I also enjoy the bad guys from time to time. I may be considered a freak for saying this, I’m afraid, but I pursue the abnormal, like murderers and so on.

Ohtsuki: I see. You also had Jack the Ripper show up in your manga.

Araki: Yes, indeed, but
I want to write about more contemporary psycho horror elements. That type of abnormal psychology.

Ohtsuki: Speaking of which, there was this big incident last year that made me think “Wow, it’s happening~”
 One of those modern shamans said they would drive the demons out of a person and beat them up until they killed them.

Araki: I heard about that. It really did happen, huh.

Ohtsuki: I love these kinds of things. I don’t believe in ghosts or the occult. I don’t believe in them anymore, but I can’t help but love them.

Araki: I generally try to write Jojo as not completely steeped in the occult, but somewhere on the borderline; close to the other world, but not completely. For example, I prefer writing about the uncertainty and fear you feel when you wonder if there’s someone behind that door.

Ohtsuki: Behind that door?

Araki: Exactly. Don’t you find it scary when a curtain behind a window moves just a little?

Ohtsuki: Ikariya Chousuke is behind it (laughs). If I were to think there’s someone behind it, I’d just fully open it and bam! Chou-san would be there and go “Wooh”. (everyone laughs)

Araki: Still, you need this sort of unpredictability when you are writing a story.

Ohtsuki: You know, I didn’t believe in aliens before, but at one point I read Minamiyama Hiroshi’s books and wham! it dawned upon me. I’ve been obsessed with UFOs ever since.

Araki: That photo with the pyramids on Mars took me by surprise.

Ohtsuki: Oh yes, that one. That’s a funny one.

Araki: Is it edited?

Ohtsuki: It’s edited or, how should I put it, it’s more like spirit photography or those rocks that resemble human faces. There is this self-styled science journalist named K who claims the Moon is actually a secret base for UFOs and traces letters on all kinds of photos with the Moon craters, saying how many UFOs are in which craters, or pointing out where certain hideouts are. You do tend to believe you see what you’re told to see, but those blurry pictures of rocks simply make you think they resemble faces. That was what I meant.

Araki: Rather scary.

Ohtsuki: There are people who turn completely paranoid, overthink things and simply get lost in their own world. Especially writers. I was a bit afraid you might be like that too.

Araki: I have betrayed your expectations (laughs).

Ohtsuki: No, no, this is actually a good thing. I was worried what to say if you said “Dio visited me again this morning”. There really are people like this, you know. For example, there is this anime adaptation, Genma Taisen, written by H. It’s amazing how that person seems to be going more and more off the rails.

Araki: An actual living person?

Ohtsuki: He wrote Wolf Guy, which I really love, but apparently he always felt like the protagonist actually existed somehow. So, one day someone calling themselves by the protagonist’s name showed up at his door. He looked nothing like Inugami, he was just a normal middle-aged guy. At first, H thought he was some random paranoid guy, but still talked to him because he was afraid something might happen
and in the meantime, he came to believe he was the real thing. The scariest part is that they are talking in the presence of a magazine editor (laughs)

Araki: So, up until now he has
err
been writing while telepathically communicating with that person.

Ohtsuki: Yes. I told that story to S, an acquaintance who researches UFOs. He replied that he had been collecting material about psychic abilities as H’s advisor, had met that Inugami person and had even gotten an autograph (laughs). He showed it to me and it did say “Inugami”. What would you do if one day Jojo came to your house?

Araki: The story you just told me feels so real.

Ohtsuki: It won’t be long before Jojo visits you.

Araki: I love Inugami too, so I feel like he actually exists.

Ohtsuki: You do end up feeling like that, huh. Also, what’s amazing is that


We apologise, but the following content was too extreme, so it could not be reproduced.

Ohtsuki: Maybe I will also become a writer visited by the protagonist of the story he wrote a few years back.

Araki: I also have people asking me how come I know about hamon, because they were already practising it.

Ohtsuki: See? You will be visited by a Jojo in a few years’ time.

Araki: I will introduce them to you when the time comes.

Ohtsuki: Is Jojo going to get an anime?

Araki: There’s one out right now.

Ohtsuki: Is it airing already?

Araki: It’s on video. I like the scenario. I didn’t write it, but it feels like I actually did


Ohtsuki: Then I’m going to watch it.

Araki: It’s interesting. It’s a fast paced story.

Ohtsuki: What do you think about the voices?

Araki: I don’t worry about them at all. It would be a bit weird if a man voiced a woman though.

Ohtsuki: That would be odd.

Araki: Or if Jojo had Lupin III’s or Sazae-san’s voice.

Ohtsuki: But that would be nice. Really nice. Imagine if Dio said “Useless useless useless” in Masuo’s voice.

Araki: Or Doraemon’s voice


Ohtsuki: Ok, that kind of unexpected casting is just


Araki: It’s fine, but it would end up as a cult work.

Ohtsuki: For example, I actually want to see Namihei from Sazae-san voicing Lupin III.

Araki: It would be nice if voice imitators did it too.

Ohtsuki: Oh, there’s someone who really sounds like that. Someone who imitates Hirokawa Taichirou as Lupin III’s voice. It is such a strange thing to encounter in daily life, above all else. What if you turned on the TV one day and Lupin III’s voice were completely different!

Araki: That would be quite something.

Ohtsuki: One billion people would faint in front of the TV if he had the same voice as Hoshi Ittetsu.

Araki: The phone lines would be on fire.

Ohtsuki: I want to see this for Sazae-san’s Ooyama Nobuyo too. I would actually love to write this kind of story one day.

Araki: I am sure you can do it.

Now, one final message for the readers


Ohtsuki: I am releasing an album titled “UFOs to koibito” in April. It make me happy if you bought one copy
 I am also very serious about writing a story, whether it takes me ten or twenty years. It might end up as a novel or a movie though.

Araki: I see. I know this sounds cliche, but let’s do our best. Disregarding the anime, Jojo also has a Famicom game and a novel. Nevertheless, I want to make the manga interesting enough so it won’t lose to either of them.

Thank you for today.

”
[Translated by Dijeh][2]

“
珏3郹ぼ氏èȘŹăŒæŽČèŒ‰ă•ă‚ŒăŸă€Œă‚žăƒŁăƒłăƒ—ăƒŽăƒ™ăƒ«ă€(1993ćčŽ4月1æ—„ć·)ă§ăźćŻŸè«‡ă€‚

noveloken_00 ă“ăźć·ăŻă‚žăƒ§ă‚žăƒ§ç‰čé›†ć·ă§ă€ć°èȘŹä»„ć€–ă«ă‚‚æŠ˜èŸŒăƒă‚čă‚żăƒŒă‚„ă€ă‚žăƒ§ăƒŒă‚čă‚żăƒŒćź¶ć››ä»Łăźæ­ŽćČ(ćčŽèĄš)、ç©șæĄæ‰żć€ȘéƒŽć€§æż€é—˜MAP(第侉郹憒é™ș朰曳)ç­‰ăŒèŒ‰ăŁăŠă„ăŸă—ăŸă€‚ăăźèŸșたçŽčä»‹ă«ă€ă„ăŠăŻăŸăŸćˆ„ăźæ©ŸäŒšă«ă€‚

ăŠç›žæ‰‹ăŻéŸłçŸłăƒ»ăƒ»ăƒ»ă§ăŻăȘăć€§æ§»ă‚±ăƒłăƒ‚æ°ă§ă™ă€‚ (â€»æ™‚æœŸçš„ă«ăŻéŸłçŸłæ˜ŽăŒç™»ć Žă™ă‚‹ç›Žć‰)


ă‚ȘăƒŒă‚±ăƒłïŒ†éŁ›ć‘‚ćœŠăźć„‡ćŠ™ăȘ侖界 THE SHOCKING BIZARRE TALKă€ć€§æ§»ă‚±ăƒłăƒ‚VSè’æœšéŁ›ć‘‚ćœŠă€‘ 仄かにćșƒăŒă‚‹ç‡­ć°ăźçŻăźäž­ă€äșŒäșșたç‰č異ăȘæ‰èƒœă‚’æŒă€è€…ăŒć‡șäŒšăŁăŸâ€•â€•ă€‚ 侀äșșăŻè’æœšéŁ›ć‘‚ćœŠă€ăă—ăŠă‚‚ă†äž€äșșăŻć€§æ§»ă‚±ăƒłăƒ‚ă€‚ă‚·ăƒ§ăƒƒă‚­ăƒłă‚°ăƒ»ăƒ“ă‚¶ăƒŒăƒ«ăƒ»ăƒˆăƒŒă‚ŻăŒä»Šć§‹ăŸă‚‹ăƒ»ăƒ»ăƒ»ă€‚

ăƒ›ăƒ©ăƒŒăŁăŠă„ă†ăźăŻçŸ„æ€§ă«èšŽăˆă‚‹éƒšćˆ†ăšăƒăƒŒăƒˆă«èšŽăˆă‚‹éƒšćˆ†ăšäžĄæ–čă‚ă‚‹ă‹ă‚‰ćƒ•ă€ć„œăăȘんです。

ă‚Șă‚«ăƒ«ăƒˆă‚„ăƒ›ăƒ©ăƒŒă€äŸ‹ăˆă°ćčœéœŠăȘんかでも惕、信じどăȘă„ă‚“ă§ă™ă‚ˆă€‚ă§ă‚‚ă€ć„œăă§ă—ă‚‡ă†ăŒăȘい。

ć€§æ§»ă€€ćźŸăŻćƒ•ăŻă€Œă‚žăƒ§ă‚žăƒ§ă€ă‚’èȘ­ă‚“で䞀ç•Șæ€ăŁăŸäș‹ăŻă‚ă‚ŒăȘă‚“ă§ă™ă‚ˆă€‚äœ•ă‹ă‚Šă‚Șïœžăƒƒăšă‚„ă‚‹æ°—ă«ăȘるăȘべいう。äżșă‚‚ă‚„ă‚‰ă­ă°ïœžă€‚äœ•ă‹ă‚„ă‚‰ă­ă°ïœžăżăŸă„ăȘă€‚ćƒ•ăŻăƒŸăƒ„ăƒŒă‚žă‚·ăƒŁăƒłăšă„ă†ă‹ă€ăƒăƒłăƒ‰ă‚’ă‚„ăŁăŠă„ă‚‹ă‚“ă§ă™ă‘ă©ă‚‚ă€ćźŸăŻæœŹă‚‚æ›žă„ăŠă„ă‚‹ă‚“ă§ă™ă€‚ă§ă€ă‚ă‚‹é›‘èȘŒă«æ›žăă‚“で、集䞭しăȘくちゃăȘă‚‰ă‚“ăšæ€ăŁăŠă€4æ—„é–“äœăƒžăƒłă‚·ăƒ§ăƒłă«ă“ă‚‚ăŁăŠćŸ·ç­†ă—ăŠăŸă‚“ă§ă™ă‘ă©ă€ă‚‚ă†ïœžăƒ»ăƒ»ăƒ»ïŒćƒ•ă­ă€ăƒăƒłăƒ‰ă‚’ă‚„ăŁăŸă‚Šă€æ˜ ç”»ă«ć‡șăŸă‚Šă€ăƒ†ăƒŹăƒ“ă«ć‡șたりべかè‰Čă€…ă‚„ăŁăŠă„ă‚‹ă‚“ă§ă™ă‘ă©ă€ăƒăƒłăƒ‰ăŒäž€ç•Șæ„œă€‚ă‚‚ă†ă€Œç‰©èȘžă€ă‚’äœœă‚‹ăšă„ă†ăźăŻèŸ›ă„ă§ă™ă­ă€‚

è’æœšă€€ă§ă‚‚ă­ă€ăăźćŁăȘă‚“ă§ă™ă‚ˆă€‚èŸ›ă„ă€ăŁăŠă„ă†ćŁă‚’è¶Šăˆă‚‹ăšæ„œă—ă„ă‚“ă§ă™ă‚ˆă­ă€‚

ć€§æ§»ă€€ăă‚Œă§ăăźæ™‚ă«ăĄă‚‡ă†ă©ă€Œă‚žăƒ§ă‚žăƒ§ă€ă‚’èȘ­ăżăŸă—ăŠă€ă†ïœžă‚€ăšă€‚

è’æœšă€€ă§ă‚‚ă­ă€ç§ă‚‚ă»ă‚“ăšă€æ›Čă‹ă‚‰ăšă‹ă„ăŁă±ă„ăƒ’ăƒłăƒˆă‚’ćŸ—ăŸă‚Šă—ăŸă™ă‚ˆă€‚

ć€§æ§»ă€€ćƒ•æ€ăŁăŸă‚“ă§ă™ă‘ă©ă€ăƒ‡ă‚Łă‚ȘăŁăŠèš€ă†ăźăŻăƒ­ăƒ‹ăƒŒăƒ»ă‚žă‚§ă‚€ăƒ ă‚čăƒ»ăƒ‡ă‚Łă‚Șで、ゾョゾョは『ă‚Čăƒƒăƒˆăƒăƒƒă‚Żă€ă«ć‡șどくるゾョゾョですよね。

è’æœšă€€ăă†ă§ă™ă€‚ă„ăŁă±ă„ă„ăŸă™ă‚ˆă€ă‚‚ă†ă€‚äœ•ă‹ă­ă€ăƒ­ăƒƒă‚Żăšă“ă†ă„ă†ăƒ›ăƒ©ăƒŒçš„ăȘă‚‚ăźăŁăŠă„ă†ăźăŻă€ć­äŸ›ăźæ™‚ă‹ă‚‰ăƒ“ăƒ“ăƒƒăšæ„ăŸă—ăŠă€‚ćƒ•ăŻ70ćčŽä»Łäœă‹ă‚‰èžăć§‹ă‚ăŸă‚“ă§ă™ă‘ă©ă€‚æ˜”ăŻă‚žăƒŁă‚±ăƒƒăƒˆăŁăŠăăźæ›Čăźă‚ąăƒŒăƒ†ă‚Łă‚čăƒˆă‚’æ’źăŁăŠăŸă‚“ă§ă™ă‚ˆă­ă€‚ăšă“ă‚ăŒă€70ćčŽä»Łă«ć…„ăŁăŠă‹ă‚‰æ€„ă«æ‚Ș魔的ăȘă‚‚ăźă‚’ă‚žăƒŁă‚±ăƒƒăƒˆă«æŠŒă—ć‡șă™ă‚“ă§ă™ă‚ˆă€‚ăƒžăƒŒă‚Żăƒ»ăƒœăƒ©ăƒłăšă‹ă€ă‚­ăƒłă‚°ăƒ»ă‚ŻăƒȘăƒ ă‚Ÿăƒłăšă‹ă­ă€‚ă‚żă‚€ăƒˆăƒ«ă‚‚ă€Œćœ°ç„ăźăƒă‚€ă‚Šă‚§ă‚€ă€ăšă‹ă€Œæ‚Șé­”ăźé ­è„łéžæŠžă€ăšă‹ă€ăă†ă„ă†ăźăŒă‚ăŁăŠă€äœ•ă§ă‹çŸ„ă‚‰ăȘă„ă‘ă©ă€æœŹèƒœçš„ă«ăƒă‚·ăƒă‚·ăƒƒăŁăŠăăĄă‚ƒăŁăŠă€‚éŸłæ„œă‚ˆă‚Šă‚‚ă‚žăƒŁă‚±ăƒƒăƒˆă§èČ·ăŁăŸăšèš€ă†æ–čがいいんじゃăȘいかべいう。

ć€§æ§»ă€€ćƒ•ă‚‚ăă†ă§ă™ă­ă€‚ă‚žăƒŁă‚±ăƒƒăƒˆă§èČ·ăŁăŠăŸă—ăŸă€‚

è’æœšă€€ăƒŻăƒ«ăźé­…ćŠ›ăšă„ă†ă‹ă€æ‚Ș魔ぼ魅抛みたいăȘă­ă€‚ăă†ă„ă†ăźăŒă€ćƒ•ă€ăăŸă—ăŸă­ă€‚

ć€§æ§»ă€€ă€Œă‚žăƒ§ă‚žăƒ§ă€ă§ăŻă€ă©ăŁăĄă«è‚©ć…„ă‚Œă—ăŠă‹ă„ăŠă„ă‚‹ăŁăŠă„ă†ăźăŻă‚ă‚ŠăŸă™ă‹ïŒŸă€€ă‚„ăŁă±æ‚ȘăźćŽïŒŸ

è’æœšă€€ă„ă‚„ă€äž€ćżœć…šć“Ąă«æ€ă„ć…„ă‚Œă—ăŠæ›žăă‚“ă§ă™ă‘ă©ă€æ‚Șたæ–čăŒæ„œă—ă„æ™‚ă‚‚ă‚ă‚ŠăŸă™ă­ă€‚äœ•ă‹è‡Șćˆ†ăŒć€‰æ…‹ăżăŸă„ă«æ€ă‚ă‚Œă‚‹ăšć›°ă‚‹ă‚“ă§ă™ă‘ă©ă‚‚ă€ç•°ćžžæ€§ăšă‹ă‚’èżœæ±‚ă—ăŸă‚Šă™ă‚‹ă‚“ă§ă™ă‚ˆă€æźșäșșéŹŒăšă‹ă€‚

ć€§æ§»ă€€ă‚ă‚ă€‚ć‰ăźæ–čă«ćˆ‡ă‚ŠèŁ‚ăă‚žăƒŁăƒƒă‚Żă‚‚ć‡șăŠă„ăŸă™ă‚ˆă­ă€‚

è’æœšă€€ăˆăˆă€ć‡șăŠăăŸă—ăŸă‘ă©ăƒ»ăƒ»ăƒ»ă€‚ă‚‚ă†ăĄă‚‡ăŁăšçŸä»Łă‚”ă‚€ă‚łăƒ›ăƒ©ăƒŒçš„ăȘă€ă‚ă‚ă„ă†ç•°ćžžćżƒç†ă‚’æ›žăăŸă„ă‚“ă§ă™ă‚ˆă€‚

ć€§æ§»ă€€ăă†ă„ăˆă°ă€ćŽ»ćčŽă€ă“ă‚ŒăŻćƒ•ăŻăăŸăȘïœžăŁăŠèš€ă†ć‡„ă„äș‹ä»¶ăŒă€ă‚ă‚ŠăŸă—ăŠăƒ»ăƒ»ăƒ»ă€‚ä»Šæ™‚ă€ç„ˆç„·ćž«ăŒă€æ‚ȘéœŠăŒă€ă„ăŸăšă‹ă„ă†äșșă‚’ăŠæ‰•ă„ă ăšă‹èš€ăŁăŠă€ăƒă‚«ăƒă‚«ć©ă„ăŠă€æźșしちゃったäș‹ä»¶ăȘんですよ。

è’æœšă€€çŸ„ăŁăŠăŸă™ă€‚ăăŠăŸă™ă‚ˆă­ă€‚

ć€§æ§»ă€€ă“ă†ă„ă†ăźăŒćƒ•ă€ć„œăăȘんですよね。ćčœéœŠăšă‹ă‚Șă‚«ăƒ«ăƒˆăšă‹ă€ăă†ă„ă†ă‚‚ăźă‚’ćƒ•ă€äżĄă˜ăŠă„ăȘă„ă‚“ă§ă™ă‚ˆă€‚ă‚‚ă†ă»ăšă‚“ă©äżĄă˜ăŠă„ăȘă„ă‚“ă ă‘ă©ć„œăă§ă—ă‚‡ă†ăŒăȘい。

è’æœšă€€äž€ćżœă€ă€Œă‚žăƒ§ă‚žăƒ§ă€ăȘんかではă‚Șă‚«ăƒ«ăƒˆă©ăŁă·ă‚Šă§ăŻăȘく、汃盼みたいăȘæ‰€ă«ă„ă‚‹ă‚ˆă†ă«ćżƒăŒă‘ăŠăŠă€ćźŒç’§ă«ă‚ăŁăĄăźäž–ç•Œă«ăŻă„ă‹ăȘă„ă‚ˆă†ă«ă—ăŠă‚‹ă‚“ă§ă™ă‘ă©ă­ă€‚ăŸăšăˆă°ă€ă‚ăźăƒ‰ă‚ąăźć‘ă“ă†ă«èȘ°ăŒă„るたかăȘăšă‹ă€ăă†ă„ă†æ€–ă•ă‚’èżœæ±‚ă™ă‚‹ă‚ˆă†ăȘæ‰€ă§ă™ă‚ˆă€‚

ć€§æ§»ă€€ă‚ăźăƒ‰ă‚ąăźćŸŒă‚ă§ă™ă‹ïŒŸ

è’æœšă€€ăă†ă€‚çȘ“ă‹ă‚‰ă‚«ăƒŒăƒ†ăƒłăŒăƒăƒ©ăƒƒăšć‹•ă„ăŸă‚Šă™ă‚‹ăšæ€–ă„ă˜ă‚ƒăȘă„ă§ă™ă‹ă€ă‚ă‚ă„ă†æ„Ÿă˜ă§ă™ă­ă€‚

ć€§æ§»ă€€ă„ă‹ă‚Šă‚„é•·ä»‹ăŒă„ă‚‹ă€‚(笑) ăŸăšăˆă°ă€ćƒ•ăŒăă“ă«äœ•ăŒă‚ă‚‹ă‚“ă ăšæ€ăŁăŠăƒăƒŒăƒłăšé–‹ă‘ăŸă‚‰ă€é•·ă•ă‚“ăŒă„ăŠă€Œă‚Šă‚Șïœžă€ăšă‹ă€‚(äž€ćŒć€§çŹ‘) è’æœšă€€ă§ă‚‚ă€ăă†ă„ă†æ„ć€–æ€§ăŁăŠă€ă€Œç‰©èȘžă€ă‚’äœœă‚‹äžŠă§ćż…èŠă§ă™ă‚ˆă­ă€‚

ă€Œç‰©èȘžă€ăŻèĄŒăă‚ăŸă‚Šă°ăŁăŸă‚Šă«è€ƒăˆăŠăŸă™ă€‚æăæ„Ÿă˜ăŻăƒ©ă‚€ăƒ–çš„ăšă‹æ—„蚘的ăȘんですよ。

äč—ăŁăŠăăŸă‚‰ă‚ăźă€Œç„Ąé§„ç„Ąé§„ç„Ąé§„ă€ăšă‹ć–‹ă‚ŠăȘăŒă‚‰æ›žă„ăŠăŸă›ă‚“ïŒŸ

ć€§æ§»ă€€ćƒ•ăŻćź‡ćź™äșșべか信じどいăȘă‹ăŁăŸă‚“ă§ă™ăŒă€ă‚ă‚‹æ™‚ă€ć—ć±±ćźć…ˆç”ŸăźæœŹă‚’èȘ­ă‚“ă§ă‚Źïœžăƒłă€ăšăăŸă—ăŠă­ă€‚ăă‚Œä»„æ„ă€ćƒ•ă€UFOă‚ȘタクăȘんですよ。

è’æœšă€€ă‚ăźć†™çœŸăƒ“ăƒƒă‚ŻăƒȘしたăȘă‚ă€‚ç«æ˜ŸèĄšéąăźăƒ”ăƒ©ăƒŸăƒƒăƒ‰ăźć†™çœŸă€‚

ć€§æ§»ă€€ă‚ă‚ă€ă‚ă‚Œă­ă€‚ă§ă‚‚ă€ă‚ă‚Œă€çŹ‘ăŁăĄă‚ƒă„ăŸă™ă‚ˆă€‚

è’æœšă€€ăƒˆăƒȘックăȘă‚“ă§ă™ă‹ïŒŸ

ć€§æ§»ă€€ăƒˆăƒȘăƒƒă‚Żăšă„ă†ă‹ă€ćżƒéœŠć†™çœŸăšă„ăŁă—ă‚‡ă§ă€äœ•ă‹ă“ă†ă‚Żăƒ‹ăƒŁă‚Żăƒ‹ăƒŁă—ăŸćČ©ăŒăŸă éĄ”ă«èŠ‹ăˆă‚‹ăŁăŠă„ă†ăźăŒă‚ă‚‹ă˜ă‚ƒăȘいですか。Kさんどいうè‡Șç§°ç§‘ć­Šă‚žăƒŁăƒŒăƒŠăƒȘă‚čăƒˆăŒă„ă‚‹ă‚“ă§ă™ă‘ă©ă€ăăźäșșăŒă€ćźŸăŻæœˆăŻUFOぼ秘毆ćŸșćœ°ă ăŁăŸăšèš€ăŁăŠă€æœˆăźć†™çœŸă‚’ă„ăŁă±ă„ć‡șă—ăŠă€ă‚ŻăƒŹăƒŒă‚żăƒŒăšă‹ăźäžŠă‹ă‚‰ć­—ă‚’ăȘぞっお、ここにUFOăŒäœ•æ©Ÿçœźă„ăŠă‚ă‚‹ăšă‹ă€ă“ă“ă«ç§˜ćŻ†ćŸșćœ°ăŒă‚ă‚‹ăšă‹ă€ç””ă«ă‹ăă‚“ă§ă™ă€‚ăă†ă„ă‚ă‚Œă‚Šă‚ƒăă†èŠ‹ăˆăȘくもăȘいけど、ćČ©ăźć†™çœŸăšă‹ă€é ăă‹ă‚‰ăźă—ă‹ă‚‚ă‚ˆăă‚ă‹ă‚“ăȘă„ć†™çœŸă§ă€ă“ă“ă«äșșぼ顔があるかăȘă‚ăšæ€ăˆă°ăă†æ€ăˆăĄă‚ƒă†ă˜ă‚ƒăȘă„ă§ă™ă‹ă€‚ăă†ă„ă†æ„Ÿă˜ă§ă™ă‚ˆă€ă‚ă‚ŒăŁăŠă€‚

è’æœšă€€ă‚„ă°ă„ă§ă™ă‚ˆă­ă€‚

ć€§æ§»ă€€ăă†ă„ă†ăƒ‘ăƒ©ăƒŽă‚€ă‚ąçš„ăȘăšă„ă†ă‹ă€é›†äž­ă—ăŸăăŁăĄă‚ƒăŁăŠă€ăăźäž–ç•Œă«ćźŒć…šă«ć…„ăŁăĄă‚ƒăŁăŠă€äœ•ă‹ă‚‚ă†é€žè„±ă—ăĄă‚ƒăŁăŠă‚‹ăšèš€ă†ăźă‹ăȘ、そういうäșșっどいるじゃăȘいですか。ç‰čă«äœœćź¶ăźæ–čăŁăŠă€‚ă ă‹ă‚‰ă€ćźŸăŻćƒ•ăŻăŠäŒšă„ă™ă‚‹ăŸă§ăŻè’æœšă•ă‚“ă‚‚ăă†ă„ă†æ–čă ăŁăŸă‚‰ă©ă†ă—ă‚ˆă†ă‹ăšă€ăĄă‚‡ăŁăšæ€–ă‹ăŁăŸă‚“ă§ă™ă‘ă©ă‚‚ă€‚

è’æœšă€€ă”æœŸćŸ…ă«æ·»ăˆăŸă›ă‚“ă§ă€‚(笑)

ć€§æ§»ă€€ă„ăˆă„ăˆă€‚ă„ă‚„ă‚ă€ćź‰ćżƒă—ăŸă—ăŸă€‚äœ•ă‹ă€ă„ăăȘり「けさもディă‚ȘăŒæ„ăŠă­ă€ăšă‹èš€ă„ć‡șă•ă‚ŒăŸă‚Šă—ăŸă‚‰ă©ă†ă—ă‚ˆă†ă‹ăšă€‚ă§ă‚‚ă€ă‚ă‚‹ă˜ă‚ƒăȘă„ă§ă™ă‹ă€‚äŸ‹ăˆă°ă€ć‰ă«ă‚ąăƒ‹ăƒĄćŒ–ă‚‚ă•ă‚ŒăŸă€Žćč»â—‹â—‹â—‹ă€ă‚’æ›žă‹ă‚ŒăŸHさん。あぼæ–čă‚‚ă©ă‚“ă©ă‚“ă€ă†ăŠïœžăŁăŠă„ăŁăĄă‚ƒă†äșșで、すごいんですよ。

è’æœšă€€ćźŸéš›ăźäșșがですか。

ć€§æ§»ă€€Hă•ă‚“ăŻă€Œă‚Šâ—‹â—‹ă‚Źă‚€ă€ăŁăŠäœœć“ă‚’æ›žă„ăŠă‚‰ăŁă—ă‚ƒăŁăŠă€ćƒ•ă‚‚ć€§ć„œăăȘă‚“ă§ă™ă‘ă©ă€ăăźäœœć“ăźäž»äșșć…ŹăŒă©ă“ă‹ă§ćźŸćœšă™ă‚‹ă‚ˆă†ăȘæ°—ăŒăšăŁăšă—ăŠăŸă‚“ă ăă†ă§ă™ă‚ˆă€‚ă§ă€äœ•ăšă‚ă‚‹æ—„ă€ćź¶ă«ăăźäž»äșș慬だべ損äč—ă‚‹äșșé–“ăŒæ„ăĄă‚ƒăŁăŸă‚“ă§ă™ăŁăŠă€‚ăšăŠă‚‚çŠŹâ—‹â—‹ăšăŻæ€ăˆăȘă„æ™źé€šăźăŠă˜ă•ă‚“ă ăŁăŸă‚‰ă—ă„ă‚“ă§ă™ă‘ă©ă€‚ăă‚Œă§Hă•ă‚“ăŻă€æœ€ćˆăŻă“ă„ă€ăŻăŸă ăźăƒ‘ăƒ©ăƒŽă‚€ă‚ąă ă‚ă†ăšæ€ăŁăŠă€ă§ă‚‚æ€–ă„ă‹ă‚‰è©±ă—ăŠăŸă‚“ă§ă™ăŁăŠăƒ»ăƒ»ăƒ»ă€‚ă§ă‚‚ă€Hă•ă‚“ăŻè©±ă—ăŠă‚‹ă†ăĄă«ă“ă„ă€ăŻæœŹç‰©ă ăšæ€ăŁăĄă‚ƒăŁăŸă‚“ă§ă™ă­ă€‚ăă‚Œă§æă‚‹ăčきäș‹ă«ă€ă‚る雑èȘŒă§ç·šé›†è€…ç«‹äŒšă„ăźäž‹ă€ćŻŸè«‡ă—ăŠă‚‹ă‚“ă§ă™ă€‚(笑)

è’æœšă€€ă˜ă‚ƒă€ä»ŠăŸă§ăŻăăźăƒ»ăƒ»ăƒ»ăƒ†ăƒŹăƒ‘ă‚·ăƒŒăżăŸă„ăȘもぼをそぼäșșă‹ă‚‰ć—ă‘ăŠæ›žă„ăŠă„ăŸăšă€‚

ć€§æ§»ă€€ăă†ă€‚ăă‚Œă§ćƒ•ă€ăăźè©±ă‚’UFOç ”ç©¶ćź¶ăźçŸ„äșșă«è©±ă—ăŸă‚“ă§ă™ă‚ˆă€‚ăă—ăŸă‚‰ă€ăăźSさんどいうæ–čが、「いや、惕も漟はHă•ă‚“ăźăƒ–ăƒŹăƒŒăƒłăšă—ăŠè¶…èƒœćŠ›ăšă‹ăźèł‡æ–™é›†ă‚ă‚’ă—ăŠă„ăŸă‚“ă ă‚ˆă€ăšă‹èš€ă„ć‡șă—ăŸă—ăŠă€ă€Œă ă‹ă‚‰ă€ćƒ•ă‚‚ăăźçŠŹâ—‹â—‹ă•ă‚“ă«äŒšă„ăŸă—ăŸă‚ˆă€‚èŠ‹ăŠäž‹ă•ă„ă€‚ă‚”ă‚€ăƒłă‚’ă‚‚ă‚‰ăŁăŸă‚“ă§ă™ă‚ˆă€ăšă€‚(笑)èŠ‹ă›ăŠă‚‚ă‚‰ăŁăŸă‚‰çąșă‹ă«ă€ŽçŠŹâ—‹â—‹ă€ăšă‚”ă‚€ăƒłă«æ›žă„ăŠă‚ă‚‹ă‚“ă§ă™ă‚ˆă€‚ă©ă†ă—ăŸă™ïŒŸă€€ă‚ă‚‹æ—„è’æœšă•ă‚“ăźăŠćź…ă«ă‚žăƒ§ă‚žăƒ§ăŒèšȘă­ăŠăăŸă‚‰ïŒ

è’æœšă€€ä»Šăźè©±ă€ă™ă”ă„ăƒȘケăƒȘăƒ†ă‚ŁăŒă‚ă‚ŠăŸă™ă­ă€‚

ć€§æ§»ă€€è’æœšă•ă‚“ă€ăă‚ŒăŻă‚ăšă‚‚ă†ăĄă‚‡ăŁăšă§ă™ă‚ˆă€‚ă‚žăƒ§ă‚žăƒ§ăŒèšȘă­ăŠăă‚‹ăŸă§ă€‚

è’æœšă€€ă§ă‚‚ă€çŠŹâ—‹â—‹ăŻćƒ•ă‚‚ć„œăă ă‹ă‚‰ă€ćźŸéš›ă«ă„ă‚‹ă‚ˆă†ăȘæ„Ÿă˜ăŻă—ăŸă™ă‚ˆă­ă€‚

ć€§æ§»ă€€ăă†ă„ă†ă”ă†ă«ăȘăŁăŠăăĄă‚ƒă†ă‚“ă§ă—ă‚‡ă†ă­ă€‚ă‚ăšă€ć‡„ă„ăźăŒăƒ»ăƒ»ăƒ»ă€‚

[ă“ă“ă‹ă‚‰ăŻäœ™ă‚Šă«ă‚‚éŽæż€ăȘため、æŽČèŒ‰ă§ăăŸă›ă‚“ă€‚ă‚ă—ă‹ă‚‰ăšă€‚]

ć€§æ§»ă€€ă§ă‚‚ă€ćƒ•ă‚‚äœ•ćčŽă‹ă€Œç‰©èȘžă€ă‚’äœœăŁăŠæ•°ćčŽćŸŒă«ç”‚ă‚ă‚‰ă›ăŸæ™‚ă«äž»äșș慬がèšȘă­ăŠăăŸăšă‹èš€ă†äșșにăȘăŁăŠă‚‹ă‹ă‚‚çŸ„ă‚ŒăȘいですね。

è’æœšă€€ă§ă‚‚ă€ç§ăźæ‰€ă«ă‚‚ă€ă©ă†ă—ăŠæłąçŽ‹ăŁăŠçŸ„ăŁăŠă‚‹ă‚“ă§ă™ă‹ăšèš€ă†äșșăŒæ„ăŸă™ă‚ˆă€‚ç§ăŒă‚„ăŁăŠă„ă‚‹ă‚“ă ăŁăŠă€‚

ć€§æ§»ă€€ă»ïœžă‚‰ă€‚ă‚ăšæ•°ćčŽćŸŒă€ă‚žăƒ§ă‚žăƒ§ăŒèšȘă­ăŠăăŸă™ă‚ˆă€‚

è’æœšă€€ăăźæ™‚ăŻçŽčä»‹ă—ăŸă™ă‚ˆă€‚

ć€§æ§»ă€€ă€Œă‚žăƒ§ă‚žăƒ§ă€ăŻă‚ąăƒ‹ăƒĄćŒ–ăšă„ă†ăźăŻïŒŸ

è’æœšă€€ä»Šă‚„ăŁăŠăŸă™ă€‚

ć€§æ§»ă€€ă‚‚ă†ć§‹ăŸăŁăŠă‚‹ă‚“ă§ă™ă‹ïŒŸ

è’æœšă€€ăƒ“ăƒ‡ă‚Șă§ă™ă€‚ă‘ă©ă€ă“ăźă‚·ăƒŠăƒȘă‚Șたć‡șæ„ăŒă„ă„ă‚“ă§ă™ă‚ˆă€‚äœ•ă‹ćƒ•è‡Șèș«ăŒæ›žă„ăŸèšłă˜ă‚ƒăȘいんだけど、è‡Șćˆ†ăŒæ›žă„ăŸă‚ˆă†ăȘăƒ»ăƒ»ăƒ»ă€‚

ć€§æ§»ă€€ă‚ă€ăă‚ŒăŻèŠ‹ăŠăżă‚ˆă†ă€‚

è’æœšă€€éąç™œă„ă§ă™ă‚ˆă€‚ă‚Źăƒłă‚Źăƒłæ„ă‚‹è©±ă«ăȘっどど。

ć€§æ§»ă€€ćŁ°ăźć°è±Ąăšă‹ăŻă©ă†ă§ă™ă‹ïŒŸ

è’æœšă€€ăă†ă„ă†ăźăŻć…šç„¶æ°—ă«ă—ăȘă„ă§ă™ă€‚ç”·ăŒć„łăźćŁ°ă—ăŠăŸă‚‰ăĄă‚‡ăŁăšă‚ă‚Œă§ă™ă‘ă©ă€‚

ć€§æ§»ă€€ăă‚ŒăŻăŸăšă„ă§ă™ă‚ˆă­ă€‚

è’æœšă€€ă‚ăšă€ă‚žăƒ§ă‚žăƒ§ăŒă€Œăƒ«ăƒ‘ăƒłäž‰äž–ă€ăźćŁ°ă—ăŠă‚‹ăšă‹ă€ă€Œă‚”ă‚¶ă‚šă•ă‚“ă€ăźćŁ°ă—ăŠă‚‹ăšă‹ă€‚

ć€§æ§»ă€€ă§ă‚‚ă€ăă‚Œă€ă„ă„ăȘあ。すごくいいăȘあ。ディă‚Șがマă‚čă‚Șă•ă‚“ăźă‚ăźćŁ°ă§ă€Œç„Ąé§„ç„Ąé§„ç„Ąé§„ăƒŒăƒƒă€ăšă‹ă€‚

è’æœšă€€ă€Œăƒ‰ăƒ©ăˆă‚‚ă‚“ă€ăźćŁ°ăšă‹ăƒ»ăƒ»ăƒ»ă€‚

ć€§æ§»ă€€ă§ă‚‚ă€ăă†ă„ă†æ„ć€–ăȘキャă‚čăƒ†ă‚Łăƒłă‚°ăšă„ă†ăźă‚‚ăƒ»ăƒ»ăƒ»ă€‚

è’æœšă€€ă„ă„ă‘ă©ă€ăă‚ŒăŻă‚«ăƒ«ăƒˆäœœć“ă«ăȘっちゃうよ。

ć€§æ§»ă€€äŸ‹ăˆă°ă€Œă‚”ă‚¶ă‚šă•ă‚“ă€ă§æłąćčłăźćŁ°ăŒă€Œăƒ«ăƒ‘ăƒłäž‰äž–ă€ăźćŁ°ă ăŁăŸă‚Šă™ă‚‹èšłă§ă™ă‚ˆă€‚ăă‚ŒăŻèŠ‹ăŠăżăŸă„ăȘあ。

è’æœšă€€ă‚ăšă‚‚ăźăŸă­ăźäșșにやっおもらうずかもいいですね。

ć€§æ§»ă€€ă‚ăŁă€ă™ă”ă„äŒŒăŠă‚‹äșșがいるんですよ。ćșƒć·ć€Șäž€éƒŽăźăŸă­ă‚’ă™ă‚‹äșșă§ă€‚ă»ă‚“ăšă€äŸ‹ăˆă°ă€ăƒ«ăƒ‘ăƒłăźćŁ°ăŒćșƒć·ć€Șäž€éƒŽă ăŁăŸă‚Šă—ăŸă‚‰ă€‚ăă‚Œă“ăăŒăŸă•ă«æ—„ćžžăźäž­ăźç•°ćžžă§ă™ă‚ˆă€‚äœ•ă‚ˆă‚Šă‚‚ă€‚äŸ‹ăˆă°ă€ă‚ă‚‹æ—„ăƒ†ăƒŹăƒ“ă‚’ă€ă‘ăŸă‚‰ă€ăƒ«ăƒ‘ăƒłäž‰äž–ăźćŁ°ăŒć…šç„¶é•ă†ïŒ

è’æœšă€€ă„ă„ă§ă™ă­ă‡ă€‚

ć€§æ§»ă€€æ˜Ÿäž€ćŸčăźćŁ°ă ăŁăŸă‚Šă—ăŸă‚‰æ°—ç”¶ă—ăŸă™ă‚ˆă€äž€ć„„äșșがテレビぼ才で。

è’æœšă€€é›»è©±ăŒæźș戰するでしょうねぇ。

ć€§æ§»ă€€ă‚”ă‚¶ă‚šă•ă‚“ăźć€§ć±±ăźă¶ä»Łă‚‚èŠ‹ăŸă„ăȘă€‚ćƒ•ă‚‚ă„ă€ă‹ăă†ă„ă†ă€Œç‰©èȘžă€ă‚’æ›žăăŸă„ăȘă‚ăšæ€ăŁăŠă„ă‚‹ă‚“ă§ă™ă‘ă©ă­ă€‚

è’æœšă€€æ›žă‘ă‚‹ăšæ€ă„ăŸă™ă‚ˆă€‚

â€•ă§ăŻă€æœ€ćŸŒă«ăŠäșŒäșșからèȘ­è€…ăžăźă‚łăƒĄăƒłăƒˆă‚’ăƒ»ăƒ»ăƒ»ă€‚

ć€§æ§»ă€€4æœˆă«ă€ŒUFOăšæ‹äșșă€ăšă„ă†ă‚ąăƒ«ăƒăƒ ăŒć‡șă‚‹ă‚“ă§ă™ă‚ˆă€‚ăŸă‚ăČăšă€ă‚ˆă‘ă‚Œă°èČ·ăŁăŠă„ăŸă ă‘ăŸă‚‰ăƒ»ăƒ»ăƒ»ă€‚ăă—ăŠćƒ•ăŻçœŸć‰Łă«ă€ă‚ăšććčŽäșŒććčŽă‹ă‹ăŁăŠă‚‚ă„ă„ă‹ă‚‰ă€Œç‰©èȘžă€ă‚’äœœă‚ŠăŸă„ăšă€‚ă§ă‚‚ă‚„ăŁă±ă‚Šć°èȘŹă‹æ˜ ç”»ăšă‹ă„ă†æ‰‹æź”にăȘるんだろうăȘあ。

è’æœšă€€ăă†ă§ă™ă­ă€‚æœˆäžŠăżă§ă™ă‘ă©ă€é ‘ćŒ”ă‚ŠăŸă™ă‹ăȘă€‚ă€Œă‚žăƒ§ă‚žăƒ§ă€ă‚‚ă‚ąăƒ‹ăƒĄăźä»–ă«ă‚‚ăƒ•ă‚ĄăƒŸă‚łăƒłă‚„ć°èȘŹă«ăȘăŁăŠăŸă™ă‘ă©ă€ăăźă©ă‚Œă«ă‚‚æœŹćź¶ăźăƒžăƒłă‚ŹăŒèȠけăȘă„ă‚ˆă†ă«æ›žă„ăŠă„ăă€ă‚‚ă‚Šă§ă™ă€‚ â€•æœŹæ—„ăŻă©ă†ă‚‚ă‚ă‚ŠăŒăšă†ă”ă–ă„ăŸă—ăŸă€‚ (æž‹è°·ă€Žă‚żăƒłăƒˆăƒ©ă€ă«ăŠ)

è’æœšć…ˆç”Ÿă‹ă‚‰ăźăƒ“ă‚¶ăƒŒăƒ«ăƒˆăƒŒă‚ŻćŸŒèš˜!! ă€Œăƒžăƒłă‚Źćź¶ă«ă—ăŠăŻæ™źé€šăźäșșă™ăƒă€ăšăăƒŒă„ăƒŒă‚ă‚“ăŸă ăŁăŠăƒ­ăƒƒă‚«ăƒŒăźăă›ă«ăŸă˜ă‚ăȘäșșăźăă›ă« ćŻŸè«‡ăŻäž€çšźăźé—˜ă„ă ăȘăšæ€ăŁăŸ

èȘ­è€…ăƒ—ăƒŹă‚ŒăƒłăƒˆăŻă‚€ăƒ©ă‚čăƒˆć…„ă‚Šă‚”ă‚€ăƒłè‰Č玙
”

Japanese VHS 1 (OVA).jpg
MĂ­dia Caseira
Entrevista
Publicado em 19 de Novembro de 1993
đŸ‘€ Hirohiko Araki
📜
OVA
“

Hirohiko Araki talks about the anime adaptation of Jojo's Bizarre Adventure

Araki: Despite the fact that I am the author, JOJO is a manga that I have trouble describing. In view of its success, I guess it must be a good series.

We asked the author of Jojo's Bizarre Adventure, Hirohiko Araki today, his impressions of the animated adaptation of his work. Discover what he revealed to us.

What did you think of the adaptation project at the beginning?

Araki: In the OVA, Jotaro's adventures in Part 3 do not take place in a continuous thread, but rather, in small pieces. It comes across as highlights of the things people liked the most. That seemed fine to me. I wanted something that would satisfy buyers, something that would please fans, something really addictive and exciting. I asked them in particular to make a 'beautiful anime'.

Your impressions of the 1st episode (episode 8)?

Araki: Well...Although I am the author of the series, I was really ensnared by it. Not necessarily because it was good or bad but just at the level of history and suspense it had. For example, when Polnareff flees holding Kakyoin I said to myself: "faster! faster!" These are the impressions I felt.

The music is really good. It's called the soundtrack, I think. I realized that it really was different from any other anime so far.

What did you think about the voice acting?

Araki: The first time I listened to them, I thought: "Ah, okay, so that's how they sound." But that isn't an unpleasant impression. I think this anime admirably adapts my work.

Here are some comments from the director, Mr. Kitakubo.

Kitakubo: I've already discussed this project once before with Mr. Araki. As it is a manga that exudes intense energy, I expected an equally energetic author. When I met him, I found him very open. I wouldn't say he is 'sweet', but my impression of him was that he was a little effeminate. His kind of words can be vexing. How can I put this..? He's like a girl with a very dark character. He's not really macho, and I think his eyes are a bit feminine too. In talking with him, I learned that he watched a lot of movies and read novels. He always seems to be looking for ideas to exploit in his manga. One feels in him a great desire to enrich his work. It is really very interesting. Working with him during this work really inspired me. It's very hard but I want to do my best to do surpass the original manga.

Araki: Episodes 1 and 2 are really well done. I look forward to the rest of the series. I hope that the feeling of presence in the other episodes will be as well done.

As you can see, Mr. Araki seems very happy with the anime. Mr. Araki, thank you very much. The production of episodes continues! We wait for them impatiently!

To Be Continued[3]
”

[Translated by Notelu]

Japanese VHS 3 (OVA).jpg
Tradução incompleta
MĂ­dia Caseira
Entrevista
Publicado em 21 de Julho de 1993

“

K: Part 4's going to be quite long, isn't it?

A: No, well, I haven't organized it or anything.

K: How about little hints? Like when Josuke met his past self?

A: Oh, that's not related.

K: It's not related!?

A: That's just Josuke's memory.
”
[Translated by MetallicKaiser (JoJo's Bizarre Encyclopedia)]

“

挗äč…äżă€Œ4郹っどかăȘă‚Šé•·ă„æ§‹æˆăȘんでしょ?」

è’ă€€æœšă€Œă„ă‚„ă€ć…šç„¶æ§‹æˆăšă‹ă—ăŠă„ăȘă„ă‚“ă§ă™ă‘ă©ă€

挗äč…äżă€ŒăĄă‚‰ăŁăšăƒ•ăƒȘăŒæœ‰ăŁăŸă˜ă‚ƒăȘă„ă§ă™ă‹ă€‚ä»—ćŠ©ăŒéŽćŽ»ăźè‡Șćˆ†ă«äŒšă†ăšă‹ă€

è’ă€€æœšă€Œă‚ă‚ă€ă‚ă‚ŒăŻé–ąäż‚ăȘいです」

挗äč…äżă€Œé–ąäż‚ăȘい!?」

è’ă€€æœšă€Œă‚ă‚ŒăŻăŸă ăźä»—ćŠ©ăźæ€ă„ć‡șですよ」[4]

”

See Interview Archive

References